Giovanni Boldini Paintings & Artwork for Sale | Giovanni Boldini Art Value Price Guide

Dec. 12, 2024
GIOVANNI BOLDINI (Ferrare, 1842-Paris, 1931)
Est: €4,000 - €6,000
GIOVANNI BOLDINI (Ferrare, 1842-Paris, 1931) FEMME A L'ÉVENTAIL Crayon Revers d'un menu d'hôtel Signé, situé "Tougues" et daté "21 août 1909" en bas à droite Cadre en bois sculpté et doré, travail français du XVIIe siècle A woman with a fan, black chalk, down on the back of a hotel menu, signed, located and dated 15 x 9,50 CM - 5,9 x 3,7 IN.
Tajan
Dec. 11, 2024
BOLDINI GIOVANNI (1842 - 1931) - Sketch of two female figures
Est: €2,000 - €3,000
BOLDINI GIOVANNI (1842 - 1931). Sketch of two female figures. Dedicated at the back. Provenance: Emilia Cardona Boldini Collection; Gifted to the family of the current owner, Rome.. 26 x 33 cm. 1974.
Capitolium Art
Dec. 11, 2024
BOLDINI GIOVANNI (1842 - 1931) - Sketch for moving carriages
Est: €1,000 - €1,500
BOLDINI GIOVANNI (1842 - 1931). Sketch for moving carriages. Provenance: Emilia Cardona Boldini Collection; Gifted to the family of the current owner, Rome.. 15 x 9 cm.
Capitolium Art
Nov. 02, 2024
After Giovanni BOLDINI: "In The Studio" - Photo
Est: $75 - $125
After Giovanni Boldini (Italian, 1842-1931) photographic reproduction on paper titled "In The Studio". Provenance: From the Collection of renowned architect and designer Thierry Despont. [Frame: 17 3/4" H x 15 3/4" W]. Marks and wear to frame.
Roland Auctions NY
Oct. 23, 2024
Giovanni Boldini
Est: €30,000 - €40,000
(Ferrara 1845–1931 Paris) A Young Mother with a Hat, verso A Young Mother with Female Figures, c. 1890, oil on panel, 35 x 27 cm, framed Provenance: Aquired directly from the Artist; Balbis Collection, Turin; Private Collection, Italy. Catalogued and illustrated in: Inventory of Boldini’s studio, Emilia Boldini Cadorna, 1931, no. 75 B 1. and B 2; Bianca Doria, Giovanni Boldini. Catalogo Generale dagli archivi Boldini, Rizzoli, Milan 2000, no. 266, 267; Piero Dini, Francesca Dini, Boldini Catalogo ragionato, Vol. III, Allemandi & C., Turin 2002, pp. 571–572, nos. 1114–1115; Tiziano Panconi, Giovanni Boldini - l’opera completa, Edifir, Florence 2002, pp. 320–321.
Dorotheum
Oct. 16, 2024
Boldini, Giovanni (1842-1931). Portrait of Lady Charlotte Russell, circa 1870
Est: £10,000 - £15,000
Boldini, Giovanni (1842-1931). Portrait of Lady Charlotte Russell, circa 1870 * Boldini (Giovanni, 1842-1931). Portrait of Lady Charlotte Russell, circa 1870, oil on canvas, signed G. Boldini to centre left, the sitter wears a white chiffon court dress with applied flowers and a train, she stands beside a carved gilt rococo chair in a sumptuously decorated room, numerous notes to frame verso, including: manuscript research note in black ink listing owners and sitter, old auction stencil 'WS300', modern Christie's label with barcodes, typed postcard circa 1968 from Sir Robert Abdy to M. D. E. Clayton-Stamm, canvas stamped to verso GEO. ROWNEY & CO. / 52, Rathbone Place / AND / 29, OXFORD STREET, W / LONDON., canvas size 49 x 33.4 cm (19 1/4 x 13 ins), in a gilt frame with turquoise inlay (56 x 44 cm) QTY: (1) NOTE: Provenance: Russell family collection; Sir Robert Abdy (1896 - 1976) owner of the Ferrer Gallery, London, SW1; where purchased by M. D. E. Clayton-Stamm, art collector and bibliophile (and an authority on the work of William de Morgan and Pre-Raphaelite ceramics); thence by family descent. Accompanied by an old typed postcard circa 1968, to M. D. E. Clayton-Stamm from Sir Robert Abdy "The Boldini nothing like as pretty as yours made £4500 today. Best wishes, Yours sincerely, Sir Robert Abdy" with a manuscript note in pencil "Christies / 6 Dec 68".
Dominic Winter Auctions
Oct. 09, 2024
GIOVANNI BOLDINI, ITALIAN 1842-1931, DAME AU LEVRIER (LADY WITH A GREYHOUND), Black and white chalk, Sheet: 25 1/8 x 19 5/8 in. (63.8 x 49.8 cm.); Sight: 24 x 18 1/2 in. (61 x 47 cm.), Frame: 38 1/2 x 32 1/2 in. (97.8 x
Est: $12,000 - $16,000
GIOVANNI BOLDINI ITALIAN, 1842-1931 DAME AU LEVRIER (LADY WITH A GREYHOUND) Black and white chalk Lower right bears studio stamp: Boldini; verso inscribed in ink: no. 04 atelier Boldini / Emilia Boldini / Cordona
Potomack Company
Sep. 25, 2024
Giovanni Boldini (Ferrara 1842-Parigi 1931) - Nude
Est: €3,000 - €4,000
charcoal on card 299 x 528 mm signed in print upper left: Boldini on the back, on the support card, inscription for authentication by Emilia Boldini Cardona n. 80 - 1931 and inscription of the painter with number and title: 14 - Nude; on the closing card, label with poetry by Gabriele d'Annunzio. PROVENANCE Emilia Cardona Boldini, Pistoia; Finarte, Milano, dicember 1967; private collection LITERATURE G. Mascherpa, Boldini, Finarte 1967, p. 30, n. 102, tav. LIV; B. Doria, I disegni di Giovanni Boldini. Catalogo generale, Bologna 2011, voll. 2, n. 2801 (ill.)
Finarte
Sep. 25, 2024
Giovanni Boldini (Ferrara 1842-Parigi 1931) - Statue in the garden
Est: €1,000 - €1,500
pencil and charcoal on paper 170 x 110 mm signed in print lower right: Boldini on the back, on paper, authentication by Vito Doria with progressive archive number: d.403 a. n. 115 PROVENANCE Emilia Cardona Boldini, Pistoia; private collection, Bologna; private collection LITERATURE B. Doria, I disegni di Giovanni Boldini. Catalogo generale, Bologna 2011, vols. 2, no. 2502 (ill.)
Finarte
Aug. 24, 2024
After Giovanni BOLDINI: "In The Studio" - Photo
Est: $100 - $200
After Giovanni Boldini (Italian, 1842-1931) photographic reproduction on paper titled "In The Studio". Provenance: From the Collection of renowned architect and designer Thierry Despont. [Frame: 17 3/4" H x 15 3/4" W]. Marks and wear to frame.
Roland Auctions NY
Jul. 15, 2024
Giovanni Boldini RITRATTO DI SIGNORA CON CAPPELLIN
Est: €3,500 - €4,500
Giovanni Boldini RITRATTO DI SIGNORA CON CAPPELLINO SCURO grafite su carta bruna, cm 16,3x10,2 firma In basso iscritto: “at. Boldini Emilia Boldini Cardona 1931” L'opera è un probabile studio per il dipinto RITRATTO DI SIGNORA CON CAPPELLINO SCURO, oggi in collezione privata (P. Dini, F. Dini, Giovanni Boldini (1842-1931): catalogo ragionato, Torino, 2004, pp. 429, n. 803)
Itineris
Jun. 12, 2024
GIOVANNI BOLDINI. The "Divine" with the dog Bagheera
Est: €10,000 - €15,000
GIOVANNI BOLDINI. The "Divine" with the dog Bagheera. Charcoal on paper. 48,5 x 35,5 cm. Signed lower right and lower left.. Provenance: Eugénie Legrip Collection, Paris; Private Collection, Bologna; Galleria Marescalchi, Bologna.. Literature: B. Doria, I disegni di Giovanni Boldini. Catalogo generale. Disegni dagli archivi Boldini, Skira, n. 2408, pag. nn..
Capitolium Art
May. 26, 2024
Giovanni Boldini "Spanish Dancer, 1900" Oil Painting
Est: $900 - $1,200
Giovanni Boldini (1842-1931) was an Italian painter known for his elegant and stylish portraits, particularly those of high society and aristocratic individuals in the late 19th and early 20th centuries. His work is characterized by its flair, loose brhwork, and a foc on capturing the fashionable and glamoro world of his time. Here are some key points about Giovanni Boldini and his art:1. **Early Life and Training**: Giovanni Boldini was born in Ferrara, Italy. He displayed artistic talent from a young age and received formal training at the Academy of Fine Arts in Florence.2. **Paris and Career**: In the 1870s, Boldini moved to Paris, which became his adopted home and the center of his artistic career. He quickly gained recognition as a portraitist and became a sought-after artist in the Parisian high society.3. **Portraitist of the Belle Ãâ°poque**: Boldini's portraits are closely associated with the Belle Ãâ°poque, a period of cultural and artistic flourishing in France from the late 19th century to the outbreak of World War I. His paintings captured the elegance, sophistication, and fashionable lifestyles of the era's elite.4. **Loose Brhwork and Elegance**: Boldini's style was marked by his e of loose and fluid brhwork, which gave his paintings a sense of movement and vitality. His portraits often featured subjects in fashionable attire, captured in dynamic and lively poses.5. **Portraits of Women**: Boldini was particularly renowned for his portraits of women. He portrayed the beauty and allure of his female subjects with great sensitivity and charm. Some of his most famo works depict women in elegant gowns, often in opulent interiors.6. **Notable Subjects**: Boldini painted portraits of several prominent individuals, including the American heiress and socialite Consuelo Vanderbilt, as well as renowned actress Sarah Bernhardt. These portraits contributed to his fame and reputation.7. **Exhibitions and Awards**: Boldini exhibited his works at the prestigio Paris Salon and won numero awards and accolades throughout his career, cementing his stat as a leading portrait painter of his time.8. **Later Life and Legacy**: Boldini continued to paint well into his old age. His work is seen as a bridge between the 19th-century academic tradition and the emerging trends of the early 20th century. He passed away in Paris in 1931.9. **Posthumo Recognition**: While Boldini's reputation waned in the years following his death, there has been a resurgence of interest in his work in recent decades. His portraits continue to be celebrated for their style, elegance, and their portrayal of a bygone era.Giovanni Boldini's portraits are cherished for their ability to capture the spirit and sophistication of the Belle Ãâ°poque. His loose and dynamic brhwork, along with his ability to convey the essence of his subjects, make his paintings timeless representations of the glamoro world of high society in the late 19th and early 20th centuries. Measures 24 x 36. Oil on canvas. Sold "after" Boldini.
Morgan Auctions
May. 17, 2024
Giovanni Boldini, charcoal on paper
Est: $2,000 - $3,000
Giovanni Boldini (Italian, 1842-1931), An Elegant Lady at the Theater, estate stamp facsimile signature lower left, matted and framed under glass, old auction catalog page adhered to back, 16"h x 13"w (sight), 27"h x 24"w (frame)
Millea Bros Ltd
May. 15, 2024
Giovanni Boldini, Ritratto di donna. 1934.
Est: €500 - €1,000
Lastra acciaiata. mm 27,7x20. Foglio: mm 368x282. prandi, 31. Tiratura a matita in basso a sinistra. Esemplare del 1934 Delâtre a 25 esemplari numerati e siglati E.B.C. In seguito fu tirata a 300 esemplari ed inclusa nell'edizione di lusso della monografia di Cardona E., Lo studio di Boldini, Milano, Rizzoli, 1937. Riprodotto in Catalogo Libreria Prandi n.88 (1956) nella prima pagina di copertina; idem n. 99 (1958); idem n. 110 (1960); idem n. 146 (1968). Lastra biffata a Ferrara. Es. 3/25. (1)
Gonnelli Casa d'Aste
May. 06, 2024
BOLDINI Giovanni, Ritratto di signora, 1864-1866, oil on canvas, cm 71x56
Est: €90,000 - €100,000
Autograph letter by Paul Quinsac Certificate of provenance issued by Aldo Geri Ugo Ojetti "I macchiaioli toscani nella raccolta di Enrico Checcucci di Firenze", Galleria Pesaro, Casa Editrice d'Arte Bestetti e Tumminelli, Milan 1924, tav. XVII, ill. Private collection, Rovigo Private collection Galleria d'arte Geri, Milan Galleria Pesaro, Milan Enrico Checcucci collection, Florence Ruggero Focardi collection, Florence
Ambrosiana Casa D'Aste
Mar. 26, 2024
Giovanni Boldini (Italian, 1842â1931) Seated Woman Study
Est: $300 - $600
DESCRIPTION: Charcoal and white chalk sketch on paper by Giovanni Boldini depicting a seated woman wearing a dress and looking away from the viewer. Signed at lower left. Mounted in a black and silvered frame. CIRCA: Late 19th to early 20th Century ORIGIN: Italy DIMENSIONS: With frame - H: 29.25" W: 1" L: 20.25" Without frame - H: 22.5" L: 13" CONDITION: In great condition Unless otherwise stated, all information provided is the opinion of our specialists. Should you have any specific questions regarding the condition of this lot, please use the ask question button or send us an email.
Akiba Galleries
Mar. 22, 2024
GIOVANNI BOLDINI
Est: CHF900 - CHF1,200
GIOVANNI BOLDINI (Ferrara 1842–1931 Paris) Ritratto di Paul Helleu in piedi. Lithograph on sturdy grey-green wove paper. Signed in the plate lower right: Boldini. 26 x 20 cm. Framed. Minimally browned in parts and with scattered minor small stains. The right hand margin with remains of a former old mount, and with remains of old mount verso along the margins. --------------- GIOVANNI BOLDINI (Ferrara 1842–1931 Paris) Ritratto di Paul Helleu in piedi. Lithographie auf festem graugrünem Velin. Im Stein unten rechts signiert: Boldini. 26 x 20 cm. Gerahmt. Partiell minim gebräunt und mit einzelnen unbedeutenden Fleckchen. Der rechte Rand mit Resten einer entfernten alten Montierung, die Rückseite umlaufend an den Rändern mit Montierungsresten. ---------------
Koller Auctions
Mar. 20, 2024
OIL PAINTING BY GIOVANNI BOLDINI
Est: €30,000 - €40,000
GIOVANNI BOLDINI (Ferrara 1842 - Parigi 1931) RITRATTO DI GENEVIÈVE LANTELME IN POLTRONA Olio su carta applicata su tela, cm. 107 x 92 Firmato in basso a destra PROVENIENZA Già collezione Sebasti-Scalera, Roma Collezione privata romana 'Questa opera ha la qualità intrigante e raffinata che fece di Boldini il beniamino dell'ambiente francese di fine Ottocento e il ritratto qui in esame sembra da datare proprio tra il nono e l'ultimo decennio del diciannovesimo secolo, quando, trasferitosi definitivamente a Parigi dal 1872, Boldini mise lentamente a fuoco il suo stile inconfondibile, contrassegnato da un segno frenetico e tumultuante, che gli assicurò i più grandi successi. Nel dipinto di cui parliamo la definizione del ritratto, rispetto alle opere quasi sbozzate dell'ultimo periodo, è ancora netta e acutamente circoscritta, basata su una gamma argentea e trasparente che fa pensare al momento del suo contatto con Whistler quando il maestro italiano fu, per breve tempo, a New York nel 1897. Il trattamento nervoso e scorrevole della superficie denota un momento di alta maturità e l'opera si segnala come significativa e di altissimo livello nella parabola del pittore ferrarese'. Questa scheda è tratta dal certificato di autenticità del Prof. Claudio Strinati Nel 1907, Boldini realizzò un secondo ritratto di Mademoiselle Lantèlme, dove non è più colta con lo sguardo provocante e i capelli mollemente sciolti sulle spalle, ma acconciata con cappello di piume e abito da sera. Questa opera si trova conservata presso La Galleria Nazionale di Roma. La vicenda della donna ritratta, Mathilde Fossey, meglio conosciuta come Geneviève Lantelme, si accompagna con i ritratti che Boldini eseguì, certamente commissionati dal futuro marito Alfred Edwards, il quale, a partire dalla fine del XIX secolo, ebbe una relazione con la giovane attrice. I dati diagnostici eseguiti, confermano l'epoca del dipinto, tanto da riconoscere nell'opera il primo dipinto della donna commissionato da Alfred Edwards. Sempre rinviando alla diagnostica eseguita sul dipinto, la firma risulta assolutamente pertinente alla pittura e nella zona si nota solo rivisitazione pittorica del fondo al di sopra della collocazione della firma. L'epoca della pittura conferma le vicende raccontate intorno alla relazione fra la Antele e Alfred Edwards, grande giornalista e ricchissimo editore parigino, che commissionò questo ritratto a Giovanni Boldini, probabilmente quando la Lantèlme si trasferì nella prestigiosa casa dell'amante a Rue de Rivoli. In riferimento al dipinto realizzato nel 1907, e oggi conservato alla Galleria d'arte Moderna di Roma, lo stesso ci racconta una donna ormai entrata nelle relazioni e nei costumi dell'alta borghesia parigina, e non, come in questo nostro primo ritratto, ancora con il volto e la postura ritraenti una donna con un recente passato di difficoltà da piccola attrice di teatro. Il dipinto purtroppo non è in perfetto stato di conservazione, come riferisce sia la diagnostica (di cui consigliamo la lettura), sia il nostro condition report, ma è sicuramente, come attestato da Claudio Strinati, un'opera di straordinaria importanza nell'evoluzione matura della pittura del grande maestro ferrarese, interprete, in quel di Parigi, della migliore ritrattistica al mondo mai eseguita tra la fine dell'ottocento ed il primo novecento CONDITION REPORT Dipinto ad olio su carta applicata su tela. Lacerazioni della carta del supporto, per linea verticale a sinistra della testa e della spalla, lungo la parte alta dello schienale della sedia. Nell'area del polso sinistro poggiato sulla pancia, proprio vicino al braccio destro anch'esso poggiato, troviamo delle lacerazioni della carta anche circolari. Alcuni piccoli punti di restauro recenti adiacenti al bordo superiore nella sua parte centrale. Deformazioni e sagomature della superficie. Rimandiamo per le altre considerazioni diagnostiche alla relazione qui di seguito citata CORNICE Cornice modanata in legno dorato, del XIX secolo BIBLIOGRAFIA Boldini, cat. mostra, Padova (Palazzo Zabarella) e Roma (Galleria Nazionale d'Arte Moderna), a cura di F. Dini, F. Mazzocca, C. Sisi, Marsilio Ed., Roma 2005, pp. 117, 240 D. Cecchi, Giovanni Boldini, Torino 1962, pp. 214 - 215 T. di Cardona, Lo studio di Giovanni Boldini, Rizzoli, Milano 1937 Opera accompagnata da certificato di autenticità del prof. Claudio Strinati, in data 7 luglio 2001 Opera completa di indagini diagnostiche eseguite dalla società M.I.D.A. dell'ingegner Claudio Falcucci, in data 23/02/2023
Casa d'Aste Babuino
Mar. 05, 2024
BOLDINI GIOVANNI
Est: €20,000 - €22,500
GIOVANNI BOLDINI (1842-1931) Tacchini olio su tela incollata su masonite cm. 86x61
Aste Boetto SRL
Feb. 23, 2024
BOLDINI GIOVANNI (1842 - 1931) - Portrait of Emilia Cardona
Est: €300 - €500
BOLDINI GIOVANNI (1842 - 1931). Portrait of Emilia Cardona. 280/800. Edition and plate signature lower left.. 28,70 x 28,70 cm.
Capitolium Art
Feb. 21, 2024
Giovanni BOLDINI (ITALIE-FRANCE/ 1842-1931) Femme …
Est: €30,000 - €50,000
Giovanni BOLDINI (ITALIE-FRANCE/ 1842-1931) Femme nue allongée, vers 1910-20 Huile sur panneau parqueté 20.5 x 35 cm Un certificat d'authenticité de Francesca Dini no. 002761 sera remis à l'acquéreur. NOTA : “Le mouvement et la vitesse sont l’un des aspects de sa modernité.” - Servane Dargnies de Vitry, conservatrice du Patrimoine, commissaire de l’exposition ‘Boldini’ du 29 mars au 24 juillet 2022 au musée du Petit Palais, Paris. “Les traits de pinceaux s’élèvent doux et vaporeux, chargés de nuances roses, tandis que les coups brun et dorés dessinent rapidement l’atmosphère chargée de langueur qu’expriment les traits extrêmement sensuels et beaux du modèle.” - Francesca Dini, historienne de l’art, spécialiste de Giovanni Boldini. ——— ‘Oeuvre caractéristique’ de l’un des maîtres du portrait mondain moderne, Giovanni Boldini a incarné durant sa vie le meilleur de l’art de la Belle Époque, parmi lesquels figurent en Europe Paul-César Helleu, James Whistler, John Sargent, Anders Zorn, Giuseppe de Nittis et Ramon Casas. Un ‘enfant de l’art’, comme l’historienne Francesca Dini le rappelle, Giovanni Boldini est l’un de ces artistes issu d’une famille de peintres qui a su transcender ses aïeux. Né à Ferrare en 1842, Boldini est le huitième de treize enfants du peintre Antonio Boldini (1799-1872). Le maître de Ferrare se forme dans sa ville natale avec l’exemple de Cosmè Tura (1430-1495) et Dosso Dossi (1489-1542), tous deux initiateurs de la Renaissance primitive de Ferrare au XVe et XVIe siècle. Prédisposé à la technique artistique, d’un tempérament indépendant, le jeune Boldini est encouragé par son père Antonio dans la voie professionnelle de la peinture dès la fin des années 1850. Après un séjour formateur à Florence auprès des Macchiaioli, Boldini rejoint Paris en 1871, séduit, comme nombre de peintres par le dynamisme artistique de la capitale. Classiciste dans sa formation, à l’écoute des innovations de sa génération, tout en gardant une indépendance d’esprit marquée, Giovanni Boldini connut une ascension fulgurante dès ses débuts au Salon de Paris en 1874, et fit rapidement l’objet d’un succès continu jusqu’à sa mort en 1931 - fait rare pour un artiste. Il devient rapidement l’un des artistes les plus recherchés de l’écurie Goupil. Francesca Dini, historienne spécialiste de Boldini, abonde avec détails concernant la présente oeuvre: “Le succès vient avec les petits tableaux d'une facture et d'une douceur extraordinaires représentant des scènes parfois galantes inspirées du XVIIIe siècle, tranche de vie parfois élégante dans laquelle le coup de pinceau vif du rococo est appliqué à la réalité de la métropole moderne. Au cours des années 1880, Boldini revient au genre du portrait, sa passion de jeunesse, en mettant en scène les acteurs de la Belle Epoque dans des peintures de grand format qui le rendirent internationalement célèbre parmi les « portraitistes mondains » de son temps. C'est précisément dans ce dernier tronçon du parcours artistique du peintre italien que se situe le présent tableau : c'est - pour clarifier - par le segment qui part des portraits intimes de la Comtesse Gabrielle De Rasty, sa noble amante, en passant par le magnifique Portrait de Whistler (New-York, The Brooklyn Museum), que Boldini entre alors dans le XXe siècle à travers le présent nu. Notre tableau représentant un thème cher à l'artiste, celui du repos du modèle (souvent l’amoureuse du moment), est typique des oeuvres du début du nouveau siècle. Boldini, connu pour le dynamisme de ses coups de pinceau fulgurants, pour la verticalité serpentine des lignes qui caressent les corps élancés et sinueux des modèles aristocratiques, est constamment attiré par le thème du nu féminin au repos ; si bien que ces « fragments » d'intimité, d'abandon parmi les couvertures confites des alcôves, sont très récurrents, presque un contre-chant dans la vie artistique du peintre séducteur, à la grandeur ostentatoire des portraits officiels. Le présent tableau est à rapprocher du "Nu d'une jeune femme allongée" (voir PIERO DINI - FRANCESCA DINI, "Giovanni Boldini 1842-1931, Catalogue raisonné, Allemandi, Turin 2002, vol. III, tome II, n. 1020). Le choix du maître italien d'utiliser une gamme chromatique réduite exprime une extraordinaire modernité de vision, et le sentiment d'intimité qui lie le peintre et le modèle y est lisible avec les caractéristiques couvertures blanches.” Boldini, reconnu dès son arrivée parisienne en 1871, eut les honneurs de l’Etat français: Président de la section Italienne de l’Exposition universelle de Paris en 1889, membre de la Société nationale des Artistes français en 1879, il fut décoré de l’insigne du Chevalier de la Légion d’Honneur en 1889. Fort de son influence et succès, il vécut dans l’appartement parisien du non moins célèbre John Singer Sargent au 41 boulevard Berthier jusqu’à sa mort. Boldini a hissé la représentation du corps féminin à un degré de grâce et d’élégance inégalé auparavant, avec une technique à la fois novatrice et reconnaissable entre tous à son époque. La présente oeuvre, créée lors de la maturité et la célébrité de Boldini, est issue d’une expérimentation que l’artiste entame de façon totalement novatrice, dans les années 1880. La figure stylisée, modelée parun camaïeu de gris contrasté par les réserves volontaires du panneau aux textures charnelles, créé un dynamisme sensuel que seul Boldini peut transmettre. Boldini ne copie pas une femme spécifique, mais en capture l’essence élégante et sensuelle. Expert : Thomas MORIN-WILLIAMS
Osenat
Feb. 02, 2024
Donna sdraiata in lettura
Est: $400,000 - $600,000
Giovanni Boldini Italian 1842-1931 Donna sdraiata in lettura oil on canvas canvas: 29 ⅛ by 36 ⅜ in; 73.97 by 92.4 cm framed: 37 by 44 ¾ in; 93.98 by 113.66 cm
Sotheby's
Jan. 31, 2024
MUSIC THEMED WORKS ON PAPER: BOLDINI, AVATI
Est: $100 - $150
1. Giovanni Boldini watercolor on paper. Signed LR in ink; in an old mat. 2. Mario Avati Lamati D violins print on Rives paper. Signed, titled, edition numbered 80/85 in graphite.
Litchfield Auctions
Dec. 19, 2023
Giovanni Boldini (Ferrara 1842-Parigi 1931) - Face of a girl
Est: €2,500 - €4,000
pencil on paper 30 x 24 cm artist's stamp lower right. On the back, inventory of his wife Emilia Boldini Cardona upon the artist's death (N° 40 x at. Boldini: E. Boldini Cardona 1931 ).
Finarte
Dec. 14, 2023
GIOVANNI BOLDINI (ITALIAN, 1842-1931) Nudo femminile oil on panel 10 5⁄8 x
Est: $60,000 - $80,000
GIOVANNI BOLDINI (ITALIAN, 1842-1931) Nudo femminile oil on panel 10 5⁄8 x 13¾in. (27 x 34.9cm.)
Christie's
Nov. 29, 2023
Giovanni Boldini, Dama.
Est: €500 - €1,000
Giovanni Boldini, Dama. Acquaforte. mm 476x280. Foglio: mm 573x385. Firma in lastra in basso a sinistra. (1)
Gonnelli Casa d'Aste
Nov. 02, 2023
Giovanni Boldini (Italian, 1842-1931) The Kitchen Garden framed 63.5 x 72.0 x 6.5 cm (25 x 28 1/4 x 2 1/2 in..
Est: $25,000 - $35,000
Giovanni Boldini (Italian, 1842-1931) The Kitchen Garden signed 'Boldini' (lower left) oil on panel 38.0 x 46.0 cm (14 15/16 x 18 1/8 in). framed 63.5 x 72.0 x 6.5 cm (25 x 28 1/4 x 2 1/2 in..
Bonhams
Nov. 02, 2023
GIOVANNI BOLDINI Whistler Asleep.
Est: $2,000 - $3,000
GIOVANNI BOLDINI Whistler Asleep. Drypoint, 1897. 197x298 mm; 7 3/4x11 3/4 inches, full margins. Signed in pencil, lower right. A superb impression with richly-inked burr and strong contrasts.
Swann Auction Galleries
Oct. 26, 2023
Giovanni Boldini study of two female figures
Est: €700 - €1,200
Giovanni Boldini Ferrara 1842-Paris 1931 Study of two female figures enrolled "30 Rue Copernich" on the right; On the back historical annotations of the hereditary inventory Boldini pencil on paper 19x11.5 cm - in frame 40x33 cm
Casa d'aste ARCADIA
Oct. 26, 2023
Giovanni Boldini study of female figure in the environment
Est: €800 - €1,400
Giovanni Boldini Ferrara 1842 -Paris 1931 Study of Female Figure in the environment at the verse presents Historical Enhancement of the Inventory of Emilia Boldini Cardena with date 1931. Registration with dedication to the current owners with date 1956 pencil on paper 23x17 cm - in frame 40.5x32 cm cm , 5
Casa d'aste ARCADIA
Oct. 26, 2023
Giovanni Boldini Portrait by Adolf Menzel
Est: €700 - €1,200
Giovanni Boldini Ferrara 1842-Paris 1931 Portrait of Adolf Menzel Multiple Print. Exemplary 14/18. Signature and dedication to the verse Puntasecca sheet 36.5x52.5 cm (27x39.5 cm) - with frame 46x59 cm
Casa d'aste ARCADIA
Oct. 26, 2023
GIOVANNI BOLDINI (Ferrare, 1842-Paris, 1931)
Est: €800 - €1,200
GIOVANNI BOLDINI (Ferrare, 1842-Paris, 1931) PORTRAIT D’EMANUELE MUZIO, CHEF D’ORCHESTRE ESPAGNOL Crayon noir Signé, daté « 9 9bre 82 », situé « Parigi » et dédicacé Légère insolation Portrait of Emanuele Muzio, Spanish conductor, black chalk, signed, dated « 9 9bre 82 », located « Parigi » and autograph, slightly sun-exposed paper a vue 18,20 x 11,80 CM - 7,2 x 4,6 IN
Tajan
Sep. 27, 2023
Giovanni Boldini (Italian, 1842-1931) Schizzo di balcone a Venezia (Painted circa 1897.)
Est: £10,000 - £15,000
Giovanni Boldini (Italian, 1842-1931) Schizzo di balcone a Venezia signed 'Boldini' (in pencil lower left) watercolour and pencil 32 x 34cm (12 5/8 x 13 3/8in). Painted circa 1897.
Bonhams
Jul. 06, 2023
Giovanni Boldini L’orchestra
Est: €8,000 - €12,000
Giovanni Boldini 1842 - 1931 L’orchestra bears the Boldini' studio stamp lower right (L. 272b) watercolour on paper 375 x 562 mm ; 14 ¾ x 22 ⅛ in.
Sotheby's
Jul. 05, 2023
Giovanni Boldini
Est: €12,000 - €15,000
A) The sorting of the grain B) Young women at the café oil on painted panel recto/verso, cm. 27x18 Signed lower left: Boldini
Bolli & Romiti s.r.l
Jun. 29, 2023
Giovanni Boldini (1842-1931)-attributed
Est: €180 - €360
Giovanni Boldini (1842-1931)-attributed, Couple water colour on paper, signed, framed under glass. 28X22 cm
Deutsch Auktionen
Jun. 03, 2023
Boldini, Giovanni, (1842- 1931) zugeschrieben
Est: -
Boldini, Giovanni, (1842- 1931) zugeschrieben Oel/Leinwand. Frau mit Blumenstrauß. Links unten unleserl. sign. 70 x 52 cm. Rahmen 85 x 70 cm.
Kunst-und Auktionshaus Schloss Hagenburg
May. 25, 2023
Model and Mannequin—Berthe in the Studio
Est: $50,000 - $70,000
Giovanni Boldini Italian 1842-1931 Model and Mannequin--Berthe in the Studio signed Boldini (lower left) oil on panel panel: 5 by 7 in.; 12.7 by 17.8 cm framed: 13 ¾ by 15 ¾ in.; 34.7 by 39.3 cm
Sotheby's
May. 24, 2023
Giovanni Boldini, Giov. Cappanera.
Est: €1,000 - €2,000
Giovanni Boldini, Giov. Cappanera. Acquerello, penna e inchiostro di china su carta applicata a tela. mm 360x250. Firma al margine destro e titolo in basso al centro. (1)
Gonnelli Casa d'Aste
Apr. 22, 2023
GIOVANNI BOLDINI (ITALIAN, 1842-1931) "SEATED LADY"
Est: $3,000 - $5,000
GIOVANNI BOLDINI (ITALIAN, 1842-1931) "SEATED LADY", watercolor on paper, depicting a seated lady, signed lower left. Housed under glass in a gilt molded frame, retains label for "ALESSANDRO DURINI DI MONZA & Co. / NEW YORK" on reverse. Late 19th/early 20th century.
Jeffrey S. Evans & Associates
Mar. 23, 2023
BOLDINI GIOVANNI
Est: €30,000 - €35,000
BOLDINI GIOVANNI (1842-1931) Giovanni Boldini (Ferrara 1842 - Parigi 1931) 'Intimità (Figura femminile con seno scoperto)' 1890 c. olio su tavola. Sul retro etichetta della Galleria d'arte Sant'Ambrogio Milano. cm. 36x26 5 Provenienza: Atelier Boldini. Collezione Enrico Piceni Milano. Asta di dipinti Finarte Milano 1969. Galleria d'arte Sant'Ambrogio Milano. Collezione privata Milano. Esposizioni: 1969 Milano n.68. Mostra 'In cammino con l'ottocento italiano' Galleria d'arte Sant'Ambrogio Palazzo Borromeo Milano. Bibliografia: Piero Dini e Francesca Dini 'Boldini. Catalogo ragionato' Umberto Allemandi & C. vol.III tav.585 pp.318. Tiziano Panconi 'Giovanni Boldini. L'opera completa' Edifir - Edizioni Firenze pp. 321. Buzzichini e Piazzi Taccuini di Musetta Bietti Milano 1945 tav.XVI di fronte a p. 161. L'opera completa di Boldini a cura di E.Camesasca introduzione di C.L.Ragghianti Rizzoli Milano 1970 n.203 pp.106/107. B.Doria Giovanni Boldini. Catalogo generale dagli archivi Boldini Rizzoli Milano 2000 n.265.
Casa d'aste Martini
Feb. 17, 2023
GIOVANNI BOLDINI (FERRARA, 1842 - PARIGI, 1931) - RITRATTO DELLA SIGNORINA CONCHA DE OSSA, 1888 CA.
Est: €250,000 - €300,000
Pastelli su carta, cm. 75x41. Firma in alto a destra. Sul verso: cartiglio "Boldini portrait/ n. 651". Provenienza: Collezione privata, Bologna. Esposizioni: 2017, Giovanni Boldini, 4 marzo - 16 luglio, Complesso del Vittoriano - Ala Brasini, Roma, (ripr. in cat. p. 176, n. 75); 2020 - 2021, Giovanni Boldini. Il Piacere, novembre - agosto, Mart, Rovereto (ripr. in cat. p. 185, n. 51) Bibliografia: 2017, Arte moderna e contemporanea. Antologia scelta 2018, catalogo di mostra, Tornabuoni Arte, Firenze, p. 39; 2021, Arte moderna e contemporanea. Antologia scelta 2022, catalogo di mostra Tornabuoni Arte, p. 54.
Pananti Casa D'Aste SRL
Feb. 16, 2023
GIOVANNI BOLDINI (FERRARA, 1842 - PARIS, 1931): VIEW OF A CATHEDRAL
Est: €1,200 - €1,500
GIOVANNI BOLDINI (Ferrara, 1842 - Paris, 1931) View of a cathedral Pencil on paper, 12 x 16,8 cm Signed lower right: Boldini Authentic on photograph by Vito Doria, director of the Study Center at Boldini Museum in Ferrara, 15th May 1988 Excellent conditions, framed with glass and passepartout
Bertolami Fine Art s.r.l.
Feb. 16, 2023
GIOVANNI BOLDINI (FERRARA, 1842 - PARIS, 1931): VENICE LAGOON AND ST. MARK CATHEDRAL VIEW
Est: €35,000 - €50,000
GIOVANNI BOLDINI (Ferrara, 1842 - Paris, 1931) Venice lagoon and St. Mark Cathedral view Crayons on paper, 56 x 24 cm Beautiful colored pastel view of St. Mark's basilica in Venice with image of the lagoon and gondolas, a subject often illustrated by the author in his works with various techniques Good conditions, framed with glass
Bertolami Fine Art s.r.l.
Feb. 16, 2023
GIOVANNI BOLDINI (FERRARA, 1842 - PARIS, 1931): PORTRAIT OF A YOUNG LADY WITH HAT
Est: €2,500 - €3,500
GIOVANNI BOLDINI (Ferrara, 1842 - Paris, 1931) Portrait of a young lady with hat Pencil on paper, 21 x 17 cm Signed lower right: Boldini Excellent conditions, framed with glass and passepartout
Bertolami Fine Art s.r.l.
Feb. 04, 2023
Giovanni Boldini (1842 - 1931) Femme Jouant aux Piano Medium: Oil on panel,
Est: $80,000 - $120,000
Giovanni Boldini (1842 - 1931) Femme Jouant aux Piano Medium: Oil on panel, signed Provenance: Comte & Comtesse Charles De Limur, San Francisco Thence by descent to the present owner 20.98 x 17.20 in. (53.3 cm x 43.3 cm.)
Collector Fine Art Auctions
Jan. 14, 2023
Giovanni BOLDINI (1842-1931), 'Brustbild Damenporträt' / 'A bust portrait of a lady'
Est: €1,800 - €3,600
Technik: Öl auf Leinwand, auf Holzplatte gezogen, gerahmt, Signatur: unten links monogrammiert Maße: 14,5 x 12 cm Holzplatte bzw. 25,5 x 24 cm mit Rahmen, Zustand: gut
Auktionshaus Schwab