Arman Sold at Auction Prices

b. 1928 - d. 2005

Artist Arman (1928-2005) was a painter and sculptor who, while influenced by Dadaism, formed a new school called Nouveau Realisme, stripping conceptual aesthetics from abstract art and rendering the form into a celebration of an object's intrinsic value. Many Arman paintings consist of musical chromatic and monochromatic compositions, as well as depictions of objects, like violins, in their tonal and linear totality.

Artist Arman sculpted musical instruments and other subjects as multipiece displays staged as one collective work. Arman's sculptures also consist of poubelles, discarded trash displayed in vitrines or suspended in resin. He created many lithographs and silkscreens of his work as well.

Arman's artwork is displayed in the Metropolitan Museum of Art, Tate, and the Hirshhorn Museum and Sculpture Garden. His signed abstract silkscreens are a favorite in many prestigious galleries. Browse Invaluable to find other exceptional silkscreen prints for sale.

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  • Armand Pierre Fernandez, sliced bronze Sculpture
    Oct. 03, 2026

    Armand Pierre Fernandez, sliced bronze Sculpture

    Est: $3,000 - $5,000

    Patinated, sliced bronze, L’Étreinte (The Embrace), created by the famous French-American Nouveau Réaliste artist Arman (Armand Pierre Fernandez). Measurements: 13 1/2" H x 14" W x 5" D

    Joshua Kodner
  • Arman (American/French, 1928-2005) Table basse aux instruments enchevêtrés
    Oct. 01, 2026

    Arman (American/French, 1928-2005) Table basse aux instruments enchevêtrés

    Est: $8,000 - $12,000

    Arman (American/French, 1928-2005) Table basse aux instruments enchevêtrés patinated bronze with glass top signed and numbered 2/5 (lower edge) height: 19 1/4 in. This lot is located in Philadelphia.

    Freeman’s
  • Arman (1928-2005)
    Sep. 23, 2026

    Arman (1928-2005)

    Est: CHF4,000 - CHF6,000

    Arman (1928-2005) Paire de candélabres modèle "Arbre africain", bronze à patine brune, signés et numérotés 81 et 82/99, 35x44x38 cm

    Geneve Encheres
  • Arman (1928-2005)
    Sep. 23, 2026

    Arman (1928-2005)

    Est: CHF3,000 - CHF5,000

    Arman (1928-2005) Paire de candélabres à 7 branches, bronze à patine foncée, signés et numérotés 21 et 22/50, marque du fondeur Bocquel, dédicacés "pour les amis du musée de Jérusalem", H 44 cm

    Geneve Encheres
  • Arman (1928-2005)
    Sep. 23, 2026

    Arman (1928-2005)

    Est: CHF2,000 - CHF3,000

    Arman (1928-2005) Aqua frago, 2004, Tubes de peintures, acrylique dans une boîte en plexiglas 13/99, 74x42x10 cm

    Geneve Encheres
  • “ARMAN,” ARMAND PIERRE FERNANDEZ (Nice, 1928 – New York, 2005). “Colère de violon XII,” 1970. Lithograph. E.A. edition. Signed and numbered in pencil.
    Sep. 23, 2026

    “ARMAN,” ARMAND PIERRE FERNANDEZ (Nice, 1928 – New York, 2005). “Colère de violon XII,” 1970. Lithograph. E.A. edition. Signed and numbered in pencil.

    Est: €400 - €450

    “ARMAN,” ARMAND PIERRE FERNANDEZ (Nice, 1928 – New York, 2005). “Colère de violon XII,” 1970. Lithograph. E.A. edition. Signed and inscribed in pencil. Measurements: 66 x 48.5 cm. Created in 1970, “Colère de violon XII” belongs to one of Arman’s most iconic series, the “Colères,” in which the artist explored the relationship between destruction and creation through the fragmentation of everyday objects. By breaking apart and reassembling the violin—a traditional symbol of harmony and artistic expression—Arman transforms a functional object into a new composition rich in meaning, questioning its value, memory, and permanence. A key figure in New Realism, Arman developed a visual language based on the accumulation and decontextualization of objects as a critical reflection on consumer society. His work, featured in institutions such as the Reina Sofía Museum, MoMA, the Tate Modern, and the Centre Pompidou, established him as one of the most influential French artists of the second half of the 20th century.

    Setdart Auction House
  • ARMAN, Armand Pierre Fernández (Nice, 1928–New York, 2005). “Winged Victory of Samothrace.” Bronze with black patina, no. 37/100. Bocquel fd foundry mark. Signed and dated.
    Sep. 23, 2026

    ARMAN, Armand Pierre Fernández (Nice, 1928–New York, 2005). “Winged Victory of Samothrace.” Bronze with black patina, no. 37/100. Bocquel fd foundry mark. Signed and dated.

    Est: €2,500 - €3,000

    ARMAN, Armand Pierre Fernández (Nice, 1928–New York, 2005). “Winged Victory of Samothrace.” Bronze with black patina, number 37/100. Bocquel fd foundry mark. Signed and dated. Measurements: 25 cm (height). In “Victory of Samothrace,” Arman takes one of the great icons of classical sculpture as his starting point, subjecting it to a process of formal transformation that is one of the hallmarks of his sculptural work. Far from faithfully reproducing the Hellenistic model, the artist fragments and multiplies its forms, creating a dynamic and organic composition in which the figure appears to simultaneously break down and rebuild itself. This technique, common in his work since the 1960s, reflects his interest in the accumulation, repetition, and appropriation of objects and images from material culture—fundamental principles of Nouveau Réalisme. Arman was a Franco-American painter and sculptor, considered one of the leading representatives and co-founders of Nouveau Réalisme, a movement launched in 1960 alongside the critic Pierre Restany and artists such as Yves Klein, Jean Tinguely, César, and Martial Raysse. Trained at the École Nationale des Arts Décoratifs in Nice and the École du Louvre in Paris, he began his career as a painter before shifting his focus toward incorporating everyday objects as the central elements of his artworks. His body of work is characterized by the famous “Accumulations”—groups of identical objects clustered and assembled—as well as by series such as the “Poubelles,” Colères, and Combustions, in which he destroys, fragments, burns, or encapsulates everyday objects—especially musical instruments—to reflect on consumption, mass production, and the transformation of materials. Through these processes, Arman transformed everyday objects into sculptural and symbolic elements, establishing a dialogue between art and reality that anticipated many of the concerns of contemporary art. Beginning in the 1960s, he was highly active internationally, dividing his time between France and New York. His work is part of the collections of institutions such as the Centre Pompidou in Paris, the Museum of Modern Art in New York, the Metropolitan Museum of Art, and the Tate, cementing his status as one of the key figures in European and international art of the second half of the 20th century.

    Setdart Auction House
  • ARMAN (Nice, 1928–New York, 2005). “Sérénade. Violin cut out and hunting horns.” Cut, welded, and assembled bronze, with light and dark patinas; AP 1/2. Signed and numbered.
    Sep. 23, 2026

    ARMAN (Nice, 1928–New York, 2005). “Sérénade. Violin cut out and hunting horns.” Cut, welded, and assembled bronze, with light and dark patinas; AP 1/2. Signed and numbered.

    Est: €35,000 - €38,000

    ARMAN (Nice, 1928–New York, 2005). “Sérénade. Cut-out Violin and Hunting Horns.” Cut, welded, and assembled bronze, with light and dark patinas; AP 1/2 edition. Signed and numbered. Measurements: 107 cm tall. “Sérénade” encapsulates one of Arman’s most emblematic explorations: the transformation of the musical instrument into sculptural material. The artist brings together fragments of a violin and various hunting horns in a densely packed vertical composition, where soundboxes, necks, bows, and bell-shaped ends intertwine around an ascending axis. The objects retain their recognizable identity but are stripped of their musical function, thereby acquiring a new sculptural autonomy. The alternation of light and dark patinas accentuates the complexity of the assemblage and allows the viewer to distinguish the composition’s different planes. The curves of the wind instruments interact with the silhouetted outlines of the strings, creating a balance between volume, void, and movement. The title introduces a deliberate paradox: the serenade has been suspended and silenced, though its rhythm persists in the almost orchestral arrangement of the elements. Bronze captures and immortalizes a process born of cutting and recomposition. It is not merely a matter of representing instruments, but of transforming them directly into the vocabulary of the work. This piece thus belongs to the core of Arman’s oeuvre, for whom musical instruments were among the most fertile subjects, subjected to accumulation, destruction, cutting, burning, casting, and assembly. Its status as AP 1/2—one of two proofs reserved for the artist—further reinforces the uniqueness of this piece. A co-founder of the Nouveau Réalisme movement in 1960, Arman placed manufactured objects and the waste products of consumer society at the center of contemporary artistic language. His work is represented in international institutions such as the Centre Pompidou, the Museum of Modern Art in New York, the Tate, the Metropolitan Museum of Art, and the Solomon R. Guggenheim Museum.

    Setdart Auction House
  • SERIGRAFIA POLIMATERIA SU CARTONCINO ARMAN
    Sep. 22, 2026

    SERIGRAFIA POLIMATERIA SU CARTONCINO ARMAN

    Est: €1,000 - €1,500

    PIERRE FERNANDEZ ARMAN (Nizza, 1928 - New York, 2005) Violins in black box, 1991. Serigrafia polimaterica su cartoncino. Timbro a secco del Maestro stampatore Claudio Barbato / Venezia Spinea. Misure 59 x 80 cm. Firma in basso a destra. Con cornice.

    Babuino Fine Art srl
  • ARMAN (1928-2005)
    Sep. 18, 2026

    ARMAN (1928-2005)

    Est: €1,500 - €2,500

    ARMAN (1928-2005) Violon cubiste, 2001 Épreuve en bronze à patine dorée Signée et numérotée 23/100 Diego Strazzer éditeur 74 x 20 x 15 cm Gilt patinated bronze Signed and numbered 23/100 Diego Strazzer editor 29 1/8 x 7 7/8 x 5 7/8 in. Provenance Collection particulière Bibliographie Denyse Durand-Ruel & Marc Moreau, Arman, Multiples, catalogue raisonné, modèle similaire référencé sous le n°70 et reproduit pages 122 et 123. Cette oeuvre est référencée sous le n°8819 des Archives Denyse Durand Ruel et sous le n° APA #.8401.01.002 des Archives Arman New York.

    HVMC - Hôtel des Ventes de Monte-Carlo
  • ARMAN (1928-2005)
    Sep. 18, 2026

    ARMAN (1928-2005)

    Est: €8,000 - €12,000

    ARMAN (1928-2005) Violon découpé Épreuve en bronze patiné Signé Sur un socle en marbre noir Hauteur : 64 cm Socle : 5 x 25 x 20 cm Patinated bronze Signed On a black marble base Height: 25 1/4 in. Base: 2 x 9 7/8 x 7 7/8 in. Provenance Atelier de l’artiste Collection particulière

    HVMC - Hôtel des Ventes de Monte-Carlo
  • **Arman 1928-2005 (French, American) Wrath of Cello, 2002 sliced wood and bronze cellos, remounted together
    Sep. 16, 2026

    **Arman 1928-2005 (French, American) Wrath of Cello, 2002 sliced wood and bronze cellos, remounted together

    Est: $25,000 - $28,000

    Arman 1928-2005 (French, American) Wrath of Cello, 2002 sliced wood and bronze cellos, remounted together h:118 w: 56 d:31 cm. signed and numbered '6/8' Provenance: From a private collection in Brussels. Other Notes: This work is recorded in the Arman Studio Archives New York under number: APA# 8310.02.004. Items marked with ** before the lot number indicate that, if the artwork is released in Israel, Israeli VAT (currently 18%) and any applicable taxes or charges shall be borne by the purchaser. The location of each artwork is specified below. Location: Israel. For estimated delivery time please contact us. Condition report available upon request.

    Matsart Auctioneers & Appraisers
  • **Arman 1928-2005 (French, American) Chess Pieces, from 'Hommage א Duchamp To and for Rrose Selavy', 1973 split chess pieces embedded..
    Sep. 16, 2026

    **Arman 1928-2005 (French, American) Chess Pieces, from 'Hommage א Duchamp To and for Rrose Selavy', 1973 split chess pieces embedded..

    Est: $2,200 - $2,800

    Arman 1928-2005 (French, American) Chess Pieces, from 'Hommage א Duchamp To and for Rrose Selavy', 1973 split chess pieces embedded in plexiglas sculpture published by The Philadelphia Museum of Art, Philadelphia, edited by Abrams Original Editions h:41.40 w: 17.50 d:4 cm. signed and numbered, edition of 90 Other Notes: Items marked with ** before the lot number indicate that, if the artwork is released in Israel, Israeli VAT (currently 18%) and any applicable taxes or charges shall be borne by the purchaser. The location of each artwork is specified below. Location: Israel. For estimated delivery time please contact us. Condition report available upon request.

    Matsart Auctioneers & Appraisers
  • **Arman 1928-2005 (French, American) Guitare portugaise cubiste, 2003 bronze with gold patina
    Sep. 16, 2026

    **Arman 1928-2005 (French, American) Guitare portugaise cubiste, 2003 bronze with gold patina

    Est: $3,500 - $4,200

    Arman 1928-2005 (French, American) Guitare portugaise cubiste, 2003 bronze with gold patina h:66 w: 29 d:20 cm. signed and numbered '22/100' Other Notes: Items marked **with a lot number indicate they have been imported into Israel. These items are subject to Israeli tax laws, including a 18% value-added tax (VAT) on the purchase price and the buyer's commission ONLY WHEN RELEASED IN ISRAEL. Location: Israel. For estimated delivery time please contact us. Condition report available upon request.

    Matsart Auctioneers & Appraisers
  • ARMAN FERNANDEZ (1928 - 2005) - UNTITLED
    Sep. 16, 2026

    ARMAN FERNANDEZ (1928 - 2005) - UNTITLED

    Est: €4,000 - €6,000

    ARMAN FERNANDEZ (1928 - 2005). UNTITLED. signature The work is accompanied by the expertise of the Fondation A.R.M.A.N. and the certificate of archiving of the Dante Vecchiato Art Gallery, Padua PROVENANCE Private collection, Lecco. 50 x 71 x 4,50 cm. 1998.

    Capitolium Art
  • ARMAN FERNANDEZ (1928 - 2005) - UNTITLED
    Sep. 16, 2026

    ARMAN FERNANDEZ (1928 - 2005) - UNTITLED

    Est: €6,000 - €8,000

    ARMAN FERNANDEZ (1928 - 2005). UNTITLED. signature at the back: label from Arman Studio, New York The work is accompanied by a certificate of authenticity from the artist on a photograph with a label from the Denise Durand-Ruel Archives. The work is registered with Studio Arman, New York, under APA# 8110.01.098 Thanks to Studio Arman, New York, for confirming the presence of the work in their archives. PROVENANCE Private collection, Turin. 101 x 82 x 6 cm. 2001.

    Capitolium Art
  • Arman (1928-2005)
    Sep. 14, 2026

    Arman (1928-2005)

    Est: €4,000 - €6,000

    Sliced Violin, 1994,incised with signature and numbered 'arman 7/100' (on the side),partially polished bronze, 68x24,5x21 cm

    Venduehuis Auctioneers The Hague
  • Arman (French, American 1928 - 2005). Melody for Strings, 1990.
    Sep. 14, 2026

    Arman (French, American 1928 - 2005). Melody for Strings, 1990.

    Est: €500 - €700

    Arman (French, American 1928 - 2005) Melody for Strings, 1990 complete set of three screenprints with colophon in the original portfolio each signed and numbered '10/120', aside from 25 EA and 20 in Roman numerals, printed by L'Atelier de Reklamteknik, Malmö, published by Edition GKM Suede (with their blindstamp) 1005 x 700 mm. each Condition: Prints in excellent condition, portfolio with minor signs of wear.

    Adams Amsterdam Auctions
  • ARMAN (1928-2005)
    Sep. 13, 2026

    ARMAN (1928-2005)

    Est: €1,500 - €2,000

    "Masque Punu", Gabon, gouache sur papier, signée. Inscription manuscrite au dos : "Provenance, atelier de l'artiste". 34 x 21 cm à vue. Note : Né à Nice et décédé à New York, Arman s’impose comme l’une des figures majeures de l’art du XXe siècle et un acteur central du mouvement des Nouveaux Réalistes, fondé aux côtés de Yves Klein sous l’impulsion du critique Pierre Restany. Très tôt, il développe un langage artistique radical en intégrant directement des objets manufacturés dans ses œuvres, qu’il considère comme les prolongements naturels de la main humaine. Il se fait connaître par ses célèbres « accumulations », assemblages d’objets du quotidien (montres, instruments, déchets), révélant avec force les mécanismes de production et de consommation de la société moderne. Son travail s’inscrit dans une réflexion profonde sur la matérialité, la répétition et la mémoire des objets, dialoguant avec les expérimentations de ses contemporains tels que César ou Jean Tinguely. Installé entre Nice, Vence et New York, Arman mène une carrière internationale marquée par de grandes expositions et commandes publiques. Collectionneur averti, notamment d’art africain, il nourrit son œuvre d’un regard aigu sur les objets et leur charge symbolique, faisant de lui un artiste incontournable de la modernité.

    Stanley's auction
  • Arman (1928-2005) 'L'intérieur des choses II, Le Transistor', 50/300, a lithograph.
    Sep. 10, 2026

    Arman (1928-2005) 'L'intérieur des choses II, Le Transistor', 50/300, a lithograph.

    Est: €100 - €150

    Arman (1928-2005) 'L'intérieur des choses II, Le Transistor', 50/300, a lithograph. A two-colour lithograph. Signed lower right (in pencil). Numbered 50/300 lower left (in pencil). (unframed) (48.5 x 65.5 x 0 cm) Condition Report: A condition report not being available doesn't mean the item is flawless. If you'd like one, email us with the relevant lot number(s). Please also look closely at the photos, as they usually reveal any damage or missing parts. Feel free to reach out with questions or if you'd like additional images.

    Flanders Auctions
  • Arman (Armand Pierre Fernandez)
    Sep. 06, 2026

    Arman (Armand Pierre Fernandez)

    Est: €3,900 - €7,800

    (1928 Nizza - 2005 New York City) "Hommage à Nadar". Originaltitel Bronze, gegossen, schwarzgrau patiniert, partiell goldfarben poliert. Sign. u. nummeriert 27/95. Hrsg. Diego Strazzer, Verona, 1986. Die Plastik Armans, angesiedelt zwischen Surrealismus und Pop Art, in Form einer zergliederten Balgenkamera versteht sich als Hommage an den Fotopionier Nadar. Der bedeutende französisch-amerikanische Objektkünstler und Vertreter des Nouveau Réalisme Arman, gehörte 1960 neben Yves Klein, Daniel Spoerri, Jean Tinguely und anderen zu den Mitbegründern der Bewegung "Les Nouveaux Réalistes". Weiterer Kontakt bestand zu Jasper Johns und Robert Rauschenberg sowie zur Düsseldorfer ZERO-Gruppe mit Günther Uecker und der Fluxus-Bewegung. In diesem breiten, internationalen Umfeld entstand ein äußerst vielschichtiges Oeuvre, das neben Objektkunst auch Malerei, Aktions- und Monumentalkunst und Multiples umfaßt. Aman war auf den Documentas 3, 4 und 6 vertreten. Große Retrospektiven krönten sein Werk bereits zu Lebzeiten, eine weitere Retrospektive fand 2010 im Centre Pompidou statt. H. 31,5 cm, B. 55 cm, T. 23 cm. Patinated bronze. Signed and numbered.

    Kunstauktionshaus Schloss Ahlden
  • Arman
    Aug. 31, 2026

    Arman

    Est: $2,000 - $2,500

    Arman Arman Les Nouveaux Réalistes 1973 Screenprint /600 50 x 50 cm Arman Les Nouveaux Réalistes 1973 Technique: Screenprint Dimensions: 50 x 50 cm Edition: /600 Condition: In very good condition

    Alyes Auctions
  • Arman
    Aug. 31, 2026

    Arman

    Est: $2,500 - $3,000

    Arman Arman Violons IV 1974 Serigraph /100 56.5 x 76.4 cm Arman Violons IV 1974 Technique: Serigraph Dimensions: 56.5 x 76.4 cm Edition: /100 Condition: In good condition. Bottom edge of the page is heavily yellowed.

    Alyes Auctions
  • Arman
    Aug. 31, 2026

    Arman

    Est: $3,000 - $3,500

    Arman Arman Violon et pinceaux Circa 1995 Screenprint EA 57 x 77 cm Arman Violon et pinceaux Circa 1995 Technique: Screenprint Dimensions: 57 x 77 cm Edition: EA Condition: Very good

    Alyes Auctions
  • Arman
    Aug. 31, 2026

    Arman

    Est: $15,000 - $20,000

    Arman Arman The last violin 1977 Serigraph /XIII 40 x 25 x 5.1 cm Arman The last violin 1977 Technique: Serigraph Dimensions: 40 x 25 x 5.1 cm Edition: /XIII Condition: In perfect condition.

    Alyes Auctions
  • ARMAN [1928-2005]
    Aug. 18, 2026

    ARMAN [1928-2005]

    Est: €15,000 - €25,000

    Bronze in gold patine signed "Table basse aux Violoncelles" 2005 numbered 20/35 height: 50 cm. + lenght: 75 cm. with certificat

    Cnock Auctions
  • Arman, Bon Sante V
    Aug. 18, 2026

    Arman, Bon Sante V

    Est: $1,000 - $1,500

    Arman Bon Sante V 1996 blue Carlsberg bottle caps in Plexiglas 17.75 h x 11.375 w x 3.625 d in (45 x 29 x 9 cm) Incised signature to metal plaque at interior lower edge 'Arman 6/30'. This work is number 6 from the edition of 30 published by GKM Siwert Bergstrom, Malmo. This work is recorded in the Arman Studio Archives under number: APA# 8403.96BL.005. This work will ship from Los Angeles, California.

    Los Angeles Modern Auctions
  • Arman, Boom-Boom (from the New York International portfolio)
    Aug. 14, 2026

    Arman, Boom-Boom (from the New York International portfolio)

    Est: $300 - $500

    Arman Boom-Boom (from the New York International portfolio) 1966 screenprint in colors 17 h x 22 w in (43 x 56 cm) Signed, numbered, and inscribed to lower left 'Pour Claude Renard Arman Artist Proof/200' with publisher's blindstamp. This work is an artist's proof apart from the edition of 225 printed by Chiron Press, New York and published by Tanglewood Press Inc., New York. This work will ship from Lambertville, New Jersey.

    Rago Arts and Auction Center
  • ARMAN (1928-2005) - Inclusion au pinceau, 1995
    Aug. 08, 2026

    ARMAN (1928-2005) - Inclusion au pinceau, 1995

    Est: €5,000 - €6,000

    ARMAN (1928-2005)- Inclusion au pinceau, 1995. Pinceau inclus dans la résine, signé « Arman » et numéroté EA 7/10 (Épreuve d’Artiste). Dimensions de la sculpture : 27 x 15 x 4 cm. Dimensions du socle : 2 x 20 x 8 cm. Hauteur totale : 29 cm. Paintbrush embedded in resin, signed "Arman" and numbered EA 7/10 (Artist's Proof). Sculpture dimensions: 27 x 15 x 4 cm. Base dimensions: 2 x 20 x 8 cm. Total height : 29 cm.

    Louiza Auktion & Associés
  • ARMAN (1928-2005) - Passe-Temps, 1971.
    Aug. 08, 2026

    ARMAN (1928-2005) - Passe-Temps, 1971.

    Est: €2,500 - €3,000

    ARMAN (1928-2005) - Passe-Temps, 1971. Livre-objet comprenant une inclusion de colère de montre de gousset dans du Plexiglass. Livre sérigraphié avec reproduction de dessins originaux de Arman, sur des textes de l'artiste. Signé au crayon et numéroté 14/150. Editeur : Edition Rousseau, Genève, 1971. Bon état, 40 x 40 x 8 cm Book-object including an inclusion of "colère de montre" in Plexiglass. Screen-printed book with reproduction of original drawings by Arman, with texts by the artist. Signed in pencil and numbered 14/150. Publisher: Edition Rousseau, Geneva, 1971. Good condition, 40 x 40 x 8 cm

    Louiza Auktion & Associés
  • ARMAN (1928-2005) - Violin II, 2004
    Aug. 08, 2026

    ARMAN (1928-2005) - Violin II, 2004

    Est: €8,500 - €9,500

    ARMAN (1928-2005) - Violin II, 2004. Sculpture en bronze patiné brun et noir montée sur un socle en bronze, signée "Arman" et numérotée /100 + 20 EA. Editeur : Guy Pieters, Belgique, 2004. Réf. : "Arman-Multiples", catalogue raisonné de Denyse Durand-Ruel et Marc Moreau, Fondation A.R.M.A.N, 2006, un exemplaire similaire est décrit et reproduit sur les pages 136 & 137 sous le numéro 77. Bon état, 63 x 21 x 17 cm Brown and black patinated bronze sculpture mounted on a bronze base, signed "Arman" and numbered /100 + 20 AP. Publisher: Guy Pieters, Belgium, 2004. Ref.: "Arman-Multiples", catalog raisonné by Denyse Durand-Ruel and Marc Moreau, Fondation A.R.M.A.N, 2006, a similar example is described and reproduced on pages 136 & 137 under number 77. Good condition, 63 x 21 x 17 cm

    Louiza Auktion & Associés
  • ARMAN (1928-2005)- African Spoons, 1999
    Aug. 08, 2026

    ARMAN (1928-2005)- African Spoons, 1999

    Est: €8,000 - €9,000

    ARMAN (1928-2005)- African Spoons, 1999. Sculpture en bronze à patine dorée, signée « Arman » et numérotée 50/99. Réf. : Archives Denyse Durand-Ruel n° 9546 ; Archives Atelier Arman n° ARM 005845. Bon état, 56 x 36 x 10 cm. Bronze sculpture with gilt patina, signed "Arman" and numbered 50/99. Ref.: Archives Denyse Durand-Ruel No. 9546; Arman Studio Archives No. ARM 005845. Good condition, 56 x 36 x 10 cm.

    Louiza Auktion & Associés
  • ARMAN (1928-2005) - Colère Temps III, 1976
    Aug. 08, 2026

    ARMAN (1928-2005) - Colère Temps III, 1976

    Est: €3,200 - €4,200

    ARMAN (1928-2005)- Colère Temps III, 1976. Réveil brisé, encastré dans du plâtre et encadré dans un coffret en bois. Chaque sculpture de cette édition présente une apparence différente. Elle est signée à la main au dos, mais également dans le plâtre, et justifiée « E.A. » (épreuve d'artiste). Éditeur : Artcurial, Paris, 1976. Bon état, 35 x 35 x 9 cm. Broken alarm clock set into plaster and framed in a wooden box. Each sculpture from this edition is different in appearance. It is hand signed on the back, but also in plaster, justified "E.A." (Artist's Proof). Publisher: Artcurial, Paris, 1976. Good condition, 35 x 35 x 9 cm.

    Louiza Auktion & Associés
  • ARMAN (1928-2005)- Hommage à Eiffel, 1994
    Aug. 08, 2026

    ARMAN (1928-2005)- Hommage à Eiffel, 1994

    Est: €7,000 - €8,000

    ARMAN (1928-2005) - Hommage à Eiffel, 1994. Accumulation de tours Eiffel miniatures sous résine. Signée dans une plaque dans l'inclusion en bas a gauche. Edition limitée numérotée 86 / 100 ex. Archives Denyse Durand-Ruel N° 4639. Archives Arman New York N° APA#8400.94.050 Archives Fondation Arman N° 001456 37 x 20.5 x 7 cm. Accumulation of miniature Eiffel towers in resin. Signed lower left on a plate in the inclusion. Limited edition numbered 86 / 100 ex. Archives Denyse Durand-Ruel N° 4639. Archives Arman New York N° APA#8400.94.050 Archives Fondation Arman N° 001456 37 x 20.5 x 7 cm

    Louiza Auktion & Associés
  • ARMAN (1928-2005) - Waiting to Exhale, 1997
    Aug. 08, 2026

    ARMAN (1928-2005) - Waiting to Exhale, 1997

    Est: €7,200 - €7,500

    ARMAN (1928-2005) - Waiting to Exhale, 1997. Accumulation de cigares en résine. Editeur : Gérard Bosio. Signée et numérotée 24/100 en bas à droite. Réf. : Archives Denyse Durand-Ruel N° 6215. Légère tache dans la résine en haut (voir photos), 42 x 33 x 14,5 cm. Accumulation of cigars in resin. Publisher: Gerard Bosio. Signed and numbered 24/100 lower right. Ref. : Archives Denyse Durand-Ruel N° 6215. Slight mark in resin at the top (see photos), 42 x 33 x 14.5 cm.

    Louiza Auktion & Associés
  • ARMAN (1928-2005) - Les cadres éclatés I, 1998
    Aug. 08, 2026

    ARMAN (1928-2005) - Les cadres éclatés I, 1998

    Est: €800 - €1,000

    ARMAN (1928-2005) - Les cadres éclatés I, 1998. Ensemble de trois assiettes en porcelaine de Limoges, présentant l'interprétation par Arman des trois styles décoratifs français : Louis XIV, Régence et Louis XV. Signée dans la planche et numérotée au dos /1000. Bon état, 27,5 cm de diamètre. Set of 3 Limoges porcelain plates featuring Arman's interpretation of the three French decorative styles: Louis XIV, Régence, and Louis XV. Signed in plate, numbered on the back /1000. Good condition, 27.5 cm diameter.

    Louiza Auktion & Associés
  • ARMAN (1928-2005) - Les cadres éclatés II, 1998
    Aug. 08, 2026

    ARMAN (1928-2005) - Les cadres éclatés II, 1998

    Est: €800 - €1,000

    ARMAN (1928-2005) - Les cadres éclatés II, 1998. Ensemble de trois assiettes en porcelaine de Limoges présentant l'interprétation par Arman des trois styles décoratifs français : Louis XIII, Transition Louis XV-Louis XVI et Louis XVI. Signée dans la planche et numérotée au dos /1000. Bon état, diamètre 27,5 cm. Set of 3 Limoges porcelain plates featuring Arman's interpretation of the three French decorative styles: Louis XIII, Transition Louis XV-Louis XVI, and Louis XVI. Signed in plate, numbered on the back /1000. Good condition, 27.5 cm diameter.

    Louiza Auktion & Associés
  • **Arman 1928-2005 (French, American) Violin bronze and wood sculpture
    Aug. 02, 2026

    **Arman 1928-2005 (French, American) Violin bronze and wood sculpture

    Est: $14,000 - $18,000

    Arman 1928-2005 (French, American) Violin bronze and wood sculpture h:69.70 w:34 d:28.50 cm. signed Other Notes: Items marked with ** before the lot number indicate that, if the artwork is released in Israel, Israeli VAT (currently 18%) and any applicable taxes or charges shall be borne by the purchaser. The location of each artwork is specified below. Location: Europe. For estimated delivery time please contact us. Condition report available upon request.

    Matsart Auctioneers & Appraisers
  • ARMAN, Senza titolo
    Jul. 24, 2026

    ARMAN, Senza titolo

    Est: €8,000 - €10,000

    ARMAN, © by SIAE (Nizza 1928 - New Yorke 2005) Senza titolo, 2001 Caffettiera tagliata e una fila di tubetti di colore acrilico arancio e verde montati su tela riportata su tavola, cm 74x50 Firma al fronte Stato conservativo: Ottimo Certificato di archiviazione su fotografia con firma autografa del Maestro Opera registrata presso "Archivio delle Opere di Arman, Archivio autorizzato da Arman per le opere in Italia" Dante Vecchiato, Galleria d'Arte - Padova N° Archivio D 2505-0432p Opera condizionata in teca di plexiglass - Dimensioni estrne cm 95x71x16,5

    Casa d'aste Minghini
  • ARMAN (ARMAND FERNANDEZ) (1928-2005) Violon spiralé (Violon cubiste no. 2)
    Jul. 14, 2026

    ARMAN (ARMAND FERNANDEZ) (1928-2005) Violon spiralé (Violon cubiste no. 2)

    Est: €5,500 - €6,500

    ARMAN (ARMAND FERNANDEZ) (1928-2005) Violon spiralé (Violon cubiste no. 2) signed 'Arman' (lower right), numbered '13/100' (on the back) bronze, brown patina, black veined marble base edition 13/100 H. 76 cm Executed in 2003 Upon the buyer’s request, we are pleased to provide a general condition report for the Lot described above. However, as we are not professional conservators or restorers, we strongly advise prospective buyers to conduct their own inspection or consult a specialist or restorer of their choice for a comprehensive professional assessment. Any condition descriptions provided in the catalogue or through any correspondence are for guidance only and should not be considered a substitute for a firsthand evaluation. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD ‘AS IS’ IN ACCORDANCE WITH THE GENERAL TERMS AND CONDITIONS OF SALE PUBLISHED IN THE CATALOGUE.

    Hermitage Fine Art
  • ARMAN (ARMAND FERNANDEZ) (1928-2005) Cavaquinho (Accumulation of ukuleles)
    Jul. 14, 2026

    ARMAN (ARMAND FERNANDEZ) (1928-2005) Cavaquinho (Accumulation of ukuleles)

    Est: €3,000 - €4,000

    ARMAN (ARMAND FERNANDEZ) (1928-2005) Cavaquinho (Accumulation of ukuleles) signed 'Arman' (lower right) wood, metal, resin, canvas, panel edition 97/99, Harlen Associated Limited Publisher 81 x 60 x 4 cm Executed in 2003 Certificate of authenticity by Harlen Associated Limited Publisher signed by the artist Upon the buyer’s request, we are pleased to provide a general condition report for the Lot described above. However, as we are not professional conservators or restorers, we strongly advise prospective buyers to conduct their own inspection or consult a specialist or restorer of their choice for a comprehensive professional assessment. Any condition descriptions provided in the catalogue or through any correspondence are for guidance only and should not be considered a substitute for a firsthand evaluation. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD ‘AS IS’ IN ACCORDANCE WITH THE GENERAL TERMS AND CONDITIONS OF SALE PUBLISHED IN THE CATALOGUE.

    Hermitage Fine Art
  • ARMAN (ARMAND FERNANDEZ) (1928-2005) Hommage à Malevitch
    Jul. 14, 2026

    ARMAN (ARMAND FERNANDEZ) (1928-2005) Hommage à Malevitch

    Est: €2,500 - €3,500

    ARMAN (ARMAND FERNANDEZ) (1928-2005) Hommage à Malevitch Signed 'Arman' (lower right), numbered '85/100' (on the back) paintbrushes, acrylic, plexiglass edition 85/100, publisher Cudemo Editore, Bordighera (Italy) 48 x 37 x 12 cm Executed in 2004 This work is recorded in the Archives of Mrs Denyse Durand-Ruel under number 9944 Certificate of authenticity by Cudemo Editore, Bordighera (Italy) dated 30.06.2006 Upon the buyer’s request, we are pleased to provide a general condition report for the Lot described above. However, as we are not professional conservators or restorers, we strongly advise prospective buyers to conduct their own inspection or consult a specialist or restorer of their choice for a comprehensive professional assessment. Any condition descriptions provided in the catalogue or through any correspondence are for guidance only and should not be considered a substitute for a firsthand evaluation. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD ‘AS IS’ IN ACCORDANCE WITH THE GENERAL TERMS AND CONDITIONS OF SALE PUBLISHED IN THE CATALOGUE.

    Hermitage Fine Art
  • ARMAN (ARMAND FERNANDEZ) (1928-2005) Accumulation of tubes (Tube bin)
    Jul. 14, 2026

    ARMAN (ARMAND FERNANDEZ) (1928-2005) Accumulation of tubes (Tube bin)

    Est: €2,000 - €3,000

    ARMAN (ARMAND FERNANDEZ) (1928-2005) Accumulation of tubes (Tube bin) signed 'Arman' (lower right); inscribed 'HC' (on the reverse) paint tubes and book in a plexiglass box edition H.C., publisher Cudemo Editore, Bordighera (Italy) 36.5 x 38 x 17 cm Executed in 2003 including the book 'Arman. Inclusions', Reut Tita, edited Bordighera, Cudemo, 2004 This work is recorded in the Archives of Mrs Denyse Durand-Ruel under number DDR 1262 Certificate of authenticity by Cudemo Editore, Bordighera (Italy) dated 30.06.2005 Upon the buyer’s request, we are pleased to provide a general condition report for the Lot described above. However, as we are not professional conservators or restorers, we strongly advise prospective buyers to conduct their own inspection or consult a specialist or restorer of their choice for a comprehensive professional assessment. Any condition descriptions provided in the catalogue or through any correspondence are for guidance only and should not be considered a substitute for a firsthand evaluation. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD ‘AS IS’ IN ACCORDANCE WITH THE GENERAL TERMS AND CONDITIONS OF SALE PUBLISHED IN THE CATALOGUE.

    Hermitage Fine Art
  • Fernandez Arman (Nizza 1928 - New York 2005) - Tubes and violon, 1990
    Jul. 09, 2026

    Fernandez Arman (Nizza 1928 - New York 2005) - Tubes and violon, 1990

    Est: €200 - €300

    lithograph in colours, numbered 60/99 cm 76 x 56 (sheet size), (unframed) Signed in pencil lower right

    Finarte
  • Fernandez Arman (Nizza 1928 - New York 2005) - Untitled
    Jul. 09, 2026

    Fernandez Arman (Nizza 1928 - New York 2005) - Untitled

    Est: €200 - €300

    lithograph in colours, numbered 64/99 cm 80 x 56,5 (sheet size), (unframed) Signed in pencil lower right

    Finarte
  • ARMAN (1928-2005)
    Jul. 08, 2026

    ARMAN (1928-2005)

    Est: €10,000 - €12,000

    ARMAN (1928-2005) Sans Titre Table en bronze à patine nuancée verte Signée Plateau circulaire en verre Hauteur : 79 cm - Diamètre 72,5 cm Plateau : 100 cm Green patinated bronze table Signed With a glass top Height: 31 1/8 in. - Diameter: 28 1/2 in. Glass top: 39 3/8 in. Provenance Collection particulière

    HVMC - Hôtel des Ventes de Monte-Carlo
  • ARMAN (1928-2005)
    Jul. 08, 2026

    ARMAN (1928-2005)

    Est: €2,000 - €4,000

    ARMAN (1928-2005) Vital revolving, 1994 Epreuve en bronze à patine brun foncé et brun clair Coupe de statuette et de tables d'harmonie de violon miniature assemblées entre elles Signée sur la terrasse Cachet de fondeur ‘Bocquel Fd’ et numéroté 14/100 sur la base 30 x 18 x 16 cm Dark brown and light brown patinated bronze Cut of statuette and cut of violin soundboards assembled together Signed on the base Foundry mark ‘Bocquel Fd’ and numbered 14/100 on the base 11 3/4 x 7 1/8 x 6 1/4 in. Provenance Atelier de l’artiste Collection particulière Bibliographie Denyse Durand-Ruel, Marc Moreau, Arman, multiples, Catalogue raisonné, volume 1, Fondation ARMAN, Genève, 2014 modèle référencé sous le n°97 pages 160-161.

    HVMC - Hôtel des Ventes de Monte-Carlo
  • ARMAN (1928-2005)
    Jul. 08, 2026

    ARMAN (1928-2005)

    Est: €3,500 - €5,500

    ARMAN (1928-2005) For You, 1995 Épreuve en bronze à patine brune Signée sur la terrasse Cachet de fondeur « Bocquel Fd » et numéroté 6/40 sur la base 32 x 12,5 x 12,5 cm Brown patinated bronze Signed on the base Foundry mark "Bocquel Fd" and numbered 6/40 on the base 12 5/8 x 4 7/8 x 4 7/8 in. Provenance Atelier de l’artiste Collection particulière Bibliographie Denyse Durand-Ruel, Marc Moreau,, multiples, Catalogue raisonné, volume 3, Fondation ARMAN, Genève, 2014, modèle référencé sous le n°24 pages 62-63 Renaud Bouchet, Les féminins d’Arman, des Cachets aux Interactifs, 1957-2005, Fondation ARMAN, Genève, 2016, modèle référencé et reproduit page 231.

    HVMC - Hôtel des Ventes de Monte-Carlo
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