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Naoum Aronson Sold at Auction Prices

Sculptor

Naum Aronson Lvovich (1872-1943) was born on December 25, 1872, in a traditional religious family of ten children in Kreslavka, a village near Vitebsk in Bearus, then part of the Russian empire, now part of the Republic of Latvia.

Sculpting from an early age as a self-made sculptor, Naum left Home at 16 years old. He enrolled at the art drawing school of Ivan Trutnev in Vilna. He came back home after 10 months because of anti-Semitism expressed by the director of the program. He stayed two years and decided to move to Paris. Naum moved to Paris in 1891 to attend the school of Decorative Arts. In his diaries Naum said “I arrived in Paris without any knowledge of the language..,but with great energy and hopes that I would not die of Hunger”[ii]. He also attended the studio of Professor H. Lemaire and the Colarossi Studio. Aronson had always been acutely aware of people’s facial expressions “I can see the men, my grandfather and father with their clear faces that had shed their everyday masks.” (Glants, p. 11) In 1894, Aronson return to Russia to do his military service. Two years later he was back in Paris and Naum picked up his career where he had left it.

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      • NAUM ARONSON (1872-1943) Bust of Ludwig van Beethoven
        Jun. 26, 2024

        NAUM ARONSON (1872-1943) Bust of Ludwig van Beethoven

        Est: €6,000 - €8,000

        signed, dated and located ‘N. Aronson Bonne 1905’ (on the reverse), foundry mark ‘… cire perdue Paris’ patinated bronze, lost wax casting 34.5 x 27 x 27 cm

        Hermitage Fine Art
      • Naoum Aronson (1872-1943) Buste du compositeur Ludwig von Beethoven Circa 1095
        Jun. 07, 2024

        Naoum Aronson (1872-1943) Buste du compositeur Ludwig von Beethoven Circa 1095

        Est: €3,000 - €4,000

        Naoum Aronson (1872-1943) Buste du compositeur Ludwig von Beethoven Circa 1095 Bronze à patine verte Signé, situé et daté " L. Aronson / Bonn / 1905 " Porte le cachet du fondeur " CIRE PERDUE M. RONNI RADICE A.P " H. 35 x L. 25,3 x L. 24,9 cm Ce buste de Beethoven s’inscrit dans la série de portraits de compositeurs réalisés par Naoum Aronson. Originaire de Russie, Naoum Aronson s’installe à Paris en 1891 où il fait la rencontre d’Auguste Rodin. Après sa formation auprès d’Hector Lemaire à l’École Nationale Supérieure des Arts Décoratifs, il réalise des portraits de personnalités du milieu artistique. En 1920, il expose à la galerie Decour deux exemplaires du buste de Beethoven, l’un en marbre et le second en bronze, aux côtés des portraits de Chopin, Wagner ou encore Berlioz. Littérature en rapport : Naoum Aronson : statuaire, cat. Exp., Paris, Galerie Decour, 1er mai-30 juin 1926.

        Crait-Muller
      • Naum Aronson (1872-1943), Ludwig van Beethoven, patinated bronze bust, signed and dated 1905, 18cm high (excluding the later, ebonised wooden pedestal), overall height 31 cm.
        Feb. 29, 2024

        Naum Aronson (1872-1943), Ludwig van Beethoven, patinated bronze bust, signed and dated 1905, 18cm high (excluding the later, ebonised wooden pedestal), overall height 31 cm.

        Est: £1,000 - £1,500

        Naum Aronson (1872-1943), Ludwig van Beethoven, patinated bronze bust, signed and dated 1905, 18cm high (excluding the later, ebonised wooden pedestal), overall height 31 cm. Naum Aronson created the first of the famed busts of Beethoven on the occasion of the composer`s 135 birthday. In 1905, Aronson visited Beethoven`s hometown, Bonn, where he attended a chamber music festival organized by the Beethoven-Haus. The experience must have had a strong effect on the young artist, as he began to sculpt a series of drafts, culminating in the sculpture that is now housed in the harden of the Beethoven-Haus in Bonn, Germany.

        Dawsons Auctioneers
      • Naoum ARONSON Kraslava, 1872 - New-York, 1943 Buste du compositeur Ludwig von Beethoven Bronze à patine brune
        Feb. 06, 2024

        Naoum ARONSON Kraslava, 1872 - New-York, 1943 Buste du compositeur Ludwig von Beethoven Bronze à patine brune

        Est: €800 - €1,200

        Naoum ARONSON Kraslava, 1872 - New-York, 1943 Buste du compositeur Ludwig von Beethoven Bronze à patine brune Signé, localisé et daté 'N Aronson / Bonn / 1905' à l'arrière Annoté 'Cire perdue' sur la terrasse Hauteur : 17,5 cm (6,89 in.) Commentaire : Rapport de condition : Bon état général de conservation. Patine légèrement encrassée. Quelques légères usures à la patine. Estimation 800 - 1 200 €

        Artcurial
      • NAOUM ARONSON (LATVIAN 1872-1943)
        Jan. 27, 2024

        NAOUM ARONSON (LATVIAN 1872-1943)

        Est: $15,000 - $20,000

        NAOUM ARONSON (LATVIAN 1872-1943) Bust of Rasputin painted plaster height: 73 cm (28 3/4 in.) PROVENANCE Christie's, New York, November 21, 2001, lot 17 (label on verso) CONDITION The bust is in good condition, some overall scratches, visible small overall chipping to the base on the front, the verso and the face and the hair, some signs of repainting. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

        Shapiro Auctions LLC
      • NAUM ARONSON (1872-1943) Bust of Ludwig van Beethoven
        Dec. 12, 2023

        NAUM ARONSON (1872-1943) Bust of Ludwig van Beethoven

        Est: €7,500 - €10,000

        signed, dated and located ‘N. Aronson Bonne 1905’ (on the reverse), foundry mark ‘… cire perdue Paris’ patinated bronze, lost wax casting 34.5 x 27 x 27 cm NAUM ARONSON (1872-1943) Bust of Ludwig van Beethoven signé, daté et situé ‘N. Aronson Bonne 1905’ (au verso), marque de fonderie ‘... cire perdue Paris’ bronze patiné, fonte à la cire perdue 34.5 x 27 x 27 cm

        Hermitage Fine Art
      • NAUM ARONSON (RUSSIAN 1872 – 1943) BUST OF HECTOR BERLIOZ
        Nov. 16, 2023

        NAUM ARONSON (RUSSIAN 1872 – 1943) BUST OF HECTOR BERLIOZ

        Est: £800 - £1,200

        NAUM ARONSON (RUSSIAN 1872 – 1943) BUST OF HECTOR BERLIOZ bronze, dark brown patina, signed 'N aronson, 22' and dated 1922 to the base with foundry stamp, mounted on a rectangular scagliola marble painted wooden plinth (33cm high, 15cm wide, 15cm deep) Note: Naum (or Naoum) Aronson, was a Russian-Jewish sculptor known for his portraits, monuments, and busts of prominent political, scientific and artistic figures, including Louis Pasteur, Spartacus, Rasputin, and George Washington. By the turn of the twentieth century he was closely associated with the ideas of the central European Secessionists and was inspired by great Romantic composers such as Beethoven and Chopin.

        Lyon & Turnbull
      • Naum Lvovic Aronson (1872-1943)
        Jul. 20, 2023

        Naum Lvovic Aronson (1872-1943)

        Est: $300 - $400

        Naum Lvovic Aronson (1872-1943), bust of Tolstoy, bronze sculpture, height: 18 cm. Signed. Additional foundry mark (Meroni Radice, Paris).

        Ishtar Auctions Ltd
      • NAOUM ARONSON (Kreslavka, 1872 - New York, 1943). "Childhood. Marble. Signed. Exhibitions: "European sculpture of the 20th century", European Museum of Modern Art (MEAM), Barcelona, 2014.
        Jun. 21, 2023

        NAOUM ARONSON (Kreslavka, 1872 - New York, 1943). "Childhood. Marble. Signed. Exhibitions: "European sculpture of the 20th century", European Museum of Modern Art (MEAM), Barcelona, 2014.

        Est: €5,000 - €6,000

        NAOUM ARONSON (Kreslavka, 1872 - New York, 1943). "Childhood. Marble. Signed. Exhibitions: "European sculpture of the 20th century", European Museum of Modern Art (MEAM), Barcelona, 2014. Size: 43 x 45 x 45 cm. Born into a Russian family of Jewish origin, after studying at the Vilnius School of Art in the Vilnius School of Art, around 1891 he moved to Paris, where he completed his training and was a pupil of Rodin his training and became a pupil of Rodin. In his Montparnasse studio, he worked and spent most of his life there. He specialised in busts of such important personalities as Beethoven, Pasteur, Tolstoy, Rasputin and Lenin. Lenin, as well as portraying the anonymous people of his native Russia, a specialist in capturing the souls of both old people and children. children. Thus, this Sleeping Child (which recalls similar studies by the Catalans the Catalans Blay and Querol had made at the time for their groups The First Cold Ones" and "Tradition" respectively), shows his mastery of marble in capturing the mastery of marble to capture the tenderness and innocence of childhood, using a gentle technique that seems to pamper the creature. The invasion of France by the Germans during the Second World War forced him to emigrate to the United States due to to emigrate to the United States because of his Jewish origin, dying shortly afterwards. shortly afterwards.

        Setdart Auction House
      • Beethoven
        Jun. 14, 2023

        Beethoven

        Est: €600 - €800

        Naoum Aronson 1872 - 1943 Beethoven model from 1905 plaster bust signed, dated and located N. Aronson / Bonn / 1905 H. 7 ⅛ in. ___________________________________ Naoum Aronson 1872 - 1943 Beethoven le modèle de 1905 buste en plâtre signé, daté et localisé N. Aronson / Bonn / 1905 H. 18 cm

        Sotheby's
      • Naum Aronson (1872-1943) Ludwig van Beethoven bronze with dark brown patin
        Jun. 08, 2023

        Naum Aronson (1872-1943) Ludwig van Beethoven bronze with dark brown patin

        Est: £800 - £1,200

        Naum Aronson (1872-1943) Ludwig van Beethoven bronze with dark brown patina 7 in. (18 cm.) high, excluding pedestal

        Christie's
      • Naum Lvovic Aronson (1872-1943) Buste de Beethoven, bronze à patine foncée
        Sep. 19, 2022

        Naum Lvovic Aronson (1872-1943) Buste de Beethoven, bronze à patine foncée

        Est: CHF300 - CHF500

        Naum Lvovic Aronson (1872-1943) Buste de Beethoven, bronze à patine foncée, signé et daté 1905, H 18 cm

        Geneve Encheres
      • Naoum Aronson (Russian, 1872-1943), Meroni Radice Foundry,
        May. 17, 2022

        Naoum Aronson (Russian, 1872-1943), Meroni Radice Foundry,

        Est: £400 - £600

        Naoum Aronson (Russian, 1872-1943), Meroni Radice Foundry, Naoum Aronson (Russian, 1872-1943), a bronze bust of Leo Tolstoy, unsigned, with 'Meroni Radice Paris' foundry stamp to the verso, 20cm high

        Sworders
      • ARONSON Naum (1872-1943)
        Apr. 02, 2021

        ARONSON Naum (1872-1943)

        Est: €500 - €800

        ARONSON Naum (1872-1943) Beethoven Épreuve en bronze patiné, signée, datée 1909 et située Bonn Porte le cachet du fondeur Montagutelli Haut. : 17 cm

        Mirabaud-Mercier
      • ARONSON NAOUM (1873-1943) Portrait d’une jeune femme Plâtre Signé « N. Aronson »
        Mar. 14, 2021

        ARONSON NAOUM (1873-1943) Portrait d’une jeune femme Plâtre Signé « N. Aronson »

        Est: €5,000 - €8,000

        ARONSON NAOUM (1873-1943) Portrait d’une jeune femme Plâtre Signé « N. Aronson » 50 х 58 х 68 cm. Provenance : Collection particulière, France Vente de l’atelier de Jose Pillon, 6/12/2010, Dupont & Associés SVV, Morlaix. L351. Le plâtre présenté aux enchères a été retrouvé en 2010 dans l’atelier du peintre Jose Pillon en Bretagne. L’atelier a été découvert par la famille de l’artiste des années après sa mort. Au moment du départ d’Aronson aux Etats-Unis dans les années 1940, les amis de l’artiste ont caché une grande partie de ses œuvres pour les sauver pendant la Seconde Guerre mondiale. Le portrait présenté aux enchères est très représentatif de l’art de Naoum Aronson profondément influencé par Auguste Rodin et la sculpture romantique de l’époque. Effectué dans les années 1910, au moment où Naoum Aronson est reconnu comme l’un des meilleurs portraitiste de son temps, cette œuvre présente une qualité muséale. АРОНСОН Наум (1873-1943) Портрет девушки Гипс Подпись «N.Aronson » 50 х 58 х 68 см. Представленный на торги бюст был обнаружен в 2010м году в ателье французского художника Жозе Пийона. Ателье было заброшено многие годы и оставалось нетронутым до появления наследников художника. Известно, что в 1940х годах, перед отъездом Наума Аронсона в США, ряд его работ был спрятан друзьями скульптора во избежание их разрушения нацистскими захватчиками во время Второй мировой войны. Портрет девушки, является очень характерной скульптурной работой Наума Аронсона, в которой просматривается как стиль художника, так и влияния эпохи (работ Родена и общего романтизма во французской скульптуре). Выполненный в 1910х гг. на пике славы автора как портретиста, он безусловно является работой музейного уровня.

        Osenat
      • ARONSON Naum (1872-1943). Portrait du poète Léon Tolstoï. Dessin au fusain sur papier sig
        Dec. 15, 2020

        ARONSON Naum (1872-1943). Portrait du poète Léon Tolstoï. Dessin au fusain sur papier sig

        Est: €200 - €300

        ARONSON Naum (1872-1943). Portrait du poète Léon Tolstoï. Dessin au fusain sur papier signé en bas à droite, conservé dans un encadrement ancien en bois teinté. Bon état. À vue : H. : 23,5 cm – L. : 28,5 cm. Cadre : H. : 35 cm – L. : 40 cm.

        Coutau-Begarie
      • ARONSON Naoum (1873-1943)
        Nov. 14, 2020

        ARONSON Naoum (1873-1943)

        Est: €3,000 - €4,000

        ARONSON Naoum (1873-1943) Portrait de Leon Tolstoï Plâtre Signé « N.Aronson » 55 x 32 x 30 cm. Dans l’état (accidents) Provenance : Collection particulière, France Vente de l’atelier de Jose Pillon, 6/12/2010, Dupont & Associés SVV, Morlaix. L350. АРОНСОН Наум (1873-1943) Портрет Льва Толстого Гипс Подпись «N.Aronson » 55 х 32 х 30 см. В состоянии (нехватка гипса в нескольких местах) C portrait de Léon Tolstoï est un chapitre à part dans l’oeuvre de Naoum Aronson. Au début des années 1900, sculpteur déjà connu à Paris par ses magnifiques portraits de compositeurs et de personnalités, Aronson propose au célèbre écrivain légendaire l’idée de création d’un buste. Tolstoï menait à l’époque une vie assez tranquille et isolée dans sa maison de Yasnaya Polyana. Il refuse dans un premier temps de poser pour le jeune sculpteur, mais en regardant des photos des œuvres d’Aronson, il change d’avis et l’invite à Yasnaya Polyana. En arrivant chez la famille du comte Tolstoï, Aronson commence par un buste de son épouse Sofia Andreevna et par un bas-relief de la fille de Tolstoï Tatiana. Léon Tolstoï l’observe pendant un moment et reconnaît que ce jeune sculpteur travaille bien, mais n’accepte pas de poser spécialement, en disant «Vous pouvez m’observer quand je travaille. Quand je travaille, vous travaillez à côté». Dans ses mémoires Aronson racontait que la tâche fut particulièrement difficile. Il voulait capturer la personnalité de Tolstoï, sa force et le présenter comme un grand penseur du siècle. Bien qu’ils sortaient souvent se balader ensemble et passaient beaucoup du temps à discuter, Naoum Aronson comprit qu’il n’arriverait pas à terminer le buste sur place. Un jour, en travaillant il sent le regard de Tolstoï. D’un coup, Léon Tolstoï accepte de poser pendant dix minutes. «J’ai commencé à travailler tout de suite. Pendant cette première séance j’ai pu beaucoup corriger le buste et même Tolstoï a remarqué que l’œuvre avait beaucoup changé. Quand il sortit de la pièce je transpirais et étais fatigué comme jamais.» Naoum Aronson a passé deux semaines chez Tolstoï, il a réalisé à peu près 80 dessins (certains ont été terminés à Paris), un buste et un bas-relief de Sofia Andreevna, un bas-relief de Tatiana Lvovna. Il voulait revenir à Yasnaya Polyana pour effectuer un autre projet, mais cette idée ne s’est jamais concrétisée. Le bronze du buste de Léon Tolstoï a été fondu à partir d’un plâtre en 1902 et exposé à l’Académie des Beaux-Arts de Saint-Pétersbourg. Après l’exposition le bronze fut envoyé à Yasnaya Polyana et se trouve actuellement au musée de Léon Tolstoï à Moscou. Nous savons que Naoum Aronson a fait une donation de son plâtre de Tolstoï pour une loterie organisée pour aider les victimes d’un grand incendie à Vitebsk (à côté de la ville natale d’Aronson). Le plâtre a disparu avec son nouveau propriétaire en Lettonie en 1905-1906. Le plâtre présenté aux enchères est identique à celui disparu en Lettonie. Il a été retrouvé en 2010 dans l’atelier du peintre Jose Pillon en Bretagne. L’atelier a été découvert par la famille de l’artiste des années après sa mort. Au moment du départ d’Aronson aux Etats-Unis dans les années 1940, les amis de l’artiste ont caché une grande partie de ses œuvres pour les sauver pendant la Seconde Guerre mondiale. Le plâtre retrouvé dans l’atelier de Jose Pillon est probablement le dernier existant parmi les plâtres préparatifs d’une des meilleures sculptures de Naoum Aronson. Nous remercions le musée des Beaux-Arts et de l’Histoire de la ville Kraslava (Lettonie) pour son aide et les photographies publiées. Портрет Льва Толстого стоит отдельной главой в творчестве Наума Аронсона. В начале 1900х годов, уже известный французский скульптор, знаменитый своими портретами «характерных» и «легендарных» личностей. Загоревшись идеей создания портрета Льва Толстого, Аронсон долго уговаривает писателя позировать. На момент его просьбы, Лев Толстой уже вел образ жизни довольно простой и уединенный. Многие знаменитые российские художники пытались поймать каждый момент приезда писателя в Москву и рисовали его буквально «на ходу». Позировать Толстой не хотел. После долгой переписки, Толстой соглашается и приглашает Аронсона в свое имение в Ясной Поляне. Приехав в Ясную Поляну, Аронсон начинает с работы над бюстом Софьи Толстой, супруги писателя. Понаблюдав за ним, Лев Николаевич позволил скульптору делать зарисовки, но отказался позировать специально. Уговорить Толстого удалось с трудом и не сразу. Бюст Софьи Андреевны очень понравился всей семье и близкие уговаривали писателя сами. Аронсон часами гулял с Львом Николаевичем и делал массу зарисовок писателя за работой, пытаясь максимально уловить его характер, все движения фигуры, внутреннюю силу мыслителя. Скульптор неоднократно отмечал в своих воспоминаниях, что такая работа была очень утомительной. Сложно было уловить образ полностью и было понятно, что едва ли бюст удастся закончить на месте. Внезапно Толстой согласился позировать по десять-пятнадцать минут время от времени. «Я быстро принялся за работу. Это был первый сеанс, в течение которого я успел много поправить и переделать. Когда Л. Н. вышел из мастерской, я был весь мокрый от усталости. Я работал с необычайным напряжением. Когда он затем увидел "переделку", то сам сказал: "Однако какая перемена в работе". Мне не хотелось делать бюст Л. Н. по обыкновенным его портретам, как мы его привыкли видеть, например, в образе крестьянина. Я хотел представить его, как он мыслит» - вспоминал Наум Аронсон. За две недели в гостях у Толстых он очень много работал и делал огромное количество зарисовок. Многие из них дорабатывались уже по памяти в Париже. Известно, что Наум Аронсон сделал 80 зарисовок (по данным музея Толстого в Москве), вылепил бюст Льва Николаевича, барельеф, бюст Софьи Андреевны и барельефный портрет Татьяны Львовны. Аронсон планировал вернуться к Толстым, но по ряду причин вторичный приезд не состоялся. Бюст Толстого был отлит с гипса и выставлен 1902 г. на выставке в Академии Художеств в Петербурге, где имел большой успех. После выставки бюст был отправлен Сергею Львовичу в Ясную Поляну. 7 сентября 1926 года Сергей Львович передал его в дар музею Толстого в Москве. Известно, что гипс бюста Толстого был пожертвован Наумом Аронсоном для лотереи в помощь погорельцев в большом пожаре в Витебске в 1905-1906, после лотереи гипс исчез с новым владельцем. Из воспоминаний современников, в том числе А.В. Луначарского, известно, что Аронсон настолько много работал над образом Толстого, что сам говорил, что многие рисунки создал по памяти и мог бы повторить. Представленный на торги гипс, идентичен гипсу бюста Толстого, исчезнувшему в Латвии. Данный гипс был обнаружен в 2010м году в ателье французского художника Жозе Пийона (Josey Pillon) вместе с гипсовым портретом девушки, представленным на торгах. Ателье Пийона много лет оставалось закрытым после смерти художника и стало настоящим открытием для наследников. Известно, что в момент отъезда Наума Аронсона в США, во время гонений евреев в 1940х годах, многие его произведения были спрятаны друзьями скульптора. С большой долей вероятности, данный гипс является единственным, дошедшим до наших дней гипсовым прототипом одного из лучших произведений Наума Аронсона. За помощь в подготовке материала и предоставленные фотографии, эксперт благодарит Исторический и художественный музей города Краслава (Латвия). Библиография: Новосёлов Ю. Альбом «Аронсон», конец 1940- х годов, KVMM Nr. 3559. Толстая С.А. Дневники 1901г. Луначарский А. В. Об изобразительном искусстве, т. 1, с. 402–406.

        Osenat
      • ARONSON Naoum (1873-1943)
        Nov. 14, 2020

        ARONSON Naoum (1873-1943)

        Est: €6,000 - €8,000

        ARONSON Naoum (1873-1943) Portrait d’une jeune femme Plâtre Signé « N. Aronson » 50 х 58 х 68 cm. Provenance : Collection particulière, France Vente de l’atelier de Jose Pillon, 6/12/2010, Dupont & Associés SVV, Morlaix. L351. АРОНСОН Наум (1873-1943) Портрет девушки Гипс Подпись «N.Aronson » 50 х 58 х 68 см.

        Osenat
      • KOPF EINES KINDES
        Sep. 12, 2020

        KOPF EINES KINDES

        Est: €280 - €560

        NAOUM LWOWITSCH ARONSON 1872 Kreslawka/ Russland - 1943 New York Kopf eines Kindes Weißer Marmor, gehauen. H. 31 cm. Seitlich bezeichnet 'N. Aronson'. Vollplastisch ausgeführter Portraitkopf eines Kindes mit zur Seite gewandtem Kopf. Min. ber.

        Hargesheimer Kunstauktionen Düsseldorf
      • NAUM ARONSON (RUSSIAN 1872-1943)
        Jul. 25, 2020

        NAUM ARONSON (RUSSIAN 1872-1943)

        Est: $800 - $1,000

        NAUM ARONSON (RUSSIAN 1872-1943) Portrait of a Man chalk on paper 55.3 x 45.5 cm. (21 3/4 x 17 7/8 in.) signed lower right CONDITION Observed out of the frame, the work is in good original condition. Some toning to the paper consistent with age. Watermarked INGRES 1871, the sheet is NOT laid down, but there is some old glue residue to the edges. Otherwise, no issues to report. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

        Shapiro Auctions LLC
      • ARONSON Naum (1872 – 1943), Leon Tolstoï, Bronze, patine noire, Signé et daté « 1902 »,
        Jul. 05, 2020

        ARONSON Naum (1872 – 1943), Leon Tolstoï, Bronze, patine noire, Signé et daté « 1902 »,

        Est: €600 - €800

        ARONSON Naum (1872 – 1943) Leon Tolstoï Bronze, patine noire Signé et daté « 1902 », 18,5 cm. Pendant son séjour à Yasnaya Polyana chez Leon Tolstoï, Naum Aronson obtient son accord pour une sculpture. De nombreux dessins et observations de l’écrivain pendant son travail sur Khadzhi Murad ont donné ce portrait de Leon Tolstoï profondément pensif. АРОНСОН Наум (1872 – 1943) Бюст Льва Толстого Бронза, черная патина Подпись и дата «1902», 18,5 см. Во время пребывания скульптора в Ясной Поляне, Лев Толстой позволяет запечатлеть себя, но отказывается позировать. Работая над скульптурой, автор создает массу зарисовок писателя во время его работы над Хаджи Мурадом. Получившийся образ задумчивого Льва Толстого был отлит по возвращению в Париж.

        Osenat
      • Naum Lvovich Aronson Bronze of Beethoven
        May. 21, 2020

        Naum Lvovich Aronson Bronze of Beethoven

        Est: $300 - $500

        Naum Lvovich Aronson, America / Russia / France (1872 - 1943). 'Ludwig van Beethoven'. Bronze sculpture on marble base. Signed on side. Bronze is 7" H x 4.75" W x 4.75" D, overall height 12" with marble base. Condition report: good condition, see photos. Examine all photos closely. Contact AAG for more detailed information if needed. AAG is not responsible for any errors or omissions to any lots. All sales are final and sold as is. In house shipping continental U.S. $45 plus 2% insurance.

        Abington Auction Gallery
      • ARONSON Naum (1872 – 1943) Leon Tolstoï Bronze, patine noire Sign
        Mar. 01, 2020

        ARONSON Naum (1872 – 1943) Leon Tolstoï Bronze, patine noire Sign

        Est: €600 - €800

        ARONSON Naum (1872 – 1943) Leon Tolstoï Bronze, patine noire Signé et daté « 1902 », 18,5 cm. Pendant son séjour à Yasnaya Polyana chez Leon Tolstoï, Naum Aronson obtient son accord pour une sculpture. De nombreux dessins et observations de l’écrivain pendant son travail sur Khadzhi Murad ont donné ce portrait de Leon Tolstoï profondément pensif. АРОНСОН Наум (1872 – 1943) Бюст Льва Толстого Бронза, черная патина Подпись и дата «1902», 18,5 см. Во время пребывания скульптора в Ясной Поляне, Лев Толстой позволяет запечатлеть себя, но отказывается позировать. Работая над скульптурой, автор создает массу зарисовок писателя во время его работы над Хаджи Мурадом. Получившийся образ задумчивого Льва Толстого был отлит по возвращению в Париж.

        Osenat
      • NAUM ARONSON
        Dec. 06, 2019

        NAUM ARONSON

        Est: CHF3,000 - CHF5,000

        NAUM ARONSON (Kraslava 1872 - 1943 New York) Bust of Leo Tolstoy. Bronze, black patina. Signed on the left side: N. Aronson, as well as with the foundry mark: Coline & Cie, Paris. H: 58 cm. Provenance: Private collection Switzerland. --------------- NAUM ARONSON (Kraslava 1872 - 1943 New York) Büste von Leo Tolstoi. Bronze, schwarze Patina. Auf der linken Seite signiert: N. Aronson, sowie mit dem Giesserstempel: Coline & Cie, Paris. 57,5 x 24 x 30 cm. Provenienz: Privatsammlung Schweiz.

        Koller Auctions
      • ARONSON, NAUM (1873-1943) Portrait of a Lady
        Nov. 27, 2019

        ARONSON, NAUM (1873-1943) Portrait of a Lady

        Est: £15,000 - £20,000

        ARONSON, NAUM (1873–1943) Portrait of a Lady signed. Marble, height 66 cm. Provenance: Estate of William Jester, Springfield, Illinois, until 2010. Acquired from the above by the present owner.

        MacDougall's
      • David Aronson (New York, MA, 1923 - 2015)
        Jul. 28, 2019

        David Aronson (New York, MA, 1923 - 2015)

        Est: $3,000 - $6,000

        David Aronson (Massachusetts, New York, 1923 - 2015) Important Bronze Sculpture with large original pedestal. Signed on the backside. Provenance: Private New York City Collection. Aronson founded what became the College of Fine Arts at Boston University in 1955, was appointed a tenured professor in 1962 and taught there until his retirement in 1989. He established the university’s art gallery in 1958. Bust Dimensions: 19.5 x 12 x 12 in. Pedestal Dimensions: 46 x 14 x 14 in.

        Helmuth Stone
      • ARONSON, NAUM (1873–1943) Lovers
        Jun. 05, 2019

        ARONSON, NAUM (1873–1943) Lovers

        Est: £30,000 - £50,000

        ARONSON, NAUM (1873–1943) Lovers signed on the base. Marble, height 65.5 cm.

        MacDougall's
      • A BRONZE BUST OF LEO TOLSTOY NAUM ARONSON (1872-1943) 22 ½ in. (57.2 cm.) high
        Jun. 03, 2019

        A BRONZE BUST OF LEO TOLSTOY NAUM ARONSON (1872-1943) 22 ½ in. (57.2 cm.) high

        Est: £10,000 - £15,000

        A BRONZE BUST OF LEO TOLSTOY NAUM ARONSON (1872-1943) signed and dated at the lower right of the face 'N. Aronson, Yasnaia Poliana, 1901', and with foundry mark on the reverse 'E. Gruet, Une Fondeur Paris', with a partially removed paper label inscribed ‘Exposition Internationale des Beaux-Arts / De Monte Carlo’ under base bronze with dark brown/ green patina 22 ½ in. (57.2 cm.) high

        Christie's
      • NAUM ARONSON BRONZE BUST OF LEV TOLSTOY SIGNED
        Jan. 12, 2019

        NAUM ARONSON BRONZE BUST OF LEV TOLSTOY SIGNED

        Est: $1,000 - $1,500

        Naum Aronson (Russian, 1872-1943) A bronze bust of Lev Tolstoy signed and dated 1902.

        Kamelot Auctions
      • Naoum ARONSON 1872 - 1943 Les amoureux Marbre blanc
        Oct. 16, 2018

        Naoum ARONSON 1872 - 1943 Les amoureux Marbre blanc

        Est: €30,000 - €40,000

        Naoum ARONSON 1872 - 1943 Les amoureux Marbre blanc Signé sur le côté de la base "n. aronson" Hauteur : 65,5 cm Provenance : Vente Londres, Sotheby's, 29 mai 2008, lot 128 Collection particulière, Monaco Expositions : Monaco, Salle d'exposition du Quai Antoine Ier, La Russie inconnue. Art russe de la première moitié du XXe siècle, juin-août 2015, catalogue de X. Muratova, Editions SilvanaEditoriale, n°22, reproduit en couleurs p.48 Commentaire : White marble; signed on the side of the base Height : 25 3/4 in. Estimation 30 000 - 40 000 €

        Artcurial
      • NAUM ARONSON (RUSSIAN 1872-1843)
        Jun. 12, 2018

        NAUM ARONSON (RUSSIAN 1872-1843)

        Est: £800 - £1,200

        NAUM ARONSON  (RUSSIAN 1872-1843) Count Lev Nikolayevich Tolstoy Charcoal on buff paper Signed, N. Aronson' l.r. 40 x 31.5 cm (15 1/2 x 12 2/8 in) Provenance: Private Collection UK. acquired by the present owner's grandfather Aaron Rapoport directly from the artist in Paris, and thence by descent.  Footnote: In August 1901, Aronson was commissioned to do a sculpture of Tolstoy.  He travelled to the village of Yasnay  Polyana, Russia, in order to meet Tolstoy and his family. Aronson said: “I had great hopes and ambitions but would never have aspired to sculpt the gods-for that is what Tolstoy was for me. Even to approach him seemed blasphemous.”[i] Aronson returned to Paris with a clay model and over sixty sketches of Tolstoy.  “It was as he sat in this chair in the semi-darkness, that I used every opportunity to jot down his expressions – of weariness, pensiveness, and sometimes dissatisfaction.” (Glants, p. 21). He refined the sculpture of Tolstoy in 1901-1902, Aronson casted the bust in bronze at the Alexis Rudier Fondeur. The work was exhibited at the Fine Arts Academy in St Petersburg in 1902 to immense acclaim; the critics in agreement said that it truly captured Tolstoy.  “He is no longer with us, but his great spirit and his immortal thought remain.  This is what I wanted to convey – the Mont Blanc of the Russian land…The drawing of Tolstoy sitting in his armchair – that is how I saw him; Plunged in thought as he listened to the music.” (Glants, p. 21)  The present drawing relates closely to the drawing of Tolstoy by Naum Aronson that was sold at Shapiro Auctions: 28th April, 2012, Lot 76. It conveys the distinctive characteristics of the deep set eyes lost in thought but drawn from a different angle that indicates that this was one of the series of over sixty studies he made from life when he visited Tolstoy in 1901. He used these studies to produce the clay model which was then cast in bronze.  Also from the same collection: Naum Aronson 'Salome' , marble sculpture - Lot 53, Chiswick Auctions, Fine European Works of Art, 6th June.  We are grateful to Musya Glants, for her assistance in cataloguing this lot.  Sources:  Glants, M. Naum Aronson and Lev Tolstoi // Experiment / Эксперимент. A Journal of Russian Culture, v.1,  p. 7-25. Charles Schlacks, Jr., Publisher, 1995. Musy Glants. Naum Aronson -- khudozhnik i chelovek. Paralleli: russko-evreiskii istoriko-literaturnyi almanakh, # 12, p.145-164. M: "Dom evreiskoi knigi", 2012.  M. Glants. N. Aronson. Autobiography (materials from the Aronson's archive in New York). Vestnik evreiskogo universiteta v Moskve, # 2 (18), p. 278-304. Moskva-Yerusalim, 1998.

        Chiswick Auctions
      • NAUM ARONSON (RUSSIAN 1872-1943): A WHITE MARBLE FIGURE OF SALOME, 'THE DESPAIR OF SALOME', CIRCA 1924 the nude figure on an integral rusticated base carved with numerous serpents, signed 'n. aronson' to the base, 23cm high x 36cm wide x 25.5cm deep On display at our South Kensington Gallery 17-30 May (on view at Chiswick from 31 May – 6 June) Provenance: Private Collection UK, acquired directly from the artist in Paris by Aaron Rapoport, and thence by descent. Aaron Rapoport was born in Moscow on May 18th 1878. He was the eldest son of the Rapoports: two cousins from a family of wealthy white Russian Jews living in Moscow: Berka  Rapoport (born in 1847)  and Perle married on April 4th 1874 and had 5 children. Towards the end of the 19th century, they fled Russia and sought refuge in France where they settled. Ary became naturalised French in December 1904.  He was a diamond merchant and dealt in natural pearls in the office of “Rapoport Jerwood  Perles et pierres fines” in the rue Drouot, in the 9tharrondissement in Paris. He lived in Rue Lauriston in the 16th arrondissement in Paris. They mixed with various artists, especially Russian Jews like themselves and Ary started collecting works by local painters and sculptors as well as English prints and etchings. He was a highly respected figure in the artistiic community and respected for his connoisseurship. He died in Paris in December 1963.  Footnote: Naum Aronson was born in 1872 in the small town of Kreslavka, Vitebsk (formerly Russia, currently Latvia). He began sculpting at a young age. At sixteen he went to Vilna to study at Ivan Trutneu’s Drawing School for ten months, encountered anti-Semitism and returned to his hometown. In 1891 he moved to Paris, which was attracting East European Jewish artists at the time. For two years he simultaneously attended the free municipal Ecole des Arts Decorative, the class of the sculptor Prof. H. Lemarie, and the Privet Art School of F. Colarossi. He was influenced by the work of  Michelangelo and Auguste Rodin (1840-1917) and he became acquainted with and deeply inspired by the work of the Impressionists. He lived and worked in Paris for nearly fifty years but due to financial difficulties, he was unable to attend the Ecole des Beaux Arts. He exhibited his work at the Salon du champs de Mars and he became a jury member of the salon. His work was also exhibited  at the International Exhibition in 1900. He was awarded a gold medal prize in Liege. In 1937 he was granted France's highest award. the Legion of Honor, for his work at the 'Exposition Universelle.' Aronson reached his maturity in the 1920's, which is when the present marble dates from, and by this time he had exhibited a large body of works with such titles as Enigme, 'Les Épaves and Aux Innocents. They are similarly carved with forms emerging from a marble matrix left rough-hewn. The present work, one of his most emblematic and spiritual, relates to the bronze that was exhibited in 1924. This work may well show the influence of Rodin. He produced a number of versions of Salomé in bronze as well as another carved version in basalt which dated from 1837 and was acquired directly from the artist (see Sotheby's London: Tuesday, November 25, 2014 [Lot 505] Russian Works of Art, Fabergé and Icons). He was celebrated for his portrait busts of important leaders and cultural figures, including Beethoven, Wagner, Chopin, Berlioz, Pasteur, Tolstoy, Rasputin and  Lenin (exhibited in the Soviet Pavillion in 1937). Aronson fled to America after the German invasion of France. He arrived in New York in March, 1941, on the S.S. Serpa Pinto, a Portuguese liner used by multiple Jewish organizations to transport refugees from Lisbon to New York. He died in New York in 1943. For further works from his collection including a study for the bust of Tolstoy by Naum Aronson, Arnold Borisovich Lakhovsky; Albert Abramovitz and Paul Jouve see Chiswick Auctions British & European
        Jun. 06, 2018

        NAUM ARONSON (RUSSIAN 1872-1943): A WHITE MARBLE FIGURE OF SALOME, 'THE DESPAIR OF SALOME', CIRCA 1924 the nude figure on an integral rusticated base carved with numerous serpents, signed 'n. aronson' to the base, 23cm high x 36cm wide x 25.5cm deep On display at our South Kensington Gallery 17-30 May (on view at Chiswick from 31 May – 6 June) Provenance: Private Collection UK, acquired directly from the artist in Paris by Aaron Rapoport, and thence by descent. Aaron Rapoport was born in Moscow on May 18th 1878. He was the eldest son of the Rapoports: two cousins from a family of wealthy white Russian Jews living in Moscow: Berka  Rapoport (born in 1847)  and Perle married on April 4th 1874 and had 5 children. Towards the end of the 19th century, they fled Russia and sought refuge in France where they settled. Ary became naturalised French in December 1904.  He was a diamond merchant and dealt in natural pearls in the office of “Rapoport Jerwood  Perles et pierres fines” in the rue Drouot, in the 9tharrondissement in Paris. He lived in Rue Lauriston in the 16th arrondissement in Paris. They mixed with various artists, especially Russian Jews like themselves and Ary started collecting works by local painters and sculptors as well as English prints and etchings. He was a highly respected figure in the artistiic community and respected for his connoisseurship. He died in Paris in December 1963.  Footnote: Naum Aronson was born in 1872 in the small town of Kreslavka, Vitebsk (formerly Russia, currently Latvia). He began sculpting at a young age. At sixteen he went to Vilna to study at Ivan Trutneu’s Drawing School for ten months, encountered anti-Semitism and returned to his hometown. In 1891 he moved to Paris, which was attracting East European Jewish artists at the time. For two years he simultaneously attended the free municipal Ecole des Arts Decorative, the class of the sculptor Prof. H. Lemarie, and the Privet Art School of F. Colarossi. He was influenced by the work of  Michelangelo and Auguste Rodin (1840-1917) and he became acquainted with and deeply inspired by the work of the Impressionists. He lived and worked in Paris for nearly fifty years but due to financial difficulties, he was unable to attend the Ecole des Beaux Arts. He exhibited his work at the Salon du champs de Mars and he became a jury member of the salon. His work was also exhibited  at the International Exhibition in 1900. He was awarded a gold medal prize in Liege. In 1937 he was granted France's highest award. the Legion of Honor, for his work at the 'Exposition Universelle.' Aronson reached his maturity in the 1920's, which is when the present marble dates from, and by this time he had exhibited a large body of works with such titles as Enigme, 'Les Épaves and Aux Innocents. They are similarly carved with forms emerging from a marble matrix left rough-hewn. The present work, one of his most emblematic and spiritual, relates to the bronze that was exhibited in 1924. This work may well show the influence of Rodin. He produced a number of versions of Salomé in bronze as well as another carved version in basalt which dated from 1837 and was acquired directly from the artist (see Sotheby's London: Tuesday, November 25, 2014 [Lot 505] Russian Works of Art, Fabergé and Icons). He was celebrated for his portrait busts of important leaders and cultural figures, including Beethoven, Wagner, Chopin, Berlioz, Pasteur, Tolstoy, Rasputin and  Lenin (exhibited in the Soviet Pavillion in 1937). Aronson fled to America after the German invasion of France. He arrived in New York in March, 1941, on the S.S. Serpa Pinto, a Portuguese liner used by multiple Jewish organizations to transport refugees from Lisbon to New York. He died in New York in 1943. For further works from his collection including a study for the bust of Tolstoy by Naum Aronson, Arnold Borisovich Lakhovsky; Albert Abramovitz and Paul Jouve see Chiswick Auctions British & European

        Est: £12,000 - £18,000

        NAUM ARONSON (RUSSIAN 1872-1943): A WHITE MARBLE FIGURE OF SALOME, 'THE DESPAIR OF SALOME', CIRCA 1924 the nude figure on an integral rusticated base carved with numerous serpents, signed 'n. aronson' to the base, 23cm high x 36cm wide x 25.5cm deep On display at our South Kensington Gallery 17-30 May (on view at Chiswick from 31 May – 6 June) Provenance: Private Collection UK, acquired directly from the artist in Paris by Aaron Rapoport, and thence by descent. Aaron Rapoport was born in Moscow on May 18th 1878. He was the eldest son of the Rapoports: two cousins from a family of wealthy white Russian Jews living in Moscow: Berka  Rapoport (born in 1847)  and Perle married on April 4th 1874 and had 5 children. Towards the end of the 19th century, they fled Russia and sought refuge in France where they settled. Ary became naturalised French in December 1904.  He was a diamond merchant and dealt in natural pearls in the office of “Rapoport Jerwood  Perles et pierres fines” in the rue Drouot, in the 9tharrondissement in Paris. He lived in Rue Lauriston in the 16th arrondissement in Paris. They mixed with various artists, especially Russian Jews like themselves and Ary started collecting works by local painters and sculptors as well as English prints and etchings. He was a highly respected figure in the artistiic community and respected for his connoisseurship. He died in Paris in December 1963.  Footnote: Naum Aronson was born in 1872 in the small town of Kreslavka, Vitebsk (formerly Russia, currently Latvia). He began sculpting at a young age. At sixteen he went to Vilna to study at Ivan Trutneu’s Drawing School for ten months, encountered anti-Semitism and returned to his hometown. In 1891 he moved to Paris, which was attracting East European Jewish artists at the time. For two years he simultaneously attended the free municipal Ecole des Arts Decorative, the class of the sculptor Prof. H. Lemarie, and the Privet Art School of F. Colarossi. He was influenced by the work of  Michelangelo and Auguste Rodin (1840-1917) and he became acquainted with and deeply inspired by the work of the Impressionists. He lived and worked in Paris for nearly fifty years but due to financial difficulties, he was unable to attend the Ecole des Beaux Arts. He exhibited his work at the Salon du champs de Mars and he became a jury member of the salon. His work was also exhibited  at the International Exhibition in 1900. He was awarded a gold medal prize in Liege. In 1937 he was granted France's highest award. the Legion of Honor, for his work at the 'Exposition Universelle.' Aronson reached his maturity in the 1920's, which is when the present marble dates from, and by this time he had exhibited a large body of works with such titles as Enigme, 'Les Épaves and Aux Innocents. They are similarly carved with forms emerging from a marble matrix left rough-hewn. The present work, one of his most emblematic and spiritual, relates to the bronze that was exhibited in 1924. This work may well show the influence of Rodin. He produced a number of versions of Salomé in bronze as well as another carved version in basalt which dated from 1837 and was acquired directly from the artist (see Sotheby's London: Tuesday, November 25, 2014 [Lot 505] Russian Works of Art, Fabergé and Icons). He was celebrated for his portrait busts of important leaders and cultural figures, including Beethoven, Wagner, Chopin, Berlioz, Pasteur, Tolstoy, Rasputin and  Lenin (exhibited in the Soviet Pavillion in 1937). Aronson fled to America after the German invasion of France. He arrived in New York in March, 1941, on the S.S. Serpa Pinto, a Portuguese liner used by multiple Jewish organizations to transport refugees from Lisbon to New York. He died in New York in 1943. For further works from his collection including a study for the bust of Tolstoy by Naum Aronson, Arnold Borisovich Lakhovsky; Albert Abramovitz and Paul Jouve see Chiswick Auctions British & European Fine Art Sale 12th June 2018. We are grateful to Musya Glants, for her assistance in cataloguing this lot. Sources: Glants, M. Naum Aronson and Lev Tolstoi // Experiment / Эксперимент. A Journal of Russian Culture, v.1,  p. 7-25. Charles Schlacks, Jr., Publisher, 1995. Musy Glants. Naum Aronson -- khudozhnik i chelovek. Paralleli: russko-evreiskii istoriko-literaturnyi almanakh, # 12, p.145-164. M: "Dom evreiskoi knigi", 2012. M. Glants. N. Aronson. Autobiography (materials from the Aronson's archive in New York). Vestnik evreiskogo universiteta v Moskve, # 2 (18), p. 278-304. Moskva-Yerusalim, 1998.

        Chiswick Auctions
      • Naum ARONSON (1872-1943) - Homme au violon - Bronze à patine noire uancée verte signé et justifié 92/250 - Hauteur : 27 cm (hors socle) - Provenance : Pucker Safrai GALLERY, Boston
        May. 16, 2018

        Naum ARONSON (1872-1943) - Homme au violon - Bronze à patine noire uancée verte signé et justifié 92/250 - Hauteur : 27 cm (hors socle) - Provenance : Pucker Safrai GALLERY, Boston

        Est: €600 - €700

        Violonist - Bronze signed and numbered - Height : 27 cm - Provenance : Pucker Safrai GALLERY, Boston

        Expertisez.com
      • Naum Aronson (1872-1943, French), "Bust of Leo Tolstoy," 1902, patinated bronze, signed and dated proper left, presented on a custom...
        Mar. 24, 2018

        Naum Aronson (1872-1943, French), "Bust of Leo Tolstoy," 1902, patinated bronze, signed and dated proper left, presented on a custom...

        Est: $400 - $700

        Naum Aronson (1872-1943, French), "Bust of Leo Tolstoy," 1902, patinated bronze, signed and dated proper left, presented on a custom made stepped mahogany stand, H.- 7 1/8 in., W.- 4 1/4 in., D.- 3 3/4 in.

        Crescent City Auction Gallery
      • ARONSON, NAUM (1873-1943) Standing Nude
        Nov. 29, 2017

        ARONSON, NAUM (1873-1943) Standing Nude

        Est: £30,000 - £50,000

        ARONSON, NAUM (1873-1943) Standing Nude, signed. Marble, height 72.5 cm. Provenance: Estate of the artist. Important private collection, Europe.

        MacDougall's
      • Naum Lvovic ARONSON (1872-1943)
        Apr. 29, 2017

        Naum Lvovic ARONSON (1872-1943)

        Est: €3,000 - €5,000

        Naum Lvovic ARONSON (1872-1943) Buste de Louis Pasteur Epreuve en bronze à patine brune . Signé à la base H : 40 cm

        Carvajal SVV
      • ARONSON NAUM LVOVITCH (1872-1953) d’après
        Apr. 07, 2017

        ARONSON NAUM LVOVITCH (1872-1953) d’après

        Est: €1,500 - €2,000

        ARONSON NAUM LVOVITCH (1872-1953) d’après Spartacus. Bronze à patine verte. Signé «N. Aronson» au dos. H. : 61 cm. АРОНСОН НАУМ ЛЬВОВИЧ (1872-1953), по Спартак. Бронза, зеленая патина, подпись

        Leclere - Maison de ventes
      • DAVID ARONSON, (American, 1923-2015), WOMAN WITH MANDOLIN, bronze, base: 4 1/2 x 4 x 2 in.; height of figure: 11 in.
        Dec. 06, 2015

        DAVID ARONSON, (American, 1923-2015), WOMAN WITH MANDOLIN, bronze, base: 4 1/2 x 4 x 2 in.; height of figure: 11 in.

        Est: $800 - $1,200

        DAVID ARONSON (American, 1923-2015) WOMAN WITH MANDOLIN bronze numbered 93/250, inscribed Aronson along lower edge base: 4 1/2 x 4 x 2 in.; height of figure: 11 in. Provenance: Estate of Helene Rabb Cahners, Boston, Massachusetts.

        Grogan & Company
      • NAUM LVOVIC ARONSON (1872-1943) Beethoven.
        Jun. 24, 2015

        NAUM LVOVIC ARONSON (1872-1943) Beethoven.

        Est: €1,500 - €2,000

        NAUM LVOVIC ARONSON (1872-1943) Beethoven. Bronze à patine brune. Signé, daté 1905 et situé Roma. H. : 20 cm.

        Leclere - Maison de ventes
      • Naum Aronson (Russian, 1872-1943) Kim in a turban
        Jun. 04, 2014

        Naum Aronson (Russian, 1872-1943) Kim in a turban

        Est: -

        Naum Aronson (Russian, 1872-1943) Kim in a turban height: 30cm (11 13/16in), width: 31 cm (12 3/16in)

        Bonhams
      • ARONSON Naoum 1872-1943
        May. 29, 2014

        ARONSON Naoum 1872-1943

        Est: €800 - €1,200

        ARONSON Naoum 1872-1943 Portrait of Tolstoi Ceramic bust Signed 19 x 10 x 10 cm

        The Bru Sale Gallery
      • Naum Aronson
        May. 21, 2014

        Naum Aronson

        Est: £5,000 - £7,000

        signed and dated: N Aronson Bonn 1905 and stamped: MONTAGUTELLI FRES PARIS CIRE PERDUE,bronze, dark brown patina, on a mottled green marble base,bronze: 33.5cm., 13¼in.base: 2.8 by 25.5 by 25.5cm., 1 1/8  by 10 by 10in.

        Sotheby's
      • Naum Lvovic ARONSON (1872-1943), Portrait de Lénine. Sculpture en marbre rouge antique. Taille directe. 64 x 68 x 68 cm. Accidents
        Dec. 08, 2013

        Naum Lvovic ARONSON (1872-1943), Portrait de Lénine. Sculpture en marbre rouge antique. Taille directe. 64 x 68 x 68 cm. Accidents

        Est: €5,000 - €7,000

        Naum Lvovic ARONSON (1872-1943), Portrait de Lénine. Sculpture en marbre rouge antique. Taille directe. 64 x 68 x 68 cm. Accidents

        Tradart Deauville
      • NAUM ARONSON (RUSSIAN 1872-1943), 'Bust of Ludwig
        Nov. 16, 2013

        NAUM ARONSON (RUSSIAN 1872-1943), 'Bust of Ludwig

        Est: $3,800 - $4,500

        NAUM ARONSON (RUSSIAN 1872-1943), 'Bust of Ludwig van Beethoven'c. 1905, bronze with dark brown patina, height: 35 cm, inscribed ' Aronson Bonn 1905' on back, LOT NOTES: Naum Aronson created the first of the famed busts of Beethoven on the occasion of the composer`s 135 birthday. In 1905, Aronson visited Beethoven`s hometown, Bonn, where he attended a chamber music festival organized by the Beethoven-Haus. The experience must have had a strong effect on the young artist, as he began to sculpt a series of drafts, culminating in the sculpture that is now housed in the harden of the Beethoven-Haus in Bonn, Germany.,

        Shapiro Auctions LLC
      • Naum Lvovic ARONSON (1872-1943) Portrait de Tolstoï Fusain sur papier Signé en bas à gauche. 31,5 x 23 cm (légère déchirure sur le bord gauche, légères pliures)
        Sep. 30, 2013

        Naum Lvovic ARONSON (1872-1943) Portrait de Tolstoï Fusain sur papier Signé en bas à gauche. 31,5 x 23 cm (légère déchirure sur le bord gauche, légères pliures)

        Est: €400 - €600

        Naum Lvovic ARONSON (1872-1943) Portrait de Tolstoï Fusain sur papier Signé en bas à gauche. 31,5 x 23 cm (légère déchirure sur le bord gauche, légères pliures)

        Carvajal SVV
      • Naoum ARONSON (1872-1943) Le pied de Juliette
        Dec. 14, 2012

        Naoum ARONSON (1872-1943) Le pied de Juliette

        Est: €4,000 - €6,000

        Naoum ARONSON (1872-1943) Le pied de Juliette Rateau, 1917 Marbre en taille directe. Signé sur la terrasse et daté 1917. Haut.: 42 cm - Larg.: 33 cm - Prof.: 29 cm Nous y joignons sa sellette...

        Collin du Bocage
      • **Naum Aronson 1872-1943 (Russian) Bust of Kim in a turban marble
        Nov. 27, 2012

        **Naum Aronson 1872-1943 (Russian) Bust of Kim in a turban marble

        Est: $9,000 - $12,000

        Naum Aronson 1872-1943 (Russian) Bust of Kim in a turban marble h:38 w:31 d:23 cm. Provenance: Sale: Sotheby's New York, June 13, 2007, lot 385. Private collection.

        Matsart Auctioneers & Appraisers
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