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David Bomberg Sold at Auction Prices

Painter, b. 1890 - d. 1957

David Garshen Bomberg (5 December 1890 – 19 August 1957) was a British painter, and one of the Whitechapel Boys.

Bomberg was one of the most audacious of the exceptional generation of artists who studied at the Slade School of Art under Henry Tonks, and which included Mark Gertler, Stanley Spencer, C.R.W. Nevinson and Dora Carrington.[1] Bomberg painted a series of complex geometric compositions combining the influences of cubism and futurism in the years immediately preceding World War I; typically using a limited number of striking colours, turning humans into simple, angular shapes, and sometimes overlaying the whole painting a strong grid-work colouring scheme. He was expelled from the Slade School of Art in 1913, with agreement between the senior teachers Tonks, Frederick Brown and Philip Wilson Steer, because of the audacity of his breach from the conventional approach of that time.[2]

Whether because his faith in the machine age had been shattered by his experiences as a private soldier in the trenches or because of the pervasive retrogressive attitude towards modernism in Britain Bomberg moved to a more figurative style in the 1920s and his work became increasingly dominated by portraits and landscapes drawn from nature. Gradually developing a more expressionist technique, he travelled widely through the Middle East and Europe.

From 1945 to 1953, he worked as a teacher at Borough Polytechnic (now London South Bank University) in London, where his pupils included Frank Auerbach, Leon Kossoff, Philip Holmes,[3] Cliff Holden, Edna Mann, Dorothy Mead, Gustav Metzger, Dennis Creffield, Cecil Bailey and Miles Richmond.[4] David Bomberg House, one of the student halls of residences at London South Bank University, is named in his honour. He was married to landscape painter Lilian Holt.

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  • David Bomberg (1890–1957), Study of an Elderly Man
    Jul. 06, 2026

    David Bomberg (1890–1957), Study of an Elderly Man

    Est: $18,000 - $28,000

    Pencil on paper Signed lower right Dimensions (including frame): 32 × 45 cm Dimensions (excluding frame): 20.5 × 28.5 cm Provenance: Private Collection, Tel Aviv Notes: Accompanied by a certificate of authenticity Condition: For a detailed condition report, please email: info@hammersite.com

    Hammersite
  • David Bomberg (1890–1957), Jerusalem View
    Jul. 06, 2026

    David Bomberg (1890–1957), Jerusalem View

    Est: $125,000 - $155,000

    Oil on canvas Signed and dated 1925 lower right Dimensions (including frame): 72 × 89 cm Dimensions (excluding frame): 61 × 76.5 cm Provenance: Private Collection, Tel Aviv Accompanied by a condition report including a UV test by Giora from Museum Israel Condition: For a detailed condition report, please email: info@hammersite.com

    Hammersite
  • David Bomberg
    Jun. 28, 2026

    David Bomberg

    Est: $3,000 - $5,000

    Figures, 1919, Ink and marker on paper, 26x20 cm, Signed and dated. Provenance: art collection of poet Nathan Zach.

    Tiroche Auction House
  • David Bomberg, Untitled, c.1919
    Jun. 02, 2026

    David Bomberg, Untitled, c.1919

    Est: £2,500 - £3,000

    David Bomberg, British 1890-1957 - Untitled, c.1919; ink on paper, 19.5 x 26.7 cm (ARR) Provenance: Private Collection, London; with Austin Desmond, London, purchased from the above (by repute) Note: Bomberg was a member of the Whitechapel Boys and studied at the Slade School of Art under Henry Tonks, alongside artists such as Stanley Spencer, Ben Nicholson and Paul Nash. He was awarded the Slade Prize for drawing in 1913, after which he travelled to France, meeting contemporaries such as Pablo Picasso and Amedeo Modigliani. In 1914 he co-curated an exhibition with Jacob Epstein, in which his works were shown alongside those of Modigliani, Kisling and other prominent Jewish artists living in France. His first solo exhibition was held at the Chenil Gallery in 1914, where visitors included Augustus John, Marinetti, Duchamp and Brancusi. Bomberg's work has been the subject of a number of solo exhibitions, including at the Israel Museum in 1983, at the Tate in 1988, and at the Whitechapel Gallery in 1979 when under the directorship of Nicholas Serota. His works are currently held at MoMA in New York, the Art Institute in Chicago, the Tate in London and National Galleries of Scotland, Edinburgh. 

    Roseberys
  • David Bomberg,  Russian Ballet, 1919 
    Apr. 16, 2026

    David Bomberg,  Russian Ballet, 1919 

    Est: £2,000 - £3,000

    David Bomberg,  British 1890-1957,  Russian Ballet, 1919;  six lithographs in colours on wove,  from the edition of circa 100,  published by Hendersons, London,  largest image: 7.5 x 16cm,  (unframed, across two mounts)  (ARR)  (6)  Provenance:  The Agathe Sorel and Gabor Sitkey Print Collection 

    Roseberys
  • DAVID BOMBERG (1890-1957). The Cathedral, Notre-Dame de Paris. charcoal on
    Mar. 19, 2026

    DAVID BOMBERG (1890-1957). The Cathedral, Notre-Dame de Paris. charcoal on

    Est: £6,000 - £8,000

    DAVID BOMBERG (1890-1957). The Cathedral, Notre-Dame de Paris. charcoal on paper19 5/8 x 24¾ in. (50 x 62.8 cm.).

    Christie's
  • DAVID BOMBERG (1890-1957). Talgwyn Farm, Redwharf Bay, Anglesey. oil on can
    Mar. 19, 2026

    DAVID BOMBERG (1890-1957). Talgwyn Farm, Redwharf Bay, Anglesey. oil on can

    Est: £30,000 - £50,000

    DAVID BOMBERG (1890-1957). Talgwyn Farm, Redwharf Bay, Anglesey. oil on canvas20 x 16¼ in. (50.8 x 41.1 cm.).

    Christie's
  • DAVID BOMBERG (1890-1957). The Monastery of St George, Wadi Kelt. oil on ca
    Mar. 19, 2026

    DAVID BOMBERG (1890-1957). The Monastery of St George, Wadi Kelt. oil on ca

    Est: £70,000 - £100,000

    DAVID BOMBERG (1890-1957). The Monastery of St George, Wadi Kelt. oil on canvas16 1/8 x 20 in. (41 x 50.8 cm.).

    Christie's
  • DAVID BOMBERG (1890-1957). Rooftops, Jerusalem. charcoal on paper20 x 26½ i
    Mar. 19, 2026

    DAVID BOMBERG (1890-1957). Rooftops, Jerusalem. charcoal on paper20 x 26½ i

    Est: £8,000 - £12,000

    DAVID BOMBERG (1890-1957). Rooftops, Jerusalem. charcoal on paper20 x 26½ in. (50.8 x 67.2 cm.).

    Christie's
  • Chartres Cathedral
    Mar. 05, 2026

    Chartres Cathedral

    Est: £7,000 - £10,000

    David Bomberg 1890 - 1957 Chartres Cathedral signed Bomberg and dated 53 (lower right) charcoal and red chalk on paper unframed (sheet): 50 by 61.5cm.; 19¾ by 24¼in. framed: 77 by 87cm.; 30¼ by 34¼in. Executed in 1953.

    Sotheby's
  • David Bomberg,  Farm Field, Talgwyn, Red Wharf Bay, 1944; 
    Dec. 10, 2025

    David Bomberg,  Farm Field, Talgwyn, Red Wharf Bay, 1944; 

    Est: £10,000 - £15,000

    David Bomberg,  British 1890-1957 -  Farm Field, Talgwyn, Red Wharf Bay, 1944;  oil on canvas, signed and dated lower right 'Bomberg 44' and bears inscription with title on the reverse of the stretcher, 58.5 x 76 cm (ARR)  Provenance:  with Boundary Gallery, London (by repute);  private collection, London, purchased in 1983  Note:  the owner of the work was a close friend and client of Agi Katz, founder and director of Boundary Gallery, who specialised in the work of David Bomberg and other Jewish and émigré artists in Britain; Rosebery's were responsible for selling her Estate in 2022. The work is listed in an inventory made by Agi Katz of the owner's collection.  Made towards the end of the Second World War, Bomberg visited Angelsea with his family in 1944, making a number of works of Talgwyn Farm as a respite from the more urban works he had been making. Richard Cork has described these as showing his 'impulsive emtional reaction to the landscape'. This followed an important commission for the War Artists Advisory Committee in 1942 to paint an underground bomb store at RAF Fauld in Tutbury, creating a small body of works that were highly abstracted and almost geometric in form. Bomberg would make more trips across the UK in 1946, making a series of similarly expansive landscapes of Cornwall, Devon and Scotland. These landscapes present a renewed engagement with nature itself and a large number of these are now in public collections including 'Evening, Cornwall, 1947' (Herbert Art Gallery & Museum, Coventry), 'Bideford, Devon, 1946' (Royal Albert Memorial Museum & Art Gallery, Exeter) and a related Welsh landscape, 'Talgwyn Farm, Red Wharf Bay, Anglesea, 1944' (The Art Gallery of Western Australia, Perth).  David Bomberg was a member of the Whitechapel Boys. He studied at the Slade School of Art under Henry Tonks, and alongside artists such as Stanley Spencer, Ben Nicholson, and Paul Nash. He was awarded the Slade Prize for drawing in 1913, after which he travelled to France, meeting contemporaries such as Pablo Picasso and Amedeo Modigliani. In 1914 he co-curated an exhibition with Jacob Epstein, in which his works were shown alongside those of Modigliano, Kisling, and other prominent Jewish artists living in France.  His first solo exhibition was held at the Chenil Gallery in 1914, where visitors included Augustus John, Marinetti, Duchamp and Brancusi. Bombergs work has been the subject of a number of solo exhibitions, including at the Israel Museum in 1983, at the Tate in 1988, and at the Whitechapel Gallery in 1979 when under the directorship of Nicholas Serota. His works are currently held at MoMA in New York, the Art Institute in Chicago, the Tate in London and National Galleries of Scotland, Edinburgh.

    Roseberys
  • David Bomberg,  Sappers under Hill 60, 1918-19; 
    Dec. 10, 2025

    David Bomberg,  Sappers under Hill 60, 1918-19; 

    Est: £2,000 - £3,000

    David Bomberg,  British 1890-1957 -  Sappers under Hill 60, 1918-19;  pen and brush and black ink over pencil on paper, 20 x 26.4 cm (ARR)  Provenance:  with Fischer Fine Art Ltd. London, K 11,566 (according to the label attached to the reverse of the frame);  with Rex Irwin Art Dealer, Sydney (according to the label attached to the reverse of the frame);  with L.A. Louver, Inc., Venice CA (according to the label attached to the reverse of the frame);  with Gillian Jason Gallery, London (according to the label attached to the reverse of the frame);  Bonhams, London, Modern Pictures and Sculpture, 15th October 2002, lot 41;  Private Collection  Exhibited:  Fischer Fine Art Ltd. London, 'A Tribute to Lilian Bomberg', March-April 1985, cat. no.11 (according to the label attached to the reverse of the frame)  Note:  this is one of a series of studies Bomberg made for his commission for the Canadian War Memorial Funds following WWI. Bomberg decided to depict the moment when Canadian soldiers dug under the German trenches to lay explosive for a surprise assault during Ypres. The final painting, 'Sappers at Work: A Canadian Tunnelling Company, 1919', is a brilliant fusion of realism and the geometric, vorticist style of Bomberg's early work, developed alongside Wyndham Lewis, and is now in the National Gallery of Canada. Similar studies to the present work are now in the collection of Ben Uri Gallery and the Imperial War Museum. 

    Roseberys
  • David Bomberg (1890-1957), Costume Study for the Chorus in Handel's Balshazzar
    Dec. 05, 2025

    David Bomberg (1890-1957), Costume Study for the Chorus in Handel's Balshazzar

    Est: £1,500 - £2,500

    David Bomberg (1890-1957) Costume Study for the Chorus in Handel's Balshazzar, 1937 Charcoal and watercolour on paper Signed and dated bottom middle, with further inscriptions Provenance: Boundary Gallery, London;  Acquired by Geoffrey M. and Carol D. Chinn; Sotheby's, London, 7 June 2024, lot 141. Dimensions: (Frame) 27.5 in. (H) x 24.5 in. (W) (Paper) 22 in. (H) x 19 in. (W)

    Sloane Street Auctions
  • David Bomberg (British, 1890-1957) Talgwyn Farm, Red Wharf Bay, Anglesey 31.7 x 40.2 cm. (12 1/2 x 15 3/4 in.) (Painted in 1944)
    Nov. 19, 2025

    David Bomberg (British, 1890-1957) Talgwyn Farm, Red Wharf Bay, Anglesey 31.7 x 40.2 cm. (12 1/2 x 15 3/4 in.) (Painted in 1944)

    Est: £15,000 - £20,000

    David Bomberg (British, 1890-1957) Talgwyn Farm, Red Wharf Bay, Anglesey oil on board 31.7 x 40.2 cm. (12 1/2 x 15 3/4 in.) Painted in 1944

    Bonhams
  • David Bomberg (British, 1890-1957) Jericho 51.8 x 68 cm. (20 3/8 x 26 3/4 in.)
    Nov. 19, 2025

    David Bomberg (British, 1890-1957) Jericho 51.8 x 68 cm. (20 3/8 x 26 3/4 in.)

    Est: £40,000 - £60,000

    David Bomberg (British, 1890-1957) Jericho signed and dated 'Bomberg '24' (lower right) oil on canvas 51.8 x 68 cm. (20 3/8 x 26 3/4 in.)

    Bonhams
  • David Bomberg (English, 1890-1957) Attributed to, Street Scene, Signed Bomberg lower right, Oil on canvas, 11 1/2" x 15", Framed-17" x 20 1/2"
    Nov. 08, 2025

    David Bomberg (English, 1890-1957) Attributed to, Street Scene, Signed Bomberg lower right, Oil on canvas, 11 1/2" x 15", Framed-17" x 20 1/2"

    Est: $2,000 - $2,500

    David Bomberg (English, 1890-1957) Attributed to, Street Scene, Signed Bomberg lower right, Oil on canvas, 11 1/2" x 15", Framed-17" x 20 1/2"

    Auction Gallery of the Palm Beaches
  • DAVID BOMBERG (1890-1957). El Barrio San Francisco, Ronda. oil on board24 7
    Oct. 23, 2025

    DAVID BOMBERG (1890-1957). El Barrio San Francisco, Ronda. oil on board24 7

    Est: £70,000 - £100,000

    DAVID BOMBERG (1890-1957). El Barrio San Francisco, Ronda. oil on board24 7/8 x 30 in. (63.2 x 76.2 cm.).

    Christie's
  • David Bomberg, 1890-1957, 'Sappers'
    Sep. 16, 2025

    David Bomberg, 1890-1957, 'Sappers'

    Est: £2,000 - £3,000

    § David Bomberg 1890-1957 'Sappers' 1919, signed and dated lower edge, Pen and ink and wash on paper, 26.7cm x 20.5cm (unframed) Provenance: A distinguished private collection

    Gorringes
  • David Bomberg,  Untitled (Figure Study), c.1913/14 
    Sep. 09, 2025

    David Bomberg,  Untitled (Figure Study), c.1913/14 

    Est: £5,000 - £7,000

    David Bomberg,  British 1890-1957 -    Untitled (Figure Study), c.1913/14;  coloured pencils, ink, gouache on paper, signed upper centre 'David Bomberg', 35.5 x 26 cm (ARR)  Provenance: Lilian Bomberg; Private Collection, UK, acquired from the above (according to a previous cataloguing of the work);  Sotheby's, London, 20th Century British Art, 13 July 2007, lot 30 (unsold); Private Collection, gifted from the above Private Collection Note:  according to a previous cataloguing of the work there is a sketch on the reverse however it is not visible within the current framing.

    Roseberys
  • David Bomberg (1890-1957) Mixed Media On Paper
    Jul. 22, 2025

    David Bomberg (1890-1957) Mixed Media On Paper

    Est: $50 - $500

    David Bomberg (1890-1957) Mixed Media On Paper Early to Mid 20th Century, Continental David Bomberg (1890-1957) Abstract mixed media on paper, depicting what appears to be trees with snow upon them. Signed at bottom left "Bomberg" Matted and framed.

    Akiba Galleries
  • David BOMBERG (1890-1957) Great Britain
    Jun. 28, 2025

    David BOMBERG (1890-1957) Great Britain

    Est: €10,000 - €15,000

    David BOMBERG (1890-1957) ; Landscape ; 1926 ; oil on canvas ; dimensions 68 x 90 cm (26 2/3 x 35 1/2 in.) ; signed and dated lower right corner ; Shipping to USA - DHL $550 , National post with tracking service $350 / Shipping to EU, Russia, Middle Assia - DHL $420 , National post with tracking service $280

    Art-Torg
  • Figures
    Jun. 26, 2025

    Figures

    Est: £6,000 - £8,000

    David Bomberg 1890 - 1957 Figures signed Bomberg (upper left) oil on paper unframed (sheet): 35 by 41.5cm.; 13¾ by 16¼in. framed: 49 by 58.5cm.; 19¼ by 23in.

    Sotheby's
  • Barnstaple Bay, North Devon
    Jun. 10, 2025

    Barnstaple Bay, North Devon

    Est: £20,000 - £30,000

    David Bomberg 1890 - 1957 Barnstaple Bay, North Devon signed Bomberg and dated 47 (lower left); also signed David Bomberg, titled, dated 1946 and inscribed (on a label attached to the reverse); further inscribed with the Artist's address (on a further label) oil on canvas unframed: 51.5 by 66cm.; 20¼ by 26in. framed: 65 by 79cm.; 25½ by 31in. Executed in 1946-47.

    Sotheby's
  • Ronda with Iglesia Espiritu Santo, Andalucia
    Jun. 10, 2025

    Ronda with Iglesia Espiritu Santo, Andalucia

    Est: £8,000 - £12,000

    David Bomberg 1890 - 1957 Ronda with Iglesia Espiritu Santo, Andalucia charcoal on paper unframed (sheet): 48.5 by 62.5cm.; 19 by 24½in. framed: 76.5 by 91cm.; 30 by 35¾in. Executed in 1954.

    Sotheby's
  • David Bomberg (1890 - 1957) Precisionist Abstract Framed Original Modern Painting
    Apr. 27, 2025

    David Bomberg (1890 - 1957) Precisionist Abstract Framed Original Modern Painting

    Est: $1,000 - $2,000

    Vintage David Bomberg (1890 - 1957) abstract painting. Mixed media on paper. Signed. Framed. Measuring 19 by 23 inches and 15 by 19 painting alone. Please see all images for condition. Size is measured and written on the back of the painting. The first size is the overall size, the second size is the image size. For detailed condition questions please email hello@curatedgallery.com. Flat rate domestic UPS or FedEx shipping is $100 for this lot.

    Curated Gallery Auctions
  • ▲ David Bomberg (1890-1957)
    Apr. 15, 2025

    ▲ David Bomberg (1890-1957)

    Est: £2,000 - £3,000

    ▲ David Bomberg (1890-1957) Andalucían landscape signed 'Bomberg' l.r., pen and ink and gouache 20 x 35.5cm Condition Report: Framed: 49 x 65cm The work has been executed on what appears to be tracing paper. The paper is thin and it is possible to see small pieces of tape behind along the top and bottom edges. The paper is rippled with time staining. Not viewed out of glazed frame.

    Sworders
  • ▲ David Bomberg (1890-1957)
    Apr. 15, 2025

    ▲ David Bomberg (1890-1957)

    Est: £3,000 - £5,000

    ▲ David Bomberg (1890-1957) Composition with three figures signed and dated 'Bomberg '19' l.l., pencil, brush, and ink and wash on tracing paper 26 x 19.5cm Provenance: Lilian Bomberg; with Anthony d'Offay, London; Christie's, London, '20th Century British Art', 4 June 1999, lot 147. Condition Report: Framed: 52 x 45.5cm Small tears to the upper edge in the corners. A very small rip in the lower left corner. The extreme edges curl inwards a little. The paper has wrinkles. In areas where the ink has been heavily applied, the paper has a bumpy texture. Not viewed out of glazed frame.

    Sworders
  • ▲ David Bomberg (1890-1957)
    Apr. 15, 2025

    ▲ David Bomberg (1890-1957)

    Est: £4,000 - £6,000

    ▲ David Bomberg (1890-1957) Bargee figure gouache on paper 22 x 36.5cm Provenance: St George's Gallery, London, 1949. Condition Report: Framed: 43 x 57.5cm A couple of fine superfical scratches to the right edge. A few small white speckles which appear to be light surface abrasions. Presents well overall. Not viewed out of glazed frame.

    Sworders
  • ▲ David Bomberg (1890-1957)
    Apr. 15, 2025

    ▲ David Bomberg (1890-1957)

    Est: £4,000 - £6,000

    ▲ David Bomberg (1890-1957) The Gorge and Bridge, Ronda signed and dated 'Bomberg 35' l.l., black chalk 41 x 32cm Provenance: With Thomas Agnew & Sons; with Benjamin Turner Fine Art Ltd., London. Condition Report: Framed: 80 x 71cm Very slight cockling. A little smudging in the lower right corner. Not viewed out of glazed frame.

    Sworders
  • ▲ David Bomberg (1890-1957)
    Apr. 15, 2025

    ▲ David Bomberg (1890-1957)

    Est: £8,000 - £12,000

    ▲ David Bomberg (1890-1957) Mountains, Penarrubia signed and dated 'Bomberg/35' l.l., watercolour and gouache 41.5 x 54.5cm Condition Report: Framed: 68 x 80cm Very slight undulations to the paper. There is some cracking to the paint in areas, predominantly in the upper quarter. Not viewed out of glazed frame. For additional images please contact the department.

    Sworders
  • ▲ David Bomberg (1890-1957)
    Apr. 15, 2025

    ▲ David Bomberg (1890-1957)

    Est: £3,000 - £5,000

    ▲ David Bomberg (1890-1957) View of Ronda signed and dated 'Bomberg 54' l.l., charcoal and pastel 24 x 42cm David Bomberg made several significant trips to Ronda, Spain, profoundly influencing his artistic work. His first visit to Spain was in 1929, where he spent six months in Toledo, drawing inspiration from the high sun and weathered hilltop townscape. Bomberg returned to Spain with his future wife, Lilian Holt, in 1934 and 1935, spending time in Ronda and Asturias. Ronda, perched high in the Andalusian mountains and divided by a dramatic gorge, captivated Bomberg. He described Ronda as 'the most interesting of the towns of Southern Spain'. The town's extraordinary landscape, with its ancient city on a glowing rock, inspired the artist. He explored the area on a donkey, finding vantage points to study and paint the remarkable town. Bomberg's final visit to Ronda was between 1954 and 1957. His drawings and paintings from this period are characterised by structured brushstrokes capturing the unique topography. In the present lots, we see Bomberg's ability to translate the slopes, buildings and skies into richly graded monotone effects. Sworders are pleased to offer examples from both his 1930s and 1950s visits in this sale. Condition Report: Framed: 48.5 x 66.5cm A little cockling and slight time staining. Not viewed out of glazed frame.

    Sworders
  • David Bomberg,  British 1890-1957 -  Farm Field, Talgwyn, Red Wharf Bay, 1944;  oil on canvas, sig
    Mar. 25, 2025

    David Bomberg,  British 1890-1957 -  Farm Field, Talgwyn, Red Wharf Bay, 1944;  oil on canvas, sig

    Est: £20,000 - £25,000

    David Bomberg,  British 1890-1957 -  Farm Field, Talgwyn, Red Wharf Bay, 1944;  oil on canvas, signed and dated lower right 'Bomberg 44' and bears inscription with title on the reverse of the stretcher, 58.5 x 76 cm (ARR)  Provenance:  with Boundary Gallery, London (by repute);  private collection, London, purchased in 1983  Note:  the owner of the work was a close friend and client of Agi Katz, founder and director of Boundary Gallery, who specialised in the work of David Bomberg and other Jewish and émigré artists in Britain; Rosebery's were responsible for selling her Estate in 2022. The work is listed in an inventory made by Agi Katz of the owner's collection.  Made towards the end of the Second World War, Bomberg visited Angelsea with his family in 1944, making a number of works of Talgwyn Farm as a respite from the more urban works he had been making. Richard Cork has described these as showing his 'impulsive emtional reaction to the landscape'. This followed an important commission for the War Artists Advisory Committee in 1942 to paint an underground bomb store at RAF Fauld in Tutbury, creating a small body of works that were highly abstracted and almost geometric in form. Bomberg would make more trips across the UK in 1946, making a series of similarly expansive landscapes of Cornwall, Devon and Scotland. These landscapes present a renewed engagement with nature itself and a large number of these are now in public collections including 'Evening, Cornwall, 1947' (Herbert Art Gallery & Museum, Coventry), 'Bideford, Devon, 1946' (Royal Albert Memorial Museum & Art Gallery, Exeter) and a related Welsh landscape, 'Talgwyn Farm, Red Wharf Bay, Anglesea, 1944' (The Art Gallery of Western Australia, Perth).  David Bomberg was a member of the Whitechapel Boys. He studied at the Slade School of Art under Henry Tonks, and alongside artists such as Stanley Spencer, Ben Nicholson, and Paul Nash. He was awarded the Slade Prize for drawing in 1913, after which he travelled to France, meeting contemporaries such as Pablo Picasso and Amedeo Modigliani. In 1914 he co-curated an exhibition with Jacob Epstein, in which his works were shown alongside those of Modigliano, Kisling, and other prominent Jewish artists living in France.  His first solo exhibition was held at the Chenil Gallery in 1914, where visitors included Augustus John, Marinetti, Duchamp and Brancusi. Bombergs work has been the subject of a number of solo exhibitions, including at the Israel Museum in 1983, at the Tate in 1988, and at the Whitechapel Gallery in 1979 when under the directorship of Nicholas Serota. His works are currently held at MoMA in New York, the Art Institute in Chicago, the Tate in London and National Galleries of Scotland, Edinburgh.

    Roseberys
  • DAVID BOMBERG (1890-1957). The Slopes of Navao, Asturias. red and black cha
    Mar. 20, 2025

    DAVID BOMBERG (1890-1957). The Slopes of Navao, Asturias. red and black cha

    Est: £3,000 - £5,000

    DAVID BOMBERG (1890-1957). The Slopes of Navao, Asturias. red and black chalk on paper16 ¼ x 22 ¾ in. (41.2 x 57.8 cm.).

    Christie's
  • λ DAVID BOMBERG (BRITISH 1890-1957), STUDY FOR THE PALESTINE RESTORATION FUND POSTER
    Mar. 12, 2025

    λ DAVID BOMBERG (BRITISH 1890-1957), STUDY FOR THE PALESTINE RESTORATION FUND POSTER

    Est: £4,000 - £6,000

    λ DAVID BOMBERG (BRITISH 1890-1957)STUDY FOR THE PALESTINE RESTORATION FUND POSTER Ink, watercolour and wash 39.5 x 26.5cm (15½ x 10¼ in.)Executed in 1923. Provenance:The artist's familyD. Mole Davies-Rees, Private Collection Denys Wilcox Fine Art/Court Gallery, Somerset Exhibited:Chichester, Pallant House Gallery, Bomberg, 21 October-4 February 2017, travelling exhibition to Newcastle, Laing Art Gallery; London, Ben Uri Gallery until September 2018 (lent to the exhibition by the Court Gallery)Literature:MacDougall, Sarah; Dickson, Rachel, Bomberg (London: Ben Uri Gallery and Museum, 2017), no. 62, p. 105 Like many others, Bomberg found himself unsettled in the aftermath of the First World War. Support from The Tate in 1923 through the Duveen Drawings Fund saw two works by Bomberg enter the permanent collection boosting morale to the struggling artist. Nonetheless, it was his friendship with Muirhead Bone, whom he had met through the Canadian War Memorial Project, which spearheaded Bomberg's involvement within the Zionist movement. Artists such as Jacob Kramer following the 1917 Balfour Declaration were employed as official artists to produce works in support of the establishment of a Jewish homeland in Palestine. However, despite Bone's support of Bomberg and negotiations with Leonard Stein, the political secretary of the Zionist Organisation Bomberg was turned down as an official artist. Bone persisted and managed to arrange a commission from the Palestine Foundation Fund (Kere Heyesod) who were focused on recording 'Zionist Reconstruction.' With financial support from Bone, Bomberg and his wife arrived in Jerusalem in 1923, via Alexandria and Jaffa. Bomberg was immediately struck by the contrast between the architecture of Jerusalem in both the modern and historic quarters set against the dramatic landscape. This fascination with the landscape continued over the coming years whilst Bomberg studied the Judean Hills trekking into the desserts of Petra and Jericho. Bomberg lived in the Old City of Jerusalem looking out across to the Mount of Olives.It is possible that this present study for the Palestine Restoration Fund Poster was produced before Bomberg arrived in Jerusalem as a sample to illustrate his skills for the Zionist Organisation, which he was eventually turned down from. Comparisons have been drawn to a design for Coterie Magazine that Bomberg produced in 1919, depicting a lone figure constructed of angular lines set against a composition of geometric shapes. This work was in fact never published. The present lot is filled with a subdued colour palette with earthy tones of brown and mauve possibly inspired by the rich soil and landscape of Jerusalem. The lone figure fills the left side of the composition, the right arm stretched high above their head to read the proclamation. A beacon of light shines brightly overhead representing hope.

    Dreweatts 1759 Fine Sales
  • DAVID BOMBERG (1890-1957). Sappers at work under Hill 60. ink and wash on t
    Feb. 13, 2025

    DAVID BOMBERG (1890-1957). Sappers at work under Hill 60. ink and wash on t

    Est: £5,000 - £8,000

    DAVID BOMBERG (1890-1957). Sappers at work under Hill 60. ink and wash on tissue paper10 ½ x 8 in. (26.5 x 20.3 cm.).

    Christie's
  • David Bomberg (British, 1890-1957) Untitled (Figure Study) (Executed circa 1913-14)
    Nov. 27, 2024

    David Bomberg (British, 1890-1957) Untitled (Figure Study) (Executed circa 1913-14)

    Est: £7,000 - £10,000

    David Bomberg (British, 1890-1957) Untitled (Figure Study) signed 'David Bomberg' (to centre) coloured pencil, ink and gouache on paper 35.5 x 26cm (14 x 10 1/4in). Executed circa 1913-14

    Bonhams
  • David Bomberg,  Farm Field, Talgwyn, Red Wharf Bay, 1944 
    Nov. 27, 2024

    David Bomberg,  Farm Field, Talgwyn, Red Wharf Bay, 1944 

    Est: £25,000 - £30,000

    David Bomberg,  British 1890-1957 -  Farm Field, Talgwyn, Red Wharf Bay, 1944;  oil on canvas, signed and dated lower right 'Bomberg 44' and bears inscription with title on the reverse of the stretcher, 58.5 x 76 cm (ARR)  Provenance:  private collection, London, purchased in 1983  Note:  the owner of the work was a close friend and client of Agi Katz, founder and director of Boundary Gallery, who specialised in the work of David Bomberg and other Jewish and émigré artists in Britain; Rosebery's were responsible for selling her Estate in 2022. The work is listed in an inventory made by Agi Katz of the owner's collection.  Made towards the end of the Second World War, Bomberg visited Angelsea with his family in 1944, making a number of works of Talgwyn Farm as a respite from the more urban works he had been making. Richard Cork has described these as showing his 'impulsive emtional reaction to the landscape'. This followed an important commission for the War Artists Advisory Committee in 1942 to paint an underground bomb store at RAF Fauld in Tutbury, creating a small body of works that were highly abstracted and almost geometric in form. Bomberg would make more trips across the UK in 1946, making a series of similarly expansive landscapes of Cornwall, Devon and Scotland. These landscapes present a renewed engagement with nature itself and a large number of these are now in public collections including 'Evening, Cornwall, 1947' (Herbert Art Gallery & Museum, Coventry), 'Bideford, Devon, 1946' (Royal Albert Memorial Museum & Art Gallery, Exeter) and a related Welsh landscape, 'Talgwyn Farm, Red Wharf Bay, Anglesea, 1944' (The Art Gallery of Western Australia, Perth).  David Bomberg was a member of the Whitechapel Boys. He studied at the Slade School of Art under Henry Tonks, and alongside artists such as Stanley Spencer, Ben Nicholson, and Paul Nash. He was awarded the Slade Prize for drawing in 1913, after which he travelled to France, meeting contemporaries such as Pablo Picasso and Amedeo Modigliani. In 1914 he co-curated an exhibition with Jacob Epstein, in which his works were shown alongside those of Modigliano, Kisling, and other prominent Jewish artists living in France.  His first solo exhibition was held at the Chenil Gallery in 1914, where visitors included Augustus John, Marinetti, Duchamp and Brancusi. Bombergs work has been the subject of a number of solo exhibitions, including at the Israel Museum in 1983, at the Tate in 1988, and at the Whitechapel Gallery in 1979 when under the directorship of Nicholas Serota. His works are currently held at MoMA in New York, the Art Institute in Chicago, the Tate in London and National Galleries of Scotland, Edinburgh.

    Roseberys
  • David Bomberg (British, 1890-1957) Irrigation, Zionist Development, Palestine 31.2 x 40 cm. (12 1/4 x 15 3/4 in.) (Painted in 1923)
    Nov. 20, 2024

    David Bomberg (British, 1890-1957) Irrigation, Zionist Development, Palestine 31.2 x 40 cm. (12 1/4 x 15 3/4 in.) (Painted in 1923)

    Est: £15,000 - £20,000

    David Bomberg (British, 1890-1957) Irrigation, Zionist Development, Palestine oil on canvasboard 31.2 x 40 cm. (12 1/4 x 15 3/4 in.) Painted in 1923

    Bonhams
  • David BOMBERG (1890-1957) Great Britain
    Oct. 18, 2024

    David BOMBERG (1890-1957) Great Britain

    Est: $10,000 - $15,000

    David BOMBERG (1890-1957) ; Landscape ; 1926 ; oil on canvas ; dimensions 68 x 90 cm (26 2/3 x 35 1/2 in.) ; signed and dated lower right corner ; Shipping to USA - DHL $550 , National post with tracking service $350 / Shipping to EU, Russia, Middle Assia - DHL $420 , National post with tracking service $280

    Art-Torg
  • DAVID BOMBERG (1890-1957). Mount St Hilarion, Cyprus. oil on canvas 28 1⁄8
    Oct. 17, 2024

    DAVID BOMBERG (1890-1957). Mount St Hilarion, Cyprus. oil on canvas 28 1⁄8

    Est: £60,000 - £80,000

    DAVID BOMBERG (1890-1957). Mount St Hilarion, Cyprus. oil on canvas 28 1⁄8 x 36 ¼ in. (71.1 x 92 cm.).

    Christie's
  • DAVID BOMBERG (1890-1957). Self Portrait. oil on board 24 x 20 in. (61 x 50
    Oct. 17, 2024

    DAVID BOMBERG (1890-1957). Self Portrait. oil on board 24 x 20 in. (61 x 50

    Est: £15,000 - £25,000

    DAVID BOMBERG (1890-1957). Self Portrait. oil on board 24 x 20 in. (61 x 50.8 cm.).

    Christie's
  • DAVID BOMBERG (1890-1957). Rock Façade, Petra, Afternoon. oil on canvas 17
    Oct. 17, 2024

    DAVID BOMBERG (1890-1957). Rock Façade, Petra, Afternoon. oil on canvas 17

    Est: £60,000 - £80,000

    DAVID BOMBERG (1890-1957). Rock Façade, Petra, Afternoon. oil on canvas 17 x 21 in. (43.2 x 53.3 cm.).

    Christie's
  • ▲ David Bomberg (1890-1957)
    Oct. 02, 2024

    ▲ David Bomberg (1890-1957)

    Est: £5,000 - £7,000

    ▲ David Bomberg (1890-1957) Figure oil on paper 22 x 32cm Provenance: The Property of a London Collector. Condition Report: Framed: 61 x 67cm Appears to be in good condition and ready to hang. Not examined under UV light or viewed out of glazed frame, for a full report please contact the department.

    Sworders
  • ▲ David Bomberg (1890-1957)
    Oct. 02, 2024

    ▲ David Bomberg (1890-1957)

    Est: £4,000 - £6,000

    ▲ David Bomberg (1890-1957) Untitled signed and dated 'D. Bomberg/19' l.r., pencil and watercolour 28 x 37.5cm Provenance: The Property of a London Collector. Condition Report: Framed: 53.5 x 62.5cm Time staining. Light cockling. A few tiny brown speckles. Not viewed out of glazed frame.

    Sworders
  • ▲ David Bomberg (1890-1957)
    Oct. 02, 2024

    ▲ David Bomberg (1890-1957)

    Est: £6,000 - £8,000

    ▲ David Bomberg (1890-1957) River bank, Ronda signed 'Bomberg' and indistinctly dated l.r., charcoal and pastel 63 x 51cm Provenance: The Property of a London Collector. Condition Report: Framed: 93 x 80cm There is a slight undulation to the paper with light cockling on the right side, however in our opinion this this is not distracting when viewed on the wall. Light time staining with a little smudging, please refer to illustration. Not viewed out of glazed frame.

    Sworders
  • ▲ David Bomberg (1890-1957)
    Oct. 02, 2024

    ▲ David Bomberg (1890-1957)

    Est: £15,000 - £20,000

    ▲ David Bomberg (1890-1957) View of Ronda faintly signed l.l., charcoal, pastel and watercolour 44 x 58.5cm Provenance: Given to Charles Spencer Esq. by the artist at his studio in Ronda; The Property of a London Collector. Exhibited: The Arts Council of Great Britain, 'Bomberg Memorial Exhibition', 1958, catalogue no. 72. Literature: 'The London Magazine', March 1967, illustrated opposite p.41 with C Spencer's article 'Memories of Bomberg'. Condition Report: Framed: 80.5 x 92.5cm A 6cm crease mark towards the top of the left edge. Not viewed out of glazed frame. Appears to be in otherwise good condition. Not viewed out of glazed frame.

    Sworders
  • ▲ David Bomberg (1890-1957)
    Oct. 02, 2024

    ▲ David Bomberg (1890-1957)

    Est: £7,000 - £9,000

    ▲ David Bomberg (1890-1957) Ronda, 1954 inscribed 'Ronda, Andalucia, by David Bomberg 1954/authenticated by Lilian Bomberg' verso, charcoal 45 x 59cm Provenance: Wolpe Gallery, Cape Town; Christie's, London, 'Twentieth Century British Art', 15 July 1998, lot 66; The Property of a London Collector. Condition Report: Framed: 81 x 92cm A little time staining. A tiny brown spot of foxing to the upper left quarter. Overall presents well. Not viewed out of glazed frame.

    Sworders
  • ▲ David Bomberg (1890-1957)
    Oct. 02, 2024

    ▲ David Bomberg (1890-1957)

    Est: £7,000 - £9,000

    ▲ David Bomberg (1890-1957) Ronda, Asturias signed 'Bomberg' and indistinctly dated '36 (?) l.r., charcoal 45.5 x 58cm Provenance: The Property of a London Collector. Condition Report: Framed: 80.5 x 92.5cm Light time staining. A little rippling to the top edge. Not viewed out of glazed frame.

    Sworders
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