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Upcoming Lots Related to [Claire Jeanne Roberte Colinet French] (24 items returned )

Scope: Upcoming Items

With at least one of the words: Claire Jeanne Roberte Colinet French

Auction house: Dreweatts & Bloomsbury

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Dreweatts & Bloomsbury (24)
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** Robert Whitaker (1939-2011) - John Lennon, Tokyo, 1966

by Dreweatts & Bloomsbury

May 20, 2016, 1:00 PM BST

London, United Kingdom

Estimate: £800 - £1,200

Description: Lambda print, printed 2002, signed in gold ink recto, signed in blue ink verso, 29.5 x 39.6cm (11 5/8 x 15 5/8in)

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A mixed group of prints of musicians, concerts, and dancers

by Dreweatts & Bloomsbury

May 11, 2016, 1:00 PM BST

Newbury, United Kingdom

Estimate: £150 - £200

Description: Including Úncing' printed for Robert Wilkinson, Robert Sayer's 'The Fortune Teller', a design for a clavichord lid after Guillot, a group of four later impressions of Cruikshank's Úncing Lesson', 'The Custom House' and 'Board of Trade, Whitehall' by Thomas Shotter Boys, and 6 others, including three chromolithographs of organs and piano-fortes Various sizes, largest 42 x 29.5 cm. (16 1/2 x 11 5/8 in), (15)

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A child's square piano by Robert Marquis, probably London, circa 1810

by Dreweatts & Bloomsbury

May 11, 2016, 10:00 AM BST

Newbury, United Kingdom

Estimate: £600 - £800

Description: A child s square piano by Robert Marquis, probably London, circa 1810 , the case of mahogany with holly stringing, the fasciaboard veneered with satinwood, with mahogany crossbanding and with two fretted panels, the keyboard, compass three octaves, c to c3 omitting c sharp, with ivory naturals and ebony accidentals, single action without dampers, on turned tapered legs, inscribed on a boxwood plaque on the fasciaboard Robert Marquis Piano Forte Make r, length 70cm, width 30cm. Buyers will need to make themselves aware of domestic CITES regulations with regard to the import and export of endangered species, eg. ivory, tortoiseshell, coral, etc. For advice on CITES export licences please contact info@taxidermylaw.co.uk.

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A two-manual harpsichord by Robert Goble & Son, Oxford, 1973

by Dreweatts & Bloomsbury

May 11, 2016, 10:00 AM BST

Newbury, United Kingdom

Estimate: £800 - £1,200

Description: A two-manual harpsichord by Robert Goble & Son, Oxford, 1973 , the case with walnut and satinwood veneer, the five octave keyboard, FF to f3, with rosewood naturals and ivory overlaid accidentals, with seven pedals controlling on the lower manual buff to the shorter 8ft., 16ft. (with half hitch), shorter 8ft. (with half hitch), 4ft. (with half hitch), manual coupler and upper manual lute (cancelling the longer 8ft., with half hitch), buff to lute and longer 8ft., with music desk, on four square tapered legs, inscribed on the name batten ROBERT GOBLE & SON MCMLXXIII , length 245.3cm., width 98.5cm., case height 30.8cm. Literature Dow, p. 21 Current pitch A=440Hz. Buyers will need to make themselves aware of domestic CITES regulations with regard to the import and export of endangered species, eg. ivory, tortoiseshell, coral, etc. For advice on CITES export licences please contact info@taxidermylaw.co.uk.

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Robert Whitaker (1939-2011) - The Beatles, Outtake for the Butcher Cover, 1966

by Dreweatts & Bloomsbury

May 20, 2016, 1:00 PM BST

London, United Kingdom

Estimate: £3,000 - £5,000

Description: Eight gelatin silver prints, one signed and annotated in pencil verso, 24 x 18.5cm (9 1/2 x 7 1/4in) to 30.5 x 38cm (12 x 15in) (or the reverse) These photographs were taken for what was to become the 'butcher cover', also known as 'Yesterday and Today' on Capitol records. Printed by Robert Whitaker at the time, they are the only original prints remaining which were later put on white overalls for the infamous photo shoot. One of the prints has been modified by the photographer's friend and Pop art artist, Martin Sharp, who also drawed at the verso of another print. Provenance: acquired by the actuel owner from Robert Whitaker family

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A French double bed head and foot board , late 19th/early 20th century

by Dreweatts & Bloomsbury

May 11, 2016, 1:00 PM BST

Newbury, United Kingdom

Estimate: £100 - £150

Description: A French double bed head and foot board , late 19th/early 20th century, with bobbin turned uprights, the headboard 105cm high, 135cm wide

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Angus McBean (1904-1990) - Robert Carrier in His Kitchen Garden, London, 1962

by Dreweatts & Bloomsbury

May 20, 2016, 1:00 PM BST

London, United Kingdom

Estimate: £600 - £800

Description: Gelatin silver print, flush mounted to card, signed, dated on card margin, signed, titled, dated and annotated in black ink on card verso, 30 x 24.5cm (11 1/2 x 9 3/4in)

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Hank Walker (1921-1996) John F. Kennedy and Robert F. Kennedy at the Democratic Convention, 1960

by Dreweatts & Bloomsbury

May 20, 2016, 1:00 PM BST

London, United Kingdom

Estimate: £500 - £700

Description: Gelatin silver print, printed 1988, signed in black ink in the margin, signed, titled, dated and annotated in pencil verso, 31 x 24.2cm (12 x 9 1/2)

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Hank Walker (1921-1996) - John F. Kennedy and Robert F. Kennedy at the Democratic Convention, 1960

by Dreweatts & Bloomsbury

May 20, 2016, 1:00 PM BST

London, United Kingdom

Estimate: £500 - £700

Description: Gelatin silver print, printed 1988, signed in black ink in the margin, signed, titled, dated and annotated in pencil verso, 31 x 24.2cm (12 x 9 1/2)

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Robert Freeman (b.1936) - The Beatles, Hard Days Night Lp Cover Session, 1964

by Dreweatts & Bloomsbury

May 20, 2016, 1:00 PM BST

London, United Kingdom

Estimate: £2,500 - £3,500

Description: Four archival pigment prints, printed later, each editioned 3/25 in pencil in the margin, signed and editioned 3/25 on accompanying label, each approximately 26.8 x 34.6cm (10 1/2 x 13 1/2in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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A French provincial fruitwood side table , first half 18th century

by Dreweatts & Bloomsbury

May 11, 2016, 1:00 PM BST

Newbury, United Kingdom

Estimate: £300 - £500

Description: A French provincial fruitwood side table , first half 18th century, the rectangular top with moulded edge over a long drawer upon ring-turned legs and H-stretchers and central finial, 71cm high, 90.5cm wide, 65cm deep

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A pair of French carved and giltwood models of swans

by Dreweatts & Bloomsbury

May 11, 2016, 1:00 PM BST

Newbury, United Kingdom

Estimate: £200 - £400

Description: A pair of French carved and giltwood models of swans, early 19th century and later adapted, each portrayed with outstretched wings and standing on a gilt ball, above a simulated lapis oval section fluted base, 29cm high, 29cm wide overall

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A Chinese sancai glazed pottery model of an altar table and offerings

by Dreweatts & Bloomsbury

May 17, 2016, 10:00 AM BST

Newbury, United Kingdom

Estimate: £400 - £600

Description: A Chinese sancai glazed pottery model of an altar table and offerings, Ming Dynasty, 15th or 16th century, the table with flat, green-glazed top, the sides draped with chestnut-glazed cloth, falling in overlapping folds, the condiments including; a platter with fish, a tripod censer, a libation cup, a bowl, a cup and saucer and various stacked sweet-meats, all in matching glazes, the table 28cm wide x 17cm deep x 11.5cm high (10) Provenance: Purchased from Robert Kleiner in circa 1995. ?? ??????? ???????????

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A mid Victorian ebonised and amboyna centre table , circa 1860

by Dreweatts & Bloomsbury

May 11, 2016, 1:00 PM BST

Newbury, United Kingdom

Estimate: £400 - £600

Description: A mid Victorian ebonised and amboyna centre table , circa 1860, in the manner of Gillows of Lancaster, the top with central inlaid motif above single blind frieze drawer, stamped Edwards & Roberts, Wardour Street, London, on double column supports inset with Jasperware type plaques, platforms and outswept legs terminating in white porcelain castors, 76cm high, 122cm wide, 66cm deep Provenance: By repute purchased by Henry Campotosto (1833-1910) the renowned artist, from the 1862 International Exhibition, who lived near Mr. & Mrs. Graeme Hendrey, (Katrina Burnett's parents) in Bletchingley Surrey, and thence by descent.

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A piano accordion, probably French, circa 1850, the three octave keyboard

by Dreweatts & Bloomsbury

May 11, 2016, 10:00 AM BST

Newbury, United Kingdom

Estimate: £200 - £300

Description: A piano accordion, probably French, circa 1850, the three octave keyboard, F to f3, with ivory naturals and ebony accidentals, the ebony-veneered reed box sliding into the bellows section, fourfold bellows, an ivory button above the keyboard introducing a second bank of reeds, width 44cm., depth 18cm., width 23cm. without bellows. Buyers will need to make themselves aware of domestic CITES regulations with regard to the import and export of endangered species, eg. ivory, tortoiseshell, coral, etc. For advice on CITES export licences please contact info@taxidermylaw.co.uk.

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An upright piano by Robert Woffington, Dublin, circa 1790

by Dreweatts & Bloomsbury

May 11, 2016, 10:00 AM BST

Newbury, United Kingdom

Estimate: £3,000 - £5,000

Description: An upright piano by Robert Woffington, Dublin, circa 1790 , the case veneered with various woods including mahogany, satinwood and thuya wood, the upper section with three apertures with floral brass fretwork backed by blue pleated silk, the five octave keyboard, FF to f3 omitting FF sharp, with ivory naturals and ebony accidentals, single action with stickers, trichord throughout, two pedal, the left pedal muting the outer strings of the trichord and the right pedal operating the damper lift, a kneelever controlling the keyboard shift, a brass knob on the right side of the case of uncertain purpose, two square tapered legs to the front, inscribed on the fasciaboard Invented and made by Rob. Woffington, Dublin, with the restorer s label Repaired by Frederick Butler, 26, Essex Quay, Dublin, August 1909 , height 126cm., width 95.7cm., depth 48.3cm. This instrument is one of the earliest examples of an upright piano where the strings extend to the floor, almost certainly predating those made by John Isaac Hawkins and Mathias Müller. The frame is stamped with the letter C with a coronet above, which it was thought might suggest a connection with the Duke of Connaught but so far a reliable link has not proved possible. A similar example is located in the Museum of Fine Art, Boston (Acc. No. 2005.211). Provenance Purchased at Phillips sale on 12th July 1999 Literature Flood, p. 141 Lawrence, pp. 215-219 Dow, p. 30 AMIS, pp. 11-12 Burnett, pp. 37-38 Restoration history 1902 (?) Frederick Butler, Dublin Buyers will need to make themselves aware of domestic CITES regulations with regard to the import and export of endangered species, eg. ivory, tortoiseshell, coral, etc. For advice on CITES export licences please contact info@taxidermylaw.co.uk.

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Circle of Antoine Vestier (French 1740-1824) - Portrait of a girl, half-length, playing a harpsichord

by Dreweatts & Bloomsbury

May 11, 2016, 1:00 PM BST

Newbury, United Kingdom

Estimate: £6,000 - £8,000

Description: Oil on canvas 85.5 x 67 cm. (33 3/4 x 26 3/5 in) Provenance: Sale. Sotheby's, London, Old Master and 19th Century Paintings, 28th February 1990, lot 20 David Barclay, London, 1993

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A miniature free-reed organ, French, circa 1860

by Dreweatts & Bloomsbury

May 11, 2016, 10:00 AM BST

Newbury, United Kingdom

Estimate: £500 - £800

Description: A miniature free-reed organ, French, circa 1860 , the case of rosewood with beaded mouldings, the four octave keyboard, F to f3, with ivory naturals and ebony accidentals, with two pedals operating the bellows, four ivory-knobbed hand stops controlling expression, tremulant , voix céleste and wind cut-off, on stand with four legs and stretchers simulating bamboo, width 61cm., depth 62.5cm., case depth 22cm. Literature Burnett, p. 34 Current pitch A=440Hz. Buyers will need to make themselves aware of domestic CITES regulations with regard to the import and export of endangered species, eg. ivory, tortoiseshell, coral, etc. For advice on CITES export licences please contact info@taxidermylaw.co.uk.

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Live Auction: 4 days 21 hours

Starting bid: £240 (0 bids)

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A grand piano by Muzio Clementi & Co., London, 1821

by Dreweatts & Bloomsbury

May 11, 2016, 10:00 AM BST

Newbury, United Kingdom

Estimate: £3,000 - £5,000

Description: A grand piano by Muzio Clementi & Co., London, 1821 , the case veneered with rosewood, with brass stringing and decorative brass mouldings around the lower edge and the edge of the lid, the fasciaboard and cheeks with further brass stringing and intricate brass scrolling inlay, three lyre-mounted pedals controlling the keyboard shift, damper lift and the harmonic swell, the six octave keyboard, CC to c4, with ivory naturals and ebony accidentals, English grand action, with music stand, on four gadrooned baluster legs, inscribed on the fasciaboard Imperial Patent, Clementi & Compy London , stamped with the serial number 132 on the wrestplank and yoke, inscribed on a paper label on the damper rail Patent harmonic swell & bridge of Reverberation, Clementi & Co Patent Piano Forte Makers to the King, Musical Instrument Makers to the Honble East India Company 26 Cheapside London No 32 , length 246cm., width 115.5cm., case height 34cm. Literature Dow, p. 17 Sahlqvist appendix 3 Burnett, pp. 87 & 88 Discography 2004 Company of Pianos, track 20 Restoration history circa 1965 Robert Morley & Co. circa 2000 Dr. Alistair Laurence? Buyers will need to make themselves aware of domestic CITES regulations with regard to the import and export of endangered species, eg. ivory, tortoiseshell, coral, etc. For advice on CITES export licences please contact info@taxidermylaw.co.uk.

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Thomas Bowles (c.1695-1767) - Ranelagh House and Gardens with the Rotunda

by Dreweatts & Bloomsbury

May 11, 2016, 1:00 PM BST

Newbury, United Kingdom

Estimate: £200 - £300

Description: Engraving, after Maurer, with hand-colouring Titled in French and English Published by John Bowles, 1745 29 x 43.5 cm. (11 1/2 x 17 1/8 in) Together with Bowles' 'A View of the Chinese Pavillions and Boxes in Vauxhall Gardens', 'A View of the Temple of Comus in Vauxhall Gardens', and with Boydell's 'A View of Sion House, looking towards Kew', and 9 other views of Gardens, after Rigaud, Vasi, and others, various sizes (13).

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A symphonion by Paul Lochmann, Leipzig, 1895 , the case veneered with walnut

by Dreweatts & Bloomsbury

May 11, 2016, 10:00 AM BST

Newbury, United Kingdom

Estimate: £500 - £700

Description: A symphonion (disk musical box) by Paul Lochmann, Leipzig, 1895 , the case veneered with walnut, the lid with a panel of burr walnut, crossbanded possibly in kingwood, with 21cm. disc, the interior of the lid with a printed card bearing the operating instructions in English, French and German and the name Symphonion with a decorative border, width 17.5cm., depth 17.5 cm. Literature Dow, p. 24 Buyers will need to make themselves aware of domestic CITES regulations with regard to the import and export of endangered species, eg. ivory, tortoiseshell, coral, etc. For advice on CITES export licences please contact info@taxidermylaw.co.uk.

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A muselar virginal after Joannes Ruckers, Antwerp, 1611, by Adlam Burnett

by Dreweatts & Bloomsbury

May 11, 2016, 10:00 AM BST

Newbury, United Kingdom

Estimate: £8,000 - £12,000

Description: A muselar virginal after Joannes Ruckers, Antwerp, 1611, by Adlam Burnett, Goudhurst, 1976 , the case exterior painted red and edged in black, the interior of the lid with decorative papers and inscribed SCIENTIA NON HABET INIMICUM NISI IGNORANTEM , the case interior and keywell with seahorse papers, the soundboard surround with further decorative papers, the soundboard painted with flowers and complex scrollwork and with an inset gilded rose pierced and carved with an angel flanked by the makers initials AB, also inscribed on the front board AURES ANIMI FORES , the keyboard compass, GG/BB (broken octave) to d3, with bone naturals faced by fretted arcading on a red ground and bog oak accidentals, with arpichordium stop from C/E to d1, on a trestle stand with turned legs, inscribed on the jackrail Adlam Burnett fecerunt , length 175.5cm., width 51.5cm., case height 25cm. This instrument is based on the 1611 Joannes Ruckers 6-voet muselar virginal in the Vleeshuis Museum in Antwerp with some slight modifications. Literature O Brien, p. 242 Dow, p. 7 Discography? 1976 My Ladye Nevells Book, Christopher Hogwood, Decca L Oiseau Lyre D29D4, reissued 2004 The Rosette Collection Penguin 476 1530 PR3 1982 The Finchcocks Collection, SAR 6, track 1? 1998 Bellows, Jacks & Tangents, Steven Devine, FPCD002, track 6? 2001 The Nightingale and the Sparrow, English Renaissance Keyboard Music, Derek Adlam, Guild CMCD 7233? 2006 Sweelink Keyboard Music Volume 2, Robert Woolley, Chandos Chan 0758 Current pitch A=415Hz. Buyers will need to make themselves aware of domestic CITES regulations with regard to the import and export of endangered species, eg. ivory, tortoiseshell, coral, etc. For advice on CITES export licences please contact info@taxidermylaw.co.uk.

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A single-manual harpsichord by Joaquim José Antunes, Lisbon, 1785

by Dreweatts & Bloomsbury

May 11, 2016, 10:00 AM BST

Newbury, United Kingdom

Estimate: £50,000 - £70,000

Description: A single-manual harpsichord by Joaquim José Antunes, Lisbon, 1785 , the exterior of the case painted dark green, the soundboard surround, fasciaboard and cheeks veneered in tulipwood, the lid interior painted with classical figures in a landscape, the interior of the front flap painted with a further classical scene depicting Athena accompanied by an owl, the five octave keyboard, GG to g3, with arcaded boxwood naturals and ebony accidentals, two 8ft. stops, two pedals, the right pedal taking off the distal 8ft. register and the left pedal activating the buff stop affecting both 8ft. stops, on two trestle stands, the larger front trestle with a drawer, with music desk, inscribed on both top jacks Joaqm José Antunes 1785 , also on the top and bottom key levers/shafts 1785 Joachim José Antunes, length 249.5cm., width 100cm., case height 24cm. Two other harpsichords by Joaquim José Antunes are known, both now in the Lisbon Conservatoire. Provenance Purchased at Sotheby s sale on 12th December 1985. Literature Nobbs Sotheby s, lot 41 Boalch, pp. 6, 222 & 223 Doderer, pp. 278-279, 426-429 Dow, p. 9 Burnett, p. 24, 26, 27 Discography 1989 Sonatas by Carlos Seixas, Robert Woolley, Amon Ra CSAR 43 1998 Bellows, Jacks & Tangents, Steven Devine, tracks 9 & 10 Finchcocks Press, FPCD002 2003 Manuel Blasco de Nebra, MetCD 1064, Carole Cerasi Restoration history 1987 Christopher Nobbs and Andrew Dipper Current pitch A=415Hz. Plans of this instrument are available from Christopher Nobbs and are sold for the benefit of the Finchcocks Charity Buyers will need to make themselves aware of domestic CITES regulations with regard to the import and export of endangered species, eg. ivory, tortoiseshell, coral, etc. For advice on CITES export licences please contact info@taxidermylaw.co.uk.

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Starting bid: £24,000 (0 bids)

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Martin van Mytens the Younger (1695-1770) - A concert group:

by Dreweatts & Bloomsbury

May 11, 2016, 1:00 PM BST

Newbury, United Kingdom

Estimate: £12,000 - £18,000

Description: Anne Antonia Christina Somis seated playing at a harpsichord, with her father Francesco Lorenzo Somis playing the cello, and her brother Giovanni Lorenzo Somis playing the violin Oil on canvas 102 x 78 cm. (40 x 30 3/4 in) Provenance: Doctor Ignazio and Don Felice Somis until 1793; Thence by family descent to Oreste Mattirolo, Turin; Sale. Christies London, Old Master and 19th Century Paintings , 16th December 1975, lot 83 Literature: Mattirolo, O., Il Quadro di Martino van Meytens, Rassegna Municipale "Torino", Giugno, 1938, pp. 3-14, illus. The present painting depicts three members of the Somis musical dynasty, with the father Francesco Lorezno Somis (1663-1736), one of his two sons, the violinist, composer and painter Giovanni Lorenzo Somis (1688-1775), and his daughter, the soprano and singing teacher Anne Antonia Christina Somis (1704-1785), and later wife of French painter Charles-André van Loo (1705-1765). Francesco gave violin lessons to both of his sons, the oldest Giovanni Battista Somis (1686-1763), became a member of the court orchestra of the Duke of Savoy in Turin, and later the first solo violinist of the court orchestra. Francesco's younger son, Giovanni Lorenzo, who is depicted in the present painting took up the position of first solo violinist of the Turin court orchestra following the death of his brother in 1763; Giovanni Lorenzo was also a noted art collector, a painter himself, and had a collection including more than 70 paintings. Martin van Meytens (1695-1770) was born in Stockholm, Sweden, and began his artistic career under the tutelage of his father, Martin van Meytens the Elder (1648-1736). He quickly built up his reputation, and was to become one of the most significant Austrian painters of the period, as well as a leading exponent of the Baroque courtly portrait. Meytens was able to count members of the Royal Court of Austria such as Marie Antoinette, Maria Theresa of Austria, Francis I, Holy Roman Emperor, the Emperor's family and others, as his clients. During his early career while on his Grant Tour, Meytens was recorded as having spent a significant period of time in Turin, and it is possible that it was during this time that the artist was to meet the Somis family, who he was to later paint.

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