Suzanne Bergeron Paintings & Artwork for Sale | Suzanne Bergeron Art Value Price Guide

May. 24, 2025
Dieter Roth (Hannover 1930 - Basel 1998). A Chocolate Sculpture 'Löwenselbst'.
Est: -
Cast figure made of chocolate. H. 23 x 15 x 19,5 cm. In keeping with the artist's intention, with traces of age such as so-called grease marks, cracks and crumbling. 'Löwenselbst' is both a homage to Dieter Roth's then partner Dorothy Iannone (born Boston 1933) and a self-portrayal as a seated lion. - The use of chocolate and the alteration of the material to the point of dissolution corresponds to Dieter Roth's artistic practice, in whose work decay and transience play a central role - Provenance: From the collection of Dr. Gabriele Hartmann, Hamburg, a friend of Dieter Roth - Swiss poet, graphic artist, action and object artist. R. was an important proponent of 'Concrete Poetry' and Eat Art and was also in contact with Fluxus artists in New York. His works were exhibited twice at the Documenta. His works of art, which are always humorous, take up changeability and transience concretely in their materials. Mus.: New York (Moma), London (Tate), Paris (Centre Pompidou), Zürich (Kunsthaus), Hamburg (Kunsthalle), Hannover (Sprengel. Mus.), Karlsruhe (ZKM), Barcelona, Bremen, Gent, Roskilde a. others. Lit.: B. Meyer-Krahmer: Dieter Roth: Selbstbeobachtung als künstlerischer Schaffensprozess a. others.
Auktionshaus Stahl
May. 07, 2025
* ROTH, DIETER: "Motorradfahrer".
Est: CHF900 - CHF1,800
ROTH, DIETER (Hannover 1930 - 1998 Basel) * : "Motorradfahrer"; Multiple, Blechspielzeug, auf Holzfaserplatte montiert, mit roter Acrylfarbe übergossen; H: 12,5 cm, B: 16,8 cm, T: 11,2 cm; umseitig in Schwarz sig. "Diter Rot", dat. (19)69 u. num. 52/100
Dobiaschofsky Auktionen AG
Apr. 29, 2025
Allan d’Arcangelo (1930-1998) Tapestry - limited edition
Est: €6,000 - €9,000
Allan d'Arcangelo (1930-1998) Tapestry - limited edition Wool Edited by Betsy Ross Flag and Banner, limited edition of 20 Signed and dated on the back on the manufacturer's label Model created in 1969 180 × 170 cm Allan d'Arcangelo (1930-1998) Tapisserie - Édition limitée Laine feutrée Édition Betsy Ross Flag and Banner, limitée à 20 exemplaires Signée et datée au revers sur l'étiquette de l'éditeur Modèle créé en 1969 180 × 170 cm
Piasa
Apr. 26, 2025
Antonio Saura Carmen, 1976
Est: $500 - $1,000
Antonio Saura (Spanish, 1930-1998) Carmen, 1976 Lithograph on paper, ed. 17 of 125 29 x 21.5 (in); 39.25 x 30.75 x 1.5 (in) framed Signed Saura, lower right $500 - $1,000 Modernism tag, verso.
Larsen Art Auction
Apr. 01, 2025
ANTONIO SAURA Huesca (1930) / Cuenca (1998) "Lady in Technicolor I", 1970
Est: €750 - €1,000
Color silkscreen Justified II/XX and signed in pencil at the bottom Bibliography: Weber-Caflich, O. & Cramer, P., "Saura Obragrafica", Patric Cramer Editor, 2000, p. 112 nº87 Measurements: Paper: 80 x 54 cm
Ansorena
Mar. 22, 2025
Roth, Dieter (1930 Hannover - Basel 1998)
Est: €100 - €120
Doppelquartett. Farblithographie (l. Altersspuren), re. u. mit Bleistift sign. und dat. (19)71 sowie li. u. Ex. 44/50. Published by Petersburg Press, London. 81x 62 cm. PP., R.
Dannenberg
Mar. 08, 2025
Carlfriedrich Claus "Annaberg-Buchholz: Denkgänge über unter Tage". 1984.
Est: €500 - €600
Carlfriedrich Claus 1930 Annaberg – 1998 Chemnitz Farblithografie auf ockerfarbenem Papier. Unterhalb der Darstellung li. in Blei signiert "Carlfriedrich Claus" und bezeichnet "E.A.". Verso wohl von Künstlerhand bezeichnet "10 Exemplare". Künstlerabzug. Variabel im Passepartout montiert. WVZ Werner / Juppe C 72 IVb5 (von VI). Selten. Carlfriedrich Claus 1930 Annaberg – 1998 Chemnitz Als Künstler Autodidakt. Frühzeitiges Interesse für Sprachen (Hebräisch, Armenisch und Chinesisch). Selbststudium der Kabbala und Auseinandersetzung mit den Schriften Rudolf Steiners, Ernst Blochs, Novalis'', Jacob Böhmes, Spinozas und Paracelsus''. 1945–48 Lehre als Einzelhandelskaufmann / Kunsthändler an der Städtischen Handelsschule in Annaberg. Ab 1951 Verfassen experimenteller Texte (Lautstudien und Klanggebilde), im Jahr darauf Erkrankung an Tuberkulose. Claus stand unter anderem in Kontakt zu Ernst Bloch, Michel Leiris, Raoul Hausmann, Franz Mon, avantgardistischen Künstlern in Europa und Albert Wigand. Zwischen 1958 und 1980 entstanden "Phasenmodelle", "Letternfelder", "Sprachblätter" und "Vibrationstexte". 1977–82 Mitglied der Künstlergruppe Clara Mosch.
Schmidt Kunstauktionen Dresden OHG
Mar. 08, 2025
Carlfriedrich Claus "Prozessuales Verwirklichen neuer Beziehungen zwischen Mann und Frau. II: Entfernungsunabhängiges Kommunizieren: mittels imaginativ im Herz erzeugter und bewegter Zeichen". 1975.
Est: €500 - €600
Carlfriedrich Claus 1930 Annaberg – 1998 Chemnitz Radierung mit Roulette auf "Arches France"-Bütten. In Blei signiert "Carlfriedrich Claus" u.li., darunter betitelt. Mit transparentem, gefalzten Umschlag mit Texten von Dante und Marx: "Dort gibt und raubt nicht Nähe und nicht Ferne / Dante Alighieri / Die Frage, ob dem menschlichen Denken gegenständliche Wahrheit zukomme, ist keine Frage der Theorie, sondern eine praktische Frage. In der Praxis muss der Mensch die Wahrheit, d.h. die Wirklichkeit und Macht, die Diesseitigkeit seines Denkens beweisen. / Karl Marx". Blatt fünf der Mappe "Aurora", Folge mit zehn bzw. 17 Arbeiten, eikon Grafik-Presse, Verlag der Kunst Dresden, 1977. WVZ Werner / Juppe G 30 Ib1 (von IIb). Zur Mappe vgl. Rudolf Mayer, Wolfgang Holller, Gabriele Muschter, Jutta Penndorf, Werner Schmidt: Aurora und die eikon Grafik-Presse 1964–1992. Dresden 1999, S. 64. Carlfriedrich Claus 1930 Annaberg – 1998 Chemnitz Als Künstler Autodidakt. Frühzeitiges Interesse für Sprachen (Hebräisch, Armenisch und Chinesisch). Selbststudium der Kabbala und Auseinandersetzung mit den Schriften Rudolf Steiners, Ernst Blochs, Novalis'', Jacob Böhmes, Spinozas und Paracelsus''. 1945–48 Lehre als Einzelhandelskaufmann / Kunsthändler an der Städtischen Handelsschule in Annaberg. Ab 1951 Verfassen experimenteller Texte (Lautstudien und Klanggebilde), im Jahr darauf Erkrankung an Tuberkulose. Claus stand unter anderem in Kontakt zu Ernst Bloch, Michel Leiris, Raoul Hausmann, Franz Mon, avantgardistischen Künstlern in Europa und Albert Wigand. Zwischen 1958 und 1980 entstanden "Phasenmodelle", "Letternfelder", "Sprachblätter" und "Vibrationstexte". 1977–82 Mitglied der Künstlergruppe Clara Mosch.
Schmidt Kunstauktionen Dresden OHG
Mar. 08, 2025
Carlfriedrich Claus "Notiz: 20.12.-3.2.". 1976– 1977.
Est: €180 - €200
Carlfriedrich Claus 1930 Annaberg – 1998 Chemnitz Radierung. U.li. in Blei signiert "Carlfriedrich Claus" und betitelt, re. datiert und bezeichnet "EA". Künstlerexemplar. Hinter Glas gerahmt. WVZ Werner / Juppe, G 25 I b2 (von V I b). Carlfriedrich Claus 1930 Annaberg – 1998 Chemnitz Als Künstler Autodidakt. Frühzeitiges Interesse für Sprachen (Hebräisch, Armenisch und Chinesisch). Selbststudium der Kabbala und Auseinandersetzung mit den Schriften Rudolf Steiners, Ernst Blochs, Novalis'', Jacob Böhmes, Spinozas und Paracelsus''. 1945–48 Lehre als Einzelhandelskaufmann / Kunsthändler an der Städtischen Handelsschule in Annaberg. Ab 1951 Verfassen experimenteller Texte (Lautstudien und Klanggebilde), im Jahr darauf Erkrankung an Tuberkulose. Claus stand unter anderem in Kontakt zu Ernst Bloch, Michel Leiris, Raoul Hausmann, Franz Mon, avantgardistischen Künstlern in Europa und Albert Wigand. Zwischen 1958 und 1980 entstanden "Phasenmodelle", "Letternfelder", "Sprachblätter" und "Vibrationstexte". 1977–82 Mitglied der Künstlergruppe Clara Mosch.
Schmidt Kunstauktionen Dresden OHG
Mar. 01, 2025
Nancy Whorf (1930-2009) White Night, 1998, Oil on masonite, 18 x 22", 24 x 28" framed
Est: $4,000 - $6,000
Nancy Whorf (1930-2009) White Night, 1998, Oil on masonite, 18 x 22", 24 x 28" framed
Bakker Auctions
Feb. 28, 2025
Henry Benson, American (1930 - 1998)
Est: $400 - $800
Henry Benson, American (1930 - 1998) Oil on Canvas "Children at the Beach" Signed Lower Left. Measures 29-3/4" x 39-3/4". Frame measures 30-3/8" x 40-1/4". Condition: Good condition. Estimate 400 - 800 Domestic shipping Third party
Orion Antiques
Feb. 26, 2025
ANTONIO SAURA Huesca (1930) / Cuenca (1998) "Doméniko Theotokópoulos", 1977
Est: €1,350 - €1,800
Colour print on paper. Signed and justified in pencil at the bottom. On the back with a label from the Sala Celini, Madrid. Bibliography: - Oliver Weber-Caflisch and Patrick Cramer, "Antonio Saura: la obragráfica", ed. Patrick Cramer, Geneva, 2000, p. 315, no. 278. Dimensions: 58.9 x 78.4 cm
Ansorena
Feb. 20, 2025
ANTONIO SAURA (Huesca, 1930 - Cuenca, 1998). "Portrait VI" and "Portrait VII". Two lithographs, copy 24/100. Signed and justified.
Est: €900 - €1,200
ANTONIO SAURA (Huesca, 1930 - Cuenca, 1998). "Portrait VI" and "Portrait VII". Two lithographs, copy 24/100. Signed and justified. Measurements: 31 x 23 cm. Self-taught, Antonio Saura began to paint and write in Madrid in 1947. Three years later he held his first individual exhibition at the Libros bookstore in Zaragoza, showing a series of experimental works ("Constelaciones" and "Rayogramas"), made during the long illness that kept him immobilized since 1943, for a period of five years. In 1952 he held his first exhibition in Madrid, at the Buchholz bookstore, where he exhibited his youthful, dreamlike and surrealist works. That same year he visited Paris for the first time, settling in the city. There his work was influenced by artists such as Miró and Man Ray, and he dedicated himself to making paintings on canvas and paper of an organic nature, using various techniques. The break with the surrealist group allows him to open up to other ways of creation, where he begins to show the evolution that his work is undergoing, which moves towards an instantaneous painting of gestural strokes and reduced palette of selective character, where informalism plays the absent-mindedness between suggestive expressions of line and color. He made his debut in Paris in 1957, at the Stadler Gallery, the same year he founded the El Paso group. The following year he participates in the Venice Biennale in the company of Chillida and Tàpies, and in 1960 he receives the Guggenheim Prize in New York. In 1963 the first retrospectives were dedicated to him, at the Stedelijk Museum in Eindhoven, the Rotterdamsche Kunstring and in the museums of Buenos Aires and Rio de Janeiro (works on paper). Saura's retrospective exhibitions are repeated throughout his career, both in Spain and in Europe and America. In 1966 he exhibits at the Institute of Contemporary Arts in London, and participates in the Biennial of Engraving "Bianco e Nero" of Lugano, obtaining the Grand Prize. The following year he settled in Paris, although he worked and spent every summer in Cuenca, a fundamental pillar of his production since his early years. In 1968 he abandoned oil painting to devote himself exclusively to works on paper. In 1979 he was awarded a prize at the First Biennial of engraving in Heidelberg, in 1981 he was named Knight of the Order of Arts and Letters in France, and the following year he was awarded the Gold Medal of Fine Arts. He has exhibited all over the world and is represented in the most important national and international contemporary art museums, including the Neue Nationalgalierie in Berlin, the Guggenheim in Bilbao, the Museo Nacional Centro de Arte Reina Sofía, the Albright-Knox Art Gallery in Buffalo, the Guggenheim and the Metropolitan in New York, the Centre Georges Pompidou in Paris and the Tate Gallery in London.
Setdart Auction House
Feb. 20, 2025
ANTONIO SAURA (Huesca, 1930 - Cuenca, 1998). "Portrait III" and "Portrait V". Two lithographs, copy 24/100. Signed and justified.
Est: €900 - €1,200
ANTONIO SAURA (Huesca, 1930 - Cuenca, 1998). "Portrait III" and "Portrait V". Two lithographs, copy 24/100. Signed and justified. Measurements: 31 x 23 cm. Self-taught, Antonio Saura began to paint and write in Madrid in 1947. Three years later he held his first individual exhibition at the Libros bookstore in Zaragoza, showing a series of experimental works ("Constelaciones" and "Rayogramas"), made during the long illness that kept him immobilized since 1943, for a period of five years. In 1952 he held his first exhibition in Madrid, at the Buchholz bookstore, where he exhibited his youthful, dreamlike and surrealist works. That same year he visited Paris for the first time, settling in the city. There his work was influenced by artists such as Miró and Man Ray, and he dedicated himself to making paintings on canvas and paper of an organic nature, using various techniques. The break with the surrealist group allows him to open up to other ways of creation, where he begins to show the evolution that his work is undergoing, which moves towards an instantaneous painting of gestural strokes and reduced palette of selective character, where informalism plays the absent-mindedness between suggestive expressions of line and color. He made his debut in Paris in 1957, at the Stadler Gallery, the same year he founded the El Paso group. The following year he participates in the Venice Biennale in the company of Chillida and Tàpies, and in 1960 he receives the Guggenheim Prize in New York. In 1963 the first retrospectives were dedicated to him, at the Stedelijk Museum in Eindhoven, the Rotterdamsche Kunstring and in the museums of Buenos Aires and Rio de Janeiro (works on paper). Saura's retrospective exhibitions are repeated throughout his career, both in Spain and in Europe and America. In 1966 he exhibits at the Institute of Contemporary Arts in London, and participates in the Biennial of Engraving "Bianco e Nero" of Lugano, obtaining the Grand Prize. The following year he settled in Paris, although he worked and spent every summer in Cuenca, a fundamental pillar of his production since his early years. In 1968 he abandoned oil painting to devote himself exclusively to works on paper. In 1979 he was awarded a prize at the First Biennial of engraving in Heidelberg, in 1981 he was named Knight of the Order of Arts and Letters in France, and the following year he was awarded the Gold Medal of Fine Arts. He has exhibited all over the world, and is represented in the most important contemporary art museums, both nationally and internationally, including the Neue Nationalgalierie in Berlin, the Guggenheim in Bilbao, the Museo Nacional Centro de Arte Reina Sofía, the Albright-Knox Art Gallery in Buffalo, the Guggenheim and the Metropolitan in New York, the Centre Georges Pompidou in Paris and the Tate Gallery in London.
Setdart Auction House
Feb. 20, 2025
ANTONIO SAURA (Huesca, 1930 - Cuenca, 1998). Untitled. Lithograph, copy 92/92. Signed and justified by hand. It presents slight humidity stains on the back.
Est: €1,000 - €1,200
ANTONIO SAURA (Huesca, 1930 - Cuenca, 1998). Untitled. Lithograph, copy 92/92. Signed and justified by hand. It presents slight humidity stains on the back. Measurements: 65 x 50 cm; 67 x 52 cm (frame). Of self-taught formation, Antonio Saura begins to paint and write in Madrid, in 1947. Three years later he held his first individual exhibition at the Libros bookstore in Zaragoza, showing a series of experimental works ("Constelaciones" and "Rayogramas"), created during the long illness that kept him immobilized since 1943, for a period of five years. In 1952 he held his first exhibition in Madrid, at the Buchholz bookstore, where he exhibited his youthful, dreamlike and surrealist works. That same year he visited Paris for the first time, settling in the city. There his work was influenced by artists such as Miró and Man Ray, and he dedicated himself to making paintings on canvas and paper of an organic nature, using various techniques. The break with the surrealist group allows him to open up to other ways of creation, where he begins to show the evolution that his work is undergoing, which moves towards an instantaneous painting of gestural strokes and reduced palette of selective character, where informalism plays the absent-mindedness between suggestive expressions of line and color. He made his debut in Paris in 1957, at the Stadler Gallery, the same year he founded the El Paso group. The following year he took part in the Venice Biennale in the company of Chillida and Tàpies, and in 1960 he received the Guggenheim Prize in New York, and in 1963 his first retrospectives were held at the Stedelijk Museum in Eindhoven, the Rotterdamsche Kunstring and the museums of Buenos Aires and Rio de Janeiro (works on paper). Saura's retrospective exhibitions are repeated throughout his career, both in Spain and in Europe and America. In 1966 he exhibits at the Institute of Contemporary Arts in London, and participates in the Biennial of Engraving "Bianco e Nero" of Lugano, obtaining the Grand Prize. The following year he settled in Paris, although he worked and spent every summer in Cuenca, a fundamental pillar of his production since his early years. He is represented in the most important national and international contemporary art museums, including the Neue Nationalgalierie in Berlin, the Guggenheim in Bilbao, the Museo Nacional Centro de Arte Reina Sofía, the Albright-Knox Art Gallery in Buffalo, the Guggenheim and the Metropolitan in New York, the Centre Georges Pompidou in Paris and the Tate Gallery in London.
Setdart Auction House
Feb. 20, 2025
ANTONIO SAURA (Huesca, 1930 - Cuenca, 1998). Untitled. Lithograph, copy 92/92. Signed and justified by hand. With humidity stains on the back.
Est: €1,000 - €1,200
ANTONIO SAURA (Huesca, 1930 - Cuenca, 1998). Untitled. Lithograph, copy 92/92. Signed and justified by hand. With humidity stains on the back. Measurements: 65 x 50 cm; 67 x 52 cm (frame). Of self-taught formation, Antonio Saura begins to paint and write in Madrid, in 1947. Three years later he held his first individual exhibition at the Libros bookstore in Zaragoza, showing a series of experimental works ("Constelaciones" and "Rayogramas"), created during the long illness that kept him immobilized since 1943, for a period of five years. In 1952 he made his first exhibition in Madrid, at the Buchholz bookstore, where he exhibited his youthful, dreamlike and surrealist works, and that same year he visited Paris for the first time, settling in the city. There his work was influenced by artists such as Miró and Man Ray, and he dedicated himself to making paintings on canvas and paper of an organic nature, using various techniques. The break with the surrealist group allows him to open up to other ways of creation, where he begins to show the evolution that his work is undergoing, which moves towards an instantaneous painting of gestural strokes and reduced palette of selective character, where informalism plays the absent-mindedness between suggestive expressions of line and color. He made his debut in Paris in 1957, at the Stadler Gallery, the same year he founded the El Paso group. The following year he took part in the Venice Biennale in the company of Chillida and Tàpies, and in 1960 he received the Guggenheim Prize in New York, and in 1963 his first retrospectives were held at the Stedelijk Museum in Eindhoven, the Rotterdamsche Kunstring and the museums of Buenos Aires and Rio de Janeiro (works on paper). Saura's retrospective exhibitions are repeated throughout his career, both in Spain and in Europe and America. In 1966 he exhibits at the Institute of Contemporary Arts in London, and participates in the Biennial of Engraving "Bianco e Nero" of Lugano, obtaining the Grand Prize. The following year he settled in Paris, although he works and spends every summer in Cuenca, a fundamental pillar of his production since his early years. He is represented in the most important national and international contemporary art museums, including the Neue Nationalgalierie in Berlin, the Guggenheim in Bilbao, the Museo Nacional Centro de Arte Reina Sofía, the Albright-Knox Art Gallery in Buffalo, the Guggenheim and the Metropolitan in New York, the Centre Georges Pompidou in Paris and the Tate Gallery in London.
Setdart Auction House
Feb. 20, 2025
ANTONIO SAURA (Huesca, 1930 - Cuenca, 1998). "Untitled. Ink on paper. Signed.
Est: €4,000 - €4,500
ANTONIO SAURA (Huesca, 1930 - Cuenca, 1998). "Untitled. Ink on paper. Signed. Measurements: 32 x 22 cm; 51 x 41 cm (frame). The paper has stains. Self-taught, Antonio Saura began to paint and write in Madrid in 1947. Three years later he held his first individual exhibition at the Libros bookstore in Zaragoza, showing a series of experimental works ("Constelaciones" and "Rayogramas"), created during the long illness that kept him immobilized since 1943, for a period of five years. In 1952 he held his first exhibition in Madrid, at the Buchholz bookstore, where he exhibited his youthful, dreamlike and surrealist works. That same year he visited Paris for the first time, settling in the city. There his work was influenced by artists such as Miró and Man Ray, and he dedicated himself to making paintings on canvas and paper of an organic nature, using various techniques. The break with the surrealist group allows him to open up to other ways of creation, where he begins to show the evolution that his work is undergoing, which moves towards an instantaneous painting of gestural strokes and reduced palette of selective character, where informalism plays the absent-mindedness between suggestive expressions of line and color. He made his debut in Paris in 1957, at the Stadler Gallery, the same year he founded the El Paso group. The following year he participates in the Venice Biennale in the company of Chillida and Tàpies, and in 1960 he receives the Guggenheim Prize in New York. In 1963 the first retrospectives were dedicated to him, at the Stedelijk Museum in Eindhoven, the Rotterdamsche Kunstring and in the museums of Buenos Aires and Rio de Janeiro (works on paper). Saura's retrospective exhibitions are repeated throughout his career, both in Spain and in Europe and America. In 1966 he exhibits at the Institute of Contemporary Arts in London, and participates in the Biennial of Engraving "Bianco e Nero" of Lugano, obtaining the Grand Prize. The following year he settled in Paris, although he worked and spent every summer in Cuenca, a fundamental pillar of his production since his early years. In 1968 he abandoned oil painting to devote himself exclusively to works on paper. In 1979 he was awarded a prize at the First Biennial of engraving in Heidelberg, in 1981 he was named Knight of the Order of Arts and Letters in France, and the following year he was awarded the Gold Medal of Fine Arts. He has exhibited all over the world, and is represented in the most important contemporary art museums, both nationally and internationally, including the Neue Nationalgalierie in Berlin, the Guggenheim in Bilbao, the Museo Nacional Centro de Arte Reina Sofía, the Albright-Knox Art Gallery in Buffalo, the Guggenheim and the Metropolitan in New York, the Centre Georges Pompidou in Paris and the Tate Gallery in London.
Setdart Auction House
Feb. 20, 2025
ANTONIO SAURA (Huesca, 1930 - Cuenca, 1998). "Portrait XI" and "Portrait IV". Two lithographs, copy 24/100. Signed and justified.
Est: €900 - €1,200
ANTONIO SAURA (Huesca, 1930 - Cuenca, 1998). "Portrait XI" and "Portrait IV". Two lithographs, copy 24/100. Signed and justified. Measurements: 31 x 23 cm. Self-taught, Antonio Saura began to paint and write in Madrid in 1947. Three years later he held his first individual exhibition at the Libros bookstore in Zaragoza, showing a series of experimental works ("Constelaciones" and "Rayogramas"), made during the long illness that kept him immobilized since 1943, for a period of five years. In 1952 he held his first exhibition in Madrid, at the Buchholz bookstore, where he exhibited his youthful, dreamlike and surrealist works. That same year he visited Paris for the first time, settling in the city. There his work was influenced by artists such as Miró and Man Ray, and he dedicated himself to making paintings on canvas and paper of an organic nature, using various techniques. The break with the surrealist group allows him to open up to other ways of creation, where he begins to show the evolution that his work is undergoing, which moves towards an instantaneous painting of gestural strokes and reduced palette of selective character, where informalism plays the absent-mindedness between suggestive expressions of line and color. He made his debut in Paris in 1957, at the Stadler Gallery, the same year he founded the El Paso group. The following year he participates in the Venice Biennale in the company of Chillida and Tàpies, and in 1960 he receives the Guggenheim Prize in New York. In 1963 the first retrospectives were dedicated to him, at the Stedelijk Museum in Eindhoven, the Rotterdamsche Kunstring and in the museums of Buenos Aires and Rio de Janeiro (works on paper). Saura's retrospective exhibitions are repeated throughout his career, both in Spain and in Europe and America. In 1966 he exhibits at the Institute of Contemporary Arts in London, and participates in the Biennial of Engraving "Bianco e Nero" of Lugano, obtaining the Grand Prize. The following year he settled in Paris, although he worked and spent every summer in Cuenca, a fundamental pillar of his production since his early years. In 1968 he abandoned oil painting to devote himself exclusively to works on paper. In 1979 he was awarded a prize at the First Biennial of engraving in Heidelberg, in 1981 he was named Knight of the Order of Arts and Letters in France, and the following year he was awarded the Gold Medal of Fine Arts. He has exhibited all over the world, and is represented in the most important contemporary art museums, both nationally and internationally, including the Neue Nationalgalierie in Berlin, the Guggenheim in Bilbao, the Museo Nacional Centro de Arte Reina Sofía, the Albright-Knox Art Gallery in Buffalo, the Guggenheim and the Metropolitan in New York, the Centre Georges Pompidou in Paris and the Tate Gallery in London.
Setdart Auction House
Feb. 11, 2025
ANTONIO SAURA - Council
Est: -
ANTONIO SAURA Huesca 1930-Cuenca 1998 Concilio. 1975 Silkscreen on Bristol paper Signed in pencil Numbered 86/100 Dimensions 71.7 x 100.3 cm Published by Grupo Quince, Madrid 1975 Certificate signed and sealed by the editor is included PROVENANCE Grupo Quince Editorial, Madrid Private collection BIBLIOGRAPHY Oliver Weber-Caflisch, "Saura. Catalogo Razonado de Obra Gráfica", Ed. Patrick Cramer, Geneva 2000, No. 212. Page 236
Subastas Segre
Feb. 11, 2025
ANTONIO SAURA - Albuquerque
Est: -
ANTONIO SAURA Huesca 1930-Cuenca 1998 Algarabía. 1997 Etching on Japan paper with glue on Vélin de Rives Signed in pencil Numbered 47/60 Dimensions 21 x 15 cm (print); 31 x 20.5 cm (paper) Published by Galerie Lelong, Paris 1997 PROVENANCE Galerie Lelong, Paris Private collection BIBLIOGRAPHY Oliver Weber-Caflisch, "Saura. Catalogue Raisonné de Obra Gráfica", Ed. Patrick Cramer, Geneva 2000, No. 607. Page 715
Subastas Segre
Dec. 17, 2024
ANTONIO SAURA Huesca 1930-Cuenca 1998 Character with Helmet
Est: -
ANTONIO SAURA Huesca 1930-Cuenca 1998 Character with Helmet (Gallery of America). 1983 Lithograph and Zincography on Vélin d´Arches paper Signed in pencil Numbered PA (artist's proof) 3/3 Dimensions 65 x 50 cm Published by Mundiarte, Madrid 1983 BIBLIOGRAPHY Oliver Weber-Caflisch, "Saura. Catalogue Raisonné de Obra Gráfica", Ed. Patrick Cramer, Geneva 2000, No. 374. Page 435
Subastas Segre
Dec. 17, 2024
ANTONIO SAURA Huesca 1930-Cuenca 1998 Untitled. 1958 Go
Est: -
ANTONIO SAURA Huesca 1930-Cuenca 1998 Untitled. 1958 Gouache on paper Signed and dated 1958 Dimensions 14 x 16 cm EXHIBITIONS 1993 (June 18-August 29), "Ahrenberg Collection", Göteborgs Konstmuseum, Sweden (label on back)
Subastas Segre
Dec. 14, 2024
Evangeline (E.J.) Montgomery, b. 1930, Sea Grass
Est: $2,000 - $3,000
Evangeline (E.J.) Montgomery b. 1930 Sea Grass 1998 serigraph 30 x 21-1/2 inches signed, dated, titled, and numbered 22/24 In 2017, her work was included in the exhibition, Magnetic Fields: Expanding American Abstraction, 1960s to Today. It was the first U.S. presentation dedicated exclusively to the formal and historical dialogue of abstraction by women artists of color. The image, Sea Grass, was one of the prints included in the exhibition, and is arguably one of her most important graphic works.
Black Art Auction
Nov. 29, 2024
Allan D'Arcangelo, June, Screenprint
Est: $550 - $750
Artist: Allan D'Arcangelo, American (1930 - 1998), Title: June, Year: 1969, Medium: Screenprint, signed and numbered in pencil, Edition: 6/100, Size: 14 x 12 in. (35.56 x 30.48 cm), Frame Size: 20 x 18 inches, Printer: Domberger, Publisher: Domberger, Description: This screenprint by German Op artist Allan D'Arcangelo was featured as the image for June in the 1969 Domberger calendar. The calendar included screenprints by 12 different prominent artists, one for each month of the year. Each print is signed and numbered in pencil by the artist.
RoGallery
Nov. 16, 2024
Sport Poster Munich Olympics 1972 Allan D'Arcangelo
Est: £180 - £360
Original vintage sports poster advertising the 1972 Summer Olympics in Munich - Olympische Spiele Munchen - featuring a design by the American artist and printmaker Allan D'Arcangelo (1930-1998) depicting rectangular post shapes in black, grey and white with a green circle hoop on a red and white pole set on a white background. One of the series of posters by various popular artists of the period (Peter Phillips, Horst Antes, Otl Aicher, David Hockney among others) commissioned to design the 1972 Olympic Games posters in Germany for their advertising campaign, which aimed to "represent the intertwining of sports and art worldwide". The 1972 Summer Olympics, officially known as the Games of the XX Olympiad, was an international multi-sport event held in Munich, West Germany, from 26 August to 11 September 1972. Very good condition, creasing. Country of issue: Germany, designer: Allan D'Arcangelo, size (cm): 101x64, year of printing: 1972.
Antikbar Original Vintage Posters
Nov. 13, 2024
Allan D'Arcangelo "Minnesota Morning" 1978
Est: $1,000 - $2,000
Allan D'Arcangelo (American, 1930-1998). Mixed media work titled "Minnesota Morning" depicting a foggy windshield of a car driving down a lonely highway, 1978. Etched signature and date along the lower right; numbered P.P. 4/5 along the lower left. With a plaque affixed to the verso reading: Produced at Vermillion Ed. Ltd. // Published by M. Magidson and Assoc. Inc. // Copyright Allan D'Arcangelo 1978". The wiper blade is a moveable element.
Revere Auctions
Nov. 08, 2024
* ROTH, DIETER: "Ablagebild".
Est: CHF3,000 - CHF4,500
ROTH, DIETER (Hannover 1930 - 1998 Basel) * : "Ablagebild"; Setzkasten aus Holz, partiell polychrom bemalt; H: 53 cm, B: 33 cm, T: 6,5 cm; verso in schwarzem Filzstift sig. "Dieter Roth", bez. u. dat. "Wien" 1987-88 sowie betitelt
Dobiaschofsky Auktionen AG
Oct. 28, 2024
ANTONIO SAURA Huesca (1930) / Cuenca (1998) "Don III"
Est: €825 - €1,100
Silkscreen on paper Signed and justified 24/150 in pencil at the bottom. Work done for the Lapiz magazine folder with works by Arroyo, Bilbao, Canogar, Gordillo, Guerrero and Nagel. Printed by Javier Cebrian, Cuenca Bibliography: - Weber-Caflich, O. & Cramer, P., "Saura Obragrafica", Patric Cramer Editor, 2000, p. 162 No. 398 Measurements: 65 x 48.5 cm
Ansorena
Oct. 16, 2024
ALLAN D'ARCANGELO, CAVES, SCREENPRINT
Est: $600 - $900
Artist: Allan D'Arcangelo, American (1930 - 1998) Title: Caves Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition: 175 Image Size: 27 x 24 inches Size: 31 x 26 in. (78.74 x 66.04 cm)
RoGallery
Oct. 10, 2024
ANTONIO SAURA (1930-1998). Autoportrait. oil on canvas 23 5⁄8 x 28 ¾in. (60
Est: £30,000 - £50,000
ANTONIO SAURA (1930-1998). Autoportrait. oil on canvas 23 5⁄8 x 28 ¾in. (60 x 73cm.).
Christie's
Oct. 08, 2024
Antonio Saura (Spanje, 1930-1998)
Est: €500 - €700
Plaat 18 uit de serie 'Moi (Antirretratos)', gesigneerd in potlood 'Saura' (rechtsonder) en genummerd '8/60' (linksonder), kleurenzeefdruk op Schoeller wove papier, 90x63,5 cm, hele blad 102x 73,5 cm, Literatuur:-O. Weber-Caflisch en P. Cramer, 'Antonio Saura. L’œuvre imprimé/La obra gráfica. Catalogue raisonné', Genève 2000, nr. 253.Herkomst:-Galerie Nouvelles Images, Den Haag. , Gepubliceerd in 1976 door Editorial Gustavo Gili, Barcelona,
Venduehuis der Notarissen
Sep. 25, 2024
ANTONIO SAURA Huesca (1930) / Cuenca (1998) "Puzzle", 1984
Est: €1,425 - €1,900
Color lithograph and zincography Signed and justified in pencil at the bottom 76/90 Printed by Lemoine, Paris and published by Galerie Maeght Lelong, Paris Bibliography: - Olivier Weber-Caflish and Patrick Cramer "Antonio Saura the graphic work", Patrick Cramer, Editeur, Geneve 2000, p.447, nº385 Measurements: 75 x 110.3 cm
Ansorena
Jul. 28, 2024
André Renou (1912-1980) and Jean-Pierre Génisset (1911-1998) Dining Table, c. 1930, height 74 cm width 180 cm depth 95 cm
Est: $1,500 - $2,500
André Renou (1912-1980) and Jean-Pierre Génisset (1911-1998) Dining Table, c. 1930 rosewood, high gloss varnish, two extension leaves, brass
Shapiro Auctioneers
Jul. 23, 2024
DIETER ROTH (1930-1998). Heidelberg. Image: 19 x 28 5⁄8 in. (483 x 727 mm.)
Est: $1,000 - $1,500
DIETER ROTH (1930-1998). Heidelberg. Image: 19 x 28 5⁄8 in. (483 x 727 mm.) Sheet: 25 5⁄8 x 36 in. (651 x 914 mm.).
Christie's
Jul. 23, 2024
DIETER ROTH (1930-1998). A Feminine Thought. Each Image: 11 ½ x 9 5⁄8 in. (
Est: $2,000 - $3,000
DIETER ROTH (1930-1998). A Feminine Thought. Each Image: 11 ½ x 9 5⁄8 in. (292 x 245 mm.) Largest Sheet: 30 7⁄8 x 21 in. (784 x 533 mm.) (2).
Christie's
Jul. 23, 2024
DIETER ROTH (1930-1998). Coffee, No 1. Image: 25 x 37 in. (635 x 940 mm.)
Est: $600 - $800
DIETER ROTH (1930-1998). Coffee, No 1. Image: 25 x 37 in. (635 x 940 mm.) Sheet: 28 3⁄8 x 39 3⁄8 in. (721 x 1000 mm.).
Christie's
Jul. 23, 2024
DIETER ROTH (1930-1998). A Muse. Each Sheet: 30 7⁄8 x 21 in. (784 x 533 mm.
Est: $2,000 - $3,000
DIETER ROTH (1930-1998). A Muse. Each Sheet: 30 7⁄8 x 21 in. (784 x 533 mm.) (12).
Christie's
Jul. 15, 2024
Steppin' Out Barbie - Collector Edition - Great Fashions of the 20th Century - 1930's - 1998 - NIB
Est: -
Steppin' Out Barbie - Collector Edition - Great Fashions of the 20th Century - 1930's - 1998 - NIB
Lark Mountain Auction Company
Jun. 20, 2024
Hughes (Edward James, 1930-1998). Typed Letter Signed 'Ted Hughes', Court Green
Est: £500 - £800
Hughes (Edward James, 1930-1998). Typed Letter Signed 'Ted Hughes', Court Green * Hughes (Edward James, 1930-1998). Typed Letter Signed 'Ted Hughes', Court Green, North Tawton, Devon, 1 November 1978, to Birgitta Ivarson, apologising for the fact that his poem about Crow and the Birds is giving her trouble and continuing to give a detailed exposition of the poem, 'The idea is that all the birds involve themselves in the inner machinery of the world, the worlds of correspondences, the complex and interrelated beauty of this wholeness. Crow is involved, in this poem, only in his own hungry activity. Yes, you have seen that. Each line about the birds is, as you've seen, a coupling of a bird with some other image. Both items in each pair are linked - but in various ways, some more simply than others. The Eagle is, conventionally, associated with the sunrise, where it is supposed to renew itself and particularly its eyesight: in this sense it is the spirit of the sun, in its most radiant aspect. It was not deliberately planned, but Crow, of course, is the spirit of the sun in its obscured or eclipsed aspect (and in this sense the spirit of the moon.) So the Eagle begins what Crow ends, here', explaining certain phrases including 'a chime of wineglasses', 'a woman's song in a cavern', 'the breath of a violet', tomorrow's conscience', 'bessemer upglare', and mentioning the peewit, the bullfinch and the wryneck, ending, 'It would be quite easy, given the basic plan of contrasts and opposition, and inner resemblances, it would be quite easy to develope the associations of the lines a great deal further than these hints', signed at foot in blue ballpoint pen, 2 pp., 4to, in fine condition with the original postmarked envelope addressed to the recipient in Sweden QTY: (1) NOTE: An extraordinary and illuminating response from Ted Hughes about one of his most important works. Crow: From the Life and Songs of the Crow was first published in 1970 by Faber and Faber. It was written mostly between 1966 and 1969, following a barren period after the death of Sylvia Plath. Hughes himself described Crow as his masterpiece.
Dominic Winter Auctions
Jun. 11, 2024
ANTONIO SAURA (Huesca 1930 - 1998) "Novisaurias (Galfetti 79-83)"
Est: €300 - €400
ANTONIO SAURA (Huesca 1930 - 1998) "Novisaurias (Galfetti 79-83)" Aquatint on watermarked BFK Rives paper, signed in pencil, numbered 6/50, published by Gustavo Gili, Barcelona 76 x 55,5 cm 300 - 400 €
Bayeu Subastas
Jun. 09, 2024
TABLEAU "HOMME DE CIRQUE" de Philpppe GRISEL (1930-1998) Huile sur isorel,
Est: €200 - €300
TABLEAU "HOMME DE CIRQUE" de Philpppe GRISEL (1930-1998) Huile sur isorel, signée et datée en bas à gauche, titre au dos Dim : 93 x 65 cm cadre accidenté, petit manque
Paris Oise Enchères
May. 05, 2024
DIETER ROTH (1930 HANNOVER - 1998 BASEL)
Est: -
DIETER ROTH (1930 Hannover - 1998 Basel) Aquatintaradierung auf Bütten, "Komposition V" (1977/1992), unten rechts in Bleistift signiert "Dieter Roth" und datiert, 850er Auflage (Griffelkunst), Motivmaß ca. 29,5x22cm (montiert), gerahmt (60,5x43cm), minimal (stock-)fleckig
Auktionshaus Rotherbaum OHG
May. 02, 2024
MINORU NIIZUMA (1930 - 1998, JAPANESE) Untitled.
Est: $700 - $900
MINORU NIIZUMA (1930 - 1998, JAPANESE) Untitled. Marble mounted with metal rod on stone base, 1971. Incised with artist's mark and dated, 71. 108x108x108 mm; 4¼x4¼x4¼ inches (excluding base). Provenance: Gift from the artist; The Eugene J Prakapas and Dorothy Prakapas Collection, inventory number 47606. Sold on behalf of The Eugene J Prakapas and Dorothy Prakapas Collection in memory of Thomas C. Mendenhall, to benefit a scholarship fund at Yale University.
Swann Auction Galleries
Feb. 10, 2024
SAURA Antonio - Portrait surréaliste
Est: €120 - €160
This description has been translated automatically : Antonio SAURA (1930-1998) Surrealist portrait, 1967 Original lithograph Artist's name printed at bottom left Printed in the Clot, Bramsen and Georges workshops in 1967 On vellum 27.5 x 21.5 cm Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : Antonio SAURA (1930-1998) Portrait surréaliste, 1967 Lithographie originale Nom de l'artiste imprimé en bas à gauche Imprimée dans les ateliers Clot, Bramsen et Georges en 1967 Sur vélin 27,5 x 21,5 cm Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
MDP Auction
Jan. 07, 2024
John Narkter (1930-1998) Oil (Cincinnati)
Est: $300 - $500
Oil on built up canvas, untitled, two kings back to back. Housed in original artist built frame. Signed lower left. Sight - 18 x 24, Frame - 21 1/4 x 27 1/4.
Main Auction Galleries
Dec. 19, 2023
Ins Meer (Into the Sea)
Est: $800 - $1,200
Dieter Roth 1930 - 1998 Ins Meer (Into the Sea) signed in felt-tip pen, dated and numbered 51/100 (on the underside) toy plane, concrete and cardboard multiple overall: 6 by 8 by 4¼ in. (15.2 by 20.3 by 10.8 cm.) Executed in 1970, this work is number 51 from the edition of 100, produced by Rudolf Reiser, co-published by Rudolf Riser and Dieter Roth.
Sotheby's
Dec. 14, 2023
Luigi Montanarini (Firenze, 1906 - Roma, 1998) - Natura morta, 1930
Est: €1,400 - €2,500
Olio su tela, cm. 55x65. Firma in basso a destra. L'opera è registrata presso l'Archivio Luigi Montanarini con n. LJ 198829L3T. Autentica su foto con timbro dell'archivio.
Pananti Casa D'Aste SRL
Dec. 12, 2023
ANTONIO SAURA Huesca 1930-Cuenca 1998 Don III. 1984 Screenprint on Chiffon gélat
Est: -
ANTONIO SAURA Huesca 1930-Cuenca 1998 Don III. 1984 Screenprint on Chiffon gélatiné paper by Felix Schoeller Signed in pencil Numbered XXI/XL Measurements 65 x 48.9 cm Edita Revista Lápiz, Madrid 1984 BIBLIOGRAPHY Oliver Weber-Caflisch, "Saura. Catalog Raisonné of Graphic Works", Ed. Patrick Cramer, Geneva 2000, no. 398. Page 462
Subastas Segre