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GEORGE BARBIER, (French, 1882-1932), "Au revoir" from Le Bonheur du Jour ou Les Graces á la Mode. [Paris: Chez Meynial, 1924], 21 x 30cm.
Leski Auctions Pty LtdGeorge Barbier French, 1882-1932 A set of three hand coloured French engravings printed by H. REIDEL G.R Grand-mere & Petite-Fille 1920, Mademoiselle Spinelley chez elle Circa 1920, Mademoiselle Sorel en grand Habit, Circa 1920
ArtvisoryGeorge Barbier French, 1882-1932 A pair of hand coloured engravings printed by H.REIDEL G.R L'Arc en Ciel 1920 and L'apres -midi d'un Faune 1920
ArtvisoryGeorge Barbier French, 1882-1932 A pair of French hand coloured engravings Printed by H.REIDEL G.R Minuit!......ou l'appartement a la mode and Chez la Marchande de Pavots framed behind glass with silver gilt frames
ArtvisoryThis lovely fashion pochoir lithograph is from George Barbier as part of Falbalas & Fanfreluches. The work was published by Meynial in Paris between 1921 and 1926. George Barbier was one of the most celebrated early 20th century French artists. His plates in this work are striking and imaginative." George Barbier (1882-1932) was one of the greatest French artists of the early 20th century. He first exhibited in 1911 at the age of 29 where he gained many commissions to design costumes and illustrate works, fashion in particular. Barbier led a group nicknamed by Vogue "The Knights of the Bracelet" formed from artists from the Ecole des Beaux Arts and including Monvel, Brissaud, Iribe, Lepape, and Martin. Beyond his illustrations, Barbier created jewelry, glass and wallpaper design.
Trillium Antique Prints & Rare BooksThis lovely fashion pochoir lithograph is from George Barbier as part of Falbalas & Fanfreluches. The work was published by Meynial in Paris between 1921 and 1926. George Barbier was one of the most celebrated early 20th century French artists. His plates in this work are striking and imaginative." George Barbier (1882-1932) was one of the greatest French artists of the early 20th century. He first exhibited in 1911 at the age of 29 where he gained many commissions to design costumes and illustrate works, fashion in particular. Barbier led a group nicknamed by Vogue "The Knights of the Bracelet" formed from artists from the Ecole des Beaux Arts and including Monvel, Brissaud, Iribe, Lepape, and Martin. Beyond his illustrations, Barbier created jewelry, glass and wallpaper design.
Trillium Antique Prints & Rare BooksThis lovely fashion pochoir lithograph is from George Barbier as part of Falbalas & Fanfreluches. The work was published by Meynial in Paris between 1921 and 1926. George Barbier was one of the most celebrated early 20th century French artists. His plates in this work are striking and imaginative." George Barbier (1882-1932) was one of the greatest French artists of the early 20th century. He first exhibited in 1911 at the age of 29 where he gained many commissions to design costumes and illustrate works, fashion in particular. Barbier led a group nicknamed by Vogue "The Knights of the Bracelet" formed from artists from the Ecole des Beaux Arts and including Monvel, Brissaud, Iribe, Lepape, and Martin. Beyond his illustrations, Barbier created jewelry, glass and wallpaper design.
Trillium Antique Prints & Rare BooksThis lovely fashion pochoir lithograph is from George Barbier as part of Falbalas & Fanfreluches. The work was published by Meynial in Paris between 1921 and 1926. George Barbier was one of the most celebrated early 20th century French artists. His plates in this work are striking and imaginative." George Barbier (1882-1932) was one of the greatest French artists of the early 20th century. He first exhibited in 1911 at the age of 29 where he gained many commissions to design costumes and illustrate works, fashion in particular. Barbier led a group nicknamed by Vogue "The Knights of the Bracelet" formed from artists from the Ecole des Beaux Arts and including Monvel, Brissaud, Iribe, Lepape, and Martin. Beyond his illustrations, Barbier created jewelry, glass and wallpaper design.
Trillium Antique Prints & Rare BooksBARBIER, George (1882-1932), artist, and Pierre LOUŸS (1870-1925), author Les Chansons de Bilitis. Traduit du Grec. Paris: Pierre Corrard...
Christie'ssigned (i) ‘George Barbier 1918’ (center right), (ii) G. Barbier (lower left), (iii) George Barbier 1922 (center right) (i) ink and watercolour and gold leaf on paper, (ii) watercolour, ink and white wash, (iii) ink and pencil (i) 26.5 x 20 cm, (ii) 26.5 x 18.5 cm, (iii) 26 x 19.5 cm Provenance: (iii) Previous collection of Gilberte Cournand, bookplate on the back Blanchet Pierre Paris, Mode Arts Et Spectacle, 06.10.2003 Private collection signés (i) 'George Barbier 1918' (au centre à droite), (ii) G. Barbier (en bas à gauche), (iii) George Barbier 1922 (au centre à droite) (i) encre, aquarelle et feuille d'or sur papier, (ii) aquarelle, encre et lavis blanc, (iii) encre et crayon (i) 26,5 x 20 cm, (ii) 26,5 x 18,5 cm, (iii) 26 x 19,5 cm Provenance : (iii) Ancienne collection de Gilberte Cournand, ex-libris au dos. Blanchet Pierre Paris, Mode Arts Et Spectacle, 06.10.2003 Collection privée
Hermitage Fine Artsigned ‘G Barbier 1914’ (lower left) ink and watercolour on paper 27.6 x 22.5 cm executed in 1914 signé 'G Barbier 1914' (en bas à gauche) encre et aquarelle sur papier 27,6 x 22,5 cm exécuté en 1914
Hermitage Fine Artsigned with monogram and dated ‘CB 1918’ (lower right), paper waterstamp ‘1er choix whatman’ gouache on paper executed in 1918 signé avec monogramme et daté 'CB 1918' (en bas à droite), timbre à eau sur papier '1er choix whatman' gouache sur papier exécuté en 1918
Hermitage Fine Arteach signed ‘G Barbier’ (lower left) watercolor and ink on paper (i) 25.5 x 18.2 cm, (ii) 26.5 x 18 Provenance: Blanchet Pierre Paris, Mode Arts Et Spectacle, 06.10.2003 Private collection chacun signé 'G Barbier' (en bas à gauche) aquarelle et encre sur papier (i) 25,5 x 18,2 cm, (ii) 26,5 x 18 Provenance : Blanchet Pierre Paris, Mode Arts Et Spectacle, 06.10.2003 Collection privée
Hermitage Fine ArtPersia, illustration from 'The Art of Perfume', 1912 By George Barbier Canvas Reproduction George Barbier (1882–1932), also known as Georges Augustin Barbier, is one of the great French illustrators of the early twentieth century. He is famous for his elegant art deco works that were heavily influenced by East Asian and Parisian couture. His works pushed the envelope with bright colors and content deemed shocking for the time period. Dimensions: 20 x 30 inches View photos for further details.
Weatherham Estate TreasuresPossibly George Barbier, French, Circa 1930, Each Of Costumed Couples With Metallic Silver And Gold Paint, Image 10 X 7.25, Matted In Later Metal Frames, 19 X 16 X 0.5 Inches, Toned And Scattered Foxing. See Photos For Condition.
J. Garrett AuctioneersThis beautiful illustration is from George Barbier and Francis de Miomandre's Designs on the Dances of Vaslav Nijinsky. The work was published in London by C. W. Beaumont in 1913. The image is of the legendary dancer Nijinsky in Scheherazade, Carnaval, and L'Apres-midi d'un Faune and was printed on vellum. The work was limited to 400 in publication. "The designs, although somewhat fantastic in treatment, do convey the impression produced by Nijinsky in his famous characters." (Beaumont) "In his brief time, Nijinsky was the most famous male dancer in the world, a pre-eminence due in part to his extraordinary virtuosity. But it was not his virtuosity alone that made him such a powerful stage presence. As contemporary reports make clear, Nijinsky was a great and unusual actor. The ideal Fokine interpreter, he was able to expand a simple choreographic design into a rich dramatic portrait, using, in keeping with Fokine's dicta, the whole body as an expressive instrument. Nijinsky's influence as a dancer was immediate and huge. That ballet, nearly extinguished artistically in western Europe, was revived in this century is due to him and other great dancers of his generation, such as Anna and Karsavina, as well as to Diaghilev. That male ballet, utterly extinguished, was also revived is due to him preeminently. Nijinsky was the first real ballet star of the male sex that Europe had seen since the retirement of Auguste Vestris nearly a century earlier. He initiated a renaissance." (Cohen The International Encyclopedia of Dance Vol. 4, pp. 646-648) George Barbier (1882-1932) was one of the greatest French artists of the early 20th century. He first exhibited in 1911 at the age of 29 where he gained many commissions to design costumes and illustrate works, fashion in particular. Barbier led a group nicknamed by Vogue "The Knights of the Bracelet" formed from artists from the Ecole des Beaux Arts and including Monvel, Brissaud, Iribe, Lepape, and Martin. Beyond his illustrations, Barbier created jewelry, glass and wallpaper design.
Trillium Antique Prints & Rare BooksThis beautiful illustration is from George Barbier and Francis de Miomandre's Designs on the Dances of Vaslav Nijinsky. The work was published in London by C. W. Beaumont in 1913. The image is of the legendary dancer Nijinsky in Scheherazade, Carnaval, and L'Apres-midi d'un Faune and was printed on vellum. The work was limited to 400 in publication. "The designs, although somewhat fantastic in treatment, do convey the impression produced by Nijinsky in his famous characters." (Beaumont) "In his brief time, Nijinsky was the most famous male dancer in the world, a pre-eminence due in part to his extraordinary virtuosity. But it was not his virtuosity alone that made him such a powerful stage presence. As contemporary reports make clear, Nijinsky was a great and unusual actor. The ideal Fokine interpreter, he was able to expand a simple choreographic design into a rich dramatic portrait, using, in keeping with Fokine's dicta, the whole body as an expressive instrument. Nijinsky's influence as a dancer was immediate and huge. That ballet, nearly extinguished artistically in western Europe, was revived in this century is due to him and other great dancers of his generation, such as Anna and Karsavina, as well as to Diaghilev. That male ballet, utterly extinguished, was also revived is due to him preeminently. Nijinsky was the first real ballet star of the male sex that Europe had seen since the retirement of Auguste Vestris nearly a century earlier. He initiated a renaissance." (Cohen The International Encyclopedia of Dance Vol. 4, pp. 646-648) George Barbier (1882-1932) was one of the greatest French artists of the early 20th century. He first exhibited in 1911 at the age of 29 where he gained many commissions to design costumes and illustrate works, fashion in particular. Barbier led a group nicknamed by Vogue "The Knights of the Bracelet" formed from artists from the Ecole des Beaux Arts and including Monvel, Brissaud, Iribe, Lepape, and Martin. Beyond his illustrations, Barbier created jewelry, glass and wallpaper design.
Trillium Antique Prints & Rare BooksThis beautiful illustration is from George Barbier and Francis de Miomandre's Designs on the Dances of Vaslav Nijinsky. The work was published in London by C. W. Beaumont in 1913. The image is of the legendary dancer Nijinsky in Scheherazade, Carnaval, and L'Apres-midi d'un Faune and was printed on vellum. The work was limited to 400 in publication. "The designs, although somewhat fantastic in treatment, do convey the impression produced by Nijinsky in his famous characters." (Beaumont) "In his brief time, Nijinsky was the most famous male dancer in the world, a pre-eminence due in part to his extraordinary virtuosity. But it was not his virtuosity alone that made him such a powerful stage presence. As contemporary reports make clear, Nijinsky was a great and unusual actor. The ideal Fokine interpreter, he was able to expand a simple choreographic design into a rich dramatic portrait, using, in keeping with Fokine's dicta, the whole body as an expressive instrument. Nijinsky's influence as a dancer was immediate and huge. That ballet, nearly extinguished artistically in western Europe, was revived in this century is due to him and other great dancers of his generation, such as Anna and Karsavina, as well as to Diaghilev. That male ballet, utterly extinguished, was also revived is due to him preeminently. Nijinsky was the first real ballet star of the male sex that Europe had seen since the retirement of Auguste Vestris nearly a century earlier. He initiated a renaissance." (Cohen The International Encyclopedia of Dance Vol. 4, pp. 646-648) George Barbier (1882-1932) was one of the greatest French artists of the early 20th century. He first exhibited in 1911 at the age of 29 where he gained many commissions to design costumes and illustrate works, fashion in particular. Barbier led a group nicknamed by Vogue "The Knights of the Bracelet" formed from artists from the Ecole des Beaux Arts and including Monvel, Brissaud, Iribe, Lepape, and Martin. Beyond his illustrations, Barbier created jewelry, glass and wallpaper design.
Trillium Antique Prints & Rare BooksThis beautiful illustration is from George Barbier and Francis de Miomandre's Designs on the Dances of Vaslav Nijinsky. The work was published in London by C. W. Beaumont in 1913. The image is of the legendary dancer Nijinsky in Scheherazade, Carnaval, and L'Apres-midi d'un Faune and was printed on vellum. The work was limited to 400 in publication. "The designs, although somewhat fantastic in treatment, do convey the impression produced by Nijinsky in his famous characters." (Beaumont) "In his brief time, Nijinsky was the most famous male dancer in the world, a pre-eminence due in part to his extraordinary virtuosity. But it was not his virtuosity alone that made him such a powerful stage presence. As contemporary reports make clear, Nijinsky was a great and unusual actor. The ideal Fokine interpreter, he was able to expand a simple choreographic design into a rich dramatic portrait, using, in keeping with Fokine's dicta, the whole body as an expressive instrument. Nijinsky's influence as a dancer was immediate and huge. That ballet, nearly extinguished artistically in western Europe, was revived in this century is due to him and other great dancers of his generation, such as Anna and Karsavina, as well as to Diaghilev. That male ballet, utterly extinguished, was also revived is due to him preeminently. Nijinsky was the first real ballet star of the male sex that Europe had seen since the retirement of Auguste Vestris nearly a century earlier. He initiated a renaissance." (Cohen The International Encyclopedia of Dance Vol. 4, pp. 646-648) George Barbier (1882-1932) was one of the greatest French artists of the early 20th century. He first exhibited in 1911 at the age of 29 where he gained many commissions to design costumes and illustrate works, fashion in particular. Barbier led a group nicknamed by Vogue "The Knights of the Bracelet" formed from artists from the Ecole des Beaux Arts and including Monvel, Brissaud, Iribe, Lepape, and Martin. Beyond his illustrations, Barbier created jewelry, glass and wallpaper design.
Trillium Antique Prints & Rare BooksBelle Epoque Fashion.- Barbier (George) Journal des Dames et des Modes, 79 issues in 4 vol., one of 1250 copies on papier de hollande, 184 hand-coloured pochoir plates plus 3 unnumbered hand-coloured plates, half-titles to vol.2-4, very occasional light spotting, but generally clean, uncut, contemporary brown morocco (not uniform), covers variously rubbed and worn, 8vo, Paris, 1912-14. ⁂ A complete set of this iconic periodical with exquisite plates by Barbier, Antoine Vallee, Leon Bakst and Umberto Brunelleschi. This is a uniform set, each numbered 292, though the bindings of the first 2 volumes differ from the last 2.
Forum Auctions - UKBarbier (George) Vingt-cinq Costumes pour le Theatre, one of 25 hors-commerce copies, from an edition of 300, ink presentation to Louis Cartier on limitation page, etched portrait frontispiece of Barbier by Charles Martin and 25 fine mounted pochoir plates of costume designs, each with captioned tissue-guard, all printed on white Arches paper and mounted on grey Arches paper, with with first state proofs of plates III and IV loosely inserted,original pictorial wrappers, upper joint split at head and foot, one corner slightly bumped, green cloth-backed board chemise and slip-case (a little worn), [Colas 218], 4to, Paris, Camille Bloch & Jules Meynial, 1927. ⁂ Exquisite work by one of the quintessential figures in Art Deco design and illustration. The designs are for Casanova, Le tapis Persane, Marion de Lorme, Madame Paulette Duval, Lysistrata and Amarylla. This copy is inscribed to the jeweller Louis Cartier.
Forum Auctions - UKThis lovely fashion pochoir lithograph is from George Barbier as part of Falbalas & Fanfreluches. The work was published by Meynial in Paris between 1921 and 1926. George Barbier was one of the most celebrated early 20th century French artists. His plates in this work are striking and imaginative." George Barbier (1882-1932) was one of the greatest French artists of the early 20th century. He first exhibited in 1911 at the age of 29 where he gained many commissions to design costumes and illustrate works, fashion in particular. Barbier led a group nicknamed by Vogue "The Knights of the Bracelet" formed from artists from the Ecole des Beaux Arts and including Monvel, Brissaud, Iribe, Lepape, and Martin. Beyond his illustrations, Barbier created jewelry, glass and wallpaper design.
Trillium Antique Prints & Rare BooksGeorge Barbier (1882-1932), Ah Quel Beau Temps!, Gazette du Bon Ton, Original Colour Pochoir Fashion Plate, 1913
Theodore BruceGeorge Barbier (1882-1932), Deux Heures du Matin, Gazette du Bon Ton, Original Colour Lithograph Fashion Plate, 1923
Theodore Bruce