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Joel Elias Shapiro Auction Price Results

Joel Elias Shapiro (1941)  Please Register/Login to access your Invaluable Alerts

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Joel Shapiro (né en 1941) Ten, 2013 Hand painted paper collage, titled, signed and dated at the bottom (Inventory# JS 2093) 184/8 x ...

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Description: Joel Shapiro (né en 1941) Ten, 2013 Hand painted paper collage, titled, signed and dated at the bottom (Inventory# JS 2093) 184/8 x 201/8 in. JOEL SHAPIRO (né en 1941) Ten, 2013 Collage de papiers peints, titré, signé et daté en bas (Inventory# JS 2093) 47,8 x 51,1 cm

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JOEL SHAPIRO, American (b. 1941), Untitled, woodcut on mold made J. Whatman 1958 paper ,

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Description: JOEL SHAPIRO American (b. 1941) Untitled woodcut on mold made J. Whatman 1958 paper , "A/P 8/9" lower left, signed and dated "1987" lower right. 21 x 17 1/8 sheet size

Condition Report: Condition: Excellent/Very Good/Not examined out of frame Comments: Crisp etching on clean paper. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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Joel Shapiro (American b. 1941), Untitled Diptych: Two Works

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Description: Joel Shapiro (American b. 1941) Untitled Diptych: Two Works Each an etching and aquatint in color, 1990, each signed and dated in pencil l.r. and numbered 36/60 in pencil l.l.; each apparently in good condition. Each framed.* Sight size of each: 813 x 610 mm (32 x 24 in)Works of Art from Howrey LLP

Condition Report: Weschler's provides written condition reports, upon request, for any lot in our auctions. Such a condition report is provided as a courtesy to our clients and should in no instance replace first hand inspection by a prospective buyer or his/her agent. All property is sold "as is" in accordance with the terms set forth in paragraph 3 of Conditions of Sale. Neither Weschler's nor the consignor makes any express or implied warranty or representation as to the condition of any lot offered for sale, and no statement made at any time, whether oral or written, shall constitute such a warranty or representation.

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JOEL SHAPIRO (1941): UNTITLED, FOR JAZZ AT LINCOLN CENTER

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Description: JOEL SHAPIRO (1941): UNTITLED, FOR JAZZ AT LINCOLN CENTER Screenprint in black and blue on wove paper, 1996, with full margins, signed, dated and inscribed 'for Delmar' in pencil (apart from the edition of 108). 42 x 34 in. (sheet), 46 1/2 x 38 1/2 in. (frame).

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Joel Shapiro American, b. 1941 The National Book Award for Fiction, 1990

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Description: Joel Shapiro American, b. 1941 The National Book Award for Fiction, 1990 Signed Shaipro, dated 90, stamped 4 and stamped with Talix foundry mark; also stamped The National Book Award Fiction 1991 Bronze with brown patina Number four (possibly from an edition of four) 6 3/4 x 6 3/4 x 4 3/4 inches (17.14 x 17.14 x 12.06 cm) Provenance The artist Norman Rush Acquired by the present owner directly from above C 

Condition Report: The patina vaires along edges. Small dents at top corners. Green oxidation along lower portion of seam between two forms, and at center of underside. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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2 JOEL SHAPIRO ORIGINAL SCREEN PRINT IN COLOR

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Description: 2 JOEL SHAPIRO ORIGINAL SCREEN PRINT IN COLOR From the official artist from the Obama campaign, was born in 1944. Very small edition, 38/40 each signed Shapiro 1990. Measures 25" tall (63.5cm) x 17" wide (43.18cm). Comes with original purchase invoice. Total weight 1763g

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Signed 2006 Shapiro Untitled Serigraph

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Description: Artist Name: Shapiro, Joel Title: Untitled Medium: Serigraph Edition Size: 118 Year: 2006 Paper Size: 27.5 x 37 inches Image Size: 27.5 x 37 inches Condition: A: Mint Notes: Limited edition print published by the Lincoln Center by the artist/sculptor Joel Shapiro. the print is a 15 color serigraph on textured Rag Reeves paper. The edition size is 118, signed and numbered in pencil by Shapiro.

Condition Report: A: Mint

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JOEL SHAPIRO (b. 1941): UNTITLED (BLACK HAT), 1980

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Description: Print, 21 3/4 x 29 1/2 in., signed, numbered 11/30 and dated '80. Provenance: Christie's, New York, Contemporary Prints and Multiples, Sale no. 37342, 7 November 1996, lot 811; Douglas S. Cramer, Roxbury, CT.

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Signed 2006 Shapiro Untitled Serigraph

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Description: Artist Name: Shapiro, Joel Title: Untitled Medium: Serigraph Edition Size: 118 Year: 2006 Paper Size: 27.5 x 37 inches Image Size: 27.5 x 37 inches Condition: A: Mint Notes: Limited edition print published by the Lincoln Center by the artist/sculptor Joel Shapiro. the print is a 15 color serigraph on textured Rag Reeves paper. The edition size is 118, signed and numbered in pencil by Shapiro.

Condition Report: A: Mint

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Joël SHAPIRO (né en 1941) UNTITLED A, 1980

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Description: Joël SHAPIRO (né en 1941) UNTITLED A, 1980 Sérigraphie en noir sur Japon Ivoire, épreuve signée, datée "1980" et justifiée "AP IV/XIII" 74 x 55,3 cm Très bon état Silk-screen print in black on ivory Japan paper, signed, dated "1980" and evenly "AP IV/XIII" In very good condition

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Joël SHAPIRO (né en 1941) UNTITLED C, 1980

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Description: Joël SHAPIRO (né en 1941) UNTITLED C, 1980 Sérigraphie en noir sur Japon Ivoire, épreuve signée, datée "1980" et justifiée "AP IV/VI" 73,5 x 55,3 cm Très bon état Silk-screen print in black on ivory Japan paper, signed, dated "1980" and evenly "AP IV/VI" In very good condition

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2006 Shapiro Untitled Serigraph

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Description: Artist Name: Shapiro, Joel Title: Untitled Medium: Serigraph Edition Size: 500 Year: 2006 Paper Size: 27.5 x 37 inches Image Size: Condition: A: Mint Notes: Original exhibition poster designed by the artist for the Lincoln Center Poster Program in 2006. Limited edition serigraph, unsigned and not numbered, with full margins.

Condition Report: A: Mint

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Signed 2006 Shapiro Untitled Serigraph

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Description: Artist Name: Shapiro, Joel Title: Untitled Medium: Serigraph Edition Size: 118 Year: 2006 Paper Size: 27.5 x 37 inches Image Size: 27.5 x 37 inches Condition: A: Mint Notes: Limited edition print published by the Lincoln Center by the artist/sculptor Joel Shapiro. the print is a 15 color serigraph on textured Rag Reeves paper. The edition size is 118, signed and numbered in pencil by Shapiro.

Condition Report: A: Mint

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JOEL SHAPIRO Untitled (F).

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Description: JOEL SHAPIRO Untitled (F). Color woodcut on vintage Kozo hand made paper, 2003. 485x408 mm; 19x16 inches, full margins. Signed, dated and numbered 60/60 in pencil, lower margin. Published by Pace Editions, New York.

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JOEL SHAPIRO (NE EN 1941) UNTITLED, 1990 <br> Sérigraphie et poch

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Description: JOEL SHAPIRO (NE EN 1941) UNTITLED, 1990 Sérigraphie et pochoir sur Japon nacré Signée, datée et numérotée 18/33 Timbre sec de l'Imprimeur 88 x 84cm

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JOEL SHAPIRO (NE EN 1941) UNTITLED, 1990 <br> Sérigraphie et poch

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Description: JOEL SHAPIRO (NE EN 1941) UNTITLED, 1990 Sérigraphie et pochoir sur Japon nacré Signée, datée et numérotée 19/36 Timbre sec de l'Imprimeur 98 x 66cm

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JOEL SHAPIRO Untitled.

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Description: JOEL SHAPIRO Untitled. Complete set of 17 etchings on white wove paper, 1995. 455x485 mm; 18x19 1/8 inches (sheets), full margins. Each signed and numbered 29/30 in pencil, lower margin. Superb impressions.

Condition Report: All items are offered for sale subject to Swann Galleries' standard terms and conditions of sale, which are published in our catalogues.

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JOEL SHAPIRO (b. 1941): ABSTRACT

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Description: JOEL SHAPIRO (b. 1941): ABSTRACT Screenprint, signed and dated 1980 lower right and numbered 28/40. 29 3/8 x 41 1/4 in. (sheet), 32 3/4 x 45 in. (frame). Property of a New York collector.

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JOEL SHAPIRO (b. 1941): ABSTRACT

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Description: JOEL SHAPIRO (b. 1941): ABSTRACT Screenprint, signed and dated '80 lower right and numbered 18/30. 21 3/4 x 29 1/2 in. (sheet), 25 3/8 x 33 1/3 in. (frame). Property of a New York collector.

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JOEL SHAPIRO (b. 1941): UNTITLED, FOR LINCOLN CENTER FESTIVAL TENTH ANNIVERSARY

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Description: JOEL SHAPIRO (b. 1941): UNTITLED, FOR LINCOLN CENTER FESTIVAL TENTH ANNIVERSARY Screenprint in colors on wove paper, 2006, the full sheet, signed in pencil and inscribed 'For Delmar' (apart from the edition of 118). 37 x 27 1/2 in. (sheet), 37 1/2 x 28 in. (frame).

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Print, Joel Shapiro

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Description: Joel Shapiro (American, 1941), Untitled, from the "Couples" Portfolio, 1994, woodcut print, pencil signed and dated lower right, edition 16/75, image: 4.5"h x 18.25"w, overall (with frame): 40.25"h x 28.75"w. Provenance: The David C. and Sarajean Ruttenberg collection (Chicago, IL)

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JOEL SHAPIRO (AMERICAN, B. 1941), ETCHINGS & DRYPOINT, TWO, 11 3/4

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Description: JOEL SHAPIRO (AMERICAN, B. 1941), ETCHINGS & DRYPOINT, TWO, 11 3/4" X 13 7/8" (PLATE), 'L' & 'M':Purchased from Sotheby's in 2003: "Each signed in pencil and numbered 7/30, etchings with drypoint on Lana paper, from the series of 18 published by the artist, 1995, framed (2 prints)".

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JOEL SHAPIRO (American, b. 1941) Boat, Bird, Mother and

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Description: JOEL SHAPIRO (American, b. 1941) Boat, Bird, Mother and Child, 2009 Screenprint with collage in colors 40 x 32 inches (101.6 x 81.3 cm) Ed. 20/38 Signed, dated and numbered in pencil Published by Gemini G.E.L., Los Angeles PROVENANCE: Private collection, Oklahoma

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Description: Untitled, 1988-1989 Bronze 90x7x22 inches (228.6x17x56.5 cm) signed tamp D no.3/4.

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Joel Shapiro b. 1941 Untitled (JS 466) signed and dated 1981 on the underside oil paint on wood 12 3...

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Description: Joel Shapiro b. 1941 Untitled (JS 466) signed and dated 1981 on the underside oil paint on wood 12 3/8 by 43 1/4 by 13 1/4 in. 31.4 by 109.9 by 33.7 cm. Provenance Paula Cooper Gallery, New York Acquired by the present owner from the above in 1982 Exhibited Chicago, Art Institute, 74th American Exhibition, June - August 1982, p. 44 Amsterdam, Stedelijk Museum; Dusseldorf, Kunstmuseum; Baden-Baden, Staatliche Kunsthalle, Joel Shapiro: Retrospective, September 1985 - March 1986, p. 16 and 52, illustrated twice, once in color Washington, D.C., Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Joel Shapiro: Painted Wood, December 1987 - February 1988, illustrated in color on the cover Baltimore Museum of Art; Des Moines Art Center; Miami, Center for Fine Arts, Joel Shapiro: Tracing the Figure, August 1990 - June 1991, pl. 8, illustrated in color Literature Jo Ann Lewis, "At the Hirshhorn, the Joys of the New LeWitt and Shapiro", Washington Post, December 2, 1987, p. B8, illustrated Exhibition Catalogue, PaceWildenstein, Joel Shapiro: Painted Wood, Sculpture and Drawings, New York, 1995, p. 13, illustrated in color Hendel Teicher, Joel Shapiro: Sculpture and Drawings, New York, 1998, pp. 90-91, no. 109, illustrated in color Beginning in 1977, Shapiro explored additive, asymmetrical forms, particularly the figure, which became the ultimate signatory image with which he has challenged the limits of abstract form. Paint has played an important role at various stages in the development of Shapiro's figurative genre, originating with one of his earliest figures, Untitled (JS167A), 1976-1977, which was exhibited at the 1977 Whitney Biennial. A symphony of right angles and strident movement, this running figure is painted in vivid bands of red and black - colors that are as much an homage to Constructivism as the geometry of its form. In an interview with his wife and fellow artist, Ellen Phelan, Shapiro discussed the specific role of paint in this work and othe

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 Joel Shapiro , b. 1941 Untitled bronze

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Description: signed, dated 83 and numbered 1/3 on the underside bronze

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Joel Shapiro (b. 1941)

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Description: Joel Shapiro (b. 1941) Untitled signed and dated 'SHAPIRO 1979' (on the reverse) charcoal and graphite on paper 22 1/8 x 29 7/8 in. (56.1 x 75.8 cm.) Executed in 1979.

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                                        Joel Shapiro (b. 1941)

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Description: Joel Shapiro (b. 1941) Untitled (#5)signed, titled and dated '#5 1994 Shapiro' (on the reverse) pastel on paper 14 3/8 x 14½in. (36.5 x 36.9cm.) Executed in 1994

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Joel Shapiro b. 1941 Untitled (JS 90) signed on the inside bronze 5 by 6 1/8 by 5in. 12.7 by 15.6 by...

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Description: Joel Shapiro b. 1941 Untitled (JS 90) signed on the inside bronze 5 by 6 1/8 by 5in. 12.7 by 15.6 by 12.7cm. Executed in 1973-74, this work is number three from an edition of three. Provenance Joe Zucker, New York Daniel Weinberg Gallery, Los Angeles Vivian Horan Gallery, New York Acquired by the present owner from the above in 1990 Exhibited New York, Paula Cooper Gallery, Joel Shapiro, February-March 1974 (the iron version, JS78) New York, Whitney Museum of American Art, Architectural Analyses, September-October 1978 Literature Hendel Teicher, Joel Shapiro: Sculpture and Drawings, New York, 1998, pp. 18 and 57, nos. 3 and 57, illustrated twice (the iron version, JS78) In the early progress toward his individual aesthetic, Shapiro experimented with methods and materials, like many Process Artists of the early 1970s. However, beginning in 1973, Shapiro concentrated on metal casting, creating small forms that are a fusion of abstraction and imagery. From that moment on, Shapiro's art remained unequivocally object-oriented, within an increasingly vigorous geometric purity. Shapiro's earliest recognizable forms were a group of four objects (a coffin, bridge, bird and boat) in balsawood and bronze, exhibited in a 1973 group show at the Paula Cooper Gallery. Shapiro's return to hand-made or tool-made methods acknowledged the traditions of sculpture, while the placement of these diminutive objects on the floor signaled a radical departure toward dislocation. For his seminal one-man exhibition at the Paula Cooper Gallery in 1974, Shapiro dramatized space further by casting five iron objects - including a house, chair and couch-like form - in miniature scale, positioned on the floors and walls of the expansive gallery. Through various permutations, these signatory forms provided the initial impetus for an ongoing body of abstract work. Shapiro's deceptively small objects have a subtle power derived from the tension created by their apposite qualities. Despite its size, th

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JOEL SHAPIRO (b. 1941) UNTITLED bronze 36 x 56.5 x 40in. (91.4 x 143 5 x 101.6cm) executed in 1985 this work is from an edition of three E100000-150000 PROVENANCE Paula Cooper Gallery, NEW YORK A new sense of excitement is discernable in this phase

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Description: JOEL SHAPIRO (b. 1941) UNTITLED bronze 36 x 56.5 x 40in. (91.4 x 143 5 x 101.6cm) executed in 1985 this work is from an edition of three E100000-150000 PROVENANCE Paula Cooper Gallery, NEW YORK A new sense of excitement is discernable in this phase of his work [of the 1980s] and it is manifested in the many inventive configurations that revel in their ambiguity. Shapiro is, in fact, driven by the possibility of producing alternative readings - "moments when it appears that a figure is a figure, and other moments when it looks like a bunch of wood stuck together - moments when it simultaneously configures and disfigures." His figures, like most of his sculptures, start with wood...Shapiro's initial configurations led him to explore changes in material, size and scale, and shape...Shapiro stresses the extent to which form and memory combine in his art: "My work has to do with memory of experience. It is an attempt to locate experience in form." For him, a form such as the figure is essentially a locus of remembered emotion, a repository in which past and present feelings are recorded. For this reason the figure remains, like memory, an abstraction, impossible to specify. As Shapiro puts it, "The figure is the source of abstraction." H. Teicher, JOEL SHAPIRO: SCULPTURE AND DRAWINGS, NEW YORK, 1998, pp.

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JOEL SHAPIRO Untitled, 2005 Pastel on paper. (57.2 x 44.8 cm).

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Description: JOEL SHAPIRO Untitled, 2005 Pastel on paper. (57.2 x 44.8 cm).

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JOEL SHAPIRO Untitled, 2006 Bronze. 20 3/4 x 17

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Description: JOEL SHAPIRO Untitled, 2006 Bronze. 20 3/4 x 17 1/2 x 4 1/2 in. (52.7 x 44.5 x 11.4 cm). This work is unique.

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Description: Untitled, 2 of 4 bronze executed 1989 Sculpture (67x90x)90in.

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Joel Shapiro b. 1941 Untitled (JS 936a&b) each part signed on the underside bronze, in two parts lar...

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Description: Joel Shapiro b. 1941 Untitled (JS 936a&b) each part signed on the underside bronze, in two parts large element: 35 by 50 1/2 by 22in. 88.9 by 128.3 by 55.9cm. small element: 30 by 41 by 25in. 76.2 by 104.1 by 63.5cm. Executed in 1990-1991, this work is number two from an edition of four. Provenance Paula Cooper Gallery, New York Private Collection, Geneva Exhibited Los Angeles, Asher/Faure, Joel Shapiro, April - May 1991 Tokyo, Takashimaya; Osaka, Takashimaya; Kyoto, Takashimaya; Yokohama, Takashimaya, Manhattan Breeze - Five Contemporary Artists, April - June 1993 Cologne, Galerie Karsten Greve, Joel Shapiro: Skulpturen/Arbeiten auf Papier, September 1993 - January 1994 Mexico City, Ace Gallery, Inaugural Exhibition Ace Gallery Mexico, September - November 1997 Wiltshire, Salisbury, East Winterslow, Roche Court, New Art Centre Sculpture Park & Gallery, Joel Shapiro Sculpture, June - August 1999 Literature Hendel Teicher, Joel Shapiro: Sculpture and Drawings, New York, 1998, p. 138, no. 184 & 185 illustrated in color This powerful sculpture is exceptional in its complex relationship of forms. Typical of Shapiro's uncanny ability to convey the human body using the simplest of means, its two masses appear to be crouching figures. As they fold into themselves with seemingly athletic precision, they remain joined by the suggestion of surrounding space, held in a tense balance of frozen movement. Shapiro's classical approach to sculpture shares the vitality as Henry Moore's multi-part compositions which places equal emphasis on solid forms and spatial voids. They further address the coming together and breaking apart of forms - a chief concern of Shapiro's. Shapiro uses simple abstract forms to create sculptures such as the present work, which is "figurative without having to get involved with literally describing human movement, but rather it describes one's idea of movement. It has to function in terms of one's memory of the body." (the artist quoted in Joel Shapiro,

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Description: Untitled (JSS 866), 1989 Bronze 70x80x30 inches (177.8x203.2x76.2) No.2/4 Exhib.: Waddington Galleries, no.4, London 1989.

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Description: Untitled, s.d.82-83 init.d.1982verso three parts bronze Sculpture (19x35x)35in.

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Description: Untitled incised with signature and date 'SHAPIRO 82-83' on the underside of the diving and crouching figures--incised with initials and date 'J.S. 1982' on the underside of the reclining figure three parts--bronze diving figure: 60 x 31 x 104in. (153 x 80 x 264.2cm.) crouching figure: 35 x 19 x 37in. (88.9 x 48.2 x 94cm.) reclining figure: 17 x 43 x 15in. (43.2 x 110.5 x 39.4cm.) PROVENANCE Acquired directly from the artist, in cooperation with Paula Cooper Gallery, New York. NOTES In 1980, Joel Shapiro began making bronze sculptures of human forms for which he is now best known. While these works are clearly and compellingly figurative in composition and scale, they are sharply reductivist and remain ambiguous. In a blink of an eye or a change of perspective, the "figure" becomes a tree or a blocky abstraction. The viewer is provoked to extrapolate the work's subjective meaning, and clearly Shapiro is aiming for the wide range of interpretations he elicits. Is the figure reaching or falling, resting or recoiling, figurative or abstract? In 1982-1983, Shapiro composed Untitled, his only unique life-scale three-part bronze to date. For its breadth of expression and composition, and its success as an exploration of the boundaries of minimalism and the mysteries of human experience, it marks the height of his achievement. "Diving" is the most dynamic and abstract of the works. Just three elongated elements stretch like a lunging man, or take root like a tree reaching for distant sunlight. "Crouching" is configured in a clearly human posture. The figure strains to maintain balance with elongated arms that exaggerate the effort. Alternately, the figure could be retreating to the security and privacy of the fetal position. "Reclining" relates most closely to Shapiro's earlier floor pieces. Just under human scale, it seems vulnerable, like a child curled on the floor, sleeping soundly or wounded and helpless. As Roberta Smith stated in her catalogue essay for Joel Shapiro's one-man exhibition at the Whitney Museum of American Art in 1982-1983, 'His new figurative forms, his best work, infuse the precarious, obdurately abstract sculpture unities of David Smith's Cubis with Rothko's elegiac tones, making the perception of space and a vibrant, mournful emotion irrevocably synonymous' (R. Smith, Joel Shapiro, New York 1982, p. 32).

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Description: Untitled, Num.3 of 4 bronze executed 1989 Sculpture (79x65x)65in.

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Description: UNTITLED bronze, with wooden base overall: 5 1/2 x 12 1/4 x 9 1/2 in. (31.1 x 13.3 x 24.1 cm.) Executed in 1974 PROVENANCE Acquired directly from the artist EXHIBITED Milan, Galleria Salvatore Ala, Joel Shapiro, Oct. 1974 ERRATA This lot is unique.

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Description: Untitled, 1974 Bronze 79x34x61 cm (31.1x13.3x24.1 in) Unique piece Exhib.: Gall. Salvatore, Milan 1974.

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Description: Untitled, 1979 Bronze & lacquered 28,7 x 57,5 x 73,6 inches (73.0 x 146.0 x 187,0cm) Signed & Dated -79 lower right Illustrated.

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Untitled

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Description: Joel Shapiro (B. 1941) Untitled signed with the artist's initials and inscribed 'JS312' (on the base) gouache on wood construction 7 7/8 x 5¾ x 2¾in. (20 x 14.5 x 7cm.) Executed in 1979

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JOEL SHAPIRO (NE EN 1941)

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Description: JOEL SHAPIRO (NE EN 1941) Sans titre signé des initiales, signé et daté deux fois 'JS 77 SHAPIRO 77' (au dos)fusain sur papier 107 x 99.5 cm. (42 1/8 x 39¼ in.) Réalisé en 1977.

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JOEL SHAPIRO

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Description: B.1941 UNTITLED inscribed and dated 94 bronze with dark gold patina on wood base including base: 10 1/2 by 9 1/2 by 6 in. 26.7 by 22.9 by 15.2 cm. EXECUTED IN 1994, THIS WAS 1 OF 14 WORKS PRESENTED AS THE 1994 NEW YORK STATE GOVERNOR'S ARTS AWARD. THE PRESENT WORK WAS AWARDED TO BOBBY SHORT.

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Description: Untitled, 1986-1987 Bronze 628,0 x 44,9 x 26,0 inches (1595.0 x 114.0 x 66,0cm) Signed & Dated 1/4 86-87 upper left Illustrated.

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Description: Shapiro, J. Untitled stamped with signature and number '1/3 JOEL SHAPIRO' on the lower edge bronze 51 x 40 x 36in. (129.5 x 101.6 x 91.4cm.) Executed in 1986. This work is number one from an edition of three. PROVENANCE Paula Cooper Gallery, New York SALESROOM NOTICE The illustration of this lot in the catalogue is reversed.

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Description: Joel Shapiro (b. 1941) Untitled wood, plaster and paint 17.5 x 28 x 27 cm. Executed in 1980, this piece is unique

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JOEL SHAPIRO

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Description: JOEL SHAPIRO B.1941 UNTITLED charcoal and chalk on paper, in 2 parts 61 1/2 by 43 1/4 in. 156.2 by 110 cm Executed in 1986.

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Description: Joel Shapiro (b. 1941) Untitled signed, dated and dedicated '1982-83 For Piet + Ida Best wishes Joel 84' (on the underside)wood 10.5 x 25 x 12 cm. (including the base) Executed in 1982-1983, this piece is unique

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Description: UNTITLED (HOUSE) signed and dated 1974 bronze 6 1/2 by 5 1/2 by 4 in. 16.5 by 14 by 11.4 cm. Provenance: Galeria Salvatore Ala, Milan Acquired from the above in 1974 Exhibited: Milan, Galeria Salvatore Ala, Joel Shapiro, 1974 Los Angeles, Musuem of Contemporary Art, New Sculpture 1965-1975: Between Geometry and Gesture, 1991.

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