Abraham Hendricksz. van Beyeren Sold at Auction Prices

Still Life With Crab, Plaice, Cod, and a Salmon Fillet in a Wicker Basket on a Table with a Wooden Bucket and Grabbing Hook

Abraham van Beyeren The Hague 1620 - 1690 Overschie Still Life With Crab, Plaice, Cod, and a Salmon Fillet in a Wicker Basket on a Table with a Wooden Bucket and Grabbing Hook signed lower left: AB F oil on canvas panel: 28 ⅝ by 23 ⅝ in.; 72.7 by 60 cm framed: 37 ¾ by 32 ⅜ in.; 95.8 by 81.3 cm

Abraham van Beyeren, Still Life with Fruit, Oysters, and a Faience Bowl on a Mortar

Monogrammed lower left: AVB f Certificate Dr. Cornelis Hofstede de Groot, Den Haag, Juli 1927. This monogrammed still life was authenticated as a work by the Dutch painter Abraham van Beyeren as early as 1927 by Cornelis Hofstede de Groot. In a letter to the owner, Fred G. Meijer, Amsterdam, has likewise confirmed the attribution and dated the painting to around 1650. While the Wanli bowl appears frequently in van Beyeren's still lifes, the mortar is unique within the artist's oeuvre. Meijer suggests that it was incorporated into the composition at the patron's request; the arrangement is otherwise dominated by lemons and grapes. An opened oyster, a lemon segment, and a knife with a mother-of-pearl handle at the left edge complete this assembly of precious and delectable objects. The still life has an interesting provenance, having once been in the possession of two prominent art dealers and collectors. It belonged to the Austrian-born Charles Sedelmeyer (1837–1925), who ran a distinguished gallery in Paris and was instrumental, among other transactions, in brokering the sale of Raphael's Pala Colonna to the American private banker John Pierpont Morgan — until the auction of part of his stock in 1907. Following Morgan's death, the altarpiece passed to the Metropolitan Museum of Art, New York, where it remains to this day the only altarpiece by Raphael in the United States. Possibly acquired directly at the Sedelmeyer sale of 1907, the present still life subsequently entered the collection of the Hungarian collector Marcell Nemes (1866–1930). Nemes became known above all as the rediscoverer of El Greco's works and also possessed a significant collection of Impressionist paintings; he had, however, begun his collecting activity with seventeenth-century Dutch works, such as the present painting by van Beyeren. Shortly before his death, Marcell Nemes — the "legendary Hungarian 'marchand-amateur'" (Németh, op. cit., p. 42) — resolved to offer approximately one hundred works from his collection at Lempertz. They were sold on 3 June 1930 at Neumarkt 3 in Cologne — the very same address at which, nearly one hundred years later, the present painting comes to auction once again.

Abraham van Beyeren, A sumptuous still life

Monogrammed upper left on the corner of the book page: AB Abraham van Beyeren left behind an extraordinarily extensive body of work over the course of his long life. His works are represented in numerous museums and collections. In addition to his innovative fish still lifes, he also devoted himself to the so-called 'pronkstilleven' – compositions in which precious objets de vertu or porcelain items are artfully arranged on draped tabletops alongside fruits and delicacies such as oysters and lobsters. These works symbolise the wealth and high culture of the Netherlands, which at the time of their creation was the world’s leading trading power. The present painting belongs to this genre. Due to its size and the abundance of objects, fruits, and sea creatures, it can be counted among the most significant works by van Beyeren to have appeared on the auction market in recent decades. A very similar work is held in the Michaelis Collection in Cape Town, featuring the same objects. In terms of artistic ambition, the present painting is also comparable to a pronkstilleven in the Staatliche Kunsthalle Karlsruhe (fig. 1, inv. no. 2737), as well as to a composition dated 1655 from the collection of the Worcester Art Museum in Massachusetts. The painting is listed in the RKD as a work by Abraham van Beijeren under number 199.

Abraham van Beyeren, An Sumptuous Still Life

Monogrammed upper left on the corner of the book page: AB Abraham van Beyeren left behind an extraordinarily extensive body of work over the course of his long life. His works are represented in numerous museums and collections. In addition to his innovative fish still lifes, he also devoted himself to the so-called 'pronkstilleven' – compositions in which precious objets de vertu or porcelain items are artfully arranged on draped tabletops alongside fruits and delicacies such as oysters and lobsters. These works symbolise the wealth and high culture of the Netherlands, which at the time of their creation was the world’s leading trading power. The present painting belongs to this genre. Due to its size and the abundance of objects, fruits, and sea creatures, it can be counted among the most significant works by van Beyeren to have appeared on the auction market in recent decades. A very similar work is held in the Michaelis Collection in Cape Town, featuring the same objects. In terms of artistic ambition, the present painting is also comparable to a pronkstilleven in the Staatliche Kunsthalle Karlsruhe (fig. 1, inv. no. 2737), as well as to a composition dated 1655 from the collection of the Worcester Art Museum in Massachusetts.

Abraham Hendricksz. van Beyeren (The Hague 1620-circa 1690 Overschie) Sailing boats in choppy seas

Abraham Hendricksz. van Beyeren (The Hague 1620-circa 1690 Overschie) Sailing boats in choppy seas signed with initials 'AVB' (on boat, lower right) oil on panel 33 x 44.4cm (13 x 17 1/2in).

Abraham van Beyeren, An Opulent Still Life / 50 Lots – My Choice | Jubilee Auction Henrik Hanstein, 4.12.2025

Monogrammed upper left on the corner of the book page: AB Please note: This lot will be auctioned in the sale "50 Lots - My Choice | Jubilee Auction Henrik Hanstein” on 4th December 2025, 6 pm. Abraham van Beyeren left behind an extraordinarily extensive body of work over the course of his long life. His works are represented in numerous museums and collections. In addition to his innovative fish still lifes, he also devoted himself to the so-called 'pronkstilleven' – compositions in which precious objets de vertu or porcelain items are artfully arranged on draped tabletops alongside fruits and delicacies such as oysters and lobsters. These works symbolise the wealth and high culture of the Netherlands, which at the time of their creation was the world’s leading trading power. The present painting belongs to this genre. Due to its size and the abundance of objects, fruits, and sea creatures, it can be counted among the most significant works by van Beyeren to have appeared on the auction market in recent decades. A very similar work is held in the Michaelis Collection in Cape Town, featuring the same objects. In terms of artistic ambition, the present painting is also comparable to a pronkstilleven in the Staatliche Kunsthalle Karlsruhe (fig. 1, inv. no. 2737), as well as to a composition dated 1655 from the collection of the Worcester Art Museum in Massachusetts. Fig. 1: Abraham van Beyeren, Opulent Still Life, Staatliche Kunsthalle Karlsruhe.

Abraham Hendricksz van Beyeren: Still Life with Fish and Crustaceans

BEYEREN, ABRAHAM HENDRICKSZ VAN 1620 The Hague - 1690 Overschie Title: Still Life with Fish and Crustaceans. On the left view through a window of the coast with fish. Technique: Oil on canvas. Mounting: Relined. Measurement: 125 x 104cm. Verso: On the stretcher wax seal of Galerie Sedelmeyer, Paris as well as gallery label Dowdeswell & Dowdeswell, London. Literature: J. Bernström, B. Rapp: Iconographica, Stockholm 1957, p. 7ff, no. 15. Provenance: Private ownership, Germany; Auction Lempertz, Cologne, 21st May 1992, lot 9a; Franz von Lenbach Collection, Munich; Galerie Charles Sedelmeyer, Paris 1901; Galerie Dodeswess & Doudeswell, London. Registered in the RKD online database, the Hague, image no. 14537. Estimated shipping costs for this lot: Arrangement after the auction.   Explanations to the Catalogue Abraham Hendricksz van Beyeren The Netherlands Dutch School 17th C. Old Masters Fish Painting Coast

ABRAHAM HENDRICKSZ VAN BEYEREN The Hague, Netherlands (1620) / Overschie, Netherlands (1675) "Dutch Ships"

Oil on canvas Painter of seascapes, still lifes and flowers. Mentioned in Leyden in 1639 and in The Hague in 1640. He is one of the founders of the Confraternidad Pictura of The Hague, and was admitted the following year to the Gilda of Delft. An artist little recognized in his time, he enjoyed great popularity from the 19th century onwards with the revision of the taste towards more intimate themes. Provenance: -Christie's London, March 28, 1969. Lot 42 -Sotheby's, Amsterdam, May 10, 1971. Lot 18 Measurements: 92 x 134.80 cms

Abraham van Beyeren (Netherlands, 1620 - 1690)

Abraham van Beyeren (Netherlands, 1620 - 1690) Painting of ships in rough seas near the coast. Oil on Board. Monogrammed. Partial labels verso. Provenance: Jules Porg's, Paris. Anonymous sale; Joseph Fivez, Brussels, 3 July 1919, lot 51. Jacques Swaters; Galerie Georges Giroux, Brussels, 13 February 1928, lot 4. Anonymous sale; Christie's, London, 11 April 1986, lot 29 (26,000), where acquired by Mr. J. Boon, Christie's Amsterdam Old Masters and 19th Century Art Sale (11/09/2010). Literature: H.-U. Beck, K?nstler um Jan van Goyen Maler und Zeichner, Doornspijk, 1991, p. 33, no. 37, illustrated. Sight Size: 14.5 x 22 in. Overall Framed Size: 23 x 30.5 in. Abraham van Beyeren (Dutch, 1620-1690) was mostly active in his native city of the Hague but he lived in nearby Delft from 1657 to 1663 and in Amsterdam from 1669 to 1674. The exotic vessels and delicacies seem equally well suited to the tastes of Amsterdam patricians and of courtiers at the Hague.

Abraham van BEYEREN

Abraham van BEYEREN (La Haye, 1620 - Rotterdam, 1690 ) Composition aux crustacés et poissons d'eau de mer et d'eau douce Huile sur toile Monogrammée 'AVB F' en bas vers la droite (Usures et restaurations) H : 106.0 cm, L : 87.0 cm Provenance : Collection Sir Robert Bignold ; Sa vente, Londres, Sotheby's, 24 mai 1972, n° 7 Abraham van BEYEREN (La Haye, 1620 - Rotterdam, 1690 ) H : 106.0 cm, L : 87.0 cm

ABRAHAM VAN BEYEREN (THE HAGUE 1620 / 1621-1690 OVERSCHIE) - Peaches and grapes in a tazza with a wine glass, prawns and figs on a...

ABRAHAM VAN BEYEREN (THE HAGUE 1620 / 1621-1690 OVERSCHIE) Peaches and grapes in a tazza with a wine glass, prawns and figs on a... oil on panel 18 7⁄8 x 14 1⁄8 in. (47.9 x 35.9 cm.)

van Beyeren Abraham Hendricksz

Stillleben mit Fischen Doubliert Gerahmt Ausrufdatum: 25.11.2023 Ungefähre Ausrufzeit: 17:56

Barock-Stillleben mit Fischen / Baroque still life with fishes

Beijeren (Beyeren), Abraham van (um 1620 Den Haag - 1690 Overschie (Rotterdam), In der Art von / In Anlehnung an Stillleben mit Fischen, Lobster und Kohl im Korb. Öl auf Leinwand, auf Sperrholzplatte kaschiert, 17. oder 18. Jh. Unsigniert. Rückseitig von unbekannt bezeichnet und zugeschrieben. Gerahmt. 26 x 31,5 cm, 43 x 48 cm (Ra). An der Oberkante zwei deutliche Retuschen im Fond, sonst insgesamt sehr harmonisch. Kleines Stillleben in erdiger Palette und feinem Lichtspiel, das die Quelle geheimnisvoll verborgen lässt. In the manner of Abraham van Beyeren. Still life with fishes, lobster and a basket full of cabbage. Oil on canvas, mounted on wooden panel, 17th or 18th century. Unsigned. Backside with notes by unknown. Framed. Two retouches on the upper margin.

Abraham van Beyeren zugeschrieben Stilleben mit Fischen, Hummer und Krabbe

Abraham van Beyeren zugeschrieben Still life with fish, lobster and crab oil on canvas 78 x 88 cm private property, Austria Certificate by Dr. Walther Bernt, Munich, April 10, 1965, is enclosed (as a copy).

Abraham van Beyeren zugeschrieben Stilleben mit Fischen, Hummer und Krabbe

Abraham van Beyeren zugeschrieben Still life with fish, lobster and crab oil on canvas 78 x 88 cm private property, Austria

Beyeren, Abraham Hendricksz van, (1620 - 1690), copy, "Large Still Life wit

Beyeren, Abraham Hendricksz van, (1620 - 1690), copy, "Large Still Life with Lobster and Nautilus Goblet", peaches, pocket watch, melon and other symbolic elements on the table, draped sheet above and landscape view on the left, oil on canvas, 116,5x94cm *Abraham Hendricksz van Beyeren was admitted to the Guild of St. Luke in The Hague in 1640. He is considered an important still life painter and is also known for his splendor still lifes. Dutch still life painting of the 17th century represents a prime of still life painting, charged with iconographic symbols that can stand for luxury, wealth, travel relationships, or even transience, among other things. The original is in the Alte Pinakothek in Munich. Beyeren, Abraham Hendricksz van, (1620 - 1690), Kopie, "Großes Stillleben mit Hummer und Nautiluspokal", Pfirsiche, Taschenuhr, Melone und weiteren symbolische Elementen auf Tisch, darüber drapiertes Tuch und links Landschaftsausblick, Öl auf Leinwand, 116,5x94cm *Abraham Hendricksz van Beyeren wurde 1640 in die Lukasgilde in Den Haag aufgenommen. Er gilt als bedeutender Stilllebenmaler und ist auch für seine Prunkstillleben bekannt. Die niederländische Stilllebenmalerei des 17. Jahrhundert stellt eine Blüte der Stilllebenmalerei dar, aufgeladen mit ikonographischen Symbolen, die u.a. für Luxus, Wohlstand, Reisebeziehungen, oder auch für die Vergänglichkeit stehen können. Das Original befindet sich in der Alten Pinakothek in München.

ABRAHAM HENDRICKSZ VAN BEYEREN (1620 / 1675) "Dutch Ships"

Painter of seascapes, still lifes and flowers. Mentioned in Leyofn in 1639 and in The Hague in 1640. One of the founofrs of the Pictura Confraternity in The Hague, he was admitted the following year to the Gilda in delft. An artist who was little recognised in his day, he made a great comeback in the 19th century with the revision of his taste towards more intimate themes. Provenance: -Christie's London, 28 March 1969. Lot 42 -Sotheby's, Amsterdam, 10 May 1971. Lot 18 . Oil on canvas

Beyeren, Abraham Hendricksz van: Still Life with Fish

Beyeren, Abraham Hendricksz van 1620 The Hague - 1690 Overschie Oil on canvas. Relined. 65 x 77cm. Monogrammed middle of the edge of the table: AB f. Framed. Provenance: Private ownership, Germany. Explanations to the Catalogue Abraham Hendricksz van Beyeren The Netherlands Dutch School 17th C. Old Masters Fish Painting Kitchen Scene Estimated Shippingcost for this lot: Arrangement after the auction.

Beyeren, Abraham Hendricksz van - Werkstatt — Stillleben mit Meeresfrüchten

Beyeren, Abraham Hendricksz van - Workshop — Still life with seafood (The Hague 1620-1690 Rotterdam) Cod, salmon and lobster cut on a table and other catches. Oil on canvas. Below left ligated monogrammed ''AVB f''. 52.8 x 71 cm; unframed. - Attribution by an expert opinion of Prof. Dr. Claus Grimm from the year 2014.

Beyeren, Abraham Hendricksz van - Werkstatt — Stillleben mit Meeresfrüchten

Beyeren, Abraham Hendricksz van - Workshop — Still life with seafood (The Hague 1620-1690 Rotterdam) Cod, salmon and lobster cut on a table and other catches. Oil on canvas. Below left ligated monogrammed ''AVB f''. 52.8 x 71 cm; unframed. - Attribution by an expert opinion of Prof. Dr. Claus Grimm from the year 2014.

BEYEREN, ABRAHAM HENDRICKSZ. VAN

(Den Haag 1620/21–1690 Overschie) Segelschiffe vor Dordrecht bei steifer Brise. Öl auf Holz. Im mittleren Segelschiff monogrammiert AvB. 36,3x46 cm.

Abraham van Beyeren (1620 - 1690)

Abraham van Beyeren (Netherlands, 1620 - 1690) Oil on board painting of ships in rough seas near the coast. Monogrammed. Partial label verso. Abraham van Beyeren (Dutch, 1620-1690) was mostly active in his native city of the Hague but he lived in nearby Delft from 1657 to 1663 and in Amsterdam from 1669 to 1674. The exotic vessels and delicacies seem equally well suited to the tastes of Amsterdam patricians and of courtiers at the Hague. Sight Size: 14.5 x 22 in. Overall Size: 23 x 30.5 in.

Abraham van Beyeren (1620 - 1690)

Abraham van Beyeren (Netherlands, 1620 - 1690) Oil on board painting of ships in rough seas near the coast. Monogrammed. Partial label verso. Sight Size: 14.5 x 22 in. Overall Size: 23 x 30.5 in. Abraham van Beyeren (Dutch, 1620-1690) was mostly active in his native city of the Hague but he lived in nearby Delft from 1657 to 1663 and in Amsterdam from 1669 to 1674. The exotic vessels and delicacies seem equally well suited to the tastes of Amsterdam patricians and of courtiers at the Hague.

Abraham van Beyeren Still Life of Fruit

Abraham van Beyeren (Dutch, 1620-1690) still life of fruit, oil on canvas, unsigned, 23 1/2" x 31", framed 30 1/2" x 38". Provenance: Pico Rivera, Callifornia estate.

An important 17th c. Dutch o/c painting

An important 17th century Dutch oil on canvas painting "still life", attributed to Abraham Van Beyeren (1620-1690), 22.8"x30.3"

Abraham van Beyeren (1620 - 1690) Ex Christie's

Abraham van Beyeren (Netherlands, 1620 - 1690) Oil on board painting of ships in rough seas near the coast. Monogrammed. Partial label verso. Size: 14.5 x 22 in. Unframed. Abraham van Beyeren (Dutch, 1620-1690) was mostly active in his native city of the Hague but he lived in nearby Delft from 1657 to 1663 and in Amsterdam from 1669 to 1674. The exotic vessels and delicacies seem equally well suited to the tastes of Amsterdam patricians and of courtiers at the Hague.

Abraham van Beyeren (1620 - 1690) Ex Christie's

Abraham van Beyeren (Netherlands, 1620 - 1690) Oil on board painting of ships in rough seas near the coast. Monogrammed. Partial label verso. Size: 14.5 x 22 in. Unframed. Abraham van Beyeren (Dutch, 1620-1690) was mostly active in his native city of the Hague but he lived in nearby Delft from 1657 to 1663 and in Amsterdam from 1669 to 1674. The exotic vessels and delicacies seem equally well suited to the tastes of Amsterdam patricians and of courtiers at the Hague.

Attribué à Abraham van Beyeren La Haye, 1620 - Overschie, 1690 Poissons et coquillages dans un intérieur de cuisine Huile sur toile

Attribué à Abraham van Beyeren La Haye, 1620 - Overschie, 1690 Poissons et coquillages dans un intérieur de cuisine Huile sur toile h: 113 w: 81,50 cm

BEYEREN, ABRAHAM VAN

BEYEREN, ABRAHAM VAN (The Hague 1620 - 1690 Overschie) Still-life on a marble table with fowl, an orange, a glass goblet, a knife and a brass mortar in a niche. 1663. Oil on canvas. Monogrammed and dated upper left: AvB f: 1663. 64 x 58.8 cm. Provenance: - Kunsthandel Julius Böhler, Munich. - Kunsthandel A. S. Drey, Munich / New York / London, 1916. - Auction, Sotheby's, Amsterdam, 13.5.2003, Lot 44. - Kunsthandel P. de Boer, Amsterdam. - European private collection. The present work is registered at the RKD, The Hague, under number 6798 as a work by the hand of Abraham van Beyeren. --------------- BEYEREN, ABRAHAM VAN (Den Haag 1620 - 1690 Overschie) Stillleben auf einem Marmortisch mit Vogelvieh, einer Orange, einem Glaspokal, einem Messer und einem Messingmörser in einer Nische. 1663. Öl auf Leinwand. Oben links monogrammiert und datiert: AvB f: 1663. 64 x 58,8 cm. Provenienz: - Kunsthandel Julius Böhler, München. - Kunsthandel A. S. Drey, München / New York / London, 1916. - Auktion Sotheby's, Amsterdam, 13.5.2003, Los 44. - Kunsthandel P. de Boer, Amsterdam. - Europäische Privatsammlung. Das Gemälde ist im RKD, Den Haag, als ein eigenhändiges Werk von Abraham van Beyeren unter der Nummer 6798 registriert.

Abraham van Beyeren (Dutch, 1620-1690)

27" x 22-1/2" panelStill Life with Roemer, Pomegranates and Oysters. Oil on cradled wooden panel, signed with conjoined "AB" monogram on the table edge, in a wide vintage gilt frame overall 35-1/4 x 31 in. Labels and inscriptions, wax seal (Gallerie Van Diemen, Amsterdam) verso. Provenance: The Harry R. Calsing Trust, Cleveland Ohio. Acquired at Sotheby's, sale 8061, lot 421, January 28, 2005. Online Bidding and additional information at AspireAuctions.com

Philips Gijsels,aktiv nach 1650 in Aia

STILLLEBEN MIT HUMMER, AUSTERN EINER ZITRONE UND ZWEI KRISTALLKELCHEN Öl auf Holz. 74 x 63 cm. Trägt links unten das apokryphe Monogramm „AVB“ (Abraham van Beyeren). Dieses elegante Gemälde wurde vormals - aufgrund des apokryphen Monogramms am unteren linken Bildrand - oft fälschlich Abraham Hendricksz van Beyeren (1620 - 1690) zugeschrieben, später dann Peeter Gijsels (1621 - 1690), der mit Philips Gijsels jedoch nicht verwandt ist, dessen Werke häufig irrtümlich diesem Namensvetter zugeschrieben wurden. Erst Fred Meijer gelang es, den Namen des Künstlers eindeutig zu bestimmen, da er hier den seltenen Stil dieses großartigen Stillleben­malers wiedererkannte, über den nur sehr wenig bekannt ist und von welchem nur wenige Werke eindeutig zu bestimmen sind. Bei Philips Gijsels trifft man immer wieder auf dieselben für die holländische Malerei um die Mitte des 17. Jahrhunderts typischen Objekte, nämlich Krustentiere, Obst, Kristall und Vasen, die anscheinend jedoch genau durchdacht, ordnungslos dargestellt werden, wie es auch bei dem vorliegenden Werk der Fall ist, wo sich die Objekte auf einem gedeckten Tisch wiederfinden. Die kompakte Darstellungs­weise gibt dem Maler die Möglichkeit, sein Talent als Farbvirtuose voll auszuschöpfen und in brillanten mimetischen Effekten zu schwelgen wie bei der Transparenz des Kristalls, den Spiegelungen auf der Oberfläche des Krugs, des Tellers, im Inneren der Austernschale oder der grauseidenen Serviette, deren Raffinessen durch den dunklen Hinter­grund noch unterstrichen werden. Das vorliegende Werk erinnert an andere Gemälde dieses Künstlers, so zum Beispiel an das „Stilleben mit Austern, Kirschen und einer Zitronenscheibe“ (Staat­liches Museum Schwerin) oder an das „Stilleben mit Hummer, Zitrone, Auster und hoher Früchteschale“, das am 15. November 2005 bei Sotheby’s in Amsterdam versteigert wurde (Lot 34). Provenienz: Sammlung Edward Speelman, London. Sammlung J. S. Sykes, London. (10315112) (21) Philips Gijsels, active after 1650 in Aia STILL LIFE WITH LOBSTER, OYSTERS, ONE LEMON AND TWO CRYSTAL GOBLETS Oil on panel. 74 x 63 cm. Apocryphal monogram “AVB“ (Abraham van Beyeren) lower left. In the past, this elegant painting has often been mistakenly attributed to Abraham van Beyeren because of the apocryphal monogram in the lower left and subsequently to Peeter Gijsels, who is not related to Philips Gijsels and whose works are often erroneously attributed to his namesake. It was only Fred Meijer who succeeded in unambiguously determining the artist's identity as he recognised the unusual style of this great still life painter. Not much is known about Philips Gijsels and only a few works are undisputedly by his hand. Gijsels' works always show the same objects typically encountered in Dutch painting of the mid-17th century, such as crustaceans, fruit, crystal and vases, that are seemingly depicted in a random arrangement even though the composition is carefully thought out. This is also the case in this painting, where objects are placed on a laid table. The compact composition gives the artist the opportunity to fully demonstrate his talent as a virtuoso colourist and to indulge in mimetic effects such as the transparency of the crystal, the reflections on the jug, the plate, the inside of the oyster bowl or on the grey silk napkin. This artfulness is further highlighted by the dark background. The present work is reminiscent of other paintings by the artist, such as “Still life with oysters, cherries and a slice of lemon“ (Schwerin State Museum) or “Still life with lobster, lemon, oyster and tall fruit bowl“, which was sold on 15 November 2005 at Sotheby’s in Amsterdam (lot 34). Provenance: Edward Speelman collection, London. J. S. Sykes collection, London.

BEYEREN, ABRAHAM VAN

BEYEREN, ABRAHAM VAN (The Hague 1620 - 1690 Overschie) Still life on a marble table with fowl, an orange, a glass goblet, a knife and a brass mortar in a niche. 1663. Oil on canvas. Monogrammed and dated upper left: AvB f: 1663. 64 x 58.8 cm. Provenance: - Kunsthandel Julius Böhler, Munich. - Kunsthandel A. S. Drey, Munich / New York / London, 1916. - Auction, Sotheby's, Amsterdam, 13.5.2003, Lot 44. - Kunsthandel P. de Boer, Amsterdam. - European private collection. the present work is registered at the RKD, The Hague, under number 6798 as a work by the hand of Abraham van Beyeren. --------------- BEYEREN, ABRAHAM VAN (Den Haag 1620 - 1690 Overschie) Stillleben auf einem Marmortisch mit Vogelvieh, einer Orange, einem Glaspokal, einem Messer und einem Messingmörser in einer Nische. 1663. Öl auf Leinwand. Oben links monogrammiert und datiert: AvB f: 1663. 64 x 58,8 cm. Provenienz: - Kunsthandel Julius Böhler, München. - Kunsthandel A. S. Drey, München / New York / London, 1916. - Auktion Sotheby's, Amsterdam, 13.5.2003, Los 44. - Kunsthandel P. de Boer, Amsterdam. - Europäische Privatsammlung. Das Gemälde ist im RKD, Den Haag, als ein eigenhändiges Werk von Abraham van Beyeren unter der Nummer 6798 registriert.

Abraham van Beyeren, Maritime Scene with Stormy Seas

Monogrammed lower right: AVBIn the mid-17th century, Abraham van Beyeren's maritime scenes were among the finest that Holland had to offer in this genre, and this slightly soiled but otherwise well preserved work is an excellent example of this. The viewer's gaze is led from the lower edge of the canvas, over the water and towards the darkly looming storm clouds on the distant horizon. The sailing boats dotted throughout the scene accentuate the perspective effect of this otherwise sparsely defined view. The painter concentrates on the masterly depiction of the waves, light and atmosphere, producing a direct experience of nature. However, the viewer subconsciously registers the danger of the storm as a symbol of man's helpless condition.

Abraham van Beyeren, (Dutch, 1620-1690), Still Life with Knife and Goblet

Abraham van Beyeren (Dutch, 1620-1690) Still Life with Knife and Goblet oil on panel 12 x 9 inches.

Abraham van Beyeren (Dutch, 1620-1690)

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ABRAHAM VAN BEYEREN, FISH STILL LIFE

ABRAHAM VAN BEYEREN, FISH STILL LIFE FISH STILL LIFE Monogrammed lower left: AVB f. (AVB ligatured) Various seafood, such as sole, cod, salmon and mussels are shown laid out on a table, some in a basket. The sliced cod and the filleted sea salmon show that the fish are here being presented as fine delicacies. Like fruit and flower still lifes, they depict the wealth of the Dutch, who were able to consume a wide variety of seafood due to their advanced fishing methods. Abraham van Beyeren paints the fish in a reduced palette of red, grey and silver tones and so perfectly documents their surface texture. Abraham van Beyerens was among the most productive Dutch still life painters of the 17th century. Alongside fish still lifes, he also create marines, banquet pieces, small ontbijtjes, as well as flower and fruit still lifes. He spent most of his career in the Hague where he was born, but was also active in Amsterdam, Alkmaar, Gouda and Overschie.

Abraham van Beyeren, (Dutch, 1620-1690), Still Life with Knife and Goblet

Abraham van Beyeren (Dutch, 1620-1690) Still Life with Knife and Goblet oil on panel 12 x 9 inches.

ABRAHAM HENDRICKSZ. VAN BEYEREN (LA HAYE 1620/21-1690 OVERSCHIE) Aiguière, plat en étain et panier de raisins sur une table drapée avec monogramme 'AB' (en bas à gauche) huile sur panneau 76,2 x 93,5 cm., avec l'addition de deux baguettes verticales modernes

ABRAHAM VAN BEYEREN, STILL LIFE WITH FRUITS IN A TAZZA, oil on panel, 47.5 x 36 cm

A magnificent Tazza decorated with fruit dominates this still life, within which more fruit including figs, grapes and cherries are also artistically arranged. The silver Tazza can be seen in other still life paintings by Abraham van Beyeren who was considered to be one of the most prolific Dutch still life painters of the 17th Century. His work includes seascapes, banquets, small "Ontbijtjes" and fish, flower and fruit still lifes. He spent most of his long career in his hometown of The Hague, in his later life he also worked in Amsterdam, Alkmaar, Gouda and Overschie.

van Beyeren, Abraham, 1620/21 Den

van Beyeren, Abraham, 1620/21 Den Haag-1690,bedeutender niedeländischer Stilllebenmaler, Werke in zahlreichen Museen wie Pinakothek München, hier: Stilleben mit verschiedenen teils zerlegten Fischen und Hummer, Öl/Lwd, doubl., re.u.monogrammiert: A.B. fec., ca. 53x71cm, R.

Circle of Abraham van Beyeren (The Hague 1620/21-1690 Overschie)

Circle of Abraham van Beyeren (The Hague 1620/21-1690 Overschie) A crab on a pewter platter, a peach, cherries in a pewter bowl and a wine glass, on a draped table oil on panel 22 5/8 x 17¼ in. (57.5 x 43.8 cm.)

Attribué à Abraham H. van Beyeren La Haye, 1620 - Overschie, 1690 Marine par mer agitée Panneau de chêne, parqueté,

Attribué à Abraham H. van Beyeren La Haye, 1620 - Overschie, 1690 Marine par mer agitée Panneau de chêne, parqueté, traces de monogramme en bas à gauche (Restaurations anciennes) h: 43,50 w: 62 cm

Abraham Hendricksz. van Beyeren (The Hague 1620/1-1690 Overschie)

Abraham Hendricksz. van Beyeren (The Hague 1620/1-1690 Overschie) Shipping on the Maas, with a view of Rotterdam beyond signed with monogram 'AVB' (centre right, on a boat) oil on canvas 35¼ x 49 in. (89.5 x 124.5 cm.)

School of Abraham van Beyeren (Dutch, 1620-1690) Still Life with Crab, Fruit, Bread, and Wine Glass on a D...

School of Abraham van Beyeren (Dutch, 1620-1690) Still Life with Crab, Fruit, Bread, and Wine Glass on a Draped Table Unsigned, inscribed "ABRAHAM VAN BEYEREN" on a modern label on tthe reverse. Oil on cradled panel, 21 1/2 x 16 5/8 in. (55.2 x 42.2 cm), framed. Condition: Varnish inconsistencies, surface irregularities, retouch, vertical crack to center of panel, pentimenti in u.r. quadrant.

Abraham van Beyeren (The Hague 1620/21-1690 Overschie)

Abraham van Beyeren (The Hague 1620/21-1690 Overschie) Pronk still life of bowls of fruit and other objects on a table draped in purple and white cloths in an interior with a niche behind signed with artist's monogram 'AB.f.' and dated 'ANo 1654' (lower left) oil on canvas 40 x 39¼ in. (101.6 x 99.7 cm.)

Attributed to Abraham van Beyeren (1620-1690)

Attributed to Abraham van Beyeren (1620-1690) Dutch Pastoral Scene with Shepherd, Sheep, Cattle and Goats Bears a signature and indistinct date, oil on canvas, 85cm by 102cm See illustration

Follower of Abraham Hendricksz. van Beyeren (The Hague 1620-circa 1690 Overschie) A lobster, crab, turbot and other fish

A lobster, crab, turbot and other fish on a table top, before an open window indistinctly signed and dated 'R Van*** 1690' (on table edge, lower right) oil on canvas 58.7 x 99.8cm (23 1/8 x 39 5/16in).

BEYEREN, ABRAHAM VAN (Den Haag 1620 - 1690

BEYEREN, ABRAHAM VAN (Den Haag 1620 - 1690 Overschie) Stilleben mit einer Zinnkanne, Früchten, Austern, Brot und Wein auf einem Tisch. Öl auf Holz. Unten links monogrammiert: AVB (ligiert) f. 49,2 x 37,2 cm. Das hier angebotene Stilleben ist ein charakteristisches Werk Abraham van Beyerens, der zu den wichtigsten Stillebenmalern seiner Zeit zählt und sich vor allem auf Prunkstilleben, Fischstilleben, Früchte - und Blumendarstellungen sowie Flusslandschaften spezialisierte. Diese erst kürzlich in einer Schweizer Privatsammlung aufgetauchte Neuentdeckung war bislang unbekannt und bildet eine Bereichung für das Oeuvre van Beyerens. Dem Betrachter wird ein reichgedeckter Tisch präsentiert mit Trauben, Brot, Austern, Pfirsichen auf einem Zinnteller sowie einem Weinglas und einem Zinnkrug. Dabei liegt die künstlerische Perfektion in der Wiedergabe der glatten Oberfläche der Zinnobjekte, in denen das Licht reflektiert wird und den silbernen Glanz des Metalls zum Ausdruck bringt. Einzelne Elemente spiegeln sich in der glänzenden Oberfläche, wie die Austern, die Pfirsiche und ein Fenster, durch welches das Licht in die Stube des Malers hereinfällt. Auch die schimmernde Stofflichkeit der satinartigen Tischdecke, die in bewegten Falten über die Tischkante fällt, führt die Virtuosität des Künstlers vor Augen. Hauptsächlich monogrammierte van Beyeren seine Arbeiten mit seinen Initialen „AB", und ligierte sie so, dass in der Mitte der Buchstaben ein „V" entstand, wie auch bei diesem Gemälde zu erkennen ist. Leider sind nur sehr wenige Werke datiert, so dass eine chronologische Einordnung seines Oeuvres fast unmöglich bleibt. Fred G. Meijer schlägt vor, dass es sich bei unserem Los um eine besonders gelungenes Beispiel seiner reiferen Phase handelt. Vergleichbare Werke finden sich im Toledo Museum of Art, Ohio (Inv. Nr. 52.24) und im Cleveland Museum of Art (Inv. Nr. 60.8). Wir danken Fred G. Meijer vom RKD, Den Haag, für seine Bestätigung anhand einer Fotografie, dass es sich bei diesem Stilleben um ein eigenhändiges Werk von Abraham van Beyeren handelt.