Howard Arkley (5 May 1951 – 22 July 1999)[1] was an Australian artist, born in Melbourne, known for his airbrushed paintings of houses, architecture and suburbia. His mother's side of the family was Jewish and his father was German.
John Brack was Howard Arkley's first true inspiration and felt encouraged to continue with his art. After seeing an exhibition of works by Sidney Nolan, Arkley became very interested in art. Nolan's use of household materials inspired him and abstract artists such as Klee and Kandinsky also appealed to him. After discovering art, Arkley studied at Prahran College of Advanced Education from 1969 to 1972 where he discovered the airbrush, which he subsequently used in his paintings as he desired smooth surfaces.
He had his first exhibition, aged 24, at Tolarno Galleries, Melbourne, in 1975. Most of his early works were abstract, often depicting patterns or lines created with the airbrush. Arkley's works were first black and white, it was only later on that he began experimenting with colour. A turning point in Arkley's career was in 1981 when he created Primitive, a mural, which caught the attention of the public to his potential. In 1982 he painted a tram for the Victorian Ministry of the Arts.
One of his first pieces, "Le que", was noted in the Fine Arts Falls Collection in 1973.
Use of urban and suburban imagery
Between 1960 and 1990 he expanded in inventory of images and icons to include heads, portraits, masks and the urban and suburban imagery. Arkley returned from a trip from Europe where he had searched for inspiration. Upon walking home, he noticed the pattern of his front gate, he then ran around to all his neighbours gates using them as inspiration in his later artworks. Arkley's inspiration was taken from the patterns, colours and forms (gates, doors etc.) found in Australian suburbia. Strong visual effects such as colour, bold forms and brash designs derived from advertising were also evident in his works. Arkley was also known for being the first ever man to create a painting with his feet.
Influenced by, Arkley made use of handmade stencils and other household objects created such as perforated plastic laundry baskets and fly screen doors to achieve the richly textured patterns. Arkley collaborated with Juan Davila for an exhibition called Blue Chip Instant Decorator in 1991, at Tolarno Galleries in South Yarra. His exhibition called Fabricated Rooms with a 15-metre multipaneled series, was on display at the Art Gallery of New South Wales between 1998 and 1999. This image depicted of multiple rooms in a family home which were brightly colored and patterned.
His work was shown at the 1998 Biennale of Sydney, as well as international shows in Korea, Singapore and Germany.
He painted a colourful airbrushed portrait of musician Nick Cave in 1999 which is in the Collection of the National Portrait Gallery.
Final exhibition
Arkley opened his final exhibition at the 1999 Venice Biennale, then travelled to London to plan an album cover for Nick Cave. Following London, he flew to Los Angeles, where his exhibition at the Karen Lovegrove Gallery was a sell-out.[2] They then drove to Las Vegas where he married his partner Alison Burton on 15 July.[2] (It was his third marriage; he had previously been married to Elizabeth Gower and Christine Johnston.)[3] They returned to Melbourne on 19 July, and on 22 July 1999 he died of an accidental heroin overdose.[4]
HOWARD ARKLEY (1951 - 1999) Nick Cave archival pigment print, ed. 34/499 edition 34/499, numbered lower left with artist's embossed seal. Signed: Artists signature printed lower right. Provenance: Work accompanied by certificate of authenticity from Kalli Rolfe Contemporary Art, Melbourne.
PROPERTY FROM A PRIVATE COLLECTION, SOUTH AUSTRALIA HOWARD ARKLEY (1951-1999) The Triffids 1985 synthetic polymer paint on offset lithograph 69.0 x 56.5 cm (image); 101.0 x 71.0 cm (sheet); 106.0 x 76.0 cm (framed) signed and dated lower right: H Arkley 85 signed and dated within image lower right: H. ARKLEY. 85. PROVENANCE Acquired from the artist, private collection, South Australia LITERATURE Gregory, J., Carnival in Suburbia: The Art of Howard Arkley, Cambridge University Press, Melbourne, 2006, p.169 Gregory, J., 'The Triffids [poster] 1985 [W/P]', Arkley Works [digital catalogue raisonné] (accessed July 2026): https://www.arkleyworks.com/blog/2009/11/17/the-triffids-poster-1985-wp/
HOWARD ARKLEY 1951-1999 Sampler: Traditional 1998 synthetic polymer paint on canvas signed, dated and inscribed ‘SAMPLER: TRADITIONAL / 1998 / Howard Arkley' verso 150.5 x 120.5 cm PROVENANCE Howard Arkley, Melbourne Tolarno Galleries, Melbourne Private Collection, Victoria, acquired from the above in January 1999 EXHIBITED Howard Arkley, Tolarno Galleries, Melbourne, 28 November – 24 December 1998, no. 6 LITERATURE Ashley Crawford and Ray Edgar, Spray: The Work of Howard Arkley (rev. ed.), Craftsman House, Sydney, 2001, p. 136 (illustrated) John Gregory, Arkley Works: Howard Arkley Online Catalogue Raisonné, www.arkleyworks.com, (illustrated)
HOWARD ARKLEY Australia, (1951 - 1999) Laminate Bracket, 1998 synthetic polymer on board on canvas titled, signed and dated to base: Laminate Bracket / 1998/ Howard Arkley canvas signed and dated verso: Howard Arkley/ 98 canvas inscribed verso: LM/ PGFA 605-06
Howard Arkley, synthetic polymer on paper, interior scene from mix & match series 1992, signature hidden on verso. Provenance, from artist to Ian Morton collection to current vendor. 54 x 74 cm
PROPERTY FROM A PRIVATE COLLECTION, SOUTH AUSTRALIA HOWARD ARKLEY (1951-1999) The Triffids 1985 synthetic polymer paint on offset lithograph 69.0 x 56.5 cm (image); 101.0 x 71.0 cm (sheet); 106.5 x 76.0 cm (framed) signed and dated lower right: H Arkley 85. signed and dated within image lower right: H. ARKLEY. 85.
PROPERTY FROM A PRIVATE COLLECTION, MELBOURNE HOWARD ARKLEY (1951-1999) Brick Bracket 1998 synthetic polymer paint on canvas and wood 40.5 x 70.0 x 53.5 cm signed, dated and inscribed verso of canvas: Howard Arkley 98 BB signed, dated and inscribed verso of wooden bracket: BRICK BRACKET/ 1998/ Howard Arkley
Howard Arkley (1951-1999) Freeway (Exit), 1995 signed and dated verso: 'Howard Arkley 95' signed, dated and inscribed verso: Name Howard Arkley / Title Freeway (Exit) / Date 1995 / Size 1500 x 2000 / Medium Acrylic on Canvas' synthetic polymer paint on canvas 200.0 x 150.0cm (78 3/4 x 59 1/16in).
HOWARD ARKLEY 1951-1999 Theatrical Façade 1996 synthetic polymer paint on canvas signed, dated and inscribed 'Name. Howard Arkley / Title. "Theatrical Facade" / Date. 1996 / Size. 1500 x 2000 / Medium. Acrylic on Canvas / Howard Arkley . 96' verso 200.2 x 150 cm PROVENANCE Howard Arkley, Melbourne Tolarno Galleries, Melbourne Private Collection Kalli Rolfe Contemporary, Melbourne Private Collection, Melbourne, acquired from the above EXHIBITED Contemporary Australia: Six Leading Artists, United Overseas Bank, Singapore, 1996 LITERATURE Ashley Crawford and Ray Edgar, Spray: The Work of Howard Arkley, Craftsman House, Sydney, 1997, p. 130 Ashley Crawford and Ray Edgar, Spray: The Work of Howard Arkley (rev. ed.), Craftsman House, Sydney, 2001, p. 148 John Gregory, Arkley Works: Howard Arkley Online Catalogue Raisonné, www.arkleyworks.com, (illustrated)
HOWARD ARKLEY Australia, (1951 - 1999) Deluxe Setting, 1992 archival pigment print, ed. 8/499 digital signature to margin lower right: Howard Arkley editioned to margin lower left artist's estate blindstamp lower left accompanied by a certificate of authenticity from Kalli Rolfe Contemporary Art, Melbourne
HOWARD ARKLEY 1951-1999 Contemporary Units 1988 synthetic polymer paint on canvas signed, dated and inscribed ‘Howard ARKLEY / Contemporary Units / 1988 / Howard Arkley / 88' verso 160 x 240.5 cm PROVENANCE Howard Arkley, Melbourne Tolarno Galleries, Melbourne (label verso) Private Collection, Melbourne, acquired from the above in August 1988 EXHIBITED Howard Arkley: Recent Paintings: Houses & Homes, Tolarno Galleries, Melbourne, 13 August – 3 September 1988, no. 8 LITERATURE Juliana Engberg, ‘On the Street Where You Live: Howard Arkley's Houses & Homes', Agenda, Melbourne, Vol. 1, No. 2, 1988, p. 26 (illustrated) John Gregory, Arkley Works: Howard Arkley Online Catalogue Raisonné, www.arkleyworks.com, (illustrated)
HOWARD ARKLEY Tripled Fronted digital archival print inscribed and editioned on margin: Howard Arkley / 16/499 C.A. Number #1759 67 x 97.5cm PROVENANCE Digital Art Directory (certificate of authenticity accompanies this lot)
Howard Arkley (1951-1999) " Riteroom" print 13/499 limited edition sealed on artist paper 86cm x 86cm needs adjusting coming out of the frame a little. A vibrant limited edition print by iconic Australian artist Howard Arkley, celebrated for his distinctive airbrushed depictions of suburbia and interior spaces. This piece captures a colourful lounge room scene in Arkley’s signature graphic style—bold patterning, flat colour, and suburban symbolism. Arkley’s work is held in all major Australian state galleries and remains a favourite of collectors of postmodern and Pop-influenced Australian art.
Howard Arkley (1951-1999) Four Studies, 1983 collage and fibre-tipped pen on paper According to Spray, these 4 works were ‘made for publication in the magazine Virgin Press', and involved reworking Surrealist artist Joán Miró's ‘organic abstraction' project from the 1930s, juxtaposing photographs of various objects with Arkley's own doodled versions (4)
PROPERTY FORMERLY FROM THE COLLECTION OF GEORGES MORA, MELBOURNE HOWARD ARKLEY & CHRISTINE JOHNSON (1951-1999) & born 1958 Suburban Landscape 1987 synthetic polymer paint on canvas 160.0 x 120.0 cm; 164.0 x 124.0 cm (framed) signed, dated and inscribed verso: Title. Suburban Landscape/ (spotted dog and spoted [sic] curtain)/ HOWARD ARKLEY/ DATE. 1987/ size 120 cm x 160 cm/ MEDIUM Acrylic on canvas/ Howard Arkley 87
PROPERTY FROM A PRIVATE COLLECTION, MELBOURNE HOWARD ARKLEY (1951-1999) Sampler: Formal 1998 synthetic polymer paint on canvas 150.0 x 120.0 cm; 153.0 x 123.0 cm (framed) signed, dated and inscribed verso: Sampler: Formal 1998 Howard Arkley
HOWARD ARKLEY 1951-1999 Triple Fronted 1993 hand-coloured screenprint on paper, edition 1 of 5 inscribed '1/5' lower left; signed and dated '1993 Howard Arkley' lower right 72 x 108 cm (image) PROVENANCE Howard Arkley, Melbourne Private Collection, Melbourne, acquired from the above in 1995 LITERATURE John Gregory, Arkley Works: Howard Arkley Online Catalogue Raisonné, www.arkleyworks.com, (illustrated, another version), as ‘Untitled House'
Howard Arkley (1951-1999), Acrylic on canvas, major work, Home 1987, signed & inscribed Verso 240 x 166 cm. Provenance. Nancy Long, Melbourne (purchased from Artist) : Arno Philips, Melbourne, Private collection, Melbourne (Documentation available on request)