Adriaen Frans Boudewyns Paintings & Artwork for Sale | Adriaen Frans Boudewyns Art Value Price Guide

Jul. 15, 2026
ADRIAEN FRANS BOUDEWYNS (Brussels, 1644 – 1711) "Market Day." Oil on canvas. Relined. Shows slight repainting.
Est: €7,000 - €9,000
ADRIAEN FRANS BOUDEWYNS (Brussels, 1644 – 1711) "Market Day." Oil on canvas. Relined. Shows slight repainting. Measurements: 68 x 83.5 cm; 85 x 102 cm (frame). An open-air genre scene presenting an idealized view of rural life, centered on market activity. The composition depicts a lively yet peaceful atmosphere, in which the figures blend seamlessly into the landscape without any signs of daily toil or hardship. The figures, dressed in brightly colored clothing, add dynamism and hallmarks of contrast against the more subdued tones of the natural surroundings. The spatial organization follows classical traditions, with a balanced composition that guides the viewer’s gaze toward the background through a carefully constructed perspective. The landscape elements frame the scene and create depth, gradually opening up the space toward the distance. The landscape takes center stage, while the smaller-scale figures serve as a narrative complement to the scene. The work is fully representative of the oeuvre of Adriaen Frans Boudewyns, a prominent Flemish Baroque painter who specialized in landscapes. Trained in Brussels in the studio of Ignatius van der Stock, he attained the rank of master in 1665 and subsequently pursued a successful career in Paris, where he worked alongside Adam Frans van der Meulen from 1673 to 1677 on various commissions for Louis XIV. His style combines the meticulousness of the Flemish landscape tradition with the influence of French classicism, particularly that of Claude Lorrain and Herman van Swanevelt, resulting in balanced and luminous compositions in which nature and human activity coexist harmoniously. In many of his works, Boudewyns collaborated with other artists specializing in figure painting, such as Pieter Bout, while he focused on constructing the landscape. This painting reveals his characteristic interest in expansive natural settings and in depicting everyday scenes set within a serene and orderly environment. The combination of deep perspective, carefully structured landscape architecture, and narrative animation makes the scene a representative example of late 17th-century Flemish landscape painting. The artist’s significance is also reflected in the presence of numerous works by him in major collections, including fourteen landscapes preserved at the Prado Museum that originated from the royal collections. It shows slight signs of repainting.
Setdart Auction House
Jun. 20, 2026
Boudewijns, Adriaen Frans (1644 Brussels - 1719 Brussels), inscribed,
Est: -
Boudewijns, Adriaen Frans (1644 Brussels - 1719 Brussels), inscribed, "Vast Landscape with Travellers", oil on canvas (mounted), 56.5 x 69.5 cm. Provenance: Former European aristocratic property Boudewijns, Adriaen Frans (1644 Brüssel - 1719 Brüssel), zugeschrieben, "Weite Landschaft mit Reisenden", Öl auf Leinwand (doubliert), 56.5 x 69.5 cm. Provenienz: Ehemals europäischer Adelsbesitz
Auktionshaus Plückbaum
Apr. 01, 2026
PIETER BOUT (Bruxelles, 1640/45 - 1689/1719) ET ADRIAEN FRANS BOUDEWIJNS (Bruxelles, 1644 - 1719)
Est: €1,500 - €2,000
PIETER BOUT (Bruxelles, 1640/45 - 1689/1719) ET ADRIAEN FRANS BOUDEWIJNS (Bruxelles, 1644 - 1719) UN MARCHE AUX BETAILS AVEC UN SPECTACLE DE COMEDIENS Panneau parqueté Signé et daté en bas à droite "P : bout AFB 1676" Restaurations anciennes, manques et soulèvements A cattle market with a performance by actors, parquet flooring panel, signed and dated, with restorations and lacks 33 x 45 CM - 13 x 17,7 IN
Tajan
Mar. 14, 2026
ADRIAEN FRANS BOUDEWIJNS (ATTR.) | LANDSCHAFT MIT REITERN UND VIEH VOR BURGRUINE
Est: €800 - €1,600
ATTRIBUTED TO ADRIAEN FRANS BOUDEWIJNS 3 October 1644 Brussels - 3 December 1719 ibid. LANDSCAPE WITH RIDERS AND LIVESTOCK BEFORE A RUINED CASTLE Oil on canvas (relined). 67 x 86 cm (F. 83.5 x 101.5 cm). Part. min. old rest., part. min. old retouching, surface slightly soiled, min. paint losses. Frame. Provenance: Private collection, Berlin. ADRIAEN FRANS BOUDEWIJNS (ATTR.) 3. Oktober 1644 Brüssel - 3. Dezember 1719 ebenda LANDSCHAFT MIT REITERN UND VIEH VOR BURGRUINE Öl auf Leinwand (doubl.). 67 x 86 cm (R. 83,5 x 101,5 cm). Part. min. altrest., part. min. Altretuschen, leicht verschmutzte Oberfläche, min. Farbverluste. Rahmen. Provenienz: Privatsammlung, Berlin.
Hargesheimer Kunstauktionen Düsseldorf
Mar. 13, 2026
BOUDEWYNS, Adriaen Frans (ca. 1644 Diksmuide -1711)
Est: €90 - €160
Landscape with travellers Etching (24 x 37 cm) after A.F. van der Meulen (1666/81), small repair, good impression, cut short without loss
Auctions Van de Wiele
Nov. 22, 2025
Adriaen Frans Boudewijns, A view of Mainz
Est: €18,000 - €22,000
According to James Byam Shaw, this unusually colorful landscape study, along with two other sheets using the same technique, is one of the artist's “particularly beautiful” drawings. The free brushwork and cool, finely graded watercolor tones lend the landscape a sense of vastness and give it the character of an immediate impression of nature.
Lempertz
Oct. 11, 2025
Boudewyns, Adriaen Frans (Brussels 1644 - 1719, landscape painter) and Bout, Peeter (Brussels 1658 - 1719) inscribed,
Est: -
Boudewyns, Adriaen Frans (Brussels 1644 - 1719, landscape painter) and Bout, Peeter (Brussels 1658 - 1719) inscribed, "Marktplatzszene", Oil on canvas, mounted, 63.5 x 86 cm, old restoration. Appraisal by Max J. Friedländer, The Hague 6. IV. (19)41 on the basis of a photograph. Boudewyns, Adriaen Frans (Brüssel 1644 - 1719, Landschaftsmaler) und Bout, Peeter (Brüssel 1658 - 1719) zugeschrieben, "Marktplatzszene", Öl auf Leinwand doubliert, 63.5 x 86 cm, altrestauriert. Gutachten des Max J. Friedländer, Den Haag 6. IV. (19)41 auf Grundlage eines Fotos.
Auktionshaus Plückbaum
Sep. 25, 2025
Adriaen Frans Boudewyns d. Ä., um 1644 Brüssel – 1711 ebenda, zugeschrieben
Est: €1,500 - €2,500
FELSIGE WALDLANDSCHAFT MIT WASSERSTURZ UND ARCHITEKTUR Öl auf Leinwand. Doubliert. 96 x 141 cm. Verso auf der Leinwand wohl Besitzermonogramm „F.W." und altes Sammlungsetikett. In profiliertem Holzrahmen. Eine von links her im Abendlicht beschienene hügelige Landschaft bietet nach hinten einen Ausblick auf eine italienische Gegend, die links von einem Wassersturz durchbrochen wird, welcher vorne links von einer arkadischen Rundbogenbrücke als Architekturelement begrenzt wird. Rechts ein blanker markanter Fels, der dem vorliegenden Gemälde einen besonderen Reiz gibt und das Bild vertikal gliedert. Gut aufgefasste Figuren sorgen neben dem silbrig schwingenden Blattwerk für eine lebhafte Stimmung inmitten der sanftmütigen, jedoch abwechslungsreichen Landschaft. Sehr schöner Erhaltungszustand. Anmerkung: Besonders gut vergleichbar ist das Gemälde von Boudewyns in den Musées Royaux des Beaux-Arts in Brüssel (59,5 x 86 cm), wobei die Figuren – wie vielleicht auch bei dem vorliegenden Gemälde – Peeter Bout (1658 – 1719) zugewiesen werden. Literatur: Vgl. Jan De Maere, Marie Wabbes, Illustrated dictionary of 17th century Flemish painters, Brüssel 1994, S. 146. Auch dort lebt das große Format vom feingliedrigen Blattwerk, ein Wassersturz durchzieht das Bild. Auch die Rundbogenbrücke ist in mehreren seiner Werke zu finden. (1430174) (13)
Hampel Fine Art Auctions
Sep. 24, 2025
Adriaen Frans Boudewyns (Bruxelles 1644 - 1711)
Est: €4,000 - €6,000
Adriaen Frans Boudewyns (Bruxelles 1644 - 1711) Piazza di villaggio animata Olio su tela 30 x 43 cm Adriaen Frans Boudewyns FU allievo del pittore e incisore di paesaggi Ignatius van der Stock. Nel 1666 fu a Parigi da Adam François van der Meulen, che lo assunse per tre anni come apprendista, dove si prestò come aiuto paesaggista. Tornò a Bruxelles nel 1677 per intraprendere la carriera di pittore, e nella sua bottega si formarono valenti artisti quali Andreas Meulebeek, Mathys Schoevaerdts e il nipote Adriaen Frans II Boudewyns. Sono note collaborazioni con Charles Emmanuel Biset, Pointié Dupont, il suo allievo Matthys Schoevaerdts e più frequentemente con Pieter Bout, che spesso lo ha accompagnato nel realizzare le figure. Adriaen Frans Boudewyns (Brussels 1644 - 1711) Animated Village Square Oil on canvas 30 x 43 cm
Lucas Aste
Sep. 19, 2025
ADRIAEN FRANS BOUDEWYNS and PIETER BOUT
Est: CHF7,000 - CHF10,000
ADRIAEN FRANS BOUDEWYNS and PIETER BOUT (1644 Brussels 1711) (before 1658 Brussels 1719) Pair of works: A coastal landscape with a harbour. / A festival on the edge of a town. Oil on panel. Each 24.4 × 33.3 cm. Provenance: European collection. ------------------------------------------------- ADRIAEN FRANS BOUDEWYNS und PIETER BOUT (1644 Brüssel 1711) (vor 1658 Brüssel 1719) Gegenstücke: Eine Küstenlandschaft mit einem Hafen. / Ein Fest am Rande einer Stadt. Öl auf Holz. Je 24,4 × 33,3 cm. Provenienz: Europäischer Besitz.
Koller Auctions
Sep. 17, 2025
Attributed to Adriaen Fransz Boudewyns (Belgium 1644-1719) , Landscape with Cattle
Est: R25,000 - R35,000
oil on panel
Aspire Art
Sep. 10, 2025
ADRIEN FRANS BOUDEWYNS (Brussels,1644-1711) and PIETER BOUT (Brussels, ca. 1658-1719). "Landscape with a village in Italy and a market scene". Oil on canvas. Provenance: London sale, Christie's, 21 October 1994, no. 136
Est: €3,200 - €3,500
ADRIEN FRANS BOUDEWYNS (Brussels,1644-1711) and PIETER BOUT (Brussels, ca. 1658-1719). "Landscape with a village in Italy and a market scene". Oil on canvas. Provenance: London sale, Christie's, 21 October 1994, no. 136; Paris sale, Drouot Montaigne, Kohn studio, 12 June 1996, no. 27. Measurements: 33 x 42 cm. This work is an example of the artistic collaboration between Adrien Frans Boudewyns (Brussels, 1644-1711) and Pieter Bout (Brussels, ca. 1658-1719), two Flemish masters who, as was common at the time, used to unite complementary talents to enrich their compositions. This collaborative practice, widespread in the Netherlands during the 17th and 18th centuries, allowed painters specialized in different genres, such as landscape and the human figure, to work together on the same canvas, achieving a visual harmony that transcended individual skill. In this work, Boudewyns' hand is clearly perceived in the articulation of the landscape, executed with a meticulousness that refers both to the classical ideal and to the Flemish sensibility for atmosphere and naturalistic detail. The Italianate architectures, the broad masses of trees and the dynamic sky, animated by moving clouds and birds in flight, recall the influence of the Roman landscape painting of the circle of Gaspard Dughet and Claude Lorrain, whose echoes were much appreciated in Flanders at the time. The arrangement of the built elements, with towers, red-tiled roofs and Renaissance-inspired structures, underlines the interest in evoking an idealized Italy, typical of the classicist landscape. Pieter Bout, on the other hand, has skillfully animated the scene by means of a group of human figures carefully arranged throughout the composition. In the foreground we observe a lively market scene, with merchants, shoppers, pack animals and children lending vitality to the scene. The figures, although small in scale, are modeled with precision and expressiveness, and present a variety of attitudes that contribute to the visual narrative of the painting. Their clothing and attitudes denote an interest in capturing everyday life, a very characteristic tendency of Flemish Baroque that combines the picturesque with the realistic. The scene, although set in an imagined Italy, does not respond to a specific topography, but rather to an ideal construction where the golden light, the changing sky and human interaction form a harmonious and evocative space.
Setdart Auction House
Jul. 11, 2025
ADRIAEN FRANS BOUDEWIJNS (seguace di)
Est: €50 - €70
(Bruxelles, 1644 - 1719) Paesaggio con figure Olio su tela, cm 24X31 Provenienza: Amsterdam, Christie's, 4-5 settembre 2001, lotto 393 (come seguace di Adriaen Frans Boudewijns) Boudewijns fu soprattutto un pittore paesaggista, in particolare di paesaggi fluviali, aree costiere, porti, vedute di città e villaggi, architetture, ma anche di battaglie. Nelle sue opere traspare l'influenza di Pieter Bout e Charles Emmanuel Biset, nonché di Adam Frans van der Meulen e Abraham Genoels II, con i quali collaborò.
Wannenes Art Auctions
Jun. 26, 2025
Adriaen Frans Boudewyns d. Ä., um 1644 Brüssel – 1711 ebenda, zugeschrieben
Est: €2,300 - €2,500
FELSIGE WALDLANDSCHAFT MIT WASSERSTURZ UND ARCHITEKTUR Öl auf Leinwand. Doubliert. 96 x 141 cm. Verso auf der Leinwand wohl Besitzermonogramm „F.W.“ und altes Sammlungsetikett. In profiliertem Holzrahmen. Eine von links her im Abendlicht beschienene hügelige Landschaft bietet nach hinten einen Ausblick auf eine italienische Gegend, die links von einem Wassersturz durchbrochen wird, welcher vorne links von einer arkadischen Rundbogenbrücke als Architekturelement begrenzt wird. Rechts ein blanker markanter Fels, der dem vorliegenden Gemälde einen besonderen Reiz gibt und das Bild vertikal gliedert. Gut aufgefasste Figuren sorgen neben dem silbrig schwingenden Blattwerk für eine lebhafte Stimmung inmitten der sanftmütigen, jedoch abwechslungsreichen Landschaft. Sehr schöner Erhaltungszustand. Anmerkung: Besonders gut vergleichbar ist das Gemälde von Boudewyns in den Musées Royaux des Beaux-Arts in Brüssel (59,5 x 86 cm), wobei die Figuren – wie vielleicht auch bei dem vorliegenden Gemälde – Peeter Bout (1658-1719) zugewiesen werden. Literatur: Vgl. Jan De Maere, Marie Wabbes, Illustrated dictionary of 17th century Flemish painters, Brüssel 1994, S. 146. Auch dort lebt das große Format vom feingliedrigen Blattwerk, ein Wassersturz durchzieht das Bild. Auch die Rundbogenbrücke ist in mehreren seiner Werke zu finden. (1430174) (13)
Hampel Fine Art Auctions
Jun. 18, 2025
ADRIEN FRANS BOUDEWIJNS (Brussels, 1644 - Brussels, 1711). "Country scene". Oil on panel. It presents Repainting on the pictorial surface. Signed in the lower left corner.
Est: €1,200 - €1,500
ADRIEN FRANS BOUDEWIJNS (Brussels, 1644 - Brussels, 1711). "Country scene". Oil on panel. It presents Repainting on the pictorial surface. Signed in the lower left corner. Measurements: 25 x 34 cm; 32,5 x 41 cm (frame). Scene outdoors, which is presented to the viewer in an idyllic way by hosting a romantic presentation of the peasantry. Fleeing from the signs of effort and showing a cheerful society, dressed in richly colored costumes that stand out against the dark tones that dominate part of the scene. The author presents us with a classical perspective, with a vanishing point located in the center of the scene. This type of genre scene was very common in the Dutch school. Adriaen Frans Boudewijns was a Flemish landscape painter, draughtsman and engraver. He was known mainly for his Italianate landscapes with architecture, rivers and villages, views of cities, coasts and countryside, and architectural scenes. Adriaen Frans Boudewijns was a pupil of the landscape painter and engraver Ignatius van der Stock. On December 16, 1666, Boudewijns signed a three-year contract in Paris in the service of the Flemish painter Adam Frans van der Meulen, with whom he collaborated on the design of twelve Gobelins depicting the months for the French king Louis XIV. Van der Meulen executed the smaller figures and part of the landscapes. The rest of the landscapes were executed by Boudewijns and Abraham Genoels, another Flemish painter active in Paris. Boudewijns also traveled with Genoels to make sketches of a castle near Brussels for the design of a tapestry for the king of France. While in Paris, Boudewijns engraved many of van der Meulen's compositions. He also made engravings from the work of Genoels, the Dutch artist Jan van Hughtenburgh and his own designs. All of the surviving pictures are believed to have been painted after his return to Brussels from Paris. He often collaborated with other specialist painters who added the figures in his landscapes. Collaborations are recorded with Charles Emmanuel Biset, Pointié Dupont, his pupil Matthys Schoevaerdts and, most frequently, Pieter Bout. Boudewijns' work combines the northern tradition of landscape painting with the Roman classicism exemplified by Claude Lorrain and Poussin. His landscapes often show scenery bathed in a brilliant southern glow, sometimes with some ancient architectural element, against a vivid, naturalistic cloudy sky. These idealized, classically cut landscapes became Boudewijns' trademark. His meticulous depiction of trees shows the influence of Gaspard Dughet. All of his landscapes are meticulously painted and often populated with figures painted by Pieter Bout- In general, Boudewijns' landscapes can be divided into three types. The first type resembles the work of the landscape painters of the Sonian Forest school, such as Jacques d'Arthois and Cornelis Huysmans. A second type of landscape depicts Italianate architectural elements set in a flat landscape with a row of hills as a backdrop. Finally, he produced a series of village and river landscapes that recall the style of Jan Brueghel the Elder in terms of compositional structure and technical precision. It presents Repainting on the pictorial surface.
Setdart Auction House
Jun. 07, 2025
Pair of landscapes by Adriaen Frans Boudewijns
Est: €6,500 - €10,000
Oil on wood. Pair of paintings âIdeal Italian wooded foothill landscapeâ and âIdeal Italian wooded river landscapeâ. Adriaen Frans Boudewijns (1644 Brussels - 1719 Brussels). Belgium c. 1700, each measuring 26.5 x 18.5 cm. Framed. Expert opinion by Dr. Klaus Ertz enclosed. Condition 2+
Antikvity
Jun. 05, 2025
ADRIEN FRANS BOUDEWYNS (BRUXELLES 1644-1711) ET PIETER BOUT (BRUXELLES C.1658-1719)
Est: €2,000 - €3,000
ADRIEN FRANS BOUDEWYNS (BRUXELLES 1644-1711) ET PIETER BOUT (BRUXELLES C.1658-1719) Paysage avec un village en Italie et une scène de marché Toile 33 x 42 cm Provenance : Vente à Londres, Christie’s, 21 octobre 1994, n°136 Vente à Paris, Drouot Montaigne, étude Kohn, 12 juin 1996, n°27
HVMC - Hôtel des Ventes de Monte-Carlo
May. 29, 2025
ADRIAEN FRANS BOUDEWYNS (BRUSSELS, 1644 - 1711) FROM ADAM FRANÇOIS VAN DER MEULEN (BRUSSELS, 1632 - PARIS, 1690) - VIEW OF SAINT LAURENT DE LA ROCHE
Est: €150 - €200
Adriaen Frans Boudewyns (Brussels, 1644 - 1711) from Adam François van der Meulen (Brussels, 1632 - Paris, 1690) - View of Saint Laurent de la Roche Etching 41,5 x 69 cm
Kruso Art
May. 15, 2025
Boudewyns, Adriaen Frans und Bout, Peeter (attr.)
Est: €800 - €1,200
Boudewyns, Adriaen Frans und Bout, Peeter (attr.) Brüssel 1644 - 1711 / 1658 - 1719 48,5 x 56 cm Busy activity in a northern harbour village. Oil/canvas, relined, verso old label of the art gallery Williams & Son, London. Private collection, Stuttgart. Boudewyns, Adriaen Frans und Bout, Peeter (attr.) Brüssel 1644 - 1711 / 1658 - 1719 48,5 x 56 cm Emsiges Treiben in einem nordischen Hafenstädtchen. Öl/Lwd., doubl., rückseitig altes Etikett der Kunsthandlung Williams & Son, London. Stuttgarter Privatsammlung.
Nagel Auction
Apr. 02, 2025
BOUDEWYNS Adriaen Frans (1644 - 1711) Huile sur to…
Est: €700 - €1,000
BOUDEWYNS Adriaen Frans (1644 - 1711) Huile sur toile "Paysage animé aux barques". Monogrammé en bas à gauche F.B. pour Adriaen Frans Boudewyns. Ecole flamande. Dim.:+/- 23x33 cm.
Vanderkindere
Apr. 01, 2025
ADRIAEN FRANS BOUDEWIJNS
Est: CHF500 - CHF700
(Brüssel 1644–1719 Brüssel) Anbetung der Hirten. Feder auf Papier, grau laviert, mit roter Kreide kariert. Wasserzeichen "FCXX". Blattgrösse 20,4x28,5 cm. Gerahmt. - Blatt leicht gebräunt und bestossen. Schräger Falz von der oberen rechten Blattkante. Verso Klebespuren. Blatt an der oberen Kante auf der Unterlage montiert.
Schuler Auktionen
Mar. 27, 2025
Adriaen Frans Boudewyns d. Ä., um 1644 Brüssel – 1711 ebenda, zugeschrieben
Est: €2,500 - €3,500
FELSIGE WALDLANDSCHAFT MIT WASSERSTURZ UND ARCHITEKTUR Öl auf Leinwand. Doubliert. 96 x 141 cm. Verso auf der Leinwand wohl Besitzermonogramm „F.W.“ und altes Sammlungsetikett. In profiliertem Holzrahmen. Ein von links her im Abendlicht beschienenes hügelige Landschaft bietet nach hinten einen Ausblick auf eine italienische Gegend, die links von einem Wassersturz durchbrochen wird, der vorne links von einer arkadischen Rundbogenbrücke als Architekturelement begrenzt wird. Rechts ein blanker markanter Fels, der dem vorliegenden Gemälde einen besonderen Reiz gibt und das Bild vertikal gliedert. Gut aufgefasste Figuren sorgen neben dem silbrig schwingenden Blattwerk für eine lebhafte Stimmung inmitten der sanftmütigen, jedoch abwechslungsreichen Landschaft. Sehr schöner Erhaltungszustand. Anmerkung: Besonders gut vergleichbar ist das Gemälde von Boudewyns in den Musées Royaux des Beaux-Arts in Brüssel (59,5 x 86 cm), wobei die Figuren – wie vielleicht auch bei dem vorliegenden Gemälde – Peeter Bout (1658-1719) zugewiesen werden. Literatur: Vgl. Jan De Maere, Marie Wabbes, Illustrated dictionary of 17th century Flemish painters, Brüssel 1994, S. 146. Auch dort lebt das große Format vom feingliedrigen Blattwerk, ein Wassersturz durchzieht das Bild. Auch die Rundbogenbrücke ist in mehreren seiner Werke zu finden. (1430174) (13)
Hampel Fine Art Auctions
Mar. 26, 2025
ADRIEN FRANS BOUDEWIJNS (Brussels, 1644 - Brussels, 1711). "Country scene". Oil on panel. It presents Repainting on the pictorial surface. Signed in the lower left corner.
Est: €2,000 - €2,500
ADRIEN FRANS BOUDEWIJNS (Brussels, 1644 - Brussels, 1711). "Country scene". Oil on panel. It presents Repainting on the pictorial surface. Signed in the lower left corner. Measurements: 25 x 34 cm; 32,5 x 41 cm (frame). Scene outdoors, which is presented to the viewer in an idyllic way by hosting a romantic presentation of the peasantry. Fleeing from the signs of effort and showing a cheerful society, dressed in richly colored costumes that stand out against the dark tones that dominate part of the scene. The author presents us with a classical perspective, with a vanishing point located in the center of the scene. This type of genre scene was very common in the Dutch school. Adriaen Frans Boudewijns was a Flemish landscape painter, draughtsman and engraver. He was known mainly for his Italianate landscapes with architecture, rivers and villages, views of cities, coasts and countryside, and architectural scenes. Adriaen Frans Boudewijns was a pupil of the landscape painter and engraver Ignatius van der Stock. On December 16, 1666, Boudewijns signed a three-year contract in Paris in the service of the Flemish painter Adam Frans van der Meulen, with whom he collaborated on the design of twelve Gobelins depicting the months for the French king Louis XIV. Van der Meulen executed the smaller figures and part of the landscapes. The rest of the landscapes were executed by Boudewijns and Abraham Genoels, another Flemish painter active in Paris. Boudewijns also traveled with Genoels to make sketches of a castle near Brussels for the design of a tapestry for the king of France. While in Paris, Boudewijns engraved many of van der Meulen's compositions. He also made engravings from the work of Genoels, the Dutch artist Jan van Hughtenburgh and his own designs. All of the surviving pictures are believed to have been painted after his return to Brussels from Paris. He often collaborated with other specialist painters who added the figures in his landscapes. Collaborations are recorded with Charles Emmanuel Biset, Pointié Dupont, his pupil Matthys Schoevaerdts and, most frequently, Pieter Bout. Boudewijns' work combines the northern tradition of landscape painting with the Roman classicism exemplified by Claude Lorrain and Poussin. His landscapes often show scenery bathed in a brilliant southern glow, sometimes with some ancient architectural element, against a vivid, naturalistic cloudy sky. These idealized, classically cut landscapes became Boudewijns' trademark. His meticulous depiction of trees shows the influence of Gaspard Dughet. All of his landscapes are meticulously painted and often populated with figures painted by Pieter Bout- In general, Boudewijns' landscapes can be divided into three types. The first type resembles the work of the landscape painters of the Sonian Forest school, such as Jacques d'Arthois and Cornelis Huysmans. A second type of landscape depicts Italianate architectural elements set in a flat landscape with a row of hills as a backdrop. Finally, he produced a series of village and river landscapes that recall the style of Jan Brueghel the Elder in terms of compositional structure and technical precision. It presents Repainting on the pictorial surface.
Setdart Auction House
Mar. 13, 2025
ADRIAEN FRANS BOUDEWIJNS
Est: CHF500 - CHF700
(Brüssel 1644–1719 Brüssel) Anbetung der Hirten. Feder auf Papier, grau laviert, mit roter Kreide kariert. Wasserzeichen "FCXX". Blattgrösse 20,4x28,5 cm. Gerahmt. - Blatt leicht gebräunt und bestossen. Schräger Falz von der oberen rechten Blattkante. Verso Klebespuren. Blatt an der oberen Kante auf der Unterlage montiert.
Schuler Auktionen
Feb. 13, 2025
ADRIEN FRANS BOUDEWYNS (BRUXELLES 1644-1711) ET PIETER BOUT (BRUXELLES C.1658-1719)
Est: €2,000 - €3,000
ADRIEN FRANS BOUDEWYNS (BRUXELLES 1644-1711) ET PIETER BOUT (BRUXELLES C.1658-1719) Paysage avec un village en Italie et une scène de marché Toile 33 x 42 cm Provenance : Vente à Londres, Christie’s, 21 octobre 1994, n°136 Vente à Paris, Drouot Montaigne, étude Kohn, 12 juin 1996, n°27
HVMC - Hôtel des Ventes de Monte-Carlo
Dec. 12, 2024
Adriaen Frans Boudewyns 1644 Bruxelles-1711 Bruxelles Scena di mercato
Est: €3,000 - €4,000
olio su tela applicata su tavola
Cambi Casa d'Aste
Dec. 11, 2024
Huile sur panneau de chêne "Paysage fluviale animé…
Est: €600 - €800
Huile sur panneau de chêne "Paysage fluviale animé". Attribué au dos à Adriaen Frans Boudewyns. Ecole flamande. Dim.:+/-29x40cm.
Vanderkindere
Dec. 05, 2024
Adriaen Frans Boudewyns I ''River Landscape with Villagers" Oil
Est: $1,000 - $2,000
Adriaen Frans Boudewyns I (1644-1711 Flemish) ''River Landscape with Villagers'' Oil on Panel 11.5''x16.5'' Image. Composition of a far reaching landscape with various figures and castle. Unsigned. Partial title label on verso with red wax seal reading ''Fortitudimis . . .''. Gallery framing with name placard 16.5''x21.5''. Old professional cleaning and restoration. This lot being sold with no reserve.
MBA Seattle Auction LLC
Dec. 01, 2024
PAIR OF LANDSCAPES BY ADRIAEN FRANS BOUDEWIJNS
Est: €7,000 - €10,000
Oil on wood. Pair of paintings “Ideal Italian wooded foothill landscape” and “Ideal Italian wooded river landscape”. Adriaen Frans Boudewijns (1644 Brussels - 1719 Brussels). Belgium c. 1700, each measuring 26.5 x 18.5 cm. Framed. Expert opinion by Dr. Klaus Ertz enclosed. Condition 2+
Antikvity
Nov. 28, 2024
ADRIAEN FRANS BOUDEWIJNS (Brussels 1644 - 1719 Brussels)
Est: €500 - €800
ADRIAEN FRANS BOUDEWIJNS (Brussels 1644 - 1719 Brussels) Bucolic scene with animals oil/wood 19,5 x 22 cm SCHÄTZPREIS / ESTIMATE € 500 - 800 STARTPREIS / STARTING PRICE € 500 Adriaen Frans Boudewijns was a Flemish landscape painter, draughtsman and etcher. He was known mainly for his landscapes with trees, Italianate landscapes with architecture, rivers and villages, city, coast and country views and architectural scenes. Adriaen Frans Boudewijns was born in Brussels where he was baptized in the St Nicolas Church on 3 October 1644. He was the son of Nicolas Boudewijns and Françoise Jonquin. He married Louise de Ceul on 5 October 1664. The couple likely remained childless. On 23 November 1665 he was registered at the same time as a pupil and master of the Brussels Guild of Saint Luke. He was a pupil of the landscape painter and engraver Ignatius van der Stock. On 16 December 1666 Boudewijns is recorded in Paris when he entered into a 3-year contract to work in the service of the Flemish painter Adam Frans van der Meulen. He is recorded as working with van der Meulen on the design of 12 Gobelins representing the months for French King Louis XIV. Van der Meulen executed the smaller figures and part of the landscapes. The remainder of the landscapes was completed by Boudewijns and Abraham Genoels, another Flemish painter active in Paris. Boudewijns also travelled with Genoels to make sketches of a castle near Brussels for a design of a tapestry for the King of France. While in Paris, Boudewijns engraved many of van der Meulen's compositions. He also made engravings after the work of Genoels, the Dutch artist Jan van Hughtenburgh and his own designs. Boudewijns married the sister of Adam Frans van der Meulen called Barbe or Barbara on 12 January 1670. The couple had two children of whom the oldest named Frans became a painter. Barbe Boudewijns died on 2 March 1674. Around this time Boudewijns must have returned home. He is documented in Brussels in 1677 when he was present at the baptism of his nephew Adriaen Frans on 4 June 1677. He married a third time in Brussels in 1670. He had a studio in Brussels where he received in 1682 Andreas Meulebeek as his pupil and the next year Mathys Schoevaerdts. His nephew Adriaen (Frans) became his pupil in 1694. He also trained his son Frans. It is believed that he was ruined during the bombardment of Brussels, the vicious artillery bombardment of Brussels carried out by French troops on 13, 14 and 15 August 1695 which caused the destruction of a third of the buildings in Brussels. He died in Brussels on 3 December 1719. Boudewijns was a landscape artist who produced paintings, drawings and prints. All surviving paintings are believed to have been painted after his return to Brussels from Paris. From his Paris years are mainly known his tapestry designs, drawings and engravings. Only a few of his paintings are dated. He often collaborated with other specialist painters who added the figures in his landscapes. Collaborations with Charles Emmanuel Biset, Pointié Dupont, his pupil Matthys Schoevaerdts and most frequently Pieter Bout are recorded. Boudewijns' work combines the Northern tradition of landscape painting with the Roman classicism exemplified by Claude Lorrain and Poussin. His landscapes often show landscapes bathed in a bright southern glow, occasionally with an ancient architectural element, against a lively and naturalist sky with clouds. These Classical idealized landscapes became Boudewijns' trademark. His meticulous rendering of trees shows the influence of Gaspard Dughet. All his landscapes are meticulously painted and often peopled with figures painted by Pieter Bout. The landscapes of Boudewijns can generally be divided into three types. The first type resembles the work of the Sonian Forest school of landscape painters such as Jacques d'Arthois and Cornelis Huysmans. These painters from Brussels had a preference for depicting sand flats with deep lying roads surrounded by trees. These compositions show the landscapes in a bright light. A second type of landscape depicts Italianate architectural elements set in a flat landscape with a row of hills as a backdrop. Finally, he made a number of village and river landscapes that recall the style of Jan Brueghel the Elder in compositional structure and technical precision. Boudewijns' many prints were based on paintings or designs of Adam Frans van der Meulen, Abraham Genoels and on his own designs. (source: Wikipedia) PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked ° at the estimate), a premium of 24% is added to the highest bid. The mandatory sales tax is added to the sum of the highest bid and the buyer's premium. This amounts to 13% for paintings, drawings, graphic works and sculptures and 20% for photographs and all other items. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.
Widder Auctions
Nov. 27, 2024
ADRIAEN FRANS BOUDEWYNS (C.1644-1711) ATTRIBUÉ À Assemblée de personnages dans un paysage
Est: €800 - €1,200
ADRIAEN FRANS BOUDEWYNS (C.1644-1711) ATTRIBUÉ À Assemblée de personnages dans un paysage Huile sur panneau 26,5 x 35,8 cm (rayure et petit manque)
HVMC - Hôtel des Ventes de Monte-Carlo
Nov. 20, 2024
Adriaen Frans Boudewijns, attributed
Est: €1,500 - €2,500
Brussels 1644 – 1719, 42x61 cm., "Village scene with figures", oil on canvas, framed
Colasanti Casa d'Aste
Oct. 12, 2024
Boudewyns, Adriaen Frans (Brussels 1644 - 1719, landscape painter) and Bout, Peeter (Brussels 1658 - 1719) inscribed,
Est: -
Boudewyns, Adriaen Frans (Brussels 1644 - 1719, landscape painter) and Bout, Peeter (Brussels 1658 - 1719) inscribed, "Marktplatzszene",(Brussels 1644 - 1719, landscape painter) and Bout, Peeter (Brussels 1658 - 1719) inscribed, "Marktplatzszene", Oil on canvas, mounted, 63.5 x 86 cm, old restoration. Appraisal by Max J. Friedländer, The Hague 6. IV. (19)41 on the basis of a photograph. Boudewyns, Adriaen Frans (Brüssel 1644 - 1719, Landschaftsmaler) und Bout, Peeter (Brüssel 1658 - 1719) zugeschrieben, "Marktplatzszene", Öl auf Leinwand doubliert, 63.5 x 86 cm, altrestauriert. Gutachten des Max J. Friedländer, Den Haag 6. IV. (19)41 auf Grundlage eines Fotos.
Auktionshaus Plückbaum
Sep. 20, 2024
ADRIAEN FRANS BOUDEWYNS
Est: CHF12,000 - CHF18,000
ADRIAEN FRANS BOUDEWYNS (before 1644 Brussels 1711) Pair of works: Hilly landscape with herders and cattle/River landscape with travellers and boats. Oil on panel. 29.4 × 41.9 cm / 29.5 × 41.9 cm. Provenance: - Sale Lempertz, Cologne, 22.-26.11.1973, Lots 19-20. - Sale Sotheby's, London, 7.7.1976, Lot 105. - European private collection. ------------------------------------------------- ADRIAEN FRANS BOUDEWYNS (vor 1644 Brüssel 1711) Gegenstücke: Hügellandschaft mit Hirten und Vieh / Flusslandschaften mit Reisenden und Booten. Öl auf Holz. 29,4 × 41,9 cm / 29,5 × 41,9 cm. Provenienz: - Auktion Lempertz, Köln, 22.-26.11.1973, Lose 19-20. - Auktion Sotheby's, London, 7.7.1976, Los 105. - Europäische Privatsammlung.
Koller Auctions
Sep. 10, 2024
Pieter Bout (Brussels 1658-1702) and Adriaen Frans Boudewijns (Brussels 1644-1711), A coastal port with figures moving cargo and, A fortified town with revellers beyond the walls, oil on panel, a pair, 23 x 32cm
Est: £2,500 - £3,500
Pieter Bout (Brussels 1658-1702) and Adriaen Frans Boudewijns (Brussels 1644-1711) A coastal port with figures moving cargo and, A fortified town with revellers beyond the walls oil on panel, a pair
Gorringes
Jun. 27, 2024
Adriaen Frans Boudewyns d. Ä., um 1644 Brüssel – 1711 ebenda, zugeschrieben
Est: €2,500 - €3,500
FELSIGE WALDLANDSCHAFT MIT WASSERSTURZ UND ARCHITEKTUR Öl auf Leinwand. Doubliert. 96 x 141 cm. Verso auf der Leinwand wohl Besitzermonogramm „F.W.“ und altes Sammlungsetikett. In profiliertem Holzrahmen. Ein von links her im Abendlicht beschienenes hügeliges Gelände bietet nach hinten einen Ausblick auf eine italienische Landschaft, die links von einem Wassersturz durchbrochen wird, der vorne links von einer arkadischen Rundbogenbrücke als Architekturelement begrenzt wird. Rechts ein blanker markanter Fels, der dem vorliegenden Gemälde einen besonderen Reiz gibt und das Bild vertikal gliedert. Gut aufgefasste Figuren sorgen neben dem silbrig schwingenden Blattwerk für eine lebhafte Stimmung inmitten der sanftmütigen, jedoch abwechslungsreichen Landschaft. Sehr schöner Erhaltungszustand. Anmerkung: Besonders gut vergleichbar ist das Gemälde von Boudewyns in den Musées Royaux des Beaux-Arts in Brüssel (59,5 x 86 cm), wobei die Figuren – wie vielleicht auch bei dem vorliegenden Gemälde – Peeter Bout (1658-1719) zugewiesen werden. Literatur: Vgl. Jan De Maere, Marie Wabbes, Illustrated dictionary of 17th century Flemish painters, Brüssel 1994, S. 146. Auch dort lebt das große Format vom feingliedrigen Blattwerk, ein Wassersturz durchzieht das Bild. Auch die Rundbogenbrücke ist in mehreren seiner Werke zu finden. (13700210) (13)
Hampel Fine Art Auctions
Jun. 25, 2024
Attribué à Pieter BOUT & Adriaen Frans BOUDEWIJNS Bruxelles, 1640/1645 - 1689 ; Bruxelles, 1644 - 1719 Scènes animées en forêt
Est: €3,000 - €5,000
Attribué à Pieter BOUT & Adriaen Frans BOUDEWIJNS Bruxelles, 1640/1645 - 1689 ; Bruxelles, 1644 - 1719 Scènes animées en forêt Panneaux de chêne (paire ; l'un est parqueté) 36 x 28 cm (chaque) - 14 3/16 x 11 in. (each) Animated scenes in the forest, oil on panel (pair)
Aguttes
Jun. 19, 2024
ADRIAEN FRANS BOUDEWYNS (C.1644-1711) ATTRIBUÉ À Assemblée de personnages dans un paysage
Est: €800 - €1,200
ADRIAEN FRANS BOUDEWYNS (C.1644-1711) ATTRIBUÉ À Assemblée de personnages dans un paysage Huile sur panneau 26,5 x 35,8 cm (rayure et petit manque)
HVMC - Hôtel des Ventes de Monte-Carlo
May. 16, 2024
Adriaen Frans Boudewijns, Southern Harbour Scene with Figures
Est: €4,000 - €5,000
Adriaen Frans Boudewijns, Southern Harbour Scene with Figures
Kunsthaus Lempertz KG
Apr. 19, 2024
ADRIAEN FRANS BOUDEWYNS I (C.1644-1711): 'ITALIANATE LANDSCAPE', OIL ON PANEL
Est: €3,000 - €6,000
Dim.: 44,5 x 39 cm (the frame) Dim.: 27 x 21,5 cm (the work)
Rob Michiels Auctions
Mar. 23, 2024
Boudewijns, Adriaen Frans (Attrib.): Fischmarkt vor der Stadt
Est: €1,400 - €2,800
Boudewijns, Adriaen Frans (Attrib.) . Fish market in front of the city (Brussels 1644-1711 ibid.) Oil on canvas, mounted on wood. 37,5 x 31 cm. - Signs of age. // Boudewijns, Adriaen Frans (Attrib.) Fischmarkt vor der Stadt (Brüssel 1644-1711 ebd.) Öl/Lwd., auf Holz aufgezogen. 37,5 x 31 cm. - Altersspuren.
Kunstauktionshaus Schlosser
Mar. 21, 2024
Adriaen Frans Boudewyns d. Ä., um 1644 Brüssel – 1711 ebenda, zugeschrieben
Est: €3,000 - €5,000
FELSIGE WALDLANDSCHAFT MIT WASSERSTURZ UND ARCHITEKTUR Öl auf Leinwand. Doubliert. 96 x 141 cm. Verso auf der Leinwand wohl Besitzermonogramm „F.W.“ und altes Sammlungsetikett. In profiliertem Holzrahmen. Ein von links her im Abendlicht beschienenes hügeliges Gelände bietet nach hinten einen Ausblick auf eine italienische Landschaft, die links von einem Wassersturz durchbrochen wird, der vorne links von einer arkadischen Rundbogenbrücke als Architekturelement begrenzt wird. Rechts ein blanker markanter Fels, der dem vorliegenden Gemälde einen besonderen Reiz gibt und das Bild vertikal gliedert. Gut aufgefasste Figuren sorgen neben dem silbrig schwingenden Blattwerk für eine lebhafte Stimmung inmitten der sanftmütigen, jedoch abwechslungsreichen Landschaft. Sehr schöner Erhaltungszustand. Anmerkung: Besonders gut vergleichbar ist das Gemälde von Boudewyns in den Musées Royaux des Beaux-Arts in Brüssel (59,5 x 86 cm), wobei die Figuren – wie vielleicht auch bei dem vorliegenden Gemälde – Peeter Bout (1658-1719) zugewiesen werden. Literatur: Vgl. Jan De Maere, Marie Wabbes, Illustrated dictionary of 17th century Flemish painters, Brüssel 1994, S. 146. Auch dort lebt das große Format vom feingliedrigen Blattwerk, ein Wassersturz durchzieht das Bild. Auch die Rundbogenbrücke ist in mehreren seiner Werke zu finden. (13700210) (13)
Hampel Fine Art Auctions
Mar. 21, 2024
Adriaen Frans Boudewyns d. Ä., um 1644 Brüssel – 1711 ebenda, zugeschrieben
Est: €9,000 - €12,000
SÜDLICHE LANDSCHAFT MIT JAGDGESELLSCHAFT Öl auf Holz. Parkettiert. 24 x 33 cm. Im warmen, gelblichen Licht der langsam untergehenden Sonne eine Jagdgesellschaft mit einem eleganten berittenem Paar und Treibern mit Hunden, auf einem Pfad entlang eines Flusses, über den eine Brücke führt, auf der weitere Begleiter des Paares zu sehen sind. In der Mitte des Hintergrundes zwei kleinere Gebäude und ein steinerner Rundturm vor einem massiven, entfernter liegendem Gebirgszugeschrieben Auf den Wegen zu dem Wanderer, ein Angler am Flussufer und ihm gegenüber auf der anderen Flusseite eine grasende Viehherde. Feine stimmungsvolle Darstellung mit vielen Details. (13916944) (18)
Hampel Fine Art Auctions
Mar. 21, 2024
Adriaen Frans Boudewyns d. Ä., um 1644 – 1711, Kreis des
Est: €2,500 - €3,500
WEITE LANDSCHAFT MIT FLÜSSCHEN UND FIGUREN Öl auf Holz. 24 x 33 cm. Rechts mittig auf Brücke monogrammiert „GRA“. Vorbei linksseitig an drei großen, stark geneigten Baumstämmen geht der Blick des Betrachters auf einen Weg mit mehreren Figuren im Gespräch und eine dahinter liegende Landschaft in blaugrüner Farbigkeit mit der Silhouette einer Schlossanlage. Rechtsseitig ein Angler an einem Fluß, auf dessen gegenüberliegender Seite eine große Brücke mit zum Fluß hinabführender Treppe und mehrere Gebäude zu erkennen sind. Malerei mit einer Vielzahl differenzierter Grüntöne, bei besonderer Herausarbeitung einiger Pflanzen im Bereich der Bäume. (13916918) (18)
Hampel Fine Art Auctions
Jan. 17, 2024
Tableaux
Est: €1,200 - €1,800
Huile sur panneau de chêne "Paysage animé". Attribué à Adriaen Frans Boudewyns et Pieter Bout. Ecole flamande. Epoque: fin XVIIème. Portant au dos des traces de cachets à la cire rouge. Dim.:+/-25,5x35,5cm. BOUDEWYNS Adriaen Frans (1644 - 1711), BOUT Pieter (1658 - 1719)
Vanderkindere
Dec. 07, 2023
Adriaen Frans Boudewyns d. Ä., um 1644 Brüssel – 1711 ebenda, zugeschrieben
Est: €3,000 - €5,000
FELSIGE WALDLANDSCHAFT MIT WASSERSTURZ UND ARCHITEKTUR Öl auf Leinwand. Doubliert. 96 x 141 cm. Verso auf der Leinwand wohl Besitzermonogramm „F.W.“ und altes Sammlungsetikett. In profiliertem Holzrahmen. Ein von links her im Abendlicht beschienes hügeliges Gelände bietet nach hinten einen Ausblick auf eine italienische Landschaft, die links von einem Wassersturz durchbrochen wird, der vorne links von einer arkadischen Rundbogenbrücke als Architekturelement begrenzt wird. Rechts ein blanker markanter Fels, der dem vorliegenden Gemälde einen besonderen Reiz gibt und das Bild vertikal gliedert. Gut aufgefasste Figuren sorgen neben dem lebendig silbrig schwingenden Blattwerk für eine lebhafte Stimmung inmitten der sanftmütigen, jedoch abwechslungsreichen Landschaft. Sehr schöner Erhaltungszustand. Anmerkung: Besonders gut vergleichbar ist das Gemälde von Boudewyns in den Musées Royaux des Beaux-Arts in Brüssel (59,5 x 86 cm), wobei die Figuren – wie vielleicht auch bei dem vorliegendem Gemälde – Pieter Bout (1658-1719) zugewiesen werden. Literatur: Vgl. Jan De Maere, Marie Wabbes, Illustrated dictionary of 17th century Flemish painters, Brüssel 1994, S. 146. Auch dort lebt das große Format von feingliedrigem Blattwerk, ein Wassersturz durchzieht das Bild. Auch die Rundbogenbrücke ist in mehreren seiner Werke zu finden. (13700210) (13)
Hampel Fine Art Auctions
Nov. 30, 2023
MONOGRAMMED F.B. (?): SHEPHERDS WITH THEIR CATTLE AT A FOUNTAIN, PENCIL ON PAPER, 19TH C.
Est: €150 - €250
Work: 23,5 x 18,5 cm Frame: 34 x 29 cm The drawing previously attributed to the Flemish landscape painter, draughtsman and etcher Adriaen Frans Boudewyns (1644-1719). The drawing on handmade paper with watermark. The back with a print after Teniers.
Coronari Auctions
Nov. 24, 2023
Boudewijns, Adriaen Frans (1644-1719). (Italian arcadian landscapes).
Est: €100 - €150
Boudewijns, Adriaen Frans (1644-1719). (Italian arcadian landscapes). Series of 6 etchings (1x after Abraham GENOELS), each 11,5x14,5 cm. (platemark), all printed/ published by A.F. van der Meulen and 1x w. the address of G. Scotin, Paris.
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