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Henry Thomas Alken Auction Price Results

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Henry Thomas Alken, The Prince of Wales, Etching

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Description: Artist: Henry Thomas Alken, British (1785 - 1851) - Title: The Prince of Wales - Medium: Hand colored etching - Image Size: 4.5 x 7.5 inches - Size: 6 x 8.5 in. (15.24 x 21.59 cm) - Frame Size: 11.5 x 15.5 inches

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Alken, Henry Hand Colored Etching Popular Songs 1822

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Description: Alken, Henry (British 1785-1851), "Illustrations to Popular Songs". Published by Thomas McLean, Repository of Wit & Humor, London 1822-24. Hand-colored soft ground etchings, (complete text: The steed with impatirence revierns the far plain. And pawing the earth pants in every veins/Behold the bold youth up the treatening steep/ Thro thickets he rushes down valleys sweep. No rampair or hedge can his vigour impede/Tho life is at stake he trusts all to his steed.) 8.5" x 10.5". Frame: 15" x 17.25". Weight Approx., 7lbs.

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Alken, Henry Hand Colored Etching Popular Songs 1822

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Description: Alken, Henry (British1785-1851), "Illustrations to Popular Songs". Published by Thomas McLean, Repository of Wit & Humor, London 1822-24. Han-colored soft ground etchings, (complete text: A Southerly wind and a stormy sky Proclaim a hunting morning/A stormy sky o'ercharg'd with rain. Both hounds and huntsmen opposes/Then we rid & spur for a two hours chase. Our horses so panting and sobbing)8.5" x 10.5". Frame: 15" x 17.25". Weight Approx., 8lbs.

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STEEPLECHASE SCENES

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Description: Henry Thomas Alken, Sr. (British, 1785-1851)STEEPLECHASE SCENES (set of 4)Watercolor, 10 1/4" x 14 1/2" each$6,000. - 8,000.Provenance:Arthur Ackerman & Son

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HENRY ALKEN, (BRITISH 1785-1851), HORSE AND RIDER; AND A COMPANION

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Description: HENRY ALKEN (british 1785-1851)/span HORSE AND RIDER; AND A COMPANION Each signed 'H. Alken' bottom left, pair oils on board Each: 13 1/2 x 10 1/4 in. (34.3 x 26cm) (2) provenance: /spanThe Collection of Mr. and Mrs. Gerald and Lyn Hempt, Pennsylvania.

Condition Report: Fine overall condition each; no evidence of any restoration under u.v. light. The one of the pair illustrated in the catalogue with some slight surface scratches in the sky at upper center right and possibly beneath rider's hat. Frames: 17 x 13 3/4 in. (each) Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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ATTRIBUTED TO HENRY ALKEN, (BRITISH 1785-1851),

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Description: ATTRIBUTED TO HENRY ALKEN (british 1785-1851)/span "THE DOVER TO LONDON COACH AT A HALT BY A COTTAGE IN THE SNOW" Oil on panel 13 x 16 in. (33 x 40.6cm) provenance: /spanSotheby's New York, sale of May 27, 2004, lot 203. Acquired from the above sale by the present owner. Private Collection, Pennsylvania.

Condition Report: Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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Alken, Henry Thomas Sr. - Dead Heat for the Doncaster..

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Description: DEAD HEAT FOR THE DONCASTER ST. LEGER 1850 BETWEEN VOLTIGUER AND RUSSBOROUGH The 1850 St. Leger was run at Doncaster on September 18 and finished as a dead heat between Lord Zetland's Voltigeur (red spots) and Mr. Mangan's Russborough. As was customary at this period, the two horses then competed in a run-off with Voltigeur emerging triumphant. Voltigeur had already won the Epsom Derby and was a strong favorite for the race at odds of 8 to 13, while the Irish-bred Russborough was pegged at 20 to 1. Voltigeur was a brown colt by Voltaire out of Martha Lynn, bred by Mr. Stephenson, and foaled in 1847. He won a total of six races including the famous Doncaster Cup of 1850 in which he defeated the 1849 Derby winner, The Flying Dutchman. This is the only occasion in the history of the British Turf that two Derby winners (both also won the St. Leger) have clashed on the racecourse. After the Flying Dutchman's defeat his owner, Lord Eglington, challenged Lord Zetland to a private re-match, which was accepted. Known as "The Great Match" the race took place at Knavesmire on May 13, 1851, with The Flying Dutchman taking his revenge for the earlier defeat. Alken also painted a smaller, preparatory oil sketch of this subject on panel, which was sold at Sotheby's, London on November 30, 2000.

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Alken, Sr., Henry Thomas - Shooting and Fishing (Pair)

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Description: SHOOTING AND FISHING (PAIR)

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HENRY THOMAS ALKEN (1785-1851) PAIR OF CHROMOLITHOGRAPHS IN WALNUT FRAMES. PUBLISHED 1820 FRAMES ARE 16.25 X 12.25

Description: HENRY THOMAS ALKEN (1785-1851) PAIR OF CHROMOLITHOGRAPHS IN WALNUT FRAMES. PUBLISHED 1820 FRAMES ARE 16.25 X 12.25"

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HENRY THOMAS ALKEN SNR. | Setting off for the day's sport

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Description: oil on panel

Condition Report: The panel is uncradled, flat and stable. The paint surface is slightly dirty and the varnish is slightly discoloured. There is retouching to reduce the appearance of craquelure largely in the rear of the hose, in the trunk of the tree to the left, and in the branches of the tree on the right, which has discoloured somewhat. Inspection under ultraviolet light reveals this retouching, as well as some spot retouching in the branches of the trees, centre. There is little other notable intervention. In overall fair condition."In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

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After Henry Alken (1785-1851)

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Description: After Henry Alken (1785-1851) THE FIRST STEEPLECHASE ON RECORD (A SET OF FOUR) engraved by J. Harris, aquatint, first published by Ben Brookes, London 1839, each image 26.5 by 37cm., 10 ½ by 14 ¼in., mounted but unframed

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HENRY THOMAS ALKEN SNR. | The start of the 1849 derby; and Winning the 1849 derby
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Henry Alken (1785-1851) Hunt Scene, watercolour,

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Description: Henry Alken (1785-1851) Hunt Scene, watercolour, signed lower left, 20 x 30cm (8 x 11 3/4 in).

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Henry Thomas Alken (1785-1851) - Partridge Shooting

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Description: Oil on panel Signed Alken lower right 19 x 31 cm. (7 1/2 x 12 1/8 in) Provenance: Private collection, Yorkshire With a poem by William Somerville (1675--1742) inscribed on the reverse by a contemporary hand that reads: "When Autumn smiles, all beauteous in decay, And paints each chequered grove with various hues, My setter ranges in the new shorn fields [?]" Lot 24 - Please note, the estimate should read: £3,000-5,000

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Henry Alken (?)  Oil on Panel of Stagecoach in Snow

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Description: Henry Alken (?) Oil on Panel of Stagecoach in Snow monogram lower left: H.A. Brass plaque: "Henry Alken, Snr. 1785-1851," gallery label on back: "Arthur Ackermann & Son, Ltd., established 1783, London" 8" x 10"

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Henry Alken (1785-1851) English, After, The Ipswich watering hole + The field near Miles Corner from The First Steeplechase on recor...

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Description: Henry Alken (1785-1851) English, After, The Ipswich watering hole + The field near Miles Corner from The First Steeplechase on record, 1839 (2) Hand coloured engravings eg. J Harris Drawn by H. Alken Engraved by J Harris. From the series "The first Steeplechase on record" published 12th March 1839 33 x 41 cm PROVENANCE: The Peter Lane Collection, Tasmania

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Henry Alken (1785-1851) English, After, The Ipswich watering hole + The field near Miles Corner from The First Steeplechase on recor...

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Description: Henry Alken (1785-1851) English, After, The Ipswich watering hole + The field near Miles Corner from The First Steeplechase on record, 1839 (2) Hand coloured engravings eg. J Harris Drawn by H. Alken Engraved by J Harris. From the series "The first Steeplechase on record" published 12th March 1839 33 x 41 cm PROVENANCE: The Peter Lane Collection, Tasmania

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After Henry Alken, Senior (1785-1851) Songs, series of four humorous illustrated plates, hand coloured lithographs, published by Tho...

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Description: After Henry Alken, Senior (1785-1851) Songs, series of four humorous illustrated plates, hand coloured lithographs, published by Thomas McLean, 1822 20 x 26cm (i); together with Laurie and Whittle three hand coloured engravings with verses below, circa 1810, 27 x 22cm (visible) (7)

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After Henry Thomas Alken Preparing for the Chase; The Meet; The Chase; The...

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Description: After Henry Thomas Alken (1785-1851) Preparing for the Chase; The Meet; The Chase; The Death Four coloured aquatints, trimmed close 37 x 51 cm. (14 1/2 x 20 in)

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HENRY ALKEN (British, 1785-1851)

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Description: HENRY ALKEN (British, 1785-1851), ''Pigeon Match'', hand colored aquatint engraving. Image 7-1/2''h, 11-3/4''w. Toning, light foxing, not laid down.

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Henry Alken (1785-1851)

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Description: Henry Alken (1785-1851) Foxhunting, ' in pursuit' pencil and watercolour h:21 w:29 cm

Condition Report: The colours are slightly faded, otherwise good

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D'après Henry ALKEN (1785-1851) Tattenham corner Grande gravure en couleurs 58 x 90 cm

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Description: D'après Henry ALKEN (1785-1851) Tattenham corner Grande gravure en couleurs 58 x 90 cm

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HENRY ALKEN, (BRITISH 1785-1851),

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Description: HENRY ALKEN (british 1785-1851)/span "THE FIND" Oil on canvas and a companion by the same hand; "THE DEATH"/span Signed 'H. Alken' bottom center right, oil on canvas Each 14 x 18 in. (35.6 x 45.7cm) (2) provenance: Schillay & Rehs, Inc., New York, New York. Christie's New York, sale of December 1, 1999, lot 12. Private Collection.

Condition Report: The painting is planar and taut. The painting has been glue lined to a linen support to which it is well adhered. It is thinly painted with some visible drawing in pencil. Cracks in the paint layer are only barely discernible. The Death: The painting is planar and taut. The painting has been glue lined to a linen support to which it is well adhered. It is thinly painted with some visible drawing in pencil. The painting exhibits narrow drying crackle in the darks and in the greens of the tree. The painting is in very good condition with only minimal damage to the paint layer. Minor scratches and losses are seen in the lower left. Minor to moderate amounts of careful inpainting in the sky, especially on the left side. The varnish is in very good condition. Both paintings are in good to very good condition. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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A SET OF FOUR WATERCOLORS HENRY ALKEN, (BRITISH 1785-1851), FULL CRY

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Description: a set of four watercolors /spanHENRY ALKEN (british 1785-1851)/span FULL CRY Signed 'H. Alken' bottom right 7 3/4 x 10 7/8 in. (19.7 x 26.7cm)/span DRAWING THE COVERT 7 1/2 x 10 7/8 in. (19.1 x 27.6cm) GETTING AWAY Signed 'H. Alken' bottom right 7 3/4 x 10 3/4 in. (19.7 x 27.3cm) FINDING A SCENT 7 1/2 x 11 in. (19.1 x 27.9cm) All four watercolors with pencil on heavy paper (4) provenance: Private Collection, Maryland.

Condition Report: Matted, framed – the image itself in generally good condition, executed on a single sheet of folded paper (i.e. like pages in a book). The lower right approx. half of the sheet on which the work is executed is cut, so that approx. 1 1/2 x 4 1/2 inches of sheet at bottom has been cut away (reasons unknown). The cut area is completely hidden by the overmat and does NOT touch the image itself. Areas of front of sheet are glued to back of sheet. There is light staining and a thin brown mat burn line. This mat burn line surrounds image but does not touch image. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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HENRY ALKEN, (BRITISH 1785-1851),

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Description: HENRY ALKEN (british 1785-1851)/span "THE FIND" Oil on canvas and a companion by the same hand; "THE DEATH"/span Signed 'H. Alken' bottom center right, oil on canvas 14 x 18 in. (35.6 x 45.7cm) (each) (2) provenance: Schillay & Rehs, Inc., New York, New York. Christie's New York, sale of December 1, 1999, lot 12. Private Collection.

Condition Report: The painting is planar and taut. The painting has been glue lined to a linen support to which it is well adhered. It is thinly painted with some visible drawing in pencil. Cracks in the paint layer are only barely discernible. The Death: The painting is planar and taut. The painting has been glue lined to a linen support to which it is well adhered. It is thinly painted with some visible drawing in pencil. The painting exhibits narrow drying crackle in the darks and in the greens of the tree. The painting is in very good condition with only minimal damage to the paint layer. Minor scratches and losses are seen in the lower left. Minor to moderate amounts of careful inpainting in the sky, especially on the left side. The varnish is in very good condition. Both paintings are in good to very good condition. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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HENRY ALKEN, (BRITISH 1785-1851),

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Description: HENRY ALKEN (british 1785-1851)/span "DEAD HEAT FOR THE DONCASTER ST. LEGER 1850 BETWEEN VOLTIGUER AND RUSSBOROUGH" Signed 'H Alken' bottom right, inscribed and dated 'Dead Heat for the Doncaster St. Leger / 1850' bottom left, oil on canvas 14 x 21 in. (135.6 x 53.3cm) provenance: /spanFrost & Reed, London, United Kingdom. The Sporting Gallery & Bookshop, Inc., New York. Estate of Mr. and Mrs. William R. Wister, Oldwick, New Jersey.

Condition Report: The painting is planar and taught. The painting has been glue lined to a linen support to which it is well adhered. The 4-member mortise and tenon stretcher is probably original. The painting exhibits slight mechanical crackle and stretcher bar creases are barely visible. A scratch 1/4 in. long right is visible near the upper left edge of the painting, right of center. Examination in uv light reveal a green/brown fluorescence indicating the presence of a natural resin varnish with perhaps some addition of oil. Retouching is minor and scattered. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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HENRY THOMAS ALKEN (BRITISH, 1785-1851) A CROSS MEETING AND TAKING IT CLEVERLY Print: 9 5/6 x 14 1/6 in. (sight) 19 1/8 x 22 9/8 in....

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Description: HENRY THOMAS ALKEN (BRITISH, 1785-1851)A CROSS MEETING AND TAKING IT CLEVERLYPrint: 9 5/6 x 14 1/6 in. (sight) 19 1/8 x 22 9/8 in. (framed)Framed; a pair of prints from "HUNTING INCIDENTS"; first print labeled upper right corner "Pl 6", second print labeled upper right corner "Pl 4"; both prints signed lower left "H. Alken."

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ATTRIBUTED TO HENRY THOMAS ALKEN (1785-1851),  a set of three watercolours,

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Description: ATTRIBUTED TO HENRY THOMAS ALKEN (1785-1851), a set of three watercolours, each depicting a hunting scene, 9'' (23c)h x 11'' (28cm). (3)

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HENRY ALKEN (BRITISH 1785-1851)(493) THE CESAREWITCH STAKES 18cm x 28cm (7in x 11in)

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Description: HENRY ALKEN (BRITISH 1785-1851)(493) THE CESAREWITCH STAKES Signed, signed and inscribed verso, oil on board 18cm x 28cm (7in x 11in)

Condition Report: There is general re-touching work throughout the upper half of the picture and some re-touching to the craquelure in the sky. There are flecks of surface dirt and one area of very minor paint loss below the horse running in third place. Horses and landscape in largely good condition. Condition Disclaimer Under the Conditions of Sale applicable to the sale of the lot, buyers must satisfy themselves as to each and every aspect of the quality of the lot, including (without limitation) its authorship, attribution, condition, provenance, authenticity, age, suitability and origin. Lots are sold on an 'as is' basis but the actual condition of the lot may not be as good as indicated by its outward appearance. In particular parts may have been replaced or renewed and lots may not be authentic or of satisfactory quality. Any statement in relation to the lot is merely an expression of opinion of the seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition report has not been prepared by a professional conservator, restorer or engineer.

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POINTERS CUSTOM BOOK

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Description: Henry Thomas Alken, Sr. (British, 1785-1851)POINTERS (Collection of 22 drawings)Pencil, watercolor, various sizes, smallest being 2 1/2" x 2"and largest being 9" x 12 1/2"Signed$7,000. - 10,000.Custom-made book with marbled endpapers, matted original drawings with gilt edges. Bound in red leather featuring gilt lettering and design. Contained in a custom-made red slipcase.

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Henry Alken Sr. (1785-1851), British. THE EXETER - LONDON ROYAL MAIL COACH

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Description: Henry Alken Sr. (1785-1851), British. THE EXETER - LONDON ROYAL MAIL COACH; Oil on canvas; signed bottom center, titled to gallery label verso14" x 17.5" - 35.6 x 44.5 cm.Provenance: Richard Green (Fine Paintings) Ltd., London;Private Collection, Toronto

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Henry Alken (1785-1851)

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Description: Henry Alken (1785-1851) Fishing and Fox hunting signed lower right oil on canvas in original gilt swept frames a pair (2) h:23 w:27 cm

Condition Report: Small burn hole, paint flake losses, and a tear

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Henry Thomas Alken (1785-1851), The First Steeplechase on Record

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Description: etching (plates I to IV), 34.5 x 40cm (sight size) (4)

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Attributed to Henry Alken (1785 - 1851) - The Kent Stag Hunt 36 x 50cm

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Description: Attributed to Henry Alken (1785 - 1851) The Kent Stag Hunt Pen, ink and oil on board 36 x 50cm Details verso

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Henry Thomas Alken (1785-1851), Water Hen Shooting

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Description: etching, 22.5 x 31.5cm (sight size)

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Full Cry (Taking a Fence)

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Description: Henry Thomas Alken was an English artist born into a sporting art family in 1785. His father, Samuel, was his first teacher before studying with J.T.B. Beaumont and exhibiting at the Royal Academy. Alken had a successful career spent creating paintings, drawings, and etchings of the wide variety of field and sporting activities popular in England. His works include a set of etchings entitled "Humorous Speciments of Riding" from 1821 and the illustrations for "The National Sports of Great Britain." Alken's paintings can be found in the Tate Museum, London, and his illustrations can be found in the British Museum, London.

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SAMUEL HENRY ALKEN, (BRITISH 1785-1851), SMITHY AND DAPPLED GREY

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Description: SAMUEL HENRY ALKEN (british 1785-1851)/span SMITHY AND DAPPLED GREY Signed 'H. Alken' bottom right, oil on canvas laid on cradled panel 11 1/4 x 16 1/2 in. (28.6 x 41.9cm) provenance: /spanThe Sporting Gallery, Middleburg, Virginia. Private Collection, Virginia.

Condition Report: Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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Henry Thomas Alken (1785-1851), Spaniels

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Description: etching, 22.5 x 31.5cm (sight size)

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HENRY ALKEN, (BRITISH 1785-1851),

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Description: HENRY ALKEN (british 1785-1851)/span "'SURPLICE' BEATING 'CANEZOU' SAINT LEGER, 1848" Inscribed and signed 'Surplice & Canezou/ H. Alken' bottom right, oil on canvas 16 x 20 1/8 in. (40.6 x 51.1m) provenance: /spanPrivate Collection, Virginia.

Condition Report: The canvas has been relined. There is some minor retouch in sky, and also some areas of well executed inpainting in craquelure in the sky. Other areas of craquelure within the painting. Possible retouch present at extreme lower left. Varnish is somewhat discolored and yellowed. Generally in very good to excellent restored condition. Frame: 18 1/2 x 22 1/2 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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Henry Thomas Alken BANK SHOOTING FOR FOWL Hand-colored aquatint

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Description: Henry Thomas Alken BANK SHOOTING FOR FOWL Hand-colored aquatint, 1824, from The National Sports of Great Britain. 5 3/4 x 8 5/8 inches

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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HENRY ALKEN (BRITISH 1785-1851) THE RIGHT SORT OF THING Signed, inscribed and dated 1820, pencil and coloured wash 23cm...

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Description: HENRY ALKEN (BRITISH 1785-1851) THE RIGHT SORT OF THING Signed, inscribed and dated 1820, pencil and coloured wash 23cm x 31cm and five others, a set of six (6)

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Framed Hand Colored Henry Alken Print

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Description: Framed Hand Colored Henry Alken Print "A Passion Flower", Dated 1851. Image size 13 1/4" by 16 3/4". Framed 19 1/4" by 22 1/2".

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Follower of Henry Alken (1785-1851) A cockerel Oil

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Description: Follower of Henry Alken (1785-1851) A cockerel Oil on canvas 77 x 63cm (30 1/4 x 24 3/4)

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Foxhunting Scene

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Description: Foxhunting Scene. Henry Alken, R.A. (1785-1851). Pencil and watercolor on paper. 4 3/4 x 10 1/2 inches sheet, 14 1/4 x 20 inches framed. A keen huntsman, Henry Alken painted in both oil and watercolor what he loved best: hunting and coaching scenes.

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No Image Available

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Description: Harris after Henry Alken (BRITISH, 1785-1851) The First Steeplechase on Road Colour Aquatints (4)

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A SET OF SIX STEEPLE CHASE SPORTING PRINTS AFTER HENRY ALKEN (1785-1851), CHARLES BENTLEY (1806-1854) ENGRAVER

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Description: A SET OF SIX STEEPLE CHASE SPORTING PRINTS AFTER HENRY ALKEN (1785-1851), CHARLES BENTLEY (1806-1854) ENGRAVER coloured engravings 35 x 49.5cm

Condition Report: overall condition good, light wear to matting, chips and losses to frames consistent with age and use, no visible foxing or rips The opinions expressed in the condition reports are a guide only and should not be treated as a statement of fact. Prospective buyers are encouraged to inspect articles for sale at our pre-sale viewing where Leonard Joel staff are available for advice. Leonard Joel makes no guarantee of the originality of mechanical or applied components. Absence of reference to such modifications does not imply that a lot is free from modifications.

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Henry Alken (1785-1851) sketch on paper horse and rider, signed lower left, 12cm x 16cm approx

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Description: Henry Alken (1785-1851) sketch on paper horse and rider, signed lower left, 12cm x 16cm approx

Condition Report: Please ask for a condition report

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Henry Alken (1785-1851) English, After, Symptons 1822 Handcoloured engraving pub. Thomas McLean

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Description: Henry Alken (1785-1851) English, After, Symptons 1822 Handcoloured engraving pub. Thomas McLean 19 x 23 cm

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HARRIS AFTER HENRY ALKEN (BRITISH, 1785-1851) The

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Description: HARRIS AFTER HENRY ALKEN (BRITISH, 1785-1851) The First Steeplechase on Road Colour Aquatints (4)

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ATTRIBUTED TO HENRY ALKEN, (BRITISH 1785-1851), FULL CRY

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Description: ATTRIBUTED TO HENRY ALKEN (british 1785-1851) FULL CRY Oil on canvas 25 x 30 in. (63.5 x 76.2cm) provenance: The Estate of Richard M. Scaife.

Condition Report: The relined canvas is a bit flattened - we think the surface likely had a bit more impasto visible. It is not, however, skinned (not overcleaned to the canvas ground). Pigments in the sky and in part of the mid-ground appear somewhat purple under u.v. light which we attribute to the pigments themselves, and not to restoration. There is some minor retouch in sky at upper center right and upper right and a small amount of retouch to horse at far right. Overall, we think the painting is in generally good overall condition. Frame: 31 3/8 x 36 1/2 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

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