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William Beechey Sold at Auction Prices

Painter, b. 1753 - d. 1839

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  • ATTRIB. SIR WILLIAM BEECHEY (British, 1753-1839)
    Jun. 23, 2026

    ATTRIB. SIR WILLIAM BEECHEY (British, 1753-1839)

    Est: $1,000 - $1,500

    Portrait of a Gentleman (Mr. X) Oil on canvas H. 30" x W. 25"

    A. H. Wilkens Auctions & Appraisals
  • ATTRIB. SIR WILLIAM BEECHEY (English, 1753-1838)
    Jun. 23, 2026

    ATTRIB. SIR WILLIAM BEECHEY (English, 1753-1838)

    Est: $2,000 - $3,000

    Portrait of a Young Boy with Dog Oil on canvas H. 30" x W. 25"

    A. H. Wilkens Auctions & Appraisals
  • ATTRIBUTED TO SIR WILLIAM BEECHEY (1753-1839) PORTRAIT OF A GIRL
    Jun. 18, 2026

    ATTRIBUTED TO SIR WILLIAM BEECHEY (1753-1839) PORTRAIT OF A GIRL

    Est: £600 - £800

    ATTRIBUTED TO SIR WILLIAM BEECHEY (1753-1839) PORTRAIT OF A GIRL Oil on canvas (59.5cm x 45cm)

    Elstob Auctioneers
  • Sir William Beechey (1753-1839), PORTRAIT OF SIR TREVELYAN
    Jun. 11, 2026

    Sir William Beechey (1753-1839), PORTRAIT OF SIR TREVELYAN

    Est: $800 - $1,200

    Sir William Beechey (1753-1839), British PORTRAIT OF SIR TREVELYAN oil on canvas titled to nameplate 37 x 32 in — 94 x 81.3 cm Estimate: $800—1,200 CAD

    Waddington's
  • SIR WILLIAM BEECHEY (United Kingdom, 1753-1839), Portrait of Elizabeth Gardiner, Oil on canvas, 30" x 25". Framed 38" x 32".
    Jun. 11, 2026

    SIR WILLIAM BEECHEY (United Kingdom, 1753-1839), Portrait of Elizabeth Gardiner, Oil on canvas, 30" x 25". Framed 38" x 32".

    Est: $3,000 - $5,000

    SIR WILLIAM BEECHEY United Kingdom, 1753-1839 Portrait of Elizabeth Gardiner seated on a chair and with a black urn in the background. Inscribed center right "Eliza Gardiner AD 1802 Age 28".

    Eldred's
  • GREAT OIL PAINTING ATTRIB TO BEECHEY
    Apr. 29, 2026

    GREAT OIL PAINTING ATTRIB TO BEECHEY

    Est: $4,000 - $6,000

    GREAT OIL PAINTING ATTRIB TO BEECHEY Attributed to SIR WILLIAM BEECHEY (British 1753-1839) Portrait of Lady Georgiana Bertie and her Son Charles - circa 1835 Oil on canvas Inscribed mid right "Lady Georgiana Bertie Wife of Frederic Bertie" 49 x 39 inches (124.5 x 99 cm). Overall, including gilt frame 56 x 45.5 inches (142.3 x 115.6cm) Provenance: Jackson's International Auctioneers, sale of November 15, 2011, as lot 75, illustrated in catalog, where sold for $16,800.00, and where acquired by the current owner. Lady Georgina Anne Emily Kerr Bertie was the daughter of Vice-Admiral Lord Mark Robert Kerr and Charlotte MacDonnell, Countess of Antrim. She married the Reverend Hon. Frederic Bertie on October 17, 1825. Frederic was the son of Willoughby Bertie, 4th Earl of Abingdon, and Charlotte Warren. He was the rector at Albury, Oxfordshire, England. Their son, Charles MacDonnell Bertie, was born on February 17, 1829. Sir William Beechey was a distinguished English portrait painter of the late 18th and early 19th centuries. Beechey entered the RA Schools in 1772 and first exhibited at the RA four years later. In 1787, his portraits were rejected by the Academy, but despite this setback, Beechey became an Associate in 1793, the year of his appointment as portrait painter to Queen Charlotte, and an Academician in 1798. He was knighted in the same year, probably as a reward for his enormous painting A Review of the Horse Guards with King George III and the Prince of Wales (1798; London, Royal Collection). His diploma work was a further portrait of the Prince of Wales (1798; London, RA). He continued to receive royal patronage until the 1830s, when he painted Queen Adelaide (c. 1831; London, NPG), as well as many famous and fashionable figures. Beechey was a conscientious painter noted for his craftsmanship and the accuracy of his likenesses. His son, Frederick William Beechey (1796-1856), was a Royal Naval officer who eventually attained the rank of Rear-Admiral and was noted for his exploration of the Bering Strait in 1826. Perhaps it is this naval connection that links the sitter, whose father was at the time a Royal Naval admiral, to the artist Beechey.

    Jackson's International
  • Sir William BEECHEY (Burford, 1753 - Londres, 1839) Portrait de Miss Lucy Lowndes
    Apr. 22, 2026

    Sir William BEECHEY (Burford, 1753 - Londres, 1839) Portrait de Miss Lucy Lowndes

    Est: €4,000 - €6,000

    Sir William BEECHEY (Burford, 1753 - Londres, 1839) Portrait de Miss Lucy Lowndes Toile Hauteur : 76,5 cm Largeur : 63,5 cm Provenance : - Collection privée Allemagne; - Vente Cologne, Lempertz, 16/05/2018, n°1312. Bibliographie: W. ROBERTS, Sir William Beechey, R.A., Londres, Duckworth and CO., 1907,p. 163. Lucy Lowndes serait la fille de Thomas Lowndes, riche marchand londonien et mécène de l'artiste. En 1823, Beechey réalise le portrait de T. Lowndes ainsi que celui de son père, et en 1824 celui d'une de ses filles. Les paiements versés par la famille Lowndes s'élèvent à 546 livres, auxquels s'ajoute « un cadeau à Sir William » de 50 guinées en décembre 1823. p. 257 : mention d'un paiement de 63 £ le 9 août 1824 : « Of Mr. Lowndes, for a portrait of his daughter ». p. 258 : en 1825, paiement de 168 £ pour la réalisation d'une copie du portrait de son père ainsi que de celui de sa fille.

    Gros & Delettrez
  • English school circa 1820. Attributed to William Beechey (1753-1839). "Child Portrait". Oil on canvas. Relined.
    Feb. 25, 2026

    English school circa 1820. Attributed to William Beechey (1753-1839). "Child Portrait". Oil on canvas. Relined.

    Est: €30,000 - €35,000

    English school circa 1820. Attributed to William Beechey, "Child Portrait". Oil on canvas. Relined. Measurements: 124 x 98 cm; 134 x 107 cm (frame). This is a magnificent work that stands in the great tradition of British Regency portraiture. Attributed to Sir William Beechey and dated circa 1820, it perfectly captures the aesthetic and sensitivity to childhood of the period. The child appears dressed in what appears to be a "skeleton suit," a popular garment for boys in England between 1790 and 1830. It was characterized by a short jacket buttoned directly to high-waisted pants. The wide, ruffled collar is a distinctive detail that frames the face and adds brightness, typical of the romantic fashion of the early 19th century. Following the tradition established by earlier masters such as Reynolds or Gainsborough, the subject is set outdoors, in a somewhat twilight natural landscape. This background is not a simple decoration, but brings an atmosphere of freedom and naturalness highly valued in English Romanticism. There is a loose brushstroke in the background (the foliage and sky) that contrasts with the more detailed and softer finish of the child's complexion and hair. The lighting focuses on the white face and neck, leaving the rest in a warm half-light. Sir William Beechey was one of the most successful English portraitists of his time. In the early part of his painting life, Beechey specialized in small-scale portraits.[3] Between 1782 and 1787 he lived in Norwich, eventually painting four works for the collection of civic portraits hung in St Andrew's Hall in the city, of which he did only one during his residence there. Beechey returned to London in 1787. He eventually came to the knowledge of the royal family, and in 1793 painted a full-length portrait of Queen Charlotte, who appointed him her official portrait painter. In the same year he was elected a fellow of the Royal Academy. He painted not only portraits of the royal family, but of almost all the most famous or fashionable people of the time. His George III and the Prince of Wales reviewing the troops with a large composition showing the king and prince on horseback, was painted in 1798. He obtained for it the honor of knighthood and his election as a full member of the Royal Academy. The painting was destroyed in the fire at Windsor Castle in 1992. Other celebrity portraits include Lord Nelson, John Kemble and Sarah Siddons.

    Setdart Auction House
  • WILLIAM BEECHEY (1753 – 1839) - Portrait of Mrs. Rush
    Feb. 17, 2026

    WILLIAM BEECHEY (1753 – 1839) - Portrait of Mrs. Rush

    Est: €1,000 - €2,000

    WILLIAM BEECHEY (1753 – 1839). Portrait of Mrs. Rush. On the reverse of the painting, an inventory label and a label bearing the inscription: “Sir William Beechey – Portrait of Mrs. Rush.” Provenance: Ugo Camiciotti Gallery, Florence. Private collection, Florence. The work can be related to a painting of a similar subject that appeared at auction at Sotheby’s in 1932. . 95,50 x 115,50 cm.

    Capitolium Art
  • Attributed to Sir William Beechey. Portrait of an Officer, oil
    Jan. 23, 2026

    Attributed to Sir William Beechey. Portrait of an Officer, oil

    Est: $1,000 - $3,000

    (English, 1753-1839) Oil on canvas, unsigned, brass nameplate affixed to frame, label on verso possibly identifying the sitter as William Dawson, Esq. of Craven Yorkshire along with a degraded wax seal, sight size: 22 x 18 in., framed size: 25 1/4 x 29 in.

    Alex Cooper
  • Attributed to Sir William Beechey. Portrait of an Officer, oil
    Dec. 12, 2025

    Attributed to Sir William Beechey. Portrait of an Officer, oil

    Est: $2,000 - $3,000

    (English, 1753-1839) Oil on canvas, unsigned, brass nameplate affixed to frame, label on verso possibly identifying the sitter as William Dawson, Esq. of Craven Yorkshire along with a degraded wax seal, sight size: 22 x 18 in., framed size: 25 1/4 x 29 in.

    Alex Cooper
  • Attributed to Sir William Beechey. Portrait of a Young Woman, oil
    Dec. 12, 2025

    Attributed to Sir William Beechey. Portrait of a Young Woman, oil

    Est: $800 - $1,200

    (English, 1753-1839) Oil on canvas, unsigned, brass nameplate affixed to frame identifying the sitter as Princess Augusta Sophia, the daughter of George III, with wax seal and label on verso, sight size: 32 3/4 x 27 3/4 in., framed size: 40 1/4 x 35 in.

    Alex Cooper
  • A rare portrait of a munshi, or interpreter, perhaps named Muhammad Sami, by Sir William Beechey RA (1753-1839), painted in London, dated 1786
    Nov. 12, 2025

    A rare portrait of a munshi, or interpreter, perhaps named Muhammad Sami, by Sir William Beechey RA (1753-1839), painted in London, dated 1786

    Est: £50,000 - £70,000

    A rare portrait of a munshi, or interpreter, perhaps named Muhammad Sami, by Sir William Beechey RA (1753-1839), painted in London, dated 1786 oil on panel, signed and dated 1786 lower right, reverse with label with inscription Moonshee, an Asiatic/Interpreter – painted by/Sir W. Beechey. Moonshee; sold with a black and white photograph of the painting taken probably in the 1950s 30 x 24 cm.

    Bonhams
  • Wohl SIR WILLIAM BEECHEY (1753 Burford/Oxfordshire - 1839 London)
    Nov. 09, 2025

    Wohl SIR WILLIAM BEECHEY (1753 Burford/Oxfordshire - 1839 London)

    Est: -

    Wohl SIR WILLIAM BEECHEY (1753 Burford/Oxfordshire - 1839 London) Öl auf Leinwand (doubliert), "Porträt einer Dame, einen Hund auf dem Arm haltend", unsigniert, ca. 61x51,5cm, in Prunkrahmen mit Künstlerplakette (89,5x77cm), Firnis, diverse (umfangreichere) Retuschen, minimaler rahmungsbedingter Farbabrieb, leicht craqueliert, Galerieton

    Auktionshaus Rotherbaum OHG
  • Attributed to Sir William Beechey. Portrait of King George III, oil
    Oct. 31, 2025

    Attributed to Sir William Beechey. Portrait of King George III, oil

    Est: $3,000 - $5,000

    (British, 1753-1839) Oil on canvas, unsigned, brass nameplate affixed to gilt frame, sight size: 29 1/2 x 24 1/2 in., framed size: 37 1/2 x 32 in.

    Alex Cooper
  • Sir William Beechey. Portrait of a Young Woman, oil
    Oct. 31, 2025

    Sir William Beechey. Portrait of a Young Woman, oil

    Est: $2,000 - $4,000

    (English, 1753-1839) Oil on canvas, unsigned, brass nameplate affixed to frame identifying the sitter as Princess Augusta Sophia, the daughter of George III, with wax seal and label on verso, sight size: 32 3/4 x 27 3/4 in., framed size: 40 1/4 x 35 in.

    Alex Cooper
  • Attributed to Sir William Beechey. Portrait of an Officer, oil
    Oct. 31, 2025

    Attributed to Sir William Beechey. Portrait of an Officer, oil

    Est: $3,000 - $5,000

    (English, 1753-1839) Oil on canvas, unsigned, brass nameplate affixed to frame, label on verso possibly identifying the sitter as William Dawson, Esq. of Craven Yorkshire along with a degraded wax seal, sight size: 22 x 18 in., framed size: 25 1/4 x 29 in.

    Alex Cooper
  • Sir William Beechey (1753-1839): Portrait of a Lady
    Oct. 29, 2025

    Sir William Beechey (1753-1839): Portrait of a Lady

    Est: $6,000 - $9,000

    Oil on canvas, unsigned, lined. 30 x 25 in., 38 1/2 x 34 in. (frame). Literature: W. Roberts, Portrait of a Lady by Sir William Beechey, illust.

    STAIR
  • WILLIAM BEECHEY (1753 – 1839) - Portrait of Mrs. Rush
    Oct. 15, 2025

    WILLIAM BEECHEY (1753 – 1839) - Portrait of Mrs. Rush

    Est: €3,000 - €5,000

    WILLIAM BEECHEY (1753 – 1839). Portrait of Mrs. Rush. On the reverse of the painting, an inventory label and a label bearing the inscription: “Sir William Beechey – Portrait of Mrs. Rush.” Provenance: Ugo Camiciotti Gallery, Florence. Private collection, Florence. The work can be related to a painting of a similar subject that appeared at auction at Sotheby’s in 1932. . 95,50 x 115,50 cm.

    Capitolium Art
  • Wohl SIR WILLIAM BEECHEY (1753 Burford/Oxfordshire - 1839 London)
    Sep. 28, 2025

    Wohl SIR WILLIAM BEECHEY (1753 Burford/Oxfordshire - 1839 London)

    Est: -

    Wohl SIR WILLIAM BEECHEY (1753 Burford/Oxfordshire - 1839 London) Öl auf Leinwand (doubliert), "Porträt einer Dame, einen Hund auf dem Arm haltend", unsigniert, ca. 61x51,5cm, in Prunkrahmen mit Künstlerplakette (89,5x77cm), Firnis, diverse (umfangreichere) Retuschen, minimaler rahmungsbedingter Farbabrieb, leicht craqueliert, Galerieton

    Auktionshaus Rotherbaum OHG
  • William Beechey, 1753-1839, The Honourable Clifford Leach
    Aug. 27, 2025

    William Beechey, 1753-1839, The Honourable Clifford Leach

    Est: $300 - $500

    William Beechey British, 1753-1839 The Honourable Clifford Leach oil on canvas, relined no signature visible

    Abell Auction
  • Sir William Beechey R.A (Burford 1753-1839 London) Portrait of Henry Lawes Long as the Infant Hercules with Edward Noel Long beside him
    Jul. 02, 2025

    Sir William Beechey R.A (Burford 1753-1839 London) Portrait of Henry Lawes Long as the Infant Hercules with Edward Noel Long beside him

    Est: £8,000 - £12,000

    Sir William Beechey R.A (Burford 1753-1839 London) Portrait of Henry Lawes Long as the Infant Hercules with Edward Noel Long beside him oil on canvas 140.3 x 117.5cm (55 1/4 x 46 1/4in).

    Bonhams
  • CIRCLE OF SIR WILLIAM BEECHEY (BRITISH 1753-1839), A PORTRAIT OF A YOUNG GIRL
    Jul. 02, 2025

    CIRCLE OF SIR WILLIAM BEECHEY (BRITISH 1753-1839), A PORTRAIT OF A YOUNG GIRL

    Est: £1,000 - £1,500

    CIRCLE OF SIR WILLIAM BEECHEY (BRITISH 1753-1839) A PORTRAIT OF A YOUNG GIRL, SAID TO BE MISS ANNE CAMPEN OF BRISTOL HOLDING A RABBITOil on canvas90 x 70cm (35¼ x 27½ in.)Painted circa 1810.Provenance:Sale, Bonhams, British and Continental Pictures and Old Master Drawings, 5 July 2005, lot 214 (as Attributed to Sir William Beechey)

    Dreweatts 1759 Fine Sales
  • WILLIAM BEECHEY (1753 – 1839) - Portrait of Mrs. Rush
    Jun. 10, 2025

    WILLIAM BEECHEY (1753 – 1839) - Portrait of Mrs. Rush

    Est: €6,000 - €8,000

    WILLIAM BEECHEY (1753 – 1839). Portrait of Mrs. Rush. On the reverse of the painting, an inventory label and a label bearing the inscription: “Sir William Beechey – Portrait of Mrs. Rush.” Provenance: Ugo Camiciotti Gallery, Florence. Private collection, Florence. The work can be related to a painting of a similar subject that appeared at auction at Sotheby’s in 1932. . 95,50 x 115,50 cm.

    Capitolium Art
  • Follower of Sir William Beechey (British, 1753-1839) Portrait of Admiral Barrington, bust-length
    Apr. 30, 2025

    Follower of Sir William Beechey (British, 1753-1839) Portrait of Admiral Barrington, bust-length

    Est: £1,000 - £1,500

    Follower of Sir William Beechey (British, 1753-1839) Portrait of Admiral Barrington, bust-length oil on canvas 77 x 60cm (30 5/16 x 23 5/8in).

    Bonhams
  • Studio of Sir William Beechey (British, 1753-1839) Portrait of the 1st Earl of St Vincent, bust length, facing right
    Apr. 30, 2025

    Studio of Sir William Beechey (British, 1753-1839) Portrait of the 1st Earl of St Vincent, bust length, facing right

    Est: £1,000 - £2,000

    Studio of Sir William Beechey (British, 1753-1839) Portrait of the 1st Earl of St Vincent, bust length, facing right inscribed to 'Lord St Vincent/from Sir Augustus Clifford' (on reverse) oil on canvas 73.5 x 61cm (28 15/16 x 24in).

    Bonhams
  • ATTRIBUTED TO WILLIAM BEECHEY (BRITISH, 1753-1839)
    Apr. 24, 2025

    ATTRIBUTED TO WILLIAM BEECHEY (BRITISH, 1753-1839)

    Est: £800 - £1,200

    ATTRIBUTED TO WILLIAM BEECHEY (BRITISH, 1753-1839) ATTRIBUTED TO WILLIAM BEECHEY (BRITISH, 1753-1839) Portrait of a young boy, possibly an allegory inscribed 'Sir William Beechy' (label attached verso) oil on canvas 76 x 102 cm. (29 7/8 x 40 1/8 in.)

    Chiswick Auctions
  • William Beechey (1753 - 1839), a portrait of a lady
    Mar. 28, 2025

    William Beechey (1753 - 1839), a portrait of a lady

    Est: £3,000 - £5,000

    William Beechey (1753 - 1839) Portrait of a lady, traditionally identified as Lady Emma Hamilton  Oil on canvas Dimensions: (Canvas) 30 in. (H) x 25 in. (W) (Frame) 38 in. (H) x 33 in. (W)

    Sloane Street Auctions
  • Circle of Sir William Beechey, RA,  Portrait of a lady, bust length, wearing a yellow dress with a high lace collar and a blue coat, in a wooded landscape 
    Mar. 12, 2025

    Circle of Sir William Beechey, RA,  Portrait of a lady, bust length, wearing a yellow dress with a high lace collar and a blue coat, in a wooded landscape 

    Est: £200 - £300

    Circle of Sir William Beechey, RA,  British 1753-1839-  Portrait of a lady, bust length, wearing a yellow dress with a high lace collar and a blue coat, in a wooded landscape;  oil on canvas, 76 x 63.5 cm. (unframed).  Provenance:  Private Collection, UK.  Note:  The present work is highly reminiscent of Beechey's portraits, particularly in the artist's contrast of the sitter's sensitively-handled face against a loosely-painted backdrop, with broad brushstrokes imparting a sense of movement to the foliage, suggesting the fresh, windswept landscape beyond. A similar composition by Beechey, which exhibits these same features, is in the collection of the Metropolitan Museum in New York [05.32.1]. 

    Roseberys
  • WILLIAM BEECHEY (1753 - 1839). WILLIAM PERRYN OF LANGTON.
    Mar. 08, 2025

    WILLIAM BEECHEY (1753 - 1839). WILLIAM PERRYN OF LANGTON.

    Est: $1,800 - $2,400

    Oil on canvas in gold carved frame, canvas 30.5 inches x 25.5 inches, frame 36.5 inches x 31.75 inches, loss to frame

    Casco Bay Auctions
  • WILLIAM BEECHEY (BRITISH 1753-1839), PORTRAIT OF A YOUNG BOY HOLDING A BOOK
    Feb. 11, 2025

    WILLIAM BEECHEY (BRITISH 1753-1839), PORTRAIT OF A YOUNG BOY HOLDING A BOOK

    Est: £5,000 - £8,000

    WILLIAM BEECHEY (BRITISH 1753-1839)PORTRAIT OF A YOUNG BOY HOLDING A BOOKOil on canvas75 x 62.5cm (29½ x 24½ in.)This recently rediscovered work by Beechey is a lovely example of a portrait of a child, something in which he specialised. The lively impasto of the brushstrokes in the handling of both the sitter and the delightful landscape background show the artist working at the height of his powers.Sir William Beechey was born at Burford, Oxfordshire, on 12 December 1753, the son of William Beechey and Hannah Read. Both his parents died when he was still quite young and he and his siblings were brought up by his uncle Samuel. In the 1770s he studied at the Royal Academy under Zoffany. Between 1782 and 1787 he lived in Norwich and painted four works for the collection of civic portraits hung in St Andrew's Hall there.Sir William Beechey returned to London in 1787. He attracted the attention of the royal family, and in 1793 painted a full-length picture of Queen Charlotte, who appointed him her official portrait painter. In the same year Sir William Beechey was elected an associate of the Royal Academy. He painted not only the portraits of the royal family, but a large number of the famous or fashionable people of the time. In 1798 he painted George III and the Prince of Wales reviewing troops, a large composition showing the king and prince surrounded by a brilliant entourage on horseback. The King awarded him a knighthood and he was elected to full membership of the Royal Academy. The painting was destroyed in the 1992 Windsor Castle fire.Other famous sitters included Lord Nelson, John Kemble, and Sarah Siddons establishing him as a direct competitor to Sir Thomas Lawrence, the most fashionable painter in Europe.

    Dreweatts 1759 Fine Sales
  • Circle of Sir William Beechey (British, 1753-1839), Portrait of a lady in a cartouche
    Nov. 29, 2024

    Circle of Sir William Beechey (British, 1753-1839), Portrait of a lady in a cartouche

    Est: £800 - £1,200

    Circle of Sir William Beechey (British, 1753-1839) Portrait of a lady in a feigned cartouche Oil on canvas With old Christies stencil verso In an antique gilded, swept frame Dimensions: (Frame) 37.5 in. (H) x 33 in. (W) (Canvas) 30 in. (H) x 25 in. (W)

    Sloane Street Auctions
  • Sir William Beechey RA (1753-1839)
    Nov. 19, 2024

    Sir William Beechey RA (1753-1839)

    Est: £2,000 - £3,000

    Sir William Beechey RA (1753-1839) A portrait of a young officer, half-length, in uniform oil on canvas 78 x 64cm Condition Report: Framed: 104 x 92cm Craquelure and light surface dirt. A little spotting to the reverse. Presents well overall when viewed on the wall. Not examined under UV light, for a full report please contact the department.

    Sworders
  • Attributed to Sir William Beechey (1753-1839): Portrait of Lady Pamela Gordon
    Oct. 24, 2024

    Attributed to Sir William Beechey (1753-1839): Portrait of Lady Pamela Gordon

    Est: $2,000 - $3,000

    Oil on canvas, partially signed with the initial 'B' and indistinctly dated lower left, lined. 29 1/2 x 24 1/2 in., 37 x 32 in. (frame).

    STAIR
  • Attributed to William Beechey (1753-1839): Portrait of the Archdeacon Strachey
    Oct. 23, 2024

    Attributed to William Beechey (1753-1839): Portrait of the Archdeacon Strachey

    Est: $2,000 - $3,000

    Oil on canvas, unsigned, lined. 30 1/2 x 25 1/2 in., 39 1/2 x 35 in. (frame).

    STAIR
  • SIR WILLIAM BEECHEY, R.A. (BRITISH 1753-1839) MEDICANT AT FOLKESTONE
    Oct. 02, 2024

    SIR WILLIAM BEECHEY, R.A. (BRITISH 1753-1839) MEDICANT AT FOLKESTONE

    Est: £400 - £600

    SIR WILLIAM BEECHEY, R.A. (BRITISH 1753-1839) MEDICANT AT FOLKESTONE MERCHANT AT FOLKESTONE inscribed Mendicant at Folkstone and dated - August 1802 lower edge, and inscribed verso in another hand, A Sketch by Sir William Beechey/given to me by his son/The Rev. S.. Vincent Beechey / A N S pen and brown ink over pencil 28 x 21.5cm; 11 x 8½in together with six further works including two by Sir David Wilkie RA (1785-1841), a sketch of a soldier and a family group, Sir Edwin Landseer RA (1802-1873) a portrait study of a lady, Robert Smirke RA (1753-1845) a dramatic scene and James Ward RA (1769-1859) a sheet with studies of a bearded man, recto and Boys at a Bonfire, inscribed with title verso various sizes, all unframed (7)

    Olympia Auctions
  • William Beechey (1753 - 1839), a portrait of a lady
    Sep. 19, 2024

    William Beechey (1753 - 1839), a portrait of a lady

    Est: £5,000 - £8,000

    William Beechey (1753 - 1839) Portrait of a lady, traditionally identified as Lady Emma Hamilton  Oil on canvas Dimensions: (Canvas) 30 in. (H) x 25 in. (W) (Frame) 38 in. (H) x 33 in. (W)

    Sloane Street Auctions
  • CIRCLE OF SIR WILLIAM BEECHEY R.A (BRITISH, 1753-1839)
    Sep. 18, 2024

    CIRCLE OF SIR WILLIAM BEECHEY R.A (BRITISH, 1753-1839)

    Est: £800 - £1,200

    CIRCLE OF SIR WILLIAM BEECHEY R.A (BRITISH, 1753-1839) CIRCLE OF SIR WILLIAM BEECHEY R.A (BRITISH, 1753-1839) Portrait of a young boy, half-length, wearing a white lace collar, dark blue coat, and holding a hoop and stick, landscape beyond oil on canvas 67 x 53 cm (26 1/8 x 20 5/8 in.) The young boy in the present portrait is portrayed with a hoop and stick, perhaps symbolising his youth. Hoop rolling, as it is commonly known, is a game that has been widely documented across societies, with the earliest records dating back to Ancient Greece. In England, young people are known to have played games with hoops and sticks as early as the 15th Century. The popularity of the game was recorded by English artist and writer, Jospeh Strutt (1749-1802), who claimed that the streets of London were filled with young boys playing the game. References: ‘Cassell’s Book of Sports and Pastimes’, London: Cassell, 1986, page 237

    Chiswick Auctions
  • William Beechey (1753-1839), "Portrait of Sir William Warce," Oil on canvas laid to canvas, 30" H x 25" W
    Jul. 30, 2024

    William Beechey (1753-1839), "Portrait of Sir William Warce," Oil on canvas laid to canvas, 30" H x 25" W

    Est: $5,000 - $7,000

    William Beechey (1753-1839) "Portrait of Sir William Warce" Oil on canvas laid to canvas Signed and titled in another hand on a label affixed to the verso of the frame: Sir. Wm. Beechey

    John Moran Auctioneers
  • ATTR William Beechey (UK,1753-1839) oil painting antique
    Jun. 16, 2024

    ATTR William Beechey (UK,1753-1839) oil painting antique

    Est: $525 - $675

    ARTIST: ATTRIBUTED TO William Beechey (United Kingdom, 1753 - 1839) TITLE: Portrait of Lady MEDIUM: oil on canvas CONDITION: Few very minor paint losses. Some craquelure. Few scattered minor inpaintings. Normal wear to frame. ART SIZE: 14 x 11 inches / 35 x 27 cm FRAME SIZE: 18 x 15 inches / 45 x 38 cm SIGNATURE: unsigned ATTENTION: This lot is located at our Mamaroneck, NY office. CATEGORY: old antique vintage painting for auction sale online AD: ART WANTED: Consign, Trade In, Cash Offer SKU#: 132201 US Shipping $49 + insurance. BIOGRAPHY: Sir William Beechey RA (12 December 1753 - 28 January 1839) was a British portraitist during the golden age of British painting.Beechey was born at Burford, Oxfordshire, on 12 December 1753, the son of William Beechey, a solicitor, and his wife Hannah Read. Both parents died when he was still quite young in the early 1760s, and he and his siblings were brought up by his uncle Samuel, a solicitor who lived in nearby Chipping Norton.The uncle was determined that the young Beechey should likewise follow a career in the law, and at an appropriate age he was entered as a clerk with a conveyancer near Stow-on-the-Wold. But as The Monthly Mirror later recorded in July 1798, he was: "Early foredoomed his [uncle's] soul to cross/ And paint a picture where he should engross."Beechey was admitted to the Royal Academy Schools in 1772, where he is thought to have studied under Johan Zoffany. He first exhibited at the Academy in 1776. His earliest surviving portraits are small-scale full-length and conversation pieces which are reminiscent of Zoffany. In 1782, he moved to Norwich, where he gained several commissions, including a portrait of Sir John Wodehouse and a series of civic portraits for St. Andrew's Hall, Norwich. By 1787, he had returned to London, and in 1789, he exhibited a celebrated portrait of John Douglas, Bishop of Carlisle (now in Lambeth Palace). Beechey's career during this period is marked by a succession of adept and restrained portraits in the tradition of Sir Joshua Reynolds.Beechey's style perfectly suited the conventional taste of the royal family, and in 1793, he was commissioned to paint a full-length portrait of Queen Charlotte and subsequently named as her official portrait painter. That same year, he was elected as an associate member of the Royal Academy.Following his royal appointment, the number of royal commissions he undertook increased markedly, and in 1797 he exhibited six royal portraits. In 1798, he was elected a full member of the Royal Academy and painted George III and the Prince of Wales Reviewing Troops for that year's academy's exhibition. This enormous composition depicts King George III, the Prince of Wales and staff officers on horseback at an imagined cavalry review in Hyde Park. The king was reported to be delighted with the painting and rewarded Beechey with a knighthood.Joseph Farington's Diaries give many accounts of Beechey's relations with the royal family during this period, including his temporary fall from favour in 1804, which Farington attributes to the vagaries of George III's mental condition.Beechey's portraits of the turn of the century are considered to be his most colourful and lively. They are closer to the flamboyant and free techniques employed by his younger rivals, John Hoppner and Sir Thomas Lawrence.Royal patronage resumed in around 1813, when Beechey was appointed portrait painter to Prince William Frederick, Duke of Gloucester, and culminated with his appointment in 1830 as principal portrait painter to King William IV. In 1836, Beechey retired to Hampstead and on 9-11 June that year, the contents of his studio along with his collection were sold at Christie's.Although capable of impetuousness and irascibility, Beechey was known for his generosity to students. In particular, he took a close interest in the career of the young John Constable.

    Broward Auction Gallery LLC
  • Portrait of a Woman, Half-Length, With a Basket of Books and Sewing Implements
    May. 22, 2024

    Portrait of a Woman, Half-Length, With a Basket of Books and Sewing Implements

    Est: $8,000 - $12,000

    Property of a Midwestern Collector Sir William Beechey, R.A. Burford, Oxon 1753 - 1839 London Portrait of a Woman, Half-Length, With a Basket of Books and Sewing Implements oil on canvas canvas: 36 by 28 in.; 91.4 by 71.1 cm. framed: 43 by 35 in.; 109.2 by 88.9 cm.

    Sotheby's
  • Attributed to Sir William Beechey, oil on canvas
    Apr. 19, 2024

    Attributed to Sir William Beechey, oil on canvas

    Est: $1,000 - $2,000

    Attributed to Sir William Beechey (British 1753-1839), oil on canvas of The Good Shepherdess, 30" x 25". NO in-house shipping for this lot.

    Pook & Pook Inc.
  • Entourage de Sir William Beechey R.A (Burford 1753-1839 Londres) Portrait de dame de qualité
    Apr. 16, 2024

    Entourage de Sir William Beechey R.A (Burford 1753-1839 Londres) Portrait de dame de qualité

    Est: €2,500 - €3,500

    Entourage de Sir William Beechey R.A (Burford 1753-1839 Londres) Portrait de dame de qualité huile sur toile oil on canvas 92.1 x 73cm (36 1/4 x 28 3/4in).

    Bonhams
  • William Beechey (1753-1839), "Portrait of Sir William Warce," Oil on canvas laid to canvas, 30" H x 25" W
    Apr. 10, 2024

    William Beechey (1753-1839), "Portrait of Sir William Warce," Oil on canvas laid to canvas, 30" H x 25" W

    Est: $10,000 - $15,000

    William Beechey (1753-1839) "Portrait of Sir William Warce" Oil on canvas laid to canvas Signed and titled in another hand on a label affixed to the verso of the frame: Sir. Wm. Beechey

    John Moran Auctioneers
  • Attributed to Sir William Beechey, R.A. (1753-1839), Portrait Miss Beechey
    Mar. 23, 2024

    Attributed to Sir William Beechey, R.A. (1753-1839), Portrait Miss Beechey

    Est: $8,000 - $15,000

    Attributed to Sir William Beechey, R.A. (1753-1839), Portrait Miss Beechey. Oil On Canvas. Retains type written label identifying the sitter and Sir William Beechey affixed to verso. This Oval Shaped Image Field Measures 27 x 22 inches. The Canvas Stretcher Measures 30 by 25 inches. The Artwork is Housed in a Louis XV Style Carved Gilt Frame Measuring 38 x 32.5 inches. The Oil Paint has a few signs of crazing consistent with age, otherwise in excellent condition. The Gilt Frame has a few scuffs and chips (see additional pictures), but in an otherwise good condition consistent with its age.Biographical Information: Sir William Beechey (12 December 1753, 28 January 1839) was a British portraitist during the golden age of British painting. During a prolific career spanning half a century, Beechey painted many of the leading figures of his day. His sitters included: King George III, King George IV, King George; Queen Charlotte, and Three Different Prime Ministers of England. His Work is Displayed at The Louvre, The National Gallery of Art, The Tate, and The Metropolitan Museum of Art. Provenance: From and Estate in Lancaster, Pennsylvania. This Oil Painting was Purchased from the notable Gallery John Bennett Fine Paintings in London in 1999.

    Stuart Kingston Gallery
  • Sir William Beechey R A (1753-1839) English, Oil on board, Portrait of an Indian Maharaja. 32 cm x 26 cm.
    Jan. 29, 2024

    Sir William Beechey R A (1753-1839) English, Oil on board, Portrait of an Indian Maharaja. 32 cm x 26 cm.

    Est: £200 - £300

    Sir William Beechey R A (1753-1839) English, Oil on board, Portrait of an Indian Maharaja. 32 cm x 26 cm. Provenance: From a prominent private titled estate.

    Hannam's Auctioneers
  • William Beechey, RA, Oil Portrait of Elizabeth Thicknesse Woodington Dickenson, c. 1814
    Jan. 27, 2024

    William Beechey, RA, Oil Portrait of Elizabeth Thicknesse Woodington Dickenson, c. 1814

    Est: $4,000 - $4,400

    Sir William Beechey RA (English, 1753-1839) oil on canvas half-length portrait of Miss Elizabeth Thicknesse Woodington Dickensen of London, England, standing in an ambiguous interior setting. Her ornate red robe is partially removed and she wears a red coral necklace as she gazes toward the viewer. Likely a portrait commissioned on the occasion of her engagement as she wears no ring on her prominently displayed left hand. With 1991 conservator's label affixed to backing. Housed in an ornate gilt wood frame with nameplate. Canvas: 36 1/4" H x 28 3/8" W. Frame: 45" H x 36 3/4" W. This lot also includes an archive of accompanying information: two (2) sepia photographs, one of the present painting and one of the painting "Lady Stanhope'' by Martin Archer Shee, with art historical information written en verso by William Roberts, London, and dated 1934 and 1935, respectively; one (1) green, leatherbound volume with case entitled "Miss Elizabeth Thickness Woodington (Afterwards Mrs. Dickenson) by Sir William Beechey, R. A.," which contains a transcription of the art historical analysis en verso of the photograph of the present painting, along with transcriptions of the inscriptions to painting's verso, privately printed by The Alexander Press, New York; one (1) typed letter addressed to Jonathan H. Cheek of Franklin, TN, and signed by Bertram M. Newhouse of the Ehrich Newhouse Galleries, New York, which addresses the sale of the painting and the earlier William Roberts analysis, dated April 6, 1936; one (1) May 1936 Ehrich Newhouse Galleries, New York, catalog featuring a reproduction of the painting; and four (4) black and white photographs of the work relating to its 1991 treatment and recording various stages in this process, one stapled to an envelope addressed to Mrs. John Cheek, Nashville, TN. Biographical note: Elizabeth Thicknesse Woodington was the eldest daughter of Colonel Thicknesse Woodington of the East India Company Service. On November 1,1814, likely shortly after this painting's creation, she married Edward Wingfield Dickenson (1779-1847). Miss Woodington's husband was the eldest son of Edward Dickenson of Drayton Manor and Dosthill House, near the Warwickshire and Staffordshire border, and Maria, daughter of merchant Wingfield Wildman (1728-1792). Dickenson graduated from Christ Church, Oxford in 1800 and in 1812 was Lieutenant Colonel in the Warwickshire Militia. He and Elizabeth had several children including Maria Elizabeth Hutton, through whom the present painting descended before entering the collection of her nephew, Mr. M. Dickenson, by 1909. Inscriptions by both Maria Elizabeth Hutton and M. Dickenson were visible en verso before treatment and are transcribed by William Roberts. (Source: "Dickenson, Edward Wingfield, 1779-1847" in Online Catalogue for Westminster School's Archive & Collections, GB-2014-WSA-06138). It was acquired by Jonathan Cheek of Middle Tennessee in the 1930s. Artist William Beechey (1753-1839) was interested in painting from an early age and was admitted to the Royal Academy Schools in 1772. He was elected an associate of the Royal Academy in 1793, the same year he painted a full length portrait of Queen Charlotte, who appointed him her official portrait painter. Subjects after that point included Lord Nelson and Sarah Siddons. In 1798 he painted George III and the Prince of Wales Reviewing the Troops, a large scale composition that earned him the honor of Knighthood and election as a full member of the Royal Academy. That painting was among those destroyed in 1992 during the fire at Windsor Castle.

    Case Antiques, Inc. Auctions & Appraisals
  • Attributed to Sir William Beechey
    Dec. 20, 2023

    Attributed to Sir William Beechey

    Est: $300 - $500

    Portrait of a Lady in a White Dress Oil on canvas, ovoid 13 1/4 x 10 1/2 inches (34 x 26.7 cm) Glue relined. Repaired hole in the background (roughly 1/2 inch in diameter) above the lady's head. Inpainted cracks on the lady's chest; some contours reinforced.

    DOYLE Auctioneers & Appraisers
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