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Bernard Baron Sold at Auction Prices

copperplate engraver, Etcher, b. 1696 - d. 1762

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  • Hogarth, William
    Oct. 15, 2022

    Hogarth, William

    Est: €100 - €150

    (1697 London 1764), nach. 2 Radierungen. The Stay-Maker von Joseph Haynes (1760-1829), 1782, Plgr. ca. 31,5 x 38,5 cm. oben auf Plattenkante beschnitten. - Stockfl. -╔Marriage-A-la-Mode╗ von Bernard Baron (1696-1762), 1745, Plgr. ca. 38 x 45 cm über Plattenkante beschnitten, auf Karton aufgezogen. - Fleckig. Randausriss Ecke oben re. R

    Kiefer Buch- und Kunstauktionen
  • BERNARD BARON (FRENCH 1696-1762), AFTER JOHN WOOTTON, THE GOING OUT IN THE MORNING
    Oct. 04, 2022

    BERNARD BARON (FRENCH 1696-1762), AFTER JOHN WOOTTON, THE GOING OUT IN THE MORNING

    Est: £400 - £600

    BERNARD BARON (FRENCH 1696-1762) AFTER JOHN WOOTTONTHE GOING OUT IN THE MORNING; THE CHASE; THE HOUNDS AT FAULT (3)Engraving52 x 76.5cm (20¼ x 30 in.) lacking margins (3)Provenance: Christie's, London, Sporting Art and Dogs, 18th November 2004, Lot 102

    Dreweatts 1759 Fine Sales
  • Baron, Bernard
    May. 14, 2022

    Baron, Bernard

    Est: €50 - €75

    (1696 Paris - London 1762/66). The most Reverend Father in God Dr. Thomas Herring, by divine Providence Archbishop of Canterbury. Der Erzbischof im Ornat mit Perücke auf einem Sessel sitzend. Kupferstich n. W.Hogarth bei Austen, Ldn. 1750. Plgr. 43 x 30,5, Blgr. 47 x 34 cm. Mit den Namensz., Titel u. Wappen i.d. Platte. - Etw. angestaubt. R

    Kiefer Buch- und Kunstauktionen
  • Baron, Bernard
    Oct. 16, 2021

    Baron, Bernard

    Est: €80 - €120

    (1696 Paris - London 1762/66). Comediens Italiens. B. Baron nach Antoine Watteau. Kupferstich. 18. Jhd. 41 x 46,5 cm. R

    Kiefer Buch- und Kunstauktionen
  • AFTER WILLIAM HOGARTH (c.1746)
    Jun. 17, 2021

    AFTER WILLIAM HOGARTH (c.1746)

    Est: £200 - £300

    AFTER WILLIAM HOGARTH (c.1746) AFTER WILLIAM HOGARTH (c.1746) Marriage à-la-Mode Plates I, 2,3,4,5,6 (plate 4, A/F) Invented, painted and published by William Hogarth 1746 by LOUIS GERARD SCOTIN, BORN 1690 (PLATES 1 AND 6), BERNARD BARON, 1696-1762 (PLATES 2 AND 3) AND SIMON FRANCIS RAVENET, 1706-1774 (PLATES 4 AND 5) The six prints forming Marriage à-la-Mode are based on oil paintings by Hogarth now in the National Gallery. Unlike his previous printed sets, Hogarth employed other printmakers to engrave the plates. In doing so, he implied that his paintings were comparable to the works of the finest artists, which were being copied in the sort of reproductive prints the engravers he had selected were known for.

    Chiswick Auctions
  • Bernard Baron (French c. 1696 - 1762) Etching
    Sep. 17, 2018

    Bernard Baron (French c. 1696 - 1762) Etching

    Est: $100 - $200

    After Hans Holbein the Younger, titled "Henry VIII Granting the Charter to the Barber-Surgeons' Company", dated 1736.

    Locati LLC
  • 18th Century Hand Colored Engraving of William Hogarth's Lord of Winchester
    Dec. 03, 2017

    18th Century Hand Colored Engraving of William Hogarth's Lord of Winchester

    Est: $300 - $600

    Very Fine 18th century engraving of the portrait of Dr. Benjamin Hoadley, Lord of Winchester painted by William Hogarth (1697 – 1764), and engraved by Bernard Baron (1696 – 1762) in 1743 | Engraving is fine detail with hand coloring throughout | Beautifully matted and framed in gold gilt frame | Measures image only 17″h x 12″w, overall size including frame 30.5″h x 25.25″w. Benjamin Hoadly (14 November 1676 – 17 April 1761) was an English clergyman, who was successively Bishop of Bangor, of Hereford, of Salisbury, and finally of Winchester. He is best known as the initiator of the Bangorian Controversy. Lord Hoadly was educated at St Catharine’s College, Cambridge and ordained a priest in 1700. He was rector of St Peter-le-Poor, London, from 1704 to 1724, and of St Leonard’s, Streatham, from 1710 to 1723. His participation in controversy began at the beginning of his career, when he advocated conformity of the religious rites from the Scottish and English churches for the sake of union. He became a leader of the low church and found favour with the Whig party. He battled with Francis Atterbury, who was the spokesman for the high church group and Tory leader on the subject of passive obedience and non-resistance (i.e. obedience of divines that would not involve swearing allegiance or changing their eucharistic rites but would also not involve denunciation of the Established Church practices). The House of Commons, dominated by Whigs, recommended him to Queen Anne, and he became rector of Streatham in 1710. When George I succeeded to the throne, he became chaplain to the King and made bishop of Bangor in 1716. In 1717, his sermon on “The Nature of the Kingdom of Christ” provoked the Bangorian controversy. He was then translated three more times, taking up different bishoprics. He maintained that the eucharist was purely a commemorative act without any divine intervention. During his time as bishop, he rarely visited his dioceses and lived, instead, in London, where he was very active in politics. From later summer 1722 to January 1725 Hoadly published letters on contemporary topics, articulating his Whig principles and defending the Glorious Revolution of 1688. The Revolution had created “that Limited Form of Government which is our only Security” and such a government secured freedom of expression, without which Britons would suffer “all the Mischiefs, of Darkness in the Intellectual World, of Baseness in the Moral World, and of Slavery in the Political World”. Hoadly also criticised the Pretender, who issued a declaration that he would extinguish opposition. Hoadly wrote that he would impose uniformity on all if he ruled: “Not only that he must destroy your Civil and Religious Rights, but that he plainly before-hand has here told You, to your Face, He will do so”. William Hogarth (1697–1764) painted his portrait as Bishop of Winchester and “Prelate of the Most Noble Order of the Garter” about 1743, etched by Bernard Baron (1696–1762). Hoadly’s son Benjamin aided Hogarth with his The Analysis of Beauty.

    Worthington Galleries
  • * Baron (Bernard, 1696-1762). The Acts of Mercy, after Frans Francken II (1581-1642), circa 1748,
    Oct. 05, 2017

    * Baron (Bernard, 1696-1762). The Acts of Mercy, after Frans Francken II (1581-1642), circa 1748,

    Est: £200 - £400

    the complete set of seven copper engravings on laid paper, with printed caption to each in French and English, plate size 54 x 39 cm, old Hogarth-style black and gilt frames, glazed - Quantity (7)

    Dominic Winter Auctions
  • Bernard Baron (FRENCH, 1696-1762) Engraving
    Mar. 21, 2016

    Bernard Baron (FRENCH, 1696-1762) Engraving

    Est: $100 - $200

    After Antonio Vandyke, dated 1740, depicting English Royalty.

    Locati LLC
  • Bernard Baron, French, 1696-1762, (7) color engravings depicting the sugar industry, titled “Oeconomie Rustique, Sucrerie”, publish...
    Dec. 08, 2014

    Bernard Baron, French, 1696-1762, (7) color engravings depicting the sugar industry, titled “Oeconomie Rustique, Sucrerie”, publish...

    Est: $100 - $200

    Bernard Baron, French, 1696-1762, (7) color engravings depicting the sugar industry, titled 'Oeconomie Rustique, Sucrerie', published by Edizione Francese, Paris, 1751-1772, 14 1/4' x 8 3/4' sight, 25 1/4' x 18 3/4' framed, together with an American color engraving, 'The Sugar Industry of Louisiana', 10' x 14' sight, 17-3/4 x 21-1/2' framed

    William Bunch Auctions & Appraisals
  • Bernard Baron (1696-1762) - The Acts of Mercy,
    Aug. 28, 2014

    Bernard Baron (1696-1762) - The Acts of Mercy,

    Est: £200 - £300

    the set of seven, after Frans Francken II, engravings, on laid paper, circa 1748, [Hollstein, 1-7 (after Francken)], lettered in English and French, each c. 530 x 390 mm. (20 3/4 x 15 1/4 in), (7). Set comprises: þeding the Hungry'; 'Giving Drink to the Thirsty'; 'Receiving the Stranger'; Clothing the Naked'; 'Visiting of Ye Sick'; 'Relieving the Prisoners'; 'Burying the Dead'.

    Dreweatts 1759
  • Bernard Baron (1696-1762) - The Acts of Mercy,
    Jul. 24, 2014

    Bernard Baron (1696-1762) - The Acts of Mercy,

    Est: £500 - £700

    Bernard Baron (1696-1762) - The Acts of Mercy, the set of seven, after Frans Francken II, engravings, on laid paper, circa 1748, [Hollstein, 1-7 (after Francken)], lettered in English and French, each c. 530 x 390 mm. (20 3/4 x 15 1/4 in), (7). Set comprises: þeding the Hungry'; 'Giving Drink to the Thirsty'; 'Receiving the Stranger'; Clothing the Naked'; 'Visiting of Ye Sick'; 'Relieving the Prisoners'; 'Burying the Dead'.

    Dreweatts 1759
  • Stowe House Ducal Collection Jaques RIGAUD (
    Mar. 02, 2013

    Stowe House Ducal Collection Jaques RIGAUD (

    Est: £150 - £200

    Stowe House Ducal Collection Jaques RIGAUD ( c.1681-1754) & Bernard BARON ( (1696-1762/66) DELl & SCULP Hand coloured etching ' View from the Head of the Lake. Veüe prise sur le Bord, ou à la Têste du Lac.' ' Publish'd by S. Bridgeman May 12. 1739. ' 13 1/4 x 19 1/4" ( apeture) in a Hogarth frame. A pleasure cruise or ferryboat on the lake at Stowe House, Buckinghamshire, with three smaller rowing boats surrounding. A fountain in the background, the park with the house in the distance on the left shore. Stowe was begun by Sir Richard Temple in 1676, his family having risen from sheep farmers under Elizabeth I. Over the next century, Viscount Cobham and then Earl Temple (Cobham's Grenville nephew) rebuilt it into the great classical show house and landscape which still amazes visitors today. Numerous famous architects worked at Stowe House and Gardens. Among them were Sir John Vanbrugh , William Kent , James Gibbs , Robert Adam , Thomas Pitt and Sir John Soane , making Stowe one of the most important houses and estates in the country. The house is now part of Stowe School, founded in 1923. Plate 12 to the series 'Stowe Gardens in Buckinghamshire' published by Sarah Bridgeman , wife of Charles Bridgeman who in 1733-34 commissioned Jacques Rigaud and Bernard Baron to engrave some views of Stowe.

    Claydon Auctioneers
  • Bernard Baron (1696-1762), Louis Gerard Scotin (b.1690), and Simon François Ravenet (1706-1774), after William Hogarth
    Nov. 29, 2011

    Bernard Baron (1696-1762), Louis Gerard Scotin (b.1690), and Simon François Ravenet (1706-1774), after William Hogarth

    Est: £600 - £800

    Bernard Baron (1696-1762), Louis Gerard Scotin (b.1690), and Simon François Ravenet (1706-1774), after William Hogarth Marriage-á-la-Mode full set of six engravings, originially published by W. Hogarth, London 1745 S. 15½ x 18½in. (39.5 x 47cm.) (6)

    Christie's
  • James MacArdell c.1729-1765- "Fra Douce MD", after
    Mar. 15, 2011

    James MacArdell c.1729-1765- "Fra Douce MD", after

    Est: £1,000 - £1,500

    James MacArdell c.1729-1765- "Fra Douce MD", after William Keable; mezzotint, 49.7x34cm: William Sharp 1749-1824- Portrait of John Hunter, physiologist and surgeon, after Sir Joshua Reynolds RA; engraving, 43x33.5cm: Bernard Baron c.1696-1762- "Ricardus Mead MD", after Allan Ramsay; engraving, 51.5x32.5cm: together with thirty-six further engravings, mezzotints and lithographs of portrait subjects, dignitaries and notables, historical subjects etc., 18th and 19th centuries, all in ebonised frames, various sizes, (36)

    Roseberys
  • Bernard Baron (1696-1762), Louis Gerard Scotin (b.1690), and Simon François Ravenet (1706-1774), after William Hogarth
    Dec. 08, 2010

    Bernard Baron (1696-1762), Louis Gerard Scotin (b.1690), and Simon François Ravenet (1706-1774), after William Hogarth

    Est: £700 - £1,000

    Bernard Baron (1696-1762), Louis Gerard Scotin (b.1690), and Simon François Ravenet (1706-1774), after William Hogarth Marriage-à-la-Mode engravings on laid paper, the set of six, good impressions with margins, published by W.Hogarth, London, 1745 S. 16 x 20½in. (40.6 x 52cm.) (6)

    Christie's
  • Bernard Baron 1696-1762- "Philippus, Pembrokiae
    May. 05, 2010

    Bernard Baron 1696-1762- "Philippus, Pembrokiae

    Est: £100 - £200

    Bernard Baron 1696-1762- "Philippus, Pembrokiae Comes...."; published 1750, engraving after Sir Anthony van Dyke, 47x66cm: Robert Strange 1721-1792- "Magne Britannlae"; engraving after Sir Anthony van Dyke, (2)

    Roseberys
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