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Thomas Couture Auction Price Results

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Atelier de Thomas COUTURE (1815-1879)Les Romains de la décadence.Sur sa toile d'origine.83 x 132 cm.Reprise du tableau conservé au Musée d'Orsay à Paris.Provenance : Collection privée, Marseille.

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Description: Atelier de Thomas COUTURE (1815-1879)Les Romains de la décadence.Sur sa toile d'origine.83 x 132 cm.Reprise du tableau conservé au Musée d'Orsay à Paris.Provenance : Collection privée, Marseille.

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Profile de un Fille

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Description: Profile de un Fille c.1848

Condition Report: Good Condition

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Thomas Couture French, 1815-1879 Study for a Kneeling Figure   Inscribed Thomas-Couture / Etude de robe / BC...

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Description: Thomas Couture French, 1815-1879 Study for a Kneeling Figure Inscribed Thomas-Couture / Etude de robe / BC (Leon Bertauts-Couture, grandson of the artist; lr) Black chalk heightened with white on paper Sight 14 3/4 x 16 1/4 inches (37.5 x 41 cm) Exhibited: New York, Shepherd Gallery, Thomas Couture: 1815-79, Drawings, May- Jun. 1971, cat. no. 20 This is a study for the skirt of the central kneeling figure in Couture's Stella Maris in the church of Saint-Eustache, Paris. C 

Condition Report: Three small oil stains in the background at center, center right and lower right; some minor staining, foxing and creasing Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Thomas COUTURE (1815-1879) La soif de l'or. Huile sur toile marouflée sur panneau. 27 x 21 cm. Esquisse préparatoire du tableau conservé au Musée des Augustins à Toulouse.

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Description: Thomas COUTURE (1815-1879)La soif de l'or.Huile sur toile marouflée sur panneau.27 x 21 cm. Esquisse préparatoire du tableauconservé au Musée des Augustins à Toulouse.

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Profile d'une fille

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Description: Profile d'une fille

Condition Report: Good. Oxidation due to aging.

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Thomas COUTURE (1815-1879) , attribué à

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Description: Thomas COUTURE (1815-1879) , attribué à Jeune femme en buste Huile sur panneau. Monogrammé des initiales "TC" en bas à gauche 22,5 x 17,5 cm

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STYLE OF THOMAS COUTURE, (French, 1815-1879), THE LUTE PLAYER, oil on canvas;, 15 1/2 x 18 1/2 inches

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Description: STYLE OF THOMAS COUTURE (French, 1815-1879) THE LUTE PLAYER oil on canvas; 15 1/2 x 18 1/2 inches Provenance: Professor Fred Licht

Condition Report: not lined; overall good condition

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Thomas COUTURE (Senlis 1815-Villiers-le-Bel 1879) Drawings Feuille d’étude avec deux personnages Crayon noir et rehauts de craie bla...

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Description: Thomas COUTURE (Senlis 1815-Villiers-le-Bel 1879) Drawings Feuille d’étude avec deux personnages Crayon noir et rehauts de craie blanche sur ... Thomas COUTURE (Senlis 1815-Villiers-le-Bel 1879) Feuille d’étude avec deux personnages Crayon noir et rehauts de craie blanche sur papier gris 29 x 32,7 cm Insolé, petites pliures

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Thomas COUTURE ( Senlis, 1815 - Villiers-le-Bel, 1879 ) «Étude des mains de

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Description: Thomas COUTURE ( Senlis, 1815 - Villiers-le-Bel, 1879 ) «Étude des mains de l’Impératrice Eugénie, pour Le Baptême du Prince Impérial, circa 1856» crayon noir sur papier gris (légères rousseurs aux bords), non signé, étiquette d’exposition au dos du montage. 30, 5 x 47, 5 cm. Exposition : Shepherd Gallery, New-York, French paintings, drawings and watercolours, 1790-1890, été 1997.. Cette délicate étude de mains de l’Impératrice Eugénie fut dessinée en vue de la réalisation du Baptême du Prince impérial. Thomas Couture a dû exécuter de nombreux portraits et études des figures présentes au sein de sa grande composition. Les membres de la famille impériale ont posés directement auprès de l’artiste mais il s’est aussi aidé de photographies afin de compléter son travail. Le photographe Gustave le Gray a réalisé une série de portraits de l’Impératrice Eugénie au château de Saint-Cloud peu après le Baptême. Ici notre dessin montre les mains croisées et reposant sur un prie-Dieu alors que dans la composition définitive elles sont jointes et reposent sur un autel. Couture a très probablement réalisé cette étude d’après l’une des photographies réalisées par Le Gray, où l’Impératrice a les mains appuyées sur un prie-Dieu. L’exécution, très fine et délicatement ombrée, traduit une grande douceur.

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STYLE OF THOMAS COUTURE, (French, 1815-1879), THE LUTE PLAYER, oil on canvas;, 15 1/2 x 18 1/2 inches

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Description: STYLE OF THOMAS COUTURE (French, 1815-1879) THE LUTE PLAYER oil on canvas; 15 1/2 x 18 1/2 inches Provenance: Professor Fred Licht

Condition Report: not lined; overall good condition

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Description: Thomas COUTURE (Senlis 1815-Villiers-le-Bel 1879) Étude de mains Pierre noire et craie sur papier gris-bleu 20 x 28, 5 cm (à vue) 24, 2 x 31, 5 cm (feuille) Exposition : " Thomas Couture ", galeriede Bayser, 1982, no 6

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Thomas COUTURE (Senlis 1815-Villiers-le-Bel 1879) Étude de bras Crayon noir et rehauts de craie blanche sur papier gris 33, 5...

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Description: Thomas COUTURE (Senlis 1815-Villiers-le-Bel 1879) Étude de bras Crayon noir et rehauts de craie blanche sur papier gris 33, 5 x 45 cm (Petites pliures) On joint quatre autres dessinsdu même artiste

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Thomas COUTURE (Senlis 1815-Villiers-le-Bel 1879) Étude du bras pour Les Enrôlés volontaires Crayon noir et rehauts de craie bla...

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Description: Thomas COUTURE (Senlis 1815-Villiers-le-Bel 1879) Étude du bras pour Les Enrôlés volontaires Crayon noir et rehauts de craie blanche sur papier bleu 30 x 33 cm Titré et monogrammé en basà droite On joint quatre autres études du même artiste

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Thomas COUTURE (Senlis 1815-Villiers-le-Bel 1879) Étude de pantalon de zouave Crayon noir et rehauts de craie blanche sur papier...

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Description: Thomas COUTURE (Senlis 1815-Villiers-le-Bel 1879) Étude de pantalon de zouave Crayon noir et rehauts de craie blanche sur papier beige 43, 5 x 30 cm (Petites pliures) On joint cinq autres dessins du même artiste

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COUTURE Thomas ( Senlis 1815 - Villiers-le-Bel 187

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Description: COUTURE Thomas ( Senlis 1815 - Villiers-le-Bel 1879 ) «Portrait de l’Impératrice Eugénie de profil étude pour Le Baptême du Prince Impérial circa 1856» crayon noir sur papier vergé beige (quelques rousseurs et petits trous) monogramme en bas à droite étiquettes au dos du montage. 28 5 x 32 5 cm à vue.

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COUTURE Thomas ( Senlis 1815 - Villiers-le-Bel 187

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Description: COUTURE Thomas ( Senlis 1815 - Villiers-le-Bel 1879 ) « Le baptême du Prince Impérial esquisse pour la partie droite de la composition circa 1856 » étude au crayon noir double face sur papier gris (légères taches petites rousseurs griffures superficielles et très petits trous) non signé diverses étiquettes d’expositions au dos du cadre. 30 x 40 cm à vue.

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COUTURE Thomas ( Senlis 1815 - Villiers-le-Bel 187

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Description: COUTURE Thomas ( Senlis 1815 - Villiers-le-Bel 1879 ) «Étude des mains de l’Impératrice Eugénie pour Le Baptême du Prince Impérial circa 1856» crayon noir sur papier gris (légères rousseurs aux bords) non signé étiquette d’exposition au dos du montage. 30 5 x 47 5 cm.

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COUTURE Thomas ( Senlis 1815 - Villiers-le-Bel 187

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Description: COUTURE Thomas ( Senlis 1815 - Villiers-le-Bel 1879 ) «Étude du diacre agenouillé pour Le baptême du Prince Impérial circa 1856» crayon noir et rehauts de craie blanche sur papier bleu à vue cintrée en haut et en bas (quelques très petites taches) non signé. 42 x 28 cm.

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ATTRIBUTED TO THOMAS COUTURE: STUDY OF A MAN READING

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Description: ATTRIBUTED TO THOMAS COUTURE: STUDY OF A MAN READING Oil on wood panel, unsigned. 5 1/4 x 7 in. (sight), 7 3/4 x 9 3/4 in. (frame). Provenance: The Collection of Denys Sutton, London.

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THOMAS COUTURE (1815-1879): STUDY FOR

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Description: THOMAS COUTURE (1815-1879): STUDY FOR "L'ENROLEMENT DES VOLONTAIRES DE 1792" Pencil and black chalk on paper. Provenance: Christie's, New York, Sale 1404, September 8-9, 2004, lot 339. 17 3/4 x 9 1/4 in. (sight), 26 1/2 x 18 x 1 in. (frame).

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Thomas Couture, French, 1815-1879, Portrait of a Lady, oil on canvas, 18 1/4 x 13 1/2 in., framed

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Description: Thomas Couture French, 1815-1879 Portrait of a Lady oil on canvas initialed "T.C." ul 18 1/4 x 13 1/2 in., framed

Condition Report: Relined, craquelure. Paintings have not been examined by blacklight. Prospective buyers may submit an inquiry requesting a more detailed examination and/or clarification of the condition report. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact, nor regarded as a warranty or guarantee. Alex Cooper Auctioneers is not responsible for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition, or is free from wear and tear, imperfections or the effects of aging.

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ATTRIBUTED TO THOMAS COUTURE (French, 1815-1879). STUDY FOR THE DEATH OF BELISAIRE, oil on canvas.

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Description: ATTRIBUTED TO THOMAS COUTURE (French, 1815-1879). STUDY FOR THE DEATH OF BELISAIRE, oil on canvas - Framed, 19 in. x 17 1/2 in.

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Attribution: Thomas Couture, 1815-1879,

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Description: Attribution: Thomas Couture, 1815-1879, Profile portrait of a young man, oil on canvas, approx 33x28cm, frame

Condition Report: 2

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Attributed to COUTURE, THOMAS(Senlis 1815 - 1879

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Description: Attributed to COUTURE, THOMAS(Senlis 1815 - 1879 Villiers-le-Bel)Portrait of a gentleman.Oil on canvas laid on board. 45 x 39 cm.COUTURE, THOMAS (ZUGESCHRIEBEN)(Senlis 1815 - 1879 Villiers-le-Bel)Herrenportrait.Öl Leinwand auf Karton. 45 x 39 cm.

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Couture, Portrait of Man, Chalk on Paper

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Description: Thomas Couture (French 1815-1879), portrait of a man, possibly Leon Ohnet, black and white chalk on paper, on green mat, inlaid wood frame, initialed center at right, 22"h x 17 3/8"w (view), 31"h x 26 1/2"w (frame). Provenance: From a NY estate. Sold at Christie's, NY 9/3/03, sale 1261, Lot 176.

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COUTURE Thomas (1815 - 1879) Portrait d'homme au

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Description: COUTURE Thomas (1815 - 1879) Portrait d'homme au tricorne Esquisse, signée du monogramme TC à droite. 46 x 41,5 cm

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Description: Timon of Athens, init. panel Oil Painting (10x8in).

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Description: Timon of Athens (1857-1867) signed with initials 'T. C.' and bears '...outure' lower left oil on panel 8 x 10in. (21 x 26cm.) NOTES Timon of Athens, inspired by Shakespeare's play of the same title, is Couture's allegory of greed. It should be seen as a development of the themes of his L'Amour de L'Or of 1844. Of the earlier picture, Couture wrote: "The picture of Love and Gold is taken from Shakespeare's Timon of Athens; a miser who possesses much gold finds all kinds of temptations coming his way, but since he is swayed more by the possession of his riches, he replies to every offer, "I prefer my gold more," and master Satannas, delighted for having invented this beautiful yellow temptress, laughs like the damned person he is when he sees (the naked ones yielding without receiving anything in turn) this race (to the bell tower) for gold whose goal will be hidden by him who is in Hell"(Couture Family Archives, "Quelques lettres," M.S. no.293). From the above quote, it is apparent, as Boime points out, that Couture has misinterpreted the play and the central character himself(A. Boime, Thomas Couture and the Eclectic Vision, 1980). The rich and generous Athenian Timon had showered his friends and acquintances with gifts only to be abandoned by them when his money is spent. With no other option, Timon goes to live in a cave outside of Athens where he finds a bag of gold. At this point, his supplicating friends return, once again begging for Timon's generosity. Timon instead, gives the gold to Alcibiades to destroy Athens and hangs himself from a nearby tree. A large-scale version of our work was destroyed in the artist's studio in 1870. However, many drawings and oil sketches survive; a version almost identical to the present one, with the exceptions of a black bird perched on a post behind Timon and the lady's cloaked attendant facing Timon is in the Wallace Collection, London; a similar drawing with the addition of a man who stands behind Timon with a coining press, aiding his master's gluttony is in the Louvre; a drawing also with a coiner, and another drawing, with a coining man and with six men dragging a box, being directed by a man on a Church pulpit are in the Chteau de Compigne; with Shickman Gallery, October 1965 (published in Shickman Catalogue of that year) and a drawing with a coiner and with the nude's attendant in the exact position as our painting was with Shickman GAlleries in October 1865. The Brooklyn Museum also has a study for the beggar in the central foreground. It is thought that this man is the same one as in Couture's Stella Maris, the fresco cycle completed by the artist for St. Eustache in 1851. Thomas Couture, born in Senlis moved to Paris in 1826. He studied under Gros from 1830-5, attended the Ecole des Beaux Arts and trained with Paul Delaroche in 1838. In 1847 Couture painted his famed The Romans of the Decadence (Muse d'Orsay, Paris). This painting won him a first class medal at the Salon and enormous praise from the critic while establishing him as a painter of the "juste milieu." A clear commentary on the social decadence of the July Monarchy and the new middle class in Paris, it seems almost ironic that this painting also received a grand reception from the public. The Romans of the Decadence and the present work, show Couture's ability to meld ancient and modern themes, stylistic vocabularies and palettes. Couture exhibited at the Salon from 1838 and continued to exhibit until 1872, winning a Chevalier de la Lgion of d'Honneur in 1848, and a gold medal in the Unviversal Exhibition of 1855. Thomas Couture's influence as a teacher was far reaching and he had an international body of students, many of whom became influential in their own rights, including Edouard Manet, Pierre Puvis de Chavannes, and Anselme Feuerbach.

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Description: Tete de jeune garcon Fusain & rehauts blanc 16,9 x 128,0 inches (43.0 x 325.0cm) Initial. lower right Illustrated.

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Description: The Sacrifice of Noah Oil Painting (57x44in).

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Description: Napoleon abdiquant Mine plomb & rehauts craie blanche/papier bleu 11,0 x 15,4 inches (28.0 x 39.0cm) Illustrated.

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Description: French 1815-1879 portrait of a young girl signed with initials l.r. oil on canvas 50 by 41cm., 19N by 16in.

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Thomas COUTURE - 1815-1879 PORTRAIT D'HOMME AUX

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Description: Thomas COUTURE - 1815-1879 PORTRAIT D'HOMME AUX FAVORIS, vers 1840 Huile sur toile, monogrammée à droite au centre. 73 x 59

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Description: (French, 1815-79) STUDY FOR '1815' signed with the artist's initials TC (lower left) oil on canvas 16 by 12 7/8 in. 40.6 by 32.7cm. This preparatory sketch is one of the few remaining images of Thomas Couture's monumental painting 1815, destroyed by the Prussians in a pillage of the artist's home at Villiers-le-Bel during the Franco-Prussian War in the Fall of 1870. 1815 was an allegory of the betrayal of France by the formation of an alliance between the church and the aristocracy, an event which Couture blamed for France's devastating loss at Waterloo. A sketch for the composition survives (Fig. 1) and depicts a returning aristocrat emigre standing arm-in-arm with an abbe at the French border surveying through a looking-glass the wreckage of France- fallen soldiers dying in the drapery of the tricolour under a wooded border post marked 1815/FRANCE. A pencil study for the aristocrat also survives, formerly in the collection of Jacob Bean; it is presently in a New York private collection. The present oil sketch is a study for the two principal figures, in the lower left of the composition, the emigre- dressed in the ancien-regime costume of the eighteenth century and the priest who stands to his right. Provenance: Madame Rissler-Couture, Paris Thence by descent through the family Exhibited: Paris, Palais de l'Industrie, Thomas Couture, September 1880, No. 100 (lent by the family of the artist) Paris, Galerie Levesque & Cie, Exposition des Oeuvres de Thomas Couture, June 20-July 26, 1913, No. 51 (lent by Madame J. Th. Couture) Paris, Galerie Leverque & Cie, June 20-July 13, 1926.

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Description: Etude pour les Romains Huile/toile Signed.

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Description: Portrait de femme oil/canvas 18.1x15 in (46x38 cm).

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THOMAS COUTURE (1815-1879). CERCHIA DI, Giovanna

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Description: THOMAS COUTURE (1815-1879). CERCHIA DI, Giovanna d'Arco presentata al sovrano, Olio su tela, 193,5x128,5 cm. Firma "T.C." al recto L'ascrizione alla mano di Couture stesso è stata esclusa dal Prof. Albert Boime, UCLA Department of Art History Provenienza: Christie's Londra, 20.11.1997, lotto 258 (come Thomas Couture)

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Thomas COUTURE (attribué à) (Senlis le 1815 -

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Description: Thomas COUTURE (attribué à) (Senlis le 1815 - Villiers-le-Bel 1879) Les romains de la décadence Huile sur toile (quelques restaurations anciennes) Porte un monogramme T.C. en bas à gauche 73.5 x 60 cm

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Description: Les Romains de la decadence, bears mono. painted c.1850 Oil Painting (32x23in).

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Thomas COUTURE - 1815-1879 PORTRAIT D'HOMME AUX

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Description: Thomas COUTURE - 1815-1879 PORTRAIT D'HOMME AUX FAVORIS, vers 1840 Huile sur toile signée du monogramme TC au centre à droite. 73 x 59

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Description: PORTRAIT OF A MAN signed with initials "T. C." center right -- black and white chalk on paper 22 x 17 3/8 in. (55.9 x 44.1 cm.).

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Description: Tete de femme, mono.i. black crayon htd white double-sided Works on paper (15x19in).

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Description: Buste de femme, s. painted c.1847 Oil Painting (18x21in).

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Description: STUDY FOR L'AMOUR DE L'OR signed with initials, and inscribed T.C./1844/AURI SAC/ FAMES center - - oil on panel 8 3/4 x 11 in. (22.2 x 27.9 cm.).

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Thomas Couture (French, 1815-1879)

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Description: Jeune femme cousant signed with initials 'TC' (lower left) oil on canvas 361/2 x 29 in. (92.5 x 73.5 cm.) Painted circa 1870.

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Description: The Surrender of the People of Gand to the Emporer Charles V signed with initials 'T.C.' (lower right) oil on canvas 50.5/8 x 761/2 in. (128.5 x 194.3 cm.).

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Description: Thomas Couture 1815 Senlis - 1879 Villiers-le-Bel - Mythologische Szene / Festzug - Öl/Lwd. Doubliert. 28 x 46,4 cm. Verso Aufkleber eines alten englischen Auktion-Katalogtextes. Rahmen. Beschn. (73040/0022)

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Description: Attribuito a Thomas Couture (1815-1879) Le due sorelle Olio su tela, 65 x 54,5 cm. La sigla 'T.C.' (in basso a destra) appare coeva al dipinto.

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Description: Etudes d'arbres (recto-verso) Pierre noire 12x19 inches (31.6x49 cm).

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Description: PORTRAIT OF CHARLES MONGINOT initialed T.C. oil on canvas 25 5/8 by 21 1/4 in. 65.1 by 54cm. Charles Monginot (1825-1900) was a pupil and friend of of Thomas Couture. He was a painter of still lives, portraits and genre scenes. He regularly exhibited at the Paris salons. This picture was painted when Monginot was very young, probably at the time when he was studying in Couture's studio. 1847 is the year when Couture was at the height of his talent and at the dawn of his success. The same year he exhibited his most famous painting, Les Romains de la DEcadence (Paris, Musee d'Orsay) which was to make him one of the most important artists of his time. Exhibited: Possibly, Paris, Salon de 1847, Nb. 402 Provenance: The sitter's family.

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