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Léon Bakst Sold at Auction Prices

Painter, b. 1866 - d. 1924

Léon Bakst (Russian: Leon (Lev) Nikolaevich Bakst) – born as Leyb-Khaim Izrailevich (later Samoylovich) Rosenberg, (27 January (8 February) 1866[1][2] – 28 December 1924) was a Russian painter and scene and costume designer of Belarusian origin. He was a member of the Sergei Diaghilev circle and the Ballets Russes, for which he designed exotic, richly coloured sets and costumes.[3] He designed the décor for such productions as "Carnaval" (1910), "Spectre de la rose" (1911), "Daphnis and Chloe" (1912), "The Sleeping Princess" (1921) and others.

Leyb-Khaim Izrailevich (later Samoylovich) Rosenberg was born in Grodno, into a middle-class Jewish family. As his grandfather was an exceptional tailor, the Tsar gave him a very good position, and he had a huge and wonderful house in Saint Petersburg.[5] Later, when Leyb's parents moved to the capital, the boy Leyb would visit his grandfather's house every Saturday. He said that he had been very impressed as a youth by that house, always returning with pleasure. At the young age of twelve, Lejb won a drawing contest and decided to become a painter. However, the parents disapproved of it and even threw away his paints.[6]

In several years the parents divorced and started new families, it became impossible to live with a step-mother, so the four siblings separated and rented their own place. As the eldest, Lejb was in charge of two sisters and brother, he 'took all kinds of painting work'. After graduating from gymnasium, he studied at the St. Petersburg Academy of Arts as a noncredit student, because he had failed the entry. He also worked part-time as a book illustrator, gaining admission into the Imperial Academy in 1883. At the time of his first exhibition (1889) he took the surname of Bakst, though the origin of the pseudonym is still unclear. There are at least three versions, according to the main one, his mother's grandmother had maiden name Bakster.[7] Alexander Benoius, a life-long friend of Leon, recalled that 'Leo gave a prolonged and confusing explanation that the surname was taken after some of distant relatives'. At the beginning of the 1890s, Bakst exhibited his works with the Society of Watercolourists.[6]

At the beginning of the 1890s, Bakst exhibited his works with the Society of Watercolourists.[6] From 1893 to 1897 he lived in Paris, where he studied at the Académie Julian.[8] He still often visited Saint Petersburg. After the mid-1890s, Bakst became a member of the circle of writers and artists formed by Sergei Diaghilev and Alexandre Benois,[9] who in 1899 founded the influential periodical Mir iskusstva, meaning "World of Art". His graphics for this publication brought him fame.

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  • Léon BAKST (1866-1924), zugeschrieben, Kostümentwurf / attributed, Costume design für Scheherazade, 1910
    Jan. 11, 2025

    Léon BAKST (1866-1924), zugeschrieben, Kostümentwurf / attributed, Costume design für Scheherazade, 1910

    Est: €2,500 - €5,000

    Technik: Aquarell auf Papier, Signatur: unten rechts signiert Bakst, Maße: 43 x 32,5 cm, Zustand: Blatt vergilbt, mit Rand- und Eckläsuren

    Auktionshaus Schwab
  • LEON BAKST (1866-1924) Costume design for Le Prince Charmant for the Ballet 'La Belle au Bois Dormant' (Sleeping Beauty) - Sergei Diaghilev
    Dec. 19, 2024

    LEON BAKST (1866-1924) Costume design for Le Prince Charmant for the Ballet 'La Belle au Bois Dormant' (Sleeping Beauty) - Sergei Diaghilev

    Est: €18,000 - €25,000

    signed and inscribed 'Le Prince Charmant' (lower right), old labels 'Exhibition of Ballets Russes Musee des Arts Decoratifs Paris', 'Edinburgh Festival 1954', 'Arthur Tooth & Sons Ltd' (on the reverse) pencil, watercolour and gouache, heightened with gold and silver, on paper 31.3 x 19.5 cm. Provenance Arthur Tooth & Sons, London (label on the reverse of the backboard). Acquired from the above by the mother of the present owner circa 1937. Christie's, London, 29.11.2019, lot 85 Private Collection Literature Exhibition catalogue, Ballets Russes de Diaghilew 1909 à 1929, Paris, 1939, listed p. 14, no. 46. Exhibition catalogue, The Diaghilev exhibition, Edinburgh, 1954, listed p. 21, no. 241. Exhibition catalogue, The Diaghilev exhibition from the Edinburgh Festival, 1954, London, 1954, listed p. 21, no. 277. Exhibited Paris, Palais du Louvre, Ballets Russes de Diaghilew 1909 à 1929, March-June 1939, no. 46. Edinburgh, The Edinburgh Festival, College of Art, The Diaghilev exhibition, 1954, no. 241 (label on the reverse of the backboard). London, Forbes House, The Diaghilev exhibition from the Edinburgh Festival, 1954, 1954, no. 277.

    Hermitage Fine Art
  • LEON BAKST (1866 -1924) Costume Design for a Maréchal de la Cour for the Ballet 'La Belle au Bois Dormant' (Sleeping Beauty) - Sergei Diaghilev
    Dec. 19, 2024

    LEON BAKST (1866 -1924) Costume Design for a Maréchal de la Cour for the Ballet 'La Belle au Bois Dormant' (Sleeping Beauty) - Sergei Diaghilev

    Est: €18,000 - €25,000

    stamped with the artist's signature (lower left) and titled and inscribed in Latin 'Marechal de la Cour' (lower right), an exhibition label ''Les Ballets Russes de Serge Diaghilev' (on the backing board) watercolour and pencil heightened with silver on paper 30.5 x 22 cm Provenance Sotheby's London, Diaghilev Ballet Material, 18 July 1968, lot 6 Mr G.M. Pope, London Sotheby's, London, Russian Pictures, 05.06.2018, lot 98 Private Collection Exhibited Strasbourg, L'Ancienne Douane, Les ballets russes de Serge de Diaghilev, 1909-1929, 15 May - 15 September 1969 Literature Exhibition catalogue Les ballets russes de Serge de Diaghilev, 1909-1929, L'Ancienne Douane, Strasbourg, 1969, p.185, no.340 listed

    Hermitage Fine Art
  • LEON BAKST (1866 -1924) Costume design for Spear Carrier for the ballet 'Cleopatra', Les Ballets Russes - Sergei Diaghilev
    Dec. 19, 2024

    LEON BAKST (1866 -1924) Costume design for Spear Carrier for the ballet 'Cleopatra', Les Ballets Russes - Sergei Diaghilev

    Est: €8,000 - €10,000

    signed and dated 'Bakst 1912' (lower right), stamps 'G Rasamatt Paris', 'Yamateo Fine Arts exhibit.' (on the reverse) gouache, pencil heightened with gold on paper 27x13.5 cm Executed in 1912. Provenance Julian Barran Gallery, London, 1994 G.Rasamatt, Paris (stamp on the reverse) Sotheby's, London, 27.11.2018. Private Collection Exhibited An Exhibition of Designs for the Russian Ballet, Julian Barran, London 1994 cat. No 9 (illustrated) Hokkaido, Kushiro Art Museum; Kyoto, The National Museum of Modern Art; Tokyo, Metropolitan Teien Art Museum et al., A World of Stage Russian Designs for Theater, Opera and Dance, April - October 2007 Literature Exhibition catalogue, An Exhibition of Designs for the Russian Ballet, London, 1994, p.12, no.9 listed, pl.9 illustrated Exhibition catalogue, A World of Stage Russian Designs for Theater, Opera and Dance, Japan Art Impression Inc. 2007, p.36 illustrated

    Hermitage Fine Art
  • LÉON BAKST (1866-1924) Costume design for Gypsy Fortune Teller for 'Le Coeur de la Marquise' in 1902
    Dec. 19, 2024

    LÉON BAKST (1866-1924) Costume design for Gypsy Fortune Teller for 'Le Coeur de la Marquise' in 1902

    Est: €12,000 - €15,000

    signed 'Bakst' (lower right) watercolor and ink on paper 29.2 х 22.2 cm This lot is one of Bakst's earliest known theatrical sketches thanks to Diaghilev, Bakst made his debut in the performing arts in St Petersburg, more specifically in ballet, including 'Le Cœur de la Marquise' in 1902

    Hermitage Fine Art
  • LEON BAKST (1886-1924) Ballet dancers
    Dec. 19, 2024

    LEON BAKST (1886-1924) Ballet dancers

    Est: €6,000 - €8,000

    signed and dated 'Bakst 22' (lower right) colour pencil on paper 24 x 21cm executed in 1922 Condition some residues of skotch

    Hermitage Fine Art
  • LEON BAKST (1866 - 1924), COSTUME DESIGN FOR SCHEHERAZADE
    Dec. 18, 2024

    LEON BAKST (1866 - 1924), COSTUME DESIGN FOR SCHEHERAZADE

    Est: $6,000 - $8,000

    Watercolor, gouache and pencil on paper 1911 Signed and dated 1911 (lower right). 49 x 32 cm Provenance: Private collection, Israel. Notes: Accompanied by an authenticity certificate by Elena Kakuriev, 2024. Available upon request. Condition: For a detailed condition report, please contact us at [email protected]

    Hammersite
  • LEON BAKST (1866 - 1924), COSTUME DESIGN FOR SCHEHERAZADE
    Dec. 18, 2024

    LEON BAKST (1866 - 1924), COSTUME DESIGN FOR SCHEHERAZADE

    Est: $6,000 - $8,000

    Gouache and pencil on paper 1911 Signed and dated 1911 (lower left). 54 x 38 cm Provenance: Private collection, Israel. Condition: For a detailed condition report, please contact us at [email protected]

    Hammersite
  • Leon Bakst, Belarusian (1866-1924), Costume Design, watercolour pencil, 26 1/8 x 18 3/4 in. (66.4 x 47.6 cm.)
    Dec. 18, 2024

    Leon Bakst, Belarusian (1866-1924), Costume Design, watercolour pencil, 26 1/8 x 18 3/4 in. (66.4 x 47.6 cm.)

    Est: $8,000 - $10,000

    Leon Bakst Belarusian, (1866-1924) Costume Design watercolour pencil signed and dated 1922

    Maynards Fine Art & Antiques
  • Leon Bakst, Belarusian (1866-1924), Costume Design, watercolour, 18 5/8 x 12 5/8 in. (47.3 x 32.1 cm.)
    Dec. 18, 2024

    Leon Bakst, Belarusian (1866-1924), Costume Design, watercolour, 18 5/8 x 12 5/8 in. (47.3 x 32.1 cm.)

    Est: $6,000 - $8,000

    Leon Bakst Belarusian, (1866-1924) Costume Design watercolour signed and dated 1922

    Maynards Fine Art & Antiques
  • Leon Bakst, Belarusian (1866-1924), Holoferne - 2nd Tableau, watercolour, 18 5/8 x 12 5/8 in. (47.3 x 32.1 cm.)
    Dec. 18, 2024

    Leon Bakst, Belarusian (1866-1924), Holoferne - 2nd Tableau, watercolour, 18 5/8 x 12 5/8 in. (47.3 x 32.1 cm.)

    Est: $6,000 - $8,000

    Leon Bakst Belarusian, (1866-1924) Holoferne - 2nd Tableau watercolour signed and dated '22

    Maynards Fine Art & Antiques
  • Leon BAKST (1866-1924) Russian - French
    Dec. 15, 2024

    Leon BAKST (1866-1924) Russian - French

    Est: €15,000 - €20,000

    Leon BAKST (1866-1924) ; Self-portrait with a nude ; early 20th century ; watercolor on paper - framed ; dimensions 15 x 10 cm (6 x 4 in.) ; signed at the bottom in the middle ; Shipping to USA: DHL - $160 / National post with tracking service - $80 ; Shipping to Europe, Russia, Middle Assia: DHL - $100 / National post with tracking service - $40

    Art-Torg
  • D'après Léon BAKST (1866-1924) …
    Dec. 04, 2024

    D'après Léon BAKST (1866-1924) …

    Est: €800 - €1,200

    D'après Léon BAKST (1866-1924) Projet du costume pour le ballet Sacre du printemps Technique mixte 31,5x20 cm Porte signature et la date en bas à droite В стиле Леона БАКСТА (1866-1924) Проект костюма к балету «Весна священная». Смешанная техника 31,5х20 см Подпись и дата стоят внизу справа.

    Osenat
  • ATTR TO LEON BAKST RUSSIAN BALLET OIL PAINTING
    Nov. 30, 2024

    ATTR TO LEON BAKST RUSSIAN BALLET OIL PAINTING

    Est: $100 - $150

    Oil on canvas painting, attributed to Leon Bakst, 1866 to 1924, a Russian artist and costume designer of the Mir Iskusstva movement. The artwork represents a ballet scene. Titled Wedding Feast, Coppelia. Signed in the lower right. Provenance: La Jolla Museum of Contemporary Art, CA. Golden frame. Coppelia is a French comic ballet from 1870 by Leo Delibes. The Russian 1884 production by choreographer Marius Petipa is now considered the classic version of the ballet. Collectible Fine Art, Russian Ballet.

    Antique Arena Inc
  • Leon Bakst, Costume Design: The Acrobat, Watercolor, Gouache, and Pencil on Paper
    Nov. 29, 2024

    Leon Bakst, Costume Design: The Acrobat, Watercolor, Gouache, and Pencil on Paper

    Est: $22,000 - $25,000

    Artist: Leon Bakst, Russian (1866 - 1924), Title: Costume Design: The Acrobat, possibly from "Sheherazade" or "Le Dieu Bleu", Year: circa 1910, Medium: Watercolor, Gouache and Pencil on Paper, signed l.r., Image Size: 19 x 13 inches, Size: 21 x 14 in. (53.34 x 35.56 cm), Frame Size: 31 x 24.5 inches, Description: Leon Bakst's whimsical depiction of an acrobat, possibly Scheherazade of "One Thousand and One Nights", features bright colors and flowing movement as the gymnast balances on her hands while her patterned skirt flows into the air.

    RoGallery
  • Leon Bakst, Russian 1866-1924, Le Secret de Honoeur, Lithograph, paper size 20cm by 27cm
    Oct. 23, 2024

    Leon Bakst, Russian 1866-1924, Le Secret de Honoeur, Lithograph, paper size 20cm by 27cm

    Est: $300 - $500

    Leon Bakst Russian, 1866-1924 Le Secret de Honoeur Lithograph See Ballet Costumes and stage settings for 10 ballets by Leon Bakst Published London 1913,Plate number 43

    Artvisory
  • A LEON BAKST RUSSIAN WATERCOLOR STAGE DESIGN PAINTING
    Oct. 20, 2024

    A LEON BAKST RUSSIAN WATERCOLOR STAGE DESIGN PAINTING

    Est: $700 - $900

    Leon Nikolaievitch Bakst (Russian, French, 1866 - 1924) a watercolor on paper stage design painting. Signed by the artist lower left. Leon Bakst was a Russian painter and scene and costume designer of Belarusian origin. He was a member of the Sergei Diaghilev circle and the Ballets Russes, for which he designed exotic, richly colored sets and costumes. He designed the decor for such productions as Carnaval, 1910, Spectre de la rose, 1911, Daphnis and Chloe, 1912, The Sleeping Princess, 1921, and others.

    Helios Auctions
  • A POCHOIR COSTUME DESIGN BY LEV BAKST, RUSSIAN, CA. 1925
    Oct. 20, 2024

    A POCHOIR COSTUME DESIGN BY LEV BAKST, RUSSIAN, CA. 1925

    Est: $500 - $700

    Lev (Leon) Samoilovich Bakst (Russian, 1866–1924). Hand-colored pochoir on paper, ca. 1925. Costume Design for Chorus: the Martyrdom of St. Sebastien, 1922. Signed and dated lower right. Titled upper right. Framed. Bakst, an artist, set designer, illustrator and designer, worked mainly in St. Petersburg and Paris, one of the trendsetters of European fashion for exoticism and orientalism at the beginning of the 20th century.

    Helios Auctions
  • Attributed to Leon Bakst 1866-1924. Costume design for a character from The Legend of Joseph, circa 1914
    Oct. 16, 2024

    Attributed to Leon Bakst 1866-1924. Costume design for a character from The Legend of Joseph, circa 1914

    Est: £1,000 - £1,500

    Attributed to Leon Bakst 1866-1924. Costume design for a character from The Legend of Joseph, circa 1914 * Attributed to Leon Bakst 1866-1924. Costume design for a character from Josephslegende (The Legend of Joseph), circa 1914, gouache, watercolour and pastel on thick wove paper, heightened with gold, signed centre right, tipped-on to mount board, sheet size 33.4 x 27 cm (13 x 10 3/4 ins), framed and glazed (54.5 x 44 cm) QTY: (1) NOTE: A similar design for a costume from the same production sold at Chiswick Auctions, 19th & 20th Century Paintings and Works on Paper, 23 March 2022, lot 3 (£6,250). The Legend of Jospeh was first produced by Diaghilev's Ballet Russes in 1914 at the Théâtre National de l’Opéra in Paris. The music was composed and conducted by Richard Strauss, choreography by Michel Fokine, set designed by José-Maria Sert and costumes designed by Léon Bakst. The Legend of Joseph was the début of the famous Russian ballet dancer Léonide Massine. The production was set in the Venice portrayed by the 16th Century Italian artist Paolo Veronese. To inspire his costume designs Bakst visited Venice, and his sumptuous Veronese designs with zoccoli and open-skirted costumes recall the Venetian clothing featured in the Italian Renaissance artist's pictures.

    Dominic Winter Auctions
  • Attributed to Leon Bakst 1866-1924. Costume design for a character from The Legend of Joseph, circa 1914
    Oct. 16, 2024

    Attributed to Leon Bakst 1866-1924. Costume design for a character from The Legend of Joseph, circa 1914

    Est: £1,000 - £1,500

    Attributed to Leon Bakst 1866-1924. Costume design for a character from The Legend of Joseph, circa 1914 * Attributed to Leon Bakst 1866-1924. Costume design for a character from Josephslegende (The Legend of Joseph), circa 1914, gouache, watercolour and pastel on thick wove paper, heightened with gold, signed centre right, tipped-on to mount board, sheet size 33.7 x 27.1 cm (13 1/4 x 10 3/4 ins), framed and glazed (54.5 x 44 cm) QTY: (1)

    Dominic Winter Auctions
  • LÉON BAKST (1866-1924) L'Art décoratif de Léon Bakst. Essai critique par
    Oct. 06, 2024

    LÉON BAKST (1866-1924) L'Art décoratif de Léon Bakst. Essai critique par

    Est: €700 - €900

    LÉON BAKST (1866-1924) L'Art décoratif de Léon Bakst. Essai critique par Arsène Alexandre. Notes sur les ballets de Jean Cocteau Paris Maurice de Brunoff éditeur d'art 1913. In-folio non rogné 49 pp. de texte imprimé en rouge et noir demi-vélin ivoire réhaussée d'or plats marbrés dos lisse partiellement doré pièce de titre en maroquin vert à lettres dorées tranche supérieure dorée massicotée agrémenté en frontispice d'une planche colorée d'après un original de Bakst et d'un portrait photographique avec signature en fac-similé de ce dernier ainsi que de 77 planches colorés et en N&B d'après des originaux de Bakst en fin de volume. Bon état. ЛЕОН БАКСТ (1866-1924) Декоративное искусство Леона Бакста. Критическое эссе Арсен Александр. Заметки о балетах Жана Кокто Париж Художественное издательство Мориса де Брюнофа 1913 год. необрезанный 49 стр. текст напечатан красным и черным цветом на пергаменте цвета слоновой кости украшенный золотом крышки мрамором обратная сторона гладкая частично позолоченная название зеленым сафьяном с золотыми буквами верхний край окантован золотом украшен на фронтисписе картинкой по оригиналу Бакста и фотографическим портретом с подписью а также 77 цветных и черно-белых иллюстраций с оригиналов Бакста в конце книги. Хорошее состояние.

    Osenat
  • Léon BAKST (1866-1924) attribué à. Paysage. Aquarelle et crayon sur pap
    Oct. 06, 2024

    Léon BAKST (1866-1924) attribué à. Paysage. Aquarelle et crayon sur pap

    Est: €25,000 - €30,000

    Léon BAKST (1866-1924) attribué à. Paysage. Aquarelle et crayon sur papier non signée. Conservé sous verre dans un cadre en bois avec passe-partout. Bon état. Dim. à vue: H. 68 x L. 37.5 cm; dim. hors-tout: H. 85 x L. 55.5 cm. Provenance: ancienne vente Christie's Londres 26 novembre 2018 lot n° 31 annoncé comme provenant de l'ancienne collection Constantinowitz et comme provenant de la succession du peintre lui-même. Леон БАКСТ (1866-1924) отнесено к. Пейзаж. Бумага акварель карандаш без подписи. Хранится под стеклом в деревянной раме с паспарту. Хорошее состояние. Размеры на вид: В. 68 x Д. 37 5 см; Габаритные размеры: В. 85 х Д. 55 5 см. Провенанс: бывшая лондонская распродажа Christie's 26 ноября 2018 г. лот № 31 заявленный как принадлежащий бывшей коллекции Константиновица и принадлежащий поместью самого художника.

    Osenat
  • Leon Bakst (1866 - 1924), Costume Design for Le Due Bleu (1912)
    Sep. 29, 2024

    Leon Bakst (1866 - 1924), Costume Design for Le Due Bleu (1912)

    Est: $8,000 - $12,000

    Gouache and pencil on paper 1911 Signed and dated 1911 (lower left). Provenance: Private collection, Israel.

    Hammersite
  • ANTIQUE RUSSIAN WATERCOLOR PAINTING BY LEON BAKST
    Aug. 03, 2024

    ANTIQUE RUSSIAN WATERCOLOR PAINTING BY LEON BAKST

    Est: $100 - $150

    A watercolor painting on paper depicting an Exotic portrait of a lady holding a basket with fruits in her head surrounded by a symmetrical ornamental frame by Lev or Leon Samoilovich Bakst, Russian, 1866 to 1924. Signed, Bakst, lower left. Framed. Lev Bakst, an artist, set designer, illustrator and designer, worked mainly in St. Petersburg and Paris, one of the trendsetters of European fashion for exoticism and orientalism at the beginning of the 20th century. Russian Theatre Costume Design Paintings, Wall Art, and Collectibles. One of a kind artwork.

    Antique Arena Inc
  • LÉON BAKST (1866-1924) Projet de costume pour le ballet « L’Oiseau de feu », 1915
    Jul. 10, 2024

    LÉON BAKST (1866-1924) Projet de costume pour le ballet « L’Oiseau de feu », 1915

    Est: €1,500 - €2,000

    LÉON BAKST (1866-1924) Projet de costume pour le ballet « L’Oiseau de feu », 1915 Aquarelle et crayon sur papier Signé et daté en bas à droite 31,5 x 20 cm Watercolor and pencil on paper Signed and dated lower right 12 3/8 x 7 7/8 in. Provenance Collection particulière

    HVMC - Hôtel des Ventes de Monte-Carlo
  • BAKST Léon (1866-1924). Paysage de montagne.
    Jul. 02, 2024

    BAKST Léon (1866-1924). Paysage de montagne.

    Est: €18,000 - €20,000

    BAKST Léon (1866-1924). Paysage de montagne. Aquarelle et fusain sur papier, non signé, conservée sous verre dans un encadrement moderne en bois naturel. Légère pliure, mais bon état général. À vue : H. : 67,5 cm – L. : 36 cm. Cadre : H. : 85 cm – L. : 55 cm. Provenance : ancienne collection de l’artiste, conservée par descendance, puis mise en vente par ces derniers. Collection Constantinowitz, mise en vente par Christie’s à Londres le 26 novembre 2018 sous le n°31.

    Coutau-Begarie
  • BAKST Léon (1866-1924). Projet de costume pour le ballet Shéhérazade.
    Jul. 02, 2024

    BAKST Léon (1866-1924). Projet de costume pour le ballet Shéhérazade.

    Est: €10,000 - €15,000

    BAKST Léon (1866-1924). Projet de costume pour le ballet Shéhérazade. Aquarelle sur papier signée en bas à gauche en caractères latins et portant un cachet à l’encre : « Décembre 1915 ». Pliures et petits accidents. H. : 50 cm – L. : 36,5 cm. Biographie : Leon Bakst, né Léon Lev Samoïlovitch Rosenberg, il signe ses œuvres sous le pseudonyme de Léon Bakst, tiré du nom de sa grand-mère. Il est auditeur libre de l’académie des arts de Saint-Pétersbourg au cours de Pavel Tchistiakov et de K. Vetchina de 1883 à 1887. Entre 1893-1896 il étudie à Paris dans l’atelier de Jean-Léon Gérôme et à l’Académie Julian, une école privée fondée en 1866 par le peintre français Rodolphe Julian et avec le peintre finlandais, Albert Edelfelt. Puis voyage beaucoup, en Allemagne, en Belgique, en France, en Espagne, en Italie, et en 1897 en Afrique du Nord, en 1907, en Grèce. De 1906 à 1909 il enseigne la peinture à l’école Zvantseva à Saint-Pétersbourg. Et devient l’un des organisateurs et membres actifs de l’Association du Monde de l’Art entre 1898 et 1903. De 1891 à 1897 il participe aux expositions de la Société des aquarellistes russes, et entre 1903 et 1910 de l’Union des artistes russes, il est membre à vie du salon d’Automne. En 1914 il devient membre de l’académie et devient l’un des décorateurs principaux de Serge Diaghilev pour les saisons des ballets russes. Il réalise les mises en scène des théâtres Mariisky et Alexandrinski à Pétersbourg, à l’opéra, pour la troupe de Ida Rubinstein et pour d’autres théâtres d’Europe. À partir de 1909, il vit à paris.

    Coutau-Begarie
  • Leon BAKST (1866-1924) Belorussian - French
    Jun. 28, 2024

    Leon BAKST (1866-1924) Belorussian - French

    Est: $1,000 - $1,500

    Lev Nikolajewitsch BAKST - Lev Samoilovich BAKST ; medium serigraph (pochoir) / framed with glass ; dimensions 25,5 x 22 cm (10 x 8 2/3 in.) ; Shipping to USA - DHL $210 , National post with tracking service $105 / Shipping to EU, Russia, Middle Assia - DHL $130 , National post with tracking service $55

    Art-Torg
  • Léon Bakst (1866-1924), COSTUME DESIGN FOR A SERVANT IN THAMAR, 1912
    Jun. 27, 2024

    Léon Bakst (1866-1924), COSTUME DESIGN FOR A SERVANT IN THAMAR, 1912

    Est: $4,000 - $6,000

    Léon Bakst (1866-1924), Russian COSTUME DESIGN FOR A SERVANT IN THAMAR, 1912 signed and dated lower right; with pencil notations to Diaghilev Ballet costume maker upper right Estimate: $4,000—6,000 CAD

    Waddington's
  • LÉON BAKST (1866 – 1924) Costume design for the opera 'Sadko' by Nikolai Rimsky-Korsakov.
    Jun. 25, 2024

    LÉON BAKST (1866 – 1924) Costume design for the opera 'Sadko' by Nikolai Rimsky-Korsakov.

    Est: €4,500 - €5,500

    signed 'Bakst' (lower right) watercolour on paper 36.5 x 27 cm

    Hermitage Fine Art
  • LÉON BAKST (1866-1924) Costume design for Gypsy Fortune Teller for 'Le Coeur de la Marquise' in 1902
    Jun. 25, 2024

    LÉON BAKST (1866-1924) Costume design for Gypsy Fortune Teller for 'Le Coeur de la Marquise' in 1902

    Est: €15,000 - €20,000

    signed 'Bakst' (lower right) watercolor and ink on paper 29.2 х 22.2 cm This lot is one of Bakst's earliest known theatrical sketches: thanks to Diaghilev, Bakst made his debut in the performing arts in St Petersburg, more specifically in ballet, including 'Le Cœur de la Marquise' in 1902

    Hermitage Fine Art
  • BAKST LÉON (1866 - 1924) twee studies in de vorm v…
    Jun. 22, 2024

    BAKST LÉON (1866 - 1924) twee studies in de vorm v…

    Est: €500 - €1,500

    BAKST LÉON (1866 - 1924) twee studies in de vorm van aquarellen telkens met een Oost-Europese vrouw in traditionele klederdracht - 18 x 13,5 en 17,5 x 13 getekend en gedateerd 1922 / toegeschreven aan||two aquarelle studies - signed Léon Bakst and dated 1922 / attributed to

    DVC
  • BAKST LÉON (1866 - 1924) dubbelzijdige tekening me…
    Jun. 22, 2024

    BAKST LÉON (1866 - 1924) dubbelzijdige tekening me…

    Est: €100 - €500

    BAKST LÉON (1866 - 1924) dubbelzijdige tekening met typisch thema : "Danseres" en "Studie van het gelaat van die danseres" - 25 x 20 getekend 19th/20th Cent. double sided drawing - signed Léon Bakst

    DVC
  • Léon BAKST (1866-1924). Portrait d'Isaac Levitan (…
    Jun. 16, 2024

    Léon BAKST (1866-1924). Portrait d'Isaac Levitan (…

    Est: €1,800 - €2,000

    Léon BAKST (1866-1924). Portrait d'Isaac Levitan (1885-1965). LITHOGRAPHIE portant un dédicace autographe attribuée à Bakst lisant "A monsieur R. Doisemond/ami Léon Bakst". Conservée dans un encadrement en bois doré. Mouillures mais bon état. Dim. cadre: H. 45.5 x L. 36.5 cm ; Dim. à vue: H. 34.5 x L. 26.5 cm. Леон БАКСТ (1866–1924). Портрет Исаака Левитана (1885–1965). ЛИТОГРАФИЯ с автографом-посвящением, приписываемым Баксту, с надписью «Месье Р. Дуазмонду/другу Леона Бакста». Сохранилась в позолоченной деревянной раме. Следы влаги, но хорошее состояние. Размеры рамы: В. 45,5 х Д. 36,5 см; Размеры на вид: В. 34,5 x Д. 26,5 см.

    Osenat
  • LÉON BAKST (1866-1924) …
    Jun. 16, 2024

    LÉON BAKST (1866-1924) …

    Est: €1,000 - €1,200

    LÉON BAKST (1866-1924) L'Art décoratif de Léon Bakst. Essai critique par Arsène Alexandre. Notes sur les ballets de Jean Cocteau, Paris, Maurice de Brunoff éditeur d'art, 1913. In-folio non rogné, 49 pp. de texte imprimé en rouge et noir, demi-vélin ivoire réhaussée d'or, plats marbrés, dos lisse partiellement doré, pièce de titre en maroquin vert à lettres dorées, tranche supérieure dorée massicotée, agrémenté en frontispice d'une planche colorée d'après un original de Bakst et d'un portrait photographique avec signature en fac-similé de ce dernier, ainsi que de 77 planches colorés et en N&B d'après des originaux de Bakst en fin de volume. Bon état. ЛЕОН БАКСТ (1866-1924) Декоративное искусство Леона Бакста. Критическое эссе Арсен Александр. Заметки о балетах Жана Кокто, Париж, Художественное издательство Мориса де Брюнофа, 1913 год. необрезанный, 49 стр. текст напечатан красным и черным цветом на пергаменте цвета слоновой кости, украшенный золотом, крышки мрамором, обратная сторона гладкая, частично позолоченная, название зеленым сафьяном с золотыми буквами, верхний край окантован золотом, украшен на фронтисписе картинкой по оригиналу Бакста и фотографическим портретом с подписью, а также 77 цветных и черно-белых иллюстраций с оригиналов Бакста в конце книги. Хорошее состояние.

    Osenat
  • LÈon Bakst (1866 - 1924), Moses on Mount Sinai
    Jun. 12, 2024

    LÈon Bakst (1866 - 1924), Moses on Mount Sinai

    Est: £5,000 - £7,000

    Léon Bakst (1866 - 1924) Moses on Mount Sinai, 1913 Gouache on paper Signed and dated lower right Provenance: Phillips London, Monday, June 29, 1992  With a letter of authenticity by Charles Spencer Dimensions: (Paper) 26 in. (H) x 19 in. (W)

    Sloane Street Auctions
  • Leon Bakst, 
    Jun. 11, 2024

    Leon Bakst, 

    Est: £600 - £800

    Leon Bakst,  Russian 1866-1924 -  Costume design for Faust;  pencil on paper, signed and indistinctly inscribed lower right 'Bakst Boutique Fa?', 42.5 x 27.5 cm  Provenance: Sotheby’s, London, 29th October 1981, lot 68

    Roseberys
  • Leon Bakst, Costume Designs for Salome
    Jun. 05, 2024

    Leon Bakst, Costume Designs for Salome

    Est: $1,000 - $1,500

    (or Workshop, Belarusian, 1866-1924) Femmes Juivres, circa 1908, for La Tragedie de Salome, unsigned, inscribed with instructions recto and verso, watercolor, pencil, gouache, gold and silver paint on preprepared artist board, with 'P. Berville' colourman stamp verso, 10-3/4 x 15-3/4 in. (23.50 x 36.20 cm.); wood frame, 19-1/8 x 24 x 3/4 in. Provenance: The Collection of Clare and Jared Edwards, West Hartford, Connecticut Note: Lot accompanied by an offset reproduction print of a costume design, framed.

    Brunk Auctions
  • Leon BAKST: Two Works
    May. 04, 2024

    Leon BAKST: Two Works

    Est: $400 - $600

    Leon Bakst (Russian, 1866-1924) two works circa 1910, including a framed drawing of a nude woman opposite an interior scene, possibly a set design for Ballets Russes (unsigned), and a watercolor and wash on paper painting, signed lower right. [Frame: 24" H x 33 1/2" W].

    Roland Auctions NY
  • Leon BAKST (1866-1924) Russian - French
    Apr. 19, 2024

    Leon BAKST (1866-1924) Russian - French

    Est: $15,000 - $20,000

    Leon BAKST (1866-1924) ; Self-portrait with a nude ; early 20th century ; watercolor on paper - framed ; dimensions 15 x 10 cm (6 x 4 in.) ; signed at the bottom in the middle ; Shipping to USA: DHL - $160 / National post with tracking service - $80 ; Shipping to Europe, Russia, Middle Assia: DHL - $100 / National post with tracking service - $40

    Art-Torg
  • Lev Samoilovitch Rosenberg known as Léon Bakst (1866-1924) Costume study for Shariar, King of India and China in the ballet Scheheraza
    Apr. 17, 2024

    Lev Samoilovitch Rosenberg known as Léon Bakst (1866-1924) Costume study for Shariar, King of India and China in the ballet Scheheraza

    Est: €15,000 - €20,000

    Lev Samoilovitch Rosenberg known as Léon Bakst (1866-1924) Costume study for Shariar, King of India and China in the ballet Scheherazade produced by Sergei Diaghilev Ballet Russes, 1910 Pencil, gouache, watercolour and gold highlight on paper Signed BAKST in pencil lower right 33.5 x 24.1 cm Provenance: Private collection, Italy Publication: M. Cissan, Les Etoiles des Ballets Russes, In Comoedia illustré, Paris, n°18, 15 June 1910 C. Spencer, Léon Bakst, London, 1973, P.75,n°52 A few stains and traces of note in the top right-hand corner Born in 1866 in the Russian Empire, trained in St Petersburg and then in Paris with the painters Albert Edelfelt and Jean-Léon Gérôme, Léon Bakst was a member of the avant-garde group Mir Iskusstva (The World of Art), which included Serge Diaghilev, the future impresario of the Ballets Russes, and the painter Alexandre Benois. Alongside his career as a painter and illustrator, Bakst worked for the theatre from the beginning of the 20th century, and more particularly for ballet. From the very first seasons of the Ballets Russes in Paris, he made a name for himself as a brilliant renovator of the stage, with the triumphs of Cleopatra (1909), Sheherazade (1910) and Daphnis and Chloe (1912), among others. He became a major figure in the Tout-Paris, frequenting and working with Jean Cocteau, Gabriele D'Annunzio and Émile Verhaeren, arousing the enthusiasm of Paul Morand and Vladimir Nabokov, and receiving commissions from the Marquise Casati and the Rothschilds. Lev Samoilovitch Rosenberg dit Léon Bakst (1866-1924) Etude de costume pour Shariar, roi des Indes et de Chine dans le ballet Schéhérazade produit par Sergei Diaghilev Ballet Russes, 1910 Crayon, gouache, aquarelle et rehaut or sur papier Signé BAKST au crayon en bas à droite 33,5 x 24,1 cm Provenance : Collection particulière, Italie Publication : M. Cissan, Les Etoiles des Ballets Russes, In Comoedia illustré, Paris, n°18, 15 juin 1910 C. Spencer, Léon Bakst, Londres, 1973, P.75,n°52 Quelques taches et traces de notes en haut à droite Né en 1866 dans l'Empire russe, formé à Saint-Pétersbourg puis à Paris auprès des peintres Albert Edelfelt et Jean-Léon Gérôme, Léon Bakst fait partie du groupe d'avant-garde Mir Iskusstva (Le Monde de l'art) qui réunit notamment Serge Diaghilev, le futur imprésario des Ballets russes, et le peintre Alexandre Benois. Parallèlement à sa carrière de peintre et d'illustrateur, Bakst travaille pour le théâtre dès le début du XXème siècle et plus particulièrement pour le ballet. Dès les premières saisons des Ballets russes à Paris, il s'impose comme un rénovateur éclatant de la scène, avec, entre autres, les triomphes de Cléopâtre (1909), Shéhérazade (1910) ou Daphnis et Chloé (1912). Devenu une figure en vue du Tout-Paris, il fréquente et travaille avec Jean Cocteau, Gabriele D'Annunzio ou Émile Verhaeren, suscite l'engouement de Paul Morand ou Vladimir Nabokov et reçoit des commandes de la Marquise Casati et des Rothschild.

    Piasa
  • LÉON BAKST (1866-1924) L'Art décoratif de Léon Bak…
    Apr. 14, 2024

    LÉON BAKST (1866-1924) L'Art décoratif de Léon Bak…

    Est: €1,500 - €2,000

    LÉON BAKST (1866-1924) L'Art décoratif de Léon Bakst. Essai critique par Arsène Alexandre. Notes sur les ballets de Jean Cocteau, Paris, Maurice de Brunoff éditeur d'art, 1913. In-folio non rogné, 49 pp. de texte imprimé en rouge et noir, demi-vélin ivoire réhaussée d'or, plats marbrés, dos lisse partiellement doré, pièce de titre en maroquin vert à lettres dorées, tranche supérieure dorée massicotée, agrémenté en frontispice d'une planche colorée d'après un original de Bakst et d'un portrait photographique avec signature en fac-similé de ce dernier, ainsi que de 77 planches colorés et en N&B d'après des originaux de Bakst en fin de volume. Bon état. ЛЕОН БАКСТ (1866-1924) Декоративное искусство Леона Бакста. Критическое эссе Арсен Александр. Заметки о балетах Жана Кокто, Париж, Художественное издательство Мориса де Брюнофа, 1913 год. необрезанный, 49 стр. текст напечатан красным и черным цветом на пергаменте цвета слоновой кости, украшенный золотом, крышки мрамором, обратная сторона гладкая, частично позолоченная, название зеленым сафьяном с золотыми буквами, верхний край окантован золотом, украшен на фронтисписе картинкой по оригиналу Бакста и фотографическим портретом с подписью, а также 77 цветных и черно-белых иллюстраций с оригиналов Бакста в конце книги. Хорошее состояние.

    Osenat
  • RUSSIAN COSTUME DESIGN SILKSCREEN BY LEON BAKST
    Apr. 06, 2024

    RUSSIAN COSTUME DESIGN SILKSCREEN BY LEON BAKST

    Est: $100 - $150

    Lev or Leon Samoilovich Bakst, Russian, 1866 to 1924, silkscreen on paper depicting a costume design of the Fauns for Vaslav Nijinsky for the ballet Afternoon of a Faun on the cover of the program for the Seventh Season of the Russian Ballet. It was first performed in the Theatre du Chatelet in Paris on 29 May 1912. Circa 1946. Printed in Paris in a very limited edition. Signed with a facsimile signature lower right. Titled in French in print upper right. Framed. Lev Bakst, an artist, set designer, illustrator and designer, worked mainly in St. Petersburg and Paris, one of the trendsetters of European fashion for exoticism and orientalism at the beginning of the 20th century. Vaslav Nijinsky, Russian, 1889 or 1890 to 1950, was a ballet dancer and choreographer cited as the greatest male dancer of the early 20th century. Russian Theatre Costume Design Graphic Art Prints and Collectibles.

    Antique Arena Inc
  • BAKST (Leon)
    Apr. 04, 2024

    BAKST (Leon)

    Est: £300 - £400

    BAKST (Leon) The Decorative Art of Leon Bakst, Appreciation by Arsene Alexandre, Notes by Jean Cocteau, 1913, The Fine Art Society London, folio, mounted colour plates, printed on thick gray paper, uncut, original half vellum gilt

    Cheffins
  • Leon Bakst - Costume Design for a Eunuch - 1987 Offset Lithograph 29.75" x 18"
    Mar. 26, 2024

    Leon Bakst - Costume Design for a Eunuch - 1987 Offset Lithograph 29.75" x 18"

    Est: $50 - $75

    "Costume Design for a Eunuch" by Leon Bakst, 1987 Unsigned Offset Lithograph. Paper size is 29.75 x 18 inches, with an image size of 19 x 12.75 inches. The Offset Lithograph is from an unknown edition size. and is not framed. The condition was rated C: Several Signs of use and handling, some visible marks. Additional details:

    DUMBO Auctions
  • (+) LEON BAKST (1866 – 1924) Nude | LEON BAKST (1866 – 1924) Nude
    Mar. 25, 2024

    (+) LEON BAKST (1866 – 1924) Nude | LEON BAKST (1866 – 1924) Nude

    Est: €2,200 - €2,700

    signed in pencil 'Bakst' (left center) crayon on paper 23 x 33.5 cm (à vue) ⊕ This lot is under temporary importation and is subject to import tax (5.5%) (EU) and administrative customs broker fees. | signé au crayon 'Bakst' (au centre à gauche) crayon sur papier 23 x 33.5 cm (à vue) ⊕ Ce lot est sous le régime de l'importation temporaire, il est soumis à la taxe d'importation (5,5%) (UE) et aux frais administratifs de l'agent en douane

    Hermitage Fine Art
  • LÉON BAKST (1866 – 1924) Costume design for the opera 'Sadko' by Nikolai Rimsky-Korsakov | LÉON BAKST (1866 - 1924) Esquisse de costumes pour l'opéra 'Sadko' de Nikolaï Rimski-Korsakov
    Mar. 25, 2024

    LÉON BAKST (1866 – 1924) Costume design for the opera 'Sadko' by Nikolai Rimsky-Korsakov | LÉON BAKST (1866 - 1924) Esquisse de costumes pour l'opéra 'Sadko' de Nikolaï Rimski-Korsakov

    Est: €4,500 - €5,500

    signed 'Bakst' (lower right) watercolour on paper 36.5 x 27 cm | signé 'Bakst' (en bas à droite) aquarelle sur papier 36.5 x 27 cm. One of Bakst's earliest known theatrical sketches: thanks to Diaghilev, Bakst made his debut in the performing arts in St Petersburg, more specifically in ballet, including 'Le Cœur de la Marquise' in 1902.

    Hermitage Fine Art
  • LÉON BAKST (1866-1924) Costume design for Gypsy Fortune Teller for 'Le Coeur de la Marquise' in 1902 | LÉON BAKST (1866-1924) Esquisse de costume de 'La diseuse de bonne aventure gitane' pour 'Le Cœur de la Marquise' de 1902
    Mar. 25, 2024

    LÉON BAKST (1866-1924) Costume design for Gypsy Fortune Teller for 'Le Coeur de la Marquise' in 1902 | LÉON BAKST (1866-1924) Esquisse de costume de 'La diseuse de bonne aventure gitane' pour 'Le Cœur de la Marquise' de 1902

    Est: €15,000 - €20,000

    signed 'Bakst' (lower right) watercolor and ink on paper 29.2 х 22.2 cm The first known work by Bakst for the theater. | signé 'Bakst' (en bas à droite) aquarelle et encre sur papier 29.2 х 22.2 cm La première œuvre connue de Bakst pour le théâtre

    Hermitage Fine Art
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