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Peter Hill Beard Sold at Auction Prices

Photographer, b. 1938 - d. 2020

Peter Hill Beard is an American artist, photographer, diarist and writer who lives and works in New York City and Kenya. His photographs of Africa, African animals and the journals that often integrate his photographs have been widely shown and published since the 1960s.

Peter Beard was born in 1938 as a New York aristocrat, heir to a railroad fortune on his mother’s side of the family and a tobacco inheritance on his father’s.[1] He was raised in New York City, Alabama, and Islip, Long Island, Beard began keeping diaries as a young boy and making photographs, as an extension of the diaries, at the age of 12.[2] A graduate of Pomfret School, he entered Yale University in 1957, with the intention of pursuing pre-med studies, only to switch his major to art history. His mentors at Yale included Josef Albers, Richard Lindner and Vincent Scully.

Inspired by earlier trips to Africa in both 1955 and 1960, Beard traveled to Kenya upon graduation. Working at Tsavo National Park, he photographed and documented the demise of 35,000 elephants and other wildlife, later to become the subject of his first book, “The End of the Game.”[3] During this time, Beard acquired Hog Ranch, a property near the Ngong Hills adjacent to the coffee farm owned by Karen Blixen (Isak Dinesen), which would become his lifelong home-base in East Africa.[4]

Art: Peter Beard’s photographs of Africa, African animals and journals that often integrate his photographs have been widely shown and published since the 1970s. Each of his works is unique, a combination of his photography with elements derived from his daily diary-keeping, a practice he continues to this day. These volumes contain newspaper clippings, dried leaves, insects, old sepia-toned photos, transcribed telephone messages, marginalia in India ink, photographs of women, quotes, found objects, and the like; these become incorporated, with original drawings and collage by Beard. Certain of his works incorporate animal blood, sometimes Beard’s own blood (in sparing quantities), a painting medium the artist favors.[5]

Beard’s first exhibition was at the Blum Helman Gallery, New York, in 1975. Landmark museum exhibitions have been held at the International Center of Photography, New York, in 1977, and the Centre National de la Photographie, Paris, in 1997. Gallery exhibitions followed in Berlin, London, Toronto, Madrid, Milan, Tokyo and Vienna. Beard’s work is included in private collections throughout the world.[6]

In 2017, Beard was sued by actor David Spade who purchased one of his works. Spade tried to resell a Peter Beard photograph that he had purchased from dealer Peter Tunney but the unsigned work could not be authenticated.[7]

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  • "Peter Beard", 2013
    Sep. 15, 2026

    "Peter Beard", 2013

    Est: $100 - $200

    "Peter Beard", Cologne: Taschen, 2013. 13.5" L x 9.5" W x 2.5" D. Provenance: From a New York City Private Collection. Keywords: Art Books, Photography Books, Reading, Library, American artist, Photographer, Taschen, Collectibles, Collectables, Coffee table book

    Auctions at Showplace
  • PETER BEARD (1938–2020)
    Sep. 13, 2026

    PETER BEARD (1938–2020)

    Est: €10,000 - €12,000

    PETER BEARD (1938–2020) | Untitled, 1987 Image Size: c. 62 x 53 cm English Unique Polaroid Polacolor 20x24 inch, c. 81 x 56 cm, in excellent condition. Former Polaroid Coll. no. "87:2121:04" in pencil on the reverse. LITERATURE From Polaroid to Impossible, Masterpieces of Instant Photography - WestLicht Collection, Ostfildern 2011, p. 45. Peter Beard worked with the Polaroid 20x24 camera through the Polaroid Corporation's Artists Support Program, creating a small but important series of large-format Polacolor photographs. Only a limited number of works from his 1985–1987 and early 1990s sessions entered the Polaroid Collection. His experimental multiple-exposure Polaroids combine portraiture, collage, and a fascination with time and memory, making these 20x24 inch works among the most sought-after large-format Polaroids. * Fully Taxed Deutsch Polaroid Polacolor 20x24 inch, c. 81 x 56 cm, Unikat in ausgezeichnetem Zustand. Rückseitig ehem. Polaroid Coll. Nr. "87:2121:04" mit Bleistift. LITERATUR From Polaroid to Impossible, Masterpieces of Instant Photography - WestLicht Collection, Ostfildern 2011, S. 45. Peter Beard arbeitete mit der Polaroid 20x24 Kamera im Rahmen des Artists Support Program der Polaroid Corporation und schuf eine kleine, aber bedeutende Serie großformatiger Polacolor-Fotografien. Nur eine begrenzte Anzahl von Arbeiten aus seinen Sessions von 1985–1987 und den frühen 1990er-Jahren gelangte in die Polaroid Collection. Seine experimentellen Mehrfachbelichtungen verbinden Porträtfotografie, Collage und die Auseinandersetzung mit Zeit und Erinnerung. Diese 20x24 inch großen Arbeiten zählen heute zu den begehrtesten großformatigen Polaroids. * Vollbesteuert

    OstLicht Auctions
  • PETER BEARD (1938–2020)
    Sep. 13, 2026

    PETER BEARD (1938–2020)

    Est: €7,000 - €8,000

    PETER BEARD (1938–2020) | Picasso at a bullfight in Fréjus, Côte d'Azur, France 1964 Image Size: c. 45.5 x 30.5 cm English Gelatin silver print with a beautiful ornamental overpainting in white paint within the image, printed later, in good condition. Framed in a black wooden frame with museum glass, approx. 68 × 52.5 cm. Signed, dated and annotated in black ink on the upper image "Picasso at Fréjus 1964 (with Cordobes / Lucien Clergue + Jerome Hill) Peter Beard, Box 4191 Nbi.". LITERATURE Peter Beard, Cologne 2013, p. 328 (variant). The famous photograph shows Picasso from a low angle, behind a bullfighter's richly embroidered jacket. As a result, the image feels less like a traditional artist's portrait and more like a spontaneous, almost cinematic observation. Picasso appears alert and focused, whilst the ornamentation of the costume forms a dramatic foreground. Deutsch Silbergelatineabzug mit einer schönen ornamentalen Übermalung in weißer Farbe im Bild, späterer Abzug, in gutem Zustand. Gerahmt in schwarzem Holzrahmen mit Museumsglas, ca. 68 × 52,5 cm. Signiert, datiert und beschriftet mit schwarzer Tinte am oberen Bildrand "Picasso at Fréjus 1964 (with Cordobes / Lucien Clergue + Jerome Hill) Peter Beard, Box 4191 Nbi.". LITERATUR Peter Beard, Köln 2013, S. 328 (Variante). Das berühmte Foto zeigt Picasso aus einer tiefen Perspektive hinter der reich bestickten Jacke eines Toreros. Dadurch wirkt die Aufnahme weniger wie ein klassisches Künstlerporträt als eine spontane, fast filmische Beobachtung. Picasso erscheint aufmerksam und konzentriert, während die Ornamente der Tracht einen dramatischen Vordergrund bilden.

    OstLicht Auctions
  • Africa.- Beard (Peter) [George Adamson sitting beside a lion], original photograph signed and inscribed, Nov 14th, 1969
    Aug. 27, 2026

    Africa.- Beard (Peter) [George Adamson sitting beside a lion], original photograph signed and inscribed, Nov 14th, 1969

    Est: £3,000 - £4,000

    Africa.- Beard (Peter, 1938-2020) [George Adamson sitting beside a lion], original photograph signed and inscribed "To George & friend", slight creasing to edges, mounted, image c.230 x 310 mm., overall c.368 x 450 mm., Nov 14th, 1969. *** George Adamson (1938-2020) was a British conservationist based in Kenya, who became known as Baba ya Simba ("Father of Lions" in Swahili) having devoted his life to raising and rehabilitating captive or orphaned lions with the aim to release them back into the wild. He became very well known through his wife, Joy Adamson's biographical work "Born Free" which later became a film.  See also lots xxx

    Forum Auctions - UK
  • PETER BEARD (1938-2020)
    Jul. 08, 2026

    PETER BEARD (1938-2020)

    Est: €1,000 - €1,500

    PETER BEARD (1938-2020) Peter Beard, New York, Taschen, 2006 Couverture rigide sous coffret à clapet avec porte-livre 1 192/2 500 exemplaires Accompagné d'un petit livre « PB2 » Hardcover book contained within a maroon cloth clamshell box Numbered 1192/2500 Accompanied by a small book "PB2" Provenance Collection particulière

    HVMC - Hôtel des Ventes de Monte-Carlo
  • Peter Beard 1938-2020 Printer’s proofs for the volume “Oltre la fine del mondo”
    Jun. 16, 2026

    Peter Beard 1938-2020 Printer’s proofs for the volume “Oltre la fine del mondo”

    Est: €10,000 - €12,000

    Framed. L'opera è stata realizzata dall'artista utilizzando le prove di stampa del volume 'Oltre la fine del Mondo' pubblicato nel 1997 per la mostra presso la Sala delle Cariatidi di Palazzo Reale a Milano dal 20 settembre al 26 ottobre 1997. Mixed media, C-print and collage on paper.

    Cambi Casa d'Aste
  • Peter Beard 1938-2020 Printer’s proofs for the volume “Oltre la fine del mondo”
    Jun. 16, 2026

    Peter Beard 1938-2020 Printer’s proofs for the volume “Oltre la fine del mondo”

    Est: €10,000 - €12,000

    Dedicated and signed in black ink in the lower right margin. Framed. The work was created by the artist using printer’s proofs from the volume “Oltre la fine del mondo”, published in 1997 on the occasion of the exhibition at the Sala delle Cariatidi, Palazzo Reale, Milan, 20 September–26 October 1997. Mixed media, C-print and collage on paper.

    Cambi Casa d'Aste
  • PETER BEARD (1938–2020)
    May. 28, 2026

    PETER BEARD (1938–2020)

    Est: €28,000 - €36,000

    PETER BEARD (1938–2020) | I'll write whenever I can', Kenia, Africa 1965 Image size: 33.5 x 48.5 cm English Gelatin silver print, toned, printed later on double-weight paper c. 50 x 60 cm, in original mat and frame 60 x 75 cm, in very good condition. Signed, dated, titled and inscribed in the image by the artist in ink "Salaams from Koobi Fora Lake Rudolf 1965 / Merry Christmas and Happy New Year", a print of his right hand and a trail of red paint in the image. Signed, titled, dated and various annotations in inks on the reverse. PROVENANCE Purchased by a private owner from the artist's gallery in New York City. This unique print of "I’ll Write Whenever I Can" is a self-portrait taken in 1965 at Koobi Fora on Lake Turkana (formerly known as Lake Rudolf) featuring Beard calmly writing in his diary while lying inside the open jaws of a dead, 15-foot crocodile. A characteristic aspect of his work is the ongoing reworking and reinterpretation of his wildlife photographs taken in East Africa, which he developed further into multi-layered collages. In doing so, Peter Beard incorporated found objects, magazine clippings, blood, as well as hand and footprints – elements that lend his photographs an unmistakable, deeply personal expressiveness. subject to resale right Deutsch Silbergelatineabzug, getont, später geprintet auf kartonstarkem Papier c. 50 x 60 cm, in originalem Passepartout und Rahmen 60 x 75 cm, in sehr gutem Zustand. Unikat, im Bild vom Künstler mit Tinte signiert, datiert, betitelt und beschriftet "Salaams from Koobi Fora Lake Rudolf 1965 / Merry Christmas and Happy New Year", mit einem Abdruck seiner rechten Handfläche und einem Pinselstrich mit roter Tinte. Rückseitig signiert, betitelt, datiert und verschiedene Anmerkungen. PROVENIENZ Von einem privaten Sammler in der New Yorker Galerie des Künstlers erworben. Dieser Druck von "I’ll Write Whenever I Can" ist ein Unikat von Peter Beards Selbstporträt, das 1965 in Koobi Fora am Turkana-See (früher bekannt als Lake Rudolf) aufgenommen wurde. Es zeigt Beard, wie er ruhig in sein Tagebuch schreibt, während er in den geöffneten Kiefern eines toten, etwa 4,5 Meter langen Krokodils liegt. Charakteristisch für sein Werk ist die fortwährende Überarbeitung und Neuinterpretation seiner in Ostafrika entstandenen Tierfotografien, die er in vielschichtigen Collagen weiterentwickelte. Dabei integrierte Peter Beard gefundene Objekte, Magazinausschnitte, Blut sowie Hand- und Fußabdrücke – Elemente, die seinen Fotografien eine unverwechselbare, zutiefst persönliche Ausdruckskraft verleihen. folgerechtspflichtig

    OstLicht Auctions
  • Peter Beard (New York, 1938 - Camp Hero State Park, 2020) "Savannah Series"
    May. 26, 2026

    Peter Beard (New York, 1938 - Camp Hero State Park, 2020) "Savannah Series"

    Est: €30,000 - €35,000

    Peter Beard (New York, 1938 - Camp Hero State Park, 2020) "Savannah Series" A series of thirteen photographs 24 x 33,5 cm each photograph 328 x 33,5 cm total 30.000 - 35.000 €

    Greco Subastas
  • Peter Beard (1938-2020) 15-16 Foot Nile 'Dile [Crocodile, Uganda], 1966
    May. 21, 2026

    Peter Beard (1938-2020) 15-16 Foot Nile 'Dile [Crocodile, Uganda], 1966

    Est: £4,000 - £6,000

    Platinum print, printed 1999, image size 17 x 25cm, sheet size 38 x 48cm, signed, titled, dated, and inscribed with Beard's Hog Ranch address by the photographer in pencil lower margin recto, annotated with printing details and signed by printer William Ingram in pencil verso. Framed, frame size 45.5 x 52cm.

    Chiswick Auctions
  • Peter Beard, Stress & Density exhibition poster
    May. 05, 2026

    Peter Beard, Stress & Density exhibition poster

    Est: $2,500 - $3,500

    Peter Beard Stress & Density exhibition poster 2000 offset lithograph in colors with ink, blood and photo collage elements sight: 44.25 h x 24.75 w in (112 x 63 cm) Signed and inscribed to lower third '...from Peter (Beard) Hog Ranch Box 47616 Nairobi'. Dated and inscribed to verso 'Gift to Danny A B-Day 2000..' with artist's stamp. This work is unique. This work will ship from Los Angeles, California.

    Rago Arts and Auction Center
  • 'Orphaned Cheetah Cubs in Mweiga Nr. Nyeri, Kenya'
    Apr. 16, 2026

    'Orphaned Cheetah Cubs in Mweiga Nr. Nyeri, Kenya'

    Est: $15,000 - $25,000

    Peter Beard 1938 - 2020 'Orphaned Cheetah Cubs in Mweiga Nr. Nyeri, Kenya' a unique object, gelatin silver print, signed, titled, dated, annotated for The End of the Game and illustrated in white ink on the image, framed, signed, dated and inscribed to Isabelle, XXXX Lots Love, Peter (Beard) 11.19.97 and illustrated with an elephant and thumbprint in ink and with the photographer’s Time Is Always Now copyright stamps and label on the reverse image: 6 ⅜ by 9 ⅜ in. (16.2 by 23.8 cm.) Executed in 1968, printed no later than 1997.

    Sotheby's
  • I'll Write Whenever I Can
    Apr. 16, 2026

    I'll Write Whenever I Can

    Est: $12,000 - $18,000

    Peter Beard 1938 - 2020 I’ll Write Whenever I Can Iris print, signed, titled and inscribed Sincerely, Peter Beard Box 4191 Nairobi in pencil in the margin, framed, a The Time Is Always Now label, exhibition stamp, and brochure on the reverse image: 26 by 31 ½ in. (66 by 80 cm.)  Executed in 1965, printed later, this print is an artist proof aside from the edition of 25.

    Sotheby's
  • Heart Attack City
    Apr. 16, 2026

    Heart Attack City

    Est: $20,000 - $30,000

    Peter Beard 1938 - 2020 Heart Attack City a unique assemblage of a Polaroid of Marilyn Monroe Diary Page with blood and red paint; a gelatin silver print of 756 Elephants @ Mkomazi Border of Tsavo, initialed, titled, dated, and annotated P. B. w/Ian Parker in the margin and collaged with six images of elephant bones; and a contact sheet signed and annotated in ink on the image and with a segment of a fishbone affixed to the image framed overall: 10 by 11 in. (25.4 by 27.9 cm.) Executed in 1972-76, printed and assembled later.

    Sotheby's
  • Waterbuck Family on the Uaso Nyiro
    Apr. 16, 2026

    Waterbuck Family on the Uaso Nyiro

    Est: $20,000 - $30,000

    Peter Beard 1938 - 2020 Waterbuck Family on the Uaso Nyiro a unique object, gelatin silver print, signed, titled, dated and annotated for The End of the Game, collaged with gelatin silver prints of Karen Blixen, annotated and dated in ink, and chromogenic prints, variously signed, inscribed, dated and annotated in ink, framed image: 13 ½ by 19 ⅜ in. (34.3 by 49.2 cm.) Executed in 1962, printed and assembled in 1998.

    Sotheby's
  • Spitting Cobra, Tsavo
    Apr. 16, 2026

    Spitting Cobra, Tsavo

    Est: $15,000 - $25,000

    Peter Beard 1938 - 2020 Spitting Cobra, Tsavo a unique object, gelatin silver print, extensively annotated in ink, collaged with photographs and a newspaper fragment, and illustrated with blood and paint on the image and in the margins, flush-mounted, framed image: 14 by 22 ½ in. (35.6 by 57.1 cm.) overall: 19 ½ by 23 ½ in. (49.5 by 59.7 cm.) Executed in 1960, printed later.

    Sotheby's
  • Peter BEARD (1938-2020) - Abu Camp & Jack’s Camp, Botswana
    Apr. 14, 2026

    Peter BEARD (1938-2020) - Abu Camp & Jack’s Camp, Botswana

    Est: €2,000 - €3,000

    Peter Beard (1938-2020) Abu Camp & Jack’s Camp, Botswana The photograph relates to Beard’s contribution to the 2009 Pirelli Calendar. The image was produced in the wildlife reserves of Abu Camp and Jack’s Camp in Botswana, known for their large elephant populations. Within this context, Beard combines fashion, nature, and a theatrical visual language characteristic of his oeuvre. The work reflects his long-standing engagement with Africa and his fascination with the interplay between beauty, wilderness, and transience.

    Hessink's
  • PETER BEARD (New York, 1938-2020). "World Series cries Red Blooded American Returns to Schweitzer film," 1964. Ink, oil and enamel on paper. Framed with museum glass. Signed, located and dated
    Mar. 19, 2026

    PETER BEARD (New York, 1938-2020). "World Series cries Red Blooded American Returns to Schweitzer film," 1964. Ink, oil and enamel on paper. Framed with museum glass. Signed, located and dated

    Est: €5,000 - €7,000

    PETER BEARD (New York, 1938-2020). "World Series cries Red Blooded American Returns to Schweitzer film," 1964. Ink, oil and enamel on paper. Framed with museum glass. Signed, located and dated "Cassis,'64. Provenance: Private collection, New York. Measurements: 24,5 x 32 cm; 40 x 48 cm (frame). Work based on the feature film "Albert Schweitzer" (1957) by American artist and philanthropist Jerome Hill (1905-1972), which won the Oscar for Best Documentary that year. Peter Beard, in this unclassifiable work, gives a transfer to his imaginary world by intermingling a series of animals, characters, architectures, notes in French and English, and including a self-portrait in the foreground. This work is located in Cassis, on the French Riviera, where Peter Beard had a residence like Jerome Hill, who moved to France to escape the social prejudices he faced in the United States. Peter Beard was an American artist, photographer, chronicler and writer who lived and worked in New York City, Montauk and Kenya. His photographs of Africa, African animals and the journals that often integrated his photographs have been widely shown and published since the 1960s. Beard began writing journals as a child and taking photographs, as an extension of the journals, at the age of 12. A graduate of the Pomfret School, he entered Yale University in 1957, intending to pursue pre-med studies, but changed his major to art history. At Yale, he participated in the Scroll and Key secret society. His mentors at Yale included Josef Albers, Richard Lindner, and Vincent Scully. Beard graduated with a B.A. in 1961.Inspired by earlier trips to Africa in 1955 and 1960, Beard traveled to Kenya after graduating. Working in Tsavo National Park, he photographed and documented the disappearance of 35,000 elephants and other wildlife, which would later become the subject of his first book, The End of the Game. During this time, Beard acquired Hog Ranch, a property near the Ngong Hills adjacent to the coffee estate owned by Karen Blixen, which would become his lifelong base of operations in East Africa.Beard's first exhibition was at the Blum Helman Gallery, New York City, in 1975 and throughout his career he has had landmark museum exhibitions at the International Center of Photography, New York City, in 1977, and at the Centre National de la Photographie, Paris, in 1997. Gallery exhibitions followed in Berlin, London, Toronto, Madrid, Milan, Tokyo and Vienna. Beard's work is included in private collections worldwide.

    Setdart Auction House
  • Peter Beard, Two Diary Pages, April 7th and 8th, 1970 (from Pettiness and Futility)
    Mar. 10, 2026

    Peter Beard, Two Diary Pages, April 7th and 8th, 1970 (from Pettiness and Futility)

    Est: $6,000 - $8,000

    Peter Beard Two Diary Pages, April 7th and 8th, 1970 (from Pettiness and Futility) 1970 / printed later gelatin silver print with ink and blood handwork on paper 15.5 h x 19.5 w in (39 x 50 cm) Signed and inscribed to right of center 'Peter Beard Box 4191 Nairobi...'. Provenance: The Time Is Always Now Gallery, New York | Collection of Gert Elfering | Christie's, New York, 20th Century Photographs: The Elfering Collection, 10 October 2005, Lot 103 | Gerard L. Cafesjian, New York | LA Modern Auctions, The Collection of Gerard L. Cafesjian, 18 November 2018, Lot 371 | Private Collection Exhibited: Pettiness and Futility, 18 March - 15 May 1999, Fahey Klein Gallery, Los Angeles This work will ship from Los Angeles, California.

    Los Angeles Modern Auctions
  • PETER BEARD (American 1938-2020) "Peter Beard," 2006, Box: 25 x 19 x 10 in. (63.5 x 48.3 x 25.4 cm.)
    Feb. 21, 2026

    PETER BEARD (American 1938-2020) "Peter Beard," 2006, Box: 25 x 19 x 10 in. (63.5 x 48.3 x 25.4 cm.)

    Est: $800 - $1,200

    PETER BEARD (American 1938-2020) "Peter Beard," 2006, the XXL Art Edition of 2500, signed and numbered on the colophon, this is number 2451, with a separate facsimile copy of Beard's journals, published by Taschen, Cologne, Germany. *Photos courtesy of https://www.taschen.com

    Simpson Galleries, LLC
  • PETER BEARD (1938-2020) Peter Beard, 2006 New York, Taschen, 2006
    Feb. 04, 2026

    PETER BEARD (1938-2020) Peter Beard, 2006 New York, Taschen, 2006

    Est: €8,000 - €10,000

    PETER BEARD (1938-2020) Peter Beard, 2006 New York, Taschen, 2006 Couverture rigide sous coffret à clapet avec porte-livre Édition d'artiste numéroté 101/200 exemplaires. Accompagné de son présentoir et d'un petit livre « PB2 » Hardcover book contained within a maroon cloth clamshell box Artist edition numbered 101/200 With its display stand and little book “PB2“ Provenance Collection particulière, Cannes

    HVMC - Hôtel des Ventes de Monte-Carlo
  • Beard (Peter) Peter Beard Art Edition, one of 2,500 copies signed by the artist, Taschen, 2006
    Jan. 15, 2026

    Beard (Peter) Peter Beard Art Edition, one of 2,500 copies signed by the artist, Taschen, 2006

    Est: £750 - £1,000

    Beard (Peter) Peter Beard Art Edition, one of 2,500 copies signed by the artist, photographic illustrations throughout, original half calf with pictorial onlay to upper cover, light fading to head, original drop-back box and wooden stand, large folio, Cologne, Taschen, 2006.

    Forum Auctions - UK
  • PETER BEARD USA 1938-2020 World Series Cries Red Blooded American Returns to Schweitz
    Dec. 16, 2025

    PETER BEARD USA 1938-2020 World Series Cries Red Blooded American Returns to Schweitz

    Est: -

    PETER BEARD USA 1938-2020 World Series Cries Red Blooded American Returns to Schweitzer film. 1964 Oil, watercolor and ink on paper Signed, titled and dated Cassis 1964 Dimensions 24 x 32 cm PROVENANCE Private collection Madrid Private collection New York Lewis Lapham Collection

    Subastas Segre
  • PETER BEARD (American 1938-2020) "Peter Beard," 2006, Box: 25 x 19 x 10 in. (63.5 x 48.3 x 25.4 cm.)
    Dec. 06, 2025

    PETER BEARD (American 1938-2020) "Peter Beard," 2006, Box: 25 x 19 x 10 in. (63.5 x 48.3 x 25.4 cm.)

    Est: $800 - $1,200

    PETER BEARD (American 1938-2020) "Peter Beard," 2006, the XXL Art Edition of 2500, signed and numbered on the colophon, this is number 2457, with a separate facsimile copy of Beard's journals, published by Taschen, Cologne, Germany. *Photo courtesy of https://www.taschen.com

    Simpson Galleries, LLC
  • Beard, Peter; The End of the Game [SIGNED x 2 - 2015 Taschen Limited Slipcased 50th Anniversary Edition]
    Dec. 06, 2025

    Beard, Peter; The End of the Game [SIGNED x 2 - 2015 Taschen Limited Slipcased 50th Anniversary Edition]

    Est: $1,500 - $2,500

    Taschen, Köln 2015. Hardcover in maroon and grey cloth boards housed in a cardboard slipcase with tipped-in images to front and rear panels. First Edition Thus. Limted edition of only 5000 individiually numbered copies (of which this is number 4680). 4to. 292 pages fillled with black and white photographic images throuhgout in rich duotone. Includes and updated foreword by internationally renowned travel and fiction writer Paul Theroux. A very rare copy of this edition SIGNED by Peter Beard on the title page, including Beard having traced his forearm and hand extending across the upper margin of both the title page and the blank page opposite the title page. Within his traced hand Beard writes: "RnD xxx from Peter (Beard) / all Best wishes as ever! / more soon". Included with the book is an invitation card to a VIP Members Reception (held on June 18th, 2016 by Peter beard and his wife Nejma) for an exhibition titled Last Word from Paradise at The Museum at Guild Hall in East Hampton NY. The invitation card is also SIGNED by Peter Beard with a small heart drawing. NB: Very few of these 50th Anniversary edition books were ever signed, this being the first we have ever seen or handled, since Beard made very few public appearances after 2013 up until the Covid 19 pandemic and his unfortunate passing in 2020. Perfect for the SIGNED Beard completist. BOOK CONDITION: Fine; a solid, tight, clean copy in a Near Fine slipcase whowing light overall wear to edges and corners with bumping about 3 inches long at the center of one edge along the slipcase opening. SIGNED

    Bucklin
  • PETER BEARD (1938-2020) Large Tusker 1965
    Dec. 04, 2025

    PETER BEARD (1938-2020) Large Tusker 1965

    Est: €80,000 - €120,000

    PETER BEARD (1938-2020) Large Tusker 1965 signé, daté et inscrit February 1965, Bull elephant (world record class, (circa 150-165 lbs per side) on the Athi Tiva - a dry lugga in Tsavo North, near the border of hunting block 33 / cover of the Life mag 1969 - 'letter to an elephant' with Romain Gary - rue du Bac / special delivery to Philip Mida. From Peter Beard, June 10th 1995, Paris. (formally of Hog Ranch Box 4191, Nairobi). / 'all the animals languish, filling the air with lamentations. The woods fall in ruin... the mountains are torn open to carry away the precious metals that are found there... But how can I speak of anything with greater ... have injured their country and to heaven the human race.' Leonardo da Vinci from 'The prophesies' Encre sur tirage argentique marouflé sur cartoline signed, dated and inscribed February 1965, Bull elephant (world record class, (circa 150-165 lbs per side) on the Athi Tiva - a dry lugga in Tsavo North, near the border of hunting block 33 / cover of the Life mag 1969 - 'letter to an elephant' with Romain Gary - rue du Bac / special delivery to Philip Mida. From Peter Beard, June 10th 1995, Paris. (formally of Hog Ranch Box 4191, Nairobi). / 'all the animals languish, filling the air with lamentations. The woods fall in ruin... the mountains are torn open to carry away the precious metals that are found there... But how can I speak of anything with greater ... have injured their country and to heaven the human race.' Leonardo da Vinci from 'The prophesies' Ink on gelatin silver print laid on panel 120 x 180 cm. 47 1/4 x 70 7/8 in. Cette œuvre est unique. Nous remercions le Studio Peter Beard des informations qu’ils nous ont aimablement communiquées sur cette œuvre.

    Bonhams
  • Peter Beard: Exiles on Main Street, Stones Tour
    Dec. 04, 2025

    Peter Beard: Exiles on Main Street, Stones Tour

    Est: €8,000 - €12,000

    BEARD, PETER 1938 New York - 2020 Montauk Title: Exiles on Main Street, Stones Tour. Date: 1972. Technique: Gelatin silver print and blood, mounted on card. Depiction Size: 34,7 x 23,6cm. Notation: Signed, dated, titled and inscribed within the depiction. Frame: Framed. With photographer's copyright stamp on the frame rear panel. Provenance: - The Anne Maria Jagdfeld Collection, Berlin Exhibition: - Palazzo Reale, Milan 1997 (stamp) Estimated shipping costs for this lot: Germany: 36,97 Euro plus 7,03 Euro VAT EU: 58,82 Euro plus 11,18 Euro VAT Worldwide: 100,84 Euro plus 19,16 Euro VAT additional shipping insurance up to total invoice amount of 25,000 Euros: max. 41.65 Euro over a total invoice amount of 25,000 Euros: 1.8 o/oo USA by individual arrangement after the auction. Explanations to the Catalogue Peter Beard Photographs 1970s Framed Concert Photography Gelatin silver print

    Van Ham Kunstauktionen
  • Peter Beard: The End of the Game
    Dec. 04, 2025

    Peter Beard: The End of the Game

    Est: €3,000 - €5,000

    BEARD, PETER 1938 New York - 2020 Montauk Title: The End of the Game. Date: 1979. Technique: Vintage. Bromide gelatin silver print on Agfa. Depiction Size: 35,8 x 53,2cm. Sheet Size: 46,2 x 60,3cm. Notation: Signed, dedicated and dated lower margin of the depiction. Frame: Framed. Provenance: - Villa Grisebach, Berlin, auction 30th May 2003, lot 1107 - The Anne Maria Jagdfeld Collection, Berlin Literature: - Cf. Beard, Peter (ed.): The End of the Game. The Last Word from Paradise, 50th Anniversary Edition, 2015, ill. (unp.) Estimated shipping costs for this lot: Germany: 52,94 Euro plus 10,06 Euro VAT EU: 79,83 Euro plus 15,17 Euro VAT Worldwide: 138,66 Euro plus 26,34 Euro VAT additional shipping insurance up to total invoice amount of 25,000 Euros: max. 41.65 Euro over a total invoice amount of 25,000 Euros: 1.8 o/oo USA by individual arrangement after the auction. Explanations to the Catalogue Peter Beard Photographs 1970s Framed Animals Photography Gelatin silver print

    Van Ham Kunstauktionen
  • Peter Beard: Bull Eland Passing Elephants Digging for Water in the Tiva Dry River
    Dec. 04, 2025

    Peter Beard: Bull Eland Passing Elephants Digging for Water in the Tiva Dry River

    Est: €3,000 - €5,000

    BEARD, PETER 1938 New York - 2020 Montauk Title: Bull Eland Passing Elephants Digging for Water in the Tiva Dry River. Subtitle: For: The End of the Game, Last Word from Paradise. Date: 1965. Technique: Gelatin silver print. Depiction Size: 39,3 x 58cm. Sheet Size: 50,8 x 60,8cm. Notation: Signed, titled, dated as well as inscribed. Verso gallery- and photographer's copyright stamp. Frame: Framed. Provenance: - Camera Work, Berlin (stamp) - Villa Grisebach, Berlin, auction 28th June 2001, lot 1112 - The Anne Maria Jagdfeld Collection, Berlin Estimated shipping costs for this lot: Germany: 52,94 Euro plus 10,06 Euro VAT EU: 79,83 Euro plus 15,17 Euro VAT Worldwide: 138,66 Euro plus 26,34 Euro VAT additional shipping insurance up to total invoice amount of 25,000 Euros: max. 41.65 Euro over a total invoice amount of 25,000 Euros: 1.8 o/oo USA by individual arrangement after the auction. Explanations to the Catalogue Peter Beard Photographs 1960s Framed Animals Photography Gelatin silver print

    Van Ham Kunstauktionen
  • Peter Beard (New York 1938 - 2020)
    Dec. 02, 2025

    Peter Beard (New York 1938 - 2020)

    Est: -

    Africa on the Rocks, 1989, Polaroid with blood and ink, 10.5 × 14.5 cm, dated and titled on the left side vertically, signed at the top centre, verso with remains of old labels and an overlying copyright stamp Peter Beard - The Time Is Always Now, All Rights Reserved, very good condition, provenance: private collection Germany; previously with The Time Is Always Now, 476 Broom Street, New York, Soho 10013 (212) 343-2424

    Wettmann
  • Peter Beard (New York 1938 - 2020)
    Dec. 02, 2025

    Peter Beard (New York 1938 - 2020)

    Est: -

    Cheetah Cubs at Mweiga 68, Polaroid with blood and ink, 10.5 × 14.5 cm, signed, dated 68 and inscribed on the right side vertically, very good condition, provenance: private collection Germany; previously with The Time Is Always Now, 476 Broom Street, New York, Soho 10013 (212) 343-2424

    Wettmann
  • Peter Beard (1938-2020) The End of the Game: The Old Africa and the New.
    Nov. 19, 2025

    Peter Beard (1938-2020) The End of the Game: The Old Africa and the New.

    Est: €200 - €300

    Peter Beard (1938-2020) The End of the Game: The Old Africa and the New. The Viking Press, New York, 1965. In-4 (28.5 × 21 cm). American first edition. 256 pages. Hardcover with illustrated dust jacket. Peter Beard (1938-2020) The end of the game. The old Africa and the new. The Viking Press, New York, 1965. In-4 (28,5 ×21 cm). Édition originale américaine. 256 pages. Couverture cartonnée sous jaquette illustrée.

    Piasa
  • PETER BEARD (1938–2020). Magritte Ramme in the basement of the Natural Hist
    Oct. 09, 2025

    PETER BEARD (1938–2020). Magritte Ramme in the basement of the Natural Hist

    Est: $40,000 - $60,000

    PETER BEARD (1938–2020). Magritte Ramme in the basement of the Natural History Museum, London with.... signed and extensively annotated in ink (recto)image/sheet/flush mount: 106 ½ x 71 3/8 in. (270.5 x 181.3 cm.)overall framed: 108 ½ x 73 3/8 in. (275.6 x 186.4 cm.).

    Christie's
  • PETER BEARD (1938–2020). Orphaned Cheetah Cubs at Mweiga near Nyiri, Kenya,
    Oct. 09, 2025

    PETER BEARD (1938–2020). Orphaned Cheetah Cubs at Mweiga near Nyiri, Kenya,

    Est: $15,000 - $25,000

    PETER BEARD (1938–2020). Orphaned Cheetah Cubs at Mweiga near Nyiri, Kenya, 1968. signed and annotated in ink (recto)image: 6 3/8 x 9 3/8 in. (16.2 x 23.8 cm.)sheet: 8 x 10 in. (20.3 x 25.4 cm.).

    Christie's
  • PETER BEARD (1938–2020). Magritte Ramme in the basement of the Natural Hist
    Oct. 09, 2025

    PETER BEARD (1938–2020). Magritte Ramme in the basement of the Natural Hist

    Est: $40,000 - $60,000

    PETER BEARD (1938–2020). Magritte Ramme in the basement of the Natural History Museum, London with.... signed and extensively annotated in ink (recto)image/sheet/flush mount: 106 ½ x 71 3/8 in. (270.5 x 181.3 cm.)overall framed: 108 ½ x 73 3/8 in. (275.6 x 186.4 cm.).

    Christie's
  • Colonial East Africa
    Oct. 06, 2025

    Colonial East Africa

    Est: €7,000 - €10,000

    Peter Beard 1938 - 2020 Colonial East Africa signed, titled, dated and annotated Colonial East Africa 1960 for the End of the Game 1963/On the Tiva Lugga/Tsavo North/on foot/Peter Beard in ink on the image gelatin silver print with ink, paint and collaged crystals 30.5 x 34 cm.; 12 x 13⅜ in. framed: 55.5 x 56.5 cm.; 21⅞ x 22¼ in. Executed in 1960, printed later, this work is unique.

    Sotheby's
  • Veruschka von Lehndorf roping rhinos for eventual release at Darajani, Tsavo Park
    Oct. 06, 2025

    Veruschka von Lehndorf roping rhinos for eventual release at Darajani, Tsavo Park

    Est: €15,000 - €25,000

    Peter Beard 1938 - 2020 Veruschka von Lehndorf roping rhinos for eventual release at Darajani, Tsavo Park signed, titled, dated 1964 and extensively annotated in ink on the image gelatin silver print with hand-colouring 48.2 x 31.7 cm.; 19 x 12½ in. framed: 73.5 x 56.2 cm. 29 x 22⅛ in. Executed in 1964, printed later, this work is unique.

    Sotheby's
  • λ PETER BEARD (AMERICAN 1938-2020), FRANCIS BACON ON HIS ROOF @ 80 NARROW STREET LONDON, 1972
    Aug. 13, 2025

    λ PETER BEARD (AMERICAN 1938-2020), FRANCIS BACON ON HIS ROOF @ 80 NARROW STREET LONDON, 1972

    Est: £10,000 - £15,000

    λ PETER BEARD (AMERICAN 1938-2020)FRANCIS BACON ON HIS ROOF @ 80 NARROW STREET LONDON, 1972Handmade platinum print on Arches paper, printed later by W. Ingram, LondonSigned, dated and inscribed Francis Bacon on his roof @ 80 Narrow Street London (soon to be lost gambling), March '72, during the dead elephant interview / Last word from Paradise / Box 4191 Nairobi (to lower edge); inscribed A/P (verso)Image: 42 x 62cm (16½ x 24¼ in.)Sheet: 66 x 103.5cm (26 x 41 in.)This work is an Artist's Proof aside from the edition of 15.Provenance:The Time is Always Now, New YorkBacon and Beard's friendship spanned decades, with numerous visits, letters, and photographs exchanged, they heavily influenced each other's work. Their mutual interest in depicting wild animals fuelled their friendship, with Beard having published his book The End of the Game, which was of great interest to Bacon. Both were intrigued by the bestial nature of man and Bacon recognised the importance of Beard's visceral photographs, that raised awareness on the damaging effects of man's intervention with wildlife.The pair served as one another's subjects on multiple occasions, Bacon painted nine major portraits of Beard and many others inspired by his face; it is no surprise that he considered is Bacon's muse. When Bacon died, hundreds of Beard's photographs were found in the -compost- in his apartment, including those of elephant carcasses. It was the exchange of this subject matter that was so poignant and inspirational for Bacon and from which the 1972 interview series gained its name.The collaborative nature of their relationship is highlighted in 'The Dead Elephant Interviews', which formed a part of the catalogue for Bacon's 1975 Metropolitan Museum Exhibition. They offer insight into the nature of the relationship between the photographer and artist. Within the interviews Bacon's tone could be considered both flirtatious and curious, with his responses posed as questions to Beard, as if asking for his input. The interviews and this image captured by Beard during them reflect the intimacy between both the men and their work

    Dreweatts 1759 Fine Sales
  • § Peter Beard (1938-2020)
    May. 22, 2025

    § Peter Beard (1938-2020)

    Est: £6,000 - £8,000

    Peter Beard (1938-2020) STARVO NATIONAL PARK AT THE BEGINNING OF THE DIE-OFF (30-40,000 ELES), ARUBA DAM, TSAVO EAST, KENYA, 1971-2. Silver gelatin print with ink, executed later, image size 28 x 35cm, sheet size 40.5 x 50cm, signed, titled, dated and extensively annotated by the photographer in ink on the recto.

    Chiswick Auctions
  • PETER BEARD (New York, 1938-2020). "World Series cries Red Blooded American Returns to Schweitzer film," 1964. Ink, oil and enamel on paper. Framed with museum glass. Signed, located and dated "Cassis,'64.
    May. 20, 2025

    PETER BEARD (New York, 1938-2020). "World Series cries Red Blooded American Returns to Schweitzer film," 1964. Ink, oil and enamel on paper. Framed with museum glass. Signed, located and dated "Cassis,'64.

    Est: €12,000 - €14,000

    PETER BEARD (New York, 1938-2020). "World Series cries Red Blooded American Returns to Schweitzer film," 1964. Ink, oil and enamel on paper. Framed with museum glass. Signed, located and dated "Cassis,'64. Provenance: Private collection, New York. Measurements: 24,5 x 32 cm; 40 x 48 cm (frame). Work based on the feature film "Albert Schweitzer" (1957) by American artist and philanthropist Jerome Hill (1905-1972), which won the Oscar for Best Documentary that year. Peter Beard, in this unclassifiable work, gives a transfer to his imaginary world by intermingling a series of animals, characters, architectures, notes in French and English, and including a self-portrait in the foreground. This work is located in Cassis, on the French Riviera, where Peter Beard had a residence like Jerome Hill, who moved to France to escape the social prejudices he faced in the United States. Peter Beard was an American artist, photographer, chronicler and writer who lived and worked in New York City, Montauk and Kenya. His photographs of Africa, African animals and the journals that often integrated his photographs have been widely shown and published since the 1960s. Beard began writing journals as a child and taking photographs, as an extension of the journals, at the age of 12. A graduate of the Pomfret School, he entered Yale University in 1957, intending to pursue pre-med studies, but changed his major to art history. At Yale, he participated in the Scroll and Key secret society. His mentors at Yale included Josef Albers, Richard Lindner, and Vincent Scully. Beard graduated with a B.A. in 1961.Inspired by earlier trips to Africa in 1955 and 1960, Beard traveled to Kenya after graduating. Working in Tsavo National Park, he photographed and documented the disappearance of 35,000 elephants and other wildlife, which would later become the subject of his first book, The End of the Game. During this time, Beard acquired Hog Ranch, a property near the Ngong Hills adjacent to the coffee estate owned by Karen Blixen, which would become his lifelong base of operations in East Africa.Beard's first exhibition was at the Blum Helman Gallery, New York City, in 1975 and throughout his career he has had landmark museum exhibitions at the International Center of Photography, New York City, in 1977, and at the Centre National de la Photographie, Paris, in 1997. Gallery exhibitions followed in Berlin, London, Toronto, Madrid, Milan, Tokyo and Vienna. Beard's work is included in private collections worldwide.

    Setdart Auction House
  • Peter Beard: Orphaned cheetah cubs in Mweiga National Park headquarters, for The End of the Game, 1968
    May. 18, 2025

    Peter Beard: Orphaned cheetah cubs in Mweiga National Park headquarters, for The End of the Game, 1968

    Est: $25,000 - $30,000

    Peter Beard (1938-2020) Orphaned cheetah cubs in Mweiga National Park headquarters, for The End of the Game, 1968 Gelatin silver print Signed, titled, and dated on recto Image: 6.5 x 9.5 in; Framed: 19.875 x 16.375 in

    Santa Monica Auctions
  • Peter Beard: Loliondo Lion Charge, 1964, Printed Later
    May. 18, 2025

    Peter Beard: Loliondo Lion Charge, 1964, Printed Later

    Est: $15,000 - $20,000

    Peter Beard (1938-2020) Loliondo Lion Charge, 1964, Printed Later Toned gelatin silver print Signed, titled, dated and variously inscribed in ink Comes with Certificate of Authenticity Image: 8 x 10 in ; Framed: 19.875 x 16.375 in

    Santa Monica Auctions
  • Peter Beard (American, 1938–2020) Vive La Difference, Danya Subuk (Men in Truck), 1968/1998
    May. 07, 2025

    Peter Beard (American, 1938–2020) Vive La Difference, Danya Subuk (Men in Truck), 1968/1998

    Est: $10,000 - $15,000

    Peter Beard (American, 1938–2020) Vive La Difference, Danya Subuk (Men in Truck), 1968/1998 iris print signed in pencil; numbered 13/25 in pencil, verso 32 x 26 1/8 inches.

    Freeman’s | Hindman
  • Beard, Peter; The End of the Game [SIGNED x 2 - 2015 Taschen Limited Slipcased 50th Anniversary Edition]
    Apr. 26, 2025

    Beard, Peter; The End of the Game [SIGNED x 2 - 2015 Taschen Limited Slipcased 50th Anniversary Edition]

    Est: $1,500 - $2,500

    Taschen, Köln 2015. Hardcover in maroon and grey cloth boards housed in a cardboard slipcase with tipped-in images to front and rear panels. First Edition Thus. Limted edition of only 5000 individiually numbered copies (of which this is number 4680). 4to. 292 pages fillled with black and white photographic images throuhgout in rich duotone. Includes and updated foreword by internationally renowned travel and fiction writer Paul Theroux. A very rare copy of this edition SIGNED by Peter Beard on the title page, including Beard having traced his forearm and hand extending across the upper margin of both the title page and the blank page opposite the title page. Within his traced hand Beard writes: "RnD xxx from Peter (Beard) / all Best wishes as ever! / more soon". Included with the book is an invitation card to a VIP Members Reception (held on June 18th, 2016 by Peter beard and his wife Nejma) for an exhibition titled Last Word from Paradise at The Museum at Guild Hall in East Hampton NY. The invitation card is also SIGNED by Peter Beard with a small heart drawing. NB: Very few of these 50th Anniversary edition books were ever signed, this being the first we have ever seen or handled, since Beard made very few public appearances after 2013 up until the Covid 19 pandemic and his unfortunate passing in 2020. Perfect for the SIGNED Beard completist. BOOK CONDITION: Fine; a solid, tight, clean copy in a Near Fine slipcase whowing light overall wear to edges and corners with bumping about 3 inches long at the center of one edge along the slipcase opening. SIGNED

    Bucklin
  • Peter Beard (né en 1938) Peter Beard, 2007
    Apr. 25, 2025

    Peter Beard (né en 1938) Peter Beard, 2007

    Est: €1,500 - €2,000

    Peter Beard (né en 1938) Peter Beard, 2007 New York : Taschen, 2007 Grand folio (50 x 34,5cm), 595 p., emboitage de toile rouge avec un lutrin de présentation en bois et le deuxième volume de Taschen, Peter Beard 2. Édition originale à 2500 ex, tous signés et numérotés sur la page de garde.

    Millon & Associes
  • 'Cheetah Cubs at Feeding Time, Mweiga Nr. Nyeri, Kenya'
    Apr. 03, 2025

    'Cheetah Cubs at Feeding Time, Mweiga Nr. Nyeri, Kenya'

    Est: $15,000 - $25,000

    Peter Beard 1938 - 2020 'Cheetah Cubs at Feeding Time, Mweiga Nr. Nyeri, Kenya' gelatin silver print, signed, titled, annotated and inscribed 'Cheetah Cubs at Feeding Time, Mweiga Nr. Nyeri, Kenya, 1968, for The End of the Game/Last Word from Paradise, XXX to Ruth 2000, Peter Beard' and illustrated in ink image: 8½ by 12½ in. (21.6 by 31.75 cm.) frame: 13½ by 17½ in. (34.3 by 44.5 cm.) Executed in 1968, printed later.

    Sotheby's
  • Peter Beard (New York, 1938 - Camp Hero State Park, 2020) "Savannah Series"
    Mar. 20, 2025

    Peter Beard (New York, 1938 - Camp Hero State Park, 2020) "Savannah Series"

    Est: €50,000 - €70,000

    Peter Beard (New York, 1938 - Camp Hero State Park, 2020) "Savannah Series" A series of thirteen photographs 24 x 33,5 cm each photograph 328 x 33,5 cm total 50.000 - 70.000 €

    Greco Subastas
  • Peter Beard (1938-2020) Elé skele in a Kenya cupboard, 1972-1973
    Mar. 19, 2025

    Peter Beard (1938-2020) Elé skele in a Kenya cupboard, 1972-1973

    Est: €2,500 - €3,500

    Peter Beard (1938-2020) Elé skele in a Kenya cupboard, 1972-1973 Mixed media on silver print Signed on the bottom right Dated on the bottom left Titled on the top center Annotated along the right and left edges 10,5 × 13 cm Provenance: Galerie Kamel Mennour, Paris This work is registered in the artist's archives under no. 3746. Our thanks to the Peter Beard Archive for the information kindly provided about this work. Peter Beard (1938-2020) Elé skele in a Kenya cupboard, 1972-1973 Technique mixte sur tirage argentique Signé en bas à droite Daté en bas à gauche Titré en haut au centre Annoté le long des bordures droite et gauche 10,5 × 13 cm Provenance : Galerie Kamel Mennour, Paris Cette oeuvre est enregistrée dans les archives de l'artiste sous le n°3746. Nous remercions Peter Beard Archive pour les informations qu'ils nous ont aimablement communiquées sur cette oeuvre.

    Piasa
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