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Mike Kelley Auction Price Results

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Mike Kelley a.o. in Sonsbeek 93. 3 portfolios

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Description: KELLEY, Mike; Juan MUÑOZ; Mario AIRÓ; KAMAGURKA; Mark MANDERS and 10 others. Sonsbeek 93. Grafiekmap 1-3. Arnhem, Sonsbeek, 1993. The complete three sets of five prints in various media (15 prints), on various papers and one on fabric, all signed, dated and numbered, Grafiekmap 1, numbered '2/60', Grafiekmap 2 and 3 numbered '26/60' in pencil, except A. Ruppersberg, 'Survival Map' on fabric, signed in black felt pen, in the original cardboard folders with title label screenprints on the front, contains: Grafiekmap 1: Pepe Espaliú, Christine & Irene Hohenbüchler, Mike Kelley, Mark Manders and Eran Schaerf; Grafiekmap 2: Christina Assmann & Andreas Siekmann, Miroslaw Balka, Kamagurka, Juan Muñoz and Allen Ruppersberg; Grafiekmap 3: Mario Airó, Alighiero e Boetti, Mark Dion, Anna Gudjónsdótter & Till Krause and RW van de Wint, all 67.3 x 53.3 cm., all in excellent condition, in the original publisher's paper wrap.

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Bowling ball engraved with signature and edition number; Shirt embroidered

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Description: A set of four custom objects - Bowling ball engraved with signature and edition number; Shirt embroidered "Mike Kelley" | From the edition of 50 | Published by: A.R.T. Press, Los Angeles, CA

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Street Sign

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Description: Two-color silkscreen on white baked enamel aluminum panel with three puncture holes | From the PP edition of 4 aside the edition of 100 | Signed, dated and annotated PP 4/4

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Bowling Ball, Bag, Shirt, 1991

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Description: Set of three objects including a customized bowling shirt,bowling ball and bag in plexiglas case From the numbered edition of 50 Ball engraved with signature and edition number Published by A.R.T. Press, Los Angeles Condition: bag is faded

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Mike Kelley Untitled

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Description: Mike Kelley Untitled (Bowling Ball, Bag, Shirt and Catalog) USA, 1991 bowling ball, fabric, vinyl, polyester, rayon, printed paper Engraved signature and number to bowling ball 'M. Kelley 17/50'.This work is number 17 from the edition of 50 published by A.R.T. Press, Los Angeles. This complete set includes a customized bowling shirt, bowling ball, bag and catalog Mike Kelley by William S. Bartman and Miyoshi Barosh. Provenance: Private collection

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MIKE KELLEY AND TONY OURSLER - Singing Stop Sign (Señalización de Pare Cantante), 1998

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Description: MIKE KELLEY AND TONY OURSLER - Singing Stop Sign (Señalización de Pare Cantante), 1998

Condition Report: Request to receive a Condition Report for this item or any items in this auction by contacting the seller.

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Mike Kelley Autographed Wilson Baseball

Description: No coa present includes display case

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Description: Mike Kelley b. 1954 UNTWISTED CROSS signed and dated 1995 on the reverse acrylic, wood panels and metal screws on wood overall: 64 by 47in. 162.6 by 119.4cm. Provenance Metro Pictures, New York Acquired by the present owner from the above Exhibited New York, Metro Pictures, Toward a Utopian Arts Complex, 1995 Barcelona, Museu d'Art Contemporani de Barcelona; Malmö, Rooseum Center for Contemporary Art; Eindhoven, Stedelijk van Abbemuseum, Mike Kelley, 1985-1996, 1997, cat. no. 33, p. 114, illustrated in color.

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MIKE KELLEY | Visceral Egg

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Description: acrylic on paper

Condition Report: Colour: The colour in the catalogue illustration is fairly accurate, although the overall tonality is brighter and more vibrant in the original. Condition: This work is in very good condition. The sheet is attached verso to the backing board in all four corners. There are artists's pinholes in all four corners. Close inspection reveals a minor few handling creases: to the centre of the left edge and to the centre of the bottom edge. No restoration is apparent when examined under ultraviolet light."In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

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MIKE KELLEY | Memory Ware Flat #29

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Description: mixed media on board

Condition Report: This work is in excellent condition. All of the mixed media elements appear securely adhered to the surface. The surface is slightly dusty overall. Not examined under ultraviolet light.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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No Image Available

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Description: NUMBER ONE AND NUMBER TWO found stuffed animals and string overall: 32 by 16 by 9in. 81.3 by 40.6 by 22.9cm. Executed in 1989. Provenance Rosamund Felsen Gallery, Los Angeles Acquired by the present owner from the above in 1989 Exhibited New York, Whitney Museum of American Art; Los Angeles County Museum of Art; Stockholm, Moderna Museet, Mike Kelley, 1994, p. 249.

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No Image Available

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Description: NUMBER ONE AND NUMBER TWO found stuffed animals and string overall: 32 by 16 by 9in. 81.3 by 40.6 by 22.9cm. Executed in 1989. Provenance Rosamund Felsen Gallery, Los Angeles Acquired by the present owner from the above in 1989 Exhibited New York, Whitney Museum of American Art; Los Angeles County Museum of Art; Stockholm, Moderna Museet, Mike Kelley, 1994, p. 249.

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                                        MIKE KELLEY (B. 1954)

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Description: MIKE KELLEY (B. 1954) Ahh...Youth eight elements--Cibachrome print mounted to aluminum each: 24 x 16¾ in. (61 x 46 cm.)self-portrait: 24 x 16¼ in. (61 x 41.3 cm.)Executed in 1991. This work is number four from an edition of ten plus two artist's proofs.

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Mike Kelley

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Description: b. 1954 WOOD NYMPH felt collage 95 by 60 in. 241.3 by 152.4 cm. Executed in 1988. Provenance Metro Pictures, New York Acquired from the above in 1989.

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No Image Available

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Description: Kelley, M. Cocks and Balls colored felt 93 x 70in. (236.3 x 177.8cm.) Executed in 1988. PROVENANCE Rafael Jablonka Galerie, Cologne SALESROOM NOTICE Please note that this work was incorrectly illustrated in the catalogue and that the green background was omitted.

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Mike Kelley (b. 1954)

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Description: ET's Long Neck, Two Brains, Penis and Scrotumfound stuffed animals129 7/8 x 10 1/4 x 65 3/8 in. (330 x 26 x 166 cm.)Executed in 1989.

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                                        MIKE KELLEY (B. 1954)

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Description: MIKE KELLEY (B. 1954) Ahh...Youth! stamped with initials and dated 'M.K. 1991' and numbered '5/10' (on the reverse of each print)eight Cibachrome prints seven elements, each: 23 5/8 x 16 in. (60 x 40.6 cm.)self-portrait: 23 1/8 x 15½ in. (58.7 x 39.3 cm.)Executed in 1991. This work is number five from an edition of ten plus two artist's proofs. (8)

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MIKE KELLEY

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Description: MIKE KELLEY B.1954 CRAFT MORPHOLOGY FLOW CHART each signed, numbered 2/2 and dated 1991 on the reverse black and white photographs in artist's frames, in 60 parts each: 17 1/4 x 12 1/2 in. 43.8 x 31.8 cm. (framed dimensions) Executed in 1991, this work is number 2 from an edition of 2, and is a unique variation as edition 1 of 2 was conceived as a room installation for the Carnegie International .

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MIKE KELLEY (NE EN 1954)

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Description: MIKE KELLEY (NE EN 1954) TRANSMISSION vidéo projection et technique mixte 304.8 x 190.5 x 381 cm. (120 x 75 x 150 in.) Réalisé en 2004/2005.

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MIKE KELLEY

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Description: MIKE KELLEY B.1954 GARBAGE DRAWING NO. 39 acrylic on paper 21 1/4 by 42 in. 54 by 106.7 cm. Executed in 1988.

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Description: Sic semper tyrannis, acrylic panel triptych painted 1985 prov. Oil Painting (48x48in).

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Description: Dialogue, #5 (One hand clapping) installation--stuffed animal, radio and blanket 16 x 63 x 40in. (41 x 162 x 103cm.) Executed in 1991. This work is to be sold with a certificate of authenticity signed by the artist. PROVENANCE Galerie Jablonka, Cologne EXHIBITION New York, Whitney Museum of American Art; Los Angeles, Los Angeles County Museum of Art; and Munich, Haus der Kunst, Mike Kelley: Catholic Tastes, November 1993--April 1995, p. 204 (illustrated). Villa Merkel, Galerie der Stadt Esslingen, Fort! Da! Cooperations!, February-June 1997. NOTES Mike Kelley's work combines found objects which have complex emotional histories such as children's toys with cassette recordings that evoke his own work as a musician and performer. Kelley's upbringing as a Catholic and his distrust of the repressive structures of the Church inform his work. The blankets and toys are both formal components and a record of the unappeasable emotional debt owed to the adults by the children who had been given them. "Unlike many of his peers, Kelley chose not to appropriate media imagery but instead registered the devastating effects, the shame and degradation, wreaked on the image and object consumer. Kelley doesn't simply depict the pathetic--his works are so limply anemic, so plainly suffering from a case of rejectionitis, that you can almost feel sorry for them as art objects. Despite evidence of the artist's secondary personas, there's no coyness or sense of psychological remove. In a society fueled by pictures of success, these images of failure generate the anxiety that surrounds the taboo." (R. Rugoff, Mike Kelley Catholic Tastes, exh. cat., Whitney Museum of American Art, New York, 1993, p. 171) Mike Kelley defined these pieces: "In my work, the system and the anti-system aren't about architecture versus the material contained by it, they're more about social systems... The placement on the floor makes you think of certain historic formal discussions. Yet the materials themselves deny that discussion because the materials relate to hearth and home, and developmental kinds of issues." (Mike Kelley interviewed by John Miller in Mike Kelley, Los Angeles, 1992, p. 44).

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Estral Star, 1989

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Description: Estral Star, 1989Handsewn found stuffed cloth animal with buttons. 24 1/2 x 7 1/2 x 3 1/2 in. (62.2 x 19.1 x 9 cm).  Signed “M. Kelley” on the reverse.

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l - MIKE KELLEY

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Description: B. 1954IN MEMORY OF CAMELOTthree parts: tree, 71 x 16 in. 180.4 x 40.6 cm,; pedestal, 67 x 12 in., 170.2 x 30.5 cm.; newspaper (framed), 30 1/4 x 21 1/4 in., 76.8 x 54 cm.bottle, buttons, wood, ceramic figures, paper collage, newspaper, pedestal and mixed mediaExecuted in 2000.PROVENANCEGalerie Ghislaine Hussenot, ParisAcquired by the present owner from the aboveEXHIBITEDParis, Fondation Cartier, Un art populaire, June - November 2001, p. 73, illustrated in colorLITERATUREJohn C. Welchman, ed., Mike Kelley: Minor Histories, Statements, Conversations, Proposals, Cambridge, MA, 2004, fig. no. 16, p. 145, illustrated

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Mike Kelley

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Description: each: stamped with the artist's initials and numbered 10/10 on the reverse,Cibachrome photographs, in eight parts,overall: 24 1/4 x 136 in. 61.6 x 345.4 cm.,Executed in 1990, this work is number ten from an edition of ten plus two artist's proofs.

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Mike Kelley (born 1954)

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Description: Plaster Statue of John Glenn, John Glenn H.S, Westlands, MI; Chainsaw Sculpture of Bigfoot, Redwood Area of Northern CA 2001 cibachrome prints mounted on board, in 2 parts Each: 186.1 by 125.1 cm. 73 ¼ by 49 ¼ in. This work was executed in 2001 and is number 3 from an edition of 5.

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MIKE KELLEY

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Description: Animation 6 (Baby) This work is from an edition of five and is accompanied by a certificate of authenticity signed by the artist.

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MIKE KELLEY Missing Time Color Exercise (Reversed)

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Description: MIKE KELLEY Missing Time Color Exercise (Reversed) No. 1, 2002

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Mike Kelley (1954-2012)

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Description: Mike Kelley (1954-2012) >Two FrogsTwo Cats >four elements--stuffed animals <br>20 x 69 x 7 in. (50.8 x 175.3 x 17.8 cm.) >Executed in 1990. <br>

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MIKE KELLEY Textural Index (Landscape Contra

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Description: MIKE KELLEY Textural Index (Landscape Contra Figure), 1990

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MIKE KELLEY B. 1954 DEVIL BUSH

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Description: cut and glued feltExecuted in 1988.PROVENANCEPatrick Painter Inc., Santa MonicaAcquired by the present owner from the aboveEXHIBITEDBasel, Kuntshalle; Frankfurt, Portakis; London, Institute of Contemporary Art, Mike Kelley, April - July 1992London, Institute of Contemporary Art, Klutterkammer: An Exhibition by John Bock, September - November 2004LITERATURE AND REFERENCESExh. Cat., New York, Whitney Museum of American Art (and traveling), Mike Kelley, Catholic Tastes, 1993, p. 232, illustration in color of the installation at the Kunsthalle, BaselJohn C. Welchman, Mike Kelley, London 1999, p. 55, illustration in color of the installation at the Kunsthalle, Basel

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Street Sign, 2004

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Description: Street Sign, 2004Screenprint on metal sheet.  15 x 24 in. (38.1 x 61 cm).  Signed, dated and numbered on verso. This work is from an edition of 100 and is accompanied by a certificate of authenticity.

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MIKE KELLEY Empathy Displacement: Humanoid

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Description: MIKE KELLEY Empathy Displacement: Humanoid Morphology (2nd & 3rd Remove) #4, 1990

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Mike Kelley (B. 1954)

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Description: Compound Eye synthetic polymer on newspaper 221/2 x 271/2in. (57.3 x 70cm.) Executed in 1983. PROVENANCE Rosamund Felsen Gallery, Los Angeles. EXHIBITION New York, Whitney Museum of American Art, 'Mike Kelley. Catholic Tastes', Nov. 1993 - Feb. 1994. This exhibition travelled to Los Angeles, Los Angeles County Museum of Art, and Stockholm, Moderna Museet.

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Wood Grain #8

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Description: MIKE KELLEY (b. 1954) Wood Grain #8 signed, titled and dated 'M. Kelley 2003 #8' (on the reverse) acrylic on panel with wood knot insert 28 x 18 in. (71.1 x 45.7 cm.) Executed in 2003.

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Mike Kelley (B. 1954)

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Description: River & Tributaries pencil, acrylic and ink on paper 22 1/8 x 30in. (56.2 x 76.4cm.) Executed in 1985. PROVENANCE Rosamund Felsen Gallery, Los Angeles.

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MIKE KELLEY

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Description: Daddy

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Mike Kelley (B. 1954)

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Description: Ahh...Youthsigned and dated 'Mike Kelley 1991' (on the reverse of each photograph)eight cibachrome photographseach, 24 x 18 in. (61 x 46 cm.)Executed in 1991. This work is number seven from an edition of ten.

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Mike Kelley (B. 1954)

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Description: Rainbow Coalition acrylic on tarpaulin 89 x 103in. (226.1 x 261.6cm.) Executed in 1985. PROVENANCE Rosamund Felsen Gallery, Los Angeles.

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Mike Kelley (b.1954)

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Description: Garbage Drawing #30 (from 'seventy-four garbage drawings and one bush') synthetic polymer on paper 17 7/8 x 41in. (45.5 x 104.1cm.) Executed in 1988. PROVENANCE Rosamund Felsen Gallery, Los Angeles. EXHIBITION New York, Whitney Museum of American Art, 'Mike Kelly Exhibition', 5 Nov. 1993 - 20 Feb. 1994. This exhibtion travelled to Los Angeles, Los Angeles County Museum of Art; and Stockholm, Moderna Museet.

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Mike Kelley (B. 1954)

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Description: Continental Divide signed and dated 'Mike Kelley 1984' (on the reverse) acrylic on canvas 931/2 x 67in. (236.2 x 170.5cm.) Executed in 1984. PROVENANCE Rosamund Felsen Gallery, Los Angeles.

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Mike Kelley (b.1954)

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Description: Garbage Drawing #18 (from 'seventy-four garbage drawings and one bush') synthetic polymer on paper 291/2 x 411/2in. (75 x 105.4cm.) Executed in 1988. PROVENANCE Rosamund Felsen Gallery, New York. LITERATURE J.C. Weldman, I. Graw and A. Vidler (eds.), 'Mike Kelley', London 1999 (illustrated in colour p.93). EXHIBITION New York, Whitney Museum of American Art, 'Mike Kelley Exhibition', 5 Nov. 1993 - 20 Feb. 1994. This exhibition travelled to Los Angeles, Los Angeles County Museum of Art, and Stockholm, Moderna Museet.

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Description: Estral Star #1 tied, stuffed cloth animals 311/2 x 12 x 61/2in. (80 x 30 x 16.5cm.) Executed in 1989. PROVENANCE Rosamund Felsen Gallery, Los Angeles EXHIBITION Beaver College Art Gallery, Residue Politics, December 1990-January 1991 Washington, D. C., Hirshhorn Museum and Sculpture Garden, Mike Kelley: Half a Man, February-May 1991 New York, Whitney Museum of American Art; Los Angeles County Museum of Art; and Stockholm, Moderna Museet, Mike Kelley: Catholic Tastes, November 1993-Fall 1994, p. 249.

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Description: Cave Painting each numbered consecutively (1-12) synthetic polymer on twelve sheets of paper each: 48 x 48in. (122 x 122cm.) overall: 144 x 192in. (365.8 x 487.7cm) Executed in 1984.

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Description: THE BOUNTY acrylic on panel, plastic and papier machE fruit and ribbon overall: 87 by 53 by 9in. 221 by 134.6 by 22.9cm. Executed in 1989. Provenance Rosamund Felsen Gallery, Los Angeles Acquired by the present owner from the above in 1989.

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Description: THE BOUNTY acrylic on panel, plastic and papier machE fruit and ribbon overall: 87 by 53 by 9in. 221 by 134.6 by 22.9cm. Executed in 1989. Provenance Rosamund Felsen Gallery, Los Angeles Acquired by the present owner from the above in 1989.

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l - MIKE KELLEY

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Description: B. 1954EMPATHY DISPLACEMENT: HUMANOID MORPHOLOGY (2ND AND 3RD REMOVE) #8measurementspanel: 46 3/4 by 21 in. 118.7 by 53.3 cm.alternate measurementsbox: 17 3/4 by 8 1/2 by 4 3/4 in. 45 by 21.6 by 12 cm.acrylic on panel and handmade doll in wood boxExecuted in 1990.PROVENANCERosamund Felsen Gallery, Santa MonicaPrivate Collection, SwitzerlandPrivate Collection, BostonTracy Williams, Ltd., New YorkAcquired by the present owner from the aboveEXHIBITEDSanta Monica, Rosamund Felsen Gallery, Mike Kelley, 1992LITERATUREArtpress, Mike Kelley, New York, 1992, pp. 38-39, illustrated (Rosamund Felsen Gallery installation)Exh. Cat., New York, Whitney Museum of American Art, Mike Kelley, Catholic Tastes, 1993, p. 232, illustrated (Rosamund Felsen Gallery installation) NOTE"The complete title is: Empathy Displacement: Humanoid Morphology (2nd and 3rd Remove). 2nd and 3rd Remove refers to the second and third removal from the platonic archetype of the human. The first removed would be your body. The second removed would be the doll. The third removed would be the image of the doll. So we're getting at some notion of the human only through a second and third remove, and even then there's all these levels of displacement. You realize that the whole function of empathy is displacement. That's what I was trying to do in these pieces." (Mike Kelley in Artpress, Mike Kelley, New York, 1992, p. 51)

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Description: MIKE KELLEY Two works from Pansy Metal, Clovered Hoof, 1989

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Description: Kelley, M. Incorrect Sexual Model Corrected: Symmetry Left and Right inscribed 'CORRECTED SYMMETRY: LEFT (A,B), RIGHT (A,B)' on the reverse of each respective panel diptych-each acrylic on two attached panels each: 72 x 48 in. (183 x 122cm.) Executed in 1987. PROVENANCE Rafael Jablonka Galerie, Cologne EXHIBITION Chicago, Renaissance Society at the University of Chicago, Mike Kelley Three Projects: Half A Man From My Institution To Yours Pay For Your Pleasure, p. 27, no. 12 and 13.

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Mike Kelley (1954-2012)

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Description: Mike Kelley (1954-2012) >Sketches from Meditation <br>ink and gouache on paper mounted on paper >28½ x 21¼ in. (72.4 x 54 cm.) <br>Painted in 1981.

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