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Rick Amor Art for Sale at Auction

Painter, Cartoonist

Rick Amor (born 3 March 1948) is an Australian artist and figurative painter. He was an Official War Artist for Australia.

Rick Amor was born in Frankston, Victoria, Australia. He has a certificate in art from the Caulfield Institute of Technology, and Associate Diploma in Painting from the National Gallery School, Melbourne.[1]

He began exhibiting at the Joseph Brown gallery in 1974 and has shown annually at Niagara Galleries since 1983. Amor has entered the Archibald Prize at over 10 times and been exhibited nine times. He has been the recipient of several Australia Council studio residencies, allowing him to work in London, New York and Barcelona. In 1999 he was one of the first Australian artists to be appointed as the Official War Artist to East Timor by the Australian War Memorial, and the first since the end of the Vietnam War.

Over the course of his artistic career, Amor has held over 70 solo exhibitions and over 100 group shows. In 2013 a 30th Anniversary exhibition of his extended practice was held at Niagara Galleries. In 1990 McClelland Gallery curated a major survey exhibition of his paintings, which went on to tour various regional galleries in Victoria and South Australia throughout 1990 and 1991. An exhibition of his prints toured various regional galleries in Victoria and Tasmania between 1993 and 1994.[2] In 1993 another exhibition staged by Bendigo Art Gallery toured Australia. Amor's most recent exhibitions include Rick Amor: Contemporary Romantic at Art Gallery of South Australia, Adelaide in 2017, Rick Amor: 21 Portraits at the National Portrait Gallery, Canberra in 2014, Rick Amor: From Study to Painting in 2013 at Castlemaine Art Gallery and Historical Museum, Victoria, and an exhibition at the Australian Print Workshop in 2012. Recent significant group shows have included the 2017 Blue Chip XIX: The Collectors’ Exhibition, at Niagara Galleries, the Melbourne Art Fair, Melbourne, and the Small Sculpture Fair at McClelland Sculpture Park and Gallery in 2013.

In the 2005, Peter Berner interviewed Amor for a documentary about the Archibald Prize entitled Loaded Brush. Major texts on Amor's work have also been published in the last twenty years. These include Barry Pearce's 100 Moments in Australian Painting, which was published in 2014 by NewSouth Publishing, Gary Catalano’s biography, The Solitary Watcher: Rick Amor and his Art, published by The Miegunyah Press in 2001, and Gavin Fry’s richly illustrated monograph, Rick Amor, published by The Beagle Press in 2008.

Rick Amor's work borrows heavily from the pictorial traditions of Symbolism and Surrealism. The legacy of these art movements manifests within the poetic quality of Amor's style. Amor's handling of light and his alluring manipulation of depth of field in his paintings achieves a sustained sense of tension and mystery that insinuates a multiplicity of meanings. His works include psychologically potent symbolism and his landscapes in particular convey a disquieting atmosphere, with objects saturated by contrasting light and shadows. His major recurring subjects are the solitary watcher, figures at twilight, the vast emptiness of urban spaces and quiet mysterious interiors.[1] Even throughout his journalistic works, such his war paintings of East Timor his works are capitvating for their unfathomable subtexts.

Sebastian Smee wrote in a review of Amor's 2008 retrospective exhibition at Heide Museum of Modern Art, that he was:
“ convinced not only of Amor's singularity in contemporary Australian art – there is really nobody like him – but of his importance. His commitment is unmistakable, his intelligence acute, and his best images impossible to forget.[2]


Since the early 1990s, Rick Amor has also incorporated sculpture into art practice. Amor typically works in the medium of bronze for his sculptural works. He begins the process of creating each mould at home, which he then has cast in foundry using the Lost-wax casting method. Amor's sculptures are object and figure based, and are often incredibly textural to achieve an impression rather than a replication of the subject.

Amor's skill in the medium of sculpture has been recognised by The National Gallery, Canberra who has purchased a two-metre-high bronze sculpture of a dog – "a made-up dog, a survivor".[3]

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