Set of 4 Mario Botta for Alias "Quinta" Black Chairs Mario Botta (Swiss, born 1943) for Alias SpA (Italian, founded 1979), designed in 1985. Set of four "Quinta" chairs, having an epoxy-coated tubular steel and perforated steel form, manufacturer's label to back for seat rail.
Set of 4 Mario Botta for Alias "Quinta" Black Chairs Mario Botta (Swiss, born 1943) for Alias SpA (Italian, founded 1979), designed in 1985. Set of four "Quinta" chairs, having an epoxy-coated tubular steel and perforated steel form, manufacturer's label to back for seat rail.
Poltroncina mod. Seconda. Metallo verniciato, rete metallica smaltata, gomma. Produzione Alias 1982 ca. Marchio del produttore. cm 72x52x59 AN ARMCHAIR BY M. BOTTA G. Gramigna, Le fabbriche del Design, Allemandi Editore, Torino, 2007, p. 118. Buone condizioni generali. Piccole e trascurabili righe dovute all'uso quotidiano. Piccole e trascurabili mancanze alla vernice.
Botta, Mario geb. 1943 in Mendrisio, schweizer Architekt und Designer, Bodenstehleuchte ''Shogun'', Entwurf: 1986, Ausführung: Artemide, Italien, Konstruktion aus schwarz und weiß lackiertem Metall mit drehbaren Diffusoren aus gelochtem Stahlblech, 1 Lampensockel E27, H: 199 cm. Dimmschalter besch., Lampe leuchtet. Alters- und Gebrauchsspuren, leichte Kratzer.
Mario Botta Quinta Chair Chair Alias Edition, Italy Year: 1985 H93 W45 D57, seat height 42 cm Rare Quinta chair, designed by Mario Botta for Alias in 1985. An iconic example of Italian postmodern design, the Quinta stands out for its elegant geometric construction, its tubular bent steel frame, and its perforated metal seat and backrest. It is part of the famous series of furniture designed by Botta for Alias and has become a design classic. This particular piece is finished in mint green lacquer, a highly sought-after alternative to the standard black version. This soft hue beautifully highlights the chair’s sculptural and architectural qualities, while giving it a unique visual presence. A rare collector’s item, designed by one of the most influential architects and designers of the late 20th century. Mario Botta Silla Quinta Silla Edición Alias, Italia Año de creación: 1985 Altura 93 cm, ancho 45 cm, profundidad 57 cm, altura del asiento 42 cm Rara silla Quinta, diseñada por Mario Botta para Alias en 1985. Ejemplo emblemático del diseño posmoderno italiano, la Quinta destaca por su elegante construcción geométrica, su estructura tubular de acero curvado y su asiento y respaldo de metal perforado. Forma parte de la famosa serie de muebles diseñados por Botta para Alias y se ha convertido en un clásico del diseño. Este ejemplar en particular tiene un acabado en laca verde menta, una alternativa muy buscada a la versión estándar en negro. Este suave tono realza magníficamente las cualidades escultóricas y arquitectónicas de la silla, al tiempo que le confiere una presencia visual única. Una pieza única y de colección, firmada por uno de los arquitectos y diseñadores más influyentes de finales del siglo XX.
MARIO BOTTA (Mendrisio, Switzerland, 1943) for Alias. Pair of chairs "Seconda". Italy, 1980s. First two-color edition in black and gray. Tubular lacquered steel frame, perforated seat and cylindrical back. Exhibits sligthly wear consistent with age and use. Measurements: 71.5 × 52 × 58 cm. Pair of chairs designed by Swiss architect Mario Botta for Alias. Architectural and essential language, the design is built from a metal structure of geometric lines, perforated seat and cylindrical backrest divided into two volumes. The two-color combination of black and gray reinforces the graphic character of the piece, underlining the contrast between structural lightness and formal rotundity. La Seconda reflects Botta's approach to furniture as an extension of architecture: precise, rational and with a strong spatial presence. Mario Botta is one of the most renowned Swiss architects of the second half of the 20th century. Trained in Venice, he worked in contact with figures such as Le Corbusier and Louis I. Kahn, developing a work marked by geometry, monumentality and constructive rigor. In addition to his architectural production, he has designed furniture for firms such as Alias, bringing to the domestic scale his interest in structure, volume and formal clarity.
MARIO BOTTA 1943 Mendrisio/ Switzerland SET OF THREE 'SHOGUN PARETE' LAMPS Italy, Artemide, designed in 1986 White enamelled metal, each single-light electrified. H. 32 cm, B. approx. 33 cm, T. 32 cm. Marked 'Modello Shogun - Milano Artemide - design Mario Botta - Made in Italy'. Light traces of use, an inner screen with broken rivet joint. MARIO BOTTA 1943 Mendrisio/ Schweiz DREI 'SHOGUN PARETE' WAND - DECKENLEUCHTEN Italien, Artemide, Entwurf 1986 Metall weiß lackiert, je 1-flg. elektrifiziert. H. 32 cm, B. ca. 33 cm, T. 32 cm. Sockel bez. 'Modello Shogun - Milano Artemide - design Mario Botta - Made in Italy'. Leichte Gebrauchsspuren, ein Innenschirm m. defekter Nietverbindung.
MARIO BOTTA 1943 Mendrisio/ Switzerland A 'SHOGUN TERRA' FLOOR LAMP Italy, Artemide, designed 1986 Black and white lacquered metal, single-light electrified. H. 198 cm, W. 32 cm, D. 32 cm. Marked on the base 'Modello Shogun - Milano Artemide - Mario Botta - Made in Italy'. Only minor traces of use. No in-house shipping available. MARIO BOTTA 1943 Mendrisio/ Schweiz STEHLEUCHTE 'SHOGUN TERRA' Italien, Artemide, Entwurf 1986 Metall, schwarz u. weiß lackiert, 1-flg. elektrifiziert. H. 198 cm, B. 32 cm, T. 32 cm. Sockel bez. 'Modello Shogun - Milano Artemide - Mario Botta - Made in Italy'. Sehr leichte Gebrauchsspuren. Kein hauseigener Versand möglich.
Shogun floor lamp, 1980s; black and white metal, height 195 cm, with a shade measuring 210 cm, manufactured by Artemide, 2 minor scratches on the base Provenance: private collection
MARIO BOTTA, ‘Shogun’ table lamp Artemide, Milan, tubular metal, sheet metal, lacquered black and white, h: approx. 58 cm. Signs of age and use. SHIPPING TO THE USA MUST BE ARRANGED BY THE BUYER.
Mario Botta Shogun sconces, pair Artemide Switzerland, 1986 enameled steel and aluminum, plastic 10.75 h x 13 w x 13 d in (27 x 33 x 33 cm) Cast manufacturer's mark to reverse of each example 'Artemide 0207501'. This work will ship from Chicago, Illinois.
Mario Botta Blumenzeit (sculptural clock) Mondaine Watch Ltd. Switzerland, 1995 / 1996 15.25 h x 2 w x 2 d in (39 x 5 x 5 cm) This design was created in celebration of the 100th anniversary of La Roche Ltd. Impressed manufacturer's mark to underside 'Roche Die ersten 100 Jahre'. Stamped manufacturer's mark to clock face 'Mondaine Swiss Made'. Sold with a digital copy of a preliminary sketch of this design. This work will ship from Chicago, Illinois.
MARIO BOTTA (Switzerland, 1943) for Artemide. Floor lamp "Shogun", 1980s. Cast iron, steel. Electrical characteristics: European plug (up to 240 V) / E27 bulb. Slight wear typical of its age and use. Some scuff marks. One of the plastic covers of the screen is not original. Measurements: 214 x 33 x 35 cm. The unique Shogun lamp, designed by Mario Botta in 1985, takes its name from the Japanese term for "military commander" and is inspired by the armor of feudal lords. Its characteristic domed and perforated diffuser, adjustable in different positions, generates a suggestive play of light and shadow that reinforces its sculptural character. According to Mario Botta, a lamp must create atmosphere: not only emit light, but also generate shadows, since light exists through contrast. Beyond its function, it is an everyday object with its own meaning, capable of maintaining its presence and beauty even when switched off, accompanying the user. For Botta, the lamp is a visible artifact with function and identity, which is why he conceives his designs almost as human figures; Shogun is thus understood as a body with head, trunk and base-even a "navel"-that introduces a recognizable scale in space. Available in floor, table and wall versions, it materializes its idea of light through projected shadows: two metal shades, rotating and adjustable, make it possible to compose an infinite number of lighting effects. Architect and designer, Mario Botta designed his first house at the age of sixteen, although it is not known if it was ever built. He studied at the Liceo Artistico in Milan and at the University Institute of Architecture in Venice, where his main teacher was Carlo Scarpa. His ideas were influenced by Le Corbusier and Louis Kahn, with whom he had the opportunity to work during his stay in Venice. In 1970 he opened his own office in Lugano. Botta's style is strong and geometric, with symmetrical floor plans hollowed out to allow passage. His buildings combine heavy concrete or brick walls with lightweight steel and glass structures. His works are spread throughout Switzerland, although he is also the author of the San Francisco Museum of Modern Art (1995). Since 1996 he has been teaching at the Academy of Architecture in Mendrisio at the University of Italian Switzerland.
Mario Botta (born in 1943) Armchair - 'Seconda 602' Model Metal and plastic Manufactured by Alias Model created in 1980 H 72 × W 52 × D 56 cm Mario Botta (né en 1943) Fauteuil - Modèle 'Seconda 602' Métal et plastique Edition Alias Modèle créé en 1980 H 72 x L 52 x P 56 cm
MARIO BOTTA (Switzerland, 1943) for Alias. Quinta" chair. Painted steel. With original label. In very good condition. Measurements: 94 x 45 x 52 cm. The Quinta chair, designed by Mario Botta and produced by the Italian firm Alias around 1980, is one of the most significant incursions of the Swiss architect in the field of furniture. Known internationally for his architecture of emphatic geometric volumes and strong symbolic charge, Botta transfers to this piece the same principles of formal rigor and structural clarity that characterize his architecture. In contrast to the decorative excess that defined certain designers of the time, Botta proposes a geometric synthesis of great purity: defined lines, clearly legible structure and a composition based on the relationship between planes and supports. The chair stands out for its sculptural presence, since from any angle it offers a different reading of full and empty spaces. Architect and designer, Mario Botta designed his first house at the age of sixteen, although it is not known if it was built. He studied at the Liceo Artistico in Milan and at the University Institute of Architecture in Venice, where his main teacher was Carlo Scarpa. His ideas were influenced by Le Corbusier and Louis Kahn, with whom he had the opportunity to work during his stay in Venice. In 1970 he opened his own office in Lugano. Botta's style is strong and geometric, with symmetrical floor plans hollowed out to allow passage. His buildings combine heavy concrete or brick walls with light steel and glass structures. His works are spread throughout Switzerland, although he is also the author of the San Francisco Museum of Modern Art (1995). Since 1996 he has been teaching at the Academy of Architecture in Mendrisio at the University of Italian Switzerland. In very good condition.
Italien, Entwurf 1982, für Alias. Modell 602. Schwarz lackierter Stahl. Sitzfläche aus schwarzem Lochblech. Beine und Armlehne aus durchgehender, v-förmiger Stahlkonstruktion. Rücklehnen mit 2 zylindrischen, drehbaren Kunststoffrollen. 52 x 57,5 cm, Höhe ca. 72 cm. - Alters- und Gebrauchsspuren.
BOTTA MARIO (n. 1943). Shogun table lamp for Artemide, Milan. Production label. Literature: Domus n. 668, gennaio 1986, p. 63 Domus n. 993, luglio 2015, p. 112. 32 x 59,50 x 12 cm. 1986.
Mario Botta (1943) Paire de chaises « Quinta » Acier tubulaire laqué noir, acier perforé Modèle avec accoudoirs arqués Édition Alias Date de création : 1985 H85 L55 P55 Hauteur d'assise : 45 cm Très bon état d’usage. Légères marques superficielles conformes à l’usage. Structure stable. Architecte majeur de la scène contemporaine, Mario Botta transpose dans son mobilier un vocabulaire formel issu de l’architecture : rigueur géométrique, lisibilité structurelle et usage expressif du métal. La chaise « Quinta » illustre cette approche avec une construction réduite à l’essentiel et une esthétique industrielle raffinée. Produite par Alias dans les années 1980, elle s’inscrit dans le design post-moderniste italien où fonctionnalité et expression sculpturale se rencontrent. Mario Botta (1943) Pair of "Quinta" chairs Black-lacquered tubular steel, perforated steel Model with arched armrests Alias edition Creation date: 1985 H85 W55 D55 Seat height: 45 cm Very good used condition. Slight surface marks consistent with use. Stable structure. A major architect on the contemporary scene, Mario Botta transposes a formal vocabulary derived from architecture into his furniture: geometric rigor, structural legibility and expressive use of metal. The "Quinta" chair illustrates this approach with a construction reduced to the essentials and a refined industrial aesthetic. Produced by Alias in the 1980s, it is part of Italian post-modernist design, where functionality and sculptural expression meet. Mario Botta (1943) Pareja de sillas "Quinta Acero tubular lacado en negro, acero perforado Modelo con reposabrazos arqueados Edición Alias Fecha de creación: 1985 H85 A55 P55 Altura del asiento: 45 cm Muy buen estado de uso. Ligeras marcas superficiales propias del uso. Estructura estable. Mario Botta, gran arquitecto de la escena contemporánea, traslada a sus muebles un vocabulario formal derivado de la arquitectura: rigor geométrico, legibilidad estructural y uso expresivo del metal. La silla "Quinta" ilustra este enfoque, con una construcción reducida a lo esencial y una refinada estética industrial. Producida por Alias en los años 80, forma parte del diseño posmodernista italiano, en el que confluyen funcionalidad y expresión escultórica. Mario Botta (1943) Paar Stühle "Quinta". Schwarz lackiertes Stahlrohr, perforierter Stahl. Modell mit geschwungenen Armlehnen Alias-Edition Entstehungsdatum: 1985 H85 B55 T55 Sitzhöhe: 45 cm Sehr guter gebrauchter Zustand. Leichte oberflächliche Spuren, die dem Gebrauch entsprechen. Stabile Struktur. Mario Botta ist ein bedeutender Architekt der zeitgenössischen Szene und überträgt in seinen Möbeln ein aus der Architektur stammendes Formvokabular: geometrische Strenge, strukturelle Lesbarkeit und ausdrucksstarke Verwendung von Metall. Der Stuhl "Quinta" veranschaulicht diesen Ansatz mit einer auf das Wesentliche reduzierten Konstruktion und einer raffinierten industriellen Ästhetik. Der Stuhl wurde in den 1980er Jahren von Alias hergestellt und ist Teil des postmodernistischen italienischen Designs, in dem Funktionalität und skulpturaler Ausdruck aufeinandertreffen. Mario Botta (1943) Coppia di sedie "Quinta Tubolare d'acciaio laccato nero, acciaio perforato Modello con braccioli ad arco Edizione Alias Data di creazione: 1985 H85 L55 P55 Altezza seduta: 45 cm Ottime condizioni d'uso. Lievi segni superficiali dovuti all'uso. Struttura stabile. Architetto di spicco della scena contemporanea, Mario Botta traspone nei suoi mobili un vocabolario formale derivato dall'architettura: rigore geometrico, leggibilità strutturale e uso espressivo del metallo. La sedia "Quinta" illustra questo approccio, con una costruzione ridotta all'essenziale e una raffinata estetica industriale. Prodotta da Alias negli anni '80, fa parte del design postmoderno italiano, dove funzionalità ed espressione scultorea si incontrano.
Mario Botta (1943) Paire de chaises « Quinta » Acier tubulaire laqué noir, acier perforé Modèle avec accoudoirs arqués Édition Alias Date de création : 1985 H85 L55 P55 Hauteur d'assise : 45 cm Très bon état d’usage. Légères marques superficielles conformes à l’usage. Structure stable. Architecte majeur de la scène contemporaine, Mario Botta transpose dans son mobilier un vocabulaire formel issu de l’architecture : rigueur géométrique, lisibilité structurelle et usage expressif du métal. La chaise « Quinta » illustre cette approche avec une construction réduite à l’essentiel et une esthétique industrielle raffinée. Produite par Alias dans les années 1980, elle s’inscrit dans le design post-moderniste italien où fonctionnalité et expression sculpturale se rencontrent. Mario Botta (1943) Pair of "Quinta" chairs Black-lacquered tubular steel, perforated steel Model with arched armrests Alias edition Creation date: 1985 H85 W55 D55 Seat height: 45 cm Very good used condition. Slight surface marks consistent with use. Stable structure. A major architect on the contemporary scene, Mario Botta transposes a formal vocabulary derived from architecture into his furniture: geometric rigor, structural legibility and expressive use of metal. The "Quinta" chair illustrates this approach with a construction reduced to the essentials and a refined industrial aesthetic. Produced by Alias in the 1980s, it is part of Italian post-modernist design, where functionality and sculptural expression meet. Mario Botta (1943) Pareja de sillas "Quinta Acero tubular lacado en negro, acero perforado Modelo con reposabrazos arqueados Edición Alias Fecha de creación: 1985 H85 A55 P55 Altura del asiento: 45 cm Muy buen estado de uso. Ligeras marcas superficiales propias del uso. Estructura estable. Mario Botta, gran arquitecto de la escena contemporánea, traslada a sus muebles un vocabulario formal derivado de la arquitectura: rigor geométrico, legibilidad estructural y uso expresivo del metal. La silla "Quinta" ilustra este enfoque, con una construcción reducida a lo esencial y una refinada estética industrial. Producida por Alias en los años 80, forma parte del diseño posmodernista italiano, en el que confluyen funcionalidad y expresión escultórica. Mario Botta (1943) Paar Stühle "Quinta". Schwarz lackiertes Stahlrohr, perforierter Stahl. Modell mit geschwungenen Armlehnen Alias-Edition Entstehungsdatum: 1985 H85 B55 T55 Sitzhöhe: 45 cm Sehr guter gebrauchter Zustand. Leichte oberflächliche Spuren, die dem Gebrauch entsprechen. Stabile Struktur. Mario Botta ist ein bedeutender Architekt der zeitgenössischen Szene und überträgt in seinen Möbeln ein aus der Architektur stammendes Formvokabular: geometrische Strenge, strukturelle Lesbarkeit und ausdrucksstarke Verwendung von Metall. Der Stuhl "Quinta" veranschaulicht diesen Ansatz mit einer auf das Wesentliche reduzierten Konstruktion und einer raffinierten industriellen Ästhetik. Der Stuhl wurde in den 1980er Jahren von Alias hergestellt und ist Teil des postmodernistischen italienischen Designs, in dem Funktionalität und skulpturaler Ausdruck aufeinandertreffen. Mario Botta (1943) Coppia di sedie "Quinta Tubolare d'acciaio laccato nero, acciaio perforato Modello con braccioli ad arco Edizione Alias Data di creazione: 1985 H85 L55 P55 Altezza seduta: 45 cm Ottime condizioni d'uso. Lievi segni superficiali dovuti all'uso. Struttura stabile. Architetto di spicco della scena contemporanea, Mario Botta traspone nei suoi mobili un vocabolario formale derivato dall'architettura: rigore geometrico, leggibilità strutturale e uso espressivo del metallo. La sedia "Quinta" illustra questo approccio, con una costruzione ridotta all'essenziale e una raffinata estetica industriale. Prodotta da Alias negli anni '80, fa parte del design postmoderno italiano, dove funzionalità ed espressione scultorea si incontrano.
Mario Botta (1943) Paire de chaises « Quinta » Acier tubulaire laqué noir, acier perforé Modèle avec accoudoirs arqués Édition Alias Date de création : 1985 H85 L55 P55 Hauteur d'assise : 45 cm Très bon état d’usage. Légères marques superficielles conformes à l’usage. Structure stable. Architecte majeur de la scène contemporaine, Mario Botta transpose dans son mobilier un vocabulaire formel issu de l’architecture : rigueur géométrique, lisibilité structurelle et usage expressif du métal. La chaise « Quinta » illustre cette approche avec une construction réduite à l’essentiel et une esthétique industrielle raffinée. Produite par Alias dans les années 1980, elle s’inscrit dans le design post-moderniste italien où fonctionnalité et expression sculpturale se rencontrent. Mario Botta (1943) Pair of "Quinta" chairs Black-lacquered tubular steel, perforated steel Model with arched armrests Alias edition Creation date: 1985 H85 W55 D55 Seat height: 45 cm Very good used condition. Slight surface marks consistent with use. Stable structure. A major architect on the contemporary scene, Mario Botta transposes a formal vocabulary derived from architecture into his furniture: geometric rigor, structural legibility and expressive use of metal. The "Quinta" chair illustrates this approach with a construction reduced to the essentials and a refined industrial aesthetic. Produced by Alias in the 1980s, it is part of Italian post-modernist design, where functionality and sculptural expression meet. Mario Botta (1943) Pareja de sillas "Quinta Acero tubular lacado en negro, acero perforado Modelo con reposabrazos arqueados Edición Alias Fecha de creación: 1985 H85 A55 P55 Altura del asiento: 45 cm Muy buen estado de uso. Ligeras marcas superficiales propias del uso. Estructura estable. Mario Botta, gran arquitecto de la escena contemporánea, traslada a sus muebles un vocabulario formal derivado de la arquitectura: rigor geométrico, legibilidad estructural y uso expresivo del metal. La silla "Quinta" ilustra este enfoque, con una construcción reducida a lo esencial y una refinada estética industrial. Producida por Alias en los años 80, forma parte del diseño posmodernista italiano, en el que confluyen funcionalidad y expresión escultórica. Mario Botta (1943) Paar Stühle "Quinta". Schwarz lackiertes Stahlrohr, perforierter Stahl. Modell mit geschwungenen Armlehnen Alias-Edition Entstehungsdatum: 1985 H85 B55 T55 Sitzhöhe: 45 cm Sehr guter gebrauchter Zustand. Leichte oberflächliche Spuren, die dem Gebrauch entsprechen. Stabile Struktur. Mario Botta ist ein bedeutender Architekt der zeitgenössischen Szene und überträgt in seinen Möbeln ein aus der Architektur stammendes Formvokabular: geometrische Strenge, strukturelle Lesbarkeit und ausdrucksstarke Verwendung von Metall. Der Stuhl "Quinta" veranschaulicht diesen Ansatz mit einer auf das Wesentliche reduzierten Konstruktion und einer raffinierten industriellen Ästhetik. Der Stuhl wurde in den 1980er Jahren von Alias hergestellt und ist Teil des postmodernistischen italienischen Designs, in dem Funktionalität und skulpturaler Ausdruck aufeinandertreffen. Mario Botta (1943) Coppia di sedie "Quinta Tubolare d'acciaio laccato nero, acciaio perforato Modello con braccioli ad arco Edizione Alias Data di creazione: 1985 H85 L55 P55 Altezza seduta: 45 cm Ottime condizioni d'uso. Lievi segni superficiali dovuti all'uso. Struttura stabile. Architetto di spicco della scena contemporanea, Mario Botta traspone nei suoi mobili un vocabolario formale derivato dall'architettura: rigore geometrico, leggibilità strutturale e uso espressivo del metallo. La sedia "Quinta" illustra questo approccio, con una costruzione ridotta all'essenziale e una raffinata estetica industriale. Prodotta da Alias negli anni '80, fa parte del design postmoderno italiano, dove funzionalità ed espressione scultorea si incontrano.
MARIO BOTTA (Switzerland, 1943) for Artemide. Table lamp "Shogun", 1985. In enameled metal. Very exclusive piece as it is a first edition in its original factory box, never used before. It has all the original interior plastics, labels and instructions. Bibliography: C. Fiell, P. Fiell, "1000 lights", p. 554 (Ed. Taschen, 2006). Measurements: 60 x 32 x 32 cm. The unique Shogun table lamp was designed by Mario Botta in 1985. As indicated by its name (which we translate as "army commander"), it is inspired by the attire and armor worn by Japanese feudal rulers. The domed and perforated diffuser allows for different positions and creates an attractive effect of light and shadow. Architect and designer, Mario Botta designed his first house at the age of sixteen, although it is not known if it was ever built. He studied at the Liceo Artistico in Milan and at the University Institute of Architecture in Venice, where his main teacher was Carlo Scarpa. His ideas were influenced by Le Corbusier and Louis Kahn, with whom he had the opportunity to work during his stay in Venice. In 1970 he opened his own office in Lugano. Botta's style is strong and geometric, with symmetrical floor plans hollowed out to allow passage. His buildings combine heavy concrete or brick walls with lightweight steel and glass structures. His works are spread throughout Switzerland, although he is also the author of the San Francisco Museum of Modern Art (1995). Since 1996 he has been teaching at the Academy of Architecture in Mendrisio at the University of Italian Switzerland. According to Botta a lamp must create an atmosphere; it must produce light and therefore cast shadows, because light is generated through contrast. But apart from the atmosphere, a lamp is also a common object, which must have a meaning apart from the simple condition of a piece of furniture. The lamp has to be beautiful even when it is turned off, it has to keep its charm, and it has to keep us company. Botta believes that it must be a visible artifact with a function, an image, and that is why he started designing lamps that are in his concept people. "Shogun" is a person, with a head, body and feet, as well as a navel, and its elements endow the space with a legible scale, just as a person does. Made in three models: standing, tabletop and wall-mounted, it expresses its own idea of light in the form of shadows cast on the walls. Two metal screens, rotating and adjustable, provide an infinite number of different ways to compose the shadows.
MARIO BOTTA (Switzerland, 1943) for Alias. Chair "Latonda".1987. In steel, cold painted. Measurements: 73 x 63 x 73 cm; 42 cm (seat height). The chair "Latonda" manifests with clarity the architectural thought of the author transferred to the domestic object. Made of cold-painted steel, it is constructed from a continuous tubular structure, with firm and precise lines, which defines both the legs and the backrest in a single enveloping gesture. The backrest is resolved by two parallel arches, a distinctive element of the model, which generate a powerful graphic presence and at the same time provide ergonomic support. The seat, with a perforated metal plane, introduces a contrast between mass and lightness, as well as underlining the industrial and functional character of the piece. The perforation visually lightens the whole and responds to practical criteria of use and ventilation. Mario Botta is an architect and designer, trained in Milan and Venice, where he was a disciple of Carlo Scarpa and was influenced by Le Corbusier and Louis Kahn. He has been working from his studio in Lugano since 1970. For Botta, lighting and furniture elements must have an autonomous formal presence and retain their aesthetic value even when they do not fulfill their main function. Light, in particular, is understood as a means to create atmospheres through contrast and the projection of shadows. This conception is reflected in his designs, where form, function and visual expression are integrated in sober, recognizable pieces with a strong sculptural character.
Artist/Designer/Manufacturer: Mario Botta (Swiss, b. 1943) for Alias (Italy) Marking(s); notes: Alias imprint Materials: enameled steel, foam Dimensions (H, W, D): 28.5"h, 20.5"w, 25.5"d; 18" seat height Additional Information: Provenance: PDA Gallery, Naples, Florida. Mario Botta is a Swiss architect and designer whose work is often discussed in relation to modernist and postmodern design figures such as Ettore Sottsass, Vico Magistretti, and Tobia Scarpa.
Set of 5 chairs "La Tonda", designed by Mario Botta (*1943), manufactured by Alias, Italy, black tubular steel frame with semi-circular curved backrest construction, seat in perforated sheet steel, height 72.5 - 75 cm, one example with break on the seat support Satz von 5 Stühlen "La Tonda", Entwurf Mario Botta (*1943), Ausführung Alias, Italien, schwarzes Stahlrohrgestell mit halbrund geschwungener Lehnkonstruktion, Sitzfläche in perforiertem Stahlblech, H. 72,5 - 75 cm, ein Exemplar mit Bruchstelle an der Sitzauflage
Description EN Prima Botta chair, 1982. Steel, steel plate and polyurethane. Description FR Chaise Prima Botta, 1982. Acier, tôle d'acier et polyuréthane. Beschrijving NL Prima Botta stoel, 1982. Staal, staalplaat en polyurethaan.
* Mario `botta Anatolia Tapis Laine, mohair et soie Edition Cleto Munari limitée à 29 exemplaires Signé Date de création : vers 2020 L520 P520 cm * Mario `botta Anatolia Rugs Wool, mohair and silk Cleto Munari edition limited to 29 pieces Signed Creation date: circa 2020 W520 D520 cm * Mario `botta Anatolia Alfombra Lana, mohair y seda Edición Cleto Munari limitada a 29 piezas Firmado Fecha de creación: alrededor de 2020 A520 P520 cm * Mario `botta Anatolia Teppiche Wolle, Mohair und Seide Cleto Munari Edition limitiert auf 29 Exemplare. Unterzeichnet Entstehungsdatum: ca. 2020 B520 T520 cm * Mario `botta Anatolia Tappeto Lana, mohair e seta Edizione Cleto Munari limitata a 29 pezzi Firmato Data di creazione: circa 2020 L520 P520 cm
* Mario Botta Mendrisio Table Travertins polychromes, assemblés à 45°, plateau brossé Edition Cleto Munari Signée Date de création : 2022 H74 L160 P160 cm Born in Mendrisio, Ticino, on April 1, 1943. After an apprenticeship in Lugano, he first attends the Art College in Milan and then studies at the University Institute of Architecture in Venice. Directed by Carlo Scarpa and Giuseppe Mazzariol he receives his professional degree in 1969. During his time in Venice he has the opportunity to meet and work for Le Corbusier and Louis I. Kahn. His professional activity begins in 1970 in Lugano and after his first sin- gle-family houses in Ticino his work has encompassed all building typolo- gies: schools, banks, administrative buildings, libraries, museums, churches and synagogues. He has always devoted himself to an intense architectural research and in 1996 he was among the prime movers of the Academy of Architecture in Mendrisio, where he taught until 2018 and which he led as dean from 2002 to 2003 and from 2011 to 2013. His work has been recognized with important awards and has been presented in many exhibitions. Among his realizations must be remembered the MOMA museum in San Francisco, the cathedral of the Resurrection in Evry, the museum Jean Tin- guely in Basel, the Cymbalista synagogue and Jewish heritage centre in Tel Aviv, the municipal library in Dortmund, the MART museum of Trento and Rovereto, the Kyobo tower and the Leeum museum in Seoul, the office bu- ildings Tata Consultancy Services in New Delhi and Hyderabad, the museum and library Fondation Bodmer in Cologny, the church Papa Giovanni XXIII in Seriate, the restoration of the Theatre alla Scala in Milan, the church Santo Volto in Turin, the wellness centre Tschuggen Bergoase in Arosa, the Cam- pari headquarters and residences in Sesto San Giovanni, the winery Château Faugères in Saint-Emilion, the Bechtler museum in Charlotte, the library of the Tsinghua University in Beijing, the urban planning of the Appiani area in Treviso, the wellness centre at Rigi Kaltbad, the Hotel Twelve in Shanghai, the Garnet chapel in Penkenjoch, the Tsinghua University Art Museum in Beijing, the restaurant “Fiore di Pietra” on Monte Generoso, the Theatre of Architecture in Mendrisio, the wellness spa Fortyseven in Baden. * Mario Botta Mendrisio Table Polychrome travertine, assembled at 45°, brushed top Edition Cleto Munari Signed Creation date: 2022 H74 W160 D160 cm Born in Mendrisio, Ticino, on April 1, 1943. After an apprenticeship in Lugano, he first attends the Art College in Milan and then studies at the University Institute of Architecture in Venice. Directed by Carlo Scarpa and Giuseppe Mazzariol he receives his professional degree in 1969. During his time in Venice he has the opportunity to meet and work for Le Corbusier and Louis I. Kahn. His professional activity begins in 1970 in Lugano and after his first sin- gle-family houses in Ticino his work has encompassed all building typolo- gies: schools, banks, administrative buildings, libraries, museums, churches and synagogues. He has always devoted himself to an intense architectural research and in 1996 he was among the prime movers of the Academy of Architecture in Mendrisio, where he taught until 2018 and which he led as dean from 2002 to 2003 and from 2011 to 2013. His work has been recognized with important awards and has been presented in many exhibitions. Among his realizations must be remembered the MOMA museum in San Francisco, the cathedral of the Resurrection in Evry, the museum Jean Tin- guely in Basel, the Cymbalista synagogue and Jewish heritage center in Tel Aviv, the municipal library in Dortmund, the MART museum of Trento and Rovereto, the Kyobo tower and the Leeum museum in Seoul, the office bu- ildings Tata Consultancy Services in New Delhi and Hyderabad, the museum and library Fondation Bodmer in Cologny, the church Papa Giovanni XXIII in Seriate, the restoration of the Theatre alla Scala in Milan, the church Santo Volto in Turin, the wellness center Tschuggen Bergoase in Arosa, the Cam- pari headquarters and residences in Sesto San Giovanni, the winery Château Faugères in Saint-Emilion, the Bechtler museum in Charlotte, the library of the Tsinghua University in Beijing, the urban planning of the Appiani area in Treviso, the wellness center at Rigi Kaltbad, the Hotel Twelve in Shanghai, the Garnet chapel in Penkenjoch, the Tsinghua University Art Museum in Beijing, the restaurant "Fiore di Pietra" on Monte Generoso, the Theatre of Architecture in Mendrisio, the wellness spa Fortyseven in Baden. * Mario Botta Mendrisio Mesa Travertino policromado, ensamblado a 45°, tablero cepillado Edición Cleto Munari Firmado Fecha de creación: 2022 H74 An160 D160 cm Nacido en Mendrisio, Tesino, el 1 de abril de 1943. Tras un aprendizaje en Lugano, asiste primero a la Escuela Superior de Arte de Milán y luego estudia en el Instituto Universitario de Arquitectura de Venecia. Instituto Universitario de Arquitectura de Venecia. Dirigido por Carlo Scarpa y Giuseppe Mazzariol, obtiene su título profesional en 1969. Durante su tiene la oportunidad de conocer y trabajar para Le Corbusier y Louis I. Louis I. Kahn. Su actividad profesional comienza en 1970 en Lugano y, tras sus primeras casas unifamiliares en Tánger, se traslada a Venecia. Tras sus primeras casas unifamiliares en el Tesino, su obra abarca todos los tipos de edificios: escuelas, bancos, edificios administrativos, etc. escuelas, bancos, edificios administrativos, bibliotecas, museos, iglesias y sinagogas. iglesias y sinagogas. Siempre se ha dedicado a una intensa investigación arquitectónica. 1996 fue uno de los principales impulsores de la Academia de Arquitectura de Mendrisio, donde impartió clases hasta 2018 y que dirigió como decano de 2002 a 2003 y de 2011 a 2013. Su obra ha sido reconocida con importantes premios y se ha presentado en numerosas exposiciones. Entre sus realizaciones hay que recordar el museo MOMA de San Francisco, la catedral de la Resurrección en Evry, el museo Jean Tin- guely de Basilea, la sinagoga Cymbalista y el centro del patrimonio judío de Tel Aviv, la biblioteca municipal de Dortmund, los museos MART de Trento y Rovereto, la torre Kyobo y el museo Leeum de Seúl, el edificio de oficinas de oficinas Tata Consultancy Services en Nueva Delhi y Hyderabad, el museo y biblioteca museo y biblioteca Fondation Bodmer en Colonia, la iglesia Papa Giovanni XXIII en Seriate, la restauración del Teatro alla Scala de Milán, la iglesia Santo Volto de Turín, el centro de bienestar Tschuggen Bergoase de Arosa, la sede y las residencias de Cam- pari y sus residencias en Sesto San Giovanni, la bodega Château Faugères en Saint-Emilion, el museo Bechtler en Charlotte, la biblioteca de la la Universidad Tsinghua de Pekín, el urbanismo de la zona de Appiani en Treviso, el centro de bienestar de Rigi Kaltbad, el Hotel Twelve de Shanghai, la capilla Garnet de Penkenjoch, el Museo de Arte de la Universidad Tsinghua de Pekín, el restaurante "Fiore di Pietra" en Monte Generoso, el Teatro de Arquitectura de Mendrisio, el balneario de bienestar Fortyseven de Baden. * Mario Botta Mendrisio Tisch Mehrfarbige Travertinen, im 45°-Winkel zusammengefügt, gebürstete Platte. Ausgabe Cleto Munari Signiert Entstehungsdatum: 2022 H74 B160 T160 cm Geboren in Mendrisio, Ticino, am April 1, 1943. Nach einer Lehre in Lugano, besucht er zunächst das Art College in Mailand und studiert dann am University Institute of Architecture in Venedig. Unter der Leitung von Carlo Scarpa und Giuseppe Mazzariol erhielt er 1969 seinen Abschluss. Während seiner Zeit Während seiner Zeit in Venedig hatte er die Möglichkeit, Le Corbusier und Louis I. Kahn. Seine berufliche Tätigkeit beginnt 1970 in Lugano und nach seinen ersten sin-. gle-family houses in Ticino hat seine Arbeit alle Gebäudetypologien umfasst. gien: Schulen, Banken, Verwaltungsgebäude, Bibliotheken, Museen, Kirchen und Synagogen. Er hat sich immer einer intensiven architektonischen Forschung gewidmet. 1996 gehörte er zu den Hauptbegründern der Architekturakademie in Mendrisio. Mendrisio, wo er bis 2018 lehrte und die er von 2002 bis 2018 als Dekan leitete. bis 2003 und von 2011 bis 2013 leitete. Sein Werk wurde mit wichtigen Auszeichnungen gewürdigt und war bereits in in zahlreichen Ausstellungen vertreten. Unter seinen Werken sind das MOMA-Museum in San Francisco und das Museum in San Francisco zu erwähnen. Francisco, die Kathedrale der Auferstehung in Evry, das Museum Jean Tin-? guely in Basel, die Cymbalista-Synagoge und das Jewish Heritage Centre in Tel Aviv. Aviv, die Stadtbibliothek in Dortmund, das MART-Museum von Trento und Rovereto, der Kyobo-Turm und das Leeum-Museum in Seoul, das Bürogebäude in Rovereto. ildings Tata Consultancy Services in Neu-Delhi und Hyderabad, das museum und Bibliothek Fondation Bodmer in Cologny, die Kirche Papa Giovanni XXIII in Seriate, die Restaurierung des Theaters alla Scala in Mailand, die Kirche Santo Volto in Turin, das Wellnesszentrum Tschuggen Bergoase in Arosa, das Cam- pari headquarters and residences in Sesto San Giovanni, the winery Château Faugères in Saint-Emilion, das Bechtler-Museum in Charlotte, die Bibliothek der der Tsinghua-Universität in Peking, die Stadtplanung des Appiani-Gebiets in Treviso, das Wellnesszentrum in Rigi Kaltbad, das Hotel Twelve in Shanghai, die Garnet-Kapelle in Penkenjoch, das Tsinghua University Art Museum in Beijing, das Restaurant "Fiore di Pietra" auf dem Monte Generoso, das Theatre of Architecture in Mendrisio, das Wellnessbad Fortyseven in Baden. * Mario Botta Mendrisio Tavolo Travertino policromo, assemblato a 45°, piano spazzolato Edizione Cleto Munari Firmato Data di creazione: 2022 H74 L160 D160 cm Nasce a Mendrisio, in Ticino, il 1° aprile 1943. Dopo un apprendistato a Lugano, frequenta prima il Liceo Artistico di Milano e poi l'Istituto Universitario di Architettura di Venezia. Istituto Universitario di Architettura di Venezia. Diretto da Carlo Scarpa e Giuseppe Mazzariol, consegue il diploma professionale nel 1969. Durante il suo Venezia ha l'opportunità di incontrare e lavorare per Le Corbusier e Luigi I. Louis I. Kahn. La sua attività professionale inizia nel 1970 a Lugano e, dopo le prime case monofamiliari in Ticino, il suo lavoro si estende a tutto il territorio nazionale. case monofamiliari in Ticino, il suo lavoro ha abbracciato tutte le tipologie edilizie: scuole, banche, edifici amministrativi, edifici di scuole, banche, edifici amministrativi, biblioteche, musei, chiese e sinagoghe. e sinagoghe. Si è sempre dedicato a un'intensa ricerca architettonica e nel 1996 è stato tra i primi promotori dell'Accademia di Architettura di Mendrisio, dove ha insegnato fino al 2018 e che ha guidato come rettore dal 2002 al 2003 e dal 2011 al 2013. 2003 e dal 2011 al 2013. Il suo lavoro è stato premiato con importanti riconoscimenti ed è stato presentato in numerose mostre. Tra le sue realizzazioni vanno ricordate il museo MOMA di San Francisco, la cattedrale della Resurrezione di Evry, il museo Jean Tin- guely di Basilea, il Simbolo di San Francisco e il Museo della Resurrezione. guely a Basilea, la sinagoga Cymbalista e il centro del patrimonio ebraico a Tel Aviv, la biblioteca municipale di Dortmund, il museo MART di Trento e Rovereto, la torre di Kyobo Rovereto, la torre Kyobo e il museo Leeum a Seoul, gli edifici per uffici Tata Consultancy Services a Seoul. Tata Consultancy Services a Nuova Delhi e Hyderabad, il museo e la biblioteca della Fondazione Bodmer a Colonia. e biblioteca Fondation Bodmer a Cologny, la chiesa Papa Giovanni XXIII a Seriate, il restauro del teatro Seriate, il restauro del Teatro alla Scala di Milano, la chiesa di Santo Volto a Torino, il centro benessere Volto a Torino, il centro benessere Tschuggen Bergoase ad Arosa, la sede e le residenze di Cam- pari a Sesto San Giovanni, la cantina Château Faugères a Saint-Emme. Faugères a Saint-Emilion, il museo Bechtler a Charlotte, la biblioteca dell'Università Tsinghua a Pechino, il centro benessere Tschuggen Bergoase a Torino. dell'Università Tsinghua di Pechino, la pianificazione urbanistica dell'area Appiani di Treviso, il centro benessere di Rigi Kaltbad, l'Hotel Twelve di Shanghai, la cappella Garnet a Penkenjoch, il Museo d'Arte dell'Università Tsinghua di Pechino, il ristorante "Fiore di Pietra" sul Monte Generoso, il Teatro dell'Architettura di Architettura di Mendrisio, la spa Fortyseven di Baden.
Mario Botta Seconda chairs, pair Alias Switzerland / Italy, 1982 enameled steel, lacquered foam 28 h x 20.375 w x 22 d in (71 x 52 x 56 cm) Raised manufacturer's mark to bolsters of each example 'Alias Italy'. This work will ship from Lambertville, New Jersey.
(Mendrisio 1943) Pair of pitchers for Cleto Munari model "Lui e Lei". Manufacture of Rossi & Arcandi, Vicenza, 1987. 925 silver. Inscribed under the base "MARIO BOTTA for Cleto Munari", titled, marked and numbered 53/99. (h cm 30. g 1700) (slight defects) IT Coppia di caraffe per Cleto Munari modello "Lui e Lei". Manifattura Rossi & Arcandi, Vicenza, 1987. Argento 925. Iscritte sotto la base "MARIO BOTTA per cleto munari", titolate, marcate e numerate 53/99. (h cm 30, g 1700) (lievi difetti)
(Mendrisio 1943) Armchair model "Quinta". Produced by Alias, Grumello Del Monte (Bg), 1985. Green and black painted steel structure. (45.5x92x53 cm.) (slight defects) IT Poltroncina modello "Quinta". Produzione Alias, Grumello del Monte (BG), 1985. Struttura in acciaio verniciato verdino e nero. (cm 45,5x92x53) (lievi difetti)
(Mendrisio 1943) Vertical chest of drawers model "Robot 619". Produced by Alias, Grumello Del Monte (Bg), 1986. Wood and black painted metal. (36x121x40 cm.) (slight defects) IT Cassettiera verticale modello "Robot 619". Produzione Alias, Grumello del Monte (BG), 1986. Legno e metallo verniciato nero. (cm 36x121x40) (lievi difetti)
MARIO BOTTA Lampada da tavolo mod. Shogun Struttura in metallo laccato ed alluminio laccato traforato. Prod. Artemide, 1986 h cm 58X32x32 Bibl.: G. Gramigna, Repertorio del design italiano 1950-2000, p. 374, Allemandi, 2003.
(Mendrisio 1943) (La Spezia 1954) Ausführung Alessi. (1) Karaffe. Edelstahl, Kunststoff. Bezeichnet "ALESSI, INOX 18/10, ITALY, MARIO BOTTA". H 29 cm. (2) Obstschale. Stahl, pulverbeschichtet. Bezeichnet "ALESSI, ITALY, S. GIOVANNONI, 2001". D 30 cm. - Minimale Alters- und Gebrauchsspuren.
Divano mod. Sesta. Metallo verniciato, pelle imbottita. Produzione Alias Milano, 1985 ca. cm 96x150x106,5 A SETTEE BY M. BOTTA F. Dal Co, Mario Botta, Architetture 1960 ; 1985, Electa, 1989, p. 261 Ottime condizioni. Segni di usura, piccole righe, trascurabili mancanze. Pelle in condizioni vintage molto buone.
xx Mario Botta (né en 1943) Anatolia One Carpet Wool, mohair and cotton Signed in the composition at the bottom right Titled and numbered "5/29" on the ribbon on the reverse Edition of 29 copies Cleto Munari and Friends Art Carpets, Vicenza Model created in 2008 H 268×W 263cm xx Mario Botta (né en 1943) Anatolia One Tapis Laine, mohair et cotton Signature dans la composition en bas à droite Titré et numéroté "5/29" sur le bolduc au revers Édition de 29 exemplaires Cleto Munari and Friends Art Carpets, Vicenza Modèle créé en 2008 H 268×L 263cm
MARIO BOTTA (NÉ EN 1943) Petit meuble cabinet modèle “Robot 619” structure totémique verticale, en stratifié noir, ouvrant à neuf tiroirs en façade et un abattant formant écritoire à la partie supérieure, reposant sur deux pieds rectangulaires se prolongeant en colonne vertébrale au dos du meuble. Editeur Alias. Circa 1989 Haut. 121 cm - Larg. 36 cm - Prof. 38 cm A small cabinet model ‘Robot 619’ in black laminate. Edited by ‘Alias’. 47 5/8 x 14 1/8 x 15 in.
MARIO BOTTA ARTEMIDE 1986. Una lampada da tavolo 'Shogun'. Alluminio traforato curvato e verniciato. Cm 60 (h). A 'Shogun' table lamp. Curved and painted perforated aluminum. Inches 23.6 (h). Letteratura: Giuliana Gramigna Repertorio 1950-2000 Allemandi Torino 2003 p. 374.
Lampada a sospensione mod. Zefiro. Metallo verniciato, griglia metallica smaltata. Produzione Artemide anni '80. Marchio del produttore imrepsso cm 105x95x48 A CEILING LAMP BY M. BOTTA G. Gramigna, Repertorio del Design Italiano 1950-2000, Allemandi, Torino, 2003, p. 427. Buone condizioni generali. Piccole righe, leggeri graffi, normali segni di usura. Metallo in patina. Lieve ossidazione. Piccole mancanze alla vernice.
