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Pierre Alechinsky (born 19 October 1927) is a Belgian artist. He has lived and worked in France since 1951. His work is related to tachisme, abstract expressionism, and lyrical abstraction.
Alechinsky was born in Schaerbeek. In 1944 he attended the l'École nationale supérieure d'Architecture et des Arts décoratifs de La Cambre, Brussels where he studied illustration techniques, printing and photography. In 1945 he discovered the work of Henri Michaux, Jean Dubuffet and developed a friendship with the art critic Jacques Putman.
§ Pierre ALECHINSKY (1927). Vacillations. Lithographie couleur signée et numérotée 33/50. Rehaussée à l'aquarelle verte et bleue par l'artiste. Dimensions : 49 x 33 cm. Droit de suite applicable. Pierre ALECHINSKY (1927). Vacillations. Color lithograph signed and numbered 33/50. Enhanced with green and blue watercolor by the artist. Dimensions: 49 x 33 cm.
MJV SoudantPierre ALECHINSKY (1927), lithograph Invisible flying objects, 1978, numbered 40/100 and signed Pierre ALECHINSKY (1927), lithografie Invisible flying objects, 1978, genummerd 40/100 en getekend
Maison Jules VeilinghuisPierre Alechinsky - "Les Alchimistes", 1988, 36.5 x 24.5, good condition
Bruce Teleky Inc.Pierre ALECHINSKY (1927) "Composition with a snake" color lithograph. His works are a blend of expressionism and surrealism. This lithograph is signed lower right in pencil. Numbered lower left 72/100 in pencil. Dimensions: 29.7 x 20.8 cm. - Weight: 2.00 kg - Shipping available - Region: Belgique - Period: XXeme - Sizes: H 300 MM L 210 MM - At first glance: good condition - Author / artist: Pierre ALECHINSKY (1927) - Object type: Lithographie
Goldfield AuctionPierre ALECHINSKY (1927) "Point" colored copperplate engraving on Arches vellum. His works are a blend of expressionism and surrealism. The engraving is signed in pencil in the lower center. Edition Georges Visat Paris. - Weight: 1.99 kg - Shipping available - Region: Belgique - Period: XXeme - Sizes: H 190 MM L 150 MM - At first glance: good condition - Author / artist: Pierre ALECHINSKY (1927) - Object type: Lithographie
Goldfield AuctionPierre Alechinsky - Lithographs from the 2006 series "Tapis et caries". Printed by Atelier Clot, Bramsen & Georges, Paris on BFK Rives paper. Edition 90 copies + 15 copies HC (hors commerce) You are bidding on the Hors Commerce series, each lithograph hand-signed and numbered HC 7/15 Pierre Alechinsky is a Belgian artist known for his involvement in the avant-garde CoBrA group. Melding medieval illustrations, folk art, and comic-book layouts, many of his works, such as Central Park (1965), read as mysterious codices. “When I paint, I liberate monsters,” Alechinksy once explained. “They are the manifestations of all the doubts, searches, and groping for meaning and expression which all artists experience. One does not choose the content, one submits to it.” Born on October 19, 1927 in Brussels, Belgium, he moved to Paris after studying at the École Nationale Supérieure d’Architecture et des Arts Décoratifs in his home city. Alongside Karel Appel and Asger Jorn, he helped found the group, basing its principles primarily on the expressive attitude espoused by Jean Dubuffet’s Art Brut. A trip to Japan in 1955 prompted him to incorporate the traditional processes of Japanese calligraphy into his practice. Around this time, the artist also began referencing some of the bizarre imagery found in the work of the Flemish masters Pieter Brueghel and Hieronymus Bosch. Alechinsky was the subject of a retrospective at the Museés Royaux des Beaux-Arts de Belgique in 2007. He currently lives and works in Paris, France. The artist’s works are held in the collections of the Tate Gallery in London, the Museum Ludwig in Cologne, The Museum of Modern Art in New York, and the Royal Museum of Fine Arts of Belgium in Brussels, among others.
Art AtelierPierre Alechinsky - Untitled- Original lithograph, Executed for Derriere le Miroir nr 247, 1981. Published in Paris by Maeght. There is text on verso.
Art AtelierSpecial Lithograph from Pierre Alechinsky Pierre Alechinsky is a Belgian artist known for his involvement in the avant-garde CoBrA group. Melding medieval illustrations, folk art, and comic-book layouts, many of his works, such as Central Park (1965), read as mysterious codices. “When I paint, I liberate monsters,” Alechinksy once explained. “They are the manifestations of all the doubts, searches, and groping for meaning and expression which all artists experience. One does not choose the content, one submits to it.” Born on October 19, 1927 in Brussels, Belgium, he moved to Paris after studying at the École Nationale Supérieure d’Architecture et des Arts Décoratifs in his home city. Alongside Karel Appel and Asger Jorn, he helped found the group, basing its principles primarily on the expressive attitude espoused by Jean Dubuffet’s Art Brut. A trip to Japan in 1955 prompted him to incorporate the traditional processes of Japanese calligraphy into his practice. Around this time, the artist also began referencing some of the bizarre imagery found in the work of the Flemish masters Pieter Brueghel and Hieronymus Bosch. Alechinsky was the subject of a retrospective at the Museés Royaux des Beaux-Arts de Belgique in 2007. He currently lives and works in Paris, France. The artist’s works are held in the collections of the Tate Gallery in London, the Museum Ludwig in Cologne, The Museum of Modern Art in New York, and the Royal Museum of Fine Arts of Belgium in Brussels, among others.
Art AtelierPierre Alechinsky - Lithographs from the 2006 series "Tapis et caries". Printed by Atelier Clot, Bramsen & Georges, Paris on BFK Rives paper. Edition 90 copies + 15 copies HC (hors commerce) You are bidding on the Hors Commerce series, each lithograph hand-signed and numbered HC 7/15 Pierre Alechinsky is a Belgian artist known for his involvement in the avant-garde CoBrA group. Melding medieval illustrations, folk art, and comic-book layouts, many of his works, such as Central Park (1965), read as mysterious codices. “When I paint, I liberate monsters,” Alechinksy once explained. “They are the manifestations of all the doubts, searches, and groping for meaning and expression which all artists experience. One does not choose the content, one submits to it.” Born on October 19, 1927 in Brussels, Belgium, he moved to Paris after studying at the École Nationale Supérieure d’Architecture et des Arts Décoratifs in his home city. Alongside Karel Appel and Asger Jorn, he helped found the group, basing its principles primarily on the expressive attitude espoused by Jean Dubuffet’s Art Brut. A trip to Japan in 1955 prompted him to incorporate the traditional processes of Japanese calligraphy into his practice. Around this time, the artist also began referencing some of the bizarre imagery found in the work of the Flemish masters Pieter Brueghel and Hieronymus Bosch. Alechinsky was the subject of a retrospective at the Museés Royaux des Beaux-Arts de Belgique in 2007. He currently lives and works in Paris, France. The artist’s works are held in the collections of the Tate Gallery in London, the Museum Ludwig in Cologne, The Museum of Modern Art in New York, and the Royal Museum of Fine Arts of Belgium in Brussels, among others.
Art AtelierPierre Alechinsky - Lithographs from the 2006 series "Tapis et caries". Printed by Atelier Clot, Bramsen & Georges, Paris on BFK Rives paper. Edition 90 copies + 15 copies HC (hors commerce) You are bidding on the Hors Commerce series, each lithograph hand-signed and numbered HC 7/15 Pierre Alechinsky is a Belgian artist known for his involvement in the avant-garde CoBrA group. Melding medieval illustrations, folk art, and comic-book layouts, many of his works, such as Central Park (1965), read as mysterious codices. “When I paint, I liberate monsters,” Alechinksy once explained. “They are the manifestations of all the doubts, searches, and groping for meaning and expression which all artists experience. One does not choose the content, one submits to it.” Born on October 19, 1927 in Brussels, Belgium, he moved to Paris after studying at the École Nationale Supérieure d’Architecture et des Arts Décoratifs in his home city. Alongside Karel Appel and Asger Jorn, he helped found the group, basing its principles primarily on the expressive attitude espoused by Jean Dubuffet’s Art Brut. A trip to Japan in 1955 prompted him to incorporate the traditional processes of Japanese calligraphy into his practice. Around this time, the artist also began referencing some of the bizarre imagery found in the work of the Flemish masters Pieter Brueghel and Hieronymus Bosch. Alechinsky was the subject of a retrospective at the Museés Royaux des Beaux-Arts de Belgique in 2007. He currently lives and works in Paris, France. The artist’s works are held in the collections of the Tate Gallery in London, the Museum Ludwig in Cologne, The Museum of Modern Art in New York, and the Royal Museum of Fine Arts of Belgium in Brussels, among others.
Art AtelierPierre Alechinsky - Cover- Original lithograph, Executed for Derriere le Miroir nr 247, 1981. Published in Paris by Maeght. There is text on verso.
Art AtelierPierre Alechinsky - Lithographs from the 2006 series "Tapis et caries". Printed by Atelier Clot, Bramsen & Georges, Paris on BFK Rives paper. Edition 90 copies + 15 copies HC (hors commerce) You are bidding on the Hors Commerce series, each lithograph hand-signed and numbered HC 7/15 Pierre Alechinsky is a Belgian artist known for his involvement in the avant-garde CoBrA group. Melding medieval illustrations, folk art, and comic-book layouts, many of his works, such as Central Park (1965), read as mysterious codices. “When I paint, I liberate monsters,” Alechinksy once explained. “They are the manifestations of all the doubts, searches, and groping for meaning and expression which all artists experience. One does not choose the content, one submits to it.” Born on October 19, 1927 in Brussels, Belgium, he moved to Paris after studying at the École Nationale Supérieure d’Architecture et des Arts Décoratifs in his home city. Alongside Karel Appel and Asger Jorn, he helped found the group, basing its principles primarily on the expressive attitude espoused by Jean Dubuffet’s Art Brut. A trip to Japan in 1955 prompted him to incorporate the traditional processes of Japanese calligraphy into his practice. Around this time, the artist also began referencing some of the bizarre imagery found in the work of the Flemish masters Pieter Brueghel and Hieronymus Bosch. Alechinsky was the subject of a retrospective at the Museés Royaux des Beaux-Arts de Belgique in 2007. He currently lives and works in Paris, France. The artist’s works are held in the collections of the Tate Gallery in London, the Museum Ludwig in Cologne, The Museum of Modern Art in New York, and the Royal Museum of Fine Arts of Belgium in Brussels, among others.
Art AtelierPierre Alechinsky - Lithographs from the 2006 series "Tapis et caries". Printed by Atelier Clot, Bramsen & Georges, Paris on BFK Rives paper. Edition 90 copies + 15 copies HC (hors commerce) You are bidding on the Hors Commerce series, each lithograph hand-signed and numbered HC 7/15 Pierre Alechinsky is a Belgian artist known for his involvement in the avant-garde CoBrA group. Melding medieval illustrations, folk art, and comic-book layouts, many of his works, such as Central Park (1965), read as mysterious codices. “When I paint, I liberate monsters,” Alechinksy once explained. “They are the manifestations of all the doubts, searches, and groping for meaning and expression which all artists experience. One does not choose the content, one submits to it.” Born on October 19, 1927 in Brussels, Belgium, he moved to Paris after studying at the École Nationale Supérieure d’Architecture et des Arts Décoratifs in his home city. Alongside Karel Appel and Asger Jorn, he helped found the group, basing its principles primarily on the expressive attitude espoused by Jean Dubuffet’s Art Brut. A trip to Japan in 1955 prompted him to incorporate the traditional processes of Japanese calligraphy into his practice. Around this time, the artist also began referencing some of the bizarre imagery found in the work of the Flemish masters Pieter Brueghel and Hieronymus Bosch. Alechinsky was the subject of a retrospective at the Museés Royaux des Beaux-Arts de Belgique in 2007. He currently lives and works in Paris, France. The artist’s works are held in the collections of the Tate Gallery in London, the Museum Ludwig in Cologne, The Museum of Modern Art in New York, and the Royal Museum of Fine Arts of Belgium in Brussels, among others.
Art AtelierPierre Alechinsky - Cover- Original lithograph, Executed for Derriere le Miroir nr 247, 1981. Published in Paris by Maeght. There is text on verso.
Art AtelierPierre Alechinsky - Lithographs from the 2006 series "Tapis et caries". Printed by Atelier Clot, Bramsen & Georges, Paris on BFK Rives paper. Edition 90 copies + 15 copies HC (hors commerce) You are bidding on the Hors Commerce series, each lithograph hand-signed and numbered HC 7/15 Pierre Alechinsky is a Belgian artist known for his involvement in the avant-garde CoBrA group. Melding medieval illustrations, folk art, and comic-book layouts, many of his works, such as Central Park (1965), read as mysterious codices. “When I paint, I liberate monsters,” Alechinksy once explained. “They are the manifestations of all the doubts, searches, and groping for meaning and expression which all artists experience. One does not choose the content, one submits to it.” Born on October 19, 1927 in Brussels, Belgium, he moved to Paris after studying at the École Nationale Supérieure d’Architecture et des Arts Décoratifs in his home city. Alongside Karel Appel and Asger Jorn, he helped found the group, basing its principles primarily on the expressive attitude espoused by Jean Dubuffet’s Art Brut. A trip to Japan in 1955 prompted him to incorporate the traditional processes of Japanese calligraphy into his practice. Around this time, the artist also began referencing some of the bizarre imagery found in the work of the Flemish masters Pieter Brueghel and Hieronymus Bosch. Alechinsky was the subject of a retrospective at the Museés Royaux des Beaux-Arts de Belgique in 2007. He currently lives and works in Paris, France. The artist’s works are held in the collections of the Tate Gallery in London, the Museum Ludwig in Cologne, The Museum of Modern Art in New York, and the Royal Museum of Fine Arts of Belgium in Brussels, among others.
Art AtelierPierre Alechinsky - Lithographs from the 2006 series "Tapis et caries". Printed by Atelier Clot, Bramsen & Georges, Paris on BFK Rives paper. Edition 90 copies + 15 copies HC (hors commerce) You are bidding on the Hors Commerce series, each lithograph hand-signed and numbered HC 7/15 Pierre Alechinsky is a Belgian artist known for his involvement in the avant-garde CoBrA group. Melding medieval illustrations, folk art, and comic-book layouts, many of his works, such as Central Park (1965), read as mysterious codices. “When I paint, I liberate monsters,” Alechinksy once explained. “They are the manifestations of all the doubts, searches, and groping for meaning and expression which all artists experience. One does not choose the content, one submits to it.” Born on October 19, 1927 in Brussels, Belgium, he moved to Paris after studying at the École Nationale Supérieure d’Architecture et des Arts Décoratifs in his home city. Alongside Karel Appel and Asger Jorn, he helped found the group, basing its principles primarily on the expressive attitude espoused by Jean Dubuffet’s Art Brut. A trip to Japan in 1955 prompted him to incorporate the traditional processes of Japanese calligraphy into his practice. Around this time, the artist also began referencing some of the bizarre imagery found in the work of the Flemish masters Pieter Brueghel and Hieronymus Bosch. Alechinsky was the subject of a retrospective at the Museés Royaux des Beaux-Arts de Belgique in 2007. He currently lives and works in Paris, France. The artist’s works are held in the collections of the Tate Gallery in London, the Museum Ludwig in Cologne, The Museum of Modern Art in New York, and the Royal Museum of Fine Arts of Belgium in Brussels, among others.
Art AtelierPierre Alechinsky - Derriere le Miroir Original lithograph, Executed for Derriere le Miroir nr 247, 1981. Published in Paris by Maeght. There is text on verso.
Art AtelierPierre Alechinsky - Untitled- Original lithograph, Executed for Derriere le Miroir nr 247, 1981. Published in Paris by Maeght. There is text on verso.
Art AtelierPierre Alechinsky - Lithographs from the 2006 series "Tapis et caries". Printed by Atelier Clot, Bramsen & Georges, Paris on BFK Rives paper. Edition 90 copies + 15 copies HC (hors commerce) You are bidding on the Hors Commerce series, each lithograph hand-signed and numbered HC 7/15 Pierre Alechinsky is a Belgian artist known for his involvement in the avant-garde CoBrA group. Melding medieval illustrations, folk art, and comic-book layouts, many of his works, such as Central Park (1965), read as mysterious codices. “When I paint, I liberate monsters,” Alechinksy once explained. “They are the manifestations of all the doubts, searches, and groping for meaning and expression which all artists experience. One does not choose the content, one submits to it.” Born on October 19, 1927 in Brussels, Belgium, he moved to Paris after studying at the École Nationale Supérieure d’Architecture et des Arts Décoratifs in his home city. Alongside Karel Appel and Asger Jorn, he helped found the group, basing its principles primarily on the expressive attitude espoused by Jean Dubuffet’s Art Brut. A trip to Japan in 1955 prompted him to incorporate the traditional processes of Japanese calligraphy into his practice. Around this time, the artist also began referencing some of the bizarre imagery found in the work of the Flemish masters Pieter Brueghel and Hieronymus Bosch. Alechinsky was the subject of a retrospective at the Museés Royaux des Beaux-Arts de Belgique in 2007. He currently lives and works in Paris, France. The artist’s works are held in the collections of the Tate Gallery in London, the Museum Ludwig in Cologne, The Museum of Modern Art in New York, and the Royal Museum of Fine Arts of Belgium in Brussels, among others.
Art AtelierSpecial Lithograph from Pierre Alechinsky with a dedication which is handwritten. With annotation in chalk, "Pour Joanna, avec l'affection de Pierre Alechinsky," dated 22-12-2010. Very rare. Come with Passe-Partout and frame (When shipping no glass).
Art AtelierNice Lthograph. Hand signed and numbered in pencil by the artist. Pierre Alechinsky is a Belgian artist known for his involvement in the avant-garde CoBrA group. Melding medieval illustrations, folk art, and comic-book layouts, many of his works, such as Central Park (1965), read as mysterious codices. “When I paint, I liberate monsters,” Alechinksy once explained. “They are the manifestations of all the doubts, searches, and groping for meaning and expression which all artists experience. One does not choose the content, one submits to it.” Born on October 19, 1927 in Brussels, Belgium, he moved to Paris after studying at the École Nationale Supérieure d’Architecture et des Arts Décoratifs in his home city. Alongside Karel Appel and Asger Jorn, he helped found the group, basing its principles primarily on the expressive attitude espoused by Jean Dubuffet’s Art Brut. A trip to Japan in 1955 prompted him to incorporate the traditional processes of Japanese calligraphy into his practice. Around this time, the artist also began referencing some of the bizarre imagery found in the work of the Flemish masters Pieter Brueghel and Hieronymus Bosch. Alechinsky was the subject of a retrospective at the Museés Royaux des Beaux-Arts de Belgique in 2007. He currently lives and works in Paris, France. The artist’s works are held in the collections of the Tate Gallery in London, the Museum Ludwig in Cologne, The Museum of Modern Art in New York, and the Royal Museum of Fine Arts of Belgium in Brussels, among others.
Art AtelierPierre Alechinsky - Double Page from Derriere le Miroir 250-1982 (Hommage a Aime et Marguerite Maeght). Very rarely lithograph of Derrière le Miroir n°250, published in 1982 following the death of Aime Maeght, founder, editor and publisher of The Maeght Gallery, Paris and Maeght Editeur as well as the creator of Derriere Le Miroir. Lithograph originale - Maeght Editeur - DLM 250. Published by Maeght Editeur, Paris in 1982.
Art AtelierPierre Alechinsky (Belgian, b. 1927) Trois Désordinateurs (Three Rebels), 1967 color etching signed and numbered 33/50 in pencil 13 1/4 x 19 1/8 inches. Property from the Estate of Dr. and Mrs. Herbert Gursky
HindmanPierre ALECHINSKY (Born in 1927) Manchettes, 1994 colour lithograph, signed lower right and numbered 24/90 framed, under glass H : 64 cm W : 45 cm
Haynault