Hermen Anglada Camarasa Paintings & Artwork for Sale | Hermen Anglada Camarasa Art Value Price Guide

Jun. 25, 2026
HERMENEGILDO ANGLADA CAMARASA
Est: $25,000 - $28,000
HERMENEGILDO ANGLADA CAMARASA (Catalan School, 1871-1959) Oil on cardboard "Pino de Formentera" Signed on the left 62 x 50 cm Provenance: Guadalupe Zapata Timberlake Collection of Alzaga Unzué Collection Inés Ezcurra and Norberto Ramppezoti Private collection HERMENEGILDO ANGLADA CAMARASA (Escuela catalana, 1871-1959) Óleo sobre cartón “Pino de Formentera” Firmado abajo a la izquierda 62 x 50 cm Proveniencia: Colección Guadalupe Zapata Timberlake de Alzaga Unzué Colección Inés Ezcurra y Norberto Ramppezoti Colección privada
Zorrilla Subastas
May. 12, 2026
HERMENEGILDO ANGLADA CAMARASA Barcelona (1871) / Puerto de Pollensa (1959) "Salome's Dance"
Est: €28,500 - €38,000
Oil on panel Signed in the lower left corner Exhibitions: - Toison Gallery, Madrid 1960 (Oriental Dancer) Provenance: - Anglada Family - Private collection, Madrid Bibliography: - Francesc Fonbona and Francesc Miralles, "Anglada-Camarasa", Ediciones Poligrafa, Barcelona 1981; p.254, nºBa62 Dimensions: 22 x 27 cm
Ansorena
Mar. 18, 2026
HERMENEGILDO ANGLADA CAMARASA (Barcelona, 1871 - Pollença, Mallorca, 1959). "Two horses in the stable, 1904. Oil on panel.
Est: €30,000 - €37,000
HERMENEGILDO ANGLADA CAMARASA (Barcelona, 1871 - Pollença, Mallorca, 1959). "Two horses in the stable, 1904. Oil on panel. Work reproduced in the catalog "Anglada-Camarasa" by Francesc Fontbona and Francesc Miralles, Ediciones Polígrafa (num. B.96). Measurements: 36 x 45 cm; 62 x 71 cm (frame). Anglada Camarasa is one of the main names of modern Catalan art, and undoubtedly the one who has had more international transcendence of Spanish post-impressionism. He was the youngest painter of the second modernist generation, and is considered an outstanding representative of post-impressionism. He began his training with Tomás Moragas, and later continued at the School of La Lonja in Barcelona as a disciple of Modesto Urgell, whom he always proclaimed as his great master, although his mature style was very different from Urgell's. During this period of training, his work was very different from that of Urgell. In this formative period, Anglada Camarasa's work shows a clear interest in landscape and the human figure. After a brief contact with the group "Els Quatre Gats", in 1894 he moved to Paris, where his style was influenced by Degas, Toulouse Lautrec, Fauvism and Orientalism. In the French capital he continued his training in the academies of Julian and Colarossi, where he received classes from Laurens, Constant and Girardot. France was for Anglada Camarasa the platform for his international launching. His solo exhibition at the Sala Parés in Barcelona in May 1900, and his time at "Els Quatre Gats", provided Catalan modernism with a direct knowledge of the most modern painting in Paris, a circumstance that was decisive in the young Picasso's turn towards plastic modernism. Still in Paris, Anglada Camarasa joined the Société Nationale des Beaux-Arts in 1904, of which he would be a very active member, participating assiduously in its exhibitions. During this period his international activity multiplied and he participated in the Venice Biennials of 1903, 1905 and 1907, receiving the Gold Medal in the latter year, a prize he also won in the Buenos Aires Biennial of 1910. He had an individual exhibition at the 1929 Barcelona International Biennial. He was named Honorary Academician of the Royal Academy of San Fernando in 1954, and three years later he was awarded the art prize of the March Foundation. Anglada Camarasa was the protagonist of some of the most important moments in the history of art in the first half of the 20th century, and his success after 1900 made his name an international reference. His work was exhibited all over Europe, from Rome to Prague and from Paris to Moscow, and attracted important collectors in the main European capitals, as well as in the United States.
Setdart Auction House
Jan. 22, 2026
HERMENEGILDO ANGLADA CAMARASA Barcelona (1871) / Puerto de Pollensa (1959) "Lady with a feathered hat"
Est: €750 - €1,000
Lithograph on paper Signed and dated on the right side. Paper with oxidation stains Dimensions: 68 x 56 cm
Ansorena
Jan. 22, 2026
HERMENEGILDO ANGLADA CAMARASA Barcelona (1871) / Puerto de Pollensa (1959) "Lady with a feathered hat"
Est: €750 - €1,000
Lithograph on paper Signed, dated and dedicated in the lower right corner. Paper with foxing. Dimensions: 58 x 44 cm
Ansorena
Dec. 17, 2025
HERMENEGILDO ANGLADA CAMARASA (Barcelona, 1871 - Pollença, Mallorca, 1959). "Gypsy mother in a market", Paris, ca. 1903-1904. Oil on panel. Signed in the lower right corner. Work published
Est: €100,000 - €110,000
HERMENEGILDO ANGLADA CAMARASA (Barcelona, 1871 - Pollença, Mallorca, 1959). "Gypsy mother in a market", Paris, ca. 1903-1904. Oil on panel. Signed in the lower right corner. Work published in: - "Barcelona i Els Quatre Gats. A turn towards modernity", fig.23, p. 151. - Museu del Modernisme Català", page 25. Measurements: 40 x 32 cm; 78 x 70 cm (frame). The gypsy universe, and especially its dances, became one of the most constant sources of inspiration for Hermenegildo Anglada-Camarasa. When he settled in Paris, the artist was fascinated by this folkloric imagery, highly appreciated in Europe at the time, where women played a prominent role. These works, which portrayed dynamic scenes with a post-impressionist chromatic expressiveness, were influenced by the romantic vision of Spanish exoticism, the well-known "Spanishness" so much in vogue in France at the turn of the 19th to the 20th century. It was around 1900 when he began to capture this theme in his Parisian canvases, simultaneously with his studies of nocturnal environments. In these compositions, the gypsy dancers -with intense features, magnetic attitude, flexible silhouettes and colorful dresses- occupy the center of the scene, often accompanied by musicians who mark the rhythm of their movements. In the table in bidding, however, the dancer shows her art in the street, in a market environment, perhaps giving a spontaneous performance for passers-by. Anglada Camarasa is one of the leading names in modern Catalan art, and undoubtedly the most internationally important of Spanish post-impressionism. He was the youngest painter of the second modernist generation, and is considered an outstanding representative of post-impressionism. He began his training with Tomás Moragas, and later continued at the School of La Lonja in Barcelona as a disciple of Modesto Urgell, whom he always proclaimed as his great master, although his mature style was very different from Urgell's. During this period of training, his work was very different from that of Urgell. During this formative period, Anglada Camarasa's work shows a clear interest in landscape and the human figure. After a brief contact with the group of "Els Quatre Gats", in 1894 he moved to Paris, where his style was influenced by Degas, Toulouse Lautrec, Fauvism and Orientalism. In the French capital he continued his training in the academies of Julian and Colarossi, where he received classes from Laurens, Constant and Girardot. France was for Anglada Camarasa the platform for his international launching. His solo exhibition at the Sala Parés in Barcelona in May 1900, and his time at "Els Quatre Gats", provided Catalan modernism with a direct knowledge of the most modern painting in Paris, a circumstance that was decisive in the young Picasso's turn towards plastic modernism. Still in Paris, Anglada Camarasa joined the Société Nationale des Beaux-Arts in 1904, of which he would be a very active member, participating assiduously in its exhibitions. During this period his international activity multiplied and he participated in the Venice Biennials of 1903, 1905 and 1907, receiving the Gold Medal in the latter year, a prize he also won in the Buenos Aires Biennial of 1910. He had an individual exhibition at the 1929 Barcelona International Biennial. He was named Honorary Academician of the Royal Academy of San Fernando in 1954, and three years later he was awarded the art prize of the March Foundation. Anglada Camarasa was the protagonist of some of the most important moments in the history of art in the first half of the 20th century, and his success from 1900 onwards made his name an international reference. His work was exhibited all over Europe, from Rome to Prague and from Paris to Moscow, and attracted important collectors in the main European capitals, as well as in the United States.
Setdart Auction House
Nov. 19, 2025
HERMENEGILDO ANGLADA CAMARASA (Barcelona, 1871 - Pollença, Mallorca, 1959). "Majorcan landscape", ca. 1930. Oil on canvas. Signed. Certificate attached. Published in the catalog raisonné
Est: €75,000 - €80,000
HERMENEGILDO ANGLADA CAMARASA (Barcelona, 1871 - Pollença, Mallorca, 1959). "Majorcan landscape", ca. 1930. Oil on canvas. Signed. Certificate attached. Published in the catalog raisonné, nº 497 by Francesc Miralles and Francesc Fontbona. Handwritten inventory label made by the author. Measurements: 65 x 81 cm; 89,5 x 105,5 cm (frame). This work is a magnificent example of the landscapes that Anglada Camarasa painted during his stay in Mallorca, a period of great artistic fecundity. The painting captures the essence of the Sierra de Tramuntana, not in a realistic and photographic manner, but through an intensely personal and emotional interpretation, characteristic of his unique style. The palette is rich and vibrant. The sky is bathed in shades of pink, mauve and soft yellow-green, suggesting the magical light of dawn or dusk. This twilight light is contrasted with the deep shadows and cool tones (blues, purples and dark greens) of the mountains in the distance. The landscape is constructed in several planes that create a sense of depth. In the foreground, monumental, rough-textured rock formations, painted with loose, energetic brushstrokes in shades of gray, blue and ochre, anchor the composition. Behind them, a valley opens up with intense, almost emerald green vegetation, leading the eye towards the mountain range in the background. The mountains appear as dark, undulating silhouettes against the illuminated sky. The technique is bold and expressive. The brushstroke is visible, dense and charged with matter, bringing texture and dynamism to the surface of the canvas, especially in the rocks and vegetation. The artist does not dwell on detail, but seeks to capture the shape, volume and, above all, the chromatic impression of the landscape. The painting conveys an atmosphere of calm and majesty. Anglada Camarasa is one of the main names of modern Catalan art, and undoubtedly the one who has had more international transcendence of Spanish post-impressionism. He was the youngest painter of the second modernist generation, and is considered an outstanding representative of post-impressionism. He began his training with Tomás Moragas, and later continued at the School of La Lonja in Barcelona as a disciple of Modesto Urgell, whom he always proclaimed as his great master, even though his mature style was very different from Urgell's. During this period of training his work was very different from that of Urgell. During this formative period, Anglada Camarasa's work shows a clear interest in landscape and the human figure. After a brief contact with the group of "Els Quatre Gats", in 1894 he moved to Paris, where his style was influenced by Degas, Toulouse Lautrec, Fauvism and Orientalism. In the French capital he continued his training in the academies of Julian and Colarossi, where he received classes from Laurens, Constant and Girardot. France was for Anglada Camarasa the platform for his international launching. His work was compared to that of the great names of the time, such as Klimt or Zorn. He also influenced personalities such as the young Kandinsky or Meyerhold, and figures such as Gorky or Diaghilev admired his painting. In Paris, he held his first exhibition in 1898, showing paintings of artificial color and form, of exuberant arabesque, based mainly on the themes of the glittering nocturnal Paris. On the other hand, his solo exhibition at the Sala Parés in Barcelona in May 1900, and his time at "Els Quatre Gats", gave Catalan modernism a direct knowledge of the most modern painting in Paris, a circumstance that was decisive in the young Picasso's turn towards plastic modernity. Still in Paris, Anglada Camarasa joined the Société Nationale des Beaux-Arts in 1904, of which he would be a very active member, participating assiduously in its exhibitions. That same year he participated in an exhibition with artists of the Viennese Secession. During these years he settled in Montmartre, where he opened a painting academy attended, among others, by Maria Blanchard and Tito Cittadini. In this period his international activity multiplies and he participates in the Biennials of Venice of 1903, 1905 and 1907, receiving this last year the Gold Medal, prize that he also obtained in the Biennial of Buenos Aires of 1910. In 1914 he returned to Spain and settled permanently in Pollença, fully dedicated to landscape painting. However, he did not lose sight of the international circuit and participated in the Carnegie Institute exhibition of 1924. That same year he was a guest of honor at the Pittsburgh International Exposition. He also had a solo exhibition at the 1929 Barcelona International Exhibition. He was named Honorary Academician of the Royal Academy of San Fernando in 1954, and three years later he was awarded the art prize of the March Foundation. Anglada Camarasa was the protagonist of some of the most important moments in the history of art.
Setdart Auction House
Oct. 14, 2025
HERMENEGILDO ANGLADA CAMARASA (Barcelona, 1871 - Pollença, Mallorca, 1959). "Landscape. Oil on cardboard. Signed.
Est: €2,500 - €3,000
HERMENEGILDO ANGLADA CAMARASA (Barcelona, 1871 - Pollença, Mallorca, 1959). "Landscape. Oil on cardboard. Signed. Measurements: 14,5 x 20,5 cm; 28 x 34 cm (frame). Work of small format but of powerful chromatic and emotional intensity, which exemplifies the style of Hermenegildo Anglada Camarasa. The painting condenses, in a reduced surface, the main characteristics of his first plastic language: a synthetic stroke, of fast execution but loaded with poetic intention, and a vibrant palette, oriented not to the mimesis, but to the sensorial suggestion of the captured instant. Anglada Camarasa is one of the main names of modern Catalan art, and undoubtedly the one who has had more international transcendence of Spanish post-impressionism. He was the youngest painter of the second modernist generation, and is considered an outstanding representative of post-impressionism. He began his training with Tomás Moragas, and later continued at the School of La Lonja in Barcelona as a disciple of Modesto Urgell, whom he always proclaimed as his great master, even though his mature style was very different from Urgell's. During this period of training his work was very different from that of Urgell. In this formative period, Anglada Camarasa's work shows a clear interest in landscape and the human figure. After a brief contact with the group "Els Quatre Gats", in 1894 he moved to Paris, where his style was influenced by Degas, Toulouse Lautrec, Fauvism and Orientalism. In the French capital he continued his training in the academies of Julian and Colarossi, where he received classes from Laurens, Constant and Girardot. France was for Anglada Camarasa the platform for his international launching. His work was compared to that of the great names of the time, such as Klimt or Zorn. He also influenced personalities such as the young Kandinsky or Meyerhold, and figures such as Gorky or Diaghilev admired his painting. In Paris, he held his first exhibition in 1898, showing paintings of artificial color and form, of exuberant arabesque, based mainly on the themes of the glittering nighttime Paris. On the other hand, his individual exhibition at the Sala Parés in Barcelona in May 1900, and his time at "Els Quatre Gats", brought to Catalan modernism a direct knowledge of the most modern painting in Paris, a circumstance that was decisive in the young Picasso's turn towards plastic modernity. Still in Paris, Anglada Camarasa joined the Société Nationale des Beaux-Arts in 1904, of which he would be a very active member, participating assiduously in its exhibitions. That same year he participated in an exhibition with artists of the Viennese Secession. During these years he settled in Montmartre, where he opened a painting academy attended, among others, by Maria Blanchard and Tito Cittadini. In this period his international activity multiplies and he participates in the Biennials of Venice of 1903, 1905 and 1907, receiving this last year the Gold Medal, prize that he also obtained in the Biennial of Buenos Aires of 1910. In 1914 he returned to Spain and settled permanently in Pollença, fully dedicated to landscape painting. However, he did not lose sight of the international circuit and participated in the Carnegie Institute exhibition of 1924. That same year he was a guest of honor at the Pittsburgh International Exposition. He also had a solo exhibition at the 1929 Barcelona International Exhibition. He was named Honorary Academician of the Royal Academy of San Fernando in 1954, and three years later he was awarded the art prize of the March Foundation. Anglada Camarasa was the protagonist of some of the most important moments in the history of art.
Setdart Auction House
Jul. 22, 2025
HERMENEGILDO ANGLADA CAMARASA Barcelona (1871) / Puerto de Pollensa (1959) "Salomé's Dance"
Est: €37,500 - €50,000
Oil on panel Signed in the lower left corner Exhibitions: - Toisón Gallery, Madrid 960 (Oriental dancer) Provenance: - Anglada family - Private collection, Madrid Bibliography: - Francesc Fonbona and Francesc Miralles, "Anglada-Camarasa", Ediciones Polígrafa, Barcelona 1981; p.254, nºBa62 Measurements: 22 x 27 cm
Ansorena
Jun. 20, 2025
Hermenegildo Anglada Camarasa
Est: $30,000 - $40,000
HERMENEGILDO ANGLADA CAMARASA (Catalan School, 1871-1959) Oil on cardboard "Formentera Pine" Signed lower left 62 x 50 cm Provenance: Guadalupe Zapata Timberlake Collection by Alzaga Unzué Inés Ezcurra and Norberto Ramppezoti Private collection HERMENEGILDO ANGLADA CAMARASA (Escuela catalana, 1871-1959) Óleo sobre cartón "Pino de Formentera" Firmado abajo a la izquierda 62 x 50 cm Proveniencia: Colección Guadalupe Zapata Timberlake de Alzaga Unzué Inés Ezcurra y Norberto Ramppezoti Colección privada
Zorrilla Subastas
Jun. 18, 2025
HERMENEGILDO ANGLADA CAMARASA Barcelona (1871) / Puerto de Pollensa (1959) "Landscape with marshes", 1905
Est: €52,500 - €70,000
HERMENEGILDO ANGLADA CAMARASA Barcelona (1871) / Puerto de Pollensa (1959) "Landscape with marshes", 1905 Oil on canvas Signed and dated in the lower left corner Certified by Francesc Fontbona and Francesc Miralles, dated in Barcelona in 1991 with the number 357 Exhibitions: -"Anglada-Camarasa (1871-1959)2, Fundación Cultural Mapfre Vida, Madrid, January-March 2002 Measurements: 80.5 x 140.5 cm
Ansorena
May. 14, 2025
HERMENEGILDO ANGLADA CAMARASA (Barcelona, 1871 - Pollença, Mallorca, 1959). "Rocks in the grass", 1893. Oil on canvas. Stamped and dated in the lower right corner. Work reproduced in "Anglada-Camarasa"
Est: €18,000 - €22,000
HERMENEGILDO ANGLADA CAMARASA (Barcelona, 1871 - Pollença, Mallorca, 1959). "Rocks in the grass", 1893. Oil on canvas. Stamped and dated in the lower right corner. Work reproduced in "Anglada-Camarasa" by Francesc Fontbona and Francesc Miralles, Ediciones Polígrafa. pg. 22 (cat. A 33). Measurements: 67 x 108 cm; 100 x 140 cm (frame). Anglada Camarasa is one of the main names of modern Catalan art, and undoubtedly the one who has had more international transcendence of Spanish post-impressionism. He was the youngest painter of the second modernist generation, and is considered an outstanding representative of post-impressionism. He began his training with Tomás Moragas, and later continued at the School of La Lonja in Barcelona as a disciple of Modesto Urgell, whom he always proclaimed as his great master, even though his mature style was very different from Urgell's. During this period of training his work was very different from that of Urgell. During this formative period, Anglada Camarasa's work shows a clear interest in landscape and the human figure. After a brief contact with the group of "Els Quatre Gats", in 1894 he moved to Paris, where his style was influenced by Degas, Toulouse Lautrec, Fauvism and Orientalism. In the French capital he continued his training in the academies of Julian and Colarossi, where he received classes from Laurens, Constant and Girardot. France was for Anglada Camarasa the platform for his international launching. His solo exhibition at the Sala Parés in Barcelona in May 1900, and his time at "Els Quatre Gats", provided Catalan modernism with a direct knowledge of the most modern painting in Paris, a circumstance that was decisive in the young Picasso's turn towards plastic modernism. Still in Paris, Anglada Camarasa joined the Société Nationale des Beaux-Arts in 1904, of which he would be a very active member, participating assiduously in its exhibitions. During this period his international activity multiplied and he participated in the Venice Biennials of 1903, 1905 and 1907, receiving the Gold Medal in the latter year, a prize he also won in the Buenos Aires Biennial of 1910. He had an individual exhibition at the 1929 Barcelona International Biennial. He was named Honorary Academician of the Royal Academy of San Fernando in 1954, and three years later he was awarded the art prize of the March Foundation. Anglada Camarasa was the protagonist of some of the most important moments in the history of art in the first half of the 20th century, and his success from 1900 onwards made his name an international reference. His work was exhibited all over Europe, from Rome to Prague and from Paris to Moscow, and attracted important collectors in the main European capitals, as well as in the United States.
Setdart Auction House
Apr. 22, 2025
HERMENEGILDO ANGLADA CAMARASA (Barcelona, 1871 - Pollença, Mallorca, 1959). "Gypsy". Charcoal on paper. Signed.
Est: €1,500 - €2,000
HERMENEGILDO ANGLADA CAMARASA (Barcelona, 1871 - Pollença, Mallorca, 1959). "Gypsy". Charcoal on paper. Signed. Measurements: 29,5 x 15 cm. Charcoal drawing by Anglada Camarasa, resolved with agile stroke that dilutes the forms, similar to how in the author's paintings the colors diluted the matter in a new way. We see a gypsy woman clapping her hands and dancing, showing off her lanky body. The dress reveals her legs and falls in waves, transmitting the energy of movement. Anglada Camarasa is one of the leading names in modern Catalan art, and undoubtedly the one who has had the most international transcendence of Spanish post-impressionism. He was the youngest painter of the second modernist generation, and is considered an outstanding representative of post-impressionism. He began his training with Tomás Moragas, and later continued at the School of La Lonja in Barcelona as a disciple of Modesto Urgell, whom he always proclaimed as his great master, although his mature style was very different from Urgell's. During this period of training, his work was very different from that of Urgell. During this formative period, Anglada Camarasa's work shows a clear interest in landscape and the human figure. After a brief contact with the group of "Els Quatre Gats", in 1894 he moved to Paris, where his style was influenced by Degas, Toulouse Lautrec, Fauvism and Orientalism. In the French capital he continued his training in the academies of Julian and Colarossi, where he received classes from Laurens, Constant and Girardot. France was for Anglada Camarasa the platform for his international launching. His solo exhibition at the Sala Parés in Barcelona in May 1900, and his time at "Els Quatre Gats", provided Catalan modernism with a direct knowledge of the most modern painting in Paris, a circumstance that was decisive in the young Picasso's turn towards plastic modernism. Still in Paris, Anglada Camarasa joined the Société Nationale des Beaux-Arts in 1904, of which he would be a very active member, participating assiduously in its exhibitions. During this period his international activity multiplied and he participated in the Venice Biennials of 1903, 1905 and 1907, receiving the Gold Medal in the latter year, a prize he also won in the Buenos Aires Biennial of 1910. He had an individual exhibition at the 1929 Barcelona International Biennial. He was named Honorary Academician of the Royal Academy of San Fernando in 1954, and three years later he was awarded the art prize of the March Foundation. Anglada Camarasa was the protagonist of some of the most important moments in the history of art in the first half of the 20th century, and his success from 1900 onwards made his name an international reference. His work was exhibited all over Europe, from Rome to Prague and from Paris to Moscow, and attracted important collectors in the main European capitals, as well as in the United States.
Setdart Auction House
Apr. 22, 2025
HERMENEGILDO ANGLADA CAMARASA (Barcelona, 1871 - Pollença, Mallorca, 1959). "Landscape with the Puig de Pollensa". Oil on panel.
Est: €12,000 - €15,000
HERMENEGILDO ANGLADA CAMARASA (Barcelona, 1871 - Pollença, Mallorca, 1959). "Landscape with the Puig de Pollensa". Oil on panel. Measurements: 21 x 24 cm; 42 x 45 cm (frame). Attached certificate of authenticity of Francesc Fontbona of November 19, 2019, num. D143. Anglada Camarasa is one of the leading names in modern Catalan art, and undoubtedly the one who has had the most international transcendence of Spanish Post-Impressionism. He was the youngest painter of the second modernist generation, and is considered an outstanding representative of post-impressionism. This is an interesting work by Anglada Camarasa, as can be seen in the compositional boldness and freedom of the stroke, based on material touches and a special ability to capture an atmosphere with minimal elements. Anlada Camarasa began his training with Tomás Moragas, and later continued at the Escuela de La Lonja in Barcelona as a disciple of Modesto Urgell, whom he always proclaimed as his great master, even though his mature style is very different from Urgell's. During this period of training, Anlada Camarasa's work is very different from that of Urgell. In this formative period, Anglada Camarasa's work shows a clear interest in landscape and the human figure. After a brief contact with the group of "Els Quatre Gats", in 1894 he moved to Paris, where his style was influenced by Degas, Toulouse Lautrec, Fauvism and Orientalism. In the French capital he continued his training in the academies of Julian and Colarossi, where he received classes from Laurens, Constant and Girardot. France was for Anglada Camarasa the platform for his international launching. His work was compared to that of the great names of the time, such as Klimt or Zorn. He also influenced personalities such as the young Kandinsky or Meyerhold, and figures such as Gorky or Diaghilev admired his painting. In Paris, he held his first exhibition in 1898, showing paintings of artificial color and form, of exuberant arabesque, based mainly on the themes of the glittering nocturnal Paris. On the other hand, his individual exhibition at the Sala Parés in Barcelona in May 1900, and his time at "Els Quatre Gats", gave Catalan modernism a direct knowledge of the most modern painting in Paris, a circumstance that was decisive in the young Picasso's turn towards plastic modernity. Still in Paris, Anglada Camarasa joined the Société Nationale des Beaux-Arts in 1904, of which he would be a very active member, participating assiduously in its exhibitions. That same year he participated in an exhibition with artists of the Viennese Secession. During these years he settled in Montmartre, where he opened a painting academy attended, among others, by Maria Blanchard and Tito Cittadini. In this period his international activity multiplies and he participates in the Biennials of Venice of 1903, 1905 and 1907, receiving this last year the Gold Medal, prize that he also obtained in the Biennial of Buenos Aires of 1910. In 1914 he returned to Spain and settled permanently in Pollença, fully dedicated to landscape painting. However, he did not lose sight of the international circuit and participated in the Carnegie Institute exhibition of 1924. That same year he was a guest of honor at the Pittsburgh International Exposition. He also had a solo exhibition at the 1929 Barcelona International Exhibition. He was named Honorary Academician of the Royal Academy of San Fernando in 1954, and three years later he was awarded the art prize of the March Foundation. Anglada Camarasa was the protagonist of some of the most important moments in the history of art. Attached certificate issued by Francesc Fontbona and Francesc Miralles.
Setdart Auction House
Apr. 02, 2025
HERMENEGILDO ANGLADA CAMARASA Barcelona (1871) / Puerto de Pollensa (1959) "Landscape with marshes", 1905
Est: €75,000 - €100,000
Oil on canvas Signed and dated in the lower left corner Certified by Francesc Fontbona and Francesc Miralles, dated in Barcelona in 1991 with the number 357 Exhibitions: -"Anglada-Camarasa (1871-1959)2, Fundacion Cultural Mapfre Vida, Madrid, January-March 2002 Measurements: 80.5 x 140.5 cm
Ansorena
Nov. 15, 2024
HERMENEGILDO ANGLADA CAMARASA (18
Est: -
Hermenegildo Anglada Camarasa (1871-1959), important Catalan-Spanish painter of Symbolism and Post-Impressionism. Orchestra rehearsal, oil on wood, signed lower left, 22 x 26.5 cm, framed behind glass 46 x 53 cm
Historia Auctionata
Oct. 15, 2024
HERMENEGILDO ANGLADA CAMARASA (Barcelona, 1871 - Pollença, Mallorca, 1959). "Mountains of Boquer, Mallorca". Oil on canvas. Work reproduced in "Anglada-Camarasa"
Est: €45,000 - €50,000
HERMENEGILDO ANGLADA CAMARASA (Barcelona, 1871 - Pollença, Mallorca, 1959). "Mountains of Boquer, Mallorca". Oil on canvas. Work reproduced in "Anglada-Camarasa" by Francesc Fontbona and Francesc Miralles, Ediciones Polígrafa. pg 284 (num. Da 71). Exhibitions: El Pez Gallery, San Sebastian 1976; Sala Parés, Barcelona, 1976. Measurements: 38 x 51 cm; 57 x 70 cm (frame). Anglada Camarasa is one of the main names of modern Catalan art, and undoubtedly the one who has had more international transcendence of Spanish post-impressionism. He was the youngest painter of the second modernist generation, and is considered an outstanding representative of post-impressionism. He began his training with Tomás Moragas, and later continued at the School of La Lonja in Barcelona as a disciple of Modesto Urgell, whom he always proclaimed as his great master, even though his mature style was very different from Urgell's. During this period of training his work was very different from that of Urgell. In this formative period, Anglada Camarasa's work shows a clear interest in landscape and the human figure. After a brief contact with the group of "Els Quatre Gats", in 1894 he moved to Paris, where his style was influenced by Degas, Toulouse Lautrec, Fauvism and Orientalism. In the French capital he continued his training in the academies of Julian and Colarossi, where he received classes from Laurens, Constant and Girardot. France was for Anglada Camarasa the platform for his international launching. His solo exhibition at the Sala Parés in Barcelona in May 1900, and his time at "Els Quatre Gats", gave Catalan modernism a direct knowledge of what was the most modern painting in Paris, a circumstance that was decisive in the young Picasso's turn towards plastic modernity. Still in Paris, Anglada Camarasa joined the Société Nationale des Beaux-Arts in 1904, of which he would be a very active member, participating assiduously in its exhibitions. During this period his international activity multiplied and he participated in the Venice Biennials of 1903, 1905 and 1907, receiving the Gold Medal in the latter year, a prize he also won in the Buenos Aires Biennial of 1910. He had an individual exhibition at the 1929 Barcelona International Biennial. He was named Honorary Academician of the Royal Academy of San Fernando in 1954, and three years later he was awarded the art prize of the March Foundation. Anglada Camarasa was the protagonist of some of the most important moments in the history of art in the first half of the 20th century, and his success from 1900 onwards made his name an international reference. His work was exhibited all over Europe, from Rome to Prague and from Paris to Moscow, and attracted important collectors in the main European capitals, as well as in the United States.
Setdart Auction House
Oct. 09, 2024
λ HERMENEGILDO ANGLADA CAMARASA (SPANISH 1871-1959), SOLA EN EL PALCO
Est: £20,000 - £30,000
λ HERMENEGILDO ANGLADA CAMARASA (SPANISH 1871-1959)SOLA EN EL PALCO - 'ALONE IN THE BOX'Oil on panelSigned 'H. Anglada Camarasa' (lower right)32 x 34cm (12½ x 13¼ in.) Painted in 1911- circa 1952.Provenance:Mir Amorós, Barcelona (by 1981)with Galeria Manel Mayoral, Barcelonawhere purchased by the present owner in 1997Literature:F. Fontbona and F. Miralles, Anglada-Camarasa, Barcelona, 1981, p. 298, no. G12 as Proyecto para un retratoExhibitions:Barcelona, La Pinoteca, H. Anglada Camarasa, June 1952, as Proyecto para un retratoAfter training in Barcelona, the Catalan painter Hermenegildo Anglada-Camarasa, moved to Paris in 1894 where he attended the Académie Julian. He painted numerous pictures of Parisian night-life, concentrating on pallet and light effects. His paintings were visibly influenced by Toulouse Lautrec, Gustav Klimt and Kees van Dongen. A significant turning point in his style came in 1909, with the arrival in Paris of impresario Sergei Diaghilev's Ballets Russes, featuring Vaslav Nijinski and Anna Pavlova. They became a social and artistic sensation that revolutionised both tastes and customs. Camarasa was deeply moved by the sets and costumes of vibrant oranges, purples and greens, to the extent that from then on the pale shades in his female portraits were replaced by brilliant multicolours. His influence also reached young artists like Pablo Picasso, ten years younger than him and with whom he was in contact during his stay in Montmartre, or María Blanchard, who was his student between 1908 and 1913.The present lot is accompanied by a certificate from F. Fontbona and F. Miralles dated 24 February 1998, no. 403.
Dreweatts 1759 Fine Sales
Oct. 08, 2024
HERMENEGILDO ANGLADA CAMARASA. VALENCIANAS.
Est: €20,000 - €25,000
Hermenegildo Anglada Camarasa (Barcelona, 1871-Puerto de Pollença, 1959) Valencianas. Óleo sobre tabla. Firmado. Realizado c.1904. Exposiciones: Buenos Aires, 1955; Manuel Barbié, Barcelona, 1972, 1974-1975 y 1978. Procedencia: Margarita D. de Roig, Buenos Aire 1955. José Pons Oliver, Barcelona 1970. Colección Manuel Barbié, Barcelona. Bibliografía: Catálogo Buenos Aires, 1955; Catálogo Barbié, Barcelona 1972, 1974-1975 y 1978; y "Anglada Camarasa", por Francesc Fontbona y Francesc Miralles. Pág.: 257. Nº C2. Ediciones Polígrafa. Barcelona, 1981. 37,5 x 49 cm.
Aletheia Subastas
Sep. 25, 2024
HERMENEGILDO ANGLADA CAMARASA Barcelona (1871) / Puerto de Pollensa (1959) "Landscape from Montserrat", 1838
Est: €42,000 - €56,000
Oil on canvas Signed in the lower right corner. Attached is a certificate of authenticity from the H. Anglada Camarasa Museum, signed by Beatriz Huelin, the artist's widow, dated March 27, 1973 with number 30 Bibliography: - Francesc Fontbona and Francesc Miralles "Anglada Camarasa", Ediciones Poligrafa, Barcelona 1981 , p.288, related to (cat. E15), not reproduced. There are 4 versions of this view. Measurements: 51 x 60.5 cm
Ansorena
Sep. 25, 2024
HERMENEGILDO ANGLADA CAMARASA Barcelona (1871) / Puerto de Pollensa (1959) "Japanese vase", c.1930
Est: €135,000 - €180,000
Oil on canvas Signed on the lower left. The vase that served as the model for this composition was kept in the Anglada Museum, according to the Fontbona publication Bibliography: Francesc Fontbona and Francesc Miralles, "Anglada-Camarasa", ed. Poligrafa SA, Barcelona 1981, nºD107 p.275 Measurements: 67 x 46.5 cm
Ansorena
Jun. 11, 2024
HERMENEGILDO ANGLADA CAMARASA (Barcelona, 1871 - Pollença, Mallorca, 1959). Untitled. Charcoal on paper. Signed in the lower margin. Work published in the catalog "Anglada-Camarasa" of Fontbona and Miralles.
Est: €3,500 - €4,500
HERMENEGILDO ANGLADA CAMARASA (Barcelona, 1871 - Pollença, Mallorca, 1959). Untitled. Charcoal on paper. Signed in the lower margin. Work published in the catalog "Anglada-Camarasa" of Fontbona and Miralles. Measurements: 13 x 9,5 cm; 38 x 34 cm (frame). Charcoal drawing by Anglada Camarasa, resolved with agile and sketchy stroke that dilutes the forms, similar to how in the author's paintings the colors diluted the matter in a new way. It could be a preparatory study for a painting of a nocturnal urban theme, in the light of the street lamp. A mysterious female figure occupies the foreground, while in the background, some male silhouettes are waving in front of the arcades of what looks like a theater. Anglada Camarasa is one of the leading names in modern Catalan art, and undoubtedly the most internationally important of Spanish Post-Impressionism. He was the youngest painter of the second modernist generation, and is considered an outstanding representative of post-impressionism. He began his training with Tomás Moragas, and later continued at the School of La Lonja in Barcelona as a disciple of Modesto Urgell, whom he always proclaimed as his great master, even though his mature style was very different from Urgell's. During this period of training his work was very different from that of Urgell. In this formative period, Anglada Camarasa's work shows a clear interest in landscape and the human figure. After a brief contact with the group of "Els Quatre Gats", in 1894 he moved to Paris, where his style was influenced by Degas, Toulouse Lautrec, Fauvism and Orientalism. In the French capital he continued his training in the academies of Julian and Colarossi, where he received classes from Laurens, Constant and Girardot. France was for Anglada Camarasa the platform for his international launching. His solo exhibition at the Sala Parés in Barcelona in May 1900, and his time at "Els Quatre Gats", gave Catalan modernism a direct knowledge of what was the most modern painting in Paris, a circumstance that was decisive in the young Picasso's turn towards plastic modernity. Still in Paris, Anglada Camarasa joined the Société Nationale des Beaux-Arts in 1904, of which he would be a very active member, participating assiduously in its exhibitions. During this period his international activity multiplied and he participated in the Venice Biennials of 1903, 1905 and 1907, receiving the Gold Medal in the latter year, a prize he also won in the Buenos Aires Biennial of 1910. He had an individual exhibition at the 1929 Barcelona International Biennial. He was named Honorary Academician of the Royal Academy of San Fernando in 1954, and three years later he was awarded the art prize of the March Foundation. Anglada Camarasa was the protagonist of some of the most important moments in the history of art in the first half of the 20th century, and his success from 1900 onwards made his name an international reference. His work was exhibited all over Europe, from Rome to Prague and from Paris to Moscow, and attracted important collectors in the main European capitals, as well as in the United States.
Setdart Auction House
May. 21, 2024
HERMENEGILDO ANGLADA CAMARASA Barcelona (1871) / Puerto de Pollensa (1959) "Paisatge amb gran penya", c.1930
Est: €112,500 - €150,000
Oil on canvas Signed in the lower right corner. On the back is the label of the manuscript inventory made by the author. Attached is a cataloging sheet for the work of Francesc Miralles and Francesc Fontbona with number 497 and cataloging number D144, dated October 11, 2008 Measurements: 65 x 81 cm
Ansorena
Apr. 10, 2024
HERMENEGILDO ANGLADA CAMARASA Barcelona (1871) / Puerto de Pollensa (1959) "Valencianas", c.1904
Est: €45,000 - €60,000
Oil on panel Signed in the lower right corner. Exhibitions: -Buenos Aires 1955 -Manuel Barbie, Barcelona 1974-1975; spring 1978 Provenance: -Margarita D. de Roig, Buenos Aires, 1955 -JosE Pons Oliver, Barcelona, 1970 -Manuel Barbie Collection, Barcelona -Private collection, Barcelona Bibliography: Bibliography: -Francesc Fontbona and Francesc Miralles, "Anglada Camarasa", Ediciones PolIgrafa, Barcelona 1981, p.257, nºC2 -Buenos Aires Catalog 1955 -Barbie Catalog 1972 -Barbie Catalog 1974-1975 -Barbie Catalog 1978 Measurements: 37.5 x 49 cm
Ansorena
Mar. 04, 2024
HERMENEGILDO ANGLADA CAMARASA Barcelona (1871) / Puerto de Pollensa (1959) "Landscape from Montserrat", 1838
Est: €57,000 - €76,000
Oil on canvas. Signed in the lower corner. Attached is a certificate of authenticity from the H. Anglada Camarasa Museum, signed by Beatriz HuelIn, widow of the artist, dated March 27, 1973 with number 30 Bibliography: Francesc Fontbona and Francesc Miralles "Anglada Camarasa", Ediciones PolIgrafa, Barcelona 1981, pag .288, related to (cat. E15), not reproduced. There are 4 versions of this view. Measurements: 51 x 60.5 cm
Ansorena
Feb. 19, 2024
HERMENEGILDO ANGLADA CAMARASA (Barcelona, 1871 - Pollença, Mallorca, 1959). First version of "Bailarina española". 1906. Oil on canvas. Original reproduced in the catalogue "Anglada-Camarasa"
Est: €40,000 - €50,000
HERMENEGILDO ANGLADA CAMARASA (Barcelona, 1871 - Pollença, Mallorca, 1959). First version of "Bailarina española". 1906. Oil on canvas. Original reproduced in the catalogue "Anglada-Camarasa" by Francesc Fontbona and Francesc Miralles, Ediciones Polígrafa. pg 74 (num. 170). Measurements: 67 x 66,5 cm; 87 x 87 cm (frame). This portrait of a gypsy woman wearing an embroidered dress and black shawl is a preparatory oil painting for "Bailarina española" (1906), a work reproduced in the "Anglada-Camarasa" catalogue by Fontbona and Miralles. In the preliminary version, all the elements of the definitive work are already present, although it is dominated by a sketchy brushstroke, typical of a study. Paradoxically, Las bailarinas andaluzas was a subject that Camarasa began to deal with when he was outside Spain, already in Paris. In the French capital, flamenco dancing became a plastic pretext for investigating the dissolution of forms, arabesques and feminine sensuality. On this occasion, however, the woman wearing a comb and red ribbon is seated in an armchair, making the brushstrokes less delicate than in other works of his from the same period, as here he focuses his attention on the gaze illuminated by large black eyes, the carmine smile and her shrewd demeanour. Floral embroidery on black silk flashes in all colours between the long fringes of the mantilla. A single foot peeps out from under the colourful fabric, encased in a white slipper. The veined hands with long fingers show the agitation they take on when the dance sets them in motion. Anglada Camarasa is one of the leading names in modern Catalan art, and undoubtedly the most internationally important of Spanish Post-Impressionism. He was the youngest painter of the second modernist generation, and is considered an outstanding representative of Post-Impressionism. He began his training with Tomás Moragas and later continued at the La Lonja School in Barcelona as a disciple of Modesto Urgell, whom he always proclaimed to be his great master, although his mature style was very different from Urgell's. During this period of training, his work was very different from that of Urgell. During this formative period Anglada Camarasa's work shows a clear interest in landscape and the human figure. After a brief contact with the "Els Quatre Gats" group, in 1894 he moved to Paris, where his style was influenced by Degas, Toulouse Lautrec, Fauvism and Orientalism. In the French capital he continued his training at the academies of Julian and Colarossi, where he was taught by Laurens, Constant and Girardot. France was for Anglada Camarasa the platform for his international launching. His solo exhibition at the Sala Parés in Barcelona in May 1900 and his time at "Els Quatre Gats" gave Catalan modernism a direct knowledge of the most modern painting in Paris, a circumstance that was a determining factor in the young Picasso's turn towards plastic modernism. Still in Paris, in 1904 Anglada Camarasa joined the Société Nationale des Beaux-Arts, of which he became a very active member, participating assiduously in its exhibitions. During this period his international activity multiplied and he took part in the Venice Biennials of 1903, 1905 and 1907, receiving the Gold Medal in the latter year, a prize he also won at the Buenos Aires Biennial of 1910. He had a solo exhibition at the Barcelona International in 1929. He was made an Honorary Member of the Royal Academy of San Fernando in 1954, and three years later he was awarded the March Foundation art prize. Anglada Camarasa played a leading role in some of the most important moments in the history of art in the first half of the 20th century, and his success from 1900 onwards made his name an international point of reference. His work was exhibited all over Europe, from Rome to Prague and from Paris to Moscow, and attracted major collectors in the main European capitals as well as in the United States.
Setdart Auction House
Feb. 19, 2024
HERMENEGILDO ANGLADA CAMARASA (Barcelona, 1871 - Pollença, Mallorca, 1959). Untitled. Charcoal on paper. Signed in the lower margin. Work published in the catalog "Anglada-Camarasa" of Fontbona and Miralles.
Est: €3,500 - €4,500
HERMENEGILDO ANGLADA CAMARASA (Barcelona, 1871 - Pollença, Mallorca, 1959). Untitled. Charcoal on paper. Signed in the lower margin. Work published in the catalog "Anglada-Camarasa" of Fontbona and Miralles. Measurements: 13 x 9,5 cm; 38 x 34 cm (frame). Charcoal drawing by Anglada Camarasa, resolved with agile and sketchy stroke that dilutes the forms, similar to how in the author's paintings the colors diluted the matter in a new way. It could be a preparatory study for a painting of a nocturnal urban theme, in the light of the street lamp. A mysterious female figure occupies the foreground, while in the background, some male silhouettes are waving in front of the arcades of what looks like a theater. Anglada Camarasa is one of the leading names in modern Catalan art, and undoubtedly the most internationally important of Spanish Post-Impressionism. He was the youngest painter of the second modernist generation, and is considered an outstanding representative of post-impressionism. He began his training with Tomás Moragas, and later continued at the School of La Lonja in Barcelona as a disciple of Modesto Urgell, whom he always proclaimed as his great master, even though his mature style was very different from Urgell's. During this period of training his work was very different from that of Urgell. In this formative period, Anglada Camarasa's work shows a clear interest in landscape and the human figure. After a brief contact with the group of "Els Quatre Gats", in 1894 he moved to Paris, where his style was influenced by Degas, Toulouse Lautrec, Fauvism and Orientalism. In the French capital he continued his training in the academies of Julian and Colarossi, where he received classes from Laurens, Constant and Girardot. France was for Anglada Camarasa the platform for his international launching. His solo exhibition at the Sala Parés in Barcelona in May 1900, and his time at "Els Quatre Gats", gave Catalan modernism a direct knowledge of what was the most modern painting in Paris, a circumstance that was decisive in the young Picasso's turn towards plastic modernity. Still in Paris, Anglada Camarasa joined the Société Nationale des Beaux-Arts in 1904, of which he would be a very active member, participating assiduously in its exhibitions. During this period his international activity multiplied and he participated in the Venice Biennials of 1903, 1905 and 1907, receiving the Gold Medal in the latter year, a prize he also won in the Buenos Aires Biennial of 1910. He had an individual exhibition at the 1929 Barcelona International Biennial. He was named Honorary Academician of the Royal Academy of San Fernando in 1954, and three years later he was awarded the art prize of the March Foundation. Anglada Camarasa was the protagonist of some of the most important moments in the history of art in the first half of the 20th century, and his success from 1900 onwards made his name an international reference. His work was exhibited all over Europe, from Rome to Prague and from Paris to Moscow, and attracted important collectors in the main European capitals, as well as in the United States.
Setdart Auction House
Dec. 19, 2023
HERMENEGILDO ANGLADA CAMARASA Barcelona (1871) / Puerto de Pollensa (1959) "The brawl or For a song and a flower", c.1940-47
Est: €39,000 - €52,000
Oil on canvas Signed in the upper left corner. On the back with labels from the Uniarte Gallery in Barcelona and the Sala Toison. Also seal. Exhibitions: - Toison, Madrid 1960 - Gobero, Barcelona 1975 Origin: -Blanca Mas Sarda Collection, Barcelona -Private collection, Barcelona -Sotheby's sale of 19th Century European paintings, 2018 -Private collection, Barcelona Bibliography: -Catalog Gobero 1975 -Photo Archivo Mas, Barcelona -Fontbona, F. and Miralles, F., "Anglada Camarasa", Ediciones Poligrafa, SA, 1984. F56 p. 296 Measurements: 40 x 73 cm
Ansorena
Dec. 18, 2023
HERMENEGILDO ANGLADA CAMARASA (Barcelona, 1871 - Pollença, Mallorca, 1959). Untitled. Charcoal on paper. Signed in the lower margin. Work published in the catalog "Anglada-Camarasa" of Fontbona and Miralles.
Est: €5,000 - €6,000
HERMENEGILDO ANGLADA CAMARASA (Barcelona, 1871 - Pollença, Mallorca, 1959). Untitled. Charcoal on paper. Signed in the lower margin. Work published in the catalog "Anglada-Camarasa" of Fontbona and Miralles. Measurements: 13 x 9,5 cm; 38 x 34 cm (frame). Charcoal drawing by Anglada Camarasa, resolved with agile and sketchy stroke that dilutes the forms, similar to how in the author's paintings the colors diluted the matter in a new way. It could be a preparatory study for a painting of a nocturnal urban theme, in the light of the street lamp. A mysterious female figure occupies the foreground, while in the background, some male silhouettes are waving in front of the arcades of what looks like a theater. Anglada Camarasa is one of the leading names in modern Catalan art, and undoubtedly the most internationally important of Spanish Post-Impressionism. He was the youngest painter of the second modernist generation, and is considered an outstanding representative of post-impressionism. He began his training with Tomás Moragas, and later continued at the School of La Lonja in Barcelona as a disciple of Modesto Urgell, whom he always proclaimed as his great master, even though his mature style was very different from Urgell's. During this period of training his work was very different from that of Urgell. In this formative period, Anglada Camarasa's work shows a clear interest in landscape and the human figure. After a brief contact with the group of "Els Quatre Gats", in 1894 he moved to Paris, where his style was influenced by Degas, Toulouse Lautrec, Fauvism and Orientalism. In the French capital he continued his training in the academies of Julian and Colarossi, where he received classes from Laurens, Constant and Girardot. France was for Anglada Camarasa the platform for his international launching. His solo exhibition at the Sala Parés in Barcelona in May 1900, and his time at "Els Quatre Gats", gave Catalan modernism a direct knowledge of what was the most modern painting in Paris, a circumstance that was decisive in the young Picasso's turn towards plastic modernity. Still in Paris, Anglada Camarasa joined the Société Nationale des Beaux-Arts in 1904, of which he would be a very active member, participating assiduously in its exhibitions. During this period his international activity multiplied and he participated in the Venice Biennials of 1903, 1905 and 1907, receiving the Gold Medal in the latter year, a prize he also won in the Buenos Aires Biennial of 1910. He had an individual exhibition at the 1929 Barcelona International Biennial. He was named Honorary Academician of the Royal Academy of San Fernando in 1954, and three years later he was awarded the art prize of the March Foundation. Anglada Camarasa was the protagonist of some of the most important moments in the history of art in the first half of the 20th century, and his success from 1900 onwards made his name an international reference. His work was exhibited all over Europe, from Rome to Prague and from Paris to Moscow, and attracted important collectors in the main European capitals, as well as in the United States.
Setdart Auction House
Dec. 12, 2023
HERMENEGILDO ANGLADA CAMARASA Barcelona 1871-Pollensa 1959 Head. c. 1950-53 Oil
Est: -
HERMENEGILDO ANGLADA CAMARASA Barcelona 1871-Pollensa 1959 Head. c. 1950-53 Oil on canvas glued to board Signed Measurements 47 x 38 cm We thank Mr. Francesc Fontbona for his help in cataloging this work. ORIGIN Heirs Widow of Dodero BIBLIOGRAPHY Francesc Fontbona and Francesc Miralles, "Anglada-Camarasa", Ed. Polígrafa, Barcelona 1981, page 299, nºG22
Subastas Segre
Oct. 20, 2023
HERMENEGILDO ANGLADA CAMARASA (SPANISH, 1871-1959) La Loge oil on panel 11
Est: $50,000 - $70,000
HERMENEGILDO ANGLADA CAMARASA (SPANISH, 1871-1959) La Loge oil on panel 11 ½ x 16 ¾ in. (29.2 x 42.6 cm.)
Christie's
Oct. 03, 2023
HERMENEGILDO ANGLADA CAMARASA (Barcelona, 1871 - Pollença, Mallorca, 1959). "Snowy Montserrat, Torrente de Santa María". 1937. Oil on canvas. Signed in the lower right corner.
Est: €80,000 - €90,000
HERMENEGILDO ANGLADA CAMARASA (Barcelona, 1871 - Pollença, Mallorca, 1959). "Snowy Montserrat, Torrente de Santa María". 1937. Oil on canvas. Signed in the lower right corner. Bibliography: - Fuster, 1958. - Fontbona-Miralles, 1981, p. 288 (E12). - Exhibition catalogue Anglada Camarasa 1871-1959. Mafre, p. 226-227. - Exhibition catalogue "El mon d'Anglada Camarasa", cat. no. 80, p. 156 (ca. 1838, the Phrygian cap and the Madalenas). Exhibitions: - Toisón, Madrid, 1960. - Anglada Camarasa 1871-1959". Museum of Montserrat, 2002. Certified by the Anglada Camarasa Museum, n.38, 30 January 1974. Measurements: 99 x 109 cm. During the Spanish Civil War, Anglada Camarasa took refuge in the Monastery of Montserrat, so he painted the mountain on numerous occasions. The present painting conveys with great expressive economy the magical breath of those rocks. It is an almost abstract composition, in which the artist has also stripped himself of the decorativism of his Parisian period and the chromatic brilliance of the Majorcan period. Instead, he immerses us in a silent mysticism, in a recollection that expresses the existential uncertainty of those years. Anglada Camarasa is one of the leading names in modern Catalan art, and undoubtedly the most internationally important of Spanish Post-Impressionism. He was the youngest painter of the second modernist generation, and is considered an outstanding representative of Post-Impressionism. He began his training with Tomás Moragas, and later continued at the La Lonja School in Barcelona as a disciple of Modesto Urgell, whom he always proclaimed to be his great master, although his mature style was very different from Urgell's. During this period of training, Urgell's work was very different from that of La Lonja. During this formative period Anglada Camarasa's work shows a clear interest in landscape and the human figure. After a brief contact with the "Els Quatre Gats" group, in 1894 he moved to Paris, where his style was influenced by Degas, Toulouse Lautrec, Fauvism and Orientalism. In the French capital he continued his training at the academies of Julian and Colarossi, where he was taught by Laurens, Constant and Girardot. France was for Anglada Camarasa the platform for his international launch. His work was placed on a par with that of the great names of the day, such as Klimt and Zorn. He also influenced personalities such as the young Kandinsky and Meyerhold, and figures such as Gorky and Diaghilev admired his painting. He held his first exhibition in Paris in 1898, displaying paintings of artificial colour and form, exuberant arabesque, based chiefly on the themes of glittering nocturnal Paris. On the other hand, his solo exhibition at the Sala Parés in Barcelona in May 1900, and his time at "Els Quatre Gats", gave Catalan modernism a direct knowledge of the most modern painting in Paris, a circumstance that was decisive in the young Picasso's turn towards plastic modernism. Still in Paris, in 1904 Anglada Camarasa joined the Société Nationale des Beaux-Arts, of which he became a very active member, participating assiduously in its exhibitions. That same year he took part in an exhibition with artists of the Viennese Secession. Around this time he settled in Montmartre, where he opened a painting academy attended by Maria Blanchard and Tito Cittadini, among others. During this period his international activity multiplied and he took part in the Venice Biennials of 1903, 1905 and 1907, receiving the Gold Medal in the latter year, a prize he also won at the Buenos Aires Biennial of 1910. In 1914 he returned to Spain and settled permanently in Pollença, where he devoted himself fully to landscape painting. However, he did not lose sight of the international circuit and took part in the Carnegie Institute exhibition of 1924. That same year he was a guest of honour at the Pittsburgh International Exposition. He also had a solo exhibition at the 1929 Barcelona International Exhibition. He was made an Honorary Member of the Royal Academy of San Fernando in 1954, and three years later he was awarded the March Foundation art prize. Anglada Camarasa played a leading role in some of the most important moments in the history of art.
Setdart Auction House
Sep. 14, 2023
HERMENEGILDO ANGLADA CAMARASA (Barcelona, 1871 - Pollença, Mallorca, 1959). First version of "Bailarina española". 1906. Oil on canvas.
Est: €60,000 - €70,000
HERMENEGILDO ANGLADA CAMARASA (Barcelona, 1871 - Pollença, Mallorca, 1959). First version of "Bailarina española". 1906. Oil on canvas. Original reproduced in the catalogue "Anglada-Camarasa" by Francesc Fontbona and Francesc Miralles, Ediciones Polígrafa. pg 74 (num. 170). Measurements: 67 x 66,5 cm; 87 x 87 cm (frame). This portrait of a gypsy woman wearing an embroidered dress and black shawl is a preparatory oil painting for "Bailarina española" (1906), a work reproduced in the "Anglada-Camarasa" catalogue by Fontbona and Miralles. In the preliminary version, all the elements of the definitive work are already present, although it is dominated by a sketchy brushstroke, typical of a study. Paradoxically, Las bailarinas andaluzas was a subject that Camarasa began to deal with when he was outside Spain, already in Paris. In the French capital, flamenco dancing became a plastic pretext for investigating the dissolution of forms, arabesques and feminine sensuality. On this occasion, however, the woman wearing a comb and red ribbon is seated in an armchair, making the brushstrokes less delicate than in other works of his from the same period, as here he focuses his attention on the gaze illuminated by large black eyes, the carmine smile and her shrewd demeanour. Floral embroidery on black silk flashes in all colours between the long fringes of the mantilla. A single foot peeps out from under the colourful fabric, encased in a white slipper. The veined hands with long fingers show the agitation they take on when the dance sets them in motion. Anglada Camarasa is one of the leading names in modern Catalan art, and undoubtedly the most internationally important of Spanish Post-Impressionism. He was the youngest painter of the second modernist generation, and is considered an outstanding representative of Post-Impressionism. He began his training with Tomás Moragas and later continued at the La Lonja School in Barcelona as a disciple of Modesto Urgell, whom he always proclaimed to be his great master, although his mature style was very different from Urgell's. During this period of training, his work was very different from that of Urgell. During this formative period Anglada Camarasa's work shows a clear interest in landscape and the human figure. After a brief contact with the "Els Quatre Gats" group, in 1894 he moved to Paris, where his style was influenced by Degas, Toulouse Lautrec, Fauvism and Orientalism. In the French capital he continued his training at the academies of Julian and Colarossi, where he was taught by Laurens, Constant and Girardot. France was for Anglada Camarasa the platform for his international launching. His solo exhibition at the Sala Parés in Barcelona in May 1900 and his time at "Els Quatre Gats" gave Catalan modernism a direct knowledge of the most modern painting in Paris, a circumstance that was a determining factor in the young Picasso's turn towards plastic modernism. Still in Paris, in 1904 Anglada Camarasa joined the Société Nationale des Beaux-Arts, of which he became a very active member, participating assiduously in its exhibitions. During this period his international activity multiplied and he took part in the Venice Biennials of 1903, 1905 and 1907, receiving the Gold Medal in the latter year, a prize he also won at the Buenos Aires Biennial of 1910. He had a solo exhibition at the Barcelona International in 1929. He was made an Honorary Member of the Royal Academy of San Fernando in 1954, and three years later he was awarded the March Foundation art prize. Anglada Camarasa played a leading role in some of the most important moments in the history of art in the first half of the 20th century, and his success from 1900 onwards made his name an international point of reference. His work was exhibited all over Europe, from Rome to Prague and from Paris to Moscow, and attracted major collectors in the main European capitals as well as in the United States.
Setdart Auction House
Jul. 26, 2023
HERMENEGILDO ANGLADA CAMARASA (Barcelona, 1871 - Pollença, Mallorca, 1959). "Dancer". Pencil on paper. Signed.
Est: €1,700 - €2,000
HERMENEGILDO ANGLADA CAMARASA (Barcelona, 1871 - Pollença, Mallorca, 1959). "Dancer". Pencil on paper. Signed. Size: 14 x 8 cm; 23 x 17 cm (frame). Anglada Camarasa is one of the leading names in modern Catalan art, and undoubtedly the one who has had the greatest international transcendence of Spanish post-impressionism. He began his training with Tomás Moragas and later continued at the La Lonja School in Barcelona as a disciple of Modesto Urgell, whom he always proclaimed to be his great master, although his mature style was very different from Urgell's. During this period of training, Anglada Camarasa's work was very different from that of Urgell. During this formative period Anglada Camarasa's work shows a clear interest in landscape and the human figure. After a brief contact with the "Els Quatre Gats" group, in 1894 he moved to Paris, where his style was influenced by Degas, Toulouse Lautrec, Fauvism and Orientalism. In the French capital he continued his training at the academies of Julian and Colarossi, where he was taught by Laurens, Constant and Girardot. France was for Anglada Camarasa the platform for his international launch. His work was placed on a par with that of the great names of the time, such as Klimt and Zorn. He also influenced personalities such as the young Kandinsky and Meyerhold, and figures such as Gorky and Diaghilev admired his painting. He held his first exhibition in Paris in 1898, displaying paintings of artificial colour and form, exuberant arabesque, based chiefly on the themes of glittering Paris by night. On the other hand, his solo exhibition at the Sala Parés in Barcelona in May 1900, and his time at "Els Quatre Gats", gave Catalan modernism a direct knowledge of the most modern painting in Paris, a circumstance that was a determining factor in the young Picasso's turn towards plastic modernism. Still in Paris, in 1904 Anglada Camarasa joined the Société Nationale des Beaux-Arts, of which he became a very active member, participating assiduously in its exhibitions. That same year he took part in an exhibition with artists of the Viennese Secession. Around this time he settled in Montmartre, where he opened a painting academy attended by Maria Blanchard and Tito Cittadini, among others. During this period his international activity multiplied and he took part in the Venice Biennials of 1903, 1905 and 1907, receiving the Gold Medal in the latter year, a prize he also won at the Buenos Aires Biennial of 1910. In 1914 he returned to Spain and settled permanently in Pollença, where he devoted himself fully to landscape painting. However, he did not lose sight of the international circuit and took part in the Carnegie Institute exhibition of 1924. That same year he was a guest of honour at the Pittsburgh International Exposition. He also had a solo exhibition at the 1929 Barcelona International Exhibition. He was made an Honorary Member of the Royal Academy of San Fernando in 1954, and three years later he was awarded the March Foundation art prize.
Setdart Auction House
Jul. 19, 2023
HERMENEGILDO ANGLADA CAMARASA Barcelona (1871) / Puerto de Pollensa (1959) "Landscape of olive trees in Majorca"
Est: €63,000 - €84,000
Oil on canvas Signed H. Anglada Camarasa in the lower left corner; work c. 1936. Work cataloged in the General Inventory of Movable Assets of the Spanish Artistic Historical Heritage under the number I-M-01-5785 date of inclusion 06/20/1989 Bibliography: -Julián Castedo Moya "5 years of auctions in Duran 1969-1974" , European Iberian Editions, 1974, Madrid, page 19 -Jose Maria Garrut "Two centuries of Catalan painting" European Iberian Editions, 1974, Madrid, page 255 -Francesc Fontbona & Francesc Miralles "Anglada Camarasa" Ed. Polygraph 1981, no. D140 page 278 Measurements: 33 x 44 cm
Ansorena
Jul. 04, 2023
HERMENEGILDO ANGLADA CAMARASA - Head
Est: -
HERMENEGILDO ANGLADA CAMARASA Barcelona 1871-Pollensa 1959 Head. c. 1950-53 Oil on canvas glued to board Signed Measurements 47 x 38 cm We thank Mr. Francesc Fontbona for his help in cataloging this work. ORIGIN Heirs Widow of Dodero BIBLIOGRAPHY Francesc Fontbona and Francesc Miralles, "Anglada-Camarasa", Ed. Polígrafa, Barcelona 1981, page 299, nºG22
Subastas Segre
Jul. 04, 2023
HERMENEGILDO ANGLADA CAMARASA (Barcelona, 1871 - Pollença, Mallorca, 1959). "Branches", ca.1920-1925. Oil on panel. Signed and dedicated in the lower margin.
Est: €45,000 - €55,000
HERMENEGILDO ANGLADA CAMARASA (Barcelona, 1871 - Pollença, Mallorca, 1959). "Branches", ca.1920-1925. Oil on panel. Signed and dedicated in the lower margin. Work reproduced in "Anglada Camarasa", Francesc Fontbona, Francesc Miralles, Ed. Polígrafa, pg 269, n.41. With label on the back from the Banco de Santander de Mallorca on the occasion of the 1984 exhibition entitled "Twenty Mallorcan painters", in which this painting was included. Measurements: 38 x 40 cm; 60 x 63 cm (frame). This important painting belongs to Anglada Camarasa's so-called "Mallorcan period". After living for several decades in Paris, where he became a stellar figure of the Belle Époque, knowing how to forge his own language, colourful and exuberant, he was forced to take refuge in Mallorca with the outbreak of the First World War. What he had learnt in that first modernist period, which he focused on depictions of women, took a turn on the Balearic island towards themes free of human figures, preferably landscapes, and impregnated with a singular delicacy, as in this painting. He cut out the landscape in a daring manner, placing vine arbours, garden corners or gnarled branches in the foreground. The mauve of the flowers and the green of the leaves compete in chromatic intensity. The line is full of agitation and generous in matter, endowing the blossoming tree with sensuality and Mediterranean fragrance. Anglada Camarasa is one of the leading names in modern Catalan art, and undoubtedly the most internationally important of Spanish Post-Impressionism. He began his training with Tomás Moragas and later continued at the Escuela de La Lonja in Barcelona as a disciple of Modesto Urgell. During this period of training, Anglada Camarasa's work shows a clear interest in landscape and the human figure. After a brief contact with the "Els Quatre Gats" group, in 1894 he moved to Paris, where his style was influenced by Degas, Toulouse Lautrec, Fauvism and Orientalism. In the French capital he continued his training at the academies of Julian and Colarossi, where he was taught by Laurens, Constant and Girardot. France was for Anglada Camarasa the platform for his international launching. His work was placed on a par with that of the great names of the day, such as Klimt and Zorn. He also influenced personalities such as the young Kandinsky and Meyerhold, and figures such as Gorky and Diaghilev admired his painting. He held his first exhibition in Paris in 1898, displaying paintings of artificial colour and form, exuberant arabesque, based chiefly on the themes of glittering nocturnal Paris. On the other hand, his solo exhibition at the Sala Parés in Barcelona in May 1900, and his time at "Els Quatre Gats", gave Catalan modernism a direct knowledge of the most modern painting in Paris, a circumstance that was decisive in the young Picasso's turn towards plastic modernism. Still in Paris, in 1904 Anglada Camarasa joined the Société Nationale des Beaux-Arts, of which he became a very active member, participating assiduously in its exhibitions. That same year he took part in an exhibition with artists of the Viennese Secession. Around this time he settled in Montmartre, where he opened a painting academy attended by Maria Blanchard and Tito Cittadini, among others. During this period his international activity multiplied and he took part in the Venice Biennials of 1903, 1905 and 1907, receiving the Gold Medal in the latter year, a prize he also won at the Buenos Aires Biennial of 1910. In 1914 he returned to Spain and settled permanently in Pollença, where he devoted himself fully to landscape painting. However, he did not lose sight of the international circuit and took part in the Carnegie Institute exhibition of 1924. That same year he was a guest of honour at the Pittsburgh International Exposition.
Setdart Auction House
Jun. 29, 2023
Hermenegildo Anglada-Camarasa. Baptist head
Est: -
Oil on plywood. Signed in the lower right corner. Small paint flaws in the upper left corner. Bibliography: - "Anglada-Camarasa" by Francesc Fontbona and Francesc Miralles, pages 296 (illustration) and 297 (text). Provenance: \ r- Private collection (Gregorio Marañón, 1954). - Fleece Gallery (label on the back), Madrid. Cataloged with No. 8 in the Tribute Exhibition held from November 26 to December 9, 1960. - M de Cerralbo, Art Gallery (label on the back), Vigo. Registration number: 1376. - Sala Parés (label on the back), Barcelona, 1987.
Duran Arte y Subastas
Jun. 14, 2023
HERMENEGILDO ANGLADA CAMARASA Barcelona (1871) / Puerto de Pollensa (1959) "Path between trees", 1890
Est: €52,500 - €70,000
Oil on canvas Signed and dated in the lower right corner. On the back with a label from Sala Parés. Origin: - Valentín Pascual Collection, Cádiz. - Sala Parés, Barcelona - Private collection, Barcelona Bibliography: - Francesc Fontbona- Francesc Miralles "Anglada Camarasa", polygraph editions, Barcelona, 1981, p. 234, no. A20 Measurements: 70 x 110 cm
Ansorena
Mar. 13, 2023
HERMENEGILDO ANGLADA CAMARASA (Barcelona, 1871 - Pollença, Mallorca, 1959). "Dancer". Pencil on paper. Signed.
Est: €1,700 - €2,000
HERMENEGILDO ANGLADA CAMARASA (Barcelona, 1871 - Pollença, Mallorca, 1959). "Dancer". Pencil on paper. Signed. Size: 14 x 8 cm; 23 x 17 cm (frame). Anglada Camarasa is one of the leading names in modern Catalan art, and undoubtedly the one who has had the greatest international transcendence of Spanish post-impressionism. He began his training with Tomás Moragas and later continued at the La Lonja School in Barcelona as a disciple of Modesto Urgell, whom he always proclaimed to be his great master, although his mature style was very different from Urgell's. During this period of training, Anglada Camarasa's work was very different from that of Urgell. During this formative period Anglada Camarasa's work shows a clear interest in landscape and the human figure. After a brief contact with the "Els Quatre Gats" group, in 1894 he moved to Paris, where his style was influenced by Degas, Toulouse Lautrec, Fauvism and Orientalism. In the French capital he continued his training at the academies of Julian and Colarossi, where he was taught by Laurens, Constant and Girardot. France was for Anglada Camarasa the platform for his international launch. His work was placed on a par with that of the great names of the time, such as Klimt and Zorn. He also influenced personalities such as the young Kandinsky and Meyerhold, and figures such as Gorky and Diaghilev admired his painting. He held his first exhibition in Paris in 1898, displaying paintings of artificial colour and form, exuberant arabesque, based chiefly on the themes of glittering Paris by night. On the other hand, his solo exhibition at the Sala Parés in Barcelona in May 1900, and his time at "Els Quatre Gats", gave Catalan modernism a direct knowledge of the most modern painting in Paris, a circumstance that was a determining factor in the young Picasso's turn towards plastic modernism. Still in Paris, in 1904 Anglada Camarasa joined the Société Nationale des Beaux-Arts, of which he became a very active member, participating assiduously in its exhibitions. That same year he took part in an exhibition with artists of the Viennese Secession. Around this time he settled in Montmartre, where he opened a painting academy attended by Maria Blanchard and Tito Cittadini, among others. During this period his international activity multiplied and he took part in the Venice Biennials of 1903, 1905 and 1907, receiving the Gold Medal in the latter year, a prize he also won at the Buenos Aires Biennial of 1910. In 1914 he returned to Spain and settled permanently in Pollença, where he devoted himself fully to landscape painting. However, he did not lose sight of the international circuit and took part in the Carnegie Institute exhibition of 1924. That same year he was a guest of honour at the Pittsburgh International Exposition. He also had a solo exhibition at the 1929 Barcelona International Exhibition. He was made an Honorary Member of the Royal Academy of San Fernando in 1954, and three years later he was awarded the March Foundation art prize.
Setdart Auction House
Jan. 25, 2023
Hermenegildo Anglada-Camarasa. Baptist head
Est: -
Oil on plywood. Signed in the lower right corner. Small paint flaws in the upper left corner. Bibliography: - "Anglada-Camarasa" by Francesc Fontbona and Francesc Miralles, pages 296 (illustration) and 297 (text). Provenance: \ r- Private collection (Gregorio Marañón, 1954). - Fleece Gallery (label on the back), Madrid. Cataloged with No. 8 in the Tribute Exhibition held from November 26 to December 9, 1960. - M de Cerralbo, Art Gallery (label on the back), Vigo. Registration number: 1376. - Sala Parés (label on the back), Barcelona, 1987.
Duran Arte y Subastas
Jan. 25, 2023
HERMENEGILDO ANGLADA CAMARASA (Barcelona, 1871 - Pollença, Mallorca, 1959). "Landscape". Pencil and chalk on paper. Certified by Josep Maria Folch i Torres in the lower right-hand corner.
Est: €1,500 - €1,800
HERMENEGILDO ANGLADA CAMARASA (Barcelona, 1871 - Pollença, Mallorca, 1959). "Landscape". Pencil and chalk on paper. Certified by Josep Maria Folch i Torres in the lower right-hand corner. Measurements: 14 x 22 cm; 31 x 38 cm (frame). Anglada Camarasa is one of the leading names in modern Catalan art, and undoubtedly the most internationally important of Spanish post-impressionism. He was the youngest painter of the second modernist generation, and is considered an outstanding representative of Post-Impressionism. He began his training with Tomás Moragas and later continued at the La Lonja School in Barcelona as a disciple of Modesto Urgell, whom he always proclaimed to be his great master, although his mature style was very different from Urgell's. During this period of training, his work was very different from that of Urgell. During this formative period Anglada Camarasa's work shows a clear interest in landscape and the human figure. After a brief contact with the "Els Quatre Gats" group, in 1894 he moved to Paris, where his style was influenced by Degas, Toulouse Lautrec, Fauvism and Orientalism. In the French capital he continued his training at the academies of Julian and Colarossi, where he was taught by Laurens, Constant and Girardot. France was for Anglada Camarasa the platform for his international launch. His work was placed on a par with that of the great names of the day, such as Klimt and Zorn. He also influenced personalities such as the young Kandinsky and Meyerhold, and figures such as Gorky and Diaghilev admired his painting. He held his first exhibition in Paris in 1898, displaying paintings of artificial colour and form, exuberant arabesque, based chiefly on the themes of glittering Paris by night. On the other hand, his solo exhibition at the Sala Parés in Barcelona in May 1900, and his time at "Els Quatre Gats", gave Catalan modernism a direct knowledge of the most modern painting in Paris, a circumstance that was a determining factor in the young Picasso's turn towards plastic modernism. Still in Paris, in 1904 Anglada Camarasa joined the Société Nationale des Beaux-Arts, of which he became a very active member, participating assiduously in its exhibitions. That same year he took part in an exhibition with artists of the Viennese Secession. Around this time he settled in Montmartre, where he opened a painting academy attended by Maria Blanchard and Tito Cittadini, among others. During this period his international activity multiplied and he took part in the Venice Biennials of 1903, 1905 and 1907, receiving the Gold Medal in the latter year, a prize he also won at the Buenos Aires Biennial of 1910. In 1914 he returned to Spain and settled permanently in Pollença, where he devoted himself fully to landscape painting. However, he did not lose sight of the international circuit and took part in the Carnegie Institute exhibition of 1924. That same year he was a guest of honour at the Pittsburgh International Exposition. He also had a solo exhibition at the 1929 Barcelona International Exhibition. He was made an Honorary Member of the Royal Academy of San Fernando in 1954, and three years later he was awarded the March Foundation art prize. Anglada Camarasa played a leading role in some of the most important moments in the history of art.
Setdart Auction House
Dec. 15, 2022
HERMENEGILD ANGLADA CAMARASA (1871-1959). "MONTSERRAT".
Est: €40,000 - €60,000
Oil on canvas. Signed. Provenance: Private Collection, Barcelona. Bibliography: FONTBONA, Francesc - MIRALLES, Francesc. "ANGLADA CAMARASA". Ed. Polígrafa. 1981. Pág. 288. fig. E14. 82 x 82 cm; 108.5 x 108.5 cm (frame).
Subarna Subastas
Dec. 07, 2022
Hermenegildo Anglada Camarasa (1871-1959): Arboles de Montserrat
Est: $7,000 - $9,000
Oil on canvas, 1938, signed 'H. Anglada-Camarasa', dated in inscribed 'Montt' lower right. 20 x 17 1/4 in., 24 x 21 in. (frame). Note: Catalan painter Hermen Anglada-Camarasa painted in the mountainous region around Montserrat in 1938. Several similar compositions are included in Francesc Fonbona's catalogue raisonné of Anglada Camarasa's work.
STAIR
Oct. 06, 2022
HERMENEGILDO ANGLADA CAMARASA (Barcelona, 1871 - Pollença, Mallorca, 1959). "Landscape". Pencil and chalk on paper. Certified by Josep Maria Folch i Torres in the lower right-hand corner.
Est: €1,500 - €1,800
HERMENEGILDO ANGLADA CAMARASA (Barcelona, 1871 - Pollença, Mallorca, 1959). "Landscape". Pencil and chalk on paper. Certified by Josep Maria Folch i Torres in the lower right-hand corner. Measurements: 14 x 22 cm; 31 x 38 cm (frame). Anglada Camarasa is one of the leading names in modern Catalan art, and undoubtedly the most internationally important of Spanish post-impressionism. He was the youngest painter of the second modernist generation, and is considered an outstanding representative of Post-Impressionism. He began his training with Tomás Moragas and later continued at the La Lonja School in Barcelona as a disciple of Modesto Urgell, whom he always proclaimed to be his great master, although his mature style was very different from Urgell's. During this period of training, his work was very different from that of Urgell. During this formative period Anglada Camarasa's work shows a clear interest in landscape and the human figure. After a brief contact with the "Els Quatre Gats" group, in 1894 he moved to Paris, where his style was influenced by Degas, Toulouse Lautrec, Fauvism and Orientalism. In the French capital he continued his training at the academies of Julian and Colarossi, where he was taught by Laurens, Constant and Girardot. France was for Anglada Camarasa the platform for his international launch. His work was placed on a par with that of the great names of the day, such as Klimt and Zorn. He also influenced personalities such as the young Kandinsky and Meyerhold, and figures such as Gorky and Diaghilev admired his painting. He held his first exhibition in Paris in 1898, displaying paintings of artificial colour and form, exuberant arabesque, based chiefly on the themes of glittering Paris by night. On the other hand, his solo exhibition at the Sala Parés in Barcelona in May 1900, and his time at "Els Quatre Gats", gave Catalan modernism a direct knowledge of the most modern painting in Paris, a circumstance that was a determining factor in the young Picasso's turn towards plastic modernism. Still in Paris, in 1904 Anglada Camarasa joined the Société Nationale des Beaux-Arts, of which he became a very active member, participating assiduously in its exhibitions. That same year he took part in an exhibition with artists of the Viennese Secession. Around this time he settled in Montmartre, where he opened a painting academy attended by Maria Blanchard and Tito Cittadini, among others. During this period his international activity multiplied and he took part in the Venice Biennials of 1903, 1905 and 1907, receiving the Gold Medal in the latter year, a prize he also won at the Buenos Aires Biennial of 1910. In 1914 he returned to Spain and settled permanently in Pollença, where he devoted himself fully to landscape painting. However, he did not lose sight of the international circuit and took part in the Carnegie Institute exhibition of 1924. That same year he was a guest of honour at the Pittsburgh International Exposition. He also had a solo exhibition at the 1929 Barcelona International Exhibition. He was made an Honorary Member of the Royal Academy of San Fernando in 1954, and three years later he was awarded the March Foundation art prize. Anglada Camarasa played a leading role in some of the most important moments in the history of art.
Setdart Auction House
Sep. 28, 2022
HERMENEGILDO ANGLADA CAMARASA Barcelona (1871) / Puerto de Pollensa (1959) "Sunset", c.1925-30
Est: €9,000 - €12,000
Oil on panel Signed on the lower left. Report by Francesc Miralles is attached with file number: M02 dated 07/11/2022 Reference bibliography: Francesc Fontbona and Francesc Miralles "Anglada-Camarasa", Ediciones Polígrafa SA, Barcelona 1981; related to the work Da40, page 282(Puerto de Pollença) Measurements: 16 x 20 cm
Ansorena
Jul. 19, 2022
Hermenegildo Anglada-Camarasa. Baptist head
Est: -
Oil on plywood. Signed in the lower right corner. Small paint flaws in the upper left corner. Bibliography: .-"Anglada-Camarasa" by Francesc Fontbona and Francesc Miralles, pages 296 (illustration) and 297 (text). Provenance: .-Private collection (Gregorio Marañón, 1954). .- Toisón Gallery (label on the back), Madrid. Cataloged with No. 8 in the Tribute Exhibition held from November 26 to December 9, 1960. .-M de Cerralbo, Art Gallery (label on the back), Vigo. Registration number: 1376. .-Sala Parés (label on the back), Barcelona, 1987.
Duran Arte y Subastas
Jul. 15, 2022
HERMENEGILDO ANGLADA CAMARASA (SPANISH, 1871-1959) Sola en el palco oil on
Est: £40,000 - £60,000
HERMENEGILDO ANGLADA CAMARASA (SPANISH, 1871-1959) Sola en el palco oil on panel 12 5/8 x 13 3/8 in. (32 x 34 cm.)
Christie's