Miquel (1957) Barceló Paintings & Artwork for Sale | Miquel (1957) Barceló Art Value Price Guide

Apr. 01, 2025
MIQUEL BARCELO Felanitx, Mallorca (1957) "Untitled", 1983
Est: €37,500 - €50,000
Mixed media and collage on paper Signed and dated in the lower right corner. Provenance: - Private collection, Paris - Yerba Gallery, Madrid - Private collection, Malaga Dimensions: 65 x 100 cm
Ansorena
Mar. 25, 2025
MIQUEL BARCELÓ - Untitled
Est: -
MIQUEL BARCELÓ Mallorca 1957 Sin title. 1984 Litografía sobre papel Arches Signed in lápiz Numbered 29/50 Medidas 54 x 76,5 cm Estampa Bransen, París 1984 EXPOSICIONES 1984, "Miquel Barceló. Paintings 1984", Galería Juana de Aizpuru, Madrid BIBLIOGRAFÍA Antoni Mari, "Miquel Barceló. Pinturas 1984", Ed. Galería Juana de Aizpuru, Madrid 1984
Subastas Segre
Mar. 25, 2025
MIQUEL BARCELÓ - Night Bath
Est: -
MIQUEL BARCELÓ Mallorca 1957 Night Bath. 1990 Lithograph on Arches paper with the publisher's dry stamp Signed in pencil Numbered 18/20 Measurements 42.5 x 60 cm Published by Item, Paris 1990
Subastas Segre
Mar. 25, 2025
MIQUEL BARCELÓ - Bulbe Chinois
Est: -
MIQUEL BARCELÓ Mallorca 1957 Bulbe Chinois. 2001 Acrylic on paper Signed and dated VI-01 Measurements 54.5 x 39 cm PROVENANCE (label on back) Galerie Bruno Bischofberger, Zurich Private collection
Subastas Segre
Mar. 20, 2025
Miquel Barceló (Felanix, Majorca, 1957) “Deer head”
Est: €150 - €200
Miquel Barceló (Felanix, Majorca, 1957) “Deer head” Lithograph Signed and numbered 223/1.000 31 x 44,5 cm 150 - 200 €
Greco Subastas
Mar. 18, 2025
MIQUEL BARCELÓ ARTIQUES (Felanitx, Mallorca, 1957). "Still life with grapes", 1985. Oil on canvas. -Work exhibited at the Gallery Yvon Lambert, 21 February-17 March 1987, Paris.
Est: €38,000 - €40,000
MIQUEL BARCELÓ ARTIQUES (Felanitx, Mallorca, 1957). "Still life with grapes", 1985. Oil on canvas. -Work exhibited at the Gallery Yvon Lambert, 21 February-17 March 1987, Paris. Presents on the back labels of the Gallery Gallery Yvon Lambert (Paris) and Lucie Weill-Seligmann (Paris). Provenance: Gallery Lucie Weill Seligmann, Paris (as La Grappe) and Gallery Yvon Lambert, Paris (as Raisin). Measurements: 51 x 83,5 cm; 73,5 x 107 cm (frame). Miquel Barceló offers us in this 1985 painting a clear testimony of his unique visual language, characterized by an intense materiality and a constant exploration of nature and its transformations. The work features a palette dominated by earthy tones, grays and blacks, with rich textures that evoke eroded landscapes or decaying organic surfaces. Barceló's technique, which at this stage of his career approaches abstraction without completely abandoning figuration, is evident in the material treatment of the canvas: the paint seems to accumulate, scratch and wear away in different areas, generating a sensation of time and deterioration. Two figurative elements emerge in the composition: a bunch of grapes, represented with dense black brushstrokes, and a structure of lines reminiscent of a schematic drawing or a calligraphic stroke. These elements, although partially absorbed by the pictorial texture, reinforce the artist's constant exploration of food, still life and the transience of everyday objects. 1985 was a crucial year in Barceló's career, marked by intense experimentation and travel that influenced his work. During this period, the artist was exploring the interaction between painting and matter, an interest that would later lead to his famous murals and ceramic works. This work is a reflection of that search, where landscape, texture and deterioration play a central role in the construction of his artistic imaginary. A painter and sculptor, Barceló began his training at the School of Arts and Crafts in Palma de Mallorca, where he studied between 1972 and 1973. In 1974 he made his individual debut, at the age of seventeen, at the Picarol Gallery in Mallorca. That same year he moved to Barcelona, where he enrolled at the Sant Jordi School of Fine Arts, and made his first trip to Paris. In the French capital he discovers the work of Paul Klee, Fautrier, Wols and Dubuffet, as well as the "art brut", a style that will exert an important influence on his first paintings. During these years he reads extensively, and enriches himself with works as diverse as the writings of Breton and the surrealists, the "White Manifesto" by Lucio Fontana or the "Social History of Literature and Art" by Arnold Hauser. In 1976 he holds his first solo exhibition in a museum: "Cadaverina 15" at the Museum of Mallorca, consisting of a montage of 225 wooden boxes with glass lids, with decomposing organic materials inside. That same year, back in Mallorca, he joined the Taller Lunàtic group and took part in its social, political and cultural events. In 1977 he makes a second trip to Paris, and also visits London and Amsterdam. That same year he exhibits for the first time in Barcelona, and meets Javier Mariscal, who will become one of his best friends in the city. Together with him and the photographer Antoni Catany he participates, as a member of the group "Neón de Suro", in exhibitions in Canada and California, and collaborates with the publication of the magazine of the same name. It was also in 1977 when he received his first large-format pictorial commission: a mural for the dining room of a hotel in Cala Millor, Mallorca. The following year, at the age of twenty-one, he sells his first works to some collectors and galleries, and finally moves to Barcelona. His international recognition began in the early eighties, giving a definitive boost to his career after his participation in the São Paulo Biennial (1981) and the Documenta in Kassel (1982). In 1986 he was awarded the Premio Nacional de Artes Plásticas, and since then his work has been recognized through the most outstanding awards, such as the Premio Príncipe de Asturias de las Artes (2003) or the Sorolla Prize of the Hispanic Society of America in New York (2007). Barceló is currently represented in the most important contemporary art museums in the world, such as the MoMA in New York, the Centre Pompidou in Paris, the Guggenheim in Bilbao, the Marugami Hirai in Japan, the Reina Sofía in Madrid, the Patio Herreriano in Valladolid, the CAPC in Bordeaux, the Carré d'Art in Nimes, the Museum of Contemporary Art in Caracas and the Museum of Fine Arts in Boston, among others. -Work exhibited at the Yvon Lambert Gallery, February 21-March 17, 1987, Paris. With labels of the Gallery Gallery Yvon Lambert (Paris) and Lucie Weill-Seligmann (Paris) on the back. Provenance: Lucie Weill Seligmann Gallery, Paris (as La Grappe) and Yvon Lambert Gallery, Paris (as Raisin).
Setdart Auction House
Mar. 06, 2025
MIQUEL BARCELÓ (B. 1957). Vu de Gogoly (View of Gogoly). mixed media on can
Est: £80,000 - £120,000
MIQUEL BARCELÓ (B. 1957). Vu de Gogoly (View of Gogoly). mixed media on canvas54 ¾ x 77 1/8in. (139 x 196cm.).
Christie's
Mar. 06, 2025
Miquel BARCELO (Né en 1957)
Est: €600 - €800
Miquel BARCELO (Né en 1957) El Pintor de Rodillas, 1983 Lithographie en couleurs Signée et numérotée "66/200" Légers plis ondulés Lithograph. Signed and numbered "66/200". Some wavy folds 74 X 53 CM - 29 1/8 X 20 7/8 IN
Tajan
Mar. 04, 2025
λ‡ MIQUEL BARCELO (SPANISH B. 1957), CETTE BAIE LÀ
Est: £40,000 - £60,000
λ‡ MIQUEL BARCELO (SPANISH B. 1957)CETTE BAIE LAMixed media on canvasSinged, titled and dated 2015 (verso)60 x 81cm (23½ x 31¾ in.)Unframed Provenance:Galerie Thaddaeus RopacAcquired from the above 4 June 2018 Cette Baie Là is a captivating depiction of deep blue waters flowing into a dusky bay, where luminous rays of light radiate across the sky. The scene evokes an immediate sense of presence, as if one were stepping into the bay itself-feeling the sea breeze ripple the water and hearing the whisper of dark sand at dusk.Miquel Barceló's artistic language communicates his profound connection with nature, focusing on the materiality and interplay of surfaces and forms. Having travelled through the Himalayas, Portugal, and beyond, the Mallorca-born artist transforms the blank canvas into evocative recollections of underwater marine life, desert winds, sand, and rocky landscapes. He draws inspiration from the rich environments surrounding his travels and his deep engagement with the physical world. His art bridges the untamed and the sensational, enabling viewers to marvel at the diverse beauties of our planet.However, Barceló's approach to raw expression in art is not merely about highlighting the splendour of nature, but also about capturing the sense of liberty he finds within the intricate puzzle of his creations. Born in 1957, in Franco's Spain, Barceló followed in his mother's artistic footsteps. He went to Paris in 1974, where he resonated with the city's rebellious, free spirit. The idea of self-expression through art captivated him, and after attending the Decorative Arts School in Palma de Mallorca, he enrolled at the School of Fine Arts in Barcelona the following year. His early works explored the natural phenomena of various materials, often focusing on decay and decomposition. This fascination with transformation and its documentation as artistic experimentation reflected his involvement with the avant-garde group 'Taller Llunàtic,' which he joined in 1976. The relaxation of restrictions following Franco's death encouraged Barceló's rebellious creativity, a freedom often reflected in his unstructured works depicting oceans and uncharted marine depths.International recognition of Barceló's art surged after his participation in Documenta 7 in Kassel, where he represented Spain. The event's prestige within the art world quickly elevated his status, establishing him as one of the most celebrated contemporary Spanish artists. He is often compared to compatriots such as Francisco Goya, for his exploration of light, and Antoni Gaudí, for his terracotta installation in the Cathedral of Santa Maria de Palma. Between 2001 and 2006, Barceló transformed the walls of the right-hand apse of Saint Peter's Chapel, referencing his affection for marine life. The installation features depictions of fish and recalls the biblical miracle of Jesus multiplying loaves and fishes for his followers.The upheavals of Spanish governmental regimes have historically been a fertile ground for artistic expression. While some artists portrayed horror and fear, later generations celebrated the newfound freedom and voice they had gained in their practices. Barceló's works, though seemingly simple at first glance, are meant to be experienced rather than merely observed. Through his use of wood, volcanic dust, and other natural materials, Barceló creates works that are complex in their construction yet profoundly celebratory of life, nature, and emotion.
Dreweatts 1759 Fine Sales
Feb. 26, 2025
MIQUEL BARCELÓ Felanitx, Mallorca (1957) "Stek Frites", 1984
Est: €69,000 - €92,000
Mixed technique and collage on burlap glued to wood. Signed, titled and dated on the back Provenance: -Private collection, Madrid -Oriol Galería d'Art, Barcelona Measurements: 53.5 x 59 cm
Ansorena
Feb. 11, 2025
MIQUEL BARCELÓ - Still Life
Est: -
MIQUEL BARCELÓ Mallorca 1957 Still Life. 1984 Etching, Drypoint and Collage on handmade paper by Acuari Signed in pencil Numbered 4/34 Dimensions 34.5 x 49.5 cm (print); 52 x 65.5 cm (paper) Atelier Son Abrines, Palma de Mallorca 1984
Subastas Segre
Feb. 11, 2025
MIQUEL BARCELÓ - Lanzarote 34
Est: -
MIQUEL BARCELÓ Mallorca 1957 Lanzarote 34. 2000 Aquatint on Velin de Arches paper Signed in pencil Numbered 20/35 Dimensions 50 x 70 cm (print); 75 x 91 cm (paper) Edited and Printed by Línea, Lanzarote 2000 PROVENANCE Ediciones Línea, Lanzarote Private collection BIBLIOGRAPHY Miquel Barceló, "Miquel Barceló-Serie Lanzarote", Edita Línea, Lanzarote 2002
Subastas Segre
Jan. 29, 2025
MIQUEL BARCELÓ (Felanitx, Mallorca, 1957). "Portuguese boat", 1984. Gouache on paper. Signed and dated in the lower area. Enclosed certificate issued by the Gallery Bruno Bischofberger.
Est: €45,000 - €50,000
MIQUEL BARCELÓ (Felanitx, Mallorca, 1957). "Portuguese boat", 1984. Gouache on paper. Signed and dated in the lower area. Enclosed certificate issued by the Gallery Bruno Bischofberger. Measurements: 70 x 50 cm; 103 x 83 cm (frame). Directly inspired by nature, the Mediterranean and Africa, Miquel Barceló's early works demonstrate the Mallorcan artist's interest in continuous experimentation. On this occasion Barceló shows us a convulsive scene starring a boat on the high seas that, agitated by the movement of the raging sea, lurches over the waves. A painter and sculptor, Barceló began his training at the School of Arts and Crafts in Palma de Mallorca, where he studied between 1972 and 1973. In 1974 he made his individual debut, at the age of seventeen, at the Picarol Gallery in Mallorca. That same year he moved to Barcelona, where he enrolled at the Sant Jordi School of Fine Arts, and made his first trip to Paris. In the French capital he discovers the work of Paul Klee, Fautrier, Wols and Dubuffet, as well as the "art brut", a style that will exert an important influence on his first paintings. During these years he reads extensively, and enriches himself with works as diverse as the writings of Breton and the surrealists, the "White Manifesto" by Lucio Fontana or the "Social History of Literature and Art" by Arnold Hauser. In 1976 he holds his first solo exhibition in a museum: "Cadaverina 15" at the Museum of Mallorca, consisting of a montage of 225 wooden boxes with glass lids, with decomposing organic materials inside. That same year, back in Mallorca, he joined the Taller Lunàtic group and took part in its social, political and cultural events. In 1977 he makes a second trip to Paris, and also visits London and Amsterdam. That same year he exhibits for the first time in Barcelona, and meets Javier Mariscal, who will become one of his best friends in the city. Together with him and the photographer Antoni Catany he participates, as a member of the group "Neón de Suro", in exhibitions in Canada and California, and collaborates with the publication of the magazine of the same name. It was also in 1977 when he received his first large-format pictorial commission: a mural for the dining room of a hotel in Cala Millor, Mallorca. The following year, at the age of twenty-one, he sells his first works to some collectors and galleries, and finally moves to Barcelona. His international recognition began in the early eighties, giving a definitive boost to his career after his participation in the São Paulo Biennial (1981) and the Documenta in Kassel (1982). In 1986 he was awarded the Premio Nacional de Artes Plásticas, and since then his work has been recognized through the most outstanding awards, such as the Premio Príncipe de Asturias de las Artes (2003) or the Sorolla Prize of the Hispanic Society of America in New York (2007). Barceló is currently represented in the most important contemporary art museums in the world, such as the MoMA in New York, the Centre Pompidou in Paris, the Guggenheim in Bilbao, the Marugami Hirai in Japan, the Reina Sofía in Madrid, the Patio Herreriano in Valladolid, the CAPC in Bordeaux, the Carré d'Art in Nimes, the Museum of Contemporary Art in Caracas and the Museum of Fine Arts in Boston, among others. Enclosed is a certificate issued by the Bruno Bischofberger Gallery.
Setdart Auction House
Jan. 28, 2025
Miquel Barceló. Agenda: Barceló
Est: -
Ink on paper. The work is accompanied by a certificate of authenticity issued by the Estrany-de la Mota Gallery.
Duran Arte y Subastas
Jan. 28, 2025
Miquel Barcelo. Swimmer
Est: -
Ink and graphite on paper. The work is accompanied by a certificate of authenticity issued by the Estrany-de la Mota Gallery.
Duran Arte y Subastas
Dec. 18, 2024
MIQUEL BARCELÓ (Felanitx, Mallorca, 1957). "Bain Nocturne", 1990. Lithography on Arches paper. Copy 18/20. Embossing: "Item". Publisher: Item Workshops, Paris. Framed with museum glass.
Est: €1,500 - €1,800
MIQUEL BARCELÓ (Felanitx, Mallorca, 1957). "Bain Nocturne", 1990. Lithography on Arches paper. Copy 18/20. Embossing: "Item". Publisher: Item Workshops, Paris. Framed with museum glass. Measurements: 42,5 x 60 cm; 53 x 70,5 cm (frame). During this decade in the work of Barceló a synthesis of influences, from American abstract expressionism to the Baroque legacy, which he imbibed in his frequent visits to the Prado Museum. This is how he expressed it in his 1991 lecture: "I return to the Prado like an animal to the watering hole or like an insect to the puddle, I drink from these thick dark waters". In this Taula, both traditions, the avant-garde and the baroque, are evident: with the objects of the still life sunk in the chromatic magma in ochre tones that refer to the chiaroscuro of the Castilian tradition, on the one hand, and on the other, evoking the earth and impasto of Dubuffet, Fautrier or Tàpies, important references for the Mallorcan painter. A painter and sculptor, Barceló began his training at the School of Arts and Crafts in Palma de Mallorca, where he studied between 1972 and 1973. In 1974 he made his individual debut, at the age of seventeen, at the Picarol Gallery in Mallorca. That same year he moved to Barcelona, where he enrolled at the Sant Jordi School of Fine Arts, and made his first trip to Paris. In the French capital he discovers the work of Paul Klee, Fautrier, Wols and Dubuffet, as well as the "art brut", a style that will exert an important influence on his first paintings. During these years he reads extensively, and enriches himself with works as diverse as the writings of Breton and the surrealists, the "White Manifesto" by Lucio Fontana or the "Social History of Literature and Art" by Arnold Hauser. In 1976 he holds his first solo exhibition in a museum: "Cadaverina 15" at the Museum of Mallorca, consisting of a montage of 225 wooden boxes with glass lids, with decomposing organic materials inside. That same year, back in Mallorca, he joined the Taller Lunàtic group and took part in its social, political and cultural events. In 1977 he makes a second trip to Paris, and also visits London and Amsterdam. That same year he exhibits for the first time in Barcelona, and meets Javier Mariscal, who will become one of his best friends in the city. Together with him and the photographer Antoni Catany he participates, as a member of the group "Neón de Suro", in exhibitions in Canada and California, and collaborates with the publication of the magazine of the same name. It was also in 1977 when he received his first large-format pictorial commission: a mural for the dining room of a hotel in Cala Millor, Mallorca. The following year, at the age of twenty-one, he sells his first works to some collectors and galleries, and finally moves to Barcelona. His international recognition began in the early eighties, giving a definitive boost to his career after his participation in the São Paulo Biennial (1981) and the Documenta in Kassel (1982). In 1986 he was awarded the Premio Nacional de Artes Plásticas, and since then his work has been recognized through the most outstanding awards, such as the Premio Príncipe de Asturias de las Artes (2003) or the Sorolla Prize of the Hispanic Society of America in New York (2007). Barceló is currently represented in the most important contemporary art museums in the world, such as the MoMA in New York, the Centre Pompidou in Paris, the Guggenheim in Bilbao, the Marugami Hirai in Japan, the Reina Sofía in Madrid, the Patio Herreriano in Valladolid, the CAPC in Bordeaux, the Carré d'Art in Nimes, the Museum of Contemporary Art in Caracas and the Museum of Fine Arts in Boston, among others.
Setdart Auction House
Dec. 17, 2024
MIQUEL BARCELÓ Mallorca 1957 Sa Moto. 1981 Lithograph o
Est: -
MIQUEL BARCELÓ Mallorca 1957 Sa Moto. 1981 Lithograph on paper Signed in pencil Numbered 97/100 Dimensions 48.8 x 70 cm Published by the Government of the Balearic Islands, Palma de Mallorca 1981 This work is the first Lithograph produced by the artist at only 24 years of age, commissioned by the Balearic Government. PROVENANCE (label on back) Afinsa-Lagasca Art Centre, Madrid Private collection
Subastas Segre
Nov. 28, 2024
MIQUEL BARCELÓ (1957). "Octopus and diver", circa 1980.
Est: €11,000 - €16,000
Watercolour on paper. Signed. It is accompained by a document, dated 1987, on the previous sale and purchase of the work between the art dealer Jean-Pierre Guillemot (owner and seller) and the previous owner. 36 x 50 cm; 52.5 x 67 cm (frame).
Subarna Subastas
Nov. 27, 2024
Miquel BARCELO (Né en 1957)
Est: €800 - €1,200
Miquel BARCELO (Né en 1957) El Pintor de Rodillas, 1983 Lithographie en couleurs Signée et numérotée 66/200 Légers plis ondulés Lithograph. Signed and numbered 66/200. Slight wavy folds 74 x 53 CM - 29 1/8 x 20 7/8 IN
Tajan
Nov. 27, 2024
MIQUEL BARCELÓ ARTIQUES (Felanitx, Mallorca, 1957). "Lanzarote XXXIII Series", 2000. Etching and aquatint on paper. Issue 19/35. Presents label on the back of the gallery Soledad Lorenzo (Madrid). Signed and justified.
Est: €2,000 - €2,500
MIQUEL BARCELÓ ARTIQUES (Felanitx, Mallorca, 1957). "Lanzarote XXXIII Series", 2000. Etching and aquatint on paper. Issue 19/35. Presents label on the back of the gallery Soledad Lorenzo (Madrid). Signed and justified. Measurements: 50 x 69 cm (print); 75 x 92 cm (paper); 83 x 100 cm (frame). In this work the artist presents the viewer with an independent territory that invites exploration and research. The characters that star in it are shown as a phantasmagoria, full of nuances, determined by a mass of matter that, in certain areas, vanishes, thus reflecting organic life in movement, a struggle to free itself, to show what it hides beneath its surface. It is a work that can be apprehended as a landscape that describes a kind of telluric philosophy. This work also shows a clear influence of Antoni Tàpies, since the Mallorcan artist shares with him the fascination for texture and surface, and creates a work that is tantalizingly tactile. A painter and sculptor, Barceló began his training at the School of Arts and Crafts in Palma de Mallorca, where he studied between 1972 and 1973. In 1974 he made his individual debut, at the age of seventeen, at the Picarol Gallery in Mallorca. That same year he moved to Barcelona, where he enrolled at the Sant Jordi School of Fine Arts, and made his first trip to Paris. In the French capital he discovers the work of Paul Klee, Fautrier, Wols and Dubuffet, as well as the "art brut", a style that will exert an important influence on his first paintings. During these years he reads extensively, and enriches himself with works as diverse as the writings of Breton and the surrealists, the "White Manifesto" by Lucio Fontana or the "Social History of Literature and Art" by Arnold Hauser. In 1976 he holds his first solo exhibition in a museum: "Cadaverina 15" at the Museum of Mallorca, consisting of a montage of 225 wooden boxes with glass lids, with decomposing organic materials inside. That same year, back in Mallorca, he joined the Taller Lunàtic group and took part in its social, political and cultural events. In 1977 he makes a second trip to Paris, and also visits London and Amsterdam. That same year he exhibits for the first time in Barcelona, and meets Javier Mariscal, who will become one of his best friends in the city. Together with him and the photographer Antoni Catany he participates, as a member of the group "Neón de Suro", in exhibitions in Canada and California, and collaborates with the publication of the magazine of the same name. It was also in 1977 when he received his first large-format pictorial commission: a mural for the dining room of a hotel in Cala Millor, Mallorca. The following year, at the age of twenty-one, he sells his first works to some collectors and galleries, and finally moves to Barcelona. His international recognition began in the early eighties, giving a definitive boost to his career after his participation in the São Paulo Biennial (1981) and the Documenta in Kassel (1982). In 1986 he was awarded the Premio Nacional de Artes Plásticas, and since then his work has been recognized through the most outstanding awards, such as the Premio Príncipe de Asturias de las Artes (2003) or the Sorolla Prize of the Hispanic Society of America in New York (2007). Barceló is currently represented in the most important contemporary art museums in the world, such as the MoMA in New York, the Centre Pompidou in Paris, the Guggenheim in Bilbao, the Marugami Hirai in Japan, the Reina Sofía in Madrid, the Patio Herreriano in Valladolid, the CAPC in Bordeaux, the Carré d'Art in Nimes, the Museum of Contemporary Art in Caracas and the Museum of Fine Arts in Boston, among others.
Setdart Auction House
Nov. 27, 2024
MIQUEL BARCELÓ ARTIQUES (Felanitx, Mallorca, 1957). "Lanzarote XXXII Series", 2000. Etching and aquatint on paper. Issue 19/35. Presents label on the back of the gallery Soledad Lorenzo (Madrid). Signed and justified.
Est: €2,000 - €2,500
MIQUEL BARCELÓ ARTIQUES (Felanitx, Mallorca, 1957). "Lanzarote XXXII Series", 2000. Etching and aquatint on paper. Issue 19/35. Presents label on the back of the gallery Soledad Lorenzo (Madrid). Signed and justified. Measurements: 50 x 69 cm (print); 75 x 92 cm (paper); 83 x 100 cm (frame). In this work the artist presents the viewer with an independent territory that invites exploration and research. The characters that star in it are shown as a phantasmagoria, full of nuances, determined by a mass of matter that, in certain areas, vanishes, thus reflecting organic life in movement, a struggle to free itself, to show what it hides beneath its surface. It is a work that can be apprehended as a landscape that describes a kind of telluric philosophy. This work also shows a clear influence of Antoni Tàpies, since the Mallorcan artist shares with him the fascination for texture and surface, and creates a work that is tantalizingly tactile. A painter and sculptor, Barceló began his training at the School of Arts and Crafts in Palma de Mallorca, where he studied between 1972 and 1973. In 1974 he made his individual debut, at the age of seventeen, at the Picarol Gallery in Mallorca. That same year he moved to Barcelona, where he enrolled at the Sant Jordi School of Fine Arts, and made his first trip to Paris. In the French capital he discovers the work of Paul Klee, Fautrier, Wols and Dubuffet, as well as the "art brut", a style that will exert an important influence on his first paintings. During these years he reads extensively, and enriches himself with works as diverse as the writings of Breton and the surrealists, the "White Manifesto" by Lucio Fontana or the "Social History of Literature and Art" by Arnold Hauser. In 1976 he holds his first solo exhibition in a museum: "Cadaverina 15" at the Museum of Mallorca, consisting of a montage of 225 wooden boxes with glass lids, with decomposing organic materials inside. That same year, back in Mallorca, he joined the Taller Lunàtic group and took part in its social, political and cultural events. In 1977 he makes a second trip to Paris, and also visits London and Amsterdam. That same year he exhibits for the first time in Barcelona, and meets Javier Mariscal, who will become one of his best friends in the city. Together with him and the photographer Antoni Catany he participates, as a member of the group "Neón de Suro", in exhibitions in Canada and California, and collaborates with the publication of the magazine of the same name. It was also in 1977 when he received his first large-format pictorial commission: a mural for the dining room of a hotel in Cala Millor, Mallorca. The following year, at the age of twenty-one, he sells his first works to some collectors and galleries, and finally moves to Barcelona. His international recognition began in the early eighties, giving a definitive boost to his career after his participation in the São Paulo Biennial (1981) and the Documenta in Kassel (1982). In 1986 he was awarded the Premio Nacional de Artes Plásticas, and since then his work has been recognized through the most outstanding awards, such as the Premio Príncipe de Asturias de las Artes (2003) or the Sorolla Prize of the Hispanic Society of America in New York (2007). Barceló is currently represented in the most important contemporary art museums in the world, such as the MoMA in New York, the Centre Pompidou in Paris, the Guggenheim in Bilbao, the Marugami Hirai in Japan, the Reina Sofía in Madrid, the Patio Herreriano in Valladolid, the CAPC in Bordeaux, the Carré d'Art in Nimes, the Museum of Contemporary Art in Caracas and the Museum of Fine Arts in Boston, among others.
Setdart Auction House
Nov. 21, 2024
Print, Miguel Barcelo
Est: $1,500 - $2,000
Miguel Barcelo (Spanish, b. 1957), "Au Revoir," 1990, lithograph, pencil signed lower right, edition 29/50, image: 22.5"h x 34"w, sheet: 24"h x 35.5"w, overall (with frame): 28"h x 39.5"w
Clars Auctions
Nov. 19, 2024
MIQUEL BARCELÓ. TÉCNICA MIXTA.
Est: €14,000 - €15,000
Miquel Barceló (Felanitx, Mallorca, 1957) Bulbe Chinois. Técnica mixta sobre papel. Firmado. Realizado en 2001. Etiqueta de la Galería Bruno Bishofberger, Zurich, al dorso. Procedencia: Galería Bruno Bischofberger, Zurich. Galería Mayoral, Barcelona. Colección particular, Barcelona. 55 x 39,5 cm.
Aletheia Subastas
Oct. 31, 2024
Miquel Barceló (1957) “Chauvet. Cahier de Félins”
Est: €700 - €1,500
Cahier de félins shows the reproduction of 37 drawings exhibited in a monumental notebook, a sequence of felines in which Barceló fuses the movement of the past with that of the present in a single, firm and sure stroke. A reproduction of the artist's Cahier de félins is enclosed. A book about the discovery of the Chauvet cave. White maple wood box with pyrography print on the lid. Box size: 6 x 37.6 x 49 cm; Book size: 2.3 x 33.6 x 45 cm; 1.7 x 33.7 x 44.5 cm
Subastas Darley
Oct. 30, 2024
MIQUEL BARCELÓ Mallorca 1957 Untitled. 1981 Oil on...
Est: -
MIQUEL BARCELÓ Mallorca 1957 Untitled. 1981 Oil on canvas Signed and dated April 1981 on the back Dimensions 100.5 x 81.7 cm PROVENANCE (label on the back) Elvira González Gallery, Madrid Private collection
Subastas Segre
Oct. 30, 2024
MIQUEL BARCELÓ Mallorca 1957 Animal with three Pix...
Est: -
MIQUEL BARCELÓ Mallorca 1957 Animal with three Pixerades Lithograph on paper Signed in pencil Numbered 49/100 Measurements 49 x 70 cm Edited by Edicions 6a, Palma de Mallorca This work is part of his first portfolio of four Lithographs
Subastas Segre
Oct. 28, 2024
MIQUEL BARCELO Felanitx, Mallorca (1957) "Deer crossing the Niger River" (Mali), 1999
Est: €22,500 - €30,000
Mixed technique on paper Signed in pencil in the lower right corner Measurements: 49 x 68 cm
Ansorena
Oct. 28, 2024
MIQUEL BARCELO Felanitx, Mallorca (1957) “Boat”, 1984
Est: €27,000 - €36,000
Mixed media on paper Signed and dated in pencil at the bottom. Exhibitions: "Miquel Barcelo", Juan de Aizpuru Gallery, Madrid 1984 Certificate of authenticity from the Juana de Aizpuru Gallery, Madrid dated 1991 is included. Dimensions: 50 x 70 cm
Ansorena
Oct. 26, 2024
Miquel Barcelo LITS SUPERPOSES (BUNK BEDS) Etching
Est: $800 - $1,200
Artist/Designer; Manufacturer: Miquel Barcelo (Spanish, b. 1957) Marking(s); notes: signed; EA Materials: etching on paper Dimensions (H, W, D): 26.25"h, 20"w; 34"h, 28"w frame Additional Information: "Lits Superposes" ("Bunk Beds") is a proof for the edition of sixteen that was printed in a larger size. Gallery label to reverse: Short Hills Art Gallery, Short Hills, New Jersey. This lot is available for truck shipment to points along the I-95 corridor at a flat rate of $250 (including Shipper's full coverage for damage or loss). Flat rate includes first-floor delivery within 50 miles of Interstate 95 (I-95) extending from PBMA in Lake Worth Beach to Massachusetts, including but not limited to Washington (D.C.), Philadelphia (Pennsylvania), New York City (New York), New Haven (Connecticut), Providence (Rhode Island), and Boston (Massachusetts). This flat rate will also be applicable to certain additional areas on shipper's normal routes, including Atlanta (Georgia), the Hamptons (New York), and the Piedmont Triad of Greensboro/High Point/Winston-Salem (North Carolina). If your location is within the general area mentioned and you would like to confirm the flat rate applies or receive a revised quote for your specific needs, please contact Shipper directly: East Coast Express - Nicolas Prechaniuk: 973.803.6059. Shipper is a third-party vendor; payment for their services and any delivery instructions should be directed to them. PBMA has worked with Shipper for years and has full confidence in them, but Shipper will be solely responsible and insure against any damage or loss. We will work with Buyer and Shipper to combine shipping for qualifying lots where possible; please inquire to confirm availability of combination shipment and quote. International shipments will be referred to a third-party carrier; please email us if you need assistance. Winning bidders are welcome to use their own shipper if preferred
Palm Beach Modern Auctions
Oct. 15, 2024
Miguel Barcelo - Paysage Avec Sept Fruits - 1989 Offset Lithograph 27" x 33.5"
Est: $200 - $250
"Paysage Avec Sept Fruits" by Miguel Barcelo, 1989 Unsigned Offset Lithograph. Paper size is 27 x 33.5 inches, with an image size of 22.25 x 33.5 inches. The Offset Lithograph is from an edition size of 300 and is not framed. The condition was rated A: Mint. Additional details: First edition exhibition poster from Leo Castelli's Gallery dated November 18th-December 21st, 1989. Design by Smatt Florence Inc.
DUMBO Auctions
Oct. 15, 2024
MIQUEL BARCELÓ (B. 1957). 3 Poissons (3 Fish). mixed media on paper 19 1⁄8
Est: £6,000 - £8,000
MIQUEL BARCELÓ (B. 1957). 3 Poissons (3 Fish). mixed media on paper 19 1⁄8 x 25 ¼in. (48.5 x 64.3cm.).
Christie's
Oct. 10, 2024
MIQUEL BARCELÓ (B. 1957). Rentrer (Return). mixed media on canvas 32 x 39 3
Est: £60,000 - £80,000
MIQUEL BARCELÓ (B. 1957). Rentrer (Return). mixed media on canvas 32 x 39 3⁄8in. (81.4 x 100cm.).
Christie's
Oct. 10, 2024
MIQUEL BARCELÓ (B. 1957). Sept Étagères (Seven Shelves). mixed media on can
Est: £100,000 - £150,000
MIQUEL BARCELÓ (B. 1957). Sept Étagères (Seven Shelves). mixed media on canvas 78 ¾ x 78 ½in. (200 x 199.5cm.).
Christie's
Oct. 10, 2024
MIQUEL BARCELÓ (B. 1957). Barca Cremada (Burnt Boat). mixed media on linen
Est: £50,000 - £70,000
MIQUEL BARCELÓ (B. 1957). Barca Cremada (Burnt Boat). mixed media on linen 18 ½ x 20 1⁄8in. (47 x 51cm.).
Christie's
Oct. 08, 2024
MIQUEL BARCELÓ (Felanitx, Mallorca, 1957). "Bain Nocturne", 1990. Lithography on Arches paper. Copy 18/20. Embossing: "Item". Publisher: Item Workshops, Paris. Framed with museum glass.
Est: €1,500 - €1,800
MIQUEL BARCELÓ (Felanitx, Mallorca, 1957). "Bain Nocturne", 1990. Lithography on Arches paper. Copy 18/20. Embossing: "Item". Publisher: Item Workshops, Paris. Framed with museum glass. Measurements: 42,5 x 60 cm; 53 x 70,5 cm (frame). During this decade in the work of Barceló a synthesis of influences, from American abstract expressionism to the Baroque legacy, which he imbibed in his frequent visits to the Prado Museum. This is how he expressed it in his 1991 lecture: "I return to the Prado like an animal to the watering hole or like an insect to the puddle, I drink from these thick dark waters". In this Taula, both traditions, the avant-garde and the baroque, are evident: with the objects of the still life sunk in the chromatic magma in ochre tones that refer to the chiaroscuro of the Castilian tradition, on the one hand, and on the other, evoking the earth and impasto of Dubuffet, Fautrier or Tàpies, important references for the Mallorcan painter. A painter and sculptor, Barceló began his training at the School of Arts and Crafts in Palma de Mallorca, where he studied between 1972 and 1973. In 1974 he made his individual debut, at the age of seventeen, at the Picarol Gallery in Mallorca. That same year he moved to Barcelona, where he enrolled at the Sant Jordi School of Fine Arts, and made his first trip to Paris. In the French capital he discovers the work of Paul Klee, Fautrier, Wols and Dubuffet, as well as the "art brut", a style that will exert an important influence on his first paintings. During these years he reads extensively, and enriches himself with works as diverse as the writings of Breton and the surrealists, the "White Manifesto" by Lucio Fontana or the "Social History of Literature and Art" by Arnold Hauser. In 1976 he holds his first solo exhibition in a museum: "Cadaverina 15" at the Museum of Mallorca, consisting of a montage of 225 wooden boxes with glass lids, with decomposing organic materials inside. That same year, back in Mallorca, he joined the Taller Lunàtic group and took part in its social, political and cultural events. In 1977 he makes a second trip to Paris, and also visits London and Amsterdam. That same year he exhibits for the first time in Barcelona, and meets Javier Mariscal, who will become one of his best friends in the city. Together with him and the photographer Antoni Catany he participates, as a member of the group "Neón de Suro", in exhibitions in Canada and California, and collaborates with the publication of the magazine of the same name. It was also in 1977 when he received his first large-format pictorial commission: a mural for the dining room of a hotel in Cala Millor, Mallorca. The following year, at the age of twenty-one, he sells his first works to some collectors and galleries, and finally moves to Barcelona. His international recognition began in the early eighties, giving a definitive boost to his career after his participation in the São Paulo Biennial (1981) and the Documenta in Kassel (1982). In 1986 he was awarded the Premio Nacional de Artes Plásticas, and since then his work has been recognized through the most outstanding awards, such as the Premio Príncipe de Asturias de las Artes (2003) or the Sorolla Prize of the Hispanic Society of America in New York (2007). Barceló is currently represented in the most important contemporary art museums in the world, such as the MoMA in New York, the Centre Pompidou in Paris, the Guggenheim in Bilbao, the Marugami Hirai in Japan, the Reina Sofía in Madrid, the Patio Herreriano in Valladolid, the CAPC in Bordeaux, the Carré d'Art in Nimes, the Museum of Contemporary Art in Caracas and the Museum of Fine Arts in Boston, among others.
Setdart Auction House
Oct. 08, 2024
MIQUEL BARCELÓ ARTIGUES (Felanitx, Mallorca, 1957). Untitled. 31.10.1978 Watercolor and pencil on paper. Signed and dated in the lower margin.
Est: €5,500 - €6,500
MIQUEL BARCELÓ ARTIGUES (Felanitx, Mallorca, 1957). Untitled. 31.10.1978 Watercolor and pencil on paper. Signed and dated in the lower margin. Measurements: 26 x 65 cm; 37,5 x 75,5 cm (frame). This work by Miquel Barceló, with its focus on the gradation of a single color, appears to be an early study of the expressive possibilities of color in its purest state. Although seemingly simple, it may reflect a profound search for the essence of color and its ability to communicate sensations and emotions. In the context of his career, this work could be considered a germinal experiment that anticipates the complexity of his later works, when he will delve into the carnal pulse of telluric matter. A painter and sculptor, Barceló began his training at the School of Arts and Crafts in Palma de Mallorca, where he studied between 1972 and 1973. In 1974 he made his individual debut, at the age of seventeen, at the Picarol Gallery in Mallorca. That same year he moved to Barcelona, where he enrolled at the Sant Jordi School of Fine Arts, and made his first trip to Paris. In the French capital he discovers the work of Paul Klee, Fautrier, Wols and Dubuffet, as well as the "art brut", a style that will exert an important influence on his first paintings. During these years he reads extensively, and enriches himself with works as diverse as the writings of Breton and the surrealists, the "White Manifesto" by Lucio Fontana or the "Social History of Literature and Art" by Arnold Hauser. In 1976 he held his first solo exhibition in a museum: "Cadaverina 15" at the Museum of Mallorca, consisting of a montage of 225 wooden boxes with glass lids, with decomposing organic materials inside. That same year, back in Mallorca, he joined the Taller Lunàtic group and took part in its social, political and cultural events. In 1977 he makes a second trip to Paris, and also visits London and Amsterdam. That same year he exhibits for the first time in Barcelona, and meets Javier Mariscal, who will become one of his best friends in the city. Together with him and the photographer Antoni Catany he participates, as a member of the group "Neón de Suro", in exhibitions in Canada and California, and collaborates with the publication of the magazine of the same name. It was also in 1977 when he received his first large-format pictorial commission: a mural for the dining room of a hotel in Cala Millor, Mallorca. The following year, at the age of twenty-one, he sells his first works to some collectors and galleries, and finally moves to Barcelona. His international recognition began in the early eighties, giving a definitive boost to his career after his participation in the São Paulo Biennial (1981) and the Documenta in Kassel (1982). In 1986 he was awarded the Premio Nacional de Artes Plásticas, and since then his work has been recognized through the most outstanding awards, such as the Premio Príncipe de Asturias de las Artes (2003) or the Sorolla Prize of the Hispanic Society of America in New York (2007). Barceló is currently represented in the most important contemporary art museums in the world, such as the MoMA in New York, the Centre Pompidou in Paris, the Guggenheim in Bilbao, the Marugami Hirai in Japan, the Reina Sofía in Madrid, the Patio Herreriano in Valladolid, the CAPC in Bordeaux, the Carré d'Art in Nimes, the Museum of Contemporary Art in Caracas and the Museum of Fine Arts in Boston, among others.
Setdart Auction House
Sep. 17, 2024
MIQUEL BARCELÓ - Hammock. 1987
Est: -
MIQUEL BARCELÓ Mallorca 1957 Hammock. 1987 Carborundum and Etching on Arches paper with dry stamp from Atelier Signed in pencil Numbered 7/16 Dimensions 20 x 59 cm (print); 50 x 65.5 cm (paper) Print Atelier Pasnic, Paris 1987 Certificate signed and sealed by Galería La Caja Negra is included PROVENANCE Galería La Caja Negra, Madrid Private collection
Subastas Segre
Sep. 10, 2024
MIQUEL BARCELÓ ARTIGUES (Felanitx, Mallorca, 1957). "Chauvet. Cahier de félins". Art book, artist's book and numbered plate signed by the artist. Copy 423/2998. Publisher: Artika Maple wood case.
Est: €900 - €1,000
MIQUEL BARCELÓ ARTIGUES (Felanitx, Mallorca, 1957). "Chauvet. Cahier de félins". Art book, artist's book and numbered plate signed by the artist. Copy 423/2998. Publisher: Artika Maple wood case. Measurements: 43 x 33 cm (art book and study book); 88 x 33 cm (folder with plate); 49 x 37 x 5,5 cm (box). "Cahier de félins" is a tribute to the Chauvet caves. Unique edition, limited and numbered to 2998 copies, this being the number 1932 signed by the artist. The work consists of a maple wood case with a reproduction of an original by Miguel Barceló in pyrography technique, a facsimile reproduction of the Cahier de félins owned by the artist, a book about the discovery of the Chauvet cave and a numbered plate with a reproduction of one of the felines from the Cahier. Tintoretto Gesso paper of 200 gr.Cover in cotton canvas with an original printed exclusively by Barceló. Painter and sculptor, Barceló began his training at the School of Arts and Crafts in Palma de Mallorca, where he studied between 1972 and 1973. In 1974 he made his individual debut, at the age of seventeen, at the Picarol Gallery in Mallorca. That same year he moved to Barcelona, where he enrolled at the Sant Jordi School of Fine Arts, and made his first trip to Paris. In the French capital he discovers the work of Paul Klee, Fautrier, Wols and Dubuffet, as well as the "art brut", a style that will exert an important influence on his first paintings. During these years he reads extensively, and enriches himself with works as diverse as the writings of Breton and the surrealists, the "White Manifesto" by Lucio Fontana or the "Social History of Literature and Art" by Arnold Hauser. In 1976 he holds his first solo exhibition in a museum: "Cadaverina 15" at the Museum of Mallorca, consisting of a montage of 225 wooden boxes with glass lids, with decomposing organic materials inside. That same year, back in Mallorca, he joined the Taller Lunàtic group and took part in its social, political and cultural events. In 1977 he makes a second trip to Paris, and also visits London and Amsterdam. That same year he exhibits for the first time in Barcelona, and meets Javier Mariscal, who will become one of his best friends in the city. Together with him and the photographer Antoni Catany he participates, as a member of the group "Neón de Suro", in exhibitions in Canada and California, and collaborates with the publication of the magazine of the same name. It was also in 1977 when he received his first large-format pictorial commission: a mural for the dining room of a hotel in Cala Millor, Mallorca. The following year, at the age of twenty-one, he sells his first works to some collectors and galleries, and finally moves to Barcelona. His international recognition began in the early eighties, giving a definitive boost to his career after his participation in the São Paulo Biennial (1981) and the Documenta in Kassel (1982). In 1986 he was awarded the Premio Nacional de Artes Plásticas, and since then his work has been recognized through the most outstanding awards, such as the Premio Príncipe de Asturias de las Artes (2003) or the Sorolla Prize of the Hispanic Society of America in New York (2007). Barceló is currently represented in the most important contemporary art museums in the world, such as the MoMA in New York, the Centre Pompidou in Paris, the Guggenheim in Bilbao, the Marugami Hirai in Japan, the Reina Sofía in Madrid, the Patio Herreriano in Valladolid, the CAPC in Bordeaux, the Carré d'Art in Nimes, the Museum of Contemporary Art in Caracas and the Museum of Fine Arts in Boston, among others.
Setdart Auction House
Aug. 27, 2024
Miquel BARCELO - Vanity with three skulls
Est: CHF250 - CHF300
This description has been translated automatically: Miquel BARCELO (1957-) Vanity with three skulls, 2005 Original engraving and aquatint Unsigned On ivory vellum 50 x 65 cm Proof authenticated by the dry stamp of the Louvre chalcography Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : Miquel BARCELO (1957-) Vanité au trois crânes, 2005 Gravure originale et aquatinte Non signée Sur vélin ivoire 50 x 65 cm Epreuve authentifiée par le cachet sec de la chalcographie du Louvre Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
TGP Auction
Aug. 18, 2024
Miquel Barceló 1 Lithographie. 1991. In: Toros. Hrsg. v. Galerie Bischofberger, Zürich. Auf rotem Bü
Est: -
Miquel Barceló 1 Lithographie. 1991. In: Toros. Hrsg. v. Galerie Bischofberger, Zürich. Auf rotem Bütten. In Bleistift signiert und nummeriert. 29 x 25 cm. Lose eingelegt in der Vorzugsausgabe in rotem Ganzleder mit schwarzgeprägten Deckeln und Rückentitel, in passendem Schuber (minimal berieben, Ecken leicht bestoßen, Schuber mit Kratzpsuren). - Ausgezeichneter Druck der formatfüllenden, dynamischen Komposition. 1 lithograph. In: see above. On red laid paper. Signed and numbered in pencil. Loosely inserted in special edition bound in red full leather with black stamped covers and spine title, in matching slipcase (minimally rubbed, corners slightly bumped, slipcase with scratches). - One of 100 numbered copies. The book also signed and numbered in pencil by Barcélo on the foretitle. With numerous photographic illustrations by Lucien Clergue and colour illustrations after works by Barcélo. Eines von 100 nummerierten Exemplaren. - Das Buch ebenfalls von Barcélo auf dem Vortitel in Bleistift signiert und nummeriert. Mit zahlreichen photographischen Abbildungen von Lucien Clergue und farbigen Abbildungen nach Werken von Barcélo. Dieses Werk ist regelbesteuert. Auf den Zuschlagspreis fallen 23,95% Aufgeld sowie auf den Rechnungsendbetrag 7% bzw. 19% Mehrwertsteuer in der Europäischen Union an. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% or 19% VAT on the final invoice amount in the European Union only.
Jeschke Jádi Auctions Berlin GmbH
Jul. 23, 2024
Miquel Barcelo. Fruit (1987)
Est: -
Etching and drypoint on paper. Signed in the lower right corner. Numbered (9/16) in the lower left corner.
Duran Arte y Subastas
Jul. 05, 2024
Soupe noire
Est: €80,000 - €120,000
Miquel Barceló b. 1957 Soupe noire signed, titled and dated 84 (on the reverse) oil on canvas 140 x 200 cm ; 55 ⅛ x 78 ¾ in. Executed in 1984. __________________________________________________________ Miquel Barceló n. 1957 Soupe noire signé, titré et daté 84 (au dos) huile sur toile 140 x 200 cm ; 55 ⅛ x 78 ¾ in. Exécuté en 1984.
Sotheby's
Jul. 04, 2024
Miquel Barceló (1957) "Cahier de félins", 2011
Est: €900 - €1,200
Unique and numbered edition of 2998 copies, this being number 394, of Miquel Barceló's Cahier de félins, printed on 200 g Tintoretto Gesso paper; Ed. Planeta (2011). The copy consists of a personalized wooden case with a reproduction of an original by the artist made by pyrography; a facsimile reproduction of the Cahier de félins, owned by the artist, a book on the discovery of the Chauvet cave and a numbered plate with the numbering of each of the felines. Case size: 6.1 cm; 37.6 x 49 cm; Book size: 2.3 x 33.6 x 45 cm (1); 1.7 x 33.7 x 44.5 cm (1)
Subastas Darley
Jun. 27, 2024
MIQUEL BARCELÓ (B. 1957). Senza Blu (Without Blue). mixed media on canvas 7
Est: £200,000 - £300,000
MIQUEL BARCELÓ (B. 1957). Senza Blu (Without Blue). mixed media on canvas 79 1⁄8 x 118 1⁄8in. (201 x 300cm.).
Christie's
Jun. 24, 2024
Miquel Barceló, 1957, L'abbraccio
Est: CHF25,000 - CHF45,000
Signed lower right: M. Barceló. Dated lower left: IX.82. (Frame).
Germann Auction House Ltd
Jun. 24, 2024
MIQUEL BARCELO Felanitx, Mallorca (1957) "Cap de Gos", 1989
Est: €57,000 - €76,000
Mixed technique on canvas Signed in the lower left corner. Certificate of authenticity from the author is attached. Measurements: 36 x 68 cm
Ansorena
Jun. 22, 2024
Barceló, Miquel 1 Lithographie. 1991. In: Toros. Hrsg. v. Galerie Bischofbe…
Est: - €2,400
Spanish Post War Barceló, Miquel 1 Lithographie. 1991. In: Toros. Hrsg. v. Galerie Bischofberger, Zürich. Auf rotem Bütten. In Bleistift signiert und nummeriert. 29 x 25 cm. Lose eingelegt in der Vorzugsausgabe in rotem Ganzleder mit schwarzgeprägten Deckeln und Rückentitel, in passendem Schuber (minimal berieben, Ecken leicht bestoßen, Schuber mit Kratzpsuren). - Ausgezeichneter Druck der formatfüllenden, dynamischen Komposition. Eines von 100 nummerierten Exemplaren. - Das Buch ebenfalls von Barcélo auf dem Vortitel in Bleistift signiert und nummeriert. Mit zahlreichen photographischen Abbildungen von Lucien Clergue und farbigen Abbildungen nach Werken von Barcélo. 1 lithograph. In: see above. On red laid paper. Signed and numbered in pencil. Loosely inserted in special edition bound in red full leather with black stamped covers and spine title, in matching slipcase (minimally rubbed, corners slightly bumped, slipcase with scratches). - One of 100 numbered copies. The book also signed and numbered in pencil by Barcélo on the foretitle. With numerous photographic illustrations by Lucien Clergue and colour illustrations after works by Barcélo. Dieses Werk ist regelbesteuert. Auf den Zuschlagspreis fallen 23,95% Aufgeld sowie auf den Rechnungsendbetrag 7% (Bücher) bzw. 19% Mehrwertsteuer in der Europäischen Union an. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books) or 19% VAT on the final invoice amount in the European Union.
Jeschke Jádi Auctions Berlin GmbH
Jun. 20, 2024
Miquel Barceló (Spanish, b. 1957) Ombre, 1990
Est: $1,000 - $2,000
Miquel Barceló (Spanish, b. 1957) Ombre, 1990 lithograph signed and numbered 6/20 in pencil 17 1/2 x 25 3/4 inches. Provenance: Galerie Lucie Weill & Seligmann, Paris
Hindman