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Lots related to AA%20PIETER%20van%20der%20William for sale at auction

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Edinburgh view - Van der Aa, Pieter

by Lyon & Turnbull

September 2, 2015, 11:00 AM BST

Edinburgh, United Kingdom

Estimated Price: £150 - £200

Description: Edinburgh view - Van der Aa, Pieter Edenborrow, Edenburgum, engraved view, [c. 1700-30], 123 x 130mm.

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PIETER VAN DER AA. LAND TOGTEN DOOR FERDINAND CORTES AAN DE GOLF VAN NIEUW SPANJE, TER BEMAGTIGING VAN TLASCALE MEXICO...

by Morton Casa de Subastas

2015

Mexico

Estimated Price: Log in or create account to view price data

Description: PIETER VAN DER AA. LAND TOGTEN DOOR FERDINAND CORTES AAN DE GOLF VAN NIEUW SPANJE, TER BEMAGTIGING VAN TLASCALE MEXICO EN AANGRENZENDE LANDSCHAPPEN GEDAAN. Circa 1710. Mapa grabado coloreado, 15 x 22.5 cm. Mapa finamente grabado para ilustrar la expedición de Hernán Cortés en 1520. El mapa muestra Guadalajara y la Ciudad de México en largos lagos. En as imágenes que lo titulan se puede ver una escena de nativos otorgando tesoros a Cortés.

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Pieter Stevens Van Gunst (1659-1724) after Adriaen Van Der Werff (1659-1722)  Copper engraving c

by Dickins Auctioneers

September 4, 2015, 2:00 PM BST

Middle Claydon, United Kingdom

Estimated Price: £20 - £30

Description: Pieter Stevens Van Gunst (1659-1724) after Adriaen Van Der Werff (1659-1722) Copper engraving c. 1707 ' Henri VII ' Plate mark ( minus border) 11 1/2 x 7 1/4" Please Note - we do not make reference to the condition of lots within catalogue descriptions. We are however happy to provide additional information regarding the condition of items on request.

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SCHUPPEN, PIETER LOUIS VAN (Antwerp 1627 - 1707

by Koller Auctions

September 18, 2015, 9:30 AM CET

Zurich, Switzerland

Estimated Price: CHF200 - CHF300

Description: SCHUPPEN, PIETER LOUIS VAN (Antwerp 1627 - 1707 Paris).After Nicolas de Largillière. Portrait of Louis Peletier. Engraving, 46.5 x 39 cm (sheet size: 57.2 x 42.5 cm). - Excellent print with margin. Smoothed, horizontal central fold. Small tear in the upper left margin, outside of the image. - Overall, in very good condition. SCHUPPEN, PIETER LOUIS VAN (Anvers 1627 - 1707 Paris). Nach Nicolas de Largillière. Porträt Louis Peletier. Kupferstich, 46,5 x 39 cm (Bogengrösse: 57,2 x 42,5 cm). - Hervorragender Druck mit Rand. Mit geglätteter horizontaler Mittelfalte. Im oberen linken Rand ausserhalb der Darstellung mit kleinem Riss. - Insgesamt in sehr schöner Erhaltung.

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Starting bid: CHF150 (0 bids)

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No Image Available

by Boven's

September 11, 2015, 1:00 PM CET

Doorn, Netherlands

Estimated Price: €80 - €100

Description: Algemeen Nederlandsch Familieblad olv AA Vorsterman van Oyen 17 jaargangen

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Pieter VAN BLOEMEN (1657-1720).    Halte de cavalerie, le cheval blessé.

by Sadde

September 20, 2015, 2:30 PM CET

EPINAC, France

Estimated Price: €2,000 - €2,500

Description: Pieter VAN BLOEMEN (1657-1720). Halte de cavalerie, le cheval blessé. Huile sur toile. 102 x 87,5 cm.

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Live Auction: 23 days 15 hours

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Pieter Gerardus van Os, Landscape with a Bull, Sheep and a Goat

by Lempertz

September 23, 2015, 2:30 PM CET

Cologne, Germany

Estimated Price: €2,000 - €3,000

Description: Monogrammed lower right: PGvO (joined)

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Live Auction: 26 days 15 hours

Starting bid: €1,500 (0 bids)

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 Circle of LAER, PIETER JACOBSZ VAN

by Koller Auctions

September 16, 2015, 3:30 PM CET

Zurich, Switzerland

Estimated Price: CHF700 - CHF900

Description: Circle of LAER, PIETER JACOBSZ VAN(circa 1592 Haarlem after 1642)Harbour scene with ships.Oil on canvas. 69 x 97.5 cm. LAER, PIETER JACOBSZ VAN (UMKREIS)(um 1592 Haarlem nach 1642)Hafenszene mit Schiffen.Öl auf Leinwand. 69 x 97,5 cm.

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Post (Pieter) and Pieter Nolpe. - Begraeffenisse van Syne Hoogheyt Frederick Henrick,

by Dreweatts & Bloomsbury

September 17, 2015, 11:00 AM BST

London, United Kingdom

Estimated Price: £2,000 - £3,000

Description: 30 fine hand-coloured engraved double-page plates by Pieter Nolpe after Pieter Post and 2 portraits of Frederick Henry (the latter not called for by Landwehr), occasional spotting and small areas of staining (mostly marginal), antique style panelled calf, [Landwehr, Splendid Ceremonies, 114; Lipperheide 23], folio, Amsterdam, Nikolaes van Ravesteyn, 1651. A magnificent pictorial record of the long funeral procession that accompanied the body of Frederick Henry, Prince of Orange.

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Live Auction: 20 days 13 hours

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Johan Coenraads Wirts 'Verklaring en toeeigening des Evangeliums van LUCAS' met 'noodige bladwijzers voorzien door Bernhardus keppel' , s'Gravenhage, Ottho en Pieter van Thol, eerste druk, 1741

by Middelburgs Veilinghuis

September 2, 2015, 7:00 PM CET

Middelburg, Netherlands

Estimated Price: €30 - €50

Description: Johan Coenraads Wirts 'Verklaring en toeeigening des Evangeliums van LUCAS' met 'noodige bladwijzers voorzien door Bernhardus keppel' , s'Gravenhage, Ottho en Pieter van Thol, eerste druk, 1741

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Live Auction: 5 days 20 hours

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[ATLAS]. COVENS (Johannes) et MORTIER ...

by Hotel des Ventes Geneva

September 11, 2015, 10:00 AM CET

1806 St-Légier-La Chiésaz, Switzerland

Estimated Price: CHF300 - CHF500

Description: [ATLAS]. COVENS (Johannes) et MORTIER (Cornelis). ,Veteris Orbis Tabulæ Geographicæ... Amstelodami, sd [circa 1715]. ,Petit in-4° oblong, relié dans un cartonnage d'époque. Illustré de 67 cartes géographiques, dont 1 dépliante par Pierre van der Aa

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BAST, PIETER (Antwerp, ca. 1570 - 1605 Leiden).

by Koller Auctions

September 18, 2015, 9:30 AM CET

Zurich, Switzerland

Estimated Price: CHF200 - CHF300

Description: BAST, PIETER (Antwerp, ca. 1570 - 1605 Leiden).The Massacre of the Innocents. Etching, 14 x 12.4 cm. Engraved, two-line text in the lower margin. - Rare. BAST, PIETER (Antwerpen, um 1570 - 1605 Leiden). Der Betheleminische Kindermord. Radierung, 14 x 12,4 cm. Am unteren Blattrand gestochener zwei-zeiliger Text. - Selten.

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Ecole flamande du XVIIe siècle.    Pieter Jacobsz Van de Laar (1582-1646).

by Sadde

September 20, 2015, 2:30 PM CET

EPINAC, France

Estimated Price: €3,000 - €3,500

Description: Ecole flamande du XVIIe siècle. Pieter Jacobsz Van de Laar (1582-1646). Paysage animé de nombreux personnages le long d'une rivière. Huile sur toile. 100 x 133 cm.

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BRUEGHEL, PIETER d. J.(Brüssel 1564

by Koller Auctions

September 18, 2015, 3:00 PM CET

Zurich, Switzerland

Estimated Price: CHF1,500,000 - CHF2,500,000

Description: BRUEGHEL, PIETER d. J.(Brüssel 1564 - 1637/38 Antwerpen)Karnevalstreiben in einer Bauernstube.Öl auf Eichenholz. Unten mittig signiert: P. BR (...).72 x 105 cm.Provenienz:- Sammlung Richter, von den ostdeutschen Behörden um 1953 beschlagnahmt.- Ab 1953 in den Dresdner Staatlichen Kunstsammlungen, Gemäldegalerie, Inv. Nr. 53/92.- 2002 den Erben der Familie Richter restituiert.- Europäische Privatsammlung.Ausstellung:Gemäldegalerie Dresden, 1953-2002.Literatur:- Marlier, G.: Pierre Bruegel le Jeune, Brüssel 1969, S. 355, Nr. 2.- Diaz-Padron, M.: La Obra de Pedro Brueghel el joven en Espana, in: Archivo Espanol de Arte, 1980, S. 311.- Ertz, Klaus, u.a.: Ausst. Kat. Breughel-Brueghel, Tradizione e Progresso: una famiglia di pittori fiamminghi tra Cinque e Seicento, Cremona, Museo Civico Ala Ponzone, Cremona 1998, S. 99, Abb. 2.- Ertz, Klaus: Pieter Brueghel der Jüngere (1564-1637/38). Die Gemälde mit kritischem Oeuvrekatalog, Band I, Lingen 1988/2000, Kat. Nr. 582, S. 535, Abb. S. 524 (als Maerten van Cleve oder Pieter Brueghel d. J.).- Ertz, Klaus: Marten van Cleve 1524-1581. Kritischer Katalog der Gemälde und Zeichnungen, Lingen 2014, S. 61, Abb. 77 (als Pieter Brueghel d. J.). Zahlreiche Figuren haben sich in einer bäuerlichen Stube versammelt und wärmen sich tanzend und trinkend, während draussen der kalte Wind weht. Anlass ist das jährlich am 6. Januar stattfindende flämische Dreikönigsfest - auch Epiphanie-Fest genannt - bei dem vor der anstehenden Fastenzeit noch einmal ausgiebig gefeiert wird. Durch eine im Brot oder Kuchen versteckte Bohne wird der König des Festes gewählt, welcher wiederum seinen Hofstaat auswählen darf. In unserem Gemälde tanzt der frisch gewählte 'Bohnenkönig' links mit seiner Königin in die Stube ein, während im Hintergrund der Narr mit der Eselsmütze zur Dudelsackmusik laut zu singen scheint. Rechts am Feuer werden die traditionellen Pfannkuchen in einer Pfanne gebacken.Diese fröhliche Darstellung des Dreikönigsfestes ist eine Seltenheit im Oeuvre Pieter Breughel d. J., welcher diese Komposition insgesamt nur viermal mit kleinen Variationen ausführte: eine Version befindet sich seit 1948 in einer Privatsammlung in Madrid, eine zweite im Museum Stibbert in Florenz (Inv. Nr. 4254) und eine dritte wurde am 4.4.1984 (Los 44) durch Sotheby's in London versteigert (siehe Ertz 1988/2000, Kat. Nr. 576-578). Dabei griff Brueghel d. J. nicht wie üblich auf eine Komposition seines Vaters zurück, sondern liess sich in diesem Fall von einer heute verschollenen Komposition Marten van Cleves (1524-1581) inspirieren. Dies ist insbesondere dadurch belegt, dass die Gesamtkomposition und die zwei tanzenden Figuren links in einem Stich von Balthasar van den Bos (tätig um 1550) nach van Cleve überliefert sind. Dr. Klaus Ertz führt zudem zwei Varianten dieser Komposition im Oeuvre van Cleves auf (siehe Ertz 2014, S. 182-183, Kat. Nr. 101 und 102). Dr. Klaus Ertz, welcher unser Gemälde anfänglich nur von Fotografien kannte und daher zunächst nicht von einer klaren Zuweisung an Brueghel d. J. ausging (siehe Ertz 1988/2000, Kat. Nr. 582), konnte die Tafel 2005 persönlich in Augenschein nehmen und bestätigt nun die Eigenhändigkeit (eine Kopie seines Gutachtens vom 2.11.2005 liegt bei). Dabei betont er die besonders feine Malweise, welche unser Gemälde im Vergleich zu Werken van Cleves auszeichnet. Pieter Brueghel d. J. nahm ab 1616 vereinzelte Vorlagen des Marten van Cleves in seinem Oeuvre auf, wobei unser Gemälde gemäss Klaus Ertz in die späten 1620er Jahren zu datieren ist (siehe Ertz 2014). Dass Pieter Brueghel die Komposition van Cleves jedoch nicht ausschliesslich kopiert, sondern sie selbst weiterentwickelt hat, wird besonders anhand der feinen Unterzeichnungen unseres Gemäldes deutlich (Abb. 1).Neben der Seltenheit der dargestellten Thematik im Oeuvre von Pieter Brueghel d. J. ist auch die Provenienz des hier angebotenen Gemäldes hervorzuheben: Ursprünglich aus der Sammlung der deutschen Familie Richter stammend, wurde es um 1953 von den ostdeutschen Behörden beschlagnahmt und schmückte beinahe 50 Jahre lang die Wände der Dresdner Gemäldegalerie, bevor es 2002 den Erben der Richter Familie restituiert wurde und nun wieder auf dem Markt verfügbar ist.BRUEGHEL, PIETER the Younger(Brussels 1564 - 1637/38 Antwerp)Carnival Festivities in a Farmhouse Parlor.Oil on oak wood. Signed lower middle: P. BR (...).72 x 105 cm. Provenance:- Richter collection, confiscated by the East German authorities ca. 1953.- Since 1953 in the Dresden Staatliche Kunstsammlungen, Gemäldegalerie, inv. no. 53/92.- Restituted to the heirs of the Richter family in 2002.- European private collection. Exhibition:Gemäldegalerie Dresden, 1953-2002. Literature:- Marlier, G.: Pierre Bruegel le Jeune, Brussels 1969, p. 355, no. 2.- Diaz-Padron, M.: La Obra de Pedro Brueghel el joven en Espana, in: Archivo Espanol de Arte, 1980, p. 311.- Ertz, Klaus, et al.: exh. cat. Breughel-Brueghel, Tradizione e Progresso: una famiglia di pittori fiamminghi tra Cinque e Seicento, Cremona, Museo Civico Ala Ponzone, Cremona 1998, p. 99, fig. 2.- Ertz, Klaus: Pieter Brueghel der Jüngere (1564-1637/38). Die Gemälde mit kritischem Oeuvrekatalog, Vol. I, Lingen 1988/2000, cat. no. 582, p. 535, fig. p. 524 (as Maerten van Cleve or Pieter Brueghel the Younger).- Ertz, Klaus: Marten van Cleve 1524-1581. Kritischer Katalog der Gemälde und Zeichnungen, Lingen 2014, p. 61, fig. 77 (as Pieter Brueghel the Younger). Various village people have gathered in a rustic parlor and warm themselves through dancing and drinking, while outside the cold wind blows. The occasion is the annual Flemish Epiphany of January 6th - also known as the Epiphany Feast - which is celebrated in earnest before the upcoming Lent. By means of a bean hidden in bread or cake the King of the Festival will be selected, who in turn is allowed to choose his court. In our painting the newly elected 'Bean King' is dancing with his queen in the parlor at left, while in the background the fool with the dunce cap seems to sing out loud with the bagpipe music. On the right traditional pancakes are being baked in a pan on the fire. This joyful picture of the Epiphany is a rarity in the oeuvre of Pieter Breughel the Younger, who executed this composition altogether only four times with small variations: one version in a private collection in Madrid since 1948; a second at the Museo Stibbert in Florence (inv. no. 4254); and a third auctioned on April 4, 1984 (lot 44), at Sotheby's in London (see Ertz 1988/2000, cat. nos. 576-578). Here Brueghel the Younger did not return as usual to one of his father's compositions, but in this case might have drawn inspiration from a now lost composition by Marten van Cleve (1524-1581). This is evidenced particularly by the fact that the overall composition and the two dancing figures on the left have been preserved in an engraving after Van Cleve by Balthasar van den Bos (active ca. 1550). Two versions of this composition are listed by Dr. Klaus Ertz among the works of van Cleve (see Ertz 2014, pp. 182-183, cat. nos. 101 and 102).Dr. Klaus Ertz, who first knew of our painting only through photographs and thus initially did not make a clear attribution to Brueghel the Younger (see Ertz 1988/2000, cat. no. 582), was able to inspect the panel personally in 2005 and has now confirmed the authorship (a copy of his report from 2.11.2005 is available). He emphasizes the particularly fine brushwork, which distinguishes our painting in comparison with the works of van Cleve. As of 1616 Pieter Brueghel the Younger incorporated various motives from the work of Marten van Cleve into his oeuvre, through which our painting can be dated, according to Klaus Ertz, to the late 1620s (see Ertz 2014). That Pieter Brueghel did not merely copy van Cleves' composition but further developed it, however, is particularly evident in the fine underdrawings of our painting (fig. 1).In addition to the rarity of this subject in the oeuvre of Pieter Brueghel the Younger, the provenance of the painting offered here should be emphasized as well: originally in the German Richter family collection, it was seized by the East German authorities in 1953 and hung for nearly 50 years on the wall of the Dresden Gemäldegalerie before it was restituted in 2002 to the heirs of the Richter family and is now available on the market once again. BRUEGHEL, PIETER THE YOUNGER(Brussels 1564 - 1637/38 Antwerp)Carnival Festivities in a Farmhouse Parlour.Oil on oak panel. Signed lower centre: P. BR (...).72 x 105 cm. Provenance:- Richter collection, confiscated by East German authorities c.1953.- From 1953 in the Dresdner Staatlichen Kunstsammlungen (Dresden State Art Collection), picture gallery, Inv. No. 53/92.- Restituted to the heirs of the Richter family in 2002.- European private collection. Exhibited: Gemäldegalerie Dresden, 1953-2002. Literature: - Marlier, G.: Pierre Bruegel le Jeune, Brussels 1969, p. 355, no. 2.- Diaz-Padron, M.: La Obra de Pedro Brueghel el joven en Espana, in: Archivo Espanol de Arte, 1980, p. 311.- Ertz, Klaus, et al.: exh. cat. Breughel-Brueghel, Tradizione e Progresso: una famiglia di pittori fiamminghi tra Cinque e Seicento, Cremona, Museo Civico Ala Ponzone, Cremona 1998, p. 99, fig. 2.- Ertz, Klaus: Pieter Brueghel der Jüngere (1564-1637/38). Die Gemälde mit kritischem Oeuvrekatalog, Vol. I, Lingen 1988/2000, cat. no. 582, p. 535, fig. p. 524 (as Maerten van Cleve or Pieter Brueghel the Younger).- Ertz, Klaus: Marten van Cleve 1524-1581. Kritischer Katalog der Gemälde und Zeichnungen, Lingen 2014, p. 61, fig. 77 (as Pieter Brueghel the Younger). Various village people have gathered in a rustic parlour and warm themselves through dancing and drinking, while outside the cold wind blows. The occasion is the annual Flemish Epiphany of January 6th - also known as the Epiphany Feast - which is celebrated in earnest before the upcoming Lent. By means of a bean hidden in bread or cake the King of the Festival will be selected, who in turn is allowed to choose his court. In our painting the newly elected 'Bean King' is dancing with his queen in the parlour at left, while in the background the fool with the dunce cap seems to sing out loud with the bagpipe music. On the right traditional pancakes are being baked in a pan on the fire. This joyful picture of the Epiphany is a rarity in the oeuvre of Pieter Breughel the Younger, who executed this composition altogether only four times with small variations: one version in a private collection in Madrid since 1948; a second at the Museo Stibbert in Florence (inv. no. 4254); and a third auctioned on April 4, 1984 (lot 44), at Sotheby's in London (see Ertz 1988/2000, cat. nos. 576-578). Here Brueghel the Younger did not return as usual to one of his father's compositions, but in this case might have drawn inspiration from a now lost composition by Marten van Cleve (1524-1581). This is evidenced particularly by the fact that the overall composition and the two dancing figures on the left have been preserved in an engraving after Van Cleve by Balthasar van den Bos (active ca. 1550). Two versions of this composition are listed by Dr. Klaus Ertz among the works of van Cleve (see Ertz 2014, pp. 182-183, cat. nos. 101 and 102). Dr. Klaus Ertz, who first knew of our painting only through photographs and thus initially did not make a clear attribution to Brueghel the Younger (see Ertz 1988/2000, cat. no. 582), was able to inspect the panel personally in 2005 and has now confirmed the authorship (a copy of his report from 2.11.2005 is available). He emphasizes the particularly fine brushwork, which distinguishes our painting in comparison with the works of van Cleve. As of 1616 Pieter Brueghel the Younger incorporated various motives from the work of Marten van Cleve into his oeuvre, through which our painting can be dated, according to Klaus Ertz, to the late 1620s (see Ertz 2014). That Pieter Brueghel did not merely copy van Cleves' composition but further developed it, however, is particularly evident in the fine underdrawings of our painting (fig. 1). In addition to the rarity of this subject in the oeuvre of Pieter Brueghel the Younger, the provenance of the painting offered here should be emphasized as well: originally in the German Richter family collection, it was seized by the East German authorities in 1953 and hung for nearly 50 years on the wall of the Dresden Gemäldegalerie before it was restituted in 2002 to the heirs of the Richter family and is now available on the market once again.

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Corgi No.408 Bedford AA Road Service Van - deep

by Vectis Auctions Ltd

September 17, 2015, 10:30 AM GMT

Stockton on Tees, United Kingdom

Estimated Price: £80 - £100

Description: Corgi No.408 Bedford AA Road Service Van - deep yellow body, roof sign, smooth black roof, grille area with silver detail, spun hubs - Excellent in Good to Good Plus card box.

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Dinky No.274 AA Mini Van - deep yellow body

by Vectis Auctions Ltd

September 16, 2015, 10:30 AM GMT

Stockton on Tees, United Kingdom

Estimated Price: £50 - £70

Description: Dinky No.274 AA Mini Van - deep yellow body, roof sign, plastic rear doors with decals to doors, side panels and rear doors (partially missing) - Excellent in Good card box.

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BRUEGHEL, PIETER d. J.(Brüssel 1564

by Koller Auctions

September 18, 2015, 3:00 PM CET

Zurich, Switzerland

Estimated Price: CHF50,000 - CHF70,000

Description: BRUEGHEL, PIETER d. J.(Brüssel 1564 - 1637/38 Antwerpen)Berglandschaft - La Source.Öl auf Holz. Unten mittig signiert: BREVGHEL.17 cm Durchmesser (rund).Gutachten: Dr. Klaus Ertz, 6.7.2015.Provenienz:- Auktion Christie's, New York, 15.4.2008, Los 7.- Kunsthandel David Koetser, Zürich.- Europäische Privatsammlung. Dr. Klaus Ertz, der das vorliegende Gemälde im Original untersucht hat, identifiziert dieses eindeutig als eine Arbeit Pieter Brueghel d. J. und hebt besonders die qualitätsvolle Ausarbeitung sowie den sehr guten Erhaltungszustand hervor. Das Motiv der Quelle als eigenständiges Bildthema stellt eine Rarität im Oeuvre Pieter Brueghels d. J. dar. Es ist bislang nur eine weitere Variante bekannt, die zu einer Serie aus vier Darstellungen zum Thema Fluss gehört, die heute im Prager Nationalmuseum zu sehen ist (siehe Ertz, Klaus: Pieter Brueghel der Jüngere. Die Gemälde mit kritischem Oeuvrekatalog, Lingen 1988/2000, Bd. II, Kat. 1368-1371). Vereinzelt findet sich die Felsformation in den Hintergründen mancher 'Kalvarienberg-Darstellungen' (siehe ebd., Bd. I, Abb. 292, 294, 298). Die Signatur unten mittig im Bild mit der Buchstabenfolge BREVGHEL (das E steht vor dem V), lässt Ertz von einer Entstehung des Tondos nach 1616 ausgehen. Vor dieser Zeit signierte der Künstler ausschliesslich mit BRVEGHEL (hier steht das V vor dem E). Besonders bemerkenswert bei dieser Darstellung ist die Loslösung des Künstlers von zeitgenössischen Landschaftsformen der weiten Panoramaansicht, wie sie beispielsweise bei Joos de Momper oder Lucas van Valkenburgh zu finden ist. Stattdessen wählt Breughel hier einen intimen Ausblick auf eine Felsformation, der durch das Format noch intensiviert wird. Der Betrachter ist am Fusse der Felsen platziert, und der Blick wird nach oben geleitet, wo zwei schemenhafte Figuren unter einer Steinbrücke zu erblicken sind. Die Vielfalt an Brauntönen lassen die Gesteinsformation lebendig erscheinen, die sich von den zarten Blautönen des Himmels im Hintergrund absetzt und der Szenerie einen besonders harmonischen und kontemplativen Charakter verleiht. BRUEGHEL, PIETER THE YOUNGER(Brussels 1564 - 1637/38 Antwerp)A Mountainous Landscape - La Source.Oil on panel.Signed lower centre: BREVGHEL.17 cm Diameter (tondo). Expertise: Dr. Klaus Ertz, 6.7.2015. Provenance:- Christie's, New York, 15.4.2008, Lot 7.- Kunsthandel David Koetser, Zurich.- European private collection. Based on first-hand inspection, Dr. Klaus Ertz clearly identifies this as the work of Pieter Brueghel the Younger and particularly notes its high-quality execution and excellent condition.

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VAN DER BAUWEDE LEATHER GOLD PLATED SS BRACELET

by Miami Auction Gallery

September 8, 2015, 8:15 PM EST

Miami, FL, USA

Estimated Price: $250 - $500

Description: BRAND NEW

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VAN DER BAUWEDE LEATHER GOLD PLATED SS BRACELET

by Miami Auction Gallery

September 8, 2015, 8:15 PM EST

Miami, FL, USA

Estimated Price: $250 - $500

Description: BRAND NEW

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VAN DER BAUWEDE LEATHER GOLD PLATED SS BRACELET

by Miami Auction Gallery

September 8, 2015, 8:15 PM EST

Miami, FL, USA

Estimated Price: $250 - $500

Description: BRAND NEW

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VAN DER BAUWEDE LEATHER GOLD PLATED SS BRACELET

by Miami Auction Gallery

September 8, 2015, 8:15 PM EST

Miami, FL, USA

Estimated Price: $250 - $500

Description: BRAND NEW

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VAN DER BAUWEDE LEATHER GOLD PLATED SS BRACELET

by Miami Auction Gallery

September 8, 2015, 8:15 PM EST

Miami, FL, USA

Estimated Price: $250 - $500

Description: BRAND NEW

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VAN DER BAUWEDE LEATHER GOLD PLATED SS BRACELET

by Miami Auction Gallery

September 8, 2015, 8:15 PM EST

Miami, FL, USA

Estimated Price: $250 - $500

Description: BRAND NEW

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Three Van Briggle Pottery Articles

by Stair Galleries

September 4, 2015, 6:00 PM EST

Claverack, NY, USA

Estimated Price: $150 - $250

Description: Three Van Briggle Pottery Articles Each impressed with 'AA' monogram and 'Van Briggle', one dated 1906. 4 to 9 in. Property of a Private Collector, Pawling, NY

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Peaches and Grapes on a Table

by Arader Galleries

September 19, 2015, 1:00 PM EST

New York, NY, USA

Estimated Price: $3,000 - $4,000

Description: Pieter Van Loo (1731-1784). Pencil, watercolor and pencil framing lines on paper. Signed, l.l.:P: V: LOO.FE. 12 x 9 1/2 inches, 21 3/4 x 19 inches framed

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Still Life of Roses

by Arader Galleries

September 19, 2015, 1:00 PM EST

New York, NY, USA

Estimated Price: $3,000 - $4,000

Description: Pieter Van Loo (1731-1784). Pencil, watercolor and pencil framing lines on paper. Signed: P. V. Loos. 19 x 14 1/2 inches, 29 x 24 1/4 inches framed

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Flowers and Fruit on a Table

by Arader Galleries

September 19, 2015, 1:00 PM EST

New York, NY, USA

Estimated Price: $3,000 - $4,000

Description: Pieter Van Loo (1731-1784). Pencil, watercolor and pencil framing lines on paper. Signed: P. V. Loos. 19 x 14 1/2 inches, 29 x 24 1/4 inches framed

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No Image Available

by Boven's

September 11, 2015, 1:00 PM CET

Doorn, Netherlands

Estimated Price: €100 - €150

Description: Van der Dussen Genealogische Kwartierstaten van Nederlandsche Geslachten 1865-1867, 1868-1870 en 1871-1873

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OLEARIUS (Adam). Voyages très ...

by Hotel des Ventes Geneva

September 11, 2015, 10:00 AM CET

1806 St-Légier-La Chiésaz, Switzerland

Estimated Price: CHF1,500 - CHF2,000

Description: OLEARIUS (Adam). Voyages très curieux et très renommez faits en Moscovie Tartarie et Perse.... traduits et augmentez par le Sr. de Wicquefort. Leide Pierre Van der Aa 1718. 2 tomes en 1 vol. in-folio demi-basane blonde ornée. 30 pl. à double-page 3 pl. à pleine-page dont 2 portraits 3 pl. dépliantes gravées hors-texte et nombreuses vignettes gravées in-texte. Petite galerie de vers sur les premiers feuillets et quelques feuillets brunisEx-libris Grand d'Hauteville

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 Attributed to BOSCH, PIETER VAN DEN the younge

by Koller Auctions

September 16, 2015, 3:30 PM CET

Zurich, Switzerland

Estimated Price: CHF3,000 - CHF5,000

Description: Attributed to BOSCH, PIETER VAN DEN the younger(circa 1604 Leiden 1649)Kitchen still life with vegetables and baskets.Oil on panel. 30.3 x 31 cm. Provenance: Swiss private collection. Fred G. Meijer of RKD, The Hague, has identified this painting on the basis of a photograph as by the hand of an artist active in Paris in the 1640s in the circle of Willem Kalfs and Sebastien Bourdons and suggests an attribution to Pieter van den Bosch. BOSCH, PIETER VAN DEN d. J. (ZUGESCHRIEBEN)(um 1604 Leiden 1649)Küchenstillleben mit Gemüse und Körbe.Öl auf Holz. 30,3 x 31 cm.Provenienz:Schweizer Privatsammlung.Fred G. Meijer vom RKD, Den Haag, identifiziert dieses Gemälde anhand einer Fotografie als das Werk eines in Paris in den 1640er Jahren tätigen Künstlers im Umkreis Willem Kalfs und Sebastien Bourdons und schlägt eine Zuschreibung an Pieter van den Bosch vor, wofür wir ihm danken.

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Corgi No.408 Bedford AA Road service Van - deep

by Vectis Auctions Ltd

September 17, 2015, 10:30 AM GMT

Stockton on Tees, United Kingdom

Estimated Price: £90 - £120

Description: Corgi No.408 Bedford AA Road service Van - deep yellow body, roof sign, black ribbed roof, black front with silver grille and bumper, headlights, decals to sides, smooth cast hubs - box rub to numberplate, Excellent Plus in Good Plus blue and yellow card box, slightly age discoloured.

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Dinky No.274 AA Mini Van - deep yellow body

by Vectis Auctions Ltd

September 16, 2015, 10:30 AM GMT

Stockton on Tees, United Kingdom

Estimated Price: £80 - £100

Description: Dinky No.274 AA Mini Van - deep yellow body, plastic roof sign, rear doors, white roof, decals to sides, roof sign and rear doors - Near Mint with a Good card box, although surface tear to one end flap.

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Louis van der Pol (1896-1982) ' Vrouw met gele hoed' aquarel, ges. 34x27cm

by Middelburgs Veilinghuis

August 31, 2015, 7:00 PM CET

Middelburg, Netherlands

Estimated Price: €400 - €800

Description: Louis van der Pol (1896-1982) ' Vrouw met gele hoed' aquarel, ges. 34x27cm

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Louis van der Pol (Kelderman) (1896-1982) ' Dame met hoed' aquarel, ges. 34x23cm

by Middelburgs Veilinghuis

August 31, 2015, 7:00 PM CET

Middelburg, Netherlands

Estimated Price: €400 - €600

Description: Louis van der Pol (Kelderman) (1896-1982) ' Dame met hoed' aquarel, ges. 34x23cm

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Piet van der Hem  (1885-1961) 'In het cafe' gemengde technieken, ges. 31x38cm

by Middelburgs Veilinghuis

August 31, 2015, 7:00 PM CET

Middelburg, Netherlands

Estimated Price: €2,700 - €3,500

Description: Piet van der Hem (1885-1961) 'In het cafe' gemengde technieken, ges. 31x38cm

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Louis van der Pol (1896-1982) 'Vrouw voor de spiegel' aquarel, 39x20cm

by Middelburgs Veilinghuis

August 31, 2015, 7:00 PM CET

Middelburg, Netherlands

Estimated Price: €400 - €600

Description: Louis van der Pol (1896-1982) 'Vrouw voor de spiegel' aquarel, 39x20cm

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Louis van der Pol (1896-1982) 'Vrouw op terras met ober' aquarel, ges. 37x26cm

by Middelburgs Veilinghuis

August 31, 2015, 7:00 PM CET

Middelburg, Netherlands

Estimated Price: €400 - €800

Description: Louis van der Pol (1896-1982) 'Vrouw op terras met ober' aquarel, ges. 37x26cm

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Louis van der Pol (Kelderman) (1896-1982) 'Drie dames op straat'  ges. 32x27cm

by Middelburgs Veilinghuis

August 31, 2015, 7:00 PM CET

Middelburg, Netherlands

Estimated Price: €400 - €800

Description: Louis van der Pol (Kelderman) (1896-1982) 'Drie dames op straat' ges. 32x27cm

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[Serlio, Sebastian]. Die gemaynen Reglen von der A

by Koller Auctions

September 19, 2015, 10:00 AM CET

Zurich, Switzerland

Estimated Price: CHF6,000 - CHF9,000

Description: [Serlio, Sebastian]. Die gemaynen Reglen von der Architectur uber die funf Manieren der Gebeu, zu wissen, Thocana, Dorica, Ionica, Corinthia, und Composita, mit den Exemplen der Antiquitaten so durch den merern Tayl sich mit der Leer Vitruvii vergleychen. Mit gest. figürl. Titelbordüre, 114 Holzschnitten u. 9 gest. Initalen. [Antwerpen, Pieter Coecke van Aelst], 1542. Gr.-4°. [2] Bll., Bll. 3-72. Spät. HPgt. mit reicher floraler Goldprägung auf Deckeln (kl. Fehlstellen im Bezug, Ecken bestossen, leicht berieben, fleckig u. etwas gebräunt).Brunet V, 304f. - Graesse VI, 370 - Ornamentstichslg. Berlin I, 2556 - Millard III, S. 10-12: 'When... [Serlio] at the same time departed from philological interpretation of Vitruvius or went beyond a strict interpretation of his teachings, it was done to make better known the classical exemplars of Latin antiquity and to redefine this classical tradition within the expanding and deepening cast of Renaissance culture. Serlio's popular treatise and its complex publication history, at least, follows this pattern. He first applied to the Venetian senate for copyright permission in 1528 by declaring his intention to produce a column or pattern book on the five orders based on the Vitruvian rule. Nine years later, when he reapplied to the senate for the same permission, he proposed to publish several illustrated books with a similar though much broader goal in mind. Book four was the first of this projected series to be published, appearing in Venice in 1537. In it the Bolognan architect attempted to codify the five orders and explicate the key concepts of Vitruvius 'our guide and infallible rule.' The third book appeared three years later in Venice, and it documented the principal monuments of Roman antiquity, combining them with a few examples from the Renaissance. Separate translations of these first two books into different languages followed at once. A parralel Flemish and German translation of the fourth book was published in Antwerp by Pieter Coecke van Aelst in 1539. The same publisher brought out a French and German translation in 1542' - vgl. Ebert II, 769 u. Fowler 318 - nicht bei RIBA. - Erste deutsche Ausgabe des vierten Buches. - Komplettes Exemplar. - Titel alt eingebunden, erste 10 S. mit Braunfleck am ob. Rand, stellenweise leichte Feuchtflecken ansonsten lediglich in den Rändern etwas stockfleckig u. gebräunt, ab Fol. 36 kl. Wurmgang (mit minimalem Darstellungverlust), Innengelenke angeplatzt. - Alte hs. Besitzvermerke auf Vorsatz u. Titel verso. Exlibris.

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VAN DER BAUWEDE GENEVE SS MENS CHRONOGRAPH WATCH

by Miami Auction Gallery

September 8, 2015, 8:15 PM EST

Miami, FL, USA

Estimated Price: $2,500 - $5,000

Description: NEW NEVER USED, MODEL # 2251000594

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Starting bid: $1,900 (0 bids)

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VAN DER BAUWEDE GENEVE SS MENS AUTOMATIC CHRONOGRAPH WATCH

by Miami Auction Gallery

September 8, 2015, 8:15 PM EST

Miami, FL, USA

Estimated Price: $5,000 - $7,500

Description: NEW NEVER USED, MODEL # 2351000283

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VAN DER BAUWEDE GENEVE SS LADIES DIAMOND WATCH

by Miami Auction Gallery

September 8, 2015, 8:15 PM EST

Miami, FL, USA

Estimated Price: $2,500 - $5,000

Description: NEW NEVER USED, MODEL # 4760020234

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Starting bid: $1,200 (0 bids)

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VAN DER BAUWEDE GENEVE SS LADIES 4 EVER AUTOMATIC DIAMOND WATCH

by Miami Auction Gallery

September 8, 2015, 8:15 PM EST

Miami, FL, USA

Estimated Price: $7,500 - $15,000

Description: NEW NEVER USED, MODEL # 2150010074

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Starting bid: $6,000 (0 bids)

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VAN DER BAUWEDE 18K WHITE GOLD ONYX NECKLACE

by Miami Auction Gallery

September 8, 2015, 8:15 PM EST

Miami, FL, USA

Estimated Price: $5,000 - $7,500

Description: 32" LONG, 26.40 GRAMS, BRAND NEW NEVER USED

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Starting bid: $2,750 (0 bids)

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VAN DER BAUWEDE LARGE SS AUTOMATIC CHRONOGRAPH MENS WATCH

by Miami Auction Gallery

September 8, 2015, 8:15 PM EST

Miami, FL, USA

Estimated Price: $5,000 - $7,500

Description: BRAND NEW, MODEL 2351000069

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VAN DER BAUWEDE LARGE SS CHRONOGRAPH LADIES DIAMOND DIAL WATCH

by Miami Auction Gallery

September 8, 2015, 8:15 PM EST

Miami, FL, USA

Estimated Price: $2,500 - $5,000

Description: BRAND NEW, MODEL 4760020233

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Starting bid: $1,500 (0 bids)

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VAN DER BAUWEDE LARGE SS ANNUAL CALENDAR LIMITED EDITION MENS WATCH

by Miami Auction Gallery

September 8, 2015, 8:15 PM EST

Miami, FL, USA

Estimated Price: $10,000 - $20,000

Description: BRAND NEW, NO 20/40

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Live Auction: 12 days 3 hours

Starting bid: $7,000 (0 bids)

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VAN DER BAUWEDE LARGE SS AUTOMATIC GT CHRONOGRAPH MENS WATCH

by Miami Auction Gallery

September 8, 2015, 8:15 PM EST

Miami, FL, USA

Estimated Price: $7,500 - $15,000

Description: BRAND NEW, MODEL 8351010447

View additional info » Platinum House Live Auction

Live Auction: 12 days 3 hours

Starting bid: $4,000 (0 bids)

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VAN DER BAUWEDE LARGE SS AUTOMATIC CHRONOGRAPH MENS WATCH

by Miami Auction Gallery

September 8, 2015, 8:15 PM EST

Miami, FL, USA

Estimated Price: $7,500 - $15,000

Description: BBRAMD NEW, MODEL 2400010162

View additional info » Platinum House Live Auction

Live Auction: 12 days 3 hours

Starting bid: $4,000 (0 bids)

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HENDRIKS, WYBRAND(Amsterdam vor 174

by Koller Auctions

September 18, 2015, 3:00 PM CET

Zurich, Switzerland

Estimated Price: CHF12,000 - CHF18,000

Description: HENDRIKS, WYBRAND(Amsterdam vor 1744 - 1831 Haarlem)Blumenstillleben mit einem Vogelnest. 1782.Öl auf Holz. Unten rechts mit Bezeichnung und Datierung: Van Os. 1782.60 x 48,5 cm.Provenienz:- Sammlung Lord Boothby. - Auktion Christie's, London, 10.7.1987, Los 67.- Auktion Christie's, London, 8.12.1995, Los 46 .- Europäische Privatsammlung.Dieses qualitätsvolle und farbenprächtige Blumenstillleben ist ein charakteristisches Beispiel für das künstlerische Schaffen Wybrand Hendriks. Dieser erlernte die Malerei während seiner Tätigkeit in der Tapetenfabrik von Johannes Remmers in der Rozenstraat in Amsterdam, wo er sich mit dem Maler Willem Joseph Laquy (1738-1798) anfreundete, der häufig die Figurenstaffage in seinen Landschaften ausführte. Hendriks entschied sich ein eigenes Atelier zu gründen und wurde Mitglied der Lukasgilde von Amsterdam und später von Haarlem. Zudem war Wybrand Hendriks als Kurator, leidenschaftlicher Sammler und Auktionator tätig. Er hinterliess nach seinem Tod eine umfangreiche Sammlung an Gemälden und Zeichnungen eigener Hand und anderer Künstler. Als talentierter Maler und Zeichner blickte Hendriks auf Arbeiten der grossen Meister des 17. Jahrhunderts, wie beispielsweise von Gabriel Metsu (1629-1667), Johannes Vermeer (1632-1675), Pieter de Hooch (1629-1684), Jan Baptist Weenix (1621-1659) oder Jan van Huysum (1682-1749) und liess sich von ihrer Malerei inspirieren. Das hier angebotene Gemälde greift kompositorisch wie stilistisch auf die Malweise des Stilllebenmalers Jan van Os (1744-1808) zurück, der durch eine Bezeichnung unten rechts gewürdigt wird. HENDRIKS, WYBRAND(Amsterdam before 1744 - 1831 Haarlem)A floral still life with a bird's nest. 1782.Oil on panel.Inscribed and dated lower right: Van Os. 1782.60 x 48.5 cm. Provenance:- Collection of Lord Boothby. - Christie's, London, 10.7.1987, Lot 67.- Christie's, London, 8.12.1995, Lot 46 .- European private collection.

View additional info » Platinum House Live Auction

Live Auction: 21 days 16 hours

Starting bid: CHF9,000 (0 bids)

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