Farid Bakahiya Paintings & Artwork for Sale | Farid Bakahiya Art Value Price Guide

Jun. 18, 2026
Farid BELKAHIA (Marrakech 1934 - 2014) Dawn, (19)83
Est: €50,000 - €60,000
Farid BELKAHIA (Marrakech 1934 - 2014) Dawn, (19)83 Pigments on skin 77 x 60 cm Signed lower right F. Belkahia and dated 83 Countersigned, titled, dated and localized on the back F. Belkahia 103 bd de la résidence Casa. Aube, 1983 *** Natural pigments on goat's hide, signed and dated lower right F. Belkahia 83; signed, titled, dated and inscribed with the artist's address on the reverse (30⅜ × 23⅝ in.). Provenance Private collection, Paris, since 1987. Farid Belkahia's work reflects the development of a decolonial approach to art, freed from Western academic hegemony; and which questions the relationship between tradition and modernity. The work Aube (1983), presented at the auction, is a perfect example of this approach, adapting a traditional artistic heritage into a modern visual language. Aube is part of a specific period in the artist's career, during which, in the 1980s, he focused in particular on his research into materials. Drawing on Moroccan handicrafts, he turned his attention to the unexpected use of skin and natural pigments. Animal skin has been used in tanning since the 12th century in Morocco, particularly in Fez. "I buy the skin raw. Once I've stripped it of its lymph, it's a very stretchy, supple skin that smells very strong, and I stretch it as much as I can," explains Belkahia. In Aube, the artist replaces the canvas with goatskin and applies henna: "Henna is a very widespread plant in North Africa, and one of the oldest plants in human consciousness". The use of pigments in the dyeing and wool-making process in Morocco avoids affecting the nature of the skin. Belkahia thus breaks with the materials inherited from the colonial period, preferring skin to canvas and natural pigments to oil paint. Aube is thus a celebration of the various craft practices perpetuated over the centuries, which in Belkahia's work respond to contemporary issues. The choice of natural elements adds texture to the composition, amplifying the work's organic character and accentuating its symbolic force. Reasserting the value of local crafts - long considered inferior to the fine arts - allows Belkahia to explore the sensory, even spiritual, dimension of creation. From the famous series of the same name, Aube (1983) bears witness to the artist's assiduous and constant drawing practice, through which he develops an entire visual repertoire comprising various motifs and symbols. Almost obsessively, he plays on the movement between straight and curved lines, geometric shapes, signs and symbols that he continues to draw from Moroccan cultural heritage. Here, the patterns traced inside the triangle evoke the traditional ornamental style seen in jewelry, carpets and Amazigh tattoos alike. Aube (1983) represents that eternal event when the world passes from night to day, which Belkahia translates through a play of light and shadow in varying hues of henna. It heralds a passage signaled by the colored lines of the rainbow; but the artist doesn't limit herself to simply illustrating a natural phenomenon. The first rays of sunlight reveal the forms of life: it's a birth. Indeed, the triangle - which materializes the link between earth and sky - is topped by a motif whose erotic shape suggests the female crotch. The meeting of celestial and terrestrial elements gives the work a highly sensual dimension, since it refers to fertility and humanity. In his reflections on Moroccan folk art, Belkahia ultimately turns to more general themes such as life, the body and nature. "Man has always been at the heart of my concerns. He is the source and purpose of my research. It's from him that I try to decipher everything. Man is the energy cell of our world. Belkahia saw universality as the ability of art rooted in local traditions to express human experiences common to all peoples. "Tradition is man's future", asserted Farid Belkahia, who envisaged the creation of a national visual culture and artistic practice, both modern and specifically Moroccan. Inviting contemplation, Aube (1983) attests to the artist's mastery of the relationship between image and material. It is an emblematic work
Millon & Associes
Jun. 18, 2026
[Farid BELKAHIA] Reunion of four reference catalogs
Est: €200 - €300
[Farid BELKAHIA] Reunion of four reference catalogs a) Salah Stétié, Jacques Leenhardt and Rajae Benchemsi. Farid Belkahia. Paris, Institut du Monde Arabe, 2005. Catalog for the exhibition held from May 24 to July 17, 2005. b) Rajae Benchemsi and Jean-Hubert Martin. Farid Belkahia. Casablanca, Venice Frame, 2010. c) Brahim Alaoui and Rajae Benchemsi. Farid Belkahia. Marrakech, Matisse Art Gallery, 2007. d) Farid Belkahia. Marrakech, Matisse Art Gallery, 2004. Catalog of the exhibition from April 16 to May 16, 2004. The set covers a decade of major exhibitions (2004-2010), including his Paris retrospective at the Institut du Monde Arabe.
Millon & Associes
Mar. 31, 2026
Farid BELKAHIA (Morocco, 1934 - 2014)
Est: €150 - €200
Farid BELKAHIA (Morocco, 1934 - 2014) Catalog for the "Procession" exhibition held at the Climats gallery in Paris in 1996. Format 21.5x26 cm, paperback, 45pp, 41 reproductions of works in color. Texts by Jovana Petrovic and Rajae Benchemsi. In French. Catalog printed in 1000 copies, 20 of which contain an original drawing signed and numbered by the artist. Catalog numbered N°9 (drawing missing). Publication devoted to Farid Belkahia's works created between 1994 and 1995 on the theme of "Procession". An exhibition catalog on Farid Belkahia's "Procession", illustrated printed booklet, Paris, 1996. Farid BELKAHIA (Maroc, 1934 - 2014) Catalogue de l’exposition « Procession » organisée à la galerie Climats à Paris en 1996. Format 21,5x26 cm, broché, 45pp, 41 reproductions d’œuvres en couleur. Textes de Jovana Petrovic et Rajae Benchemsi. En français. Catalogue tiré à 1000 exemplaires dont 20 contenant un dessin original signés et numérotés par l’artiste. Catalogue numéroté N°9 (dessin absent). Publication consacrée aux œuvres de Farid Belkahia réalisées entre 1994 et 1995 sur le thème de la « Procession ». An exhibition catalogue on Farid Belkahia’s “Procession”, illustrated printed booklet, Paris, 1996.
Millon & Associes
Dec. 15, 2025
Farid BELKAHIA (Marrakech, 1934 - 2014) The forest
Est: €5,000 - €6,000
Farid BELKAHIA (Marrakech, 1934 - 2014) The forest Lithography 62 x 87 cm Signed and justified in the lower right margin F Belkahia E.A IX/XXV Ed. Michel Cassé. A continuation of the research begun in 1963 on the theme of the tree, this lithograph illustrates Farid Belkahia's reflection on the symbolism of the forest, seen as a space of memory and transformation.
Millon & Associes
Dec. 15, 2025
Farid BELKAHIA (Marrakech, 1934 - 2014) Untitled, 2011
Est: €50,000 - €60,000
Farid BELKAHIA (Marrakech, 1934 - 2014) Untitled, 2011 Henna on skin Signed and dated lower middle F. Belkahia 2011 D. 60 cm Produced in 2011, this circular work belongs to Farid Belkahia's latest creative period. Since the 1970s, Farid Belkahia's research on copper, then on henna-treated goatskin, has become his preferred medium, extending the research begun in the Processions series (1996), in which the artist elaborated a veritable cosmic script. The circle, figure of the world and the cycle, is structured by a set of signs - spirals, crosses, dots, incised or painted lines - forming a visual alphabet inspired by Amazigh traditions and protective motifs. The schematized, almost totemic face fits into this geometric architecture, transforming the surface into a sacred space. For Belkahia, the motif is never decorative: it is a trace, a memory, the imprint of a thought that links the body, nature and the sacred. In this way, the work bears witness to a peaceful maturity, in which the material has been tested and sublimated over a long period of time.
Millon & Associes
Dec. 15, 2025
Farid BELKAHIA (Marrakech, 1934 - 2014) Untitled, 1972
Est: €18,000 - €22,000
Farid BELKAHIA (Marrakech, 1934 - 2014) Untitled, 1972 Hammered copper 60.5 x 60.5 cm Signed and dated farid belkahia (19)72 on the back of the panel. Some scratches and dents. "I deliberately opted for copper plate in order to honor in my art a material that is highly inscribed in the artisanal tradition of Morocco." Rajae Benchemsi, Farid Belkahia. Milan, Skira, 2013, p. 37 Produced in 1972, this work in hammered copper is part of one of the most decisive periods in Farid Belkahia's career: the 1970s, when the artist definitively abandoned canvas in favor of organic materials - copper, skin, wood - in order to revive ancestral techniques and a materiality deeply rooted in Morocco's artisan history. The panel features a refined biomorphic form, with supple, symmetrical contours, typical of Belkahia's research into the sign and symbolic architecture of the body. Hammering creates a play of relief and vibration that activates the metal surface, recalling the traditional gestures of Moroccan coppersmiths. In this way, the artist transforms copper into a field of energy, oscillating between abstraction, organicity and sacredness. 1972 was the year when Belkahia, director of the Casablanca School of Fine Arts, fully asserted the philosophy of "Moroccan Art Nouveau", based on the revaluation of vernacular skills and the search for a specific symbolic language. This piece is an emblematic example: a ritual, almost totemic object, where material, gesture and form merge into a meditative image.
Millon & Associes
Dec. 15, 2025
Farid BELKAHIA (Marrakech, 1934 - 2014) Atours autour, 1980
Est: €5,000 - €8,000
Farid BELKAHIA (Marrakech, 1934 - 2014) Atours autour, 1980 Portfolio comprising fourteen lithographs on Arches paper, each plate enhanced, signed and numbered by the artist. Limited edition of 100. Printed by Michel Cassé, Paris. Text by Natacha Pavel. The book is presented in sheets, in a cardboard-backed jacket. The leaves are in a triptych, with the French poem printed in black on the left, the Moroccan Arabic text printed in red on the right, and a drawing by the artist in the center. Closed triptych, 38 x 25 cm. Triptych open, 38 x 75 cm This rare work illustrates the fruitful collaboration between Farid Belkahia and writer Natacha Pavel. Atours autour bears witness to Belkahia's research into book-objects, a medium he has been exploring since the late 1970s. By combining the materiality of paper, pigments and sign, the artist continues his reflection on symbols and forms from Moroccan culture. This artist's book is one of the rare editions Belkahia produced in Paris, in collaboration with printer Michel Cassé, who produced several major editions by Arab and African artists during the same period. "Born into a cultured family in Marrakech, Farid Belkahia studied at the École Nationale Supérieure des Beaux-Arts in Paris (1955-1959), then in Prague (1959-1962), before returning to Morocco. Director of the École des Beaux-Arts de Casablanca from 1962 to 1974, he played a founding role in the emergence of the "Casablanca Group", placing traditional arts, craftsmanship and vernacular symbols at the heart of Moroccan modernity. From the 1960s onwards, he abandoned canvas in favor of organic materials - hammered copper, skin, wood, henna - which became his signature. His work, deeply rooted in the alphabet of Amazigh signs, primitive forms and symbolic thought, asserts that "tradition is man's future". Represented in numerous international collections (Centre Pompidou, Tate Modern, Mathaf), Belkahia remains one of the major figures of Moroccan modern art. The 4 works presented here illustrate Atours autour (1980) illustrates his research into the book-object; Hammered Copper from 1972 bears witness to his early exploration of organic materials and signs; Henna Skin from 2011 reveals the spiritual purity of his final years; finally, the lithograph La Forêt demonstrates his mastery of sign and graphic rhythm in a more traditional medium."
Millon & Associes
Dec. 15, 2025
Farid BELKAHIA (Morocco, 1934 - 2014) Catalog for the "Procession" exhibition held at the Climats gallery in Paris in 1996.
Est: €200 - €300
Farid BELKAHIA (Morocco, 1934 - 2014) Catalog for the "Procession" exhibition held at the Climats gallery in Paris in 1996. Format 21.5x26 cm, paperback, 45pp, 41 reproductions of works in color. Texts by Jovana Petrovic and Rajae Benchemsi. In French. Catalog printed in 1000 copies, 20 of which contain an original drawing signed and numbered by the artist. Catalog numbered N°9 (drawing missing). Publication devoted to Farid Belkahia's works created between 1994 and 1995 on the theme of "Procession".
Millon & Associes
Nov. 06, 2025
FARID BELKAHIA (1934, MARRAKECH - 2014, MARRAKECH). Somalia 2. natural pigm
Est: £100,000 - £150,000
FARID BELKAHIA (1934, MARRAKECH - 2014, MARRAKECH). Somalia 2. natural pigments on skin and sand on panel81 7/8 x 45 5/8 x 1/2in. (208 x 116 x 1.3cm.).
Christie's
Nov. 01, 2025
Farid BELKAHIA
Est: MAD220,000 - MAD330,000
Farid BELKAHIA Composition Technique mixte Signée en bas à droite "f.belkahia" 50 x 30,5 cm Mixed media Signed lower right "f.belkahia" 19,68 x 12,01 in. Provenance : Offert par l'artiste en 2009 à l'actuel propriétaire Collection particulière, France Lot en provenance hors Maroc Un certificat d'authenticité de la Fondation Farid Belkahia sera remis à l'acquéreur. Farid BELKAHIA
Artcurial
Nov. 01, 2025
Farid BELKAHIA
Est: MAD22,000 - MAD33,000
Farid BELKAHIA La lune balise les rêves à la mesure de l’univers Lithographie Signée en bas à droite "f.belkahia" Ed. 48/50 27,5 × 37 cm Lithography Signed lower right "f.belkahia" Ed. 48/50 10,83 x 14,57 in. Provenance : Offert par l'artiste en 2009 à l'actuel propriétaire Collection particulière, France Lot en provenance hors Maroc Un certificat d'authenticité de la Fondation Farid Belkahia sera remis à l'acquéreur. Farid BELKAHIA
Artcurial
Jul. 02, 2025
Farid Belkahia (Morocco, 1934 - 2014) Procession, 1996
Est: €50,000 - €60,000
Farid Belkahia (Morocco, 1934 - 2014) Procession, 1996 Pigments on skin D. 55 cm Signed and dated lower center F. Belkahia 96 Countersigned, dated and titled on back Procession 1996 F. Belkahia Provenance: Private collection, France; probably Galerie Climats, Paris, 1996. "You can't imagine how hard I've worked on the skin for four years, without anyone ever seeing it? I abused it, I put it through the most improbable states, to see what it's capable of: its tension, its breaking point, how it reacts to fire, how it reacts to water, how it reacts to acids. A test as if to get to know the material better" F. Belkahia, in Rencontres africaines, 1994. p.14. Farid Belkahia's present lot embodies his emblematic exploration of goatskin, a material that has become inseparable from his artistic practice and characteristic of his most sought-after works. Produced in 1996, on the occasion of his exhibition at the Galerie Climats in Paris entitled Procession, this work evokes several of the artist's recurring themes: the wave, the cycle, the emergence of dawn, etc. Its composition is akin to N'onde, a work of art by Farid Belkahia. Its composition can be compared with Nuit étoilée, created in 1994, sold at Christie's on April 18, 2012, lot no. 111. Three erect, almost totemic forms dominate the upper part of the composition, against a midnight-blue background evoking the celestial vault. They suggest both human figures and steles, in a solemn verticality. The central element, in the shape of an arrow, seems to point in an upward direction, evoking ritual or spiritual elevation. Below, a spiral traced in ochre refers to ancestral Amazigh motifs, symbols of eternal return, the cycle of life and memory. A major figure on the Moroccan art scene, Belkahia reached artistic maturity just as Morocco was gaining its independence. Trained at the École des Beaux-Arts in Paris (1954-1959), then in Prague, he gradually moved away from Western expressionism to carve out his own path, free from the codes of European painting. Returning to Morocco in 1962, he became director of the Casablanca School of Fine Arts, which he ran until 1974. Alongside Mohammed Melehi and Mohamed Chabaa, he led a radical reform of art education and founded the Casablanca Group, which was behind the open-air Manifesto Exhibition held in Jemaa el-Fna Square in 1969 - a decisive moment in the history of post-colonial art in Morocco. From 1963 onwards, Belkahia made a definitive break with easel painting, abandoning oil for materials derived from Moroccan craft traditions: copper and, from 1975, leather. These supports, chosen for their organic texture and cultural resonance, become the foundation of a body of work in which matter, form and symbol merge into an indissociable whole. With this gesture, Belkahia celebrates Morocco's pre-colonial and plural past, multiplying references to Amazigh and African material culture - tifinagh signs, carpet motifs, tattoos - as well as to ancestral techniques such as the application of henna, walnut stain or the treatment of raw hides. His work, both spiritual and political, questions identity, memory and transmission. Combining calligraphy, Berber symbols, sacred geometry and artisanal practices, Farid Belkahia reinvents a rooted modernity, true to his conviction that "all modernity passes through tradition". Farid Belkahia has exhibited his work all over the world, and is represented in collections such as the British Museum, London; the Tate, London; the Centre Pompidou, Paris; the Barjeel Art Foundation, Sharjah; MATHAF (Arab Museum of Modern Art, Doha); and the Farid Belkahia Foundation, among others.
Millon & Associes
Oct. 31, 2024
FARID BELKAHIA (1934, MARRAKESH - 2014, MARRAKESH). Arbre arc-en ciel (Rain
Est: £50,000 - £70,000
FARID BELKAHIA (1934, MARRAKESH - 2014, MARRAKESH). Arbre arc-en ciel (Rainbow Tree). pigments on skin mounted on panel 70 ½ x 61 ¾ x 5⁄8in. (179 x 157 x 1.5cm.).
Christie's
Sep. 26, 2024
Farid Belkahia (Morocco, 1934-2014) Sans titre
Est: €15,000 - €20,000
Farid Belkahia (Morocco, 1934-2014) Sans titre signé et daté ' F Belkahia 72' en bas à droite; signé au revers Bronze sur plaque de bois 80 x 53.5cm. (31 1/2 x 21 1/16in.) Cette oeuvre est encadrée. exécuté en 1972 signed and dated ' F Belkahia 72' lower right; signed on verso bronze on wood
Bonhams
Sep. 18, 2024
Farid Belkahia (1934-2014) Composition en diptyque…
Est: CHF15,000 - CHF20,000
Farid Belkahia (1934-2014) Composition en diptyque, pigment sur peau de chèvre contrecollée sur panneaux, 30x74 cm
Geneve Encheres
Jun. 05, 2024
Farid Belkahia (Morocco, 1934-2014) Le Couple
Est: £50,000 - £70,000
Farid Belkahia (Morocco, 1934-2014) Le Couple pigment on animal hide, two panels signed 'F.Belkahia' and dated '1994' on both panels, executed in 1994 160 x 80cm (63 x 31 1/2in).
Bonhams
Mar. 21, 2024
Untitled
Est: £20,000 - £30,000
Farid Belkahia Moroccan 1934-2014 Untitled signed and dated 1983 (lower left) pigment on vellum 79.5 by 79.5cm., 31¼ by 31¼in.
Sotheby's
Nov. 30, 2023
Farid BELKAHIA (Maroc, 1934 - 2014) Formes (19)79 Trois encres sépia sur papier
Est: €3,000 - €4,000
Farid BELKAHIA (Maroc, 1934 - 2014) Formes (19)79 Trois encres sépia sur papier Contrecollées sur carton 22 x 18 cm, signé et daté au feutre en bas à droite (19)79 20 x 18 cm, monogrammé, situé Hong Kong, et daté (19)79 20 x 18 cm, monogrammé, signé et daté (19)79 (double face semble-t-il). *** Three sepia inks on paper Mounted on cardboard 22 x 18 cm, signed and dated in felt pen lower right (19)79 20 x 18 cm, monogrammed, located Hong Kong, and dated (19)79 20 x 18 cm, monogrammed, signed and dated (19)79 (apparently double-sided). Provenance : Collection particulière. Ancienne collection Kenneth Schmidt, Dokumenta Gallery, Copenhague. Private collection. Former Kenneth Schmidt Collection, Dokumenta Gallery, Copenhagen.
Millon & Associes
Nov. 09, 2023
FARID BELKAHIA (1934, MARRAKESH - 2014, MARRAKESH) Force Invisible (Invisib
Est: £20,000 - £30,000
FARID BELKAHIA (1934, MARRAKESH - 2014, MARRAKESH) Force Invisible (Invisible Force) natural pigments on vellum laid on board 24 5⁄8 x 19 5⁄8in. (62.5 x 49.9cm.)
Christie's
Jul. 20, 2023
Farid BELKAHIA (1934-2014) Composition aux personnages
Est: €8,000 - €12,000
Farid BELKAHIA (1934-2014) Composition aux personnages Bas-relief en cuivre repoussé cloué sur panneau 35,5 x 57 cm Provenance: Collection personnelle de Monique de Gouvenain (1916-2007), qui travailla au centre d’accueil des étudiants maghrébins de Paris dans les années 1960. C'est dans ce cadre qu'elle rencontra plusieurs jeunes artistes étudiants, dont Ahmed Cherkaoui. Vers la fin de l’année 1965, après avoir collaboré avec les Ballets Modernes de Paris et le Festival de danse des Baux de Provence, Monique de Gouvenain réalise enfin son rêve d’ouvrir une galerie d’art contemporain, la Galerie Solstice. Située rue des Tournelles, près de la place des Vosges, dans le quartier du Marais en pleine transformation à l’époque, la galerie présente une exposition de groupe pour son inauguration, à laquelle participe naturellement Ahmed Cherkaoui. Par la suite, Monique de Gouvenain expose régulièrement les œuvres de ce dernier, ainsi que celles de Chaïbia, Tallal, Belkahia, et de nombreux autres peintres et sculpteurs français et étrangers tels que Ghesquière, Lonsdale, Scherdin et Yayanagi.
Millon Riviera
Jul. 06, 2023
Farid Belkahia (Maroc, 1934 -2014) Untitled, 1998
Est: €3,000 - €5,000
Farid Belkahia (Maroc, 1934 -2014) Untitled, 1998 Technique mixte et pigment sur peau, Diamètre : 19 cm, Signée, datée 1998 en bas à droite. *** Mixed media and pigments on skin, Signed, dated 1988 on lower right. Provenance : Collection privée, Maroc. $US 3,200 - 5,500 3 000/ 5 000 € The lot is currently in Morroco Moroccan VAT at 10% will be applied for lots currently located in Morocco (i.e. buyer’s premium is 24% pre-tax). In the event of export from Morocco, VAT on sales costs (i.e. 2.4%) may be reimbursed after presentation of the Customs exportation receipts.
Millon & Associes
Jul. 06, 2023
Farid Belkahia (Maroc, 1934 -2014) Procession, 1995
Est: €3,000 - €5,000
Farid Belkahia (Maroc, 1934 -2014) Procession, 1995 Technique mixte et pigment sur peau, 20 x 20 cm, Signée, datée 1995 en bas à droite et titrée à gauche. *** Mixed media and pigments on skin, Signed, dated 1995 on lower right and titled on the left. Provenance : Collection privée, Maroc. $US 3,200 - 5,400 3 000/ 5 000 € The lot is currently in Morocco. Moroccan VAT at 10% will be applied for lots currently located in Morocco (i.e. buyer’s premium is 24% pre-tax). In the event of export from Morocco, VAT on sales costs (i.e. 2.4%) may be reimbursed after presentation of the Customs exportation receipts.
Millon & Associes
Jul. 05, 2023
Farid Belkahia (Morocco, 1934-2014) Autours Autour
Est: €4,000 - €6,000
Farid Belkahia (Morocco, 1934-2014) Autours Autour artist book, 14 original lithographs by the artist signed 'Farid Belkahia', numbered '38/100', number 38 from an edition of 100, executed in 1980 38 x 74cm (14 15/16 x 29 1/8in).
Bonhams
Nov. 02, 2022
Farid Belkahia (Moroccan, 1934-2014) Composition pigments on vellum laid on
Est: £40,000 - £60,000
Farid Belkahia (Moroccan, 1934-2014) Composition pigments on vellum laid on board vellum: 27 3/8in. (69.5cm.) diameter panel: 35 3/8 x 35 3/8in. (90 x 90cm.)
Christie's
Jun. 25, 2022
Farid Belkahia
Est: €4,000 - €5,000
Farid Belkahia 1934 Marrakesch - 2014 Marrakesch - "Atours autour - 14 poèmes de Natacha Pavel sur des dessins de Farid Belkahia" - Mappenwerk mit 13 (von 14) Lithografien/Papier (zweifach gefalzte Blätter). 73/100. Je 35 x 28 cm (gefalztes Blattmaß). Jeweils sign. r. u.: F. Belkahia. Auf dem Editionsblatt von Farid Belkahia und Natacha Pavel signiert. Originalmappe. Stockflecken. Bräunungsspuren. Teilw. minim. angeschmutzt. Signaturen teils leicht verwischt. Mappe leicht angeschmutzt. Die Arbeit stammt aus dem Jahr 1980.
Das Kunst- und Auktionshaus Kastern GmbH & Co KG
Jun. 29, 2021
Farid BELKAHIA (1934-2014) "ATOURS AUTOUR, 1980" Ouvrage comportant 13
Est: €800 - €1,200
Farid BELKAHIA (1934-2014) "ATOURS AUTOUR, 1980" Ouvrage comportant 13 poèmes illustré par l'artiste Lithographie et rehauts d'aquarelle Signé et numéroté 83/100 38 x 76 cm
Cornette de Saint-Cyr
Dec. 13, 2020
Farid BELKAHIA (1934-2014) Composition, 1998
Est: €10,000 - €20,000
Farid BELKAHIA (1934-2014) Composition, 1998 Huile sur peau Signée et datée en bas à droite 49 x 49 cm Provenance Galerie d’art Al Manar, Neuilly-sur-Seine, 2000
Gros-Delettrez
Nov. 24, 2020
Farid Belkahia (Moroccan, 1934-2014),
Est: £80,000 - £120,000
Farid Belkahia (Moroccan, 1934-2014) Untitled ink on vellum laid down on board 66 ? x 59in. (170 x 150cm.) Executed circa 1981 ,
Christie's
Nov. 24, 2020
Farid Belkahia (Moroccan, 1934-2014),
Est: £180,000 - £240,000
Farid Belkahia (Moroccan, 1934-2014) Tapuwana animal hide, pigment and bronze 74 ?in. (190cm.) Executed in 2008, this is number two from an edition of eight. Only two were produced prior to the artist’s death. ,
Christie's
Nov. 16, 2020
FARID BELKAHIA (1934-2014)
Est: €2,000 - €4,000
FARID BELKAHIA (1934-2014) COMPOSITION COMPOSITION Pigments sur peau. Signée et datée "99" en bas à gauche. 17,5 X 17,5 CM (6 7/8 X 8 7/8 IN.) €2,000-4,000 PROVENANCE Galerie Alexandre Mottier, Genève, Suisse. La facture d'achat, datée du 21février 1997, sera remise à l'acquéreur.
Tajan
Jul. 09, 2020
BELKAHIA Farid (1934-2014)
Est: €1,500 - €2,000
BELKAHIA Farid (1934-2014) Composition abstraite, 1987 Technique mixte sur parchemin marouflé sur panneau, signée et datée en bas droite 46 x 62 cm Provenance : collection Claire BRETECHER
Mirabaud-Mercier
Jun. 11, 2020
Farid Belkahia (Morocco, 1934-2014) Atours Autor
Est: £4,000 - £6,000
Farid Belkahia (Morocco, 1934-2014) Atours Autor Artist's book titled 'Atours Autour' in fifteen loose sections (first section is a double fold, remaining sections are triple folds) on paper with deckle edge at tail. 14 original lithographs by the artist. Title of book block-stamped onto front cover in dark brown. Book comprises fourteen poems by Natacha Pavel, printed (using lithographic process) in French on left hand side of folded section, with Maghrebi Arabic translation on right hand side of section; all text in terracotta-coloured ink. Centre of each section has designs by Farid Belkahia in black and brown inks. All lithograph designs are signed in pencil by Belkahia. executed in 1980, numbered 72 of 100 38 x 74cm (14 15/16 x 29 1/8in). For further information on this lot please visit the Bonhams website
Bonhams
Jun. 11, 2020
Farid Belkahia (Morocco, born 1934) Étude sur le Malheur diameter: 77cm
Est: £30,000 - £50,000
Farid Belkahia (Morocco, born 1934) Étude sur le Malheur pigment on animal hide signed 'f.belkahia' and dated '98', executed in 1998 diameter: 77cm For further information on this lot please visit the Bonhams website
Bonhams
Apr. 17, 2020
Farid Belkahia, 1934-2014 Morocco, untitled, color
Est: €200 - €400
Farid Belkahia, 1934-2014 Morocco, untitled, color lithograph, hand signed, num. 144/150, approx. 40x65cm, PP, under glass, frame approx. 75x104cm, frame dam. . German Description: Farid Belkahia, 1934-2014 Marokko, Ohne Titel, Farblithographie, handsigniert, num. 144/150, ca. 40x65cm, PP, u.Gl., R. ca. 75x104cm, Rahmen besch.
Henry's Auktionshaus
Dec. 05, 2019
BELKAHIA Farid (1934-2014)
Est: €2,000 - €3,000
BELKAHIA Farid (1934-2014) Composition abstraite, 1998 Pigments sur parchemin, signé et daté en bas à droite. 32,5 x 34,5 cm
Mirabaud-Mercier
Dec. 05, 2019
BELKAHIA Farid (1934-2014)
Est: €100 - €150
BELKAHIA Farid (1934-2014) Composition abstraite Gravure, signée en bas à droite, datée "(19)77”, dédicacée "To Judith with Love”, numérotée "5/10". 19,2 x 1,3,5 cm à vue
Mirabaud-Mercier
Oct. 25, 2019
Belkahia, Fahrid - o.T. Farblithographie …
Est: €300 - €450
Belkahia, Fahrid o.T. Farblithographie auf chamiosfarbenem Büttenpapier. 64,5 x 40 cm (73,5 x 51,5 cm). Signiert und nummeriert in Graphit. Im Passepartout freigestellt und auf Unterlage montiert. Unter Glas gerahmt. - Farblithographie in sehr gutem Zustand. Eins von 150 Exemplaren. n.T. Colour lithograph on chamois handmade paper. 64,5 x 40 cm (73,5 x 51,5 cm). Signed and numbered in graphite. Excepted in passe-partout and mounted on support. Framed under glass. - Colour lithograph in very good condition.
Jeschke Jádi Auctions Berlin GmbH
Oct. 23, 2019
Farid Belkahia (Morocco, 1934-2014) Signs diameter: 70 cm
Est: £20,000 - £25,000
Farid Belkahia (Morocco, 1934-2014) Signs pigment on animal hide signed 'F.Belkhahia' and dated '98' (lower right), executed in 1998 diameter: 70 cm For further information on this lot please visit the Bonhams website
Bonhams
Oct. 23, 2019
FARID BELKAHIA (1934-2014) CUBA, SI, 1961 Lithographie en couleurs sur vé
Est: €700 - €900
FARID BELKAHIA (1934-2014) CUBA, SI, 1961 Lithographie en couleurs sur vélin Epreuve d’artiste signée au crayon, dédicacée et annotée IX/XX 90 x 61 cm
Cornette de Saint-Cyr
Jul. 01, 2019
FARID BELKAHIA (1934-2014)
Est: €2,000 - €4,000
FARID BELKAHIA (1934-2014) COMPOSITION COMPOSITION Pigments sur peau. Signée et datée "99" en bas à gauche. 17,5 X 17,5 CM (6 7/8 X 8 7/8 IN.) €2,000-4,000 PROVENANCE Galerie Alexandre Mottier, Genève, Suisse. La facture d'achat, datée du 21février 1997, sera remise à l'acquéreur.
Tajan
Jun. 28, 2019
Farid BELKAHIA (1934-2014) Composition, 1998
Est: €20,000 - €30,000
Farid BELKAHIA (1934-2014) Composition, 1998 Huile sur peau, signée et datée en bas à droite. 49 x 49 cm Provenance : Galerie d’art Al Manar, Neuilly-sur-Seine, 2000.
Gros-Delettrez
Dec. 30, 2018
Farid BELKAHIA 1934 - 2014 Aérien - 1979 Henné sur peau tendu sur bois
Est: €100,000 - €150,000
Farid BELKAHIA 1934 - 2014 Aérien - 1979 Henné sur peau tendu sur bois En trois parties dont une datée au dos "1979" h: 145 w: 107 cm Provenance : Collection particulière, France Bibliographie : Cette œuvre sera incluse dans le Catalogue Raisonné de l'œuvre de l'artiste actuellement en préparation par la Fondation Belkahia. Commentaire : Un certificat de la Fondation Farid Belkahia sera remis à l'acquéreur. Henna on skin laid on wood; three parts; one signed on the reverse Estimation 100 000 - 150 000 €
Artcurial
Oct. 23, 2018
FARID BELKAHIA (1934-2014) DIVINITY, 1980 Teinture sur peau appliquée sur p
Est: €100,000 - €150,000
FARID BELKAHIA (1934-2014) DIVINITY, 1980 Teinture sur peau appliquée sur panneau 175 x 116 cm - 68.89 x 45.66 in. Tinted skin laid on panel Un certificat de la Fondation Farid Belkahia sera remis à l’acquéreur
Cornette de Saint-Cyr
Apr. 24, 2018
FARID BELKAHIA | Bestiaire (Bestial)
Est: £12,000 - £18,000
oil and pigments on wood
Sotheby's
Apr. 24, 2018
FARID BELKAHIA | Foule (Crowd)
Est: £4,000 - £6,000
oil on paper
Sotheby's
Apr. 18, 2018
Farid Belkahia (1934-2014, Maroc)Transe, 1988
Est: €35,000 - €45,000
Farid Belkahia (1934-2014, Maroc) Transe, 1988 Encre sur papier Titré, daté et signé en bas à droite 61 x 80 cm
Piasa
Oct. 23, 2017
FARID BELKAHIA | Untitled
Est: £6,000 - £8,000
bronze and hennah on vellum
Sotheby's
Oct. 05, 2017
Farid Belkahia (Morocco, born 1934) Mask
Est: £3,000 - £5,000
Farid Belkahia (Morocco, born 1934) Mask
Bonhams