Baishi Qi Sold at Auction Prices

Calligrapher, Painter, Engraver, b. 1864 - d. 1957

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  • QI BAISHI (1864-1957) Fish
    Sep. 15, 2026

    QI BAISHI (1864-1957) Fish

    Est: $12,000 - $18,000

    QI BAISHI (1864-1957) Fish Ink on paper, framed and glazed, inscribed by the artist and signed Jipingtangshang Laoren Baishi with an artist's seal. 26 x 12 3/4in (66 x 32.2cm)

    Bonhams
  • QI BAISHI (1864-1957) Flycatcher and Plum Blossoms
    Sep. 15, 2026

    QI BAISHI (1864-1957) Flycatcher and Plum Blossoms

    Est: $30,000 - $50,000

    QI BAISHI (1864-1957) Flycatcher and Plum Blossoms Hanging scroll, ink and color on paper, inscribed by the artist and signed Jipingtangshang Laoren Qi Baishi with two artist's seals. 51 1/2 x 14 1/4in (130.7 x 36cm)

    Bonhams
  • QI BAISHI (1864-1957) Autumn Flowers and Crickets (2)
    Sep. 15, 2026

    QI BAISHI (1864-1957) Autumn Flowers and Crickets (2)

    Est: $25,000 - $40,000

    QI BAISHI (1864-1957) Autumn Flowers and Crickets Two large format album leaves, ink and color on paper, framed and glazed, the first inscribed by the artist with two artist's seals; the second with an artist's seal. 17 x 23in (43.2 x 58.4cm), each (2).

    Bonhams
  • Qi Baishi, China 1864-1957, Village landscape, Original Watercolour, Image: 28cm x 20cm Frame: 45cm x 38cm
    Sep. 15, 2026

    Qi Baishi, China 1864-1957, Village landscape, Original Watercolour, Image: 28cm x 20cm Frame: 45cm x 38cm

    Est: -

    Qi Baishi China, 1864-1957 Village landscape Original Watercolour Ink and colour on paper, signed and one red artist seal. Artwork is framed and ready to hang.

    Ozbid Auctions
  • A Chinese painting of shrimps and crabs, signed Qi Baishi (1864-1957)
    Sep. 13, 2026

    A Chinese painting of shrimps and crabs, signed Qi Baishi (1864-1957)

    Est: $8,000 - $12,000

    A Chinese painting of shrimps and crabs signed Qi Baishi (1864-1957) Ink on paper. With inscription, signature, and one seal. H: 42 5/8, W: 13 3/8 in. (H: 108.3, W: 34 cm.) Copy the following link for high resolution images: oag.smugmug.com/201-Sept-2026-Painting

    Oakridge Auction Gallery
  • Qi Baishi: Hosta Flowers and Dragonfly
    Sep. 12, 2026

    Qi Baishi: Hosta Flowers and Dragonfly

    Est: -

    Based on the provided information, this work depicts a "Hosta plant and dragonfly" motif. The composition employs a vertical scroll layout, with a single hosta plant growing upwards, its broad leaves layered, its stem upright, and buds and open flowers intertwined. Above, a dragonfly gently flutters its wings, creating a dynamic interplay between the flowers and leaves. Visually, the artist uses relatively concise ink wash to manage the overall composition, avoiding excessive density and instead finding vitality in the sparse white space. In terms of composition, the flowers and leaves are concentrated in the lower half of the painting, with the stem leading upwards to the inflorescence. The dragonfly is placed in the upper left corner, allowing the eye to naturally move from leaves to flowers, and from flowers to the insect. The inscription and seal on the left side create a vertical echo, enhancing the calligraphic quality and rhythm of the painting. In terms of brushwork, the leaves are rendered with varying shades of ink, the veins strong and undulating; the petals are mostly outlined with lighter ink, highlighting the elegant beauty of the hosta flower. The dragonfly's wings and body are depicted with fine brushstrokes, light and agile. The overall style is elegant and simple, possessing both the grace of floral miniatures and the vividness of ink wash painting. The paper shows some natural aging and minor blemishes; however, the exact condition of the mounting and preservation requires observation of the actual object. This type of subject matter is fresh and understated, suitable for display in studies, tea rooms, halls, or elegant clubs. For collectors, it offers opportunities for appreciation through the selection of brushstrokes, the use of white space in the composition, and the interplay of flowers and insects, capturing the essence of everyday life.

    Japan International Industry Co Ltd
  • Qi Baishi: Peach Blossoms and Myna Bird
    Sep. 12, 2026

    Qi Baishi: Peach Blossoms and Myna Bird

    Est: -

    Based on the provided information, this painting, "Peach Blossom and Myna," combines flowers, birds, and rocks in a vertical composition: a tall rock extends from bottom to top, spanning the entire canvas, with the myna perched atop it, and peach branches interspersed below, creating a balance of vertical and horizontal, static and dynamic elements. The myna's feathers are rendered with thick, layered ink, its head and beak deliberately highlighted, conveying an alert expression; a few strokes of red on its feet add life and vibrancy to the black and white ink. The rocks are painted with wet brushstrokes and light ink, with alternating areas of white space and dry brushwork, creating a rustic and lush feel. The peach blossoms are painted with pale pink, the branches rendered with simple brushstrokes, and the flowers and leaves arranged with a balanced density, creating a soft spring atmosphere between the deep colors of the rocks and the black feathers. The overall impression is bright yet retains a rustic charm, rich in folk life and the natural appeal of literati painting. In terms of the painting's overall spirit, this work does not rely on dense composition but rather emphasizes the overall composition and spirit of the subject. A myna bird perches high, overlooking the peach blossoms that peek out, creating a scene that is both vibrant with springtime life and subtly charming. The inscription and seal on the right echo the blank space in the painting, making the composition more complete. Judging from the image, the paper shows signs of age and some wear and tear; however, the actual condition should be assessed based on the actual item. This type of flower-and-bird painting is suitable for a wide range of tastes, whether in a study, tea room, hall, or elegant clubhouse. Viewers can appreciate the tranquility of blooming flowers, singing birds, and the first stirrings of spring through simple brushstrokes.

    Japan International Industry Co Ltd
  • Qi Baishi: Red Knotweed and Waterfowl
    Sep. 12, 2026

    Qi Baishi: Red Knotweed and Waterfowl

    Est: -

    In Based on the provided information and the image shown, this painting, *Red Smartweed and Waterfowl*, focuses on waterside flowers and two birds, unfolding vertically: The upper part depicts drooping red smartweed, its leaves rendered with layers of shades of green and ink, while the branches are depicted in light ochre and pink, creating a light and rhythmic effect; the lower part shows two waterfowl floating in shallow water, their ink tones varying, their orange-red beaks echoing the smartweed, adding brightness to the otherwise serene composition. The inscription and seal on the left form a vertical visual focal point, balancing the dense floral and foliage on the right. The blank spaces are filled with light ink washes, creating a sense of misty water and tranquil autumn. In terms of brushwork, the smartweed spikes are formed with dots and washes, their density and sparseness both decorative and naturally lively; the leaves are rendered with concise brushstrokes, with ink lines outlining the veins, and the colors are deep yet varied. The waterfowl are rendered with bold, sweeping strokes of ink, their forms charmingly clumsy and lively, possessing a touch of childlike innocence. This contrasts beautifully with the small insects flitting above, embodying the aesthetic principle of "simplicity conveying complexity, and rusticity revealing charm" in flower-and-bird painting. The overall style is elegant and lively, ideal for close observation and appreciation of the brushwork transitions and color interplay. From a display perspective, this type of vertical scroll possesses a bright and cheerful atmosphere, with a peaceful theme, suitable for placement in studies, tea rooms, halls, clubs, and other elegant spaces. However, the specific condition of the paper/silk, mounting details, and preservation status should be assessed based on the actual artwork and professional advice.terms of brushwork, the lotus leaves are rendered with large areas of ink, varying in shade and with a relatively free and unrestrained brushstroke. The petals are depicted with lines, showing speed and variation in pressure at the turns, presenting the red lotuses gracefully unfolding in mid-air. The color scheme is not overly complex, but rather uses red, ink, and blue to create a main rhythm, with bright color relationships, combining decorative qualities with the freehand style of literati painting. The calligraphy in the inscription is vigorous and upright, contrasting with the bold ink blocks and delicate stem lines in the painting, creating a visually complementary interplay between the poem, calligraphy, and painting.

    Japan International Industry Co Ltd
  • Qi Baishi: Palm Leaf and Butterfly
    Sep. 12, 2026

    Qi Baishi: Palm Leaf and Butterfly

    Est: -

    Based on the lot title and the content shown in the image, this painting, *Butterflies and Palm Leaves*, depicts palm leaves, vines, butterflies, and insects, a subject both elegant and lively. The composition is vertical, with branches and vines intertwining from top to bottom. Several palm leaves are arranged in varying densities, the colors delicate and subtle, with green and ochre complementing each other, creating a light and warm feel against a clean background. The butterflies above seem poised to flutter, while insects below add a touch of movement, creating a rhythmic and dynamic space. Compositionally, the work uses ample negative space, emphasizing openness and flow rather than dense arrangement of objects. The vine lines are rendered with simple brushstrokes, showing pauses at the turns, drawing the viewer into depth. The palm leaves have soft outlines, their veins fine yet not stiff, exhibiting a light and delicate charm. The inscription and seal on the right balance the composition, their free and flowing brushstrokes echoing the lines of the vines. The value of this type of work, featuring insects, flowers, and leaves, lies in its vitality found in simplicity and its charm within minimalism. The image shows a natural patina and scattered spots on the paper; however, the actual condition, mounting, and preservation should be assessed based on the actual piece. Overall, this work possesses a refined and elegant style, suitable for display in a study, tea room, hall, or a sophisticated club. It is also ideal for collectors to appreciate the natural charm and lingering ink effects of small-scale insect and flower scenes in their daily lives.

    Japan International Industry Co Ltd
  • Qi Baishi: Apricot Blossoms
    Sep. 12, 2026

    Qi Baishi: Apricot Blossoms

    Est: -

    Based on the lot title and the content shown in the image, this painting, "Apricot Blossoms," features a branch of blossoms as its main subject. Red flowers, green leaves, and ink-washed branches complement each other, creating a vertically unfolding composition. The branches twist and turn powerfully from the bottom upwards, forming the framework that runs throughout the entire painting. The blossoms are scattered throughout, varying in density, conveying both the vibrant spirit of spring and the literati's principle of "leaving blank space for vitality." Small insects at the top add a touch of liveliness to the serene scene, possessing a natural charm. From a visual perspective, the branches are rendered with heavier ink, the brushstrokes bold and unrestrained, employing both dry and wet techniques. The lines are not meticulously crafted but emphasize a raw, vigorous quality. The petals are painted with rich red dots, the ink stamens are finely detailed, and the green leaves are interspersed with light ochre and pale green, creating a bright yet uncluttered effect. The inscription on the right side runs vertically across the painting, echoing the blossoms on the left. The rhythmic and varied strokes enhance the overall depth and flow of the composition. Although the painting depicts numerous flowers and leaves, the distinct branches and well-balanced blank spaces create a sense of openness and transparency. The aesthetic appeal of this work lies not in meticulous depiction, but in conveying the vitality of the flowers and trees through simple brushstrokes. The red flowers against the dry ink create a striking contrast between light and dark shades, possessing both the vibrant energy of folk art and the mature, unpretentious feel of traditional brushwork. The paper has a slightly warm, aged appearance; however, the exact details, mounting, and preservation status require further examination and professional assessment. As a hanging scroll depicting flowers, its elegant and striking size makes it suitable for display in studies, tea rooms, halls, or refined clubs. Collectors can appreciate its nuances in the rhythm of the brushstrokes, the interplay of colors, and the overall composition.

    Japan International Industry Co Ltd
  • Qi Baishi: Chrysanthemums and Wine for Longevity
    Sep. 12, 2026

    Qi Baishi: Chrysanthemums and Wine for Longevity

    Est: -

    Based on the provided information, this painting, *Chrysanthemum Wine for Longevity*, primarily features autumn chrysanthemums, wine vessels, and crabs, conveying a refined and auspicious theme. The chrysanthemums bloom in clusters, their red, yellow, and white hues complementing each other, interspersed with branches and leaves. A bamboo basket, wine vessels, and two crabs at the bottom complete the scene, creating a vibrant autumnal atmosphere. "Chrysanthemum Wine for Longevity" originally refers to the custom of appreciating chrysanthemums and drinking wine to pray for longevity during the Double Ninth Festival; the painting achieves a natural balance between folk customs and refined scholarly arrangements. From a visual perspective, the composition unfolds vertically. The inscription on the left connects the top and bottom, while the flowers, leaves, and objects on the right are layered. The two crabs at the bottom, rendered with large blocks of ink, weigh down the center of gravity, creating a balanced and harmonious composition. The chrysanthemum petals are depicted with repetitive and rhythmic lines, the colors bright yet simple; the leaves are rendered with heavier ink and color, highlighting the vibrancy of the flowers. The crabs are treated with simplicity, the varying shades of ink creating a lively and humorous effect. This piece possesses a simple yet bright overall feel, combining auspicious symbolism with the pleasure of quiet appreciation on a desk. The image shows the paper's warm luster, with some natural signs of aging in certain areas; the actual mounting and condition should be examined in person. As a decorative piece, it can be placed in a study, tea room, hall, or elegant clubhouse, embodying the longevity symbolism of chrysanthemums in autumn while offering a serene and refined aesthetic for everyday viewing.

    Japan International Industry Co Ltd
  • Qi Baishi: "Three Autumns" (Autumnal Scene)
    Sep. 12, 2026

    Qi Baishi: "Three Autumns" (Autumnal Scene)

    Est: -

    Based on the provided information and the content visible in the painting, this work, "Autumn Scenery," centers on autumn rocks, flowers, and insects, a subject matter that is elegant and full of life's charm. The painting employs a vertical, scroll-like layout. The upper part features large areas of ink depicting rocks, with varying shades of ink creating a rich and moist background. Below, autumn flowers, broad leaves, and delicate insects echo each other, interspersed with touches of red, yellow, and green, giving the entire work a vivid seasonal feel against the backdrop of clean paper. In terms of composition, the inscription on the left runs vertically downwards, creating a contrast between the solid and void with the flowers, leaves, and ink rocks on the right and below. The large areas of blank space do not appear empty; instead, they enhance the vertical tension of the rocks and the dynamism of the flowers and insects. The brushwork is highly calligraphic; the ink rocks are rendered with broad strokes, incorporating both diffusion and flying white effects; the petals are clustered with darker colors, while the leaves are interwoven with light green and ink lines, demonstrating both conciseness and a lively natural expression. The small insects at the bottom are depicted with simple brushstrokes, adding vitality and charm to the painting with just a few strokes. From a visual perspective, this work does not rely on dense composition for its effect, but rather on a sense of controlled openness, achieving a captivating charm that blends naivety with sophistication. The red flowers and ink rocks complement each other, with strength in the bold areas and lingering aftertaste in the lighter ones, reflecting the aesthetic characteristics of Chinese freehand flower painting that emphasize spirit and vitality. The inscription and seals on the left are visible, but the specific content, paper condition, and mounting details should be confirmed based on the actual object and expert opinions; the paper appears to have natural signs of aging, which should also be considered in conjunction with the overall condition. This type of subject matter is best appreciated up close, allowing one to admire the layers of brushwork and experience the leisurely elegance of autumn insects, flowers, and rocks. Displaying it in a study, tea room, hall, or elegant club space can create a refined, understated, and scholarly atmosphere.

    Japan International Industry Co Ltd
  • Qi Baishi: Palm Leaf and Insects
    Sep. 12, 2026

    Qi Baishi: Palm Leaf and Insects

    Est: -

    Based on the provided information and the content visible in the image, this painting, "Insects and Grasses on Palm Leaves," primarily features vines, palm leaves, and insects. The composition employs a vertical, scroll-like layout, with branches extending downwards and leaves arranged in a balanced density. Several insects are scattered throughout, while colorful butterflies add a touch of dynamism to the stillness. Ample blank space allows the small creatures and plant branches to breathe, highlighting the elegant and lively aesthetic appeal of the insect subject. From a visual perspective, the branches are rendered with relatively simple ink lines, showing pauses and white strokes at the turns, exhibiting a lively rhythm characteristic of freehand brushwork. The leaves are painted with warm, muted colors, with pale green and ochre red complementing each other, creating a layered effect without being overly complex. The insects are depicted with relative detail, with delicate lines on their antennae, legs, and wings, contrasting with the bolder vines and presenting a visual tension of "delicacy within boldness." The inscription and seal on the right side balance the composition, enhancing the overall vertical flow. The artwork possesses an overall refined and elegant style. Although it depicts common plants, insects, and butterflies, it finds life in the ordinary, making it suitable for close observation and appreciation. Natural spots and signs of age are visible on the paper, and the mounting features decorative patterns along the top and bottom edges, giving it a strong sense of decorative appeal. However, the actual condition should be verified upon examination. This type of subject matter is suitable for hanging in studies, tea rooms, elegant gathering spaces, or small halls, where it evokes a sense of leisurely refinement reminiscent of a scholar's desk ornament.

    Japan International Industry Co Ltd
  • Qi Baishi: Loquats, Chicks, and Rabbit
    Sep. 12, 2026

    Qi Baishi: Loquats, Chicks, and Rabbit

    Est: -

    Based on the provided information and the content visible in the image, this work features loquat branches and leaves, chicks, and a rabbit as its main subjects, drawing inspiration from rural life and creating an overall fresh and vibrant atmosphere. The painting unfolds vertically, with loquat branches winding and intertwining from top to bottom, forming a structural framework that runs throughout the entire composition. Clusters of yellow fruit are scattered among the branches, creating a striking contrast with the rich ink of the leaves, giving the painting a rhythmic interplay of density and sparseness, solidity and emptiness. The arrangement of the chicks and rabbit at the bottom adds a touch of dynamism to the static branches and fruit, making the subject matter more approachable and endearing. From a visual perspective, the branches are rendered with bold and decisive brushstrokes, the ink tones deep and rich, showing variations in pressure and release at the turns. The leaves are painted with dark ink, blended with shades of gray and ochre, the brushstrokes free yet orderly. The loquats are accented with gamboge and orange-yellow, the fruit round and plump, lightly dotted with black dots, achieving a lively effect within simplicity. The inscription and seal on the left are arranged along the edge, balancing with the main branches, expanding the visual atmosphere and reinforcing the aesthetic appeal of juxtaposing poetry, calligraphy, painting, and seals in traditional Chinese painting and calligraphy. The overall style is simple and natural, emphasizing the expression of life's vitality through concise brushstrokes rather than meticulous depiction. The paper shown in the image has a relatively mild color; some details should be observed in person. This type of subject matter combines abundant flowers and fruits with lively birds and rabbits, making it suitable for display and appreciation in studies, tea rooms, halls, or elegant clubs. Collectors can begin by examining the rhythm of the brushstrokes, the composition, and the interest in the subject matter to appreciate the aesthetic meaning of "less is more" and the imbuing ordinary objects with vitality in Chinese freehand flower-and-bird painting.

    Japan International Industry Co Ltd
  • Qi Baishi (A-Zhi): Floral Painting
    Sep. 12, 2026

    Qi Baishi (A-Zhi): Floral Painting

    Est: -

    Based on the provided information, this painting, *Azhi's Flower Painting*, presents a charming interplay between flowers and insects. Several blossoms emerge diagonally from the lower right, rendered in bright reds and pinks, with warm yellow accents at the center. The color palette, though simple, is full of life. An insect perches on a branch, its slender body meticulously depicted with finely detailed antennae and legs, creating a contrast between the freehand brushwork of the flowers and leaves and the interplay of density and detail. From a visual perspective, the composition leans slightly to the right, with a spacious white space on the left, allowing the flowers, leaves, and insect to breathe through their interplay of light and shadow. The leaves on the right are rendered in rich, deep ink with touches of dry brush, their bold strokes forming the focal point of the painting. Pale red lines run through the flower stems, their softness tempered with resilience, drawing the eye and enhancing the overall rhythm. The petals are rendered using the boneless technique, the colors blending seamlessly to create a clean and uncluttered effect. The painting is signed "Azhi" and stamped at the bottom, the brushstrokes of which are rather free and unrestrained, matching the overall style of the small piece. Some natural spots and signs of age are visible on the paper; however, its exact condition should be determined by physical examination. This type of flower and insect subject matter emphasizes the pleasure of quiet display and the elegance of a scholar's desk ornament, offering both a bright and cheerful visual appeal and retaining the simple and refined style of traditional Chinese painting. Displayed in a study, tea room, or elegant reception space, it easily creates a fresh and leisurely atmosphere, allowing collectors to appreciate the subtle relationship between brushwork, color, and vitality through close observation.

    Japan International Industry Co Ltd
  • Qi Baishi – Frogs at Play
    Sep. 12, 2026

    Qi Baishi – Frogs at Play

    Est: -

    Based on the provided information, this painting, "Frogs at Play," features several frogs as its main subject, drawing inspiration from the everyday joys of rural landscapes and waterways. The frogs are distributed throughout the painting, some crouching as if about to leap, others turning their heads to gaze at each other, their varied postures yet harmoniously coordinated. The blank spaces create a clear sense of space, imbuing the small painting with a sense of openness. The painting avoids a complex background, instead focusing on the postures of the frogs to establish its composition, demonstrating an aesthetic appeal of achieving much with little and conveying movement through stillness. In terms of brushwork, the frogs' bodies are rendered with varying shades of ink, the backs with bold, deep strokes, while the bellies are transitioned with lighter ink or left blank. Details such as the eyes and feet are depicted with concise lines, showcasing both generalization and retaining the lively feel of ink diffusion. The rhythmic treatment of the frogs' postures, the interplay of dark and light ink, and the variations in dryness and wetness, imbue the painting with a sense of dynamism within its simplicity, and a playful charm within its conciseness. The vertical arrangement of the writing on the right, paired with the red seal, creates a balanced composition and adds a scholarly touch to the painting. From an overall perspective, this work focuses on capturing the "fun of frogs," eschewing meticulous detail for its effect. Instead, it uses brush and ink to refine the spirit of the objects, presenting a fresh, lively, yet understated style. The image shows the paper has a slight age; the actual mounting and preservation condition should be assessed based on the actual piece. This type of subject matter is approachable and enjoyable to appreciate. Displaying it in a study, tea room, or elegant reception space creates a relaxed and natural atmosphere, and it is also suitable for collectors to appreciate in detail from both the artistic merit and the enjoyment of life.

    Japan International Industry Co Ltd
  • Qi Baishi – Gourd and Insects (Fan leaf)
    Sep. 12, 2026

    Qi Baishi – Gourd and Insects (Fan leaf)

    Est: -

    Based on the provided information and the content visible in the image, this work, "Gourd and Insects," unfolds in the form of a fan, depicting a scene of gourd vines and insects, a subject that is both intimate and imbued with pastoral charm. On the left side of the fan, leaves are painted with varying shades of ink, the ink layers overlapping, revealing variations in wet brushstrokes and broken ink as the leaves turn. In the center, the vines meander and intertwine, their loose lines creating a rhythmic flow throughout the painting. On the right, the gourd is painted in a warm, striking orange-yellow, contrasting sharply with the ink leaves. Insects perch on the gourd, their small yet spirited forms adding a touch of dynamism to the still life. In terms of composition, the work skillfully utilizes the curved space of the fan, with a left-heavy weight and a right-light weight, creating a balance between solidity and void. The ink leaves occupy one end, while the gourd and inscription are located at the other, connected by vine lines, creating both opening and closing, as well as a sense of harmony. The inscription and red seal are visible in the upper right corner, forming a structural relationship between calligraphy, painting, and seal with the main subject of the painting. The overall aesthetic avoids excessive complexity, instead revealing vitality within simplicity, exhibiting a fresh, unpretentious, and understated beauty. Regarding its condition and display, the fan paper in the picture has a warm color, with some signs of age. The actual condition should be assessed based on the actual object. This type of fan, featuring flowers, fruits, grasses, and insects, is of moderate size, suitable for close observation and appreciation. With elegant mounting, it can be placed in a study, tea room, or refined hall, enhancing the scholar's refined taste and allowing collectors to repeatedly appreciate its rhythmic brushstrokes, color contrasts, and overall sense of life.

    Japan International Industry Co Ltd
  • Qi Baishi, China Watercolour & Ink Painting Depicting Florals Rongbaozhai, Beijing, 1953
    Sep. 07, 2026

    Qi Baishi, China Watercolour & Ink Painting Depicting Florals Rongbaozhai, Beijing, 1953

    Est: $100 - $200

    Qi Baishi, China Watercolour & Ink Painting Depicting Florals Rongbaozhai, Beijing, 1953, in gilt timber frame

    Theodore Bruce Auctioneers & Valuers
  • Qi Baishi, Calligraphic Couplet In Seal Script, Pair Of Hanging Scrolls, Ink On Paper
    Sep. 06, 2026

    Qi Baishi, Calligraphic Couplet In Seal Script, Pair Of Hanging Scrolls, Ink On Paper

    Est: $1,000 - $1,500

    Five-character couplet rendered in forceful seal script, with supplementary running-script inscriptions and one red seal. Original silk mounting, robust brush lines, well-preserved paper support. Painting: L33cm (13.00 in); W129cm (50.79 in)

    Hotspot Auctions
  • Lotus And Heron, Hanging Scroll On Paper, Qi Baishi
    Sep. 06, 2026

    Lotus And Heron, Hanging Scroll On Paper, Qi Baishi

    Est: $2,000 - $3,000

    Hanging scroll on paper, free-style painting of red lotus and ink leaves, a heron wading in lotus pond. Vigorous brushwork, inscription on upper-right, two seals, original old mounting with natural paper ageing. Painting: L 102cm (40.16 in); W 34cm (13.39 in)

    Hotspot Auctions
  • Rongbaozhai, a print of a work by Qi Baishi (1864-1957), flowering lotus
    Sep. 03, 2026

    Rongbaozhai, a print of a work by Qi Baishi (1864-1957), flowering lotus

    Est: €300 - €500

    Printed and published by Rongbaozhai and mounted on a scroll.Founded in 1894 on a legacy dating to 1672, Rongbaozhai is known for silk brocade cases, traditional xianzhuang bindings, and xuan paper. After 1949, it became a state-controlled publisher, continuing to produce small-run collectible art books and high quality art prints for elite domestic audiences and international collectors, , Image size: 103 x 34 cm (including frame: 143 x 43.5 cm).

    Venduehuis Auctioneers The Hague
  • Rongbaozhai, a print of a work by Qi Baishi (1864-1957), shrimp
    Sep. 03, 2026

    Rongbaozhai, a print of a work by Qi Baishi (1864-1957), shrimp

    Est: €300 - €500

    Printed and published by Rongbaozhai and mounted on a scroll.Founded in 1894 on a legacy dating to 1672, Rongbaozhai is known for silk brocade cases, traditional xianzhuang bindings, and xuan paper. After 1949, it became a state-controlled publisher, continuing to produce small-run collectible art books and high quality art prints for elite domestic audiences and international collectors, , Image size: 80.5 x 34.5 cm (including frame: 131.5 x 47 cm).

    Venduehuis Auctioneers The Hague
  • Rongbaozhai, a print of a work by Qi Baishi (1864-1957), flowering tree
    Sep. 03, 2026

    Rongbaozhai, a print of a work by Qi Baishi (1864-1957), flowering tree

    Est: €300 - €500

    Printed and published by Rongbaozhai and mounted on a scroll. The publishers name printed on the lower left corner.Founded in 1894 on a legacy dating to 1672, Rongbaozhai is known for silk brocade cases, traditional xianzhuang bindings, and xuan paper. After 1949, it became a state-controlled publisher, continuing to produce small-run collectible art books and high quality art prints for elite domestic audiences and international collectors, , Image size: 101 x 33.5 cm (including frame: 150 x 50 cm).

    Venduehuis Auctioneers The Hague
  • A set of two woodblock-printed poetry papers by Beijing Rongbaozhai
    Sep. 02, 2026

    A set of two woodblock-printed poetry papers by Beijing Rongbaozhai

    Est: £300 - £500

    A set of two woodblock-printed poetry papers by Beijing Rongbaozhai Rongbaozhai 1951, third edition With woodblock-printed title slips by Qibaishi, containing woodblock prints after Qi Baishi, Zhang Daqian, Wang Shizi, Fu Xinyu, Chen Banding and other artists, 2 vols in brocade case, 31.7 x 22 x 3cm. Provenance: The Nan Brake Collection, and thence by descent within the family.  一九五一 北京榮寶齋新記詩箋譜 榮寶齋印《齊白石畫集》 来源： Nan Brake藏品，后传承至家族后人。 Although this is the third edition, it remains quite rare because it was published in the same year as the first edition. Most copies that appear on the market are from editions issued in later years.

    Roseberys
  • Qi Baishi (1864-1957): Lotus Seed Pod and Dragonfly
    Aug. 30, 2026

    Qi Baishi (1864-1957): Lotus Seed Pod and Dragonfly

    Est: $4,000 - $6,000

    齊白石(1864-1957) 史樹青題 蓮蓬蜻蜓圖 設色紙本 立軸 Color and ink on paper. Flowers and insects. Hanging scroll. Inscribed and signed with four seal marks. 題識：寄萍堂上老人齊白石作。鈐印：齊大、借山翁。裱邊題簽（史樹青題，2001 年）：齊白石先生蜻蜓蓮實圖真跡，二〇〇一年夏日史樹青題。鈐印：史樹青印、愚吾邨民。史樹青（1922‑2007）：著名文物鑑定家、史學家、書法家，河北樂亭人。國家文物鑑定委員會副主任委員，中國國家博物館研究員，精於書畫古物鑑識，為業界所重。

    California Asian Art Auction Gallery USA
  • Qi Baishi – Gourds, ink and colour on paper, hanging scroll
    Aug. 28, 2026

    Qi Baishi – Gourds, ink and colour on paper, hanging scroll

    Est: -

    NA

    Fung Ngai Auctioneers (HK)
  • Qi Baishi – Eternal Longevity, ink and colour on paper, mounted
    Aug. 28, 2026

    Qi Baishi – Eternal Longevity, ink and colour on paper, mounted

    Est: -

    NA

    Fung Ngai Auctioneers (HK)
  • Qi Baishi – Mouse, ink and colour on paper, hanging scroll
    Aug. 28, 2026

    Qi Baishi – Mouse, ink and colour on paper, hanging scroll

    Est: -

    NA

    Fung Ngai Auctioneers (HK)
  • Qi Baishi – Chicks, ink and colour on paper, hanging scroll
    Aug. 28, 2026

    Qi Baishi – Chicks, ink and colour on paper, hanging scroll

    Est: -

    NA

    Fung Ngai Auctioneers (HK)
  • Qi Baishi – Plum, Willow and Chicks, ink and colour on paper, hanging scroll
    Aug. 28, 2026

    Qi Baishi – Plum, Willow and Chicks, ink and colour on paper, hanging scroll

    Est: -

    NA

    Fung Ngai Auctioneers (HK)
  • Qi Baishi – Vegetables and Insects, ink and colour on paper, hanging scroll
    Aug. 28, 2026

    Qi Baishi – Vegetables and Insects, ink and colour on paper, hanging scroll

    Est: -

    NA

    Fung Ngai Auctioneers (HK)
  • Qi Baishi – Lotus, ink and colour on paper, hanging scroll
    Aug. 28, 2026

    Qi Baishi – Lotus, ink and colour on paper, hanging scroll

    Est: -

    NA

    Fung Ngai Auctioneers (HK)
  • Qi Baishi – Flowers and Dragonfly, ink on paper, hanging scroll
    Aug. 28, 2026

    Qi Baishi – Flowers and Dragonfly, ink on paper, hanging scroll

    Est: -

    NA

    Fung Ngai Auctioneers (HK)
  • Qi Baishi – Shrimps, ink on paper, folding fan
    Aug. 28, 2026

    Qi Baishi – Shrimps, ink on paper, folding fan

    Est: -

    NA

    Fung Ngai Auctioneers (HK)
  • After Qi Baishi (1864-1957) Ink & Watercolour Scroll Depicting Three Frogs in Grasslands
    Aug. 24, 2026

    After Qi Baishi (1864-1957) Ink & Watercolour Scroll Depicting Three Frogs in Grasslands

    Est: $60 - $80

    After Qi Baishi (1864-1957) Ink & Watercolour Scroll Depicting Three Frogs in Grasslands, with red seal & ink signature attributed to Qi Baishi lower righthand side

    Theodore Bruce Auctioneers & Valuers
  • Qi Baishi, Handscroll Longevity And Multiple Sons (Modern Period, 1846 1957 Ad)
    Aug. 23, 2026

    Qi Baishi, Handscroll Longevity And Multiple Sons (Modern Period, 1846 1957 Ad)

    Est: $2,000 - $3,000

    Image L 248cm (97.64 in) x Image W 41cm (16.14 in); Overall L 850cm (334.65 in) Colour on paper handscroll. The frontispiece bears title Longevity and Multiple Sons. Painted with longevity peaches, pomegranates, chrysanthemums, plum branches and insects, symbolizing longevity, blessing and prosperous progeny. Colophons by Guo Moruo, Shen Yinmo, Zhao Puchu, Zhou Zuoren and others follow the painting, finely mounted with yellow silk wrapper.

    Hotspot Auctions
  • 1935 QI BAISHI VILLAGE LANDSCAPE PAINTING
    Aug. 21, 2026

    1935 QI BAISHI VILLAGE LANDSCAPE PAINTING

    Est: $20,000 - $30,000

    Artist: Qi Baishi (1864-1957) VILLAGE LANDSCAPE This charming composition depicts a tranquil rural settlement nestled beneath groves of trees, with small white houses arranged across the foreground. Above the village, several sailing boats drift across an open expanse beneath softly colored mountains rendered in pale blue and warm earth tones. The landscape is reduced to a series of simplified shapes and washes, creating an atmosphere of serenity and childlike spontaneity. The artist employs only a few colors and highly abbreviated forms. The dark silhouettes of the trees contrast with the white walls of the houses, while the distant mountains and floating sails provide an airy sense of space. The composition demonstrates Qi Baishis belief that painting should capture the spirit and memory of a place rather than its literal appearance. The inscription records that the work was painted for a friend, reflecting the artist’s long tradition of creating paintings as personal gifts. Such works often convey feelings of nostalgia and affection, recalling the peaceful countryside of the artist’s native Hunan province. Unlike the dense and highly structured landscapes of earlier literati painters, Qi Baishis scenery possesses a modern simplicity. The reduced forms, broad washes, and open spaces create a visual language that is both traditional and remarkably contemporary. Through a few seemingly effortless brushstrokes, the artist transforms an ordinary village scene into a poetic vision of rural tranquility and human contentment. Ink and color on paper, Yisebiao mount, Vertical Axis Hanging Scroll Painting (Sight): 182cm H x 50cm W Dated: In The YiHai year (1935) Signed/Seal(s): Signed, with a seal PROVENANCE: Acquired from a prominent collector, representing an important private collections. The collections presented and offered up to auctions from Lot 25 through Lot 136; and additional related documents and or manuscripts from Lot 137 to Lot 228. Wei Tao-Ming (Wei Daoming), (October 28, 1899 - May 18, 1978) was a prominent Chinese diplomat, statesman, and senior official of the Republic of China. Born in Jiangxi Province, he studied law in the United States and became active in the Nationalist government under Chiang Kai-shek. During the Second World War, Wei served as the Republic of China's Ambassador to the United States from 1942 to 1946, playing an important role in strengthening Sino-American relations during the Allied war effort. He later held several key government positions, including Governor of Taiwan Province (1947-1949), Ambassador to Japan, and Minister of Foreign Affairs of the Republic of China from 1966 to 1971. Wei remained an influential figure in Chinese diplomacy throughout the mid-twentieth century and was closely involved in the Republic of China's international affairs during a period of major political transition in East Asia. ARTIST BIO: Qi Baishi (1864-1957) was one of the most celebrated Chinese painters of the twentieth century and is widely regarded as a master of modern Chinese ink painting. Born into a peasant family in Xiangtan, Hunan province, he was largely self-taught and initially worked as a carpenter before devoting himself entirely to painting, seal carving, and calligraphy. Drawing inspiration from nature and everyday life, Qi developed a highly personal artistic style characterized by bold brushwork, simplified forms, and vibrant color. He became especially renowned for his depictions of shrimp, crabs, insects, birds, flowers, vegetables, and other humble subjects, transforming ordinary objects into lively and poetic images. Qi Baishi advocated the principle that painting should balance resemblance and abstraction, famously stating that “too much likeness becomes vulgar, while too little becomes deceptive.” His works combine the expressive spirit of literati painting with the vitality of folk art, creating an artistic language that is both sophisticated and accessible. In addition to his achievements as a painter, Qi was an accomplished calligrapher and seal carver. His seal designs and inscriptions often form an integral part of his compositions, contributing to their overall rhythm and character. During his lifetime he received widespread recognition, including honors from the Chinese government, and his works continue to command strong interest among collectors and museums worldwide.

    Eden Fine Antiques Galleries LLC
  • 1951 QI BAISHI FLOWERS AND BEES PAINTING
    Aug. 21, 2026

    1951 QI BAISHI FLOWERS AND BEES PAINTING

    Est: $20,000 - $30,000

    Artist: Qi Baishi (1864-1957) FLOWERS AND BEES This lively composition depicts blossoming flowers rising among dark leaves and slender branches, accompanied by several bees hovering in flight. The flowers, rendered in brilliant vermilion, stand in sharp contrast to the rich black ink washes of the foliage. The energetic brushstrokes and spontaneous handling of ink create a sense of movement and immediacy that is characteristic of Qi Baishis mature works. The inscription indicates that the painting was executed when the artist was eighty-eight years old, placing the work among the late creations of his career. During this period, Qi’s paintings became increasingly simplified and expressive, relying upon the strength of brushwork and the emotional resonance of color rather than detailed description. Bees and flowers are traditional auspicious subjects in Chinese painting, symbolizing abundance, prosperity, and the arrival of spring. Qi Baishi frequently employed such themes, infusing ordinary plants and insects with vitality and poetic meaning. The hovering bees animate the composition, while the contrast between the bold black masses and brilliant red blossoms creates a powerful decorative effect. The work exemplifies the artist’s celebrated principle of balancing likeness and abstraction, capturing the spirit rather than the exact appearance of nature. Through a few seemingly effortless strokes, Qi Baishi conveys both the beauty of the natural world and the enduring vitality that made him one of the most influential Chinese painters of the twentieth century. Ink and color on paper, Ersebiao mount, Double Jingyan on top, Vertical Axis hanging scroll Painting (Sight): 69cm H x 33cm W Dated: In The Baishi's Eighty-Eigth years of age (1951) Signed/Seal(s): Signed, with a seal PROVENANCE: Acquired from a prominent collector, representing an important private collections. The collections presented and offered up to auctions from Lot 25 through Lot 136; and additional related documents and or manuscripts from Lot 137 to Lot 228. Wei Tao-Ming (Wei Daoming), (October 28, 1899 - May 18, 1978) was a prominent Chinese diplomat, statesman, and senior official of the Republic of China. Born in Jiangxi Province, he studied law in the United States and became active in the Nationalist government under Chiang Kai-shek. During the Second World War, Wei served as the Republic of China's Ambassador to the United States from 1942 to 1946, playing an important role in strengthening Sino-American relations during the Allied war effort. He later held several key government positions, including Governor of Taiwan Province (1947-1949), Ambassador to Japan, and Minister of Foreign Affairs of the Republic of China from 1966 to 1971. Wei remained an influential figure in Chinese diplomacy throughout the mid-twentieth century and was closely involved in the Republic of China's international affairs during a period of major political transition in East Asia. ARTIST BIO: Qi Baishi (1864-1957) was one of the most celebrated Chinese painters of the twentieth century and is widely regarded as a master of modern Chinese ink painting. Born into a peasant family in Xiangtan, Hunan province, he was largely self-taught and initially worked as a carpenter before devoting himself entirely to painting, seal carving, and calligraphy. Drawing inspiration from nature and everyday life, Qi developed a highly personal artistic style characterized by bold brushwork, simplified forms, and vibrant color. He became especially renowned for his depictions of shrimp, crabs, insects, birds, flowers, vegetables, and other humble subjects, transforming ordinary objects into lively and poetic images. Qi Baishi advocated the principle that painting should balance resemblance and abstraction, famously stating that “too much likeness becomes vulgar, while too little becomes deceptive.” His works combine the expressive spirit of literati painting with the vitality of folk art, creating an artistic language that is both sophisticated and accessible. In addition to his achievements as a painter, Qi was an accomplished calligrapher and seal carver. His seal designs and inscriptions often form an integral part of his compositions, contributing to their overall rhythm and character. During his lifetime he received widespread recognition, including honors from the Chinese government, and his works continue to command strong interest among collectors and museums worldwide.

    Eden Fine Antiques Galleries LLC
  • 1946 QI BAISHI PEACHES AND BEES PAINTING
    Aug. 21, 2026

    1946 QI BAISHI PEACHES AND BEES PAINTING

    Est: $20,000 - $30,000

    Artist: Qi Baishi (1864-1957) PEACHES AND BEES This charming composition depicts two ripe peaches resting within a rustic basket, accompanied by a pair of hovering bees. The artist employs a highly economical arrangement, allowing the ample blank space surrounding the subject to enhance the freshness and immediacy of the image. The dark angular handle of the basket provides a strong structural element that contrasts with the soft, rounded forms of the fruit. The peaches are rendered with broad washes of pink and red, subtly modulated to suggest ripeness and volume. Delicate touches of green indicate leaves and stems, while the bees are executed with a few swift strokes that convey movement and vitality. The vigorous black ink used for the basket demonstrates Qi Baishis celebrated calligraphic brushwork, transforming a simple household object into a powerful compositional device. In Chinese symbolism, peaches represent longevity, health, and blessings, while bees are associated with industry, harmony, and abundance. Together, these auspicious motifs create a joyful image that conveys wishes for prosperity and long life. Such subjects occupied an important place in Qi Baishis mature oeuvre, reflecting his ability to unite traditional symbolism with direct observation of nature. The inscription records that the painting was executed when the artist was eighty-nine years old, belonging to the highly sought-after late period of his career. Works from this mature phase are admired for their extraordinary confidence, simplicity, and expressive strength. This painting exemplifies Qi Baishis remarkable ability to achieve profound artistic effect through the most economical means, demonstrating the qualities that established him as one of the greatest masters of twentieth-century Chinese painting. Ink and color on paper, Yisebiao mount, Vertical Axis Hanging Scroll Painting (Sight): 68cm H x 34cm W Dated: In The Baishi's Eighty-Three years of age (1946) Signed/Seal(s): Signed, with a seal PROVENANCE: Acquired from a prominent collector, representing an important private collections. The collections presented and offered up to auctions from Lot 25 through Lot 136; and additional related documents and or manuscripts from Lot 137 to Lot 228. Wei Tao-Ming (Wei Daoming), (October 28, 1899 - May 18, 1978) was a prominent Chinese diplomat, statesman, and senior official of the Republic of China. Born in Jiangxi Province, he studied law in the United States and became active in the Nationalist government under Chiang Kai-shek. During the Second World War, Wei served as the Republic of China's Ambassador to the United States from 1942 to 1946, playing an important role in strengthening Sino-American relations during the Allied war effort. He later held several key government positions, including Governor of Taiwan Province (1947-1949), Ambassador to Japan, and Minister of Foreign Affairs of the Republic of China from 1966 to 1971. Wei remained an influential figure in Chinese diplomacy throughout the mid-twentieth century and was closely involved in the Republic of China's international affairs during a period of major political transition in East Asia. ARTIST BIO: Qi Baishi (1864-1957) was one of the most celebrated Chinese painters of the twentieth century and is widely regarded as a master of modern Chinese ink painting. Born into a peasant family in Xiangtan, Hunan province, he was largely self-taught and initially worked as a carpenter before devoting himself entirely to painting, seal carving, and calligraphy. Drawing inspiration from nature and everyday life, Qi developed a highly personal artistic style characterized by bold brushwork, simplified forms, and vibrant color. He became especially renowned for his depictions of shrimp, crabs, insects, birds, flowers, vegetables, and other humble subjects, transforming ordinary objects into lively and poetic images. Qi Baishi advocated the principle that painting should balance resemblance and abstraction, famously stating that “too much likeness becomes vulgar, while too little becomes deceptive.” His works combine the expressive spirit of literati painting with the vitality of folk art, creating an artistic language that is both sophisticated and accessible. In addition to his achievements as a painter, Qi was an accomplished calligrapher and seal carver. His seal designs and inscriptions often form an integral part of his compositions, contributing to their overall rhythm and character. During his lifetime he received widespread recognition, including honors from the Chinese government, and his works continue to command strong interest among collectors and museums worldwide.

    Eden Fine Antiques Galleries LLC
  • QI BAISHI CALLIGRAPHIC COUPLET
    Aug. 21, 2026

    QI BAISHI CALLIGRAPHIC COUPLET

    Est: $10,000 - $15,000

    Artist: Qi Baishi (1864-1957) The Seal Script characters Callligraphy couplet conveys auspicious wishes for abundance, longevity, and enduring prosperity. The imagery of wine vessels overflowing and pine trees enjoying eternal life reflects traditional Chinese blessings associated with happiness, good fortune, and long life. The characters are executed with exceptionally broad and confident brushstrokes. Their simplified and highly individualized forms reveal Qi Baishi’s profound study of ancient seal inscriptions while simultaneously demonstrating his own innovative approach to calligraphy. The monumental scale of the characters creates a powerful visual presence, transforming the written word into an expressive artistic composition. Qi Baishi regarded painting, calligraphy, and seal carving as inseparable disciplines. His calligraphic works often exhibit the same spontaneity and vitality found in his paintings of flowers, insects, and animals. The varying thickness of the strokes, the dynamic balance of positive and negative space, and the rhythmic arrangement of the characters all contribute to the striking decorative quality of the work. Ink on paper, Yisebiao mount, Vertical Axis Painting (Sight): (Each) 135cm H x 34cm W Signed/Seal(s): Signed, with three seals PROVENANCE: Acquired from a prominent collector, representing an important private collections. The collections presented and offered up to auctions from Lot 25 through Lot 136; and additional related documents and or manuscripts from Lot 137 to Lot 228. Wei Tao-Ming (Wei Daoming), (October 28, 1899 - May 18, 1978) was a prominent Chinese diplomat, statesman, and senior official of the Republic of China. Born in Jiangxi Province, he studied law in the United States and became active in the Nationalist government under Chiang Kai-shek. During the Second World War, Wei served as the Republic of China's Ambassador to the United States from 1942 to 1946, playing an important role in strengthening Sino-American relations during the Allied war effort. He later held several key government positions, including Governor of Taiwan Province (1947-1949), Ambassador to Japan, and Minister of Foreign Affairs of the Republic of China from 1966 to 1971. Wei remained an influential figure in Chinese diplomacy throughout the mid-twentieth century and was closely involved in the Republic of China's international affairs during a period of major political transition in East Asia. ARTIST BIO: Qi Baishi (1864-1957) was one of the most celebrated Chinese painters of the twentieth century and is widely regarded as a master of modern Chinese ink painting. Born into a peasant family in Xiangtan, Hunan province, he was largely self-taught and initially worked as a carpenter before devoting himself entirely to painting, seal carving, and calligraphy. Drawing inspiration from nature and everyday life, Qi developed a highly personal artistic style characterized by bold brushwork, simplified forms, and vibrant color. He became especially renowned for his depictions of shrimp, crabs, insects, birds, flowers, vegetables, and other humble subjects, transforming ordinary objects into lively and poetic images. Qi Baishi advocated the principle that painting should balance resemblance and abstraction, famously stating that “too much likeness becomes vulgar, while too little becomes deceptive.” His works combine the expressive spirit of literati painting with the vitality of folk art, creating an artistic language that is both sophisticated and accessible. In addition to his achievements as a painter, Qi was an accomplished calligrapher and seal carver. His seal designs and inscriptions often form an integral part of his compositions, contributing to their overall rhythm and character. During his lifetime he received widespread recognition, including honors from the Chinese government, and his works continue to command strong interest among collectors and museums worldwide.

    Eden Fine Antiques Galleries LLC
  • QI BAISHI PERSIMMONS AND CHESTNUTS PAINTING
    Aug. 21, 2026

    QI BAISHI PERSIMMONS AND CHESTNUTS PAINTING

    Est: $20,000 - $30,000

    Artist: Qi Baishi (1864-1957) PERSIMMONS AND CHESTNUTS This delightful composition depicts clusters of chestnuts rendered in rich black ink with touches of crimson, accompanied by several green persimmons arranged at the lower right. The artist employs bold, abbreviated brushstrokes and fluid washes, reducing the forms to their essential character while preserving their natural vitality. The inscription includes the phrase (May everything go according to your wishes), a traditional auspicious blessing. In Chinese culture, persimmons symbolize good fortune and the fulfillment of wishes, as the word shi is a homophone for shi, meaning affairs or matters. The combination of fruit and blessing transforms the painting into a visual expression of prosperity, success, and happiness. Such auspicious subjects were among Qi Baishis favorite themes, particularly in his later years. Executed with vigorous calligraphic brushwork, the chestnuts appear almost abstract, while the persimmons are described with only a few strokes of color. The contrast between dark ink masses and the muted green fruit creates a striking decorative balance. The inscription and painting function together as both image and blessing, embodying the artist’s ability to unite poetry, calligraphy, and painting. Works of this type represent Qi Baishis mature style, in which spontaneity, simplicity, and expressive power take precedence over detailed realism. Through a seemingly effortless arrangement of fruit and inscription, the artist conveys both the pleasures of everyday life and the traditional Chinese wish for prosperity and good fortune. Ink and color on paper, Yisebiao mount, Vertical Axis hanging scroll Painting (Sight): 69cm H x 33cm W Signed/Seal(s): Signed, with a seal PROVENANCE: Acquired from a prominent collector, representing an important private collections. The collections presented and offered up to auctions from Lot 25 through Lot 136; and additional related documents and or manuscripts from Lot 137 to Lot 228. Wei Tao-Ming (Wei Daoming), (October 28, 1899 - May 18, 1978) was a prominent Chinese diplomat, statesman, and senior official of the Republic of China. Born in Jiangxi Province, he studied law in the United States and became active in the Nationalist government under Chiang Kai-shek. During the Second World War, Wei served as the Republic of China's Ambassador to the United States from 1942 to 1946, playing an important role in strengthening Sino-American relations during the Allied war effort. He later held several key government positions, including Governor of Taiwan Province (1947-1949), Ambassador to Japan, and Minister of Foreign Affairs of the Republic of China from 1966 to 1971. Wei remained an influential figure in Chinese diplomacy throughout the mid-twentieth century and was closely involved in the Republic of China's international affairs during a period of major political transition in East Asia. ARTIST BIO: Qi Baishi (1864-1957) was one of the most celebrated Chinese painters of the twentieth century and is widely regarded as a master of modern Chinese ink painting. Born into a peasant family in Xiangtan, Hunan province, he was largely self-taught and initially worked as a carpenter before devoting himself entirely to painting, seal carving, and calligraphy. Drawing inspiration from nature and everyday life, Qi developed a highly personal artistic style characterized by bold brushwork, simplified forms, and vibrant color. He became especially renowned for his depictions of shrimp, crabs, insects, birds, flowers, vegetables, and other humble subjects, transforming ordinary objects into lively and poetic images. Qi Baishi advocated the principle that painting should balance resemblance and abstraction, famously stating that “too much likeness becomes vulgar, while too little becomes deceptive.” His works combine the expressive spirit of literati painting with the vitality of folk art, creating an artistic language that is both sophisticated and accessible. In addition to his achievements as a painter, Qi was an accomplished calligrapher and seal carver. His seal designs and inscriptions often form an integral part of his compositions, contributing to their overall rhythm and character. During his lifetime he received widespread recognition, including honors from the Chinese government, and his works continue to command strong interest among collectors and museums worldwide.

    Eden Fine Antiques Galleries LLC
  • QI BAISHI THREE FISHES PAINTING
    Aug. 21, 2026

    QI BAISHI THREE FISHES PAINTING

    Est: $20,000 - $30,000

    Artist: Qi Baishi (1864-1957) Three Fishes Ink on paper, Yisebiao mount, Vertical Axis Hanging Scroll Painting (Sight): 109cm H x 33cm W Signed/Seal(s): Signed, with three seals PROVENANCE: Acquired from a prominent collector, representing an important private collections. The collections presented and offered up to auctions from Lot 25 through Lot 136; and additional related documents and or manuscripts from Lot 137 to Lot 228. Wei Tao-Ming (Wei Daoming), (October 28, 1899 - May 18, 1978) was a prominent Chinese diplomat, statesman, and senior official of the Republic of China. Born in Jiangxi Province, he studied law in the United States and became active in the Nationalist government under Chiang Kai-shek. During the Second World War, Wei served as the Republic of China's Ambassador to the United States from 1942 to 1946, playing an important role in strengthening Sino-American relations during the Allied war effort. He later held several key government positions, including Governor of Taiwan Province (1947-1949), Ambassador to Japan, and Minister of Foreign Affairs of the Republic of China from 1966 to 1971. Wei remained an influential figure in Chinese diplomacy throughout the mid-twentieth century and was closely involved in the Republic of China's international affairs during a period of major political transition in East Asia. ARTIST BIO: Qi Baishi (1864-1957) was one of the most celebrated Chinese painters of the twentieth century and is widely regarded as a master of modern Chinese ink painting. Born into a peasant family in Xiangtan, Hunan province, he was largely self-taught and initially worked as a carpenter before devoting himself entirely to painting, seal carving, and calligraphy. Drawing inspiration from nature and everyday life, Qi developed a highly personal artistic style characterized by bold brushwork, simplified forms, and vibrant color. He became especially renowned for his depictions of shrimp, crabs, insects, birds, flowers, vegetables, and other humble subjects, transforming ordinary objects into lively and poetic images. Qi Baishi advocated the principle that painting should balance resemblance and abstraction, famously stating that “too much likeness becomes vulgar, while too little becomes deceptive.” His works combine the expressive spirit of literati painting with the vitality of folk art, creating an artistic language that is both sophisticated and accessible. In addition to his achievements as a painter, Qi was an accomplished calligrapher and seal carver. His seal designs and inscriptions often form an integral part of his compositions, contributing to their overall rhythm and character. During his lifetime he received widespread recognition, including honors from the Chinese government, and his works continue to command strong interest among collectors and museums worldwide.

    Eden Fine Antiques Galleries LLC
  • 1952 QI BAISHI PERSIMMONS PAINTING
    Aug. 21, 2026

    1952 QI BAISHI PERSIMMONS PAINTING

    Est: $20,000 - $30,000

    Artist: Qi Baishi (1864-1957) PERSIMMONS This lively composition depicts a cluster of ripe persimmons hanging amid twisting branches and tangled vines. Executed with vigorous brushwork, the painting combines broad washes of ink with touches of warm orange-red pigment to create a striking contrast between the dark foliage and the glowing fruit. The freely flowing lines of the vines enliven the composition, giving the work a spontaneous energy characteristic of Qi Baishi's mature style. The artist intentionally simplifies natural forms, reducing them to their essential shapes while preserving their vitality. The bold black ink masses of the leaves and branches are balanced by the warm tones of the persimmons, producing a dynamic interplay between solidity and movement. The inscription, written in expressive calligraphy, further enhances the visual rhythm of the composition. Persimmons hold auspicious meanings in Chinese culture, symbolizing good fortune, fulfillment, and the realization of wishes. Their pronunciation, shi, is associated with the character for affairs or matters, making them traditional emblems of success and prosperity. Such symbolic subjects frequently appear in Qi Baishis work, where everyday objects become vehicles for blessings and auspicious wishes. Paintings of fruit subjects occupy an important position within Qi Baishis oeuvre. Through his distinctive synthesis of folk traditions, calligraphic brushwork, and personal observation, he revitalized traditional Chinese painting and established a highly individual artistic language. This work exemplifies the freshness, spontaneity, and expressive power that have made Qi Baishi one of the most admired masters of modern Chinese art. Ink and color on paper, Yisebiao mount, Vertical Axis Hanging Scroll Painting (Sight): 68cm H x 34cm W Dated: In The Baishi's Eighty-Nine years of age (1952) Signed/Seal(s): Signed, with a seal PROVENANCE: Acquired from a prominent collector, representing an important private collections. The collections presented and offered up to auctions from Lot 25 through Lot 136; and additional related documents and or manuscripts from Lot 137 to Lot 228. Wei Tao-Ming (Wei Daoming), (October 28, 1899 - May 18, 1978) was a prominent Chinese diplomat, statesman, and senior official of the Republic of China. Born in Jiangxi Province, he studied law in the United States and became active in the Nationalist government under Chiang Kai-shek. During the Second World War, Wei served as the Republic of China's Ambassador to the United States from 1942 to 1946, playing an important role in strengthening Sino-American relations during the Allied war effort. He later held several key government positions, including Governor of Taiwan Province (1947-1949), Ambassador to Japan, and Minister of Foreign Affairs of the Republic of China from 1966 to 1971. Wei remained an influential figure in Chinese diplomacy throughout the mid-twentieth century and was closely involved in the Republic of China's international affairs during a period of major political transition in East Asia. ARTIST BIO: Qi Baishi (1864-1957) was one of the most celebrated Chinese painters of the twentieth century and is widely regarded as a master of modern Chinese ink painting. Born into a peasant family in Xiangtan, Hunan province, he was largely self-taught and initially worked as a carpenter before devoting himself entirely to painting, seal carving, and calligraphy. Drawing inspiration from nature and everyday life, Qi developed a highly personal artistic style characterized by bold brushwork, simplified forms, and vibrant color. He became especially renowned for his depictions of shrimp, crabs, insects, birds, flowers, vegetables, and other humble subjects, transforming ordinary objects into lively and poetic images. Qi Baishi advocated the principle that painting should balance resemblance and abstraction, famously stating that “too much likeness becomes vulgar, while too little becomes deceptive.” His works combine the expressive spirit of literati painting with the vitality of folk art, creating an artistic language that is both sophisticated and accessible. In addition to his achievements as a painter, Qi was an accomplished calligrapher and seal carver. His seal designs and inscriptions often form an integral part of his compositions, contributing to their overall rhythm and character. During his lifetime he received widespread recognition, including honors from the Chinese government, and his works continue to command strong interest among collectors and museums worldwide.

    Eden Fine Antiques Galleries LLC
  • QI BAISHI LOTUS AND CHICKS PAINTING
    Aug. 21, 2026

    QI BAISHI LOTUS AND CHICKS PAINTING

    Est: $20,000 - $30,000

    Artist: Qi Baishi (1864-1957) LOTUS AND CHICKS This charming composition depicts lotus leaves rising gracefully above a group of newly hatched chicks. Executed almost entirely in monochrome ink, the work demonstrates the artist’s extraordinary ability to convey life and movement through the simplest of means. Broad, fluid brushstrokes describe the lotus leaves and stems, while a few abbreviated touches create the lively forms of the chicks below. The vertical arrangement creates a striking contrast between the large, elegant lotus plants and the tiny birds gathered at the base of the composition. The massive leaves, rendered with rich washes of ink, provide shelter and balance, while the chicks animate the lower portion of the painting with their playful movements and varied poses. The juxtaposition of monumental plant forms and delicate animal life reflects Qi Baishis enduring fascination with the natural world. The artist’s calligraphic brushwork is particularly evident in the lotus stems and leaves, where varying tones of ink create both volume and rhythm. The chicks, executed with only a few spontaneous strokes, display an extraordinary sense of character and vitality, revealing the artist’s mastery of suggestion rather than detailed description. Paintings of chicks, birds, and lotus subjects occupied an important place in Qi Baishis oeuvre, symbolizing vitality, renewal, and the simple pleasures of rural life. This work exemplifies the artist’s mature style, in which bold simplicity, expressive brushwork, and poetic observation combine to create images of enduring appeal and universal charm. Ink on paper, Yisebiao mount, Vertical Axis Hanging Scroll Painting (Sight): 133cm H x 33cm W Signed/Seal(s): Signed, with two seals PROVENANCE: Acquired from a prominent collector, representing an important private collections. The collections presented and offered up to auctions from Lot 25 through Lot 136; and additional related documents and or manuscripts from Lot 137 to Lot 228. Wei Tao-Ming (Wei Daoming), (October 28, 1899 - May 18, 1978) was a prominent Chinese diplomat, statesman, and senior official of the Republic of China. Born in Jiangxi Province, he studied law in the United States and became active in the Nationalist government under Chiang Kai-shek. During the Second World War, Wei served as the Republic of China's Ambassador to the United States from 1942 to 1946, playing an important role in strengthening Sino-American relations during the Allied war effort. He later held several key government positions, including Governor of Taiwan Province (1947-1949), Ambassador to Japan, and Minister of Foreign Affairs of the Republic of China from 1966 to 1971. Wei remained an influential figure in Chinese diplomacy throughout the mid-twentieth century and was closely involved in the Republic of China's international affairs during a period of major political transition in East Asia. ARTIST BIO: Qi Baishi (1864-1957) was one of the most celebrated Chinese painters of the twentieth century and is widely regarded as a master of modern Chinese ink painting. Born into a peasant family in Xiangtan, Hunan province, he was largely self-taught and initially worked as a carpenter before devoting himself entirely to painting, seal carving, and calligraphy. Drawing inspiration from nature and everyday life, Qi developed a highly personal artistic style characterized by bold brushwork, simplified forms, and vibrant color. He became especially renowned for his depictions of shrimp, crabs, insects, birds, flowers, vegetables, and other humble subjects, transforming ordinary objects into lively and poetic images. Qi Baishi advocated the principle that painting should balance resemblance and abstraction, famously stating that “too much likeness becomes vulgar, while too little becomes deceptive.” His works combine the expressive spirit of literati painting with the vitality of folk art, creating an artistic language that is both sophisticated and accessible. In addition to his achievements as a painter, Qi was an accomplished calligrapher and seal carver. His seal designs and inscriptions often form an integral part of his compositions, contributing to their overall rhythm and character. During his lifetime he received widespread recognition, including honors from the Chinese government, and his works continue to command strong interest among collectors and museums worldwide.

    Eden Fine Antiques Galleries LLC
  • QI BAISHI EAGLE PAINTING
    Aug. 21, 2026

    QI BAISHI EAGLE PAINTING

    Est: $30,000 - $35,000

    Artist: Qi Baishi (1864-1957) This dramatic composition portrays an eagle perched upon a rugged pine branch amid towering rocks. Executed almost entirely in monochrome ink, the work demonstrates the artist’s mastery of expressive brushwork and his ability to convey both physical form and spiritual presence through a highly abbreviated visual language. The inscription includes the title Eagle Picture. In Chinese artistic tradition, the eagle symbolizes courage, strength, vision, and heroic spirit, while the pine tree represents endurance, steadfastness, and longevity. Together, the eagle and pine form an auspicious subject expressing resilience, integrity, and noble character. The bird is rendered with bold washes of dark ink contrasted against the white paper, giving the eagle a commanding presence. Its alert gaze and upright posture suggest vigilance and determination. The surrounding pine branches are described through rapid, calligraphic lines, while the rocky forms are built with sweeping brushstrokes that create a sense of monumentality and movement. Unlike the delicate realism of traditional bird-and-flower painting, Qi Baishi reduces the forms to their essential character. The composition relies upon the energy of the brush rather than detailed description, demonstrating the artist’s celebrated principle that painting should balance resemblance and abstraction. This work belongs to the artist’s mature period, when his brushwork became increasingly direct and expressive. Through a limited palette of black ink and the dynamic interaction of line, wash, and empty space, Qi Baishi creates a composition of remarkable power, transforming a traditional subject into an image that conveys both natural vitality and symbolic meaning. Ink and color on paper, Yisebiao mount, Vertical Axis Painting (Sight): 137cm H x 68cm W Signed/Seal(s): Signed, with three seals PROVENANCE: Acquired from a prominent collector, representing an important private collections. The collections presented and offered up to auctions from Lot 25 through Lot 136; and additional related documents and or manuscripts from Lot 137 to Lot 228. Wei Tao-Ming (Wei Daoming), (October 28, 1899 - May 18, 1978) was a prominent Chinese diplomat, statesman, and senior official of the Republic of China. Born in Jiangxi Province, he studied law in the United States and became active in the Nationalist government under Chiang Kai-shek. During the Second World War, Wei served as the Republic of China's Ambassador to the United States from 1942 to 1946, playing an important role in strengthening Sino-American relations during the Allied war effort. He later held several key government positions, including Governor of Taiwan Province (1947-1949), Ambassador to Japan, and Minister of Foreign Affairs of the Republic of China from 1966 to 1971. Wei remained an influential figure in Chinese diplomacy throughout the mid-twentieth century and was closely involved in the Republic of China's international affairs during a period of major political transition in East Asia. ARTIST BIO: Qi Baishi (1864-1957) was one of the most celebrated Chinese painters of the twentieth century and is widely regarded as a master of modern Chinese ink painting. Born into a peasant family in Xiangtan, Hunan province, he was largely self-taught and initially worked as a carpenter before devoting himself entirely to painting, seal carving, and calligraphy. Drawing inspiration from nature and everyday life, Qi developed a highly personal artistic style characterized by bold brushwork, simplified forms, and vibrant color. He became especially renowned for his depictions of shrimp, crabs, insects, birds, flowers, vegetables, and other humble subjects, transforming ordinary objects into lively and poetic images. Qi Baishi advocated the principle that painting should balance resemblance and abstraction, famously stating that “too much likeness becomes vulgar, while too little becomes deceptive.” His works combine the expressive spirit of literati painting with the vitality of folk art, creating an artistic language that is both sophisticated and accessible. In addition to his achievements as a painter, Qi was an accomplished calligrapher and seal carver. His seal designs and inscriptions often form an integral part of his compositions, contributing to their overall rhythm and character. During his lifetime he received widespread recognition, including honors from the Chinese government, and his works continue to command strong interest among collectors and museums worldwide.

    Eden Fine Antiques Galleries LLC
  • 1950 QI BAISHI CHRYSANTHEMUMS PAINTING
    Aug. 21, 2026

    1950 QI BAISHI CHRYSANTHEMUMS PAINTING

    Est: $20,000 - $30,000

    Artist: Qi Baishi (1864-1957) CHRYSANTHEMUMS This elegant vertical composition depicts several blossoming chrysanthemums rising among dense foliage. Brilliant red, pink, and white flowers emerge from clusters of blue-green leaves, while dark branches create a dynamic structural framework throughout the composition. A small insect perched upon a stem adds a lively natural detail, reinforcing the artist’s close observation of the natural world. The work demonstrates Qi Baishis mastery of combining vigorous ink outlines with expressive color. The chrysanthemum blossoms are rendered with layered, radiating petals that convey both volume and freshness, while the leaves are executed with broad, simplified brushstrokes that create rhythmic movement and visual balance. The contrast between the dark branches and luminous flowers heightens the decorative and pictorial effect. Chrysanthemums occupy a special place in Chinese artistic tradition, symbolizing longevity, integrity, and the virtues of the cultivated scholar. Their autumn blooming season further associates them with perseverance and resilience. Qi Baishi frequently employed such traditional subjects while infusing them with his own distinctive artistic language, combining folk vitality with literati elegance. The accompanying inscription records the painting as a gift to a friend and is dated when the artist was eighty-nine years old, placing the work within his late period. Paintings from this mature stage are especially admired for their confidence, simplicity, and expressive power. This work exemplifies Qi Baishis ability to transform a traditional floral subject into a vivid and highly personal artistic statement, embodying the qualities that established him as one of the greatest painters of twentieth-century China. Ink and color on paper, Yisebiao mount, Vertical Axis Hanging Scroll Painting (Sight): 121cm H x 33cm W Dated: In The Baishi's Eighty-Seventh years of age (1950) Signed/Seal(s): Signed, with a seal PROVENANCE: Acquired from a prominent collector, representing an important private collections. The collections presented and offered up to auctions from Lot 25 through Lot 136; and additional related documents and or manuscripts from Lot 137 to Lot 228. Wei Tao-Ming (Wei Daoming), (October 28, 1899 - May 18, 1978) was a prominent Chinese diplomat, statesman, and senior official of the Republic of China. Born in Jiangxi Province, he studied law in the United States and became active in the Nationalist government under Chiang Kai-shek. During the Second World War, Wei served as the Republic of China's Ambassador to the United States from 1942 to 1946, playing an important role in strengthening Sino-American relations during the Allied war effort. He later held several key government positions, including Governor of Taiwan Province (1947-1949), Ambassador to Japan, and Minister of Foreign Affairs of the Republic of China from 1966 to 1971. Wei remained an influential figure in Chinese diplomacy throughout the mid-twentieth century and was closely involved in the Republic of China's international affairs during a period of major political transition in East Asia. ARTIST BIO: Qi Baishi (1864-1957) was one of the most celebrated Chinese painters of the twentieth century and is widely regarded as a master of modern Chinese ink painting. Born into a peasant family in Xiangtan, Hunan province, he was largely self-taught and initially worked as a carpenter before devoting himself entirely to painting, seal carving, and calligraphy. Drawing inspiration from nature and everyday life, Qi developed a highly personal artistic style characterized by bold brushwork, simplified forms, and vibrant color. He became especially renowned for his depictions of shrimp, crabs, insects, birds, flowers, vegetables, and other humble subjects, transforming ordinary objects into lively and poetic images. Qi Baishi advocated the principle that painting should balance resemblance and abstraction, famously stating that “too much likeness becomes vulgar, while too little becomes deceptive.” His works combine the expressive spirit of literati painting with the vitality of folk art, creating an artistic language that is both sophisticated and accessible. In addition to his achievements as a painter, Qi was an accomplished calligrapher and seal carver. His seal designs and inscriptions often form an integral part of his compositions, contributing to their overall rhythm and character. During his lifetime he received widespread recognition, including honors from the Chinese government, and his works continue to command strong interest among collectors and museums worldwide.

    Eden Fine Antiques Galleries LLC
  • QI BAISHI (1863-1957). Balsamine and Mynah. Scroll, mounted and framed, ink
    Aug. 18, 2026

    QI BAISHI (1863-1957). Balsamine and Mynah. Scroll, mounted and framed, ink

    Est: $240,000 - $360,000

    QI BAISHI (1863-1957). Balsamine and Mynah. Scroll, mounted and framed, ink and colour on paper92.5 x 51 cm. (36 3/8 x 20 1/8 in.).

    Christie's
  • QI BAISHI (1864-1957). Morning Glories. Hanging scroll, ink and colour on p
    Aug. 18, 2026

    QI BAISHI (1864-1957). Morning Glories. Hanging scroll, ink and colour on p

    Est: $200,000 - $300,000

    QI BAISHI (1864-1957). Morning Glories. Hanging scroll, ink and colour on paper96 x 30.2 cm. (37 ¾ x 11 7/8 in.).

    Christie's
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