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Auction Results Related to [james wilson morrice cushing island]

(249 lots returned )

Scope: Past Auctions

With at least one of the words: james wilson morrice cushing island

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JAMES WILSON MORRICE, R.C.A., CUSHING'S ISLAND, MAINE, watercolour, 5 ins x 3.25 ins; 12.5 cms x 8.1 cms

by Waddington's

June 3, 2013

Toronto, ON, Canada

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Description: JAMES WILSON MORRICE, R.C.A.CUSHING'S ISLAND, MAINE, watercolour; signed and inscribed "Yours truly, J.W. Morrice, Montreal" 5 ins x 3.25 ins; 12.5 cms x 8.1 cms Provenance: Drawn by the artist in the autograph book of Doreen Grant, Ontario.Private Collection, Ontario.Literature: Irene Szylinger, "A Brief Analysis of the Watercolours", "James Wilson Morrice, 1865-1924", Nicole Cloutier (ed), Montreal, 1985, pages, 79-80 and 88.Irene Szylinger, "The Watercolours of James Wilson Morrice (1865-1924)", University of Toronto, Toronto, 1983, pages 18-19 (conversation with the former owner of this artwork, September, 1981).Note: Szylinger (1985) notes that "[o]f the thirteen watercolours done in North America [by Morrice], six represent views of the Maine coastline...along with a page from an autograph book..." Painted in 1882, this work is believed to be the first known watercolour by the artist. Aged 16 or 17 at the time (Morrice was born in August), the painter depicts Cushing's Island in Maine, where the Morrice family spent many summers. The large white building visible higher up on the hill is the Ottawa House Hotel. The hotel would be replaced by a larger building in 1888. In her thesis, "The Watercolours of James Wilson Morrice 1865-1924", Irene Szylinger mentions that "Miss Grant has stated to the present owner of the watercolour that the drawings reflect scenes from the general area where the Grants and Morrices vacationed in Maine. It is Miss Grant's recollection that their families vacationed together and that Morrice was seventeen years old when he dedicated these drawings to her."We would like to thank Morrice scholar, Lucie Dorais, for assistance in researching and cataloguing this artwork.

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No Image Available

by Dreweatts & Bloomsbury

October 2, 2014

London, United Kingdom

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Description: (Henry Thomas Fox-Strangways, second Earl of Ilchester, 1747-1802) & Rev. James Morrice, scholar, vicar of Flore, Northamptonshire and vicar of Betteshanger, Kent, married Maria Ducarel, governess to the children of Clive of India, 1739-1815) A book containing the particulars of Rents sold in 1788 belonging to the Rt. Hble Earl of Ilchester and the Revd. Jas. Morrice, 18pp. excluding blanks, reverse entries, some other items inserted or tipped-in, central folds, slightly browned, some soiling, original marbled wrappers, slightly soiled and creased, label on upper cover torn, spine with tears, sm. 4to, 1788-93; and 2 others, including an 18th century legal manuscript, v.s., v.d. (3).

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Ross Wilson - Dubliner St James

by Gormleys Art Auctions

October 14, 2014

Omagh, United Kingdom

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Description: Ross Wilson Dubliner St James Mixed Media 44" x 32"

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KATHLEEN MOIR MORRIS  A.R.C.A., CAB STAND IN WINTER, QUEBEC CITY, oil on canvas, 18 ins x 24 ins; 45.7 cms x 61 cms

by Waddington's

May 26, 2014

Toronto, ON, Canada

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Description: KATHLEEN MOIR MORRIS A.R.C.A.CAB STAND IN WINTER, QUEBEC CITYoil on canvassigned 18 ins x 24 ins; 45.7 cms x 61 cms Provenance:Private Collection, OttawaExhibited:Canadian National ExhibitionLiterature:Frances K. Smith, Kathleen Moir Morris, Agnes Etherington Art Centre, Queen's University, Kingston, Ontario, 1983, pages 15-18, and page 18, cat no. 17 for the 1925 oil sketch of this canvas entitled "Old Wall, Quebec City" (Private Collection, Montreal), reproduced.Note:Born in Montreal in 1893, Kathleen Morris started drawing at a very young age and while she would deny that she was a child prodigy, her talent was identified by her cousin by marriage, artist Robert Harris, when she was a mere girl of seven years of age. Limited to some degree by a chronic health problem, Morris' training and experience would not include trips abroad like so many of her cohort. Rather she found her greatest subjects closer to home in the snowy streets and busy markets of Ottawa, Montreal and Quebec City and Cab Stand is the product of one of these painting trips east.It comes as no surprise to learn that Morris admired the work of the great James Wilson Morrice whose paintings she would have known. Indeed, their interpretation of the snowy landscapes populated with thick-coated horses waiting patiently for fares at cab stands have much in common. Frances Smith writes: "Not only is her subject matter similar, but her textured snow has the warmish tones of Morrice which contrast vividly with the cold blues and dazzling whites of Cullen and some others."While Morris seldom ever dated her pictures, we have dated this painting to circa 1925. A label fragment on the reverse shows part of the original title which could be "A bit of Old Quebec". A work by this title was exhibited at the Art Association of Montreal Annual Spring Exhibition in 1925 (no. 191).

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JAMES WILSON MORRICE, R.C.A.ALONG THE TOW PATH

by Waddington's

November 22, 2010

Toronto, ON, Canada

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Description: JAMES WILSON MORRICE, R.C.A.ALONG THE TOW PATH, oil on canvas, laid down on board8 3/4 ins x 12 ins; 21.9 cms x 30 cmsPainted circa 1895.Provenance: Studio of the artist. F.R. Heaton Estate, Montreal. Laing Galleries, Toronto. Private Collection, Toronto.

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JAMES WILSON MORRICE, R.C.A., LANDSCAPE, oil on canvas, 20 ins x 25.25 ins; 50 cms x 63.1 cms

by Waddington's

June 3, 2013

Toronto, ON, Canada

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Description: JAMES WILSON MORRICE, R.C.A.LANDSCAPE, oil on canvas; signed and dated '91 20 ins x 25.25 ins; 50 cms x 63.1 cms Provenance: W. Scott & Sons, Montreal.Sir William Van Horne (purchased from the artist through W. Scott & Sons, Montreal, in 1891). By descent to the present owner, Ontario.Exhibited: Memorial Exhibition of Paintings by James W. Morrice, R.C.A., Art Association of Montreal, 16 January - 15 February, 1925, no.105 Exhibition : A Selection from the Collection of Paintings of the Late Sir William Van Horne, K.C.M.G., 1943-1915, Art Association of Montreal, Montreal, 16 October - 5 November, 1933, no.171.Literature: Robert J. Wickenden, "Catalogue of Paintings in Oil and Water-colours, Drawings, Etchings, Etc., in the Collection of the Late Sir William Cornelius Van Horne, K.C.M.G. at 513 Sherbrooke Street West, Montreal - Alphabetical with Addenda", 1927 (manuscript).Van Horne Family Fonds, Series 13: Wickenden catalogues, Box 35, S.64.11/01/07: No. "V.H. 350 / Landscape", with note "Purchased from the artist" (Art Gallery of Ontario, E.P. Taylor Research Library and Archives).Donald W. Buchanan, "James Wilson Morrice: A Biography", Toronto, 1936, pages 7-8.Note: In his seminal Morrice biography, Buchanan narrates how Sir William Van Horne, President of the CPR, purchased a "sketch" from Montreal dealers Scott & Sons; impressed, he "was soon telling David Morrice that his son would never be happy in the law. Let him go to Paris, was the advice..."; stuff for legend, until now. If a 1887 watercolour with the same provenance is a more probable "sketch", could the present painting have been a commission? Its large dimensions, absolutely unique in Morrice's early corpus, could indicate that; or an exhibition painting... but the price tag besides Morrice's entry in the 1891 AAM Spring Salon, "Afternoon" (oil), and the summertime depicted in "Landscape" makes it unlikely. As Morrice's first major oil, purchased, perhaps even commissioned, by celebrated collector Van Horne, this painting is extremely important for the history of Canadian art, especially for the Montreal art milieu.The subject, treated as pure landscape, is typical of the artist's early work in Europe; but is it French or English? Although Morrice sailed to Liverpool just before Christmas 1899, and was living in London in April 1891, he had already spent some time in France, and the tall poplars over low hills evoke region north-west of Paris. If the technique is a bit crude, let's not forget that Morrice, who was just starting his career, had never painted anything that big. But the future artist is already there, as Wickenden saw in 1927: "A dreamy mystery pervades the canvas, the realistic details being suppressed in favour of an agreeable general effect." ("Catalogue") And flowers similar to the lower left poppies will dot the foregrounds of "Promenade, Dieppe and Morocco Buildings" (ca. 1910 and 1920 respectively, both paintings in the Thomson Collection at the AGO). We would like to Lucie Dorais, who is preparing the Catalogue Raissone of Morrice's work, for contributing the foregoing cataloguing details and essay.

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Dubliner St James

by Gormleys Art Auctions

October 25, 2011

Ranelagh, Dublin, Ireland

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Description: Dubliner St James

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JAMES WILSON MORRICE, R.C.A.QUAI DE LA SEINE; PARISIENNE, both graphite drawings each 4 ins x 6 ins; 10 cms x 15 cms  Provenance: The Right Honourable Vincent Massey.Walter Klinkhoff Gallery, Montreal.Private Collection, Montreal.

by Waddington's

November 26, 2012

Toronto, ON, Canada

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Description: JAMES WILSON MORRICE, R.C.A.QUAI DE LA SEINE; PARISIENNE, both graphite drawings each 4 ins x 6 ins; 10 cms x 15 cms $1,500-2,000Provenance: The Right Honourable Vincent Massey.Walter Klinkhoff Gallery, Montreal.Private Collection, Montreal.

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James Perry Wilson Oil on board

by Barridoff Galleries

August 5, 2011

Portland, ME, USA

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Description: James Perry Wilson. Black Head from White Head. Signed

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James Perry Wilson Oil on board

by Barridoff Galleries

August 5, 2011

Portland, ME, USA

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Description: James Perry Wilson. Foot of Black Head, Monhegan. Signed

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JAMES WILSON MORRICE, R.C.A.SAILING OFF BRITTANY

by Waddington's

November 22, 2010

Toronto, ON, Canada

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Description: JAMES WILSON MORRICE, R.C.A.SAILING OFF BRITTANY, oil on panel, mounted on a linen liner, with the studio stamp on the reverse5 ins x 6 ins; 12.5 cms x 15 cms

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JAMES WILSON MORRICE, R.C.A.DIEPPE HARBOUR, LOW TIDE

by Waddington's

November 22, 2010

Toronto, ON, Canada

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Description: JAMES WILSON MORRICE, R.C.A.DIEPPE HARBOUR, LOW TIDE, oil on panel, mounted on a linen liner, with the studio stamp on the reverse5 ins x 6 ins; 12.5 cms x 15 cms

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JOHN ROUND, VICTORIAN SILVER INKSTAND, SHEFFIELD, 1887

by Waddington's

June 1, 2010

Toronto, ON, Canada

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Description: JOHN ROUNDVICTORIAN SILVER INKSTAND, SHEFFIELD, 1887, ; fully hallmarked in two places, pierced, repoussé and engraved with a monogram "J.W.M.", a dragon, owls and scrolling leaves, inscribed "Souvenir" Provenance: James Wilson Morrice (acquired as a gift).Jean Wilkinson (niece of J.W. Morrice).Private Collection, British Columbia.

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Monhegan island style scoter, Gus Wilson, South Portland, Maine.

by Guyette & Deeter

July 29, 2014

St. Michaels, MD, USA

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Description: Monhegan island style scoter, Gus Wilson, South Portland, Maine. Relief wing carving and slightly turned head.

Condition Report: Old in use repaint; minor roughness to extremities; lightly hit by shot; cracks in underside; small rough area on one side.

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(ONE CENT LIFE portfolio) By Jean-Paul Riopelle

by AuctionsToBid.com Inc

July 31, 2013

Las Vegas, NV, USA

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Description: Beautifully framed, double matted original lithograph from (One Cent Life) Published 1965 by Jean-Paul Riopelle, (7 October 1923 - 12 March 2002) was a painter and sculptor from Quebec, Canada. He became the first Canadian painter (since James Wilson Morrice) to attain widespread international recognition.

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CUSHING ISLAND, PORTLAND MAINE oil on board

by Nadeau's Auction Gallery

January 1, 2010

Windsor, CT, USA

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Description: CUSHING ISLAND, PORTLAND MAINE oil on board unsigned stamp on back T. Carroll Hovey Artist's Materials

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ATTRIBUTED TO GEORGE M. HATHAWAY, American, 1852-1903,

by Eldred's

July 22, 2010

East Dennis, MA, USA

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Description: ATTRIBUTED TO GEORGE M. HATHAWAY American, 1852-1903 "White Head - Cushing's Island from the Shore of Peaks Isle". Unsigned. Titled on a piece of paper applied to the reverse. Oil on board, 6" x 9". Framed.

Condition Report: Not examined under UV light. Some surface dirt. The absence of a condition report does NOT imply that an an object is free of defects or restoration. Please contact Eldred's before bidding with any questions as to condition. Condition reports are provided as a complimentary service and only reflect the opinion of Eldred's and should not be taken as a statement of fact. Condition reports only detail flaws or restorations and do not take into account wear, fading, or other issues consistent with an object's age.

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James Perry Wilson   Leafy June

by Barridoff Galleries

April 24, 2013

Portland, ME, USA

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Description: James Perry Wilson Am. 1889-1976 Leafy June Signed "James Perry Wilson" l.r. and titled as above verso Oil on canvasboard 12 x 16 in. (30.5 x 40.6 cm)

Condition Report: Good condition, good appearance, no apparent restoration

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George M. Hathaway

by Barridoff Galleries

August 7, 2009

Portland, ME, USA

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Description: Portland Head Light from Cushing Island

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Ira W. Hamilton

by Barridoff Galleries

August 7, 2009

Portland, ME, USA

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Description: White Head, Cushing Island

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James Perry Wilson

by Barridoff Galleries

August 6, 2010

Portland, ME, USA

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Description: Monhegan I

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James Perry Wilson

by Barridoff Galleries

August 6, 2010

Portland, ME, USA

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Description: Monhegan II

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James Wilson Morrice

by Walker's

December 1, 2010

Ottawa, ON, Canada

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Description: Canadian 1865-1924 RCA Study Of Boats Graphite drawing 6 x 4 IN, 15 x 10 CM Provenance: The Hon. Vincent Massey Laing Galleries, Toronto

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James Wilson Morrice

by Walker's

December 1, 2010

Ottawa, ON, Canada

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Description: Canadian 1865-1924 RCA Figure Study Graphite Drawing 6 x 4 IN, 15 x 10 CM Provenance: The Hon. Vincent Massey Laing Galleries, Toronto

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'Ohinemutu - Lake Rotorua & Mokoia Island,' 10th

by Davidson Auctions

September 26, 2009

Annandale , Australia

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Description: 'Ohinemutu - Lake Rotorua & Mokoia Island,' 10th October [18]95.

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Robert Henri American, 1865-1929 Forest at Fontainebleau   Inscribed Route Forest of Fontaneblu [sic] on the...

by Doyle New York

May 8, 2013

New York, NY, USA

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Description: Robert Henri American, 1865-1929 Forest at Fontainebleau Inscribed Route Forest of Fontaneblu [sic] on the reverse Oil on panel 6 1/8 x 4 3/8 inches Provenance: Kennedy Galleries, New York Estate of Mr. Julian Foss During his third stay in France, in the summer of 1898, Henri met the Canadian painter, James Wilson Morrice, and it was through Morrice's influence that Henri began his lifelong practice of painting pochades-quick oil sketches painted out-of-doors on small wooden panels. Henri and Morrice would sit at Parisian cafés for hours recording the passing scene, or would travel up and down the Seine, to Charenton or St. Cloud, for the same purpose. In this pochade, Henri applied this practice to the landscape of Fontainbleau, long a favorite rural locale for French painters. Here, using dabs and dashes of color, he created a near-abstract composition of echoing shapes and lively surface effects. This small work illustrates Henri's later advice to his students: "Don't stop for anything but the essential . . . It's the spirit of the thing that counts." C The Spanierman Gallery, LLC

Condition Report: Frame rubbing. Panel is slightly bowed. There is no visible restoration under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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George Howell Gay (1858-1931): Surf - Cushings Island, ME

by Stair Galleries

August 15, 2014

Hudson, NY, USA

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Description: George Howell Gay (1858-1931): Surf - Cushings Island, ME Oil on canvas, 1926, signed 'Geo. Howell Gay' and dated lower left. 10 x 18 in., 13 1/4 x 21 3/8 x 1 1/2 in. (frame).

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OOB Painting Whitehead Cushings Is George M Hathaway

by Thomaston Place Auction Galleries

November 5, 2011

Thomaston, ME, USA

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Description: OOB - 'Whitehead, Cushings Island' by George M. Hathaway, (ME, 1852-1903), signed lr, in Victorian gilt gesso deep cove frame, SS: 5 1/2" x 9 3/4", OS: 11" x 15 1/4", good condition, loss to frame.

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Monhegan Island style scoter, Gus Wilson, South Portland, Maine.

by Guyette & Deeter

November 10, 2011

Easton, MD, USA

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Description: Monhegan Island style scoter, Gus Wilson, South Portland, Maine.  Inlet head, relief wing carving and carved eyes.

Condition Report: Old in use repaint; numerous cracks; it is unclear whether the dovetailed tail is an old repair or original.

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OOB Painting Logging Road Cushing ME by Merle James

by Thomaston Place Auction Galleries

November 6, 2011

Thomaston, ME, USA

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Description: OOB - 'Logging Road' by Merle James, (father of Betsy James Wyeth, Cushing, Maine), signed lower right, titled verso, depicting an autumn field cut by ruts, ca 1960, in grey painted frame with cream liner, SS: 19 1/2" x 28", OS: 28 1/2" x 37", fine condition.

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HARRISON BIRD BROWN, American, 1831-1915, White Head, Cushing Island., Oil on canvas, 13

by Eldred's

August 6, 2010

East Dennis, MA, USA

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Description: HARRISON BIRD BROWN American, 1831-1915 White Head, Cushing Island. Signed lower left "H.B. Brown". Oil on canvas, 13" x 25". Period frame.

Condition Report: The absence of a condition report does NOT imply that an an object is free of defects or restoration. Please contact Eldred's before bidding with any questions as to condition. Condition reports are provided as a complimentary service and only reflect the opinion of Eldred's and should not be taken as a statement of fact. Condition reports only detail flaws or restorations and do not take into account wear, fading, or other issues consistent with an object's age.

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JAMES WILSON MORRICE (Canadian, 1865-1924) Coastal Vill

by Heritage Auctions

May 17, 2011

Dallas, TX, USA

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Description: JAMES WILSON MORRICE (Canadian, 1865-1924) Coastal Village Oil on board 10-1/2 x 13-1/2 inches (26.7 x 34.3 cm) Signed lower right: J.W. Morrice

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JAMES WILSON MORRICE (1865-1924) STUDY FOR PARAME, LA PLAGE signed; signed on the reverse and inscribed

by Ritchies Inc.

2004

Canada

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Description: JAMES WILSON MORRICE (1865-1924) STUDY FOR PARAME, LA PLAGE signed; signed on the reverse and inscribed "'10" oil on panel 12 by 15.2 cm. 4.75 by 6 in. This important panel probably dates to 1902 when Morrice was known to have re-visited St. Malo near Parame following a sojourn to Venice. A large canvas of this subject, now in the collection of the Beaverbrook Art Gallery, was exhibited at the Pennsylvania Academy of Fine Arts in 1903 and the Societe Nationale des Beaux-Arts, Paris in 1904. Of the larger work Cloutier comments, "This oil, with its limpid colours and purplish-blue strip of horizon is one of Morrice's earliest works in this style, and thus holds a most important place in the artist's oeuvre as a whole." PROVENANCE: Collection of Newton McTavish, Toronto, acquired directly from the artist By descent through the family to Private Collection, Ontario LITERATURE: G. Blair Laing, Morrice, A Great Canadian Artist Re- Discovered, Toronto, 1984, p. 176 Nicole Cloutier, James Wilson Morrice, 1865-1924, Montreal, 1985, larger canvas illustrated on page 149

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JAMES W. MORRICE (CANADIAN, 1865-1924), LANDSCAPE, TRINIDAD, HAND PULLED SILKSCREEN - LIMITED EDITION OF 100, PULBLISHED BY THE NATIONAL GALLERY OF CANADA (Image, 21

by Waddington's

2014

Canada

Description: JAMES W. MORRICE (CANADIAN, 1865-1924) LANDSCAPE, TRINIDADHAND PULLED SILKSCREEN - LIMITED EDITION OF 100, PULBLISHED BY THE NATIONAL GALLERY OF CANADA (Image, 21" x 26")Estimate: $80-100

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No Image Available

by Sotheby's

1997

Canada

Description: Study of two figures, i.verso pencil dr Works on paper (4x6in).

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(Autograph Album, 19th Century), Collection of autograph cards laid into an blue cloth album, [c. 1875], and including, Ulysses S. G...

by Skinner

2010

USA

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Description: (Autograph Album, 19th Century), Collection of autograph cards laid into an blue cloth album, [c. 1875], and including, Ulysses S. Grant, Caleb Cushing, King Kalakaua of the Hawaiian Islands, John Greenleaf Whittier, Edward E. Hale, Henry Wadsworth Longfellow (with sentiment and date 1874), Charles Sumner, Carl Schurz, Benjamin Butler, Wendell Phillips (autograph note signed), Oliver Wendell Holmes, James T. Fields (with sentiment), Wilkie Collins, Thomas Nast, Samuel Clemens (signed as Mark Twain as well), Gideon Welles, Brigham Young, Alexander Stephens, Andrew Johnson, and others, (all tipt in, binding cocked).

Condition Report: approximatelt 78 total. Other notables include Mary Siddons and P.T. Barnum.

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A.F. MORRICE THE HARBOUR ENTRANCE SIGNED FRAMED

by Taylors Auction Rooms

2012

United Kingdom

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Description: A.F. MORRICE THE HARBOUR ENTRANCE SIGNED FRAMED OIL PAINTING 56 X 74CM

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[ Film / Entertainment Memorabilia ]

by Adam Partridge Auctioneers & Valuers

2009

United Kingdom

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Description: General Autographs - Sherlock Holmes; Jeremy Brett index card, Peter Cushing signed sheet, James Mason signed card and Christopher Plummer signed picture (4).

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No Image Available

by Skinner

2000

USA

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Description: Attributed to Sir William Beechey (British, 1753-1839) Portrait of Reverend James Morrice. Unsigned, identified on presentation plaque. Oil on canvas, 30 x 25 in., framed.

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JAMES WILSON MORRICE (1865-1924) FARM AND HORSE stamped with

by Ritchies Inc.

2004

Canada

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Description: JAMES WILSON MORRICE (1865-1924) FARM AND HORSE stamped with "Morrice Studio" stamp, titled on a label and authenticated by Wm. Scott and Sons on a label on the reverse watercolour and gouache on cardboard 33.7 by 54.6 cm. 13.25by 21.5 in. Morrice's watercolours are very few in number, some seventy in all so far are known, but they are nonetheless an important part of his oeuvre. Only about fifteen are believed to have been executed during his earlier years ( 1895-1910). The rest were painted in the last fourteen years of his life. During his early years in Canada, Morrice painted watercolours of the countryside around Toronto and, later, the coast of Maine, where he holidayed with his family. Farm and Horse is the largest watercolour of those recorded. It was probably painted in Brittany around 1918-19, soon after Morrice had served as a War Artist in the Canadian War Memorials program. The sombre colours are turned to dramatic effect by the daring of the composition, which leaves characteristicaly large areas with little detail in shape or texture and thus focuses the eye on the strong forms and vivid colours of the farmer and his horse. PROVENANCE: The Honourable Brooke Claxton, Ottawa, a Minister in the Liberal government of Mackenzie King and Louis St. Laurent in the 1940's, and first chairman of the Canada Council EXHIBITED: Private Collections, National Gallery, Ottawa, 1959, under the title White Horse, no catalogue published LITERATURE: Nicole Cloutier, James Wilson Morrice, 1865-1924, Montreal, 1985. See chapter by Irene Szylinger, A Brief Analysis of the Watercolours, p. 79, for information on Morrice watercolours

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James Wilson Carmichael

by Sotheby's

2014

United Kingdom

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Description: James Wilson Carmichael

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JAMES WILSON MORRICE 1865 - 1924

by Sotheby's

2011

Canada

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Description: JAMES WILSON MORRICE 1865 - 1924 A CAFÉ SCENE ca. 1910-13 oil on panel 14.0 by 17.2 cm. 5 ½ by 6 ¾ in.

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James Perry Wilson American, 1889-1976 INTERIOR OF A CATHEDRAL
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No Image Available

by Waddington's

2002

Canada

Description: James Wilson Morrice, R.C.A. Tangiers, The Rainbow, oil on panel, the studio stamp on the reverse 5ins x 6ins; 12.5 cms x 15cm E30000- 40000 Painted circa 1912-14 Provenance: W. Scott & Sons, Montreal, 1924 Mrs. A. Macdougall, Montreal Harold Beament, R.C.A., Montreal Estate of Harold Beament, R.C.A. Walter Klinkhoff Gallery, Montreal Private Collection, Toronto [ Due to processing reasons we have been unable to provide a full lot description. Please contact auction house for further details. ]

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Peter Cushing

by Christie's

2000

United Kingdom

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Description:

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No Image Available

by Historical Collectible Auctions

2007

USA

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Description: Signer James Wilson Signed Document

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No Image Available

by Heffel

2006

Canada

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Description: James Wilson Morrice 1865 - 1924 Canadian oil on canvas laid on board The Park with Trees Beyond A06F-E03968-006 10.75 x 8.5 inches 27.3 x 21.6 centimeters on verso stamped with the F.R. Heaton estate stamp Provenance:F.R. Heaton, Montreal Laing Galleries, Toronto The Morris Gallery, Toronto Equinox Gallery, Vancouver (the original Robson Street location) Private Collection, Montrealÿ

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JAMES WILSON MORRICE (1865-1924)

by Ritchies Inc.

2005

Canada

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Description: COUCHER DE SOLEIL, MANCHE (CHANNEL COAST) stamped with "J.W. Morrice Studio stamp" and "Estate of F.R. Heaton" and titled on the reverse oil on canvasboard 15.5 by 22.9 cm. 6 1/8 by 9 in. Manche is situated on the north coast of France between St. Malo and Le Havre. This work was likely executed between 1892 and 1894 during Morrice's early years in France. Although not directly related to a known drawing or painting, this pleasing work typifies Morrice's style of the period, both in compositional arrangement and delicate palette.

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No Image Available

by Christie's

2001

United Kingdom

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Description:

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