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Lots related to henri beraldi raffet peintre national for sale at auction

(471 lots returned of approx. 1,510 available)

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Henri Matisse- Limited edition -The Circus

Lot 8Q: Henri Matisse- Limited edition -The Circus

by Fine Art Online Auctions, LLC

July 21, 2014

Denver, CO, USA

Estimated Price: Log in or create account to view price data

Description: In the manner of In the manner of Henri Matisse-Limited Edition On Paper. Title "The Circus" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"

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Henri Matisse Limited Edition

Lot 18Q: Henri Matisse Limited Edition

by Fine Art Online Auctions, LLC

July 21, 2014

Denver, CO, USA

Estimated Price: Log in or create account to view price data

Description: In the manner of In the manner of Henri Matisse Limited Edition On Paper. Title " The Codomas" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"

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ORIGNAL BRONZE SCULPTURE AFTER ARTIST HENRY MOORE

Lot 18T: ORIGNAL BRONZE SCULPTURE AFTER ARTIST HENRY MOORE

by Fine Art Online Auctions, LLC

July 21, 2014

Denver, CO, USA

Estimated Price: Log in or create account to view price data

Description: ORIGNAL BRONZE SCULPTURE AFTER ARTIST HENRY MOORE, 14"X5", LIMITED EDITION# 8/9

Condition Report: Good

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ORIGNAL BRONZE SCULPTURE AFTER ARTIST HENRY MOORE

Lot 195T: ORIGNAL BRONZE SCULPTURE AFTER ARTIST HENRY MOORE

by Fine Art Online Auctions, LLC

July 21, 2014

Denver, CO, USA

Estimated Price: Log in or create account to view price data

Description: ORIGNAL BRONZE SCULPTURE AFTER ARTIST HENRY MOORE, BASE: 11X6", 11" TALL, EDITION# 7/9

Condition Report: Good

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LITHOGRAPH BY ARTIST HENRI MATISSE

Lot 5G: LITHOGRAPH BY ARTIST HENRI MATISSE

by Wilson Fine Art & Antiques

July 22, 2014, 1:00 PM MST

Boulder, CO, USA

Estimated Price: $6,000 - $8,000

Description: LITHOGRAPH BY HENRI MATISSE, BEARING THE SIGNATURE TITLED "ODALISQUE A LA JUPE DE TULLE", CIRCA 1923 . Matisse?s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, ?From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.? Matisse?s mother was the first to advise her son not to adhere to the ?rules? of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fianc�?�©e, Am�?�©lie Parayre, whom he later married: ?I love you dearly, mademoiselle; but I shall always love painting more.? Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Acad�?�©mie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Acad�?�©mie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the �??cole des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Soci�?�©t�?�© Nationale, which meant that each year he could show paintings at the Salon de la Soci�?�©t�?�© without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Soci�?�©t�?�© Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle �??le off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Am�?�©lie Noellie Parayre, his future wife, his anchor.

Condition Report: Good

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Starting bid: $175 (0 bids)

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LITHOGRAPH BY ARTIST HENRI MATISSE

Lot 10G: LITHOGRAPH BY ARTIST HENRI MATISSE

by Wilson Fine Art & Antiques

July 22, 2014, 1:00 PM MST

Boulder, CO, USA

Estimated Price: $6,000 - $8,000

Description: LITHOGRAPH BY HENRI MATISSE, BEARING THE SIGNATURE TITLED "NU AU ROCKING CHAIR", CIRCA 1914 . Matisse?s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, ?From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.? Matisse?s mother was the first to advise her son not to adhere to the ?rules? of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fianc�?�©e, Am�?�©lie Parayre, whom he later married: ?I love you dearly, mademoiselle; but I shall always love painting more.? Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Acad�?�©mie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Acad�?�©mie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the �??cole des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Soci�?�©t�?�© Nationale, which meant that each year he could show paintings at the Salon de la Soci�?�©t�?�© without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Soci�?�©t�?�© Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle �??le off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Am�?�©lie Noellie Parayre, his future wife, his anchor.

Condition Report: Good

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Starting bid: $175 (0 bids)

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LITHOGRAPH BY ARTIST HENRI MATISSE

Lot 48G: LITHOGRAPH BY ARTIST HENRI MATISSE

by Wilson Fine Art & Antiques

July 22, 2014, 1:00 PM MST

Boulder, CO, USA

Estimated Price: $6,000 - $8,000

Description: LITHOGRAPH BY HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "FIGURE ENDORMIE (SOL AUX CARREAUX ROUGES)", CIRCA 1929. Matisse?s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, ?From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.? Matisse?s mother was the first to advise her son not to adhere to the ?rules? of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fianc�?�©e, Am�?�©lie Parayre, whom he later married: ?I love you dearly, mademoiselle; but I shall always love painting more.? Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Acad�?�©mie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Acad�?�©mie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the �??cole des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Soci�?�©t�?�© Nationale, which meant that each year he could show paintings at the Salon de la Soci�?�©t�?�© without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Soci�?�©t�?�© Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle �??le off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Am�?�©lie Noellie Parayre, his future wife, his anchor.

Condition Report: Good

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Starting bid: $175 (0 bids)

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LITHOGRAPH BY ARTIST HENRI MATISSE

Lot 49G: LITHOGRAPH BY ARTIST HENRI MATISSE

by Wilson Fine Art & Antiques

July 22, 2014, 1:00 PM MST

Boulder, CO, USA

Estimated Price: $6,000 - $8,000

Description: LITHOGRAPH BY HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU COUCHE DE DOS", CIRCA 1929. Matisse?s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, ?From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.? Matisse?s mother was the first to advise her son not to adhere to the ?rules? of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fianc�?�©e, Am�?�©lie Parayre, whom he later married: ?I love you dearly, mademoiselle; but I shall always love painting more.? Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Acad�?�©mie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Acad�?�©mie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the �??cole des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Soci�?�©t�?�© Nationale, which meant that each year he could show paintings at the Salon de la Soci�?�©t�?�© without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Soci�?�©t�?�© Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle �??le off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Am�?�©lie Noellie Parayre, his future wife, his anchor.

Condition Report: Good

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Starting bid: $175 (0 bids)

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LITHOGRAPH BY ARTIST HENRI MATISSE

Lot 51G: LITHOGRAPH BY ARTIST HENRI MATISSE

by Wilson Fine Art & Antiques

July 22, 2014, 1:00 PM MST

Boulder, CO, USA

Estimated Price: $6,000 - $8,000

Description: LITHOGRAPH BY HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "ODALISQUE BRASERO ET COUPE DE FRUITS", CIRCA 1929. Matisse?s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, ?From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.? Matisse?s mother was the first to advise her son not to adhere to the ?rules? of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fianc�?�©e, Am�?�©lie Parayre, whom he later married: ?I love you dearly, mademoiselle; but I shall always love painting more.? Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Acad�?�©mie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Acad�?�©mie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the �??cole des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Soci�?�©t�?�© Nationale, which meant that each year he could show paintings at the Salon de la Soci�?�©t�?�© without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Soci�?�©t�?�© Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle �??le off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Am�?�©lie Noellie Parayre, his future wife, his anchor.

Condition Report: Good

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Starting bid: $175 (0 bids)

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Dinky No.443 Studebaker

Lot 4197: Dinky No.443 Studebaker "National Benzole"

by Vectis Auctions Ltd

July 23, 2014, 10:30 AM GMT

Stockton on Tees, United Kingdom

Estimated Price: £60 - £70

Description: Dinky No.443 Studebaker "National Benzole" Tanker - finished in yellow including ridged hubs, silver trim - overall condition is generally Excellent (although does have some retouching) - still a nice bright example in a generally Good Plus yellow carded picture box.

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Live Auction: 10 hours 15 minutes

Starting bid: £35 (0 bids)

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Henry Rutgers Cigar Label Inner Proof

Lot 2198: Henry Rutgers Cigar Label Inner Proof

by Philip Weiss Auctions

July 23, 2014, 1:00 PM EST

Lynbrook, NY, USA

Estimated Price: $325 - $500

Description: Lot consists of a "Henry Rutgers" Cigar Label Inner Proof. Litho Geo. Schlegel, NY. Title and Design Owned by the Wm. Graf Co., Milwaukee, Wis. Approx. 9-3/4" x 6-15/16". Image depicts a portrait of Henry Rutgers with war scene. Register marks on 4 sides. There are very tiny pinholes in the register marks at the left and right. Some edge and corner wear, creases, etc. Rare and Scarce Label.

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Live Auction: 17 hours 45 minutes

Current bid: $80 (2 bids)

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American marine chronometer, Elgin National Watch co. 21869256 from 1919.

Lot 41: American marine chronometer, Elgin National Watch co. 21869256 from 1919.

by Palacio da Memoria

July 23, 2014, 8:00 PM CET

Lisbon, Portugal

Estimated Price: €300 - €500

Description: American marine chronometer, Elgin National Watch co. 21869256 from 1919.

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Live Auction: 18 hours 45 minutes

Current bid: €300 (1 bid)

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A British military Martini-Henry infantry rifle, 2nd half of 19th century.

Lot 59: A British military Martini-Henry infantry rifle, 2nd half of 19th century.

by Palacio da Memoria

July 23, 2014, 8:00 PM CET

Lisbon, Portugal

Estimated Price: €150 - €300

Description: A British military Martini-Henry infantry rifle, 2nd half of 19th century.

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Live Auction: 18 hours 45 minutes

Starting bid: €150 (0 bids)

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ANTIQUE ELGIN NATIONAL WATCH

Lot 111: ANTIQUE ELGIN NATIONAL WATCH

by Omega Auction, Corp.

July 23, 2014, 7:00 PM EST

Hialeah, FL, USA

Estimated Price: $200 - $350

Description: ELGIN NATIONAL WATCH COMPANY, MARKED FAHYS 14K MONARCH, MOVEMENT NUMBER 6638629

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Henry Hanke (1901 - 1989) - Winter Light, Cottage in Windsor 44.5 x 60cm

Lot 628: Henry Hanke (1901 - 1989) - Winter Light, Cottage in Windsor 44.5 x 60cm

by Lawsons

July 24, 2014, 11:00 AM AEST

Leichhardt, Australia

Estimated Price: AUD800 - AUD1,200

Description: Henry Hanke (1901 - 1989) Winter Light, Cottage in Windsor oil on canvas board 44.5 x 60cm signed lower right

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KENSITAS SILK CARDS NATIONAL FLAGS (58)

Lot 98: KENSITAS SILK CARDS NATIONAL FLAGS (58)

by Leonard Joel

July 24, 2014, 12:00 PM AEST

Melbourne, Australia

Estimated Price: AUD100 - AUD200

Description: KENSITAS SILK CARDS NATIONAL FLAGS (58)

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Sir Bernard Partridge (1861-1945) - An Appeal to the Nation,

Lot 49: Sir Bernard Partridge (1861-1945) - An Appeal to the Nation,

by Dreweatts & Bloomsbury

July 24, 2014, 10:00 AM GMT

London, United Kingdom

Estimated Price: £600 - £800

Description: Sir Bernard Partridge (1861-1945) - An Appeal to the Nation, London: "If money can save this, surely it will be saved." pen and black ink over pencil, with scratching out, for the January 21st 1925 edition of 'Punch' magazine, signed lower left, titled, inscribed and signed from Faith and Bernard Partridge, March 1926, on contemporary mount, 33 x 25.5cm (13 x 10 in). IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Henry Bright (1814-1873) - Windmill by a lock,

Lot 88: Henry Bright (1814-1873) - Windmill by a lock,

by Dreweatts & Bloomsbury

July 24, 2014, 10:00 AM GMT

London, United Kingdom

Estimated Price: £300 - £500

Description: Henry Bright (1814-1873) - Windmill by a lock, pastel on grey paper, indistinctly signed and dated (?1843) lower right, 24 x 35cm (9 1/2 x 13 3/4 in).

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Henry Scott Tuke (1858-1929) - Seascape,

Lot 139: Henry Scott Tuke (1858-1929) - Seascape,

by Dreweatts & Bloomsbury

July 24, 2014, 10:00 AM GMT

London, United Kingdom

Estimated Price: £400 - £600

Description: Henry Scott Tuke (1858-1929) - Seascape, watercolour sketch, signed on verso, upper left, 13.5 x 20.5 cm (5 1/4 x 8 in).

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Current bid: £200 (1 bid)

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William Henry Simmons (1811-1882) - The Light of the World,

Lot 261: William Henry Simmons (1811-1882) - The Light of the World,

by Dreweatts & Bloomsbury

July 24, 2014, 10:00 AM GMT

London, United Kingdom

Estimated Price: £200 - £300

Description: William Henry Simmons (1811-1882) - The Light of the World, engraving after William Holman Hunt, 1860, E. Gambart & Co., 740 x 430mm. (29 1/4 x 17 in).

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Henry Robert Robertson/Child with Hand Cart and

Lot 577: Henry Robert Robertson/Child with Hand Cart and

by Chorley's

July 24, 2014, 10:00 AM GMT

Cranham, United Kingdom

Estimated Price: £150 - £200

Description: Henry Robert Robertson/Child with Hand Cart and Dog/monogramed/oil on canvas, 36cm x 57cm (14'' x 22'')

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Henry Robert Robertson/Mother and Child by a

Lot 578: Henry Robert Robertson/Mother and Child by a

by Chorley's

July 24, 2014, 10:00 AM GMT

Cranham, United Kingdom

Estimated Price: £200 - £300

Description: Henry Robert Robertson/Mother and Child by a Well/monogrammed/oil on canvas, 43cm x 70cm (17'' x 27.5'')

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A commemorative mug 'St. Mary Redcliff National

Lot 634: A commemorative mug 'St. Mary Redcliff National

by Chorley's

July 24, 2014, 10:00 AM GMT

Cranham, United Kingdom

Estimated Price: £20 - £30

Description: A commemorative mug 'St. Mary Redcliff National Schools 1856', various Victorian and later royal commemorative mugs and beakers, a part Copeland Spode dessert service etc.

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PAIR inc Denzil Skinner - Tanks of all Nations

Lot 5510: PAIR inc Denzil Skinner - Tanks of all Nations

by Vectis Auctions Ltd

July 24, 2014, 10:30 AM GMT

Stockton on Tees, United Kingdom

Estimated Price: £25 - £35

Description: Denzil Skinner - Tanks of all Nations Series, circa 1963/66 - 1/72nd scale metal AFV's, comprising: Russian KV2 Heavy Tank & Staghound Armoured Car. Generally near Mint overall, KV2 contained in a generally Very Good illustrated label set box. [2]

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5 oz Silver ATB - El Yunque National Park, Puerto Rico

Lot 126251026: 5 oz Silver ATB - El Yunque National Park, Puerto Rico

by SMRJ Auctions

July 24, 2014, 8:15 AM PST

Los Angeles, CA, USA

Estimated Price: $250 - $320

Description: 5 oz Silver ATB - El Yunque National Park, Puerto Rico **|**|** 5 oz Silver ATB - El Yunque National Park, Puerto Rico 2012

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5 oz Silver ATB - Hot Springs National Park, Arkansas 2

Lot 139051028: 5 oz Silver ATB - Hot Springs National Park, Arkansas 2

by SMRJ Auctions

July 24, 2014, 8:15 AM PST

Los Angeles, CA, USA

Estimated Price: $335 - $405

Description: 5 oz Silver ATB - Hot Springs National Park, Arkansas 2 **|**|** 5 oz Silver ATB - Hot Springs National Park, Arkansas 2010

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5 oz Silver ATB - Chaco Culture National Park, NM 2012

Lot 150451027: 5 oz Silver ATB - Chaco Culture National Park, NM 2012

by SMRJ Auctions

July 24, 2014, 8:15 AM PST

Los Angeles, CA, USA

Estimated Price: $245 - $315

Description: 5 oz Silver ATB - Chaco Culture National Park, NM 2012 **|**|** 5 oz Silver ATB - Chaco Culture National Park, NM 2012

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Broche ornée du drapeau national russe, en vermeil

Lot 196: Broche ornée du drapeau national russe, en vermeil

by Hôtel des Ventes de Monte-Carlo

July 24, 2014, 6:00 PM CET

Monte Carlo, Monaco

Estimated Price: €1,000 - €1,500

Description: Broche ornée du drapeau national russe, en vermeil et émail. Bon état. Poinçon titre : 84, Saint-Pétersbourg, 1908-1917. Poinçon d'orfèvre : A. C., non identifié. H. : 2, 5 cm - L.: 2, 5 cm. Poids brut: 4, 75 grs.

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HENRY DUNAY DIAMOND AND RUBY BROOCH

Lot 2233: HENRY DUNAY DIAMOND AND RUBY BROOCH

by Garth's Auctioneers & Appraisers

July 24, 2014, 6:00 PM EST

Delaware, OH, USA

Estimated Price: $2,000 - $3,000

Description: HENRY DUNAY DIAMOND AND RUBY BROOCH American 20th century. 18k yellow gold textured broodh set with twenty-six European cut diamonds weighing approximately 2.50ct.t.w. with eleven cabochon cut rubies. 2" x 1 1/2".

Condition Report: Color J Clarity VS-I1 one ruby and three diamonds chipped. I think this may have been custom made with the customer's diamonds. We provide condition information when it is requested by a potential bidder, as a part of our dedication to excellent customer service. However, the absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, repairs, restorations or the effects of aging. Garth's Auctions shall have no responsibility for any error or omission regarding an item's condition. We encourage you to call or email with any questions. We also encourage you to come see us and preview the auction in-person. Thank you for your business.

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BRUZAC (XX°)

Lot 141: BRUZAC (XX°) "Bateau de pêche amarré" Huile sur panneau signée en bas à droite, cachet de l'atelier du peintre au dos. 35 x 27 cm

by Var Enchères

July 25, 2014, 7:00 PM CET

Saint Raphaël, France

Estimated Price: €80 - €100

Description: BRUZAC (XX°) "Bateau de pêche amarré" Huile sur panneau signée en bas à droite, cachet de l'atelier du peintre au dos. 35 x 27 cm

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BRUZAC (XX°)

Lot 142: BRUZAC (XX°) "Vue d'Antibes" Huile sur panneau signée en bas à droite, cachet de l'atelier du peintre au dos. 26 x 34 cm

by Var Enchères

July 25, 2014, 7:00 PM CET

Saint Raphaël, France

Estimated Price: €100 - €120

Description: BRUZAC (XX°) "Vue d'Antibes" Huile sur panneau signée en bas à droite, cachet de l'atelier du peintre au dos. 26 x 34 cm

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Miroir cadre en bois sculpté de style Henri II, 139 x 93 cm

Lot 142: Miroir cadre en bois sculpté de style Henri II, 139 x 93 cm

by Quai des enchères

July 26, 2014, 2:30 PM CET

Mâcon, France

Estimated Price: €80 - €100

Description: Miroir cadre en bois sculpté de style Henri II, 139 x 93 cm

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Equerre de Henry Diston and Son Philadelphia, 29,5 x 16,5 cm

Lot 223: Equerre de Henry Diston and Son Philadelphia, 29,5 x 16,5 cm

by Quai des enchères

July 26, 2014, 2:30 PM CET

Mâcon, France

Estimated Price: €15 - €20

Description: Equerre de Henry Diston and Son Philadelphia, 29,5 x 16,5 cm

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HENRY OTTMANN (1877-1927)

Lot 2: HENRY OTTMANN (1877-1927)

by Hôtel des Ventes de Monte-Carlo

July 26, 2014, 3:00 PM CET

Monte Carlo, Monaco

Estimated Price: €500 - €800

Description: HENRY OTTMANN (1877-1927) Dans la maison closeHuile sur toile 56 x 73 cmProvenance Galerie Terrades, Paris. Exposition Galerie Terrades, Paris, 2008, catalogue d'exposition, n°27. Au revers de la toile, une annotation manuscrite de la veuve de l'artiste certifie l'authenticité de cette oeuvre.

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Henri MATISSE (1869-1954)

Lot 94: Henri MATISSE (1869-1954)

by Hôtel des Ventes de Monte-Carlo

July 26, 2014, 3:00 PM CET

Monte Carlo, Monaco

Estimated Price: €30,000 - €40,000

Description: Henri MATISSE (1869-1954) Patitcha, 1947Etude de nu Fusain Monogrammé en bas à gauche, Titré et daté 23-24-25 x novembre, 47 48 x 31 cmProvenance Anciennement Galerie Rosengart, Lucerne. Anciennement Grosvenor Gallery, Londres. Collection privée. Exposition Galerie Maeght, Dessins récents d'Henri Matisse, Paris, 1952. «Tout tableau, tout dessin d'Henri Matisse possède une vertu qu'on ne peut toujours identifier, mais qui est une force véritable. Et c'est la force de l'artiste de ne point la contrarier, de la laisser agir. Si l'on devait comparer l'oeuvre d'Henri Matisse à quelque chose, il faudrait choisir l'orange. Comme elle, l'oeuvre d'Henri Matisse est un fruit de lumière éclatante. Avec une entière bonne foi et un pur souci de se connaître et de se réaliser, ce peintre n'a cessé de suivre son instinct. Il lui laisse le soin de choisir entre les émotions, de juger et de limiter la fantaisie et celui de scruter profondément la lumière, rien que la lumière. A vue d'oeil, sont art s'est dépouillé et malgré sa simplicité toujours plus grande il n'a pas manqué de devenir plus somptueux. Ce n'est pas l'habileté qui rend ainsi cet art plus simple et l'oeuvre plus lisible. Mais, la beauté de la lumière se confondant chaque jour davantage avec la vertu de l'instinct auquel l'artiste se fie entièrement, tout ce qui contrariait cette union disparaît comme il arrive aux souvenirs de se fondre dans les brouillards du passé» Guillaume Apollinaire Chroniques d'art (1902-1918) ed : Gallimard Le modèle est le foyer de mon énergie. Henri MATISSE

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Starting bid: €30,000 (0 bids)

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ROYAL / NATIONAL NO. 143 / FLEUR-DE-LIS CREAMER

Lot 96: ROYAL / NATIONAL NO. 143 / FLEUR-DE-LIS CREAMER

by Jeffrey S. Evans & Associates

July 26, 2014, 9:30 AM EST

Mt. Crawford, VA, USA

Estimated Price: $50 - $100

Description: ROYAL / NATIONAL NO. 143 / FLEUR-DE-LIS CREAMER, chocolate, rayed base. Together with a reproduction pink slag tumbler. Two pieces total.

Condition Report: Undamaged.

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Joe DiMaggio Signed 17th National Sports Collectors Convention Magazine Certified by Jim Stinson

Lot 124: Joe DiMaggio Signed 17th National Sports Collectors Convention Magazine Certified by Jim Stinson

by Piedmont

July 26, 2014, 11:00 AM EST

Philadelphia, PA, USA

Description: Joe DiMaggio Signed 17th National Sports Collectors Convention Magazine Certified by Jim Stinson. This signature of DiMaggio was obtained in person at the convention in 1996.

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Johnny Bench Single Signed Official William D. White National League Baseball

Lot 191: Johnny Bench Single Signed Official William D. White National League Baseball

by Piedmont

July 26, 2014, 11:00 AM EST

Philadelphia, PA, USA

Description: Johnny Bench Single Signed Official William D. White National League Baseball. This is a Rawlings Haiti ball which is in good condition.

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Andy Pafko Single Signed Rawlings Official National League Leonard Coleman Baseball Certified by JSA

Lot 200: Andy Pafko Single Signed Rawlings Official National League Leonard Coleman Baseball Certified by JSA

by Piedmont

July 26, 2014, 11:00 AM EST

Philadelphia, PA, USA

Description: Andy Pafko Single Signed Rawlings Official National League Leonard Coleman Baseball Certified by JSA.

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Starting bid: $35 (0 bids)

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Don Larsen Single Signed Rawlings Official National League Leonard Coleman Baseball

Lot 204: Don Larsen Single Signed Rawlings Official National League Leonard Coleman Baseball

by Piedmont

July 26, 2014, 11:00 AM EST

Philadelphia, PA, USA

Description: Don Larsen Single Signed Rawlings Official National League Leonard Coleman Baseball

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ROBERT HENRI [by or attrib] - Oil on board

Lot 454: ROBERT HENRI [by or attrib] - Oil on board

by Stanford Auctioneers

July 26, 2014, 8:00 AM PST

Phoenix, AZ, USA

Estimated Price: $6,000 - $8,000

Description: Robert Henri [by or attrib] (American, 1865-1929). "Interior". Oil on board. c1910?. Bears signature lower right. Good condition. On Russell's canvas board; some surface soiling, a few minor scuffs and scratches. Provenance: Bernard Lewin, B. Lewin Galleries, California. Henri, a leading figure of the Ashcan School of art, was born Robert Henry Cozad in Cincinnati, Ohio. Image size: 10 x 12 in. (254 x 305 mm). Frame size: 20 x 22 in. (508 x 559 mm). [27857] |3000| {R100}

Condition Report: Good condition. On Russell's canvas board; some surface soiling, a few minor scuffs and scratches.

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Follower of Henri Gascars (French, c. 1635-1701)

Lot 519: Follower of Henri Gascars (French, c. 1635-1701)

by New Orleans Auction Galleries

July 26, 2014, 10:00 AM CST

New Orleans, LA, USA

Estimated Price: $1,500 - $2,500

Description: Follower of Henri Gascars (French, c. 1635-1701), "Portrait of a Lady with a Spaniel", oil on canvas, inscribed and dated 1696, at left center, 48" x 38". Framed.

Condition Report: Descriptions provided in both the print and online catalogues do not include condition reports. The absence of a condition report does not guarantee that a lot is in perfect condition or free from damage and/or wear. We strongly suggest that you request a condition report prior to bidding on any lot. All transactions are governed by New Orleans Auction Galleries' Conditions of Sale.

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Starting bid: $1,200 (0 bids)

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HENRI MATISSE - Original etching

Lot 547: HENRI MATISSE - Original etching

by Stanford Auctioneers

July 26, 2014, 8:00 AM PST

Phoenix, AZ, USA

Estimated Price: $800 - $1,000

Description: Henri Matisse (French, 1869 - 1954). "Cite-Notre Dame". Original etching. 1937. Printed later. Signed in reverse in the plate, lower right. Cream wove paper. Full margins. Fine impression. Fine condition. Literature/catalogue raisonne: D248. This print has sold at auction for as high as $2,585 (Christie's, East [19th & 20th Century, Contemporary Prints & Multiples, Sale #8423] - 09/20/2000 - Lot #71). The original edition was 500. Overall size: 20 x 15 1/16 in. (508 x 383 mm). Image size: 13 1/8 x 10 1/4 in. (333 x 260 mm). [17489] |400| {R100}

Condition Report: Fine condition

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Starting bid: $400 (0 bids)

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HENRI MATISSE - Original color lithograph

Lot 549: HENRI MATISSE - Original color lithograph

by Stanford Auctioneers

July 26, 2014, 8:00 AM PST

Phoenix, AZ, USA

Estimated Price: $850 - $1,000

Description: Henri Matisse (French, 1869 - 1954). "Nu aux oranges". Original color lithograph. 1950. Signed with the initials in the plate. Smooth pale cream wove paper. Full sheet, as printed. Fine impression. Completely fresh colors. Very good condition; a few handling creases. Lithographic plates effaced after the edition was printed. Derived from the cut-paper original maquette by Matisse. Created and editioned at the Mourlot Studio, Paris, 1954, under the supervision of Matisse. Issued by Teriade, Paris, 1958. Overall size: 14 x 10 5/16 in. (356 x 262 mm). Image size: 12 1/2 x 8 1/2 in. (317 x 216 mm). [10159] |425| {R100}

Condition Report: Very good condition; a few handling creases

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Starting bid: $425 (0 bids)

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HENRI MATISSE - Original color lithograph

Lot 550: HENRI MATISSE - Original color lithograph

by Stanford Auctioneers

July 26, 2014, 8:00 AM PST

Phoenix, AZ, USA

Estimated Price: $700 - $900

Description: Henri Matisse (French, 1869 - 1954). "Nu Bleu IV". Original color lithograph. 1952. Signed and dated in the plate. Smooth pale cream wove paper. Full sheet, as printed. Fine impression. Completely fresh colors. Very good to fine condition; backed with conservation support sheet. Lithographic plates effaced after the edition was printed. Derived from the cut-paper original maquette by Matisse. Created and editioned at the Mourlot Studio, Paris, 1954, under the supervision of Matisse. Issued by Teriade, Paris, 1958. Overall size: 14 x 10 1/4 in. (356 x 260 mm). Image size: 13 1/2 x 9 1/2 in. (343 x 241 mm). [7089] |500| {R100}

Condition Report: Very good to fine condition; backed with conservation support sheet.

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Henri Matisse The Goldfish

Lot 156: Henri Matisse The Goldfish

by ArtVipCharity.com

July 26, 2014, 10:00 AM PST

Santa Fe, NM, USA

Description: Henri Matisse The Goldfish. Approx 26x30 inches.

Condition Report: This is in mint condition. - Henri Matisse. Limited Edition lithograph. Includes Certificate of Authenticity. Henri Matisse was born 1869. He trained as a lawyer, but decided to become a painter. In 1891 he studied at Academie Julian in Paris, and learned from William Bouguereau and Moreau. Initially Matisse focused on painting landscapes and still-lifes in a traditional style. After meeting John Russell an artist his style changed. Matisse produced work influenced by the impressionist movement and Cezanne. Matisse's style evolved and he began to use strong colors and lose some of the realistic qualities of impressionism. Picasso and Matisse were good friends. Matisse began to create large scale cut paper collages which he called painting with scissors. Matisse died of heart failure in 1954 at 84. Excellent condition.

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HENRY. J. KINNARD ( BRITISH, 1880-1920), ''A

Lot 29: HENRY. J. KINNARD ( BRITISH, 1880-1920), ''A

by Peter Francis

2014

United Kingdom

Estimated Price: Log in or create account to view price data

Description: HENRY. J. KINNARD ( BRITISH, 1880-1920), ''A Sussex Cornfield'', signed, watercolours. 14'' x 20.5''. ( 35 x 52 cm).

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A GEORGE V SHALLOW SILVER BOWL, with egg and dart

Lot 167: A GEORGE V SHALLOW SILVER BOWL, with egg and dart

by Peter Francis

2014

United Kingdom

Estimated Price: Log in or create account to view price data

Description: A GEORGE V SHALLOW SILVER BOWL, with egg and dart rim on trefoil feet with scroll decoration. By Henry Aitkin Sheffield. 1956. 10'' Diameter (26 cm). Approx weight 23oz.

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LARGE BURMANTOFTS FAIENCE JARDINIERE AND PEDESTAL,

Lot 228: LARGE BURMANTOFTS FAIENCE JARDINIERE AND PEDESTAL,

by Peter Francis

2014

United Kingdom

Estimated Price: Log in or create account to view price data

Description: LARGE BURMANTOFTS FAIENCE JARDINIERE AND PEDESTAL, commemorating Queen Victoria's Diamond Jubilee 1897, the bellied jardiniere and turned pedestal overall decorated with national and heraldic symbols, glazed in shades of brown, blue, red and cream. Impressed and script marks including pattern number 1949 to jardiniere number 1950 to pedestal. 51''. ( 129 cm) overall.

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AFTER HENRY MOORe,( 20TH CENTURY), patinated cast

Lot 234: AFTER HENRY MOORe,( 20TH CENTURY), patinated cast

by Peter Francis

2014

United Kingdom

Estimated Price: Log in or create account to view price data

Description: AFTER HENRY MOORe,( 20TH CENTURY), patinated cast bronze figure of a reclining woman her head resting on her hand. Un-marked. 9.5'' Long. ( 25 cm).

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