Pietro Santi Bartoli Paintings & Artwork for Sale | Pietro Santi Bartoli Art Value Price Guide

Sep. 06, 2026
Augustus Arrives In Syria
Est: $500 - $800
PIETRO SANTI BARTOLI ITALIAN, PERUGIA 1635-1700 ROME Sheet Size: 340 x 290 mm (13.39 x 11.42 in) Plate Size: 300 x 206 mm (11.81 x 8.11 in)
Hotspot Auctions
Sep. 03, 2026
BARTOLI PIETRO SANTE, Italy (1635-1700), Mythological Scene, c1680, engraving, 17.5 x 45 cm., frame: 21.5 x 47 cm.
Est: $100 - $200
BARTOLI PIETRO SANTE Italy, (1635-1700) Mythological Scene, c1680 engraving inscribed in plate
Lawsons
Aug. 23, 2026
Victory Over The Dacians
Est: $350 - $550
Sheet Size: 420 x 296 mm (16.54 x 11.65 in) Plate Size: 380 x 245 mm (14.96 x 9.65 in) PIETRO SANTI BARTOLI ,ITALIAN, PERUGIA 1635 1700 ROME. Vittoria Dacica Image Source: High Reliefs On The Arch Of Constantine, Rome Printmaker: Pietro Santi Bartoli Publisher: Domenico De' Rossi Date Range: 1650 1691 Medium: Etching Watermark: Double Circle Lily Victory Over The Dacians Is An Etched Copperplate Print Produced Between 1650 And 1691 By Pietro Santi Bartoli, An Italian Painter, Antiquarian And Printmaker, After The High Relief Sculptures On The Arch Of Constantine In Rome. Born In Perugia, Bartoli Later Moved To Rome, Where He Studied Under Jean Lemaire And Nicolas Poussin. He Gained Renown For His Engravings Of Classical Antiquities. By Reproducing Little Known Ancient Artworks Through Prints, He Became An Iconic Master Of Archaeological Illustration. This Print Is One Of Four Plates In A Matching Series. The Four Works Each Correspond To One Of The Four High Relief Panels On The Arch Of Constantine In Rome, Depicting Battle Scenes From Emperor Trajan’S Military Campaigns Against The Dacians. The Composition Is Split Into Two Halves. In The Foreground Of The Left Section Stand Three Central Figures: The Roman Goddess On The Far Left, Emperor Trajan At The Center, And A Personified Victory Wreath Floating Above The Ground On The Right. The Right Half Features An Independent Combat Scene Showing Roman Soldiers Slaying Dacian Warriors. The Double Circle Lily Watermark Is Commonly Found On Italian Paper, With Wide Geographical Distribution And A Long Chronological Span. It Is Thought To Have Originated In Central Italy, Including Lazio, Umbria And The Marche Regions. Paper Mills Of Soldini, Serafini And Mariotti In Fabriano Also Adopted This Watermark. Papermakers Used Watermarks Not Only To Mark Manufacturing Origins But Also To Grade Paper Quality. The Double Circle Lily Serves This Latter Purpose, Signifying Premium Paper Produced Locally. It Typically Appears As A Secondary Watermark And Exists In Numerous Variant Designs.
Hotspot Auctions
Jul. 26, 2026
Augustus Arrives in Syria, Etching, 1693, by Pietro Santi Bartoli (Italian, 1635-1700)
Est: $350 - $550
Augustus Arrives in Syria Scene: High Relief of the Arch of Constantine, Rome Engraver: Pietro Santi Bartoli Publisher: Domenico de' Rossi Date: 1693 Medium: Etching Watermark: Double-circle Lily Augustus Arrives in Syria, an important etching from 1693 by the Italian printmaker Pietro Santi Bartoli, based on the high relief carvings from the Arch of the Roman Emperor Marcus Aurelius Antoninus Augustus. Bartoli earned renown for his engravings of classical antiquities. By reproducing little-known ancient artworks through prints, he became an exemplary figure in the illustration of archaeological relics. The double-circle lily watermark is widely encountered on Italian paper, with broad geographical usage and a long chronological span. It is believed to have originated in central Italy, covering Lazio, Umbria and the Marche regions. Paper mills of Soldini, Serafini and Mariotti in Fabriano also adopted this watermark.Papermakers used watermarks not only to mark geographical origins but also to differentiate paper grades. The double-circle lily falls into the latter category, signifying premium paper manufactured locally. It generally appears as a secondary watermark and exists in a vast array of variant designs. Dimensions: Sheet Size: 340 x 290 mm (13.39" x 11.42"), Plate Size: 300 x 206 mm (11.81" x 8.11") Item description © The East is Red Auctions.
The East Is Red Auctions
Jul. 12, 2026
PIETRO SANTI BARTOLI ,ITALIAN, PERUGIA 1635-1700 ROME
Est: $1,500 - $3,500
Sheet Size: 420 x 296 mm (16.54 x 11.65 in) Plate Size: 380 x 245 mm (14.96 x 9.65 in),Victory over the Dacians Vittoria Dacica Image Source: High Reliefs on the Arch of Constantine, Rome Printmaker: Pietro Santi Bartoli Publisher: Domenico de' Rossi Date Range: 1650–1691 Medium: Etching Watermark: Double-circle Lily Victory over the Dacians is an etched copperplate print produced between 1650 and 1691 by Pietro Santi Bartoli, an Italian painter, antiquarian and printmaker, after the high relief sculptures on the Arch of Constantine in Rome. Born in Perugia, Bartoli later moved to Rome, where he studied under Jean Lemaire and Nicolas Poussin. He gained renown for his engravings of classical antiquities. By reproducing little-known ancient artworks through prints, he became an iconic master of archaeological illustration. This print is one of four plates in a matching series. The four works each correspond to one of the four high relief panels on the Arch of Constantine in Rome, depicting battle scenes from Emperor Trajan’s military campaigns against the Dacians. The composition is split into two halves. In the foreground of the left section stand three central figures: the Roman goddess on the far left, Emperor Trajan at the center, and a personified Victory wreath floating above the ground on the right. The right half features an independent combat scene showing Roman soldiers slaying Dacian warriors. The double-circle lily watermark is commonly found on Italian paper, with wide geographical distribution and a long chronological span. It is thought to have originated in central Italy, including Lazio, Umbria and the Marche regions. Paper mills of Soldini, Serafini and Mariotti in Fabriano also adopted this watermark. Papermakers used watermarks not only to mark manufacturing origins but also to grade paper quality. The double-circle lily serves this latter purpose, signifying premium paper produced locally. It typically appears as a secondary watermark and exists in numerous variant designs.
Hotspot Auctions
Jun. 24, 2026
Bartoli. Pair of biblical scenes
Est: -
Pair of copperplate engravings, with text at the bottom. Mounted on heavy lay paper. 17th-18th century.
Duran Arte y Subastas
Jun. 03, 2026
Bartoli, Pietro Santi: Das Leben von Papst Leo X.
Est: €500 - €750
Die Erhebung des Kardinals Giovanni de’ Medici zu Papst Leo X. 14 Kupferstiche zzgl. Titelblatt nach Raffael, in einem marmorierten HLeder-Band wohl des 18. Jhs. (etwas lädiert und beschabt, Läsuren am Rücken). Quer-Folio. Meyers Allgem. Künstler-Lexikon, 1056-1069. Die komplette Folge in prachtvollen Drucken mit schönem Plattenton und breitem Rand um die deutlich ausgeprägte Facette. In den Rändern etwas fleckig und angeschmutzt, vereinzelte geringe Knick- und Quetschfältchen, weitere unbedeutende Alters- und Gebrauchsspuren, sonst in sehr schöner Erhaltung. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Jun. 03, 2026
Bartoli, Pietro Santi: Colonna Traiana
Est: €400 - €600
Colonna Traiana. 125 Radierungen. Quer-Folio. Um 1673. Meyers Allgem. Künstler-Lexikon, aus 353-380. Die aufwendig gestaltete Folge aus dem Verlag von Giovanni Giacomo de' Rossi bildet die Trajanssäule in Rom in ihrer Gesamtheit, ab ferner ihren Grundriss, Durchmesser und im Detail die Sockelzone. Vorhanden sind die 125 Radierungen von Bartoli, es fehlen das Titelblatt und die zwei Widmungsseiten sowie die lateinische Beschreibung der Säule des Alphonsus Ciacconius und der Index. Sämtlich prachtvolle Drucke mit breitem Rand, links mit den originalen Heftspuren. Die Ränder etwas angestoßen, fleckig und gebräunt sowie vereinzelt mit Rissen, gleichwohl sehr guter Gesamteindruck. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Mar. 19, 2026
Pietro Santi Bartoli (Italian, 1635-1700), Cupid and Venus, engraving after Raphael
Est: $50 - $100
Pietro Santi Bartoli Italian, 1635-1700 Cupid and Venus engraving after Raphael's fresco at the Vatican.
South Bay Auctions Inc
Feb. 25, 2026
Io and Jupiter
Est: -
Etching, following a design by Pietro Testa. [Rome]: Giovanni Giacomo de Rossi, 17th century.
Duran Arte y Subastas
Feb. 10, 2026
Petrus Sanctus Bartolus (Pietro Santi Bartoli, Italian, 1635-1700), In Constant Arc, 17th Century Copperplate Engraving from Veteres Arcvs Avgvstorvm, 1690, Frame: 26 1/4 x 22 in. (66.7 x 55.9 cm.)
Est: $50 - $100
Petrus Sanctus Bartolus (Pietro Santi Bartoli, Italian, 1635-1700), In Constant Arc, 17th Century Copperplate Engraving from Veteres Arcvs Avgvstorvm, 1690,
Weschler's
Jan. 26, 2026
1680s Pietro Santi Bartoli Plates Le Pitture Antiche
Est: $300 - $450
**Originally Listed At $350** Pietro Santi Bartoli (Perugia, 1635-1700). 10 plates from "Le Pitture Antiche del Sepolcro de Nasonii Nella Via Flaminia" engravings on laid paper, 1680. A wonderful ensemble of 10 engraved plates by Italian engraver Pietro Santi Bartoli from "Le Pitture Antiche del Sepolcro de Nasonii Nella Via Flaminia" (Rome: Giovanni Battista Bussotti, 1680) by Giovanni Pietro Bellori. These engravings are after Roman paintings found in the tomb of Quintus Nasonius Ambrosius in Rome. Depicting various scenes of Ovid, Mercury, the Muse Erato, and other deities and mythological narratives, this ensemble includes plate numbers 5, 7, 8, 9, 11, 13, 14, 15, 18, and 34. Size of engraving (all the same): 7" W x 5" H (17.8 cm x 12.7 cm); of page: 8.3" W x 12.3" H (21.1 cm x 31.2 cm) The uncovering of the tomb of Quintus Nasonius Ambrosius on the Via Flaminia in March 1674 was one of the most important archaeological discoveries of the 17th century. The family grave, measuring approximately 9 x 4.5 m, was decorated with colorful frescoes around 150 AD. There are seven apse paintings, a frieze with mythological scenes and a richly painted ceiling. While the wall frescoes show scenes from the underworld, the ceiling paintings focus on the liberation of the soul after death. The false assumption that the owner of the tomb, Q. Nasonius Ambrosius, was related to P. Ovidius Naso (Ovid) and that the poet was buried here, led to a real stream of visitors, which, however, only a few years after their discovery which resulted in the deterioration of the images. The engraver, draftsman and painter Pietro Santi Bartoli (1635-1700) created the copper engravings of the wall paintings here in 1680 - probably on behalf of Cardinal Camillo Massimo. The volume also contains a description of the frescoes by Giovanni Pietro Bellori (1613-1696). Due to its great success, the work received a second edition in 1702 and was published as part of the extensive publication "Le pitture antiche delle grotte di Roma, e del sepolcro de' Nasonii" (1706) or "Picturae Antiquae Cryptarum Romanarum Et Sepulchri Nasonum" (1750) republished. Bartoli was "one of the leading figures in a circle of artists, patrons and scholars in seventeenth century Rome who were deeply interested in the study of classical antiquity Bartoli was himself both artist and antiquarian Though his early training was as a painter, it is chiefly as an etcher/engraver that he is celebrated. His practice in copying stood him in good stead for the work which he is now remembered: illustrating the statues and monuments of classical Rome. The volumes of prints after classical sculpture (often with commentary by Bellori) include Colonna Traiana (1665), which Pope Alexander VII eagerly perused on publication, and Colonna Antoniana (1672). A selection of famous works appeared in Admiranda romanarum antiquitatum (1675[?]; 2nd ed., 1693)" (Encyclopedia of the History of Classical Archaeology). Provenance: ex-Royal Athena Galleries, New York City, New York, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #184390
Artemis Fine Arts
Nov. 30, 2025
1680s Pietro Santi Bartoli Plates Le Pitture Antiche
Est: $350 - $525
**Originally Listed At $350** Pietro Santi Bartoli (Perugia, 1635-1700). 10 plates from "Le Pitture Antiche del Sepolcro de Nasonii Nella Via Flaminia" engravings on laid paper, 1680. A wonderful ensemble of 10 engraved plates by Italian engraver Pietro Santi Bartoli from "Le Pitture Antiche del Sepolcro de Nasonii Nella Via Flaminia" (Rome: Giovanni Battista Bussotti, 1680) by Giovanni Pietro Bellori. These engravings are after Roman paintings found in the tomb of Quintus Nasonius Ambrosius in Rome. Depicting various scenes of Ovid, Mercury, the Muse Erato, and other deities and mythological narratives, this ensemble includes plate numbers 5, 7, 8, 9, 11, 13, 14, 15, 18, and 34. Size of engraving (all the same): 7" W x 5" H (17.8 cm x 12.7 cm); of page: 8.3" W x 12.3" H (21.1 cm x 31.2 cm) The uncovering of the tomb of Quintus Nasonius Ambrosius on the Via Flaminia in March 1674 was one of the most important archaeological discoveries of the 17th century. The family grave, measuring approximately 9 x 4.5 m, was decorated with colorful frescoes around 150 AD. There are seven apse paintings, a frieze with mythological scenes and a richly painted ceiling. While the wall frescoes show scenes from the underworld, the ceiling paintings focus on the liberation of the soul after death. The false assumption that the owner of the tomb, Q. Nasonius Ambrosius, was related to P. Ovidius Naso (Ovid) and that the poet was buried here, led to a real stream of visitors, which, however, only a few years after their discovery which resulted in the deterioration of the images. The engraver, draftsman and painter Pietro Santi Bartoli (1635-1700) created the copper engravings of the wall paintings here in 1680 - probably on behalf of Cardinal Camillo Massimo. The volume also contains a description of the frescoes by Giovanni Pietro Bellori (1613-1696). Due to its great success, the work received a second edition in 1702 and was published as part of the extensive publication "Le pitture antiche delle grotte di Roma, e del sepolcro de' Nasonii" (1706) or "Picturae Antiquae Cryptarum Romanarum Et Sepulchri Nasonum" (1750) republished. Bartoli was "one of the leading figures in a circle of artists, patrons and scholars in seventeenth century Rome who were deeply interested in the study of classical antiquity Bartoli was himself both artist and antiquarian Though his early training was as a painter, it is chiefly as an etcher/engraver that he is celebrated. His practice in copying stood him in good stead for the work which he is now remembered: illustrating the statues and monuments of classical Rome. The volumes of prints after classical sculpture (often with commentary by Bellori) include Colonna Traiana (1665), which Pope Alexander VII eagerly perused on publication, and Colonna Antoniana (1672). A selection of famous works appeared in Admiranda romanarum antiquitatum (1675[?]; 2nd ed., 1693)" (Encyclopedia of the History of Classical Archaeology). Provenance: ex-Royal Athena Galleries, New York City, New York, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #184390
Artemis Fine Arts
Oct. 04, 2025
Neoclassical Engrav. Pietro Santi Bartoli"Occidens
Est: $25 - $999,999
A framed black & white print titled "Occidens" by engraver Pietro Santi Bartoli (Italian, b. 1635 - d. 1700). The artist devoted himself entirely to his work as an antiquarian, with engravings that document a wide range of art and architecture from the the Roman Empire. The piece was printed from plate 41, and the text below title reads: "IN CVRVV LVNA HESPERO PRÃEVNTE AC SIMVL HABENAS AGENTE." Measures: Frame: 15-3/4" x 17" / Site: 11-3/4" x 10-1/2". Looking for a complimentary piece? See next lot.
Terri Peters & Associates
Aug. 30, 2025
Pietro Santi Bartoli Italian engraving
Est: $200 - $250
Pietro Santi Bartoli Italian engraving after Jacobus de Rubeis depicting Roman men loading horses. Overall framed size 15 1/2"h x 26 3/4"w. Weight: 4lbs
King Galleries
Jul. 31, 2025
2 17th Century Pietro Santi Bartoli Engravings
Est: $200 - $300
2 17th Century Pietro Santi Bartoli Engravings, Framed. Each measures 18 inches x 12 inches.
Greenwich Auction
Jul. 31, 2025
Bartoli (Pietro Santi) Gli Antichi Sepolcri, Ovvero Mausolei Romani, ed Etruschi, Rome, Domenico de Rossi, 1727.
Est: £200 - £300
Bartoli (Pietro Santi) Gli Antichi Sepolcri, Ovvero Mausolei Romani, ed Etruschi, engraved title vignette, woodcut initials, 114 engraved plates, 2 folding, light spotting on title, marginal staining, later calf-backed marbled boards, a little rubbed & soiled, folio, Rome, Domenico de Rossi, 1727. ⁂ Bartoli’s work, first published in 1697, records the sculptured tombs, painted ceilings and mosaic pavements discovered in recent excavations in the grounds of the Villa Corsini in Rome, and of other notable tombs and mausoleums in and around Rome, including the tomb of Caecilia Metella, the pyramid of Caius Cestius, and the mausoleum of Hadrian (the Castel Sant'Angelo).
Forum Auctions - UK
Jul. 17, 2025
2 17th Century Pietro Santi Bartoli Engravings
Est: $200 - $300
2 17th Century Pietro Santi Bartoli Engravings, Framed. Each measures 18 inches x 12 inches.
Greenwich Auction
Jul. 16, 2025
Pietro Santi Bartoli (1635 - 1700) Il lutto di Persefone per le nozze di Prosperpina
Est: €800 - €1,200
Pietro Santi Bartoli (1635 - 1700) Il lutto di Persefone per le nozze di Prosperpina Inchiostro a penna 15 x 44,6 cm (il disegno) Provenienza: Felix Semyonov, New York - Roma Stato di conservazione. Supporto: 60% (foglio reciso in due parti tenute insieme con nastro adesivo; piegature) Stato di conservazione. Superficie: 60% Si tratta del disegno preparatorio per la tavola 53 delle "Meraviglie dell'antica Roma" ("Admiranda Romanorum Antiquitatum"), la prima di due stampe che riproducono un fregio raffigurante il ratto di Proserpina e il lutto di Cerere per le nozze della figlia, conservato a Palazzo Mazzarino, a Roma. L'opera a stampa fu pubblicata, con illustrazioni di Santi Bartoli, da Giovanni Giacomo de' Rossi a Roma, nel 1693. A sinistra si vede Plutone che rapisce Proserpina e alla destra di nuovo Plutone (o Giove) seduto sul trono, e a fianco a lui il cane Cerbero, Mercurio e la giovane velata. La attribuzione del foglio, condivisa da Francesco Grisolia (comunicazione scritta del 12 aprile 2021), è suggerita dalle similitudini con una figura angelica conservata al British Museum (inv. 1952,0121.13), di cui ci ha fatto memoria di Nicholas Turner (comunicazione del 4 aprile 2021), nonché con l'ampio corpus dei lavori grafici di Santi Bartoli oggi al Royal Collection Trust (per esempio: RCIN 909683, copia da un antico affresco romano; RCIN 909650, copia da un dipinto sepolcrale). Analogo, nello suo sviluppo orizzontale. è anche uno studio di fregio con Baccanti, copiato dall'antico, apparso in asta a Christie's Londra (OMD, 15.12.1999, lotto 27), mentre la fisionomie trovano riscontro nel volume con 96 disegni apparso presso la stessa casa d'aste il 30 gennaio 2014 (lotto 13). Il foglio in asta appare di particolare interesse sul piano della tecnica di lavoro di Santi Bartoli nella preparazione della matrice incisa. Speculare rispetto alla stampa, che lo riprende nei più dettagliati tratti, se ne discosta vistosamente nella definizione della testa equina sullo sfondo, qui prospiciente fino all'occhio e più arretrata nella incisione. Il lotto è completato dalle due pagine che compongono l'incisione. Ringraziamo il prof. Francesco Grisolia e il dr. Nicholas Turner, per il supporto nella schedatura dell'opera.
Bonino
Jul. 09, 2025
Pietro Santi Bartoli (1635-1700) Roman soldiers with Sofonisba, etching, 20.5 x 36.5cm, Cornelis Bega (1620/32-1664) - Lighting the Pipe, etching, 11.5 x 9cm (sh), and two further old master engravings (all unframed. (4)
Est: £50 - £80
Pietro Santi Bartoli (1635-1700) Roman soldiers with Sofonisba, etching, 20.5 x 36.5cm, Cornelis Bega (1620/32-1664) - Lighting the Pipe, etching, 11.5 x 9cm (sh), and two further old master engravings (all unframed. (4)
Mallams
Jul. 01, 2025
2 17th Century Pietro Santi Bartoli Engravings
Est: $200 - $300
2 17th Century Pietro Santi Bartoli Engravings, Framed. Each measures 18 inches x 12 inches.
Greenwich Auction
Jun. 19, 2025
Bellori, Giovanni Pietro Le antiche lucerne sepolcrali figurate raccolte dalle cave sotterranee, e grotte di Roma.
Est: €250 - €300
[Roma]. Bellori, Giovanni Pietro. Le antiche lucerne sepolcrali figurate raccolte dalle cave sotterranee, e grotte di Roma. Roma, Antonio De Rossi, 1729. In 2° (365 x 245 mm); [8], 16, 15, [1], 12 pagine. Occhietto, 119 tavole calcografiche di cui tre frontespizi incisi (poche fioriture marginali.) Legatura coeva in mezza pelle con titolo in oro su tassello al dorso (difetti, piccole mancanze). Esemplare con barbe con le tavole fresche di questa seconda edizione. Raccolta di splendide incisioni di Pietro Santi Bartoli impresse su carta forte, raffiguranti le antiche lucerne rinvenute nelle tombe sotterranee romane.
Aste Bolaffi
Jun. 19, 2025
Bartoli, Pietro Santi Le pitture antiche del sepolcro de Nasonii nella via Flaminia.
Est: €375 - €450
[Roma]. Bartoli, Pietro Santi. Le pitture antiche del sepolcro de Nasonii nella via Flaminia. Roma, Giovanni Battista Bussotti, 1680. In 2° (320 x 222 mm); 16, 35-50, 65-76 pagine. 35 tavole incise in rame di cui 1 ripiegata più volte (piccoli difetti.) Legatura coeva in bazzana con fregi dorati al dorso (cerniere deboli, mancanze al dorso). Ex libris di Gerard Sandeman. Bell'esemplare di questa prima edizione. Durante i lavori di ampliamento della strada in vista del Giubileo universale della Chiesa cattolica del 1675 fu trovata la cosiddetta Tomba dei Nasoni. La risonanza del ritrovamento fu tale, dovuta anche al fatto che in un primo momento di pensasse essere la tomba di Publio Ovidio Nasone, che il cardinale Camillo Massimo diede incarico a Pietro Santi Bartoli di eseguire delle riproduzioni delle pitture per la presente pubblicazione.
Aste Bolaffi
Jun. 11, 2025
Pietro Santi Bartoli (1635 - 1700) Il lutto di Persefone per le nozze di Prosperpina
Est: €800 - €1,200
Pietro Santi Bartoli (1635 - 1700) Il lutto di Persefone per le nozze di Prosperpina Inchiostro a penna 15 x 44,6 cm (il disegno) Provenienza: Felix Semyonov, New York - Roma Stato di conservazione. Supporto: 60% (foglio reciso in due parti tenute insieme con nastro adesivo; piegature) Stato di conservazione. Superficie: 60% Si tratta del disegno preparatorio per la tavola 53 delle "Meraviglie dell'antica Roma" ("Admiranda Romanorum Antiquitatum"), la prima di due stampe che riproducono un fregio raffigurante il ratto di Proserpina e il lutto di Cerere per le nozze della figlia, conservato a Palazzo Mazzarino, a Roma. L'opera a stampa fu pubblicata, con illustrazioni di Santi Bartoli, da Giovanni Giacomo de' Rossi a Roma, nel 1693. A sinistra si vede Plutone che rapisce Proserpina e alla destra di nuovo Plutone (o Giove) seduto sul trono, e a fianco a lui il cane Cerbero, Mercurio e la giovane velata. La attribuzione del foglio, condivisa da Francesco Grisolia (comunicazione scritta del 12 aprile 2021), è suggerita dalle similitudini con una figura angelica conservata al British Museum (inv. 1952,0121.13), di cui ci ha fatto memoria di Nicholas Turner (comunicazione del 4 aprile 2021), nonché con l'ampio corpus dei lavori grafici di Santi Bartoli oggi al Royal Collection Trust (per esempio: RCIN 909683, copia da un antico affresco romano; RCIN 909650, copia da un dipinto sepolcrale). Analogo, nello suo sviluppo orizzontale. è anche uno studio di fregio con Baccanti, copiato dall'antico, apparso in asta a Christie's Londra (OMD, 15.12.1999, lotto 27), mentre la fisionomie trovano riscontro nel volume con 96 disegni apparso presso la stessa casa d'aste il 30 gennaio 2014 (lotto 13). Il foglio in asta appare di particolare interesse sul piano della tecnica di lavoro di Santi Bartoli nella preparazione della matrice incisa. Speculare rispetto alla stampa, che lo riprende nei più dettagliati tratti, se ne discosta vistosamente nella definizione della testa equina sullo sfondo, qui prospiciente fino all'occhio e più arretrata nella incisione. Il lotto è completato dalle due pagine che compongono l'incisione. Ringraziamo il prof. Francesco Grisolia e il dr. Nicholas Turner, per il supporto nella schedatura dell'opera.
Bonino
May. 28, 2025
Bartoli, Pietro Santi: Eminentissimo Ac Reverendissimo Principi Camillo Maximo S.R.E. [...] ornamenta, ex Raphaelis Sanctij prototypis [...].
Est: €1,200 - €1,800
Parerga, atque ornamenta, ex Raphaelis Sanctij prototypis, a Ioanne Nannio Vtinensi, in Vaticani Palatij (Die Stuckreliefs Raffaels im Vatikanpalast). 34 (von 43) Kupferstiche inkl. Titel nach Raffael. Gebunden in HLeder mit marmoriertem Deckel, Rücken geprägter Titel (berieben, Kratzer, bestoßen). 4to. Rom, Giovanni Giacomo de' Rossi, (um 1670). Le Blanc aus 299-341, Höper (Raffael und die Folgen, Ausst.Kat. Stuttgart 2001) aus G 19. Wz. Fleur-de-lis im Kreis. Der Kupferstecher Pietro Santi Bartoli veröffentlichte im 17. Jahrhundert eine Reihe von Stichen nach Fresken Raffaels. Die Platten selbst tragen den Text "Vaticani Palatii Xystis", der sich auf den Vatikanpalast unter Papst Sixtus IV. bezieht, der Teile des Palastes wie die Sixtinische Kapelle und die Bibliothek erbauen ließ. Bartolis Suite von Raffael-Gravuren, eine Sammlung von 43 beeindruckenden Illustrationen im Querformat, wurde Kardinal Carlo Massimo gewidmet. Die Tafeln zeigen (mit einer gewissen Freiheit) Raffaels Entwürfe für die Stuckarbeiten in den Loggien. Die Entwürfe stützen sich vor allem auf die klassische Mythologie und sind im klassischen Stil ausgeführt. - Prachtvolle Abzüge mit breitem Rand, an zwei Seiten meist mit dem Schöpfrand. Die ersten Seiten, mit Papierverlusten im Rand und etwas fleckiger (Wasserrand) bzw. stockfleckiger als die restlichen Blätter, diese leicht angestaubt und mit geringen Handhabungs- bzw. Altersspuren, sonst sehr schön erhalten. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Apr. 16, 2025
Pietro Santi Bartoli (1635 - 1700) Il lutto di Persefone per le nozze di Prosperpina
Est: -
Pietro Santi Bartoli (1635 - 1700) Il lutto di Persefone per le nozze di Prosperpina Inchiostro a penna 15 x 44,6 cm (il disegno) Provenienza: Felix Semyonov, New York - Roma Stato di conservazione. Supporto: 60% (foglio reciso in due parti tenute insieme con nastro adesivo; piegature) Stato di conservazione. Superficie: 60% Si tratta del disegno preparatorio per la tavola 53 delle "Meraviglie dell'antica Roma" ("Admiranda Romanorum Antiquitatum"), la prima di due stampe che riproducono un fregio raffigurante il ratto di Proserpina e il lutto di Cerere per le nozze della figlia, conservato a Palazzo Mazzarino, a Roma. L'opera a stampa fu pubblicata, con illustrazioni di Santi Bartoli, da Giovanni Giacomo de' Rossi a Roma, nel 1693. A sinistra si vede Plutone che rapisce Proserpina e alla destra di nuovo Plutone (o Giove) seduto sul trono, e a fianco a lui il cane Cerbero, Mercurio e la giovane velata. La attribuzione del foglio, condivisa da Francesco Grisolia (comunicazione scritta del 12 aprile 2021), è suggerita dalle similitudini con una figura angelica conservata al British Museum (inv. 1952,0121.13), di cui ci ha fatto memoria di Nicholas Turner (comunicazione del 4 aprile 2021), nonché con l'ampio corpus dei lavori grafici di Santi Bartoli oggi al Royal Collection Trust (per esempio: RCIN 909683, copia da un antico affresco romano; RCIN 909650, copia da un dipinto sepolcrale). Analogo, nello suo sviluppo orizzontale. è anche uno studio di fregio con Baccanti, copiato dall'antico, apparso in asta a Christie's Londra (OMD, 15.12.1999, lotto 27), mentre la fisionomie trovano riscontro nel volume con 96 disegni apparso presso la stessa casa d'aste il 30 gennaio 2014 (lotto 13). Il foglio in asta appare di particolare interesse sul piano della tecnica di lavoro di Santi Bartoli nella preparazione della matrice incisa. Speculare rispetto alla stampa, che lo riprende nei più dettagliati tratti, se ne discosta vistosamente nella definizione della testa equina sullo sfondo, qui prospiciente fino all'occhio e più arretrata nella incisione. Il lotto è completato dalle due pagine che compongono l'incisione. Ringraziamo il prof. Francesco Grisolia e il dr. Nicholas Turner, per il supporto nella schedatura dell'opera.
Bonino
Feb. 26, 2025
BELLORI, Giovanni Pietro (1613-1696) - Pietro Santi BARTOLI (1635-1700) - Columna Cochlis M. Aurelio Antonino Augusto. Rome: Domenico De Rossi, 1704. Fine copy of a monumental work depicting the decoration of the Column of Marcus Aurelius...
Est: €400 - €600
BELLORI, Giovanni Pietro (1613-1696) - Pietro Santi BARTOLI (1635-1700) - Columna Cochlis M. Aurelio Antonino Augusto. Rome: Domenico De Rossi, 1704. Fine copy of a monumental work depicting the decoration of the Column of Marcus Aurelius, erected between 172 AD and 196 AD to celebrate the victories of the Emperor. Our copy includes the three plates illustrating the base of the column, published in 1708, and corresponds to variant B listed in the SBN. Oblong folio (355 x 490mm). Engraved title and dedication, 80 engraved plates numbered from 1 to 77 in Arabic numerals and, at the end, from I to III in Roman numerals, plates numbered 2 and 3 are joined to form a double plate (minimal soiling and foxing). Later half-calf, title on label and gilt decorations on spine, red speckled edges (some slight wear). IT BELLORI, Giovanni Pietro (1613-1696) - Pietro Santi BARTOLI (1635-1700) - Columna Cochlis M. Aurelio Antonino Augusto. Roma: Domenico De Rossi, 1704. Ottima copia della monumentale opera che raffigura la decorazione della Colonna Antonina, eretta tra il 172 d.C. e il 196 d.C. per celebrare le vittorie dell'imperatore Marco Aurelio. Il nostro esemplare comprende le tre tavole che raffigurano la base della colonna, pubblicate nel 1708, e corrisponde variante B riportata da SBN. Folio oblungo (355 x 490mm). Frontespizio e dedica incisi, 80 tavole calcografiche numerate da 1 a 77 con numeri arabi e in fine da I a III con numeri romani, le tavole numerate 2 e 3 sono unite a formare una tavola doppia (minime tracce di polvere e fioriture). Mezza pelle coeva, titolo su tassello e decori in oro al dorso, tagli rossi a spruzzo (alcuni lievi segni di usura).
Il Ponte Auction House
Feb. 26, 2025
BELLORI, Giovanni Pietro (1613-1696) - Pietro Santi BARTOLI (1635-1700) (1613-1696) - Veteres arcus Augustorum triumphis insignes. Rome: Giovanni Giacomo de Rossi, Giovanni Francesco Buagni, 1690. An extraordinary work dedicated to the im...
Est: €400 - €600
BELLORI, Giovanni Pietro (1613-1696) - Pietro Santi BARTOLI (1635-1700) (1613-1696) - Veteres arcus Augustorum triumphis insignes. Rome: Giovanni Giacomo de Rossi, Giovanni Francesco Buagni, 1690. An extraordinary work dedicated to the imperial Roman triumphal arches, enriched by 46 masterfully engraved plates. The illustrations depict with remarkable precision the Arch of Constantine, the Arch of Titus, and the Arch of Septimius Severus, highlighting every sculptural and decorative detail. Of these, 29 plates (4-8, 24-45, 49, 50) are signed as drawn and engraved by Pietro Sancti Bartoli (1635-1700), while the portrait is drawn and engraved by Pietro Lucatelli (1637-1710). Our copy corresponds to Variant B listed by SBN, featuring a printing error on the title page, "Augustorm," corrected with the characters "vm" pasted over the mistake. Folio (483 x 305mm). Portrait of Cardinal Pietro Ottoboni, 46 engraved plates, many of which are full-page (occasional soiling, some foxing and browning). Contemporary speckled calf, title on label and gilt decorations on spine, speckled edges (minor losses and restorations, some wear). IT BELLORI, Giovanni Pietro (1613-1696) - Pietro Santi BARTOLI (1635-1700) (1613-1696) - Veteres arcus Augustorum triumphis insignes. Roma: Giovanni Giacomo de Rossi, Giovanni Francesco Buagni, 1690. Opera straordinaria dedicata agli archi trionfali imperiali romani, impreziosita da 46 tavole incise con grande maestria. Le illustrazioni raffigurano con estrema precisione l’Arco di Costantino, l’Arco di Tito e l’Arco di Settimio Severo, evidenziandone ogni dettaglio scultoreo e decorativo. Di queste, 29 tavole (4-8, 24- 45, 49, 50) sono fimate come disegnate e incise da Pietro Santi Bartoli, mentre il ritratto è disegnato e inciso da Pietro Lucatelli (1637-1710). Il nostro esemplare corrisponde alla variante B riportata da SBN con refuso di stampa al frontespizio "Augustorm" corretto con i caratteri "vm" incollati sul refuso. Folio (483 x 305mm). Ritratto del cardinale Pietro Ottoboni, 46 tavole calcografiche di cui molte a piena pagina (sporadiche tracce di polvere, alcune fioriture e bruniture). Pelle coeva a spruzzo, titolo su tassello e decori in oro al dorso, tagli a spruzzo (poche lievi perdite e restauri, alcuni segni di usura).
Il Ponte Auction House
Nov. 26, 2024
Pietro Santi Bartoli, Scena di battaglia. Roma: Giacinto Paribeni, 1660 ca.
Est: €100 - €200
Acquaforte. mm 277x465. Massari (Giulio Romano), 277. Sulla lastra in basso da sinistra a destra le indicazioni di responsabilità: "Julius Romanus Invent.'', a seguire la firma "Petrus Sanctes Bartolus Sculp." e infine il nome dell'editore "Iacintus Paribenius Pistorien formis Romae.". Si presume che l'incisione sia ispirata a Giulio Romano, ma non esiste alcun collegamento diretto. È simile nello stile agli affreschi della Sala di Troia in Palazzo Ducale a Mantova. Impressione ben contrastata su carta vergellata lievemente spessa con filigrana "corona a cinque punte sormontata da stella" (simile a Heawood, 263).
Gonnelli Casa d'Aste
Oct. 30, 2024
Two 18th Century Framed Engravings
Est: $200 - $300
Description: Two 18th Century Framed Engravings, one an engraving by Pietro Santi Bartoli (1635-1700) of a marble vase featuring Diana and Frieze of Greek Heroes (plate size: 9 1/4 in. x 16 in.) the other titled Bacchanal. Measurements: Height: Of frame 19 1/4 in. x Width: 25 1/2 in. Condition: Good condition, the first with crease in lower right corner and some foxing. The other with stains top left corner and some foxing. Notice to bidders: The absence of a condition report does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the conditions of aging. PHOTOS MAY ALSO ACT AS A CONDITION REPORT. Please review all photos closely prior to bidding. Complete condition reports are available by request, no later than 24 hours prior to the live auction. All lots are offered and sold 'AS ISÕ, and Everard Auctions will not provide refunds based on condition. Timepiece movements, lighting and electrics have not been tested, and art has not been examined out of the frame unless otherwise stated. We do not guarantee the condition of frames. By placing a bid, either in person, by phone, absentee or via the Internet, you signify that you agree to be bound by the conditions of sale. Everard Auctions does not provide any shipping or packing services. We recommend that all potential buyers obtain pack/ship estimates prior to bidding. Please contact us for a list of recommended shippers.
Everard Auctions and Appraisals
Jul. 26, 2024
Bartoli, Pietro Santi: Giovanni de Medici entkommt der Gefangenschaft
Est: €120 - €240
Bartoli, Pietro Santi - Giovanni de Medici escapes captivity (Perugia 1635-1700 Rome) 'Captivus Inter obstrepentiu hostium... ''. Engraving from 'Léonis X Admirande virtutis Imagines' after Raphael. Printed by Giovanni Giacomo de Rossi (= Jacobus de Rubeis), Rome. Visible size 16.5 x 34 cm; framed in passepartout and under glass - Stained. // Bartoli, Pietro Santi Giovanni de Medici entkommt der Gefangenschaft (Perugia 1635-1700 Rom) ''Captivus Inter obstrepentiu hostium... ''. Kupferstich aus ''Léonis X Admirande virtutis Imagines'' nach Raffael. Gedruckt bei Giovanni Giacomo de Rossi (= Jacobus de Rubeis), Rom. Sichtmaß 16,5 x 34 cm; in Passepartout und unter Glas ger. - Fleckig.
Kunstauktionshaus Schlosser
Jun. 27, 2024
COLUMNA COCHLIS M. AURELIO ANTONINO AUGUSTO DICATA [...].
Est: €500 - €600
79 etchings, c. 14,2 x 33,1 cm, laid paper, title, dedication and 77 numb. pl., Latin text (margins sl. foxed). - Large series depicting the structure and all reliefs of the monumental Column of Marcus Aurelius in Rome. - Prov. [Castle of Duras].
Arenberg Auctions
Jun. 25, 2024
The ancient painting of Nasonii's tomb
Est: -
BARTOLI, Pietro Santi.- "LE PITTURE ANTICHE DEL SEPOLCRO DE NASONII nella via Flaminia" Rome: Battista Bussotti, 1680. Minor folio, leather with double fillet and florets in the corners, and cardinal's superlibris on both planes. 76 pages. + 34 engraved plates (of the 35 that it should have, the XXI is missing).
Duran Arte y Subastas
May. 04, 2024
Bartoli, Pietro Santi
Est: €60 - €90
(1635 Perugia - Rom 1700). Allegorie auf Clemens VII. Radierung auf feinem Bütten um 1670. Plgr. 10 x 35,5 cm. Mit Rand unter Passep. mont. Kat. Raphael Stuttgart N° F 26.1.1. p 423 f. Prachtvoller Abdruck des einzigen Zustands. - Gebrauchsspuren, eine vertikale Trockenfalte, ansonsten gut. D
Kiefer Buch- und Kunstauktionen
Apr. 24, 2024
The ancient pitture of Nasonii's tomb
Est: -
BARTOLI, Pietro Santi.- "LE PITTURE ANTICHE DEL SEPOLCRO DE NASONII nella via Flaminia" Rome: Battista Bussotti, 1680. Minor folio, leather with double fillet and florets in the corners, and cardinal's superlibris on both planes. 76 pages. + 34 engraved plates (of the 35 that it should have, the XXI is missing).
Duran Arte y Subastas
Apr. 19, 2024
Pietro Santi Bartoli (1635-1700). Hylas a nymphis raptus
Est: €200 - €300
by Giulio Romano. Etching, 314 x 542 mm (plate), 332 x 553 mm (sheet). Massari, Giulio Romano pinxit et delineavit, 1993, n. 272. Clear impression on laid paper. Sheet in good condition except for traces of a central vertical crease and light oxidation.
Bertolami Fine Art s.r.l.
Mar. 23, 2024
PIETRO SANTI BARTOLI (Italian 1635-1700) TWO PRINTS, "Naval Battle Scenes," 17TH CENTURY
Est: $600 - $800
PIETRO SANTI BARTOLI (Italian 1635-1700) TWO PRINTS, "Naval Battle Scenes," 17TH CENTURY, engravings on laid paper; each sheet 6" x 17 1/2", framed 20 3/4" x 26 3/4".
Simpson Galleries, LLC
Mar. 17, 2024
10 Italian Renaissance Engravings by Bartoli
Est: $700 - $1,000
Pietro Santi Bartoli (Perugia, 1635-1700). 10 plates from "Le Pitture Antiche del Sepolcro de Nasonii Nella Via Flaminia" engravings on laid paper, 1680. A wonderful ensemble of 10 engraved plates by Italian engraver Pietro Santi Bartoli from "Le Pitture Antiche del Sepolcro de Nasonii Nella Via Flaminia" (Rome: Giovanni Battista Bussotti, 1680) by Giovanni Pietro Bellori. These engravings are after Roman paintings found in the tomb of Quintus Nasonius Ambrosius in Rome. Depicting various scenes of Ovid, Mercury, the Muse Erato, and other deities and mythological narratives, this ensemble includes plate numbers 5, 7, 8, 9, 11, 13, 14, 15, 18, and 34. Size of engraving (all the same): 7" W x 5" H (17.8 cm x 12.7 cm); of page: 8.3" W x 12.3" H (21.1 cm x 31.2 cm) The uncovering of the tomb of Quintus Nasonius Ambrosius on the Via Flaminia in March 1674 was one of the most important archaeological discoveries of the 17th century. The family grave, measuring approximately 9 x 4.5 m, was decorated with colorful frescoes around 150 AD. There are seven apse paintings, a frieze with mythological scenes and a richly painted ceiling. While the wall frescoes show scenes from the underworld, the ceiling paintings focus on the liberation of the soul after death. The false assumption that the owner of the tomb, Q. Nasonius Ambrosius, was related to P. Ovidius Naso (Ovid) and that the poet was buried here, led to a real stream of visitors, which, however, only a few years after their discovery which resulted in the deterioration of the images. The engraver, draftsman and painter Pietro Santi Bartoli (1635-1700) created the copper engravings of the wall paintings here in 1680 - probably on behalf of Cardinal Camillo Massimo. The volume also contains a description of the frescoes by Giovanni Pietro Bellori (1613-1696). Due to its great success, the work received a second edition in 1702 and was published as part of the extensive publication "Le pitture antiche delle grotte di Roma, e del sepolcro de' Nasonii" (1706) or "Picturae Antiquae Cryptarum Romanarum Et Sepulchri Nasonum" (1750) republished. Bartoli was "one of the leading figures in a circle of artists, patrons and scholars in seventeenth century Rome who were deeply interested in the study of classical antiquity Bartoli was himself both artist and antiquarian Though his early training was as a painter, it is chiefly as an etcher/engraver that he is celebrated. His practice in copying stood him in good stead for the work which he is now remembered: illustrating the statues and monuments of classical Rome. The volumes of prints after classical sculpture (often with commentary by Bellori) include Colonna Traiana (1665), which Pope Alexander VII eagerly perused on publication, and Colonna Antoniana (1672). A selection of famous works appeared in Admiranda romanarum antiquitatum (1675[?]; 2nd ed., 1693)" (Encyclopedia of the History of Classical Archaeology). Provenance: ex-Royal Athena Galleries, New York City, New York, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #184390
Artemis Gallery
Feb. 16, 2024
Bartoli, Pietro Santi
Est: €80 - €120
(1635 Perugia - Rom 1700). Allegorie auf Clemens VII. Radierung auf feinem Bütten um 1670. Plgr. 10 x 35,5 cm. Mit Rand unter Passep. mont. Kat. Raphael Stuttgart N° F 26.1.1. p 423 f. Prachtvoller Abdruck des einzigen Zustands. - Gebrauchsspuren, eine vertikale Trockenfalte, ansonsten gut. D
Kiefer Buch- und Kunstauktionen
Dec. 13, 2023
Bartoli, Pietro Santi
Est: €100 - €150
(1635 Perugia - Rom 1700). Allegorie auf Clemens VII. Radierung auf feinem Bütten um 1670. Plgr. 10 x 35,5 cm. Mit Rand unter Passep. mont. Kat. Raphael Stuttgart N° F 26.1.1. p 423 f. Prachtvoller Abdruck des einzigen Zustands. - Gebrauchsspuren, eine vertikale Trockenfalte, ansonsten gut. D
Kiefer Buch- und Kunstauktionen
Aug. 08, 2023
Three 17th and 18th century mythological engravings
Est: $500 - $700
Three 17th and 18th century mythological engravings lot includes: 1. Johann Martin Preisler (1715-1794) engraving on laid paper after the Glykon Farnese Hercules in Rome. 2. a Pietro Santi Bartoli (1635-1700) engraving on laid paper of Perseus and Andromeda ca. 1690. Rome. 3. an 18th century engraving on laid paper after Titian's The Crowning with Thorns printed in Paris by Mansard.
Andrew Jones Auctions
Jul. 13, 2023
Bartoli, Pietro Santi
Est: €180 - €270
(1635 Perugia - Rom 1700). Allegorie auf Clemens VII. Radierung auf feinem Bütten um 1670. Plgr. 10 x 35,5 cm. Mit Rand unter Passep. mont. Kat. Raphael Stuttgart N° F 26.1.1. p 423 f. Prachtvoller Abdruck des einzigen Zustands. - Gebrauchsspuren, eine vertikale Trockenfalte, ansonsten gut. D
Kiefer Buch- und Kunstauktionen
May. 30, 2023
BARTOLI, Pietro Santi (1635-1700) . Sigismundi Augusti Mantuam adeuntis profectio ac triumphus. Rome: Giovan Giacomo de Rossi, 1680.
Est: €200 - €300
Complete series of 26 prints, with title and progressive numbering, of the triumphs painted by Andrea Mantegna in Mantua, accompanied by an explanation of the depicted scenes in Latin. Oblong folio, (295 x 460mm). 21 engraved plates including title-page and dedication (slightly browned). Contemporary half vellum binding, over later boards . (1
Wannenes Art Auctions
Apr. 18, 2023
Bartoli, Pietro Santi: Colonna Traiana [und:] Columna Cochlis M. Aurelio
Est: €500 - €750
Bartoli, Pietro Santi. Colonna Traiana [und:] Columna Cochlis M. Aurelio Antonio Augusto. 77 Kupfertafeln auf einer Leinenrolle montiert. 25 cm x 13 m. Italien um 1780 Rom, Giacomo de Rossi, (um 1673) bzw. Rubeis, 1704. -- Brunet II, 1 bzw. I, 758. Cicognara 3603 bzw. 3605. Ornamentstichsammlung 3622 bzw. 23. Kissner 543 (inkomplett). Olschki 16420 bzw. 16419. Thieme-Becker II, 556 bzw. 555. – Die beiden großen Kupferstichwerke zu den Reliefs der antiken Triumphsäulen in Rom. Die Stiche zur Trajanssäule in erster, das über die Säule des Marc Aurel in zweiter Ausgabe. Der Zeichner, Kupferstecher und Altertumsforscher Pietro Santi Bartoli (1635 - 1700) widmete sich in erster Linie der Reproduktion von antiken Denkmälern. Nach seinen Zeichnungen wurden Graphiken gestochen, zu Büchern zusammengefasst und veröffentlicht, dazu gehören auch die beiden vorliegenden Werke. -- Das Werk über die Trajansäule bildet auf den nicht nummerierten Kupfern die Säule in einer Gesamtansicht, deren Grundriss, Durchmesser und im Detail die Sockelzone ab. Die 119 Kupfertafeln zeigen in sehr anschaulichen Wiedergaben je ein Relief, das sich auf dem Säulenschaft befindet. Die 77 Kupfer des zweiten Werkes, das erstmals 1672 erschien, bilden gleichermaßen die Reliefs auf der Säule des Marc Aurel ab. – Mit stärkeren Gebrauchsspuren. Mit Randläsuren, Einrissen und etwas angestaubt. Mit leichten Knicken.
Bassenge Auctions
Nov. 30, 2022
Bartoli, Pietro Santi: Parerga, atque ornamenta, ex Raphaelis Sanctij prototypis
Est: €900 - €1,200
Parerga, atque ornamenta, ex Raphaelis Sanctij prototypis, a Ioanne Nannio Vtinensi, in Vaticani Palatij (Die Stuckreliefs Raffaels im Vatikan). 43 Radierungen inkl. Widmungsblatt nach Raffael, gebunden in Leder mit goldgeprägtem Rücken (minimal beschabt und bestoßen), das Rückenschild betitelt "Admiranda Romanorum Antiquitatum". Quer Gr.-Oktav. Rom, Giovanni Giacomo de' Rossi, (um 1670). Le Blanc 299-341, Höper (Raffael und die Folgen, Ausst.Kat. Stuttgart 2001) siehe G 19.1. Wz. Fleur-de-lis im Kreis. -- -- Die vollständige Suite mit Darstellungen der Stuckreliefs Raffaels in den vatikanischen Loggien, die im Gegensatz zu den gemalten Szenen selten reproduziert wurden. Einzige, undatierte Ausgabe, gewidmet dem 1670 zum Kardinal ernannten Camillo Massimo in ganz ausgezeichneten, lebendigen und partiell tonigen Drucken, sämtlich mit meist breitem Rand um die schön und markant zeichnenden Facetten. Nur geringfügige Gebrauchsspuren, sonst in vorzüglicher Erhaltung. Beigebunden das Titelblatt von Bartolis Serie "Admiranda Romanorum Antiquitatum..." (1693). -- -- - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. -- - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Nov. 22, 2022
Pietro Santi Bartoli (1635-1700): JUPITER NURSED BY THE GOAT AMALTHEA
Est: -
Pietro Santi Bartoli (1635-1700) Jupiter nursed by the goat Amalthea engraving, 35,4 x 24 cm after the frescoes by Giulio Romano, printed in Rome 1670 [dedication to Petro Pavlo Davila] Very fresh impression but trimmed at the margin.
Bertolami Fine Art s.r.l.
Oct. 15, 2022
Bartoli, Pietro Santi
Est: €120 - €180
(1635 Perugia - Rom 1700). 6 Bl. mit Darstellungen des Alten und Neuen Testaments aus den Loggien des Vatikan. Radierungen n. Raffael auf Bütten tls. mit WZ "Lilie" bei Rubeis. Blgr. je ca. 8,5 x 23,2 cm. 5 Bl. mit dem Namensz. bzw. Monogr., alle mit Titel bzw. Nr. (5) i.d. Platte. An 3 Seiten auf Einfassung geschn. An den Rändern auf Bütten (Gr.Fol.) geklebt u. hinten freigeschn. - Sehr gute Drucke. - Vorhanden: 2,7,8,9,11,(12). - Leichte Alters- u. Gebrauchssp. D
Kiefer Buch- und Kunstauktionen
Oct. 13, 2022
PIETRO SANTI BARTOLI (1635-1700): GLADIATORS
Est: $100 - $200
from "Le Pitture e Antiche del Sepolcro de Nasonii nella Via Flaminia"; 1680; engraving on wove paper, matted and framed under acrylic; 6 1/4 x 7 1/4 inches sight; 12 1/2 x 15 1/2 inches frame
Abell Auction