Vladimir Davidovic Baranov-Rossine Paintings & Artwork for Sale | Vladimir Davidovic Baranov-Rossine Art Value Price Guide

Aug. 25, 2026
VLADIMIR BARANOV-ROSSINÉ (UKRAINE, 1888-1944) WATERCOLOR
Est: $10,000 - $15,000
Description: Framed oil painting by Ukrainian-Russian artist Vladimir Baranov-Rossiné, signed along the lower edge. The composition presents a serene village landscape rendered in the artist’s distinctive lyrical style, featuring rustic stone buildings partially obscured by tall, softly modeled trees. Baranov-Rossiné employs gentle, swirling brushwork and a harmonious palette of muted greens, blues, and warm earth tones to create an atmospheric, almost dreamlike setting. Subtle shifts in color and form give the piece a sense of movement and depth, reflecting the artist’s fusion of impressionism and early modernist sensibilities. Presented in a wide silver-toned frame with a complementary textured mat. A graceful and evocative landscape by a notable avant-garde artist. Medium: Watercolor Dimensions: H:28in L:33in
Williamson Auction Gallery
Jul. 14, 2026
VLADIMIR BARANOFF-ROSSINÉ (1888-1944) Park in the city
Est: €6,000 - €8,000
VLADIMIR BARANOFF-ROSSINÉ (1888-1944) Park in the city gouache on paper laid on board 46.7 х 65.3 cm Executed after 1925 PROVENANCE: Artcurial Paris, Paris, atelier du monde, 31.10.2017, lot 55 Private collection Vladimir Baranoff-Rossiné (1888–1944), a leading figure of the Russian avant-garde, was born Shulim Wolf Leib Baranov in Kherson, Ukraine, in 1888. After studying in Odessa and at the Imperial Academy of Arts in Saint Petersburg, he moved to Paris in 1910, where he exhibited at the Salon des Indépendants. From 1912, he worked at La Ruche alongside Marc Chagall, Ossip Zadkine, Alexander Archipenko, and Chaïm Soutine. He also established close friendships with Hans Arp, Robert Delaunay, and Sonia Delaunay. Influenced by Cubism, Futurism and Orphism, he produced innovative sculptures that Guillaume Apollinaire recognised as being highly original. During the First World War, he lived in Norway, where he held his first solo exhibition. Returning to Russia in 1917, he exhibited alongside other leading figures of the Soviet avant-garde and developed the Optophonic Piano, an instrument combining colour and light inspired by Alexander Scriabin's synesthetic theories. He presented a series of optophonic concerts in Moscow. In 1925, he settled permanently in Paris, where he continued to paint, sculpt and exhibit at the Paris Salons. He was arrested by the Gestapo in 1943 and deported to Auschwitz, where he died in 1944. His works are included in the collections of major museums, such as the State Russian Museum, the State Tretyakov Gallery, the Musée d'Art Moderne de Paris and the Museum of Modern Art in New York. Upon the buyer’s request, we are pleased to provide a general condition report for the Lot described above. However, as we are not professional conservators or restorers, we strongly advise prospective buyers to conduct their own inspection or consult a specialist or restorer of their choice for a comprehensive professional assessment. Any condition descriptions provided in the catalogue or through any correspondence are for guidance only and should not be considered a substitute for a firsthand evaluation. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD ‘AS IS’ IN ACCORDANCE WITH THE GENERAL TERMS AND CONDITIONS OF SALE PUBLISHED IN THE CATALOGUE.
Hermitage Fine Art
Jun. 17, 2026
VLADIMIR BARANOV-ROSSINÉ (1888-1944)
Est: €10,000 - €15,000
VLADIMIR BARANOV-ROSSINÉ (1888-1944) Paysage corse, environs de Bastia, vers 1925 Huile sur toile Signée en bas à droite 50 x 73,5 cm - 19 ¾ x 29 in. Oil on canvas, signed lower right Un certificat de Madame Tatiana Baranov-Rossiné, en date du 22 mai 1999, sera remis à l'acquéreur. Provenance: Famille de l'artiste, France Collection particulière, France (acquis de cette dernière)
Aguttes
Jun. 08, 2026
Vladimir Davidovic Baranov-Rossine (1944-1888) "Reclining Figure"
Est: $120,000 - $180,000
Oil on canvas Signed lower left Dimensions : 103.5 x 62.5 cm Provenance: Private collection of Joseph Katzenberg (b. 1901, Lithuania), owner of an art gallery established together with his wife Sonia in the early 1930s in the Jewish quarter, near the central synagogue. The gallery exhibited works of art, including pieces from the avant-garde period, as well as mirrors, glass works, and decorative objects. Archival documentation confirms that this artwork was received from Mykolas Žilinskas on April 22, 1954. By descent within the family. In 1967, the Katzenberg family immigrated to Israel, bringing with them the full contents of the gallery, including artworks, Judaica, furniture, and decorative objects. Inherited by the grandson, Abraham Katzenberg (Petah Tikva, Israel). The inheritance includes the gallery archive, documentation, books, and artworks. Notes: Accompanied by a certificate of authenticity from a historian. Accompanied by a condition report including a UV test by Giora from Museum Israel Condition: For a detailed condition report, please contact us at info@hammersite.com
Hammersite
Apr. 27, 2026
Vladimir Davidovic Baranov-Rossine (1944-1888) "Reclining Figure"
Est: $120,000 - $180,000
Oil on canvas Signed lower left Dimensions : 103.5 x 62.5 cm Provenance: Private collection of Joseph Katzenberg (b. 1901, Lithuania), owner of an art gallery established together with his wife Sonia in the early 1930s in the Jewish quarter, near the central synagogue. The gallery exhibited works of art, including pieces from the avant-garde period, as well as mirrors, glass works, and decorative objects. Archival documentation confirms that this artwork was received from Mykolas Žilinskas on April 22, 1954. By descent within the family. In 1967, the Katzenberg family immigrated to Israel, bringing with them the full contents of the gallery, including artworks, Judaica, furniture, and decorative objects. Inherited by the grandson, Abraham Katzenberg (Petah Tikva, Israel). The inheritance includes the gallery archive, documentation, books, and artworks. Notes: Accompanied by a certificate of authenticity from a historian. Accompanied by a condition report including a UV test by Giora from Museum Israel Condition: For a detailed condition report, please contact us at info@hammersite.com
Hammersite
Dec. 10, 2025
The Bathers
Est: €40,000 - €60,000
Vladimir Baranoff-Rossiné 1888 - 1944 The Bathers signed (lower left) oil on canvas 94 by 144.1 cm. 37 by 56¾ in. Executed circa 1911-12.
Sotheby's
Nov. 02, 2025
Vladimir Baranov-Rossinet (1888-1944), Poster Revolution
Est: $5,000 - $6,000
Pencil, ink, and watercolor on paper Signed (bottom right) Dimensions: 35 x 26 cm Provenance: Lev and Esther Markush, Russia Acquired by Omer Albert in 1998 Notes: Accompanied by a certificate of authenticity Condition: For condition details, please send an email to info@hammersite.com
Hammersite
Jul. 24, 2025
VLADIMIR BARANOFF-ROSSINÉ (1888-1944) Park in the city
Est: €8,000 - €12,000
VLADIMIR BARANOFF-ROSSINÉ (1888-1944) Park in the city gouache on paper laid on board 46.7 х 65.3 cm executed after 1925 Provenance: Artcurial Paris, Paris, atelier du monde, 31.10.2017, lot 55 Private collection Upon the buyer's request, we are pleased to provide a general condition report for the Lot described above. However, as we are not professional conservators or restorers, we strongly advise prospective buyers to conduct their own inspection or consult a specialist or restorer of their choice for a comprehensive professional assessment. Any condition descriptions provided in the catalogue or through any correspondence are for guidance only and should not be considered a substitute for a firsthand evaluation. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD 'AS IS' IN ACCORDANCE WITH THE GENERAL TERMS AND CONDITIONS OF SALE PUBLISHED IN THE CATALOGUE.
Hermitage Fine Art
Jun. 01, 2025
BARANOFF-ROSSINE Wladimir (1888-1944) …
Est: €20,000 - €30,000
BARANOFF-ROSSINE Wladimir (1888-1944) Paysage Corse Huile sur toile 64 x 86 cm. Vers 1930 Accompagné par un certificat d’authenticité établi par Dimitri Baranoff-Rossiné (286 D). Provenance : Collection particulière, Paris Collection de Dimitri Baranoff-Rossiné. France БАРАНОВ – РОССИНЕ Владимир (1888 – 1944) Вид Корсики Холст, масло 64 x 86 см. Ок. 1930 Сопровождается сертификатом за подписью Дмитрия Баранова-Россине (286 D). Провенанс: Частная коллекция, Париж. Коллекция Дмитрия Баранова-Россине. Франция
Osenat
Jun. 01, 2025
BARANOFF-ROSSINE Wladimir (1888-1944) …
Est: €12,000 - €18,000
BARANOFF-ROSSINE Wladimir (1888-1944) Composition abstraite Gouache, technique mixte sur papier 64 x 49 cm. Vers 1925 Porte au dos une authentification de la femme de l’artiste Pauline Baranoff. Accompagné par un certificat d’authenticité établi par Dimitri Baranoff-Rossiné. Provenance : Collection particulière, Paris Collection de Dimitri Baranoff-Rossiné. France БАРАНОВ – РОССИНЕ Владимир (1888–1944) Абстракция Бумага, гуашь, смешанная техника 64 х 49 см. Ок. 1925 г. Имеет аутентификацию с подписью супруги артиста Полины Барановой, с обратной стороны. Сопровождается сертификатом за подписью Дмитрия Баранова-Россине. Провенанс: Частная коллекция, Париж. Коллекция Дмитрия Баранова-Россине. Франция
Osenat
Oct. 28, 2024
VLADIMIR BARANOFF-ROSSINÉ (1888-1944) Park in the city
Est: €10,000 - €15,000
gouache on paper laid on board 46.7 х 65.3 cm executed after 1925 Provenance: Artcurial Paris, Paris, atelier du monde, 31.10.2017, lot 55 Private collection
Hermitage Fine Art
Mar. 25, 2024
VLADIMIR BARANOFF-ROSSINÉ (1888-1944) Park in the city | VLADIMIR BARANOFF-ROSSINÉ (1888-1944) Un parc dans la ville
Est: €12,000 - €15,000
gouache on paper laid on board 46.7 х 65.3 cm executed after 1925 Provenance: Artcurial Paris, Paris, atelier du monde, 31.10.2017, lot 55; Private collection | gouache sur papier marouflé sur carton 46,7 х 65,3 cm exécuté après 1925 Provenance : Artcurial Paris, Paris, atelier du monde, 31.10.2017, lot 55; Collection particulière
Hermitage Fine Art
Oct. 21, 2023
VLADIMIR BARANOV-ROSSINE (UKRAINIAN 1888-1944)
Est: $2,000 - $3,000
VLADIMIR BARANOV-ROSSINE (UKRAINIAN 1888-1944) Danse hebraique ink on paper 13 x 22 cm (5 1/8 x 8 5/8 in.), framed dimensions: 25.5 x 32 cm (10 x 12 5/8 in.) signed lower center PROVENANCE Sotheby's, London, 29 November, 2005, lot 120 Stair Galleries, Hudson, NY, 12 June, 2016, lot 43 CONDITION Observed in frame, under glass, the work is in good condition, lower left corner is torn. No other visible issues to report. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Shapiro Auctions LLC
Jun. 28, 2023
VLADIMIR BARANOFF-ROSSINÉ (1888-1944) Park in the city
Est: €12,000 - €15,000
gouache on paper laid on board 46.7 х 65.3 cm executed after 1925 Provenance: Artcurial Paris, Paris, atelier du monde, 31.10.2017, lot 55 Private collection gouache sur papier posé sur carton 46,7 х 65,3 cm exécuté après 1925 Provenance : Artcurial Paris, Paris, atelier du monde, 31.10.2017, lot 55 Collection particulière
Hermitage Fine Art
Mar. 26, 2022
Vladimir Davidovich Baranoff-Rossiné (UKRAINIAN, 1
Est: $2,000 - $3,000
Vladimir Davidovich Baranoff-Rossiné (UKRAINIAN, 1888–1944) Watercolor on paper. Landscape with home. Signed lower right. Measures 18 inches high x 22 inches wide. Total Framed Measures 28 inches high x 33 inches wide.
Joshua Kodner
Jan. 22, 2022
A RUSSIAN ABSTRACT PAINTING BY BARANOFF ROSSINE
Est: $100 - $150
Vladimir Baranoff-Rossine (Russian/Ukrainian, 1888-1944) watercolor on paper painting depicting an abstract composition in the Cubist style. Signed lower left. Vladimir Davidovic Baranov-Rossine was a Ukrainian, Russian and French painter of Jewish origin, avant-garde artist (Cubo-Futurism), and inventor. Hw was a contemporary, sometimes a compatriot, and very often a close friend of some of the greatest famous artists of his time, such as Chagall, El Lissitsky, Kandinsky, Larionov, Gontcharova, Malevitch, Pevsner, Arp, Robert, and Sonia Delaunay. He was more often than not a leader as far as art was concerned, and part of all pictorial trends of the beginning of the century. Numerous key galleries and museums such as New Tretyakov Gallery have featured Vladimir Davidovich Baranoff-Rossiné's work in the past.
Antique Arena Inc
Sep. 30, 2021
Baranoff-Rossiné, Wladimir (Kershon/Ukraine, Auschwitz 1888-1944)
Est: €1,200 - €1,440
Femme assise Sign. u. dat. 1925. Bleistift auf Papier. Ca. 24,8×16,2 cm. Erworben 1995 in der Galerie Brusberg Berlin anlässlich der Ausstellung: Baranoff-Rossiné. Bilder und Blätter 1907-1938 vom 2.9-5.11.1995. (Blatt leicht fleckig). (Mögliche Vorzeichnung zu "Femme nue", ca. 1925/29, 130×96 cm). R. (59434)
Leo Spik
Jun. 10, 2021
BARANOFF-ROSSINÉ, VLADIMIR (1888–1944) - Winter in St Petersburg.
Est: £25,000 - £40,000
BARANOFF-ROSSINÉ, VLADIMIR (1888–1944) Winter in St Petersburg. Oil on canvas, 49 by 72.5 cm. Executed c. 1907–1909. Provenance: Collection of the artist’s family. Acquired from the above by the present owner. Private collection, UK. Exhibited: Vladimir Baranoff-Rossiné 1888–1942, Rutland Gallery, London, 1970, No. 14 (label on the reverse of the frame). Literature: Exhibition catalogue, Vladimir Baranoff-Rossiné 1888–1942, London, 1970, No. 14, listed as Petrograd, l’Hiver with incorrect dimensions. Starting Bid: 25000
MacDougall's
Apr. 25, 2021
attribué à Vladimir Davidovic BARANOV-ROSSINÉ (188…
Est: €2,000 - €3,000
attribué à Vladimir Davidovic BARANOV-ROSSINÉ (1888-1944). Paysage, huile sur toile contresignée au dos. Dimensions : 65 x 81 cm.
Alexandre Landre
Dec. 14, 2020
Vladimir Davidovic BARANOV-ROSSINE (1888-1944)
Est: €12,000 - €15,000
Gouache sur papier signée en bas à droite, Certificat d'autenticfication et confirmation de l'authenticité par Madame Pauline Baranov-Rossiné manuscrite au dos.
Maison Verneuil
Mar. 01, 2020
BARANOFF-ROSSINE Wladimir (1888-1944) Paysage Corse Huile sur toi
Est: €30,000 - €40,000
BARANOFF-ROSSINE Wladimir (1888-1944) Paysage Corse Huile sur toile 64 x 86 cm. Vers 1930 Accompagné par un certificat d’authenticité établi par Dimitri Baranoff-Rossiné (286 D). Provenance : Collection particulière, Paris Collection de Dimitri Baranoff-Rossiné. France БАРАНОВ – РОССИНЕ Владимир (1888 – 1944) Вид Корсики Холст, масло 64 x 86 см. Ок. 1930 Сопровождается сертификатом за подписью Дмитрия Баранова-Россине (286 D).
Osenat
Mar. 01, 2020
BARANOFF-ROSSINE Wladimir (1888-1944) Composition abstraite Gouac
Est: €18,000 - €25,000
BARANOFF-ROSSINE Wladimir (1888-1944) Composition abstraite Gouache, technique mixte sur papier 64 x 49 cm. Vers 1925 Porte au dos une authentification de la femme de l’artiste Pauline Baranoff. Accompagné par un certificat d’authenticité établi par Dimitri Baranoff-Rossiné. Provenance : Collection particulière, Paris Collection de Dimitri Baranoff-Rossiné. France БАРАНОВ – РОССИНЕ Владимир (1888–1944) Абстракция Бумага, гуашь, смешанная техника 64 х 49 см. Ок. 1925 г. Имеет аутентификацию с подписью супруги артиста Полины Барановой, с обратной стороны. Сопровождается сертификатом за подписью Дмитрия Баранова-Россине.
Osenat
Dec. 18, 2019
* VLADIMIR BARANOFF-ROSSINÉ (1888-1944) Composition abstraite n°3
Est: €25,000 - €30,000
* VLADIMIR BARANOFF-ROSSINÉ (1888-1944) Composition abstraite n°3 avec le cachet d’authentification et la signature de Pauline Baranoff ‘Je certifie que ce tableau est une œuvre de mon mari Vladimir Baranoff-Rossiné’ (au revers) huile sur toile 73 x 50cm. Peint en 1913 Provenance Atelier de l’artiste, Paris. Pauline Baranov-Rossiné, Paris. Collection privée, Suisse. Exposition Moscou, galerie d’Etat Trétiakov, Baranoff-Rossiné, juin-juillet 2002, p. 76, no. 56 (illustré). Bibliographie A. Sarabianov, Vladimir Baranoff-Rossiné, Moscou, 2002, p. 113 (illustré en couleurs). Un certificat d’authenticité de monsieur Dimitri Baranoff-Rossiné sera remis à l’acquéreur. Peint en 1913, Composition abstraite no.3 marque les débuts dans l’abstraction de Baranoff-Rossiné, pionnier de l’art non-figuratif aux cotés d’Hilma af Klint, Frantisek Kupka et Wassily Kandinsky. Né en 1888 à Kherson (à l’époque sous l’Empire russe et aujourd’hui en Ukraine), Baranoff-Rossiné suit une formation classique à l’Académie impériale de Saint-Petersbourg, où il se montre immédiatement sensible aux dernières avant-gardes, en particulier Cézanne. Son déménagement à Paris en 1910, dans le quartier de La Ruche lui permet de rejoindre la communauté d’artistes russes, parmi lesquels Marc Chagall, Ossip Zadkine, Alexandre Archipenko et Chaïm Soutine. Mais c’est la rencontre déterminante avec Robert et Sonia Delaunay qui forge le reste du parcours de Baranoff-Rossiné, en devenant l’un des pratiquants les plus assidus de l’orphisme dans les années 1910-20. Composition abstraite no.3 révèle cependant l’approche diverse et expérimentale de l’artiste, qui se démarque de la géométrique de l’orphisme avec une vision plus biomorphique de l’abstraction, emprunte de mystère.
Gros-Delettrez
Oct. 26, 2019
Vladimir Baranoff-Rossine; 20thC. Russian Watercolor
Est: $7,000 - $10,000
Vladimir Davidovich Baranoff-Rossine(Ukrainian, 1888-1944); watercolor and gouache on paper. House with Trees., circa 1910's. Signed l.r. Rossine; 17in. X 23in.(image size)
Mid-Hudson Auction Galleries
Oct. 11, 2019
Écoles russes du début du XXe siècle.
Est: €800 - €1,000
Écoles russes du début du XXe siècle. "Décors de théâtre" Ensemble de 5 gouaches et aquarelles sur papier : - Une paire figurant 2 décors de théâtre cubo-futuristes, signées en bas à droite en cyrillique « IGN.INV » et datées « 21 » pour 1921. Haut. : 54,5 cm ; Larg. : 69-66,8 cm (Taches et déchirures) - Une série de 3 gouaches figurant des décors de théâtres et des comédiens dans un univers cubiste, portant des signatures en bas à droite « A. Benois » et datées « 22 » pour 1922. Haut. : 52,8 cm ; Larg. : 69,6 cm pour la plus grande (Taches et déchirures)
Mirabaud-Mercier
Oct. 11, 2019
BARANOFF-ROSSINÉ Vladimir (1888-1944)
Est: €800 - €1,200
BARANOFF-ROSSINÉ Vladimir (1888-1944) "Duel entre homme et cheval" Aquarelle et gouache sur papier. Monogrammé du tampon "W.B-R" en haut à gauche. Au dos, le tampon d'authentification et la signature de son épouse "P.Baranoff". Haut. : 51,5 cm ; Larg.: 56 cm
Mirabaud-Mercier
Jun. 05, 2019
BARANOFF-ROSSINÉ, VLADIMIR (1888–1944) Winter in St Petersburg
Est: £30,000 - £50,000
BARANOFF-ROSSINÉ, VLADIMIR (1888–1944) Winter in St Petersburg . Oil on canvas, 49 by 72.5 cm.
MacDougall's
Dec. 10, 2018
VLADIMIR BARANOFF-ROSSINÉ (1888-1944) Composition abstraite n°3
Est: €40,000 - €60,000
VLADIMIR BARANOFF-ROSSINÉ (1888-1944) Composition abstraite n°3 avec le cachet d’authentification et la signature de Pauline Baranoff ‘Je certifie que ce tableau est une œuvre de mon mari Vladimir Baranoff-Rossiné’ (au revers) huile sur toile 73 x 50 cm. Peint en 1913 Provenance Atelier de l’artiste, Paris. Pauline Baranov-Rossiné, Paris. Collection privée, Suisse. Exposition Moscou, galerie d’Etat Trétiakov, Baranoff-Rossiné, juin-juillet 2002, p. 76, no. 56 (illustré). Bibliographie A. Sarabianov, Vladimir Baranoff-Rossiné, Moscou, 2002, p. 113 (illustré en couleurs). Un certificat d’authenticité de monsieur Dimitri Baranoff-Rossiné sera remis à l’acquéreur. With the authentication stamp and Pauline Baranoff’s signature on the reverse; oil on canvas; 28.3/4 Peint en 1913, Composition abstraite no.3 marque les débuts dans l’abstraction de Baranoff-Rossiné, pionnier moins connu de l’art non-figuratif aux cotés d’Hilma af Klint, Frantisek Kupka et Wassily Kandinsky. Né en 1888 à Kherson (à l’époque sous l’Empire russe et aujourd’hui en Ukraine), Baranoff-Rossiné suit une formation classique à l’Académie impériale de Saint-Petersbourg, où il se montre immédiatement sensible aux dernières avant-gardes, en particulier Cézanne. Son déménagement à Paris en 1910, dans le quartier de La Ruche lui permet de rejoindre la communauté d’artistes russes, parmi lesquels Marc Chagall, Ossip Zadkine, Alexandre Archipenko et Chaïm Soutine. Mais c’est la rencontre déterminante avec Robert et Sonia Delaunay qui forge le reste du parcours de Baranoff-Rossiné, en devenant l’un des pratiquants les plus assidus de l’orphisme dans les années 1910-20. Composition abstraite no.3 révèle cependant l’approche diverse et expérimentale de l’artiste, qui se démarque de la géométrique de l’orphisme avec une vision plus biomorphique de l’abstraction, emprunte de mystère.x 19.3/4 in.; painted in 1913.
Leclere - Maison de ventes
Nov. 28, 2018
BARANOFF-ROSSINÉ, VLADIMIR (1888-1944) Church in Arcachon, France
Est: £12,000 - £18,000
BARANOFF-ROSSINÉ, VLADIMIR (1888-1944) Church in Arcachon, France, signed. Oil on canvas, 50.5 by 74 cm. Executed c. 1935. Provenance: Acquired directly from the artist by a previous owner in France, c. early 1940s. Thence by descent. Private collection, France. Private collection, Switzerland. Authenticity of the work has been confirmed by Dimitri Baranoff-Rossiné, the artist's son. The work is accompanied by a photograph of Dimitri Baranoff-Rossiné with the present lot.
MacDougall's
Nov. 28, 2018
BARANOFF-ROSSINÉ, VLADIMIR (1888-1944) In a Park
Est: £18,000 - £25,000
BARANOFF-ROSSINÉ, VLADIMIR (1888-1944) In a Park. Gouache and oil on paper, 50 by 64.5 cm. Executed c. 1909-1911. Authenticity of the work has been confirmed by Dimitri Baranoff-Rossiné, the artist's son.
MacDougall's
Oct. 20, 2018
VLADIMIR BARANOFF-ROSSINÉ | Untitled
Est: €150,000 - €250,000
oil on canvas
Sotheby's
Feb. 28, 2018
Russian School 20. Century
Est: €1,800 - €2,800
Russian School 20. Century , Cubistic scene with lying girl, horse rider at moonlight: oil on canvas; on the reverse described in cyrilic.
Deutsch Auktionen
Nov. 22, 2017
VLADIMIR BARANOFF-ROSSINÉ | Three Boats on the Dnieper
Est: €18,000 - €25,000
oil on canvas numbered 51 and bearing a Réunion des Musées Nationaux label on the reverse
Sotheby's
Nov. 20, 2017
BARANOV-ROSSINÉ Vladimir Davidovitch (1888-1944) Paysage à l’église
Est: €2,000 - €3,000
BARANOV-ROSSINÉ Vladimir Davidovitch (1888-1944) Paysage à l’église Huile sur toile (rentoilé) Signée «Rossiné» en bas à droite 65 x 54 cm. Peint vers 1935 РОССИЯНЕ ВЛАДИМИР ДАВЫДОВИЧ, ВВид церкви; холст, масло, подпись справа внизу, написана около 1935
Leclere - Maison de ventes
Oct. 31, 2017
Vladimir BARANOFF-ROSSINE 1888 - 1944 Parc dans la ville Gouache sur papier contrecollé sur carton
Est: €3,000 - €5,000
Vladimir BARANOFF-ROSSINE 1888 - 1944 Parc dans la ville Gouache sur papier contrecollé sur carton Authentification de la femme de l'artiste au dos du carton h: 46,50 w: 65 cm Commentaire : L'authenticité de cette oeuvre a été confirmée par Monsieur Dimitri Branoff-Rossiné, fils de l'artiste. Gouache on paper laid down on cardboard Estimation 3 000 - 5 000 €
Artcurial
Jun. 07, 2017
BARANOFF-ROSSINÉ, VLADIMIR (1888-1944) Faune Centaure
Est: £100,000 - £150,000
BARANOFF-ROSSINÉ, VLADIMIR (1888-1944) Faune Centaure Oil on canvas, 77 by 184 cm. Executed c. 1925. Provenance: Collection of the artist. Thence by descent. Private collection, France. Authenticity certificate from Dimitri Baranoff-Rossiné, the artist’s son. Vladimir Baranoff-Rossiné’s picture Faune Centaure, dated 1925, is an important link between the artist’s work of the 1910s and that of the late 1920s and 1930s. On the one hand, it marks the continuation of a succession of mythological and biblical compositions that Baranoff-Rossiné began in his Orphic works of the mid-1910s, such as Nymphs and Centaurs (1912–1914) and the Apocalypse and Adam and Eve cycles. There is still some similarity in the structure of the figurative and non-figurative elements, which flow rhythmically into one another and in which the lines and colours pulsate, and also in the artist’s interest in dynamics. On the other hand, the subject in this work is no longer as important to the artist as it was previously. It is merely a starting point that enables an extravaganza of colour to be created. In the composition and in the principles behind the construction of the actual shapes, one can already sense that the time is soon to come when Baranoff-Rossiné will start to create the curious “biomorphic structures” simulating the dynamics and tension of real-life natural processes, and that abstract compositions will assume the dominant place in his art. In 1925, since attacks on “leftist” art in the Soviet Union were intensifying, Baranoff-Rossiné decided to emigrate. He made his way to France via Riga and Berlin and settled in Paris, where he exhibited annually at the Salon des Indépendants. The artist continued to experiment: he developed a new visual principle for painting and sculpture, based on the use of the M bius strip, turned to Surrealist images and fashioned multicoloured abstract figures from mixed media. This is a time when the artist seemed to be at a crossroads. His work is a combination of the different styles current in the cosmopolitan artistic environment of Paris — Post-Impressionism and Cubo-Futurism. In his works, he blends ideas derived from Henri Matisse, Paul Gauguin, Pablo Picasso, Paul Signac, Mikhail Larionov and David Burliuk with the experiments of Robert Delaunay and with the drive towards synaesthesia — a fusion of the visual and musical principles in a single work. It is to this period in Baranoff-Rossiné’s oeuvre that the work offered for sale, Faune Centaure, belongs. Even when its images can be identified — a nude female figure lying with her back towards us, a female silhouette with a guitar, a red horseman on a white steed, the outlines of a human hand and a horse’s face, etc. — they are completely devoid of any narrative element and are eye-catching chromatic organisms, generated purely by the imagination of a gifted painter. The images impinge on the viewer by their intense colour, their strange, pulsating rhythm and the eye-dulling, mind-muddling fluidity of their biological and anthropomorphic shapes. The principles sketched out in this composition will be further developed in the artist’s work in the 1930s — in the large, equally dynamic ornamental, abstract adaptations of traditional subjects involving the use of figurative elements (The Martyrdom of St Denis, 1927; Lady Chatterley, 1932, etc.). The “luminous dynamic paintings” of which Baranoff-Rossiné wrote repeatedly in his letters to his friend, the artist Robert Delaunay, do actually encapsulate the singular vision of this Russian avant-gardist, as recorded in such works. All these factors justify us in regarding Faune Centaure as a vivid embodiment of the ideas, so fascinating to Baranoff-Rossiné, of “dynamic painting” and “total musicality”, which interpreted Orphism and Post-Cubism in his individualistic manner.
MacDougall's
Jun. 07, 2017
BARANOFF-ROSSINÉ, VLADIMIR (1888-1944) Femme Cubiste
Est: £180,000 - £250,000
BARANOFF-ROSSINÉ, VLADIMIR (1888-1944) Femme Cubiste Oil on canvas, 101 by 153.5 cm. Executed c. 1920. Provenance: Collection of the artist. Thence by descent. Private collection, France. Authenticity certificate from Dimitri Baranoff-Rossiné, the artist’s son. The picture Femme Cubiste by Vladimir Baranov-Rossiné that is offered for sale belongs to the period of his work from the late 1910s and early 1920s, when the “colour utopia” of his sketches seen in the first post- revolutionary years gave way to a desire to achieve a synthesis – a fusion of the colour, figurative and musical principles in a single work. Sensitive as they were to the onward march of the times – it was the period of the Futurist aspirations, “colour dynamics” found in the canvases of Aristarkh Lentulov, and the “sliding” transfusion of light in Mikhail Larionov’s Rayonism – the works of Baranoff-Rossiné exemplified his skilful adaptation of the artistic resources of the different styles that were then current in the cosmopolitan environment of Paris – Post-Impressionism, Cubism and Cubo-Futurism. In that sense, the Femme Cubiste is one of the most interesting and intellectual pictures that Baranoff-Rossiné painted at the time. The canvas is executed in the late Cubist spirit, with the Cubist deformation affecting not only the background of the painting, but also, in part, the actual body of the model. The pictorial surface of the canvas seems to be splintered or fragmented into separate, multicoloured, geometrical planes that emphasise the pure colours and their tonal modulation. The dynamic with which the new forms are established causes the birth and then the disappearance – and morphing into an allusion or pattern – of the features of the female figure, which are rendered in the Madame Récamier-type iconography, traditional in classical art. We are dealing here with one of the first conscious examples of Surrealist dabbling with the great museum masterpieces. The collection in the Louvre in the early 20th century, when Baranoff-Rossiné became thoroughly familiar with it, was already embellished by both of the famous masterpieces – the portraits of Madame Récamier by Jacques-Louis David and François Gérard, who show their model half reclining on a couch with curved backrests of the kind later called a récamier in her honour. As he builds up his composition, Baranoff-Rossiné synthesises treatments of his French counterparts, reproducing not only the pose adopted by the female figure, but also the plane of the footstool, the motif of the downward-flowing drapes and even the elegant curvature of the couch’s backrest, as seen in David’s picture. Baranoff-Rossiné is conducting a proper avant-garde experiment with these famous portraits, seeking – to paraphrase Alexander Pushkin – to “check with the algebra” of Cubism “the harmony” of classical art and to “dissect like a corpse” the ideal beauty of Julie Récamier, who is disrobed for that purpose. In order to achieve the full effect, the artist uses the motif of a fragmented female figure that is broken down into Cubist planes and that perfectly embodies the ideas, so fascinating to the painter, of “dynamic painting” and “total” musicality, which reinterpreted the principles of Orphism and Cubism. The distinct features of the work’s imagery reflect the artist’s experience in Paris. But his idols at that point were not so much Sonia Delaunay or Albert Gleizes as Pablo Picasso and Jean Arp. Compared with Picasso’s classically balanced lines, Baranoff-Rossiné’s rhythmic constructs seem quite fragmented; yet the Femme Cubiste displays the artist’s rare ability to coordinate shades of grey, brown and blue (once again echoing David’s picture) that are not only intense in their colour, but are also imbued with a deep-seated glow. Unlike Picasso’s analytical formal constructs, this work illustrates the ornamental layering of a female figure that is split into planes. The canvas displays not only the artist’s individual reinterpretation of Cubism, but also a tendency towards contemplation, a treatment of the subject as an elusive dream. In his Femme Cubiste, apart from Cubism, the painter also undoubtedly leans towards Surrealism – something that was to become more manifest in his “nude” studies of the second half of the 1920s. Surrealism, which was then more and more forcefully impinging on creative minds, could not, of course, totally eschew the work of Baranoff-Rossiné. Although the painter was merely seen as a disciple of Salvador Dal, Joan Miró and Yves Tanguy in the Surrealist domain, the canvas presented for auction was unexpectedly echoed in a Surrealist masterpiece of the 1950s – René Magritte’s picture Perspective: Madame Récamier by David, which took to its logical and absurd conclusion the main idea behind the Femme Cubiste – the demise of the principles of classical art in the 20th century.
MacDougall's
Jun. 07, 2017
BARANOFF-ROSSINÉ, VLADIMIR (1888-1944) Péniches sur le fleuve Don
Est: £50,000 - £70,000
BARANOFF-ROSSINÉ, VLADIMIR (1888-1944) Péniches sur le fleuve Don, signed, also further signed on the reverse. Oil on canvas, 50.5 by 74 cm. Executed c. 1912. Provenance: Private collection, France. Authenticity certificate from Dimitri Baranoff-Rossiné, the artist’s son.
MacDougall's
Jun. 06, 2017
VLADIMIR BARANOFF-ROSSINÉ | Le Bois
Est: £30,000 - £50,000
oil on canvas
Sotheby's
Dec. 02, 2016
Wladimir Baranoff-Rossiné, Les Barques, Circa 1905
Est: €4,000 - €4,800
French estate stamp (only partially visible due to stretcher) with the widow's signature verso and confirmed as an authentic work.With a confirmation of authenticity by the Estate, Dimitri Baranoff-Rossiné, Berthouville (the artist's grandson)
Kunsthaus Lempertz KG
Nov. 30, 2016
BARANOFF-ROSSINÉ, VLADIMIR (1888-1944)
Est: £30,000 - £40,000
BARANOFF-ROSSINÉ, VLADIMIR (1888-1944) Church in Arcachon, France, signed. Oil on canvas, 50.5 by 74 cm. Executed c. 1935. Provenance: Acquired directly from the artist by the previous owner in France, c. early 1940s. Thence by descent. Private collection, France. Private collection, Switzerland. Authenticity certificates from Dimitri Baranoff-Rossiné, the artist’s son. The work is accompanied by a photograph of Dimitri Baranoff-Rossiné with the present lot.
MacDougall's
Nov. 30, 2016
BARANOFF-ROSSINÉ, VLADIMIR (1888-1944)
Est: £30,000 - £40,000
BARANOFF-ROSSINÉ, VLADIMIR (1888-1944) Winter in St Petersburg Oil on canvas, 49 by 72.5 cm. Executed c. 1907–1909. Provenance: Collection of the artist’s family. Acquired from the above by the present owner. Private collection, UK. Exhibited: Vladimir Baranoff-Rossiné 1888–1942, Rutland Gallery, London, 1970, No. 14 (label on the reverse of the frame). Literature: Exhibition catalogue, Vladimir Baranoff-Rossiné 1888–1942, London, 1970, No. 14, listed as Petrograd, l’Hiver with incorrect dimensions.
MacDougall's
Nov. 05, 2016
Vladimir Baranoff-Rossine (1888-1944) Oil Painting
Est: $2,000 - $4,000
Artist: Vladimir Baranoff-Rossine (1888-1944); Title: Untitled; Medium: Oil on board; Year or Era Produced: 20th century; Signature: Lower left; Sight Area Approximate Measurement: 19.5" x 15.5"; Frame Approximate Measurement: 26" x 22" x 1.5"; Approximate Weight: 4 lbs
J Levine Auction & Appraisal LLC
Jun. 12, 2016
VLADIMIR BARANOV-ROSSINÉ (1888-1944): DANSE HEBRAIQUE
Est: $1,500 - $3,000
VLADIMIR BARANOV-ROSSINÉ (1888-1944): DANSE HEBRAIQUE Ink and wash on paper, signed 'B. Rossiné' lower center, indistinctly titled on the reverse. 5 3/8 x 8 7/8 in. (sheet), 10 x 12 3/4 in. (frame). Property From an Important NY Collection
STAIR
Jun. 06, 2016
Vladimir Davidovich BARANOFF-ROSSINÉ 1888 - 1944 BARGES SUR LA DNIEPR - 1910-1911 Huile sur toile
Est: €80,000 - €120,000
Vladimir Davidovich BARANOFF-ROSSINÉ 1888 - 1944 BARGES SUR LA DNIEPR - 1910-1911 Huile sur toile Cachet de la signature en partie effacé en bas à droite "Rossiné" h: 68 w: 88,50 cm Provenance : Famille Baranoff-Rossiné, Paris Rutland Gallery, Londres Vente Londres, Sotheby's, 5 mars 1981, lot 93 Acquis lors de cette vente par l'actuel propriétaire Expositions : Londres, Rutland Gallery, "Retrospective exhibition of Vladimir Baranoff-Rossiné", 1971, n°7 (daté 1907) Commentaire : Oil on canvas; stamped with the signature lower right (partially erased)
Artcurial
May. 21, 2016
VLADIMIR DAVIDOVICH BARANOV-ROSSINE (RUSSIAN 1888-1944)
Est: $8,000 - $12,000
VLADIMIR DAVIDOVICH BARANOV-ROSSINE (RUSSIAN 1888-1944) An Elderly Woman in a Blue Coat, 1905-1908 oil on board 33.5 x 24 cm (13 1/4 x 9 1/2 in.) EXPERTISE The authenticity of this work has been confirmed by Dimitri Baranoff-Rossine.
Shapiro Auctions LLC
May. 21, 2016
VLADIMIR DAVIDOVICH BARANOV-ROSSINE (RUSSIAN 1888-1944)
Est: $10,000 - $15,000
VLADIMIR DAVIDOVICH BARANOV-ROSSINE (RUSSIAN 1888-1944) A View of Sailboats, 1905-1908 oil on canvas laid on board 33.5 x 44 cm (13 1/4 x 17 3/8 in.) EXPERTISE The authenticity of this work has been confirmed by Dimitri Baranoff-Rossine.
Shapiro Auctions LLC
May. 21, 2016
VLADIMIR DAVIDOVICH BARANOV-ROSSINE (RUSSIAN 1888-1944)
Est: $10,000 - $15,000
VLADIMIR DAVIDOVICH BARANOV-ROSSINE (RUSSIAN 1888-1944) A View of the House, 1905-1908 oil on paper laid on board 33.3 x 51 cm (13 1/8 x 20 1/8 in.) EXPERTISE The authenticity of this work has been confirmed by Dimitri Baranoff-Rossine.
Shapiro Auctions LLC