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Marc Quinn Auction Price Results

Marc Quinn (1964)  Please Register/Login to access your Invaluable Alerts

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Marc QUINN (Né à Londres en 1964) ALEXANDRA

Lot 32: Marc QUINN (Né à Londres en 1964) ALEXANDRA

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Description: Marc QUINN (Né à Londres en 1964) ALEXANDRA WESTMOQUETTE, 2000} Marbre Signé et numéroté 2/3 en dessous H.87 cm, L. 71 cm, P. 44 cm A VENDRE SANS PRIX DE RÉSERVE PROVENANCE White cube, London En 2000, lors de son exposition à la Fondation Prada à Venise, Marc Quinn, l'un des originaux Young British Artists, s'inspira des statues antiques, questionnant la représentation de quatre hommes et quatre femmes nés avec des déficiences physiques ou portant des défigurations dues à des « accidents ». A cette époque, chacune de ces statues était dépourvue d'un membre. Notre oeuvre en marbre intitulée «Alexandra Westmoquette», en est issue. Marc Quinn explore comment le désir façonne notre univers et affecte la relation de l›homme avec la nature. Enquêter sur les frontières entre l›art, la nature, tel est son projet artistique. Lors de l'exposition à Venise à la Fondation Giorgio Cini en mai 2013, sur l'île de San Giorgio Maggiore, il explore à nouveau la relation entre intégrité de l'âme et celle du corps, thème central de OEuvre. Marc Quinn revisite ce thème cette année avec l'oeuvre « Alison Lapper» à la Fondation Giorgio Cini Onlus en version gonflable de l'oeuvre monumentale installée entre 2005 et 2007, à Trafalgar square à Londres. RÉFÉRENCES BIBLIOGRAPHIQUES : Catalogue de l'exposition Marc Quinn Garden, Fondazione Prada, Milan , 2000, pp.19, 21, 56, 57, 120, 121 , 184-187, 205, 207 & 209. Illustration d'un autre exemplaire en couleur. Catalogue de l'exposition The Complete Marbles, Mary Boom Gallery, New York, 2004, pp. 5, 35, 37 & 39, Illustration d'un autre exemplaire en couleur Marc Quinn, Macro de Rome, 2006, pp 19, 21-22, Illustration d'un autre exemplaire en couleur Catalogue de l'exposition Recent Werk, Groniger Museulm, 2006, p.26, illustration d'un autre exemplaire en couleur

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Marc Quinn

Lot 73: Marc Quinn "Plate 4" Print

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Description: "Plate 4" print from the series "At the Far Edges of the Universe" by Marc Quinn (b. 1964). Quinn has shown in many international museums and galleries including the Tate Gallery in 1995 (London). (Keyword search: Georgia O'Keeffe, conceptual art, Contemporary Art, Anish Kapor, Damien Hirst, Jeff Koons)

Condition Report: very good condition, not examined outside the frame

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Marc QUINN (né en 1964) ITALIAN LANDSCAPE (8), 2000 Impression pigmentée sur toile

Lot 84: Marc QUINN (né en 1964) ITALIAN LANDSCAPE (8), 2000 Impression pigmentée sur toile

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Description: Marc QUINN (né en 1964) ITALIAN LANDSCAPE (8), 2000 Impression pigmentée sur toile signée, titrée ,datée et numérotée au dos "Marc Quinn, Italian landscape (8), n°3/3 h: 110 w: 166 cm Provenance : White Cube, Londres

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Marc Quinn

Lot 84: Marc Quinn "Plate 3" Print

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Description: "Plate 3" print from the series "At the Far Edges of the Universe" by Marc Quinn (b. 1964). Quinn has shown in many international museums and galleries including the Tate Gallery in 1995 (London). (Keyword search: Georgia O'Keeffe, conceptual art, Contemporary Art, Anish Kapor, Damien Hirst, Jeff Koons)

Condition Report: very good condition, not examined outside the frame

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Marc QUINN (né en 1964)  Winter garden 4 / Heliconia 39/59    Impression pigmentaire signée au dos

Lot 123: Marc QUINN (né en 1964) Winter garden 4 / Heliconia 39/59 Impression pigmentaire signée au dos

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Description: Marc QUINN (né en 1964) Winter garden 4 / Heliconia 39/59, Impression pigmentaire signée au dos H.82 x L.122

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Marc QUINN (né en 1964) SIX MOMENTS OF SUNRISE,2008

Lot 149: Marc QUINN (né en 1964) SIX MOMENTS OF SUNRISE,2008

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Description: Marc QUINN (né en 1964) SIX MOMENTS OF SUNRISE,2008 Ensemble de 6 sérigraphies en couleurs, chacune signée, numérotée 48/59 au dos et datée "2008" 55,5 x 37 cm - chacune encadrée

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Winter Garden 6, 2004

Lot 153: Winter Garden 6, 2004

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Description: Marc QUINN (born in 1964)Winter Garden 6, 2004Color print on paper, numbered 38 / 59 at the bottom, signed, titled and dated on the reverse32.25 x 48.25 in. - 82 x 122.5 cm.

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Marc Quinn (*1964): Portraits of Landscapes (Bla

Lot 220: Marc Quinn (*1964): Portraits of Landscapes (Bla

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Description: Marc Quinn (*1964): Portraits of Landscapes (Blatt 4 aus der Folge) 2007. Portrait of Landscapes ist eine Edition von Drucken aus Bildern von Einzelheiten von Marc Quinn's Öl-Gemälden von Blumen. Jedes Motiv wird mit Pigmentierten Tinten auf 330 g Sommerset Velvet Enhanced Papier von Hand lackiert und getrimmt. Sie verstehen sich als individuelle Drucke. Herausgegeben von Paragon Press, London in einer Auflage von 59 Blättern. Verso vom Künstler signiert. Gerahmt. Farbgraphik, Pigment-Druck. Measures: 98,0 × 73,2 cm. Print number 4 out of the series. Every motive varnished and shaped manual with pigmented ink on 330g Sommerset Velvet Enhanced paper. Individual prints. Edited by Paragon Press, London, one of 59 prints. On the backside signed by the artist. Framed. Color-lithography, pigment print.

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Marc QUINN (né en 1964) CLOSE UP/TULIPES Impression pigmentée sur papier

Lot 253: Marc QUINN (né en 1964) CLOSE UP/TULIPES Impression pigmentée sur papier

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Description: Marc QUINN (né en 1964) CLOSE UP/TULIPES Impression pigmentée sur papier signé et numéroté au dos "Marc Quinn, n°20/59" pigment print on paper signed and numbered on the reverse "Marc Quinn, n°20/59" 97 x 74 cm (37,83 x 28,86 in.) h: 97 w: 74 cm

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Marc Quinn (b.1964) - Plate 1, from the Portraits of Landscapes

Lot 280: Marc Quinn (b.1964) - Plate 1, from the Portraits of Landscapes

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Description: pigment print in colours, 2007, signed in pencil verso, numbered from the edition of 59, published by Charles Booth-Clibborn under his imprint The Paragon Press, London, on Somerset Velvet Enhanced paper, the full sheet printed to the edges, sheet 1000 x 750 mm (39 3/8 x 29 1/2 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Marc Quinn (b.1964) - Plate 2, from the Portraits of Landscapes

Lot 281: Marc Quinn (b.1964) - Plate 2, from the Portraits of Landscapes

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Description: pigment print in colours, 2007, signed in pencil verso, numbered from the edition of 59, published by Charles Booth-Clibborn under his imprint The Paragon Press, London, on Somerset Velvet Enhanced paper, the full sheet printed to the edges, sheet 1000 x 750 mm (39 3/8 x 29 1/2 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Marc Quinn (b.1964) - Plate 5, from the Portraits of Landscapes

Lot 282: Marc Quinn (b.1964) - Plate 5, from the Portraits of Landscapes

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Description: pigment print in colours, 2007, signed in pencil verso, numbered from the edition of 59, published by Charles Booth-Clibborn under his imprint The Paragon Press, London, on Somerset Velvet Enhanced paper, the full sheet printed to the edges, sheet 1000 x 750 mm (39 3/8 x 29 1/2 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Marc Quinn (b.1964) - Plate 6, from the Portraits of Landscapes

Lot 283: Marc Quinn (b.1964) - Plate 6, from the Portraits of Landscapes

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Description: pigment print in colours, 2007, signed in pencil verso, numbered from the edition of 59, published by Charles Booth-Clibborn under his imprint The Paragon Press, London, on Somerset Velvet Enhanced paper, the full sheet printed to the edges, sheet 1000 x 750 mm (39 3/8 x 29 1/2 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Marc Quinn (b.1964) - Plate 7, from the Portraits of Landscapes

Lot 284: Marc Quinn (b.1964) - Plate 7, from the Portraits of Landscapes

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Description: pigment print in colours, 2007, signed in pencil verso, numbered from the edition of 59, published by Charles Booth-Clibborn under his imprint The Paragon Press, London, on Somerset Velvet Enhanced paper, the full sheet printed to the edges, sheet 1000 x 750 mm (39 3/8 x 29 1/2 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Marc Quinn (b.1964) - Sphinx

Lot 285: Marc Quinn (b.1964) - Sphinx

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Description: screenprint hand finished with gold leaf, signed in pencil, numbered from the edition of 150 verso, on wove paper, with full margins, sheet 700 x 550 mm (27 1/2 x 21 5/8 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Marc Quinn (*1964)

Lot 287: Marc Quinn (*1964)

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Description: Marc Quinn (*1964): Close Up 1/Tulip (2007). Colour pigment-print. Verso signed, dated and numbered. Edition: 59 prints. Editor: The paragon press London 2007. Measures: 100,0 × 75,0 cm.Marc Quinn (*1964): Close Up 1/Tulip (2007). Verso signiert, datiert und nummeriert. Eines von 59 Exemplaren. Hrsg.: The paragon press London 2007. Blattgroß. Farbiger Pigmentdruck. Measures: 100,0 × 75,0 cm.

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Marc Quinn (b.1964) - The Ecstatic Autogenesis of Pamela

Lot 336: Marc Quinn (b.1964) - The Ecstatic Autogenesis of Pamela

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Description: Marc Quinn (b.1964) - The Ecstatic Autogenesis of Pamela digital print in colours, with extensive hand-colouring in yellow gouache, 2010, signed in pencil, numbered from the edition of 50, included in the deluxe copy of the text accompanying the artist's exhibition at the White Cube Gallery, London, 2010, this copy signed in pencil and numbered from the edition of 50, bound as issued in the original printed boards, overall size 253 x 197 mm (10 x 7 3/4 in)

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DDS. Marc Quinn (b.1964) From Portraits of

Lot 345: DDS. Marc Quinn (b.1964) From Portraits of

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Description: DDS. Marc Quinn (b.1964) From Portraits of Landscapes. Untitled 2, pigment print in colours, 2007, signed in pencil and numbered from the edition of 59 verso, published by Charles Booth-Clibborn under his imprint The Paragon Press, on Somerset wove paper, the full sheet printed to the edges, sheet 1000 x 750mm (39 3/8 x 29 1/2in)

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DDS. Marc Quinn (b.1964) From Portraits of

Lot 346: DDS. Marc Quinn (b.1964) From Portraits of

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Description: DDS. Marc Quinn (b.1964) From Portraits of Landscapes. Untitled 5, pigment print in colours, 2007, signed in pencil and numbered from the edition of 59 verso, published by Charles Booth-Clibborn under his imprint The Paragon Press, on Somerset wove paper, the full sheet printed to the edges, sheet 1000 x 750mm (39 3/8 x 29 1/2in)

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DDS. Marc Quinn (b.1964) Six Moments of Sunrise,

Lot 347: DDS. Marc Quinn (b.1964) Six Moments of Sunrise,

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Description: DDS. Marc Quinn (b.1964) Six Moments of Sunrise, the set of six polymer gravures printed in colours, 2008, each signed and dated, numbered from the edition of 58 verso, published by Charles Booth-Clibborn under his imprint the Paragon Press, London, on Magnani paper, all with full margins, each 368 x 549mm (14 1/2 x 21 5/8in)

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Marc QUINN (né en 1964) ITALIAN LANDSCAPE (8), 2000 Impression pigmentée sur toile

Lot 390: Marc QUINN (né en 1964) ITALIAN LANDSCAPE (8), 2000 Impression pigmentée sur toile

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Description: Marc QUINN (né en 1964) ITALIAN LANDSCAPE (8), 2000 Impression pigmentée sur toile signée, titrée, datée et numérotée au dos "Marc Quinn, Italian landscape (8), n°3/3" h: 110 w: 166 cm Provenance : White Cube, Londres

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Marc QUINN (né en 1964) WINTER GARDEN 9/FLAMINGO FLOWERS Impression pigmentée sur papier

Lot 405: Marc QUINN (né en 1964) WINTER GARDEN 9/FLAMINGO FLOWERS Impression pigmentée sur papier

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Description: Marc QUINN (né en 1964) WINTER GARDEN 9/FLAMINGO FLOWERS Impression pigmentée sur papier signée et numérotée au dos "Marc Quinn, n°50/59" Pigment impression on paper signed and numbered on the reverse "Marc Quinn, n°50/59" H.: 81 W.: 122 cm h: 81 w: 122 cm

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Marc QUINN (né en 1964) PORTRAITS OF LANDSCAPES 2, STAWBERRY

Lot 444: Marc QUINN (né en 1964) PORTRAITS OF LANDSCAPES 2, STAWBERRY

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Description: Marc QUINN (né en 1964) PORTRAITS OF LANDSCAPES 2, STAWBERRY Impression pigmentée, signée au dos et numérotée 58/59 100 x 75 cm - encadrée

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Marc Quinn (b.1964) Untitled digital print in

Lot 451: Marc Quinn (b.1964) Untitled digital print in

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Description: Marc Quinn (b.1964) Untitled digital print in colours, 2004, signed and inscribed 68 in pencil verso, from the edition of 100, published by Paragon Press, London, on thick wove paper, the full sheet printed to the edges, the full sheet 358 x 552 mm (14 1/8 x 21 3/4 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Marc QUINN (né en 1964) ITALIAN LANDSCAPE (8), 2000 Impression pigmentée sur toile

Lot 467: Marc QUINN (né en 1964) ITALIAN LANDSCAPE (8), 2000 Impression pigmentée sur toile

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Description: Marc QUINN (né en 1964) ITALIAN LANDSCAPE (8), 2000 Impression pigmentée sur toile signée, titrée,datée et numérotée au dos "Marc Quinn, Italian landscape (8), n°3/3" h: 110 w: 166 cm Provenance : White Cube, Londres

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MARC QUINN (NE EN 1964) Yello Hallucination, 2007 Acrylique sur panneau gesso. H_40 cm L_30 cm. Avec plexi: H_44 cm L_33,5 cm P_13...

Lot 478: MARC QUINN (NE EN 1964) Yello Hallucination, 2007 Acrylique sur panneau gesso. H_40 cm L_30 cm. Avec plexi: H_44 cm L_33,5 cm P_13...

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Description: MARC QUINN (NE EN 1964)Yello Hallucination, 2007Acrylique sur panneau gesso.H_40 cm L_30 cm.Avec plexi: H_44 cm L_33,5 cm P_13 cm.

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QUINN, MARC(London 1964 - lives and works in

Lot 3503: QUINN, MARC(London 1964 - lives and works in

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Description: QUINN, MARC(London 1964 - lives and works in London)Six moments of sunrise. 2008.Portfolio with 6 colour etchings. 52/59. Signed and dated lower left: Marc Quinn 2008, also numbered verso. Plate 37 x 56 cm on thick Magnami wove paper 52 x 70 cm. Pub by The Paragon Press, London.QUINN, MARC(London 1964 - lebt und arbeitet in London)Six moments of sunrise. 2008.Portfolio mit 6 Farbradierungen. 52/59. Unten links signiert und datiert: Marc Quinn 2008, sowie verso nummeriert. Platte 37 x 56 cm auf festem Magnami Vélin 52 x 70 cm. Erschienen bei The Paragon Press, London.

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Quinn, Marc: Close Up I (Tulip)

Lot 8403: Quinn, Marc: Close Up I (Tulip)

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Description: Close Up I (Tulip). Farbiger Pigmentdruck. 99,3 x 74,6 cm (Darstellung und Blattgröße). Verso signiert. Auflage 59 num. Ex. (2007) Bekannt wurde Quinn besonders durch seine Blumenphotographien, die der Künstler nach seiner Ausstellung "Garden" in der Prada Foundation in Mailand anfertigte, wo er 1000 Blumen aus aller Welt mit einem Silikonüberzug konservierte, um so auf das Eingreifen des Menschen in die Natur zu verweisen. Prachtvoller Druck in ganz vorzüglicher Erhaltung. In den Rändern vereinzelt unscheinbare Kratzspuren, die Oberfläche stellenweise ganz leicht unregelmäßig beschichtet, verso minimal angeschmutzt, sonst in tadellos schöner Erhaltung.

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MARC QUINN (British, b. 1964) Italian Landscape  (II),

Lot 72138: MARC QUINN (British, b. 1964) Italian Landscape (II),

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Description: MARC QUINN (British, b. 1964) Italian Landscape (II), 2000 Permanent pigment on canvas 43-1/4 x 65-1/2 inches (109.9 x 166.4 cm) Ed. 1/3 Signed, titled, dated and numbered verso PROVENANCE: Darbyshire, London (label verso) White Cube, London (label verso) Private collection, Dallas

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MARC QUINN Untitled (Garden II No. 6), 2000

Lot 4: MARC QUINN Untitled (Garden II No. 6), 2000

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Description: MARC QUINN Untitled (Garden II No. 6), 2000

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Marc Quinn , b. 1964 Stratospheric Ozone oil on canvas

Lot 4: Marc Quinn , b. 1964 Stratospheric Ozone oil on canvas

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Description: signed, titled and dated 2007 on the reverse oil on canvas

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MARC QUINN

Lot 4: MARC QUINN

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Description: MARC QUINN B. 1964 THE MEASURED BRIGHTNESS OF HALF A MILLION STARS signed and dated 2010 acrylic on colour pigment print sheet: 112 by 181cm.; 44 by 71¼in.

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Marc Quinn

Lot 6: Marc Quinn

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Description: signed and titled in English and dated 2009 on the reverse,oil on canvas,168.8 by 251 cm.; 66 1/4  by 98 3/4  in.

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Lot 7: Marc Quinn Cosmos in the Brain 2007, watercolour

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Description: Marc Quinn Cosmos in the Brain 2007, watercolour on paper 60 × 40 1/2 in. (152 × 101.5 cm.)

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MARC QUINN

Lot 7: MARC QUINN

Description: ARCHAEOLOGY OF DESIRE inscribed Marc Quinn, dated 2009, titled and numbered 2/5

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Marc Quinn

Lot 16: Marc Quinn

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Description: Marc Quinnb. 1964MAN STRUCK BY LIGHTNINGbronze and stainless steelfigure height: 314 cm.122 5/8 in.Executed in 1998.ProvenanceJay Jopling/White Cube, LondonAcquired directly from the above by the present ownerExhibitedLondon, South London Art Gallery, Marc Quinn, 1998, n.p., illustrated in colourLiteratureDiana Allan, Marc Quinn, Incarnate, London 1998, no. 43, illustrated twice in colour

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<BR>Marc Quinn (British, b.1964)

Lot 18: Marc Quinn (British, b.1964)

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Description: Untitled signed in pencil verso inkjet print, in perspex frame, sheet 35.7 x 55cm (14 1/16 x 21 5/8in).

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§ MARC QUINN (BRITISH, B. 1964) PORTRAITS OF LANDSCAPE 100cm x 75cm (39.25in x 29.5in)(39.30 x 29.48 ins) 100cm x 75cm (39.30in x 29...

Lot 18: § MARC QUINN (BRITISH, B. 1964) PORTRAITS OF LANDSCAPE 100cm x 75cm (39.25in x 29.5in)(39.30 x 29.48 ins) 100cm x 75cm (39.30in x 29...

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Description: § MARC QUINN (BRITISH, B. 1964) PORTRAITS OF LANDSCAPE Portfolio of 8 pigment prints, signed and numbered, edition of 59 100cm x 75cm (39.25in x 29.5in) (39.30 x 29.48 ins) 100cm x 75cm (39.30in x 29.48in)

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§ MARC QUINN (BRITISH, B. 1964) SUNRISE Head: 13cm x 10cm (5.25in x 4in), Box: 24.5cm x 21cm x 21cm (9.75in x 8.25in x 8.25in)

Lot 19: § MARC QUINN (BRITISH, B. 1964) SUNRISE Head: 13cm x 10cm (5.25in x 4in), Box: 24.5cm x 21cm x 21cm (9.75in x 8.25in x 8.25in)

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Description: § MARC QUINN (BRITISH, B. 1964) SUNRISE Signed and editioned 9/10, gold plated bronze sculpture in perspex box Head: 13cm x 10cm (5.25in x 4in), Box: 24.5cm x 21cm x 21cm (9.75in x 8.25in x 8.25in)

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MARC QUINN

Lot 19: MARC QUINN

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Description: Bismarck Archipelago Signed, titled and dated ‘Bismarck Archipelago Marc Quinn 2010’ on the reverse.

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MARC QUINN (b. 1964)

Lot 22: MARC QUINN (b. 1964)

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Description: MARC QUINN (b. 1964) Frozen Kate Head, 2000 archival pigment print, on Somerset fine art paper, printed 2013 signed, dated and numbered '5/5' in pencil (recto) image/sheet 69 x 54in. (175.5 x 137cm.) This print is number 5 from the edition of 5 + 2 Artist's Proofs.

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Marc Quinn , b. 1964 Red Sphinx painted bronze

Lot 23: Marc Quinn , b. 1964 Red Sphinx painted bronze

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Description: inscribed with the signature, title, date 2007 and numbered 1/1 painted bronze

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MARC QUINN (B. 1964)

Lot 26: MARC QUINN (B. 1964)

Description: MARC QUINN (B. 1964) Winter Garden: two prints two digital pigment prints in colors, 2004, on Somerset Velvet enhanced paper, each signed and dated in pencil on the reverse, numbered 44/59, published by The Paragon Press, Inc., London, generally in very good condition, each framed Each Sheet: 32½ x 48½ in. (826 x 1232 mm.) (2)

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MARC QUINN (B. 1964)

Lot 27: MARC QUINN (B. 1964)

Description: MARC QUINN (B. 1964) Garden2: three prints three digital pigment prints in colors, 2000, on Somerset Velvet enhanced paper, each signed and dated in pencil on the reverse, numbered 42/45, 44/45 amd 44/45, published by The Paragon Press, Inc., London, minor rubbing in places at the sheet edges, otherwise apparently in very good condition, not examined out of the frames Each Sheet: 31½ x 48½ in. (800 x 1232 mm.) (3)

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MARC QUINN

Lot 33: MARC QUINN

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Description: Red Lantern Cove Signed, titled and dated &#8216;Red Lantern Cove Marc Quinn 2010&#8217; on the reverse.

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Lot 37: MARC QUINN (B. 1964)

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Description: The Origin of Species coconut milk, stainless steel, glass and refrigeration equipment 81.1/8 x 241/4 x 241/4in. (206 x 61.5 x 61.5cm) Executed in 1993 PROVENANCE Jay Jopling/White Cube, London. Galerie Bischofberger, Zurich, where acquired by the present owner. LITERATURE "Marc Quinn. Incarnate", London 1998, no. 17 (illustrated in colour). NOTES "The Origin of Species" (1993) is a self-portrait of Marc Quinn composed of coconut milk. Poured into a cast made from the artist's features, the milk was then frozen solid and, to keep its form, has to be kept in a refrigeration unit. The coconut milk head rests at eye level to allow maximum contact between the viewer and the artist's visage, and although the head is covered with a thin film of ice, its features can be seen. The eyes are closed as though in deep contemplation and the work conveys a peaceful and restful expression. Quinn's primary concern in this, and much of his other work is with the expression of the nature of incarnation and with the existential condition of mankind. As Mark Gisbourne has written about Quinn's work, "a creative concern with incarnation both of self and self as 'other', is the investigative question that this artist pursues... It is the frame within which all Quinn's works can be encompassed, since it engages with the most fundamental of conditions in the generation and regeneration of human life. Likewise an engagement with his body is a commitment to shell off our verifiable and actual physical containment. While his work may be read as a simple engagement with issues of personal identity, it is in fact an 'exemplum' of universal identity; as a 'man-made flesh'. Incarnation (from the Latin 'caro', meaning 'flesh' represents the fusion of two natures of the human and the divine, or put in more modern terms, the sacred and the profane, the material and the immaterial nature(s) of man." (M. Gisbourne, "Marc Quinn Incarnate", London 1998, unpaged). In "The Origin of Species", Quinn substitutes coconut milk where he had used blood plasma in his celebrated "Self" of 1991 - the first of his refrigerated heads. By using these two different natural liquids within the same context, Quinn emphasises the inter-changeability of materials and draws attention to the transmutation potential within them, since coconut milk has sometimes been used in desperate medical circumstances as a substitute for blood plasma. By using coconut milk in this self-portrait in the place of blood and in referring to Darwin's theory of evolution in the title of the work, Quinn is pointing to the continual and on-going evolutionary mutational processes that are at work within us and within nature. As Gisbourne has written: "The idea of paradoxical forces and/or vital fluids and the changing transposition of life and its origins from one thing to another, be they physiological, sanguineous, or botanical is what brings together such works as 'Self', 'The Origin of Species' and 'Rubber Soul'. (op. cit.).

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Lot 39: MARC QUINN (B. 1964)

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Description: Stripped RTV 75-60 polyurethane rubber and stainless steel 93 x 25 x 18in. (236 x 63.5 x 45.7cm.) Executed in 1997 PROVENANCE White Cube, London. LITERATURE "Marc Quinn, Incarnate", London 1998, no. 31 (illustrated in colour). NOTES During the creation of "Stripped", 1997, Marc Quinn poured liquid Polyurethane over the head of his body cast, allowing it to run down the body. Although this material is actually synthetic, and not organic like some of the materials used by the artist such as blood plasma, coconut milk or artist's faeces, in Quinn's context it appears to become biological. Quinn discovered Polyurethane when casting the moulds for his earlier lead sculptures. Polyurethane is the material that "incarnated" earlier works, and this same material is used for the production of an artwork at its final stage. As David Thorpe says: "It is as if the material is like an amoeba, reproducing itself biologically by splitting, creating something made from itself. Quinn's sculptures have the material structure of an organised body with connected interdependent parts that share common life. His sculpture is polyphyletic - that is, it contains organisms that have different evolutionary origins. As in the theory of polygenesis, the origination of his sculptures stems from several independent pairs of ancestors. All his sculptures work together in a modular way." (Thorpe, "Marc Quinn. Incarnate", London 1998, unpaged) The use of this material also reinforces the shocking and monstrous effect of this piece. Its viscosity and the apparent "stalactites" created during the drying process give the impression that it has been created over a long period of time, almost as though time was responsible for its current appearance. Also by placing a steel plate and affixing it to a bracket connecting it to the ceiling, the feeling of the figure being "stripped" is reinforced. The figure appears to be floating up from the floor, creating an impression of weightlessness and gravity. Furthermore, one is forced to look upwards to contemplate this work, which makes it appear larger than life and thus more frightful. In this work, Quinn raises the most fundamental questions about the incarnation and ongoing mutational processes surrounding the human being.

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Marc Quinn (B. 1964) Sphinx (Venus) Bronze with 24

Lot 40: Marc Quinn (B. 1964) Sphinx (Venus) Bronze with 24

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Description: Marc Quinn (B. 1964) Sphinx (Venus) Bronze with 24 carat gold leaf 30 x 23 x 25.5cm

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                                        Marc Quinn (b. 1964)

Lot 40: Marc Quinn (b. 1964)

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Description: Marc Quinn (b. 1964) Tiber Flood Plane signed, titled and dated 'Marc Quinn 2008 Tiber Flood Plane' (on the reverse); titled 'Tiber Flood Plane' (on the stretcher)oil on canvas 66 3/8 x 104½in. (168.5 x 265.5cm.) Painted in 2008

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Marc Quinn-(British, born 1964)-Radioactive Nurseries of Enceladus (in the Night Garden)- -2012

Lot 46: Marc Quinn-(British, born 1964)-Radioactive Nurseries of Enceladus (in the Night Garden)- -2012

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Description: Radioactive Nurseries of Enceladus (in the Night Garden) 2012 signed, numbered 4/20 and dated 2012 pigment print on paper 110 by 165 cm. 43 5/16 by 64 15/16 in.

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