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Arthur Hughes Auction Price Results

Arthur Hughes (1832-1915)  Please Register/Login to access your Invaluable Alerts

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Lot 140: Arthur Hughes 1832 - 1915 British oil on canvas

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Description: Arthur Hughes 1832 - 1915 British oil on canvas laid on board Rosalind AOL1007-E05130-001 12 x 15 1/2 inches 30.5 x 39.4 centimeters signed Provenance:By descent to the present Private Collection, Toronto

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Lot 149: HUGHES, Arthur (1832-1915, British)

Description: Sailing signal gun, s. s.i.verso Oil Painting (36x41in).

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Lot 164: ARTHUR HUGHES (1832-1915)

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Description: GUNWALLOE CHURCH, CORNWALL signed ARTHUR HUGHES l.r.; inscribed Gunwalloe Church on a label attached to the backboard, oil on canvas laid on board 28 by 42 cm.; 11 by 16 1/2 in.

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Lot 168: Arthur Hughes (British, 1832-1915)

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Description: Potato harvest signed 'ARTHUR.HUGHES.' (lower left)oil on panel20 x 32cm (7 7/8 x 12 5/8in).

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Lot 169: HUGHES, Arthur (1832-1915, British)

Description: Nativity, Virgin and child attended by Joseph and angels, mono. black chk white paper Works on paper (9x10in).

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Lot 174: HUGHES, Arthur (1832-1915, British)

Description: The Blessing of Youth and Age, s.d.1911 indist.s.i.verso panel Oil Painting (19x11in).

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Lot 175: Arthur Hughes (British, 1832-1915)

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Description: The old Neighbour gone before: a Street Episode in Brittany signed 'Arthur Hughes' (lower right) and signed and inscribed 'No 2. The Departure of a Neighbour/Brittany/Arthur Hughes/2 Finboro Road/Fulham Road/S.W.' on an old label on the reverse oil on canvas 301/2 x 44.5/8 in. (77.5 x 113.3 cm.) Painted in 1878-79 PROVENANCE George H. Powell by 1886. LITERATURE The Times, 2 June 1879, p. 5. E. Chesnau, La Peinture Anglaise, Paris, 1882, p. 201. G.H. Shepherd, A Short History of the British School of Painting, 1881, p. 148. E. Chesnau, 'Peintures Anglais Contemporains' in L'Art, 1894, p. 399. L. Roberts, Arthur Hughes - His Life and Works, Woodbridge, 1997, no. 160 (illustrated p. 190). EXHIBITION London, Royal Academy, 1879, no. 1366. Newcastle-upon-Tyne, Newcastle Autumn, 1879, no. 401. London, St Jude's Whitechapel, Whitechapel Fine Art Exhibition, 1886, no. 91. NOTES The artist, in a letter to Ernest Chesneau dated 2 May 188[2], expresses gratitude for his proposed inclusion in Chesneau's forthcoming survey of important British artists, and he goes on to list the present work as amongst 'my chief pictures' (Roberts, op. cit., p. 285).

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Lot 175: HUGHES, ARTHUR (1832-1915)

Description: By the riverside Oil/board 12x18 inches (29.8x45.1 cm) signed (Lower Right).

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Lot 179: Arthur Hughes (1832-1915)

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Description: Poetic words with signature 'Arthur Hughes' (lower right) and 'Arthur Hughes' (on the reverse) pencil and wash 71/4 x 51/8in. (18.4 x 13cm.) EXHIBITION London, J S Maas & Co Ltd, Exhibition of Drawings 1720-1920, no 44.

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Lot 180: Arthur Hughes (1832-1915)

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Description: Poetic words signed 'Arthur Hughes' (lower right) and signed again 'Arthur Hughes' (on the reverse) pencil and wash 71/4 x 5.1/8in. (18.4 x 13cm.) EXHIBITION London, J S Maas & Co Ltd, Exhibition of Drawings 1720-1920, no 44.

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Arthur Hughes (British, 1832-1915)

Lot 191: Arthur Hughes (British, 1832-1915)

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Description: Asleep in the Woods signed 'Arthur Hughes' (lower right) oil on canvas 14 x 18 in. (35.5 x 45.7 cm.).

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Lot 194: HUGHES, Arthur (1832-1915, British)

Description: Adoration, s. panel prov. Oil Painting (10x14in).

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Lot 195: HUGHES, Arthur (1832-1915, British)

Description: Friends, s. i.verso board prov. Oil Painting (14x12in).

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Lot 203: HUGHES, ARTHUR (1832-1915)

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Description: Picking up seaweed Oil/canvas 10x16 in (25.4x40.6 cm) signed (Lower Right).

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Lot 210: ARTHUR HUGHES (1832-1915)

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Description: FOUR FIGURE SKETCHES, including sketches for "ORLANDO AND ROSALIND"; "EVE OF ST. AGNES"; and "THE GUARDED BOWER" four, two with studies verso, all pencil, all unframed largest 23 by 14.5 cm.; 9 by 5 3/4 in., smallest 16 by 11.5 cm.; 6 1/4 by 4 1/2 in. (4) We are grateful to Leonard Roberts for his kind assistance in identifying these drawings.

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Arthur Hughes (1832-1915)

Lot 224: Arthur Hughes (1832-1915)

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Description: 'Sigh no more, ladies'signed with monogram (lower right)oil on board8 x 9 1/4 in. (20.3 x 23.5 cm.)

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Lot 224: HUGHES, ARTHUR (1832-1915)

Description: >, 1890 Oil/panel 13x10 cm (5x4 in) signed & dated.

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ARTHUR HUGHES 1832-1915

Lot 227: ARTHUR HUGHES 1832-1915

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Description: signed and dated l.r.: ARTHUR HUGHES. 91; inscribed on an old label pasted to the reverse; The Yellow Sandoil on panel

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ARTHUR HUGHES 1832-1915

Lot 228: ARTHUR HUGHES 1832-1915

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Description: signed l.l.: ARTHUR HUGHESoil on board

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Arthur Hughes (British 1832-1915)

Lot 228: Arthur Hughes (British 1832-1915)

Description: signed and inscribed on old label on reverse, oil on panel

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ARTHUR HUGHES 1832-1915

Lot 232: ARTHUR HUGHES 1832-1915

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Description: signedoil on panel

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ARTHUR HUGHES (1832-1915) - River landscape with

Lot 238: ARTHUR HUGHES (1832-1915) - River landscape with

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Description: ARTHUR HUGHES (1832-1915) - River landscape with figure in traditional dress looking across towards a cloaked and hooded figure in a punt with cottage beyond, signed, oils on canvas, 13 1/2" x 22 1/2" (see illustration).

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Edward Robert Hughes, R.W.S. (1851-1914)

Lot 254: Edward Robert Hughes, R.W.S. (1851-1914)

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Description: Study of a young tennis player inscribed 'L.V.H' (upper right) pencil and watercolour heightened with white 183/4 x 9 5/8 in. (47.7 x 24.5 cm.) PROVENANCE Anon. sale, Sotheby's Belgravia, 26 June 1979, lot 92, when acquired by the present owner. NOTES Hughes' lyrical aesthetic lends this unfinished study a quiet elegance. His most iconic image, Midsummer Eve (sold at Christie's, New York, 15 February 1995, lot 288, œ267,516), is a triumphant testament to his artistic inheritance. As the nephew and pupil of renowned fairy painter Arthur Hughes (1832-1915), Edward was absorbed into the Pre-Raphaelite circle and assisted William Holman-Hunt (helping to complete the St Paul's version of The Light of the World, as Hunt's eyesight weakened). Hughes worked mainly in watercolour, painting literary subjects of a dreamy Symbolist hue, but also executed many portraits in red or black chalk. A regular contributor to The Royal Water-Colour Society, he was Vice-President from 1901-3, and his picture Biancabella and Samaritana was shown at the first Venice Biennale, 1895.

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Arthur Hughes (1832-1915), Oil on artist board,

Lot 268: Arthur Hughes (1832-1915), Oil on artist board,

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Description: Arthur Hughes (1832-1915), Oil on artist board, Mounts Bay from Porthleven, South West Cornwall, signed lower right and bearing label verso, set in a gilt frame behind glass.

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Lot 272: Arthur Hughes

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Description: 1832-1915 afternoon sleep signed l.r.: ARTHUR HUGHES oil on canvas 35.5 by 46 cm., 14 by 18 in. Provenance: Lady Wase.

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CIRCLE OF ARTHUR HUGHES (1832-1915) Study of a

Lot 287: CIRCLE OF ARTHUR HUGHES (1832-1915) Study of a

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Description: CIRCLE OF ARTHUR HUGHES (1832-1915) Study of a maiden beneath an arched doorway with clasped hands to her bosom, oils on canvas, 10 1/2" x 9" (see illustration).

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Lot 298: Arthur Hughes

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Description: 1832-1915 angels o'er the realms of glory signed with monogram l.r.: AH pencil, unframed 25 by 28.5 cm., 10 by 11 1/4 in.

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Arthur Hughes (1832-1915) Blackthorn, East Sussex

Lot 298: Arthur Hughes (1832-1915) Blackthorn, East Sussex

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Description: Arthur Hughes (1832-1915) Blackthorn, East Sussex Oil on panel Signed lower left 21cm x 30cm

Condition Report: Some retouching visible under U.V. light, would benefit from a clean

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f - ARTHUR HUGHES 1832-1915

Lot 317: f - ARTHUR HUGHES 1832-1915

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Description: SIGNED AND DATED (MAKER'S MARKS)signed l.l.: Arthur Hughes

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f - ARTHUR HUGHES 1832-1915

Lot 326: f - ARTHUR HUGHES 1832-1915

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Description: signed and dated l.l.: ARUTHUR HUGHES, titled and dated u.r.: Lucy Hill. Oct 1888oil on canvas laid on panel

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Arthur Hughes (1832-1915)

Lot 331: Arthur Hughes (1832-1915)

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Description: Portrait of Mrs Louisa Jenner, full-length, in a blue dress against an Edinburgh landscapesigned and dated 'ARTHUR HUGHES/1867' (lower left)oil on canvas31 1/2 x 19 3/4 in. (77.5 x 50.2 cm.)

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ARTHUR HUGHES 1832-1915

Lot 336: ARTHUR HUGHES 1832-1915

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Description: signed l.r.: ARTHUR HUGHESoil on board

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Lot 360: HUGHES, Arthur (1832-1915, British)

Description: Young woman with flowing hair with young man, mono. i.verso ink pencil dr lit. Works on paper (7x6in).

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Lot 371: HUGHES, Arthur (1832-1915)

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Description: Sweet Lavender Oil/panel 22,4 x 12,2 inches (57.0 x 31.0cm) Signed lower right Illustrated.

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Lot 371: ARTHUR HUGHES (1832-1915) Sweet Lavender signed 'Arthur Hughes'

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Description: and signed and inscribed 'Sweet Lavender/Arthur Hughes/Wallington Bridge/near Carshalton/Surrey' on an old label on the reverse; oil on panel 22 1/2 x 12 1/8 in. (57 xx 31 cm.) PROVENANCE: Anon. sale, Sotheby's Belgravia, 29 June 1976, lot 59 (unsold at œ550) Anon. sale, Sotheby's Belgravia, 18 April 1978, lot 68 (sold œ600) EXHIBITED: Liverpool, Free Public Library and Museum, "Autumn Exhibition of Modern Pictures," 1876, no. 192 (as 'Sweet Blooming Lavender', priced at 70 guineas) The picture was exhibited at Liverpool in the autumn of 1876, and was probably painted the previous spring. When it was sold in 1978 it had a companionpiece, "The Mall, St. James's Park," which also showed a girl selling lavender (in this case seated), with a lady being carried in a sedan chair in the distance. The two works probably owe something to Francis Wheatley's famous "Cries of London," and certainly belong to the 'Queen Anne' revival which was such a notable element in 'aesthetic' taste at this date. Kate Greenaway perhaps offers the most obvious parallel, and the pictures are contemporary with the building of Bedford Park, Norman Shaw's innovative garden suburb in Chiswick, with its neo-Georgian architecture and self-consciously 'aesthetic' lifestyle. Hughes must have had friends among the many artists who lived there - for instance, T.M. Rooke, who, significantly enough, lived in Queen Anne's Gardens (see lot 332). As the label on the back confirms, Hughes himself had recently moved to Wallington, near Carshalton in Surrey, where he had inherited a property from a cousin, Miss Mary Ann Dredge, which he re-named 'Wandle Bank'; but in 1891 he too would move to an eighteenth-century ambient, settling in a charming red-brick house (still standing) on Kew Green. We are grateful to Leonard Roberts for his help in preparing this entry.

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Lot 373: Arthur Hughes

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Description: 1832-1915 at the church gate indistinctly signed l.l. oil on canvas 75 by 53.5 cm., 29 1/2 by 21 in.

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Lot 373: Arthur Hughes

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Description: Arthur Hughes1832-1915at the church gateindistinctly signed l.l.oil on canvas75 by 53.5 cm., 29 1/2 by 21 in.

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Arthur Hughes (British, 1832-1915) The Gannel, Low Water, Newquay, Cornwall

Lot 401: Arthur Hughes (British, 1832-1915) The Gannel, Low Water, Newquay, Cornwall

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Description: The Gannel, Low Water, Newquay, Cornwallsigned 'Arthur Hughes' (lower left), inscribed as titled to a label verso, oil on panel, 22 x 37cm (8 11/16 x 14 9/16in).

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Arthur Hughes (British, 1832-1915) The Gannel, Low Water, Newquay, Cornwall

Lot 401: Arthur Hughes (British, 1832-1915) The Gannel, Low Water, Newquay, Cornwall

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Description: The Gannel, Low Water, Newquay, Cornwallsigned 'Arthur Hughes' (lower left), inscribed as titled to a label verso, oil on panel, 22 x 37cm (8 11/16 x 14 9/16in).

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Chalk Pastel Monogrammed Arthur Hughes (1832 -

Lot 410: Chalk Pastel Monogrammed Arthur Hughes (1832 -

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Description: Chalk Pastel Monogrammed Arthur Hughes (1832 - 1915) 'Study for the Heavenly Stairs' Circa 1880 Bears label to reverse 26cm x 24cm

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Arthur Hughes, British 1832-1915- Portrait of a

Lot 436: Arthur Hughes, British 1832-1915- Portrait of a

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Description: Arthur Hughes, British 1832-1915- Portrait of a Seated Girl oil on unstretched canvas with charcoal, 37x24cm: together with an oil on panel depicting a portrait of a girl in blue, by the same hand, 21.5x16cm, (2) Provenance: A Seated Girl, Christie's, 5 October 1973, part of lot 214 bought Hartnoll & Eyre; Sotheby's, Belgravia, 20 July 1976, lot 108; Sotheby's, Belgravia, 18 March 1980, lot 23; Christopher Wood Gallery, 1981; Sotheby's, 28 September 1988, lot 197; Christie's, 6 November 1995, lot 92; Alan B. Gateley and thence by descent Published: Leonard Roberts, Arthur Hughes, His Life and Works, 1997, A Seated Girl cat. no.151, illus, p.187

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Lot 452: HUGHES, Arthur (1832-1915, British)

Description: Study for Adoration of Shepherds, mono. chk Works on paper (8x10in).

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Arthur Hughes 1832-1915- Jack and Jill; original

Lot 503: Arthur Hughes 1832-1915- Jack and Jill; original

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Description: Arthur Hughes 1832-1915- Jack and Jill; original artwork for illustration, two, both pen and black ink, both signed with monogram, 21x14 and 19.5x14cm., (2), (unframed)

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Lot 511: HUGHES, Arthur (1832-1915, British)

Description: The Mower - passing away saith the World, passing away, panel arched mount Oil Painting (11x12in).

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Arthur Hughes, British 1832-1915- Portrait of a

Lot 712: Arthur Hughes, British 1832-1915- Portrait of a

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Description: Arthur Hughes, British 1832-1915- Portrait of a Seated Girl oil on unstretched canvas with charcoal, 37x24cm: together with an oil on panel depicting a portrait of a girl in blue, by the same hand, 21.5x16cm, (2) Provenance: A Seated Girl, Christie's, 5 October 1973, part of lot 214 bought Hartnoll & Eyre; Sotheby's, Belgravia, 20 July 1976, lot 108; Sotheby's, Belgravia, 18 March 1980, lot 23; Christopher Wood Gallery, 1981; Sotheby's, 28 September 1988, lot 197; Christie's, 6 November 1995, lot 92; Alan B. Gateley and thence by descent Published: Leonard Roberts, Arthur Hughes, His Life and Works, 1997, A Seated Girl cat. no.151, illus, p.187

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Arthur Hughes (1832-1915) Coastal cottages by

Lot 756: Arthur Hughes (1832-1915) Coastal cottages by

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Description: Arthur Hughes (1832-1915) Coastal cottages by moonlight Signed, oil on board, 27.5 by 42cm

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Dark thoughts

Lot 797: Dark thoughts

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Description: Arthur Hughes (1832-1915) Dark thoughts signed 'Arthur Hughes' (lower right) black chalk and bodycolour 14¾ x 14¾ in. (37.5 x 37.5 cm.)

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Lot 830: HUGHES, Arthur (1832-1915, British)

Description: Gurnards head from St. Ives side, s. s.i.verso panel Oil Painting (11x6in).

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Arthur Hughes 1832-1917-

Lot 830: Arthur Hughes 1832-1917- "At Midnight the Moon

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Description: Arthur Hughes 1832-1917- "At Midnight the Moon Cometh"; oil on panel, signed, 30x40.5cm., (unframed) Provenance: with The Fine Art Society Ltd., London according to label attached to the reverse

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