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Ossip Zadkine Auction Price Results

Ossip Zadkine (1890-1967)  Please Register/Login to access your Invaluable Alerts

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Description: Autoportrait presume, init.i. pencil dr executed 1962 Works on paper (9x12in).

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Watercolor/pen and ink

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Description: Ossip Zadkine, "Woman with Flowers," gouache on paper

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Description: Ariane signed and numbered 'O. Zadkine 4/10' (on the front); stamped with foundry mark 'Susse Fondeur Paris' (on the back) bronze with gold patina 43/4 x 12 x 61/4 in. (12.2 x 31 x 16 cm.) Conceived in 1954; this bronze version cast at a later date LITERATURE M.-C. Dane and D. Imbert, Mus‚e Zadkine Sculptures, Paris 1982, p.153, pl. 181a. (another cast illustrated). S. Lecombre, Ossip Zadkine L'Oeuvre Sculpte, Paris, 1994, pl. 454, p. 511 (another cast illustrated).

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Description: Embracing figures Ballpoint pen 9x8 inches (24.1x20.3 cm) signed (Lower Right) Init.

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Description: Jeune femme aux cheveux ondules Bois 40xcm Signed.

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Description: Mere et enfant, 1932 Gouache 30x21 inches (75x54 cm) signed & dated -32 (Lower Right).

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Description: Petite femme a l'eventail, s. num.2/5 pat.bronze Cast.Susse exec.1925 prov.lit.exhib. Sculpture (?x6x)?in.

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OSSIP ZADKINE (Russian/French, 1890-1967)

Description: OSSIP ZADKINE (Russian/French, 1890-1967) Musicians

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Description: reveuse inscribed with the initials, numbered 0/5 and inscribed with the foundry mark Susse Fondeurs, Paris bronze length: 17 cm., 6 3/4 in. Executed in terracotta in 1952 and cast in bronze from 1959 in an edition of 6 (numbered 0/5 to 5/5) plus 3 artist's proofs. The present work was cast in 1959. The cast numbered 5/5 belongs to the Musee Zadkine in Paris. This work is also titled Fillette assise. Provenance: Galerie Rene Drouet, Paris (acquired by the present owner in 1972) Literature: Ionel Jianou, Zadkine, Paris, 1964, p. 104, edition catalogued Ionel Jianou, Zadkine, Paris, 1979, no. 377 Sylvain Lecombre, Musee Zadkine, Sculptures, Paris, 1989, p. 162, no. 159b, illustration of another cast Sylvain Lecombre, Ossip Zadkine, l'OEuvre sculpte, Paris, 1994, p. 499, no. 439, illustration of another cast.

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OSSIP ZADKINE (Russian/French, 1890-1967) Lady

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Description: OSSIP ZADKINE (Russian/French, 1890-1967) Lady with vase

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Description: La demeure signed with the initials 'OZ' (on the back of the base) bronze with brown patina 25 7/8in. (65.7cm.) high Conceived in 1959 and cast in a numbered edition of three LITERATURE T. Spiteris, Zadkine, Milan 1966 (another cast illustrated pl. 15). S. Lecombre, Ossip Zadkine, l'oeuvre sculpt‚, Paris 1994, no. 508b (another cast illustrated p. 571). NOTES The authenticity of this work has been kindly confirmed by the Mus‚e Zadkine, in a letter dated Paris, le 26 Mars 1998.

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Ossip Zadkine

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Description: sculpture originale en plâtre doré à la feuille,Hauteur : 80 cm (31 1/2 in.)

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Ossip ZADKINE (1890-1967)

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Description: Ossip ZADKINE (1890-1967) Dessin préparatoire pour la sculpture « La demeure », 1959 Lavis d'encre sur papier, signé et daté en bas à droite 73 x 51,5 cm - 28 3/4 x 20 1/4 in. Ink and wash on paper, signed and dated lower rightProvenance :Ancienne collection Claude Dane Bibliographie :Répertorié dans les archives du musée Zadkine

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Description: Sans titre, s. ink wash Works on paper (7x11in).

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Description: Les Amoureux, ou Intimite, 1945-1946 [Jianou 339] Bronze & patine doree. Fonte Susse 17,7 inches (45.0cm) S 4/5 Illustrated.

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Description: Les trois belles Bronze poli 29.9 in (76 cm) signed no.3 Susse Fondeur. Jianou, pl.75, Paris 1964.

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Description: Wrestling the Minotaur, 1943, 1943 Pen & ink/paper 17.3x23.1 in (43.9x58.6 cm) signed & dated -43 (Lower Right).

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Description: The brothers Theo and Vincent, plaster Sculpture (10x10x)?in.

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Description: Nu allonge a sa lecture, 1943, 1943 ink sepia 16.9x23.6 in (43x60 cm) signed & dated -43 (Lower Right).

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Description: Ossip Zadkine 1890-1967 La femme endormie signed and dated lower right Zadkine 1920, watercolour on paper 15.75in x 18.5in 40 x 47cm The authenticity of this watercolour has been confirmed by the Musee Zadkine.

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ZADKINE, OSSIP 1890-1967 Les Deux Amis. Les Memoires des Belles signed and dated 1960, gouache over a lithograph, 63 by 43 cm. Certificate of

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Description: ZADKINE, OSSIP 1890-1967 Les Deux Amis. Les Memoires des Belles signed and dated 1960, gouache over a lithograph, 63 by 43 cm. Certificate of authenticity from Madame Noelle Chabert of Zadkine Museum.

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Description: Untitled signed and dated 'Zadkine 26' (lower right) gouache over pencil on paper 30 1/8 x 21 1/8 in. (76.6 x 53.5 cm.) Painted in 1926.

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Description: Tote d'Homme anxieux Bronze, brown patina 37xcm Inscr.

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Description: TETE D'HOMME ANXIEUX inscribed O. ZADKINE and numbered 2/6, bronze, brown patina, on a 6 inch wooden base. Height: 14 1/2 in.36.8 cm. Executed in 1942. Literature: Musee Zadkine, Sculptures, Paris 1989, p. 105, no. 95, (another example illustrated).

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Original model for Zadkine's masterpiece entirely made by hand

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Description: SCULPTURE - ZADKINE, Ossip (Russian 1890 - 1967). The Destroyed City. Ossip Zadkine (1890 - 1967) The Destroyed City (model) reinforced plaster, height 130 cm. Unique handmade copy fabricated by the artist in 1948. Presumably painted over in one layer white after moulds were made. Unrecorded. Not in the catalogue raisonné (probably assumed to be lost or destroyed by the bronze foundry). The present sculpture was produced in 1948 and based on a metal frame on which plaster was applied. It is the only plaster model of Zadkine's masterpiece ever on the market and now - 66 years later - up for sale for the very first time.Two other copies in plaster are known, only one of which survives. The first one, a model by the name of "Ontwerp voor een monument voor een verwoeste stad" ("Design of a monument for a destroyed city"), perished in 1947 on its way back from the first exhibitions where it was shown, in Prague and Berlin respectively. Zadkine made a new copy that was exhibited, among other places, in the Stedelijk Museum Amsterdam, and was introduced by Sandberg to the director of the Bijenkorf, G. van der Wal. This copy remains part of the Bijenkorf collection to this day. Van der Wal was immediately convinced of the power of the design to serve as a war monument for the city of Rotterdam and decided to finance the project on behalf of the Bijenkorf (only after 25 years, in 1978, when the plaque was attached, it became known that the Bijenkorf was the driving force behind the monument). For this to become reality, first the city of Rotterdam had to endorse the plan for the monumental sculpture. Van der Wal, who was himself a collector of sculptures, decided that a plaster model would not suffice for this purpose and, after consulting Zadkine, ordered a bronze cast at the bronze foundry "Binder" in Haarlem, which he placed in the canteen of the city hall. Afterwards, he handed mayor Van Walsem his very extensive documentation, and gave his blessing to convince both the administration and the people. Only in 1951 would the local administration give its consent, when almost all, sometimes uncommonly violent, resistance had quieted down. The monument would become 6 meters in height, 3000 kilograms in weight and was to be placed on a stone pedestal at the Leuvehaven. For the final sculpture, Zadkine created a smaller plaster model of 2.25 meters in height, that was exhibited for the first time in December of the same year. The artist considered "The Destroyed City", on its way to become the largest war memorial in the world, to be his magnum opus. Nevertheless, after a while, the size of the model became so cumbersome in his studio, that he wanted to chop it up in pieces. Van der Wal, who owned the rights to the sculpture, intervened and made a bronze cast of it in 1956. The latest phase of the preparation of the monument was not without its difficulties either. Because a work of this size could not be casted in the Netherlands, the famous French sculpture foundry "Rudier" would cast the six-meter-high plaster model (which was ready by 1952) in bronze. Unfortunately, Rudier suffered a stroke while driving his car on the Champs Elysées. He managed to reach his house, but on arrival, fell out of the car dead. This was more than just a personal drama. Rudier had written in his testament that his company would no longer cast bronzes after his death. His company, however, was the only one that was capable of casting sculptures au sable ('in sand') on this scale. The order had to be transferred to another foundry, "Susse", that worked with the much more expensive method au cire perdu ('in lost wax'). In April of 1953 the monument was finished in Paris. It was unveiled in Rotterdam in May of the same year. In the end, 6 copies were cast in bronze in the same foundry in 1957 (and another 5 épreuves d'artiste) after the Bijenkorf model of 1948, signed "O. Zadkine 1947". Several of these copies are public property, and are exhibited in the Musée d'Art Moderne de Bruxelles, the Baltimore Museum of Art and the Musée Zadkine. Although there can be no misunderstanding about the fact that the sculpture that is presently for sale is originating from the first phase of the creation of the monument, the provenance and the meaning of this remarkably beautiful plaster sculpture is once more carefully examined and described. The model was left behind by the artist to be destructed at the bronze foundry "Binder" in Haarlem, where the presentation model in bronze was casted that Van der Wal presented in Rotterdam in early 1949. There it was discovered in 1955 by Mrs. Van Taalingen-Dols from Aerdenhout who passionately - "destruction would be a mortal sin" - requested Zadkine by letter to save the copy for him. She vowed to never make reproductions of it and take good care of it "at home". Zadkine agreed and Binder handed her the sculpture that would be part of her home in Aerdenhout until her death in 1980. It was inherited by her daughter who took it with her to Rotterdam, where she sold it to the current owner in 1990. Mrs. Van Taalingen-Dols, who is perhaps best remembered today for her book De strijd om een mensenleven ('The battle to preserve a human life') (1960), was well known for her resistance work during the Second World War, by fighting the deportation of Dutch Jews on legal grounds. Her expeditiousness in this matter, according to Lou de Jong, may be illustrated by the fact that she succeeded in infiltrating the group of closest collaborators of Eichmann, and successfully prevented the deportation of her college professor, Prof. Meijers, to the "work camps" in Eastern Europe. The couple Van Taalingen paid Zadkine a visit in his studio in Paris in 1957. As requested by the artist, the loan was paid off by paying FF 10.000 in cash (according to an oral statement ten years later to the daughter and later owner Mrs. Suermondt). Mrs. Van Taalingen is now the legal owner of the sculpture. Although Zadkine's wish to destroy the plaster model was presumably in the first place aimed at preventing illegal copies, it also illustrates the prevailing appreciation at that time for copies in plaster. Or, better put, the complete lack of that appreciation. Only in the last few years, the interest in plaster models is on the rise. Not only because they are (much) closer to the artist, but also because of their esthetic superiority: they show much more details and contrast. If that is true for cast copies that were produced on the basis of a clay archmodel, it applies even more so to this sculpture that was completely handcrafted by Zadkine. A model, furthermore, on which he knew the fate of the monument would depend and, in a way, his whole artistic legacy. This is the copy in which Zadkine combined all the emotion he felt during the conception, all his creative power and all his craftsmanship to convince and conquer Rotterdam, and ultimately the whole world.

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Description: OSSIP ZADKINE (1890-1967) TWO WOMEN ON THE TERRACE 45 by 58 cm. signed and dated ï28 gouache on paper Provenance Kunsthandel Borzo, ïs Hertogenbosch

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Ossip Zadkine, Le Merveilleux Radeau, Lithograph, 1966

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Description: Lithograph on wove paperGermany, 1966; published 1974Ossip Zadkine (1890-1967) – Belarus-French painter, sculptor and graphic artist; representative of CubismNumbered in pencil as well as with blindstamp ‘O.Z. Atelier Ossip Zadkine’ (numbering in the images deviates from the real numbering of the lot)Catalogue raisonné: Czwiklitzer 170Plate 9 from the portfolio ‘Europäische Graphik IX’Edited by Felix H. Man and published by Galerie Wolfgang Ketterer, Munich, 1974 (with their blindstamp)Image dimensions: c. 61.5 x 45 cm; sheet dimensions: 65 x 50 cmGood conditionObject is regular taxed. 19% VAT is added to the purchase price for deliveries within the EU.Condition:The lithograph is in good condition with minimal signs of age. The dimensions of the image are c. 61.5 x 45 cm, the sheet’s dimensions are 65 x 50 cm.Ossip Zadkine (1890-1967)The sculptor and watercolorist was born in Smolensk and came to England in 1906, where he studied at the Regent Street Polytechnic in London and spent half a year at the École des Beaux-Arts in Paris (1909), where he eventually settled. From 1912 onwards Zadkine regularly exhibited at the Société des Artistes Indépendants. From 1923 onwards he also showed his works at the Salon des Tuileries and the Salon d'Automne. After spending a few years in New York, he again became resident in Paris after World War II, where he became teacher at the Académie de la Grande Chaumière. Counting among Zadkine’s most famous works are the sculpture commemorating the destruction and reconstruction in Rotterdam and the 10 m long relief frieze for a movie theater in Brussels. Other artworks can be seen among others at the Art Institute in Philadelphia and at museums in Tokyo, Antwerp, Ottawa, Dresden and Amsterdam.  Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

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Ossip ZADKINE (1890-1967)   LA CHANTEUSE NUE

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Description: Ossip ZADKINE (1890-1967) LA CHANTEUSE NUE 1954 Bronze à patine noire Signé et numéroté 2/10 sur la terrasse Tirage à 10 exemplaires plus 2 épreuves d’artiste effectués chez Susse Fondeur à partir de 1954 35 x 11,5 x 9,5 cm Répertorié sous le numéro 453 de l’ouvrage de Sylvain Lecombre, Ossip Zadkine, l’OEuvre scupté, éd. Paris Musées, 1994, p. 511 L’exemplaire 10/10 est conservé au Musée Zadkine. Ossip ZADKINE Son OEuvre représente l’un des temps forts de l’art contemporain en incarnant son esprit d’indépendance, l’aventure et son agitation féconde. Elle se caractérise surtout par la tension nerveuse portée à son paroxysme, sa grande audace, son caractère poignant et son style monumental. Son attitude est révolutionnaire, dans le plus pur sens du terme. La plupart de ses sculptures peuvent être classées selon les thèmes suivants: portraits et forme humaine, le thème biblique, le thème mythologique, les thèmes musicaux et poétiques, le thème de la guerre, et enfin les oeuvres qui célèbrent les grands artistes créatifs. Zadkine est souvent revenu, après des périodes prolongées, à un sujet appartenant à un cycle donné, car ces méthodes de travail l’amènent à alterner les thèmes et les procédures, évitant ainsi la monotonie et la répétition. *

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Ossip Zadkine Russian/French, 1890-1967 Untitled, 1928

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Description: Ossip Zadkine Russian/French, 1890-1967 Untitled, 1928 Signed O. Zadkine and dated 28 (ll) Gouache on paper 21 1/2 x 27 1/2 inches (54.6 x 69.9 cm)

Condition Report: Slightly toned. Mat burn at edges. Glue stains in recto along margins. 1/4 inch tear at left center edge. Hinged at top, verso with linen tape. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Ossip ZADKINE (1890-1967) .   Deux personnages.   Encre .   Signée en bas à droite .   28 x 17 cm à vue .

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Description: Ossip ZADKINE (1890-1967) . Deux personnages. Encre . Signée en bas à droite . 28 x 17 cm à vue .

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Ossip ZADKINE (Vitebsk, 1890- Paris, 1967) ENSEMBLE DE 2 OUVRAGES

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Description: Ossip ZADKINE (Vitebsk, 1890- Paris, 1967) ENSEMBLE DE 2 OUVRAGES - Robert GANZO, Lespugue. S.l. (Paris), Marcel Sautier, s.d. (1966). In-8°(250 x 165), en feuilles, couverture rempliée, chemise, étui. Illustré de 6 eaux-fortes hors-texte dont une à double page Edition à 200 exemplaires, celui-ci n° 34, un des 175 sur papier d'Auvergne signé par l'auteur et l'artiste - Les Travaux d'Hercule. Paris, Czwiklitzer, s.d. In-8° (250 x 165), chagrin noir estampé d'une composition sur le front,dos lisse, non rogné, étui.(légèrement fendu) Illustré de 3 lithographies signées en frontispice, variantes de couleurs de "La belle nue" CZW 130 - texte en français, anglais et allemand Edition à 150 exemplaires Provenance : Collection Christophe Czwiklitzer

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Ossip Zadkine, Abstract Figures, 2 Lithographs, 1968

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Description: 2 lithographs on JapanFrance, 1968Ossip Zadkine (1890-1967) - Belarusian-French painter, sculptor and graphic artist; exponent of cubism2 prints aside from the edition of 65 numbered copies, from the portfolio ‘Europäische Graphik VI’Image dimensions: 45 x 26 cm and 47 x 27 cm; sheet dimensions: 65 x 50 cm eachGood conditionCondition:The prints are in good condition. The edges are in some places slightly creased, otherwise overall of good impression. The image dimensions are c. 45 x 26 cm and 47 x 27 cm, the sheet dimensions 65 x 50 cm. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

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Ossip ZADKINE et Guillaume APOLLINAIRE (Vitebsk, 1890- Paris, 1967) SEPT CALLIGRAMMES

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Description: Ossip ZADKINE et Guillaume APOLLINAIRE (Vitebsk, 1890- Paris, 1967) SEPT CALLIGRAMMES Paris, Christophe Czwiklitzer, 1967. In-4 (450 x 315), en feuilles, couverture de toile noire imprimée et rempliée, étui et chemise entoilés noirs. 10 eaux-fortes originales à pleine page, 5 imprimées en noir sur fond blanc, 5 imprimées en blanc sur fond noir, toutes signées et justifiées "11 / 75". La suite des 10 mêmes planches sur Japon nacré, signées et numérotées 11/13 Edition à 75 exemplaires en français, celui-ci N° 11/75, un des 13 de tête accompagné de la suite. Provenance : Collection Christophe Czwiklitzer

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OSSIP ZADKINE(1890-1967)SANS TITRE, 1966Stylo sur

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Description: OSSIP ZADKINE(1890-1967)SANS TITRE, 1966Stylo sur papierSigné et daté en bas à droite29,8 x 19,7 cm

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Description: La conversation, 1955, 1955 Litho 23.4x16.7 in (59.4x42.5 cm) signed no.3/350.

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OSSIP ZADKINE ETCHING AND AQUATINT (New

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Description: OSSIP ZADKINE ETCHING AND AQUATINT (New York/France, 1890-1967) Three Figures. Image measures 16" X 11.5", pencil signed "O. Zadkine" lower right, dated (19)57 and numbered 1/4. In a gilt wood and gesso frame.

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Description: Etude pour le monument d'Amsterdam, 1932, 1932 Gouache 23.6x22.9 in (60x58 cm) signed & dated -32 (Lower Right).

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Description: Combat II, 1965, 1965 Litho 18.2x23.9 in (46.3x60.6 cm) signed no.30/75 Czwiklitzer, no.147.

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                                        Ossip Zadkine (1890-1967)

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Description: Ossip Zadkine (1890-1967) Quatre femmes avec nature morte signed and dated 'O. Zadkine/26.' (lower right) pencil and gouache on cardboard 64.5 x 43.5 cm. Executed in 1926.

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Ossip Zadkine (French, 1890-1967) Standing figure unframed

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Description: Standing figure signed and dated 'O.ZADKine/67' (lower right),pen and ink35 x 24cm (13 3/4 x 9 7/16in).unframed

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ossip Zadkine (1890-1967) Les jardiniers, 1927

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Description: ossip Zadkine (1890-1967)Les jardiniers, 1927Gouache signée et datée 27 en bas à droite43 x 62,5 cmEstimation : € 15,000-17,000Répertoriée dans les archives du Musée Zadkine

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Ossip Zadkine (1890-1967)

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Description: Naissance des formes signed, numbered and with foundry mark 'O. Zadkine 2/8 Susse Fondeur Paris' (on the base) bronze 78 cm. high (incl. bronze base) Conceived in 1947 and cast in 1950 in a numbered edition of 8 and 4 artist's proofs. PROVENANCE Galerie Artcurial, Paris. M. Salomon, Paris. Bought from the above by the family of the present owner. LITERATURE S. Lecombre, Ossip Zadkine, l'Oeuvre sculpt‚, p. 464, no. 407 (ill. of the plaster version). NOTES We kindly thank the Zadkine Museum in Paris for their help in cataloguing this lot.

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Description: Quatre figures, 1951 Gouache/paper 25x19 inches (63.5x47.6 cm) signed & dated (Lower Right).

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OSSIP ZADKINE (1890-1967)   LES OISEAUX DU LAC STYMPHALE, 1960

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Description: OSSIP ZADKINE (1890-1967) LES OISEAUX DU LAC STYMPHALE, 1960 (Czwiklitzer, 99) Planche numéro 10 provenant de l'album "Les travaux d'Hercule" Lithographie en couleurs réhaussée au pastel Signée dans la planche Contresignée et numérotée 3/350 au crayon Christophe Czwiklitzer Editeur, Cologne 68,5 x 53 cm

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Ossip Zadkine

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Description: sculpture en bronze,Signée O. Zadkine sur le côté,Hauteur : 77,8 cm (30 5/8 in.),Conçue en 1922 et tiré en bronze à partir de 1963 par Susse fondeur d'une édition de 4 exemplaires plus 2 épreuves d'artiste.

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Ossip Zadkine (1890-1967)

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Description: Ossip Zadkine (1890-1967) Scène de la rue vide, le Sud-Ouest de la France signed and dated 'Zadkine/21.' (lower right) gouache on paper 23 x 17in. (58.5 x 43cm.)

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Description: by 26Nin. Executed in 1936. Provenance: British Petroleum, Belgium.

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Description: scene mythologique signed and dated 1936 gouache on paper 48 by 68cm., 18P by 26Nin. Executed in 1936. Provenance: British Petroleum, Belgium.

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OSSIP ZADKINE (1890-1967)   COMBAT AVEC L'OISEAU DE STYMPHALE, 1960

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Description: OSSIP ZADKINE (1890-1967) COMBAT AVEC L'OISEAU DE STYMPHALE, 1960 (Czwiklitzer, 101) Planche numéro12 provenant de l'album "Les travaux d'Hercule" Lithographie en couleurs réhaussée au pastel Signée dans la planche Contresignée et numérotée 3/350 au crayon Christophe Czwiklitzer Editeur, Cologne 53 x 68,5 cm

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Description: Composition rouge et bleue cloth,tapestry 70.1x101.7 in (178x258 cm) No.2/6.

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