Antonio (1827) Bottinelli Sold at Auction Prices

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  • BOTTINELLI ANTONIO
    Mar. 02, 2026

    BOTTINELLI ANTONIO

    Est: €7,000 - €7,800

    BOTTINELLI ANTONIO (1827-1898) Allegoria dell'estate scultura in marmo h.cm.65 busto h.tot.cm.80 f.to nel retro sulla base A.Bottinelli Roma

    Aste Boetto SRL
  • Antonio Bottinelli (Italian, 1827-1898) Inverno Marble Sculpture
    Feb. 11, 2025

    Antonio Bottinelli (Italian, 1827-1898) Inverno Marble Sculpture

    Est: $4,000 - $12,000

    DESCRIPTION: Antonio Bottinelli (Italian, 1827-1898) Carved marble sculpture bust, depicting a woman draped in an animal's fur. Inscribed on reverse "A. Bottinelli Roma" Provenance: Star Island Estate - Sold at Fine Art Auctions Miami Thursday May 2, 2013 CIRCA: 19th Century ORIGIN: Italy DIMENSIONS: H: 30" W: 18" L: 10" CONDITION: Good condition Unless otherwise stated, all information provided is the opinion of our specialists. Should you have any specific questions regarding the condition of this lot, please use the ask question button or send us an email.

    Akiba Galleries
  • AFTER ANTONIO BOTTINELLI (1827-1898), A LARGE PLASTER FIGURE OF A YOUNG WOMAN FETCHING WATER
    Dec. 04, 2024

    AFTER ANTONIO BOTTINELLI (1827-1898), A LARGE PLASTER FIGURE OF A YOUNG WOMAN FETCHING WATER

    Est: £1,000 - £1,500

    AFTER ANTONIO BOTTINELLI (1827-1898), A LARGE PLASTER FIGURE OF A YOUNG WOMAN FETCHING WATER PROBABLY ITALIAN OR FRENCH, LATE 19TH OR EARLY 20TH CENTURY Jeune femme drapée à la fontaine approximately 128cm high

    Dreweatts 1759 Fine Sales
  • ANTONIO BOTTINELLI
    Mar. 25, 2021

    ANTONIO BOTTINELLI

    Est: CHF3,000 - CHF5,000

    ANTONIO BOTTINELLI (1827 - 1898) Female marble bust as an Allegory of Modesty. White marble. Verso, signed and inscribed A. Bottinelli Roma. The front inscribed "Modesty". H 65 cm. --------------- ANTONIO BOTTINELLI (1827 - 1898) Weibliche Marmorbüste als Allegorie der Sittsamkeit. Weisser Marmor. Verso signiert und bezeichnet A. Bottinelli Roma. Frontseitig bezeichnet "Modesty". H 65 cm.

    Koller Auctions
  • ANTONIO BOTTINELLI (ITALIAN 1827-1898) ALLEGORY OF SUMMER MARBLE 27-1/4 INCHES
    Jun. 09, 2018

    ANTONIO BOTTINELLI (ITALIAN 1827-1898) ALLEGORY OF SUMMER MARBLE 27-1/4 INCHES

    Est: $1,500 - $2,500

    Antonio Bottinelli (Italian 1827-1898) Allegory of Summer Marble 27-1/4 inches (69.2 cm) high Signed A. Bottinelli F. Roma PROPERTY FROM A LOUISVILLE ESTATE HID04901242017

    Heritage Auctions
  • Antonio Bottinelli (Italian 1827-1898), Bust of a Veiled Woman
    May. 13, 2016

    Antonio Bottinelli (Italian 1827-1898), Bust of a Veiled Woman

    Est: $2,000 - $3,000

    Antonio Bottinelli (Italian 1827-1898) Bust of a Veiled Woman Signed on verso A. Bottinelli/ Roma Marble sculpture. Together with a brass mounted onyx pedestal. Height of bust: 25 in (63.5 cm); Height of pedestal: 42-3/4 in (108.6 cm)Property from the Estate of Frances Cornell

    Weschler's
  • PLEASE SEE NOTE IN DESCRIPTION
    Aug. 26, 2008

    PLEASE SEE NOTE IN DESCRIPTION

    Est: $1,500 - $2,500

    PLEASE NOTE: This lot will not be available for bidding on eBay due to last minute changes to the description. If you are still interested in bidding on this item, please call our office as soon as possible at 207-453-7125.

    James D. Julia
  • ANTONIO BOTTINELLI (Italian 1827-1898) MARBLE
    Aug. 30, 2007

    ANTONIO BOTTINELLI (Italian 1827-1898) MARBLE

    Est: $3,000 - $5,000

    ANTONIO BOTTINELLI (Italian, 1827-1898) MARBLE BUST OF AN ELEGANT WOMAN. Life size bust of a woman wearing an elegant lace edged dress, long braided hair with a tiara. Nicely mottled facial features out of white marble. Signed on the back "A. Bottinelli F. Roma". Set on a turned round polished marble base. SIZE: 31-1/2" h x 20" across shoulders. CONDITION: Generally very good. 9-71651 MD

    James D. Julia
  • ANTONIO BOTTINELLI 1827-1898 CONTEMPLATING BEAUTY
    Nov. 28, 2006

    ANTONIO BOTTINELLI 1827-1898 CONTEMPLATING BEAUTY

    Est: $15,000 - $25,000

    measurements the sculpture height 46 in.; the pedestal 44 1/2 in. alternate measurements 117 cm; 113 cm carved white carrara marble, signed A. BOTTINELLI ROMA, on an associated green marble revolving pedestal. LITERATURE Alfonso Panzetta, Dizionario degli Scultori italiani, vol. I, Adarte, 2003, p. 105-106. NOTE Bottinelli studied at the Accademia di Belle Arte di Milano, travelling to Rome in 1852 and then Paris in 1858 to continue his studies. He took part in the International Exhibitions in Paris in 1855 and in London in 1862, as well as those in Philadelphia, Vienna and Melbourne.

    Sotheby's
  • ANTONIO BOTTINELLI (Italian, 1827-1898) MARBLE BUST OF AN ELEGANT WOMAN
    Aug. 24, 2006

    ANTONIO BOTTINELLI (Italian, 1827-1898) MARBLE BUST OF AN ELEGANT WOMAN

    Est: $3,000 - $5,000

    ANTONIO BOTTINELLI (Italian, 1827-1898) MARBLE BUST OF AN ELEGANT WOMAN. Life size bust of a woman wearing an elegant lace edged dress, long braided hair with a tiara. Nicely mottled facial features out of white marble. Signed on the back "A. Bottinelli F. Roma". Set on a turned round polished marble base. SIZE: 31-1/2" h x 20" across shoulders. CONDITION: Generally very good. 9-71651

    James D. Julia
  • ANTONIO BOTTINELLI ITALIAN, 1827-1898
    Nov. 15, 2005

    ANTONIO BOTTINELLI ITALIAN, 1827-1898

    Est: £30,000 - £50,000

    MEDEA SEATED ON A ROCK measurements note 120cm., 47 1/4 in. signed and dated: A. BOTTINELLI. FECE/ 1854 white marble, on a wood base NOTE In Greek legend Medea was the wife of Jason, a passionate and vengeful woman and a sorcoress. The story of Medea as a wronged wife is told in Euripedes' play, Medea. Having persuaded Medea to leave her homeland to marry him in Greece after the capture of the Golden Fleece, Jason later left her for a Greek woman. Medea's vengance was only satisfied by murdering her own children, as well as the Greek woman and her father. Ovid prefered rather to cast Medea in the light of sorcery and enchantment, glossing over the bloody episode, in favour of her potions and magic powers. Bottinelli's interpretation of the legendary Medea seems to hover between both aspects of her story. Her brooding pose and anguish seem to show her contemplating revenge, or perhaps remorseful after her crimes. However, none of the evidence of Medea's vengance is present, so that with her swirling drapery, rippling tresses and jewels clasped around her waist she also embodies the alluring role of the enchantress. Bottinelli studied at the Accademia di Belle Arte di Milano, travelling to Rome in 1852 and then Paris in 1858 to continue his studies. He took part in the International Exhibitions in Paris in 1855 and in London in 1862, as well as those in Philadelphia, Vienna and Melbourne. RELATED LITERATURE Panzetta, p.59

    Sotheby's
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