Baccio Baldini Paintings & Artwork for Sale | Baccio Baldini Art Value Price Guide

Oct. 10, 2024
Baldini Baccio, Discorso sopra la mascherata della geneologia degli'iddei de' Gentili... In Firenze: Appresso i Giunti, 1565.
Est: €350 - €700
In-4° (mm 212x146). Pagine 130 [i.e. 124], [4]. Con stemma mediceo in legno al frontespizio, bellissima marca editoriale al verso dell'ultima carta e iniziali xilografiche. Frontespizio un po' polveroso, per il resto copia molto bella su carta forte in pergamena rigida settecentesca con tassello in pelle rossa al dorso e con tagli gialli. (1)
Gonnelli Casa d'Aste
May. 14, 2024
Baccio Baldini e Sandro Botticelli, Beatrice appare a Dante e Virgilio / Canto secondo della prima cantica. Firenze: Nicolaus Laurentii, Alamanus, 30 agosto 1481.
Est: €480 - €960
Bulino. mm 98x174. Foglio: mm 173x245. Provenienza: collezione Tammaro De Marinis. Da Comento di Christophoro Landino fiorentino sopra la Comedia di Danthe, Firenze: Nicolaus Laurentii, Alamanus, 1481. Il Comento di Christophoro Landino ..., impresso a Firenze da Niccolò di Lorenzo della Magna, o Lorenzo Alamanus, terminato il 30 agosto 1481, è un'edizione in folio di 372 carte, illustrata con tavole disegnate da Sandro Botticelli e incise su rame da Baccio Baldini. Le incisioni dovevano accompagnare ciascuno dei 99 canti delle Tre Cantiche, ed essere stampate con il testo. Di queste però, solo 19 in totale furono eseguite. Giorgio Vasari tramanda che Sandro Botticelli "figurò lo Inferno e lo mise in stampa", rendendo nota la collaborazione tra il pittore e l'incisore Baccio Baldini. La maggior parte degli studiosi concorda con Vasari: dunque, a Botticelli spetterebbe ll'invenzione dei disegni, sulla base dei quali Baldini avrebbe poi inciso le lastre in rame. L'attribuzione a Botticelli del disegno delle tavole dell'edizione del 1481 è rafforzata dalla loro vicinanza al ciclo di disegni conservati tra il Kupferstichkabinett di Berlino e la Biblioteca Apostolica Vaticana. I due cicli hanno innegabili affinità compositive e iconografiche, sebbene lo stile delle incisioni sia decisamente più arcaicizzante. Verosimilmente Baldini non lavorò sugli abbozzi finali di Botticelli, ma piuttosto su materiale di studio e forse alcuni schizzi in stilo in quanto Botticelli non si sarebbe trovato a Firenze perché impegnato in altre commissioni. (1)
Gonnelli Casa d'Aste
Oct. 21, 2023
BACCIO BALDINI : Dante im Wald verirrt, aus dem Wald heraustretend, Vergil begegnend und vor den Tieren flüchtend.
Est: €1,550 -
BACCIO BALDINI um 1436 - Florenz - 1487 Dante im Wald verirrt, aus dem Wald heraustretend, Vergil begegnend und vor den Tieren flüchtend. Illustration zu Inferno, Canto I aus Dante, „La Divina Commedia“, Florenz, 1481. Bartsch 37. Zucker (TIB 24, Commentary Part 1) 2403.93. - Auf Bütten mit fragmentarischem, nicht identifiziertem Wasserzeichen. 9,1 x 17,4 cm. Ringsum bis zur Facette beschnitten. Schwach fleckig. Mit dünnen Papierstellen, kleinem Einriss am Oberrand und alten Montierungsresten alt aufgezogen. Abdruck um 1500. Sammlung Karl Eduard von Liphart, Dorpat/Bonn/Florenz (Lugt 1687). [ms]
Winterberg-Kunst
Jan. 28, 2022
Baldini, Propheten / Baldini, Prophets
Est: -
Baldini, Baccio (um 1436 Florenz - 1487) Folge von 24 Propheten-Darstellungen. Heliogravüren nach den Kupferstichen Baldinis, jeweils vier Darstellungen auf einem Bogen. Gedruckt und publiziert durch die Internationale Chalkographische Gesellschaft im Jahr 1891. Nummeriert 22. Propheten-Bilder aus einer Gesamtfolge von 36 Propheten und Sibyllen, in dieser Form publiziert und gestochen von Francesco Rosselli nach Baldini, um 1480/90. Sechs Bögen, jedes Motiv rückseitig gestempelt. 52,5 x 39 cm (Bl). Vereinzelt kleinere Randmängel. Series of 24 prophets. Heliogravures after Baldini, publ. by the International Chalcographical Society in 1891, No. 22. Six pages with each four motifs. Backside with stamps. Some tears at the margins.
Kunstauktionshaus Günther
Oct. 26, 2021
Baccio Baldini [attribuito a], San Gerolamo penitente.
Est: €280 - €560
Bulino. mm 222x285. Foglio: mm 230x290. Bartsch (Commentary), 24.2405.028. Hind, 58. L'incisione, eseguita alla maniera fine nella seconda metà del '400, viene attribuita al celebre orafo fiorentino Baccio Baldini. La stampa è in tiratura della fine del XVIII secolo: fu edita a cura di Alessandro da Morrona, che possedeva il rame originale, e inserita nella sua opera Pisa illustrata nelle arti del disegno..Livorno: presso Giovanni Marenigh, 1812. Non si conoscono tirature precedenti alla Pisa illustrata. (1)
Gonnelli Casa d'Aste
Oct. 31, 2019
Fête.- [Baldini (Baccio)] Discorso sopra la mascherata della geneologia degl'iddei de'gentili, first edition, Florence, Giunti, 1565; and 6 others, Fine Art, mostly 19th century, v.s. (7)
Est: £300 - £400
Fête.- [Baldini (Baccio)] Discorso sopra la mascherata della geneologia degl'iddei de'gentili, first edition, woodcut Medici arms to title, woodcut historiated initials, lacking final f., blank apart from a printer's device, old private library blind-stamp to title, occasional spotting or light staining, 18th century vellum-backed floral patterned boards, corners worn, rubbed, [EDIT 16 CNCE 3978], Florence, Giunti, 1565 [but colophon 1566]; and 6 others, Fine Art, mostly 19th century, v.s. (7) ⁂ A detailed description of the 21 floats and costumes of mythical characters designed by Vasari for the wedding festivities of Francesco de' Medici & Johanna of Austria.
Forum Auctions - UK
Oct. 30, 2018
Baccio Baldini, Judith Tenant la Tete d'Holopherne, Heliogravure
Est: $1,200 - $1,800
Artist: Baccio Baldini, After by Amand Durand, Italian (1436 - 1487) Title: Judith Tenant la Tete d'Holopherne Medium: Heliogravure Size: 7 x 6 in. (17.78 x 15.24 cm)
RoGallery
Aug. 23, 2018
Baccio Baldini, Judith Tenant la Tete d'Holopherne, Heliogravure
Est: $1,400 - $1,800
Artist: Baccio Baldini, After by Amand Durand, Italian (1436 - 1487) Title: Judith Tenant la Tete d'Holopherne Medium: Heliogravure Size: 7 x 6 in. (17.78 x 15.24 cm)
RoGallery
Dec. 07, 2016
Baccio Baldini, Couvercle ou Fond de Boite, Heliogravure
Est: $1,500 - $1,800
Artist: Baccio Baldini, After by Amand Durand, Italian (1436 - 1487) Title: Couvercle ou Fond de Boite Medium: Heliogravure Size: 7 x 6.25 in. (17.78 x 15.88 cm)
RoGallery
Apr. 29, 2015
BACCIO BALDINI (attributed to) Two Heads in Medallions and Two Hunting Scenes
Est: $30,000 - $50,000
BACCIO BALDINI (attributed to) Two Heads in Medallions and Two Hunting Scenes. Engraving, circa 1465-80. 150 mm; 6 inches (diameter). Ex-collection M. H. Grosjean-Maupin; his sale Drouot, Paris, March 27, 1958, lot 98 (in the original mat). A superb, dark and well-inked impression of this exceedingly scarce, early engraving. The authenticity of this engraving was confirmed verbally by Charles Winling, Cabinet Rothschild, Paris; and Maxime Préaud, Chief Curator of Prints, Bibliothèque Nationale, Paris, in 2008 (the Parisian publisher Amand-Durand made photogravure reproductions of several other engravings in this series, from impressions in the Rothschild collection, but not Hind 24 or 25, see lot 57). We have located only two other impressions of this subject in public collections (Rothschild Collection, Musée du Louvre, Paris; and the British Museum, formerly in the Otto Collection; the latter with an added ornamental border). Hind 25.
Swann Auction Galleries
Apr. 29, 2015
BACCIO BALDINI (attributed to) A Bear Attacked by Dogs in a Rocky Landscape
Est: $30,000 - $50,000
BACCIO BALDINI (attributed to) A Bear Attacked by Dogs in a Rocky Landscape. Engraving, circa 1465-80. 157 mm; 6 1/4 inches (diameter). Ex-collection M. H. Grosjean-Maupin; his sale Drouot, Paris, March 27, 1958, lot 98 (in the original mat). A superb, dark and well-inked impression of this exceedingly scarce, early engraving. The authenticity of this engraving was confirmed verbally by Charles Winling, Cabinet Rothschild, Paris; and Maxime Préaud, Chief Curator of Prints, Bibliothèque Nationale, Paris, in 2008 (the Parisian publisher Amand-Durand made photogravure reproductions of several other engravings in this series, from impressions in the Rothschild collection, but not Hind 24 or 25, see lot 58). This is one of 24 Fine-Manner engravings from the so-called Otto Prints series created in Florence during the mid-1400s and now attributed to Baccio Baldini, a goldsmith and engraver likely associated with the workshop of the great Renaissance artist Sandro Botticelli (1445-1510). These passed through the collection of the Leipzig connoisseur Ernst Peter Otto (1724-1799), hence their name. According to Hind, these tondo (or circular designs) were all, "Destined for the same use, that is the decoration of the covers of round or oblong toilet-boxes or work-boxes for ladies." Baldini (circa 1436–1487) was noted in passing by the 16th century artist/art historian Giorgio Vasari, who mentioned him as a Florentine goldsmith lacking disegno or the ability to conceive original designs and therefore relied on the work of Botticelli. Nevertheless, some 100 different engraved subjects have to date been attributed to Baldini. Working during the mid-1400s, he was at the forefront of the innovative engraving technique, transforming the art from the goldsmith's craft with incised designs decorating designs on silver and gold obejects to printing from engraved, inked plates onto sheets of paper as a means of multiplying and further distributing their work, increasing its commercial viability. We have located only two other impressions of this subject in public collections (Rothschild Collection, Musée du Louvre, Paris; and the British Museum, formerly in the Otto Collection. On the latter, the blank shields in the upper part of the composition have been filled in with pen and ink additions; the one on the left with the badge--six palle of the Medici, not used by them until 1465; the one on the right possibly with a heraldic arms belonging to Austria, according to Hind; both with an added ornamental border). Hind 24.
Swann Auction Galleries
Dec. 16, 2014
Baldini, Baccio
Est: -
Baldini, Baccio. Vita di Cosimo Medici, primo gran duca di Toscana. Firenze, Bartolomeo Sermartelli, 1578. In 2° (292 x198 mm); [8], 88, 62, [2] pagine con l'ultima carta bianca presente. Stemma dei Medici sul frontespizio (restauro al margini bianco esterno di tre carte, altri piccoli difetti e restauri.) Legatura del secolo XX in mezza pergamena con titolo in oro al dorso. Nota di possesso coeva di Margarita Mariana Calchi. Prima edizione. Adams B-82. Nel lotto altre due opere, tra l'altro la Vita dello illustrissimo S. Guidobaldo duca d'Urbino di Pietro Bembo, stampata da Lorenzo Torrentino nel 1555, in legatura coeva di pergamena floscia, proveniente dalla raccolta del principe Marcantonio Borghese. (3 volumi) 250,00
Aste Bolaffi
May. 29, 2014
Baldini, Baccio - Umkreis: Das jüngste Gericht
Est: €400 - €600
Umkreis. Das Inferno. Kupferstich auf hellblauem Bütten. 22,3 x 28,2 cm. "Questo Elinferno del Chaposan To di Pisa". Um 1490 (?). Hind A.I.20, TIB (Commentary) .028. Wz. Schrift (Undeutlich). Das Blatt zeigt ein Detail des Deckenfreskos "Das jüngste Gericht" auf dem Campo Santo in Pisa, welches ursprünglich Andrea di Cione, genannt Orcagna zugeschrieben wurde. Neuerdings wird die Ausführung des Freskos jedoch dem aus Pisa stammenden und im zweiten Viertel des 14. Jahrhunderts tätigen Francesco Traini zugesprochen. Das Fresko wurde bereits früh beschädigt und einer 1530 erfolgten Restaurierung folgten weitere, so dass der vorliegende Kupferstich gewissermaßen einen besseren Eindruck der originalen Komposition zu vermittelt vermag, als das Original selbst. Der Kupferstecher unseres Blattes, wohl ein florentinischer Künstler, bleibt indes unbekannt, dürfte jedoch aus dem näheren Umfeld von Baccio Baldini stammen. Ganz ausgezeichneter, gegensatzreicher und prägnanter Druck, der durch das farbige Papier belebt wird. Mit schmalem Rändchen um die Plattenkante, rechts bis in den Plattenrand geschnitten. Verso leichte Falzspuren, dort minimal fleckig, sonst in originaler und sehr schöner Erhaltung. Selten.
Bassenge Auctions
May. 13, 2014
Baldini, Baccio.
Est: -
Discorso dell'essenza del fato, e delle forze sue sopra le cose del mondo, e particolarmente sopra l'operazioni de gl'huomini. Firenze, Bartolomeo Sermatelli, 1578.In 4° (268 x 190 mm); 42 pagine. Marca tipografica al frontespizio, due capilettera abitati incisi in legno (manca l'ultima carta bianca, restauri e rinforzi.) Legatura moderna in mezza pergamena.Edizione di grande rarità. Adams B79; Gamba 1225 nota: "da tenersi in pregio".
Aste Bolaffi
Jan. 22, 2013
BACCIO BALDINI, FLORENCE, CIRCA 1436-1487 copper
Est: £50 - £80
BACCIO BALDINI, FLORENCE, CIRCA 1436-1487 copper engraving after a fresco by BERNADO ORCAGNA, PISA illustrated in the first volume of 'Pisa Illustrata pf Morrona', 1787 'Lucifer with three faces devouring humans' 9" x 11" (unframed)
Capes Dunn & Co.
Sep. 21, 2011
Circle of Baccio Baldini (1436-1487) The Inferno, after the Camposanto fresco in Pisa Engraving, c.1480, on laid, with the engraved inscription top left 'QUESTO+ELINFERNO+DEL+CHAPOSANTO+DI+PISA', 284 x 222mm (11 1/4 x 8 3/4in)(PL)(unframed)
Est: £400 - £600
The Inferno, after the Camposanto fresco in Pisa Engraving, c.1480, on laid, with the engraved inscription top left 'QUESTO+ELINFERNO+DEL+CHAPOSANTO+DI+PISA', 284 x 222mm (11 1/4 x 8 3/4in)(PL)(unframed)
Bonhams
Dec. 08, 2009
Circle of Baccio Baldini, the Master of the Otto Prints ( circa 1436-1487)
Est: £10,000 - £15,000
Circle of Baccio Baldini, the Master of the Otto Prints (circa 1436-1487) Aristotle and Phyllis, surrounded by a Young Man and Woman with Eros, and a reclining nude Woman with two Children (Hind A.I.26; Bartsch 29) engraving, second half of the 15th century, without watermark, the only known impression, printed slightly later from the reworked plate, trimmed just outside the outer borderline, a tiny thin spot at left, a small printer's crease below, in very good condition S. 160 mm. (diameter)
Christie's
Apr. 02, 2008
Aristotle and Phyllis, surrounded by a Young Man and Woman with Eros, and a reclining nude Woman with two Children (Hind A.I.26; Bartsch 29)
Est: £12,000 - £18,000
Circle of Baccio Baldini, the Master of the Otto Prints (circa 1436-1487) Aristotle and Phyllis, surrounded by a Young Man and Woman with Eros, and a reclining nude Woman with two Children (Hind A.I.26; Bartsch 29) engraving, second half of the 15th century, the only known impression, printed slightly later from the reworked plate, trimmed just outside the outer borderline, a tiny thin spot at left, a small printer's crease below, in very good condition S. 160 mm. (diameter)
Christie's