Leonaert Bramer Paintings & Artwork for Sale | Leonaert Bramer Art Value Price Guide

Jul. 15, 2026
HARMENSZ. VAN RIJN REMBRANDT (WERKSTATT/SCHULE) | PILATUS WÄSCHT SEINE HÄNDE
Est: €400 - €800
REMBRANDT HARMENSZ. VAN RIJN (STUDIO/SCHOOL) (Possibly: Leonaert Bramer (1596-1674)) 1606 Leiden - 1669 Amsterdam PILATE WASHING HIS HANDS Oil on oak panel (partially cradled). 76 x 58 cm (F. 95 x 78 cm). Part. old rest., old retouching, slight cleaning losses, rest. vertical crack due to tension. Frame.Zeichen(10)HARMENSZ. VAN RIJN REMBRANDT (WERKSTATT/SCHULE) ('Möglicherweise: Leonaert Bramer (1596 - 1674)') 1606 Leiden - 1669 Amsterdam PILATUS WÄSCHT SEINE HÄNDE Öl auf Eichenholztafel (teilweise parkettiert). 76 x 58 cm (R. 95 x 78 cm). Part. altrest., Altretuschen, leichte Reinigungsverluste, rest. vertikaler Spannungsriss. Rahmen.
Hargesheimer Kunstauktionen Düsseldorf
Jul. 07, 2026
LEONAERT BRAMER (1596-1674). The Lute Player (An Allegory of Vanity). Sheet
Est: £2,000 - £3,000
LEONAERT BRAMER (1596-1674). The Lute Player (An Allegory of Vanity). Sheet 290 x 238 mm..
Christie's
May. 30, 2026
Bramer Leonaert
Est: CHF3,200 - CHF4,000
Der Verrat Christi Das Gemälde ist beim RKD, Den Haag, als ein eigenhändiges Werk von Leonaert Bramer registriert (Archiv-Nr. 226959). Leonaert Bramer war ein niederländischer Maler und Zeichner, dessen künstlerische Entwicklung stark durch die Caravaggisten geprägt wurde, mit deren Werken er während seiner Italienaufenthalte in Berührung kam. Im Gegensatz zu vielen seiner Landsleute wandte er sich bevorzugt italienisch inspirierten Sujets zu, insbesondere Darstellungen aus Mythologie, Geschichte und Bibel sowie von Allegorien, und weniger den in den Niederlanden verbreiteten Stillleben, Porträts oder Genreszenen, was sich auch im vorliegenden Gemälde widerspiegelt. Sammlung John Barton Payne; von diesem 1932 dem Virginia Museum, of Fine Arts, Richmond/VA, geschenkt; Christie's, New York, 17. Oktober 2006, Lot 233; Privatbesitz, Schweiz J. Ten Brink Goldsmith (et al.), Leonaert Bramer 1596–1674. Ingenious Painter and Draughtsman in Rome and Delft, Zwolle 1994, S. 290, Nr. S127.4 Ungerahmt Ausrufdatum: 30.05.2026 Ungefähre Ausrufzeit (CEST): 17:36
Auktionshaus Zofingen
May. 21, 2026
Leonaert Bramer, Scholar in a red oriental costume
Est: €8,000 - €10,000
Fragments of the signature at the bottom left of the pedestal One hundred and thirty-six years after it was sold at auction by J. M. Heberle (H. Lempertz' Söhne), this painting by Leonaert Bramer returns to Cologne. The depiction of an Oriental scholar is something of an exception within Bramer's work: whereas his paintings are generally characterised by a dark palette dominated by grey and brown, dramatic lighting effects, and a rapid, nervous brushstroke, here he adopts a markedly more precise draughtsmanship and a considerably more vivid colour scheme, with the scholar's red mantle, the blue drapery on the wall, and the green tablecloth. Wichmann's catalogue raisonné records a signature, which today is only faintly legible. In the auction catalogue of 1934 it is transcribed as "L. Bramer P anno 1656."
Lempertz
May. 13, 2026
Bramer. Leonard (Kreis/Circle)
Est: €700 - €1,400
Bramer. Leonard (Kreis/Circle) Delft 1596 - 1674 30 x 27 cm The Circumcision of Christ. Oil/panel. Southern German private collection. Bramer. Leonard (Kreis/Circle) Delft 1596 - 1674 30 x 27 cm Die Beschneidung Christi. Öl/Holz. Süddeutsche Privatsammlung.
Nagel Auction
Jan. 28, 2026
CIRCLE OF LEONARD BRAMER (DUTCH 1596-1674), THE DEPOSITION
Est: £800 - £1,200
CIRCLE OF LEONARD BRAMER (DUTCH 1596-1674)THE DEPOSITIONOil on canvas, en grisaille27 x 19.5cm (10½ x 7½ in.)Provenance:Sale Phillips, London 10 July 2001, lot 257
Dreweatts 1759 Fine Sales
Nov. 22, 2025
Leonaert Bramer, Pilatus Washing his Hands
Est: €6,000 - €8,000
Leonaert Bramer is considered an outstanding painter of his time and at the same time a particularly interesting artistic personality. He probably began his training in The Hague with Adriaen van de Venne and possibly continued in Utrecht with Abraham Bloemaert. In 1614, at the age of 18, he began a long journey via Amiens, Paris, Aix-en-Provence, Marseille, Genoa and Livorno, reaching Rome in 1616, where he remained intermittently until 1627. In Italy, which he also travelled extensively during these years via Mantua and Venice, he was known as ‘Il Leonaerto della Notte’ (The Leonaerto of the Night). His stay in Rome ended abruptly in October 1627 after he was involved in a dispute at an inn which included a stabbing, in which Claude Lorrain attempted to mediate. In any case, he can be traced back to Delft as of 1628 and was so successful there that he was soon able to acquire several houses. Leonaert Bramer is today recognised as an independent artistic personality who in many respects played a special role in Holland. His ‘Chiaroscuro’ has equally Roman roots, drawing from artists as diverse as Adam Elsheimer and Caravaggio, as it does from the painting of his compatriots Rembrandt and Lievens. There is evidence of six depictions of the famous Pilate theme by the hand of Bramer (see exhibition catalogue Delft, 1994, p. 291). An identical, signed composition by Bramer is kept in the Brukenthal Museum in Sibiu. The present panel is probably an autograph, slightly enlarged replica. The painting may have been part of a Passion series. After his return, biblical themes increasingly appeared in Bramer's oeuvre. Stylistically, it is close to works from the 1630s - such as the paintings ‘Judgement of Solomon’ from 1640 and ‘The Archangel Gabriel Leaves the Family of Tobias’ from 1637.
Lempertz
Nov. 22, 2025
Leonaert Bramer, Market scene in front of a round temple
Est: €3,000 - €4,000
This finely drawn sheet is a characteristic work by Leonard Bramer, who, after a short stay in France, settled in Rome in 1616 and lived there until 1627. The present drawing, depicting the hustle and bustle in front of an ancient temple, must have been created during this period.
Lempertz
Nov. 22, 2025
Leonaert Bramer, The Sacrifice of Iphigenia
Est: €20,000 - €25,000
This painting depicts one of the most dramatic episodes of the Trojan War: The Sacrifice of Iphigenia. Unfavourable winds prevent the Greeks, lead by Agamemnon, from sailing from Aulis to Troy. The seer Calchas reveals to Agamemnon that this is the wrath of the goddess Artemis, who he has offended, and only the sacrifice of his daughter Iphigenia will appease her. Agamemnon therefore lures Iphigenia to Aulis under the pretence of marrying her to Achilles. The deception is uncovered, but Iphigenia declares her willingness to sacrifice herself for the Greek cause. In the end, the goddess Artemis intervenes and prevents her death by substituting a stag for the sacrifice. Leonaert Bramer ranks among the most idiosyncratic artists of 17th-century Dutch art. His originality is evident both in his often bizarre or ambiguous subject matter and in his painting style, characterised by rapid, nervous brushwork and dramatic chiaroscuro. He encountered the technique of chiaroscuro in Italy, where he stayed between 1616 and 1627 and was among the founding members of the Bentvueghels, a group of artists made up primarily of Dutch painters. There, he was given the nickname “Nestelghat” (Fidget), and because of his nocturnal scenes, he was also known as “Leonardo della Notte”. The influence of Bramer’s time in Italy is also evident in this painting, particularly in the diagonal composition, which reveals the impact of the Italianates. On the right, Agamemnon is shown seated on a throne, while Iphigenia, dressed entirely in white, is already kneeling on the altar. Bramer depicted the Sacrifice of Iphigenia on several occasions; the best-known version is now housed in the Museum Het Prinsenhof in his native city of Delft (fig. 1; inv. no. PDS 13A) and shows a later moment in the narrative. The Delft version is smaller in format (30 × 40 cm), painted on copper, and forms a pair with a depiction of another episode from the Trojan War - the dispute between Ajax and Odysseus. The subject of the Sacrifice of Iphigenia was taken up by a number of Dutch artists, including Rembrandt, Jan Steen, and Gérard de Lairesse. In the Netherlands, the story was known not only through Euripides’ tragedy, but also via a Dutch adaptation by the poet Samuel Coster, who used the material to address contemporary religious conflicts in Holland. Fig. 1: Leonaert Bramer, The Sacrifice of Iphigenia, Delft, Museum Het Prinsenhof.
Lempertz
Oct. 02, 2025
Leonard Bramer
Est: -
Leonard Bramer (DELFT 1596 - 1674). La discesa dalla Croce, con cornice. Olio su tavola, sul retro iscrizione con attribuzione. cm32x26 (abrasioni alla pittura)
Eurantico Casa d'Aste
Sep. 16, 2025
Attributed to Leonard Bramer (1596-1674)
Est: €500 - €800
Christ on the cross, brown and black ink on paper, unframed, 19,5x16,5 cm,
Venduehuis der Notarissen
Jul. 09, 2025
Leonard Bramer, Dutch 1596-1674- Nimrod supervising the building of the
Est: £300 - £500
Leonard Bramer, Dutch 1596-1674- Nimrod supervising the building of the Tower of Babel; black ink and wash on grey paper, 39.4 x 31.5 cm. Provenance: The Collection of Sir John and Lady Witt; Their sale, Sotheby's, London, 19 February 1987, lot 288. Property of the Late Professor Eric Gerald Stanley, FBA (1923-2018) (https://en.wikipedia.org/wiki/Eric_Stanley). Exhibited: London, Courtauld Institute Galleries, 'The John Witt Collection, Part I, European Schools', 1963, no. 26. Note: Bramer was one of the founding members of the Bentvueghel group of Northern European artists active in Rome, to where he had travelled in 1616. The present work is a particularly fine example of the Biblical and mythological scenes which formed the artist's preferred subject matter, as in, for example, his drawings of 'Jacob recognising the blood-stained coat of Joseph' and 'Sara bringing Hagar to Abraham', both of which sold at Sotheby's, London, on 24 March 2021, as lots 47 and 48 respectively.
Roseberys
Jul. 09, 2025
Leonard Bramer, Dutch 1596-1674- Allegory of Hope and Charity (recto); S
Est: £300 - £400
Leonard Bramer, Dutch 1596-1674- Allegory of Hope and Charity (recto); Studies of figures in boats (verso); pen, black ink, and grey wash on blue paper, 36.5 x 51 cm. Provenance: Anon. sale, Christie's South Kensington, 7 December 1995, lot 133 (part). Property of the Late Professor Eric Gerald Stanley, FBA (1923-2018) (https://en.wikipedia.org/wiki/Eric_Stanley). Note: Bramer showed in his choice of subjects a preference for Italian rather than Dutch artistic practice. His subjects are usually mythological, allegorical, historical or biblical scenes. He stayed away from typical Dutch themes such as landscapes, still lifes, portraits and genre pieces and he rarely painted Italianate pastoral scenes popular with the Utrecht Caravaggisti. He evidently knew the greatest of his Delft contemporaries, Johannes Vermeer (1632-1675) as he came to the latter's defence when his future mother-in-law was trying to prevent him from marrying her daughter. It is possible that Vermeer received his artistic training from Bramer, although there is no documentation for this, and Bramer's dark and exotic style is unlike Vermeer's.
Roseberys
Jul. 02, 2025
LEONAERT BRAMER (DELFT 1596-1674). Musicians on a Terrace. oil on canvas68
Est: £30,000 - £50,000
LEONAERT BRAMER (DELFT 1596-1674). Musicians on a Terrace. oil on canvas68 ¾ x 85 ½ in. (174.6 x 217.1 cm.).
Christie's
Jul. 02, 2025
LEONAERT BRAMER (DELFT 1596-1674). Circumcision of Christ. oil on panel18 ¼
Est: £8,000 - £12,000
LEONAERT BRAMER (DELFT 1596-1674). Circumcision of Christ. oil on panel18 ¼ x 25 ¾ in. (46.4 x 65.5 cm.).
Christie's
Jun. 26, 2025
Leonard Bramer, 1596 Delft – 1674 ebenda, Umkreis des
Est: €2,500 - €4,500
NACHTLAGER Öl auf Schieferplatte. 27 x 51 cm. In vergoldetem Rahmen. In weiter bergiger Landschaft unter nächtlichem Himmel mit Mondsichel eine Hirtenfamilie mit aufgestellten Hütten, die sich linksseitig an einem offenen Feuer wärmt, darunter eine sitzende Mutter mit Kind, auf die der Feuerschein fällt. In der Bildmitte die zum Teil sitzenden Kühe und Rinder, sowie ein neugierig die um das Lagerfeuer versammelten Figuren betrachtendes Maultier. (1440486) (3) (18)
Hampel Fine Art Auctions
May. 17, 2025
Leonaert Bramer, Pilatus Washing his Hands
Est: €8,000 - €12,000
Leonard Bramer is considered an outstanding painter of his time and at the same time a particularly interesting artistic personality. He probably began his training in The Hague with Adriaen van de Venne and possibly continued in Utrecht with Abraham Bloemaert. In 1614, at the age of 18, he began a long journey via Amiens, Paris, Aix-en-Provence, Marseille, Genoa and Livorno, reaching Rome in 1616, where he remained intermittently until 1627. In Italy, which he also travelled extensively during these years via Mantua and Venice, he was known as ‘Il Leonardo della Notte’ (The Leonardo of the Night). His stay in Rome ended abruptly in October 1627 after he was involved in an inn dispute with a stabbing, in which Claude Lorrain attempted to mediate. In any case, he can be traced back to Delft from 1628 and was so successful here that he was soon able to acquire several houses. In terms of art history, Leonard Bramer is today recognised as an independent artistic personality who in many respects played a special role in Holland. His ‘Chairoscuro’ has equally Roman roots, drawing from artists as diverse as Adam Elsheimer and Caravaggio, as it does from the painting of his compatriots Rembrandt and Lievens. There is evidence of six depictions of the famous Pilate theme by the hand of Bramer (see exhibition catalogue Delft, 1994, p. 291). An identical, signed composition by Bramer is kept in the Brukenthal Museum in Sibiu. The present panel is probably an autograph, slightly enlarged replica. The painting may have been part of a Passion series. After his return, biblical themes increasingly appeared in Bramer's oeuvre. Stylistically, it is close to works from the 1630s - such as the paintings ‘Judgement of Solomon’ from 1640 and ‘The Archangel Gabriel Leaves the Family of Tobias’ from 1637.
Lempertz
May. 15, 2025
LEONAERT BRAMER (1595-1674) - Two episodes from the story of Hagar, recto/verso
Est: €900 - €1,200
Charcoal and white chalk on blue paper, front and back. Provenance: Prince W. Argoutinsky-Dolgoroukoff collection, Paris, 1875-1941 (L.2602d, verso); sale Amsterdam, de Vries, 27 March 1925, lot 54. Dim.: 25.5x28.5cm.
Marques dos Santos
Apr. 19, 2025
LEONAERT BRAMER DUTCH OLD MASTER PAINTING
Est: $6,000 - $8,000
LEONAERT BRAMER (DUTCH 1596-1674) King Herod Consulting His Wise Men oil on panel 40 x 53 cm (15 3/4 x 20 7/8 in.) framed dimensions: 53 x 65.5 cm (20 3/4 x 25 3/4 in.) PROVENANCE Property of a Gentleman, South Carolina LOT NOTES Leonaert Bramer was a Dutch painter of the Golden Age, known for his dramatic use of light and shadow, dynamic compositions, and historical, religious, and genre scenes. Born in 1596 in Delft, Bramer traveled extensively throughout Europe, particularly in Italy, where he was influenced by Caravaggio and the tenebrist style, characterized by strong contrasts between light and dark. Upon his return to the Netherlands, Bramer developed a highly individualistic style, blending Italian Baroque drama with Dutch realism. He produced both large-scale paintings and intimate works, often executed on unusual surfaces such as parchment. His subjects ranged from biblical and mythological themes to historical narratives, reflecting his deep engagement with literature and theater. Despite not joining the Delft Guild of Saint Luke, Bramer maintained strong connections within the artistic community, including Johannes Vermeer, whom he may have influenced. He also received commissions from prominent patrons, including the Dutch court. Bramer's later years saw continued artistic output, though his style remained somewhat distinct from the prevailing trends of Dutch realism. He died in 1674 in his hometown of Delft, leaving behind a body of work that remains admired for its theatricality, expressive use of light, and masterful storytelling. N.B. Condition reports are available upon request. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Shapiro Auctions LLC
Mar. 27, 2025
ATTRIBUÉ À LEONAERT BRAMER (1596 - 1674)
Est: €2,000 - €3,000
ATTRIBUÉ À LEONAERT BRAMER (1596 - 1674) LA DELIVRANCE D'UN CAPTIF (SAINT PIERRE ?) Panneau de chêne, une planche, non parqueté Sans cadre Restaurations anciennes, fentes et petits manques Att. to L. Bramer, The Deliverance of a Captive (Saint Peter?), oak panel, one board, not parqueted, unframed, old restorations, cracks and small chips 36,50 x 28,50 CM - 14,4 x 11,2 IN
Tajan
Mar. 27, 2025
Leonard Bramer, 1596 – 1674
Est: €6,000 - €8,000
MAGDALENA WÄSCHT JESUS DIE FÜSSE IM HAUS DES SIMONS Öl auf Kupfer. 24,5 x 28 cm. Verso eingravierte und bezeichnete Landkarte. In dekorativen Rahmen. Wir danken Dr. Guido Jansen für die Bestätigung der Autorschaft. Dem Gemälde liegt der Bericht des Lukas Evangelium (Lk 7,36-50) zugrunde. Dort wird erzählt, dass der Pharisäer Simon zu sich eingeladen hatte. Während des Mahles erschien eine in der Stadt wohlbekannte Sünderin, die sich vor Jesus niederkniete, seine Füße wusch und sie mit ihren Haaren trocknete und danach salbte. Der sitzende Jesus in lilanem Gewand lässt die Frau gewähren, worüber sich die Anwesenden sehr wundern. In der Mitte der prachtvoll gedeckte Tisch, an dem linksseitig Simon in rotem Gewand mit weißer Kopfbedeckung sitzt. Im Hintergrund schemenhaft ein Treppenabsatz sowie rechtsseitig stehend eine glänzende Deckelvase, die ihr Gegenstück quasi am linken unteren Bildrand findet. Anmerkung: Leonard Bramer war ein niederländischer Maler von Genrebildern sowie von religiösen und mythologischen Szenen. Er hatte eine Vorliebe für exotische Details der Kostüme und dramatische Inszenierungen. In seinen Werken ist der Einfluss der Hell-Dunkel-Malerei, in der Folge des Caravaggios zu erkennen. Zudem hatte er selbst eine Technik entwickelt Lichtspiegelungen zu malen. Worauf die beiden großen Vasen wie auch das Gewand Magdalenas hinweisen könnten. (1430674) (18)
Hampel Fine Art Auctions
Mar. 27, 2025
Leonard Bramer
Est: €2,500 - €3,500
Leonard Bramer (Delft, 1596 – 1674) JOSEPH SOLD BY HIS BROTHERS oil on slate, 17x23 cm GIUSEPPE VENDUTO DAI FRATELLI olio su lavagna, cm 17x23
Pandolfini Casa d'Aste
Mar. 27, 2025
Leonard Bramer
Est: €4,000 - €6,000
Leonard Bramer (Delft, 1596 - 1674) DRAFTSMEN IN VILLA ADRIANA oil on canvas, 46x39.5 cm signed "L. Bramer" lower right DISEGNATORI A VILLA ADRIANA olio su tela, cm 46x39,5 firmato "L. Bramer" in basso a destra
Pandolfini Casa d'Aste
Mar. 22, 2025
F. PILOTY (*1786) after BRAMER (*1596), Monks, novices and travellers, around 1808, Lithography
Est: €135 - €225
Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Leonaert Bramer (1596 - 1674 ): Monks with young novice meet wanderer, c. 1808, Lithography Technique: Lithography on Paper Inscription: At the lower part signed in the printing plate: "L: Bramer. | F: Piloty del:". Date: c. 1808 Description: Ferdinand Piloty was a German lithographer who made a name for himself in particular through the graphic reproduction of old hand drawings. Between 1808 and 1815, he and Johann Nepomuk Strixner published an extensive series of lithographs based on old master drawings in Munich. This multifaceted work emphasises the full skill of the two artists, who copied the drawings onto the stone with a sensitive eye and convey a good impression of the original work in their reproductions. A characteristic feature of many of the sheets is the basis of a discreetly coloured clay plate with scratched-out areas, presumably intended to imitate the white heightening and different paper colours of the originals. Piloty and Strixner used the technique of lithography in all its facets and always endeavoured to give their reprints the same delicacy and depth that characterise the hand drawings of the Old Masters. Keywords: Lithograph series, Old Masters, Country people, Study, Monks, Monastery, Farewell, 19th century, Romanticism, Fashion, Germany, Size: Paper: 21,3 cm x 16,1 cm (8,4 x 6,3 in), Depiction: 14,7 cm x 11,9 cm (5,8 x 4,7 in)
Fichter Kunsthandel
Feb. 05, 2025
LEONAERT BRAMER (DELFT 1596-1674). Saint Paul imprisoned at Philippi. oil o
Est: $10,000 - $15,000
LEONAERT BRAMER (DELFT 1596-1674). Saint Paul imprisoned at Philippi. oil on panel13 ¼ x 11 1/8 in. (33.7 x 28.3 cm.).
Christie's
Feb. 05, 2025
LEONAERT BRAMER (DELFT 1596-1674). The Scribe Shaphan reading the book of t
Est: $12,000 - $18,000
LEONAERT BRAMER (DELFT 1596-1674). The Scribe Shaphan reading the book of the law to King Josiah. oil on copper7 ½ x 11 5/8 in. (19 x 29.5 cm.).
Christie's
Oct. 01, 2024
Leonard Bramer (1596-1674) De besnijdenis van Christus, olieverf op paneel,
Est: €3,000 - €5,000
Leonard Bramer (1596-1674) De besnijdenis van Christus, olieverf op paneel, 29,3 x 28,6 cm -Herkomst: (vermoedelijk) Veiling, Den Haag, 27 september 1791, lot 73; Ir. H. van der Kaa, Den Haag, 1936-1948; Zijn veiling, Amsterdam, Mensing, 2 maart 1948, lot 195--Literatuur: H. Wichmann, Leonart Bramer. Sein Leben und seine Kunst, Leipzig 1923, nr. 66 (mogelijk)--Tentoongesteld: Den Haag, Gemeentemuseum Den Haag, Oude kunst uit Haags Bezit, december 1936 – februari 1937-
Veilinghuis Van Spengen
May. 28, 2024
Attrib. to Leonard Bramer (1596-1674), Pilate washing his hands, Dutch 17thC School, oil on oak 42 x 62 cm. (16.5 x 24.4 in.), Frame: 55 x 74 cm. (21.6 x 29.1 in.)
Est: €1,000 - €1,500
Attrib. to Leonard Bramer (1596-1674), Pilate washing his hands, Dutch 17thC School, oil on oak
Carlo Bonte Auctions
May. 25, 2024
F. PILOTY (*1786) after BRAMER (*1596), Rebuke of a boy, around 1808, Lithography
Est: €135 - €225
Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Leonaert Bramer (1596 - 1674 ): Rebuke and washing of a boy, c. 1808, Lithography Technique: Lithography over tinted stone on Paper (blue) Inscription: At the lower part signed in the printing plate: "L: Bramer | F: Piloty del:". Date: c. 1808 Description: Ferdinand Piloty was a German lithographer who made a name for himself particularly through the print reproduction of old hand drawings. Between 1808 and 1815, he and Johann Nepomuk Strixner published an extensive series of lithographs based on old master drawings in Munich. This multifaceted work emphasises the full skill of the two artists, who copied the drawings onto the stone with a sensitive eye and convey a good impression of the original work in their reproductions. A characteristic feature of many of the sheets is the basis of a discreetly coloured clay plate with scratched-out areas, presumably intended to imitate the white heightening and different paper colours of the originals. Piloty and Strixner used the technique of lithography in all its facets and always endeavoured to give their reprints the same delicacy and depth that characterise the hand drawings of the Old Masters. Keywords: Lithograph series, Old Masters, Study, Country people, Cleaning, Conversation, Fashion, 19th century, Romanticism, Fashion, Germany, Size: Paper (blue): 20,7 cm x 16,9 cm (8,1 x 6,7 in), Depiction: 14,5 cm x 11,8 cm (5,7 x 4,6 in)
Fichter Kunsthandel
May. 23, 2024
LEONAERT BRAMER (DELFT 1596-1674) The discovery of Pyramus and Thisbe signed in monog
Est: $20,000 - $30,000
LEONAERT BRAMER (DELFT 1596-1674) The discovery of Pyramus and Thisbe signed in monogram 'L.B.' (lower right) oil on panel 15 ¼ x 21 ¼ in. (38.5 x 54 cm)
Christie's
May. 17, 2024
Léonard Bramer: Jacob's Dream
Est: €1,000 - €1,500
BRAMER, LÉONARD Delft 1596 - 1674 attributed Title: Jacob's Dream. Technique: India ink brush, washed on paper. Mounting: Mounted. Measurement: 40 x 31cm. Frame: Framed. Provenance: Private ownership, Germany. Estimated shipping costs for this lot: Arrangement after auction. Explanations to the Catalogue Léonard Bramer The Netherlands Baroque 17th C. Watercolour / Drawings Framed Religious Art Drawing
Van Ham Kunstauktionen
May. 17, 2024
Bramer, Leonaert (1596-1674). The Annunciation.
Est: €1,000 - €1,500
Bramer, Leonaert (1596-1674). The Annunciation. Drawing, pen and brown ink and watercolour, 27,5x34,5 cm., signed "L Bramer" in pen and ink. - Soiled and somewhat browned; laid down on mount, w. a closed tear near centre of lower edge (and possibly two smaller ones in upper part) and two small holes in upper left section. = Provenance: bought by the present owner in 1989 at Christie's Amsterdam. From the collection of the art dealer Charles E. Duits (1882-1969) with his collector's mark on recto (Lugt 533a). On verso of mount a dedication in pencil by the collector sir Robert Cleremont Witt (1872-1952) to the London art dealer J.H.J. Mellaert (act. 1926-1929), dated 1919. SEE ILLUSTRATION PLATE LXXVI.
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
May. 14, 2024
Leonard Bramer, La discesa dalla croce. 1634 ca.
Est: €3,200 - €6,400
Bozzetto a olio su tavola di rovere. cm 32x26. Il dipinto è corredato di expertise di Ferdinando Bologna che ritiene l'opera influenzata dalla "Discesa dalla croce" di Rembrandt datata 1634 e conservata all'Ermitage (inv. ГЭ-753). Lo studioso ipotizza pertanto che l'esecuzione della tavola sia da collocare poco dopo il 1634, nel momento della prima maturità di Bramer "intento a svolgere in senso rembrandtiano quanto aveva appreso durante il precedente soggiorno in Italia (ca. 1620-1625)". Alcuni difetti di superficie, Bologna stesso menziona "svelature", che lasciano in evidenza le venature del rovere con alcune interruzioni nella lettura della composizione. (1)
Gonnelli Casa d'Aste
Apr. 17, 2024
LEONAERT BRAMER (DELFT 1596-1674) Saint Paul imprisoned at Philippi oil on
Est: $20,000 - $30,000
LEONAERT BRAMER (DELFT 1596-1674) Saint Paul imprisoned at Philippi oil on panel 13 ¼ x 11 1⁄8 in. (33.7 x 28.3 cm.)
Christie's
Apr. 15, 2024
Leonaert BRAMER (1594-1674), 'Die Gefangennahme Christi' / 'The arrest of Christ'
Est: €6,000 - €12,000
Technik: Öl auf ovaler Holztafel, auf Hintergrund montiert, gerahmt, Signatur: unsigniert, Maße: 45,7 x 62,2 cm, Provenienz: The John Barton Payne Collection, Virginia Museum of Fine Arts, Richmond, Inventar Nr. 19-1-2, 1932, Christie's Auktion, New York, 2006, danach Europäische Privatsammlung, Werkverzeichnis: Leonaert Bramer, S127.4, Zustand: gut, vereinzelt wenig retuschiert, gefirnist, Kommentar: 'Bramer war ein niederländischer Maler und Bauzeichner dessen Stil stark von den karawaggesken Künstlern beeinflusst war, deren Werke er auf seinen Reisen in Italien sah. Er bevorzugte italienische Themen, darunter mythologische, allegorische, historische und biblische Szenen, gegenüber den traditionelleren holländischen Stillleben, Porträts und Genrestücken - wie das vorliegende Gemälde zeigt.' (Vgl. Prof. Frima Fox Hofrichter, Katalog Christie's 2006), Schätzpreis: 9000-18.000 Euro.
Auktionshaus Schwab
Mar. 21, 2024
Leonard Bramer, 1596 – 1674
Est: €7,000 - €9,000
MAGDALENA WÄSCHT JESUS DIE FÜSSE IM HAUS DES SIMONS Öl auf Kupfer. 37,5 x 41,5 cm. Verso eingravierte und bezeichnete Landkarte. In dekorativen Rahmen. Wir danken Dr. Guido Jansen für die Bestätigung der Autorschaft. Dem Gemälde liegt der Bericht des Lukas Evangelium (Lk 7,36-50) zugrunde. Dort wird erzählt, dass der Pharisäer Simon zu sich eingeladen hatte. Während des Mahles erschien eine in der Stadt wohlbekannte Sünderin, die sich vor Jesus niederkniete, seine Füße wusch und sie mit ihren Haaren trocknete und danach salbte. Der sitzende Jesus in lilanem Gewand lässt die Frau gewähren, worüber sich die Anwesenden sehr wundern. In der Mitte der prachtvoll gedeckt Tisch, an dem linksseitig Simon in rotem Gewand mit weißer Kopfbedeckung sitzt. Im Hintergrund schemenhaft ein Treppenabsatz sowie rechtsseitig stehend eine glänzende Deckelvase, die ihr Gegenstück quasi am linken unteren Bildrand findet. Anmerkung: Leonard Bramer war ein niederländischer Maler von Genrebildern sowie von religiösen und mythologischen Szenen. Er hatte eine Vorliebe für exotische Details der Kostüme und dramatische Inszenierungen. In seinen Werken ist der Einfluss der Hell-Dunkel-Malerei, in der Folge des Caravaggios zu erkennen. Zudem hatte er selbst eine Technik entwickelt Lichtspiegelungen zu malen. Worauf die beiden großen Vasen wie auch das Gewand Magdalenas hinweisen könnten. (1391697) (18)
Hampel Fine Art Auctions
Mar. 20, 2024
LEONAERT BRAMER (DELFT 1596-1674) Personnages descendant une colline vers u
Est: €4,000 - €6,000
LEONAERT BRAMER (DELFT 1596-1674) Personnages descendant une colline vers un homme terrassé aquarelle 27 x 18,7 cm (10 5⁄8 x 77 3⁄8 in.)
Christie's
Feb. 13, 2024
Attrib. to Leonard Bramer (1596-1674), Pilate washing his hands, Dutch 17thC School, oil on oak 42 x 62 cm. (16.5 x 24.4 in.), Frame: 55 x 74 cm. (21.6 x 29.1 in.)
Est: €1,800 - €2,500
Attrib. to Leonard Bramer (1596-1674), Pilate washing his hands, Dutch 17thC School, oil on oak
Carlo Bonte Auctions
Jan. 31, 2024
ATTRIBUTED TO LEONAERT BRAMER (DELFT 1596-1674) Samson and Delilah oil on p
Est: $8,000 - $12,000
ATTRIBUTED TO LEONAERT BRAMER (DELFT 1596-1674) Samson and Delilah oil on panel 13 ½ x 19 1⁄8 in. (34.3 x 48.6 cm.)
Christie's
Jan. 13, 2024
Leonaert BRAMER (1594-1674), 'Die Gefangennahme Christi' / 'The arrest of Christ'
Est: €6,000 - €12,000
Technik: Öl auf ovaler Holztafel, auf Hintergrund montiert, gerahmt, Signatur: unsigniert, Maße: 45,7 x 62,2 cm, Provenienz: The John Barton Payne Collection, Virginia Museum of Fine Arts, Richmond, Inventar Nr. 19-1-2, 1932, Christie's Auktion, New York, 2006, danach Europäische Privatsammlung, Werkverzeichnis: Leonaert Bramer, S127.4, Zustand: gut, vereinzelt wenig retuschiert, gefirnist, Kommentar: 'Bramer war ein niederländischer Maler und Bauzeichner dessen Stil stark von den karawaggesken Künstlern beeinflusst war, deren Werke er auf seinen Reisen in Italien sah. Er bevorzugte italienische Themen, darunter mythologische, allegorische, historische und biblische Szenen, gegenüber den traditionelleren holländischen Stillleben, Porträts und Genrestücken - wie das vorliegende Gemälde zeigt.' (Vgl. Prof. Frima Fox Hofrichter, Katalog Christie's 2006), Schätzpreis: 9000-18.000 Euro.
Auktionshaus Schwab
Dec. 11, 2023
LEONARD BRAMER (attr. a)
Est: €800 - €1,200
(Delft, 1596 ; 1674) Cena in Emmaus Olio su tela, cm 118X146,5 L'opera Ã¨ corredata da una scheda critica di Ferdinando Arisi che l'attribuisce a Leonard Bramer.
Wannenes Art Auctions
Nov. 29, 2023
Attr Leonard Bramer (Netherlands, Italy 1596-1674)
Est: $2,000 - $3,000
Attributed Leonard Bramer (Netherlands, Italy, 1596 - 1674) Oil on Canvas. Appears to be unsigned. Condition: having been relined, having a tear to the center of the canvas. Provenance: Private Florida collector. Size: 25.25 x 31 in. Unframed. Bramer was a Dutch painter, best known for probably being one of the teachers of Johannes Vermeer, although there is no similarity between their work. Bramer's dark and exotic style is unlike Vermeer's style.
Helmuth Stone
Nov. 22, 2023
Leonaert BRAMER Delft, 1596 - 1674 Le reniement de saint Pierre Huile sur panneau doublé et parqueté
Est: €12,000 - €15,000
Leonaert BRAMER Delft, 1596 - 1674 Le reniement de saint Pierre Huile sur panneau doublé et parqueté Signé 'L Bramer' sur le banc à droite The denial of Saint Peter, oil on panel, signed, by L. Bramer h: 65 w: 81 cm Provenance : Acquis chez Heim, Paris, le 2 mars 1981, par l'actuelle propriétaire ; Collection particulière, Paris Bibliographie : Jacques Foucart, " Le Pyrame et Thisbé de Leonaert Bramer (1596-1674) ", in 'La Revue du Louvre', n° 5, Paris, 1990, p. 382, repr. fig. 18 Jane ten Brink Goldsmith, 'Leonaert Bramer, 1596-1674: ingenious painter and draftsman in Rome and Delft', cat. exp. Delft, Stedelijk Museum Het Prinsenhof, Zwolle, 1994, p. 291, n° S133.1, repr. Commentaire : " Toutes ses peintures sont rehaussées par le prestige des effets de flambeaux et s'enveloppent des mystères de la nuit1 " : en quelques mots, Charles Blanc résume la singularité de l'art du hollandais Leonaert Bramer, tout en regrettant que cet étonnant artiste ne connaisse pas la renommée qu'il mérite. Le peintre est aujourd'hui encore bien souvent inclus dans la nébuleuse rembranesque dont il se distingue néanmoins par une esthétique particulière et une utilisation du clair-obscur qui lui est propre. Cette manière est le fruit de sa formation et d'un séjour italien d'une dizaine d'années, au cours duquel il se nourrit du coloris vénitien et découvre les productions de l'Allemand Adam Elsheimer qui laissèrent sur lui une empreinte durable. De retour à Delft en 1628, Bramer reçoit des commandes de décors et de tableaux de chevalet, développant un clair-obscur vibrant, détachant ses figures sur des fonds sombres par de scintillants effets de lumière. Sur le panneau que nous présentons, où une assemblée de personnages évolue dans l'obscurité du soir de la veille de la Passion, des petits accents brillants viennent rompre les ténèbres et faire étinceler l'acier des armures et le satin des pourpoints. Un temps identifié comme illustrant la vocation de saint Matthieu, probablement en raison de ses résonnances avec la célèbre composition du Caravage, notre tableau représente en fait le reniement de saint Pierre que l'on devine à gauche, près du feu dans la résidence du grand prêtre comme l'indique l'Evangile, approché par une jeune servante qui le désigne comme l'un des compagnons de Jésus, ce que l'apôtre niera (Lc 22, 54-62). En décrivant le sujet principal dans la partie gauche de sa composition, Bramer en propose une vision en immersion, invitant le spectateur à la table des joueurs et des soldats qui passent le temps en attendant le lever du jour de la Passion. 1. Ch. Blanc, 'Histoire des peintres de toutes les écoles. Ecole hollandaise', t. I, Paris, 1883, p. 2. Estimation 12 000 - 15 000 €
Artcurial
Oct. 04, 2023
Attrib. to Leonard Bramer (1596-1674), Pilate washing his hands, Dutch 17thC School, oil on oak 42 x 62 cm. (16.5 x 24.4 in.), Frame: 55 x 74 cm. (21.6 x 29.1 in.)
Est: €2,000 - €3,000
Attrib. to Leonard Bramer (1596-1674), Pilate washing his hands, Dutch 17thC School, oil on oak
Carlo Bonte Auctions
Sep. 26, 2023
Leonard Bramer (Dutch, 1596-1674)
Est: £400 - £600
Leonard Bramer (Dutch, 1596-1674) Leonard Bramer (Dutch, 1596-1674) King Nebuchadnezzar watching Shadrach, Meshach and Abed-Nego in the fiery furnace faintly initialled l.c., with collector's mark l.l., pen and ink and grey wash 22 x17.5cm, unframed Provenance: Sotheby's(?) William Bateson (Lugt 2604A), London, 24 April 1929, lot 197; Sotheby's, 'The Collection of Professor J Isaacs', 27 February 1964, lot 156, where purchased by the present vendor. Condition Report: overall: 38.5 x 30cm The work has been attached to a sheet of card with two small pieces of tape applied to the reverse of the left edge. There is a border of discolouration to the front where the work has been previously framed with a mount.
Sworders
Sep. 23, 2023
F. PILOTY (*1786) after BRAMER (*1596), Man with mousetrap, around 1811, Lithography
Est: €150 - €200
Ferdinand Piloty sen. (1786 Homburg - 1844 Munich) after Leonaert Bramer (1596 - 1674 ): "Man with a Mousetrap", incunabulum of lithography, 1811-1816, c. 1811, Lithography Technique: Lithography on Paper, mounted on Paper Date: c. 1811 Description: Full-bearded man in monk's habit with mousetrap frightens women at a reel, with defensive movement. Chalk with light loose clay, few highlights, limited, signed underneath: L. Bramer / F: Pilotj del. Drawing Gr. Sammlung München 1244. (Winkler, Die Frühzeit der Deutschen Lithographie, p. 362: No. 965, 47.2.Dussler, (München II), p.151, No. XLVII, 2.: "Spinning women, to whom a man meets with a small box"). Keywords: 19th century, Figurative, People, Germany,
Fichter Kunsthandel
Sep. 19, 2023
Leonard Bramer (Delft 1596 - 1674) attribuito
Est: €500 - €800
Leonard Bramer (Delft 1596 - 1674) attribuito Sosta dei viandanti Olio su ardesia 29 x 34,5 cm Leonard Bramer (Delft 1596 - 1674) attributed Stopover for travelers Oil on slate 29 x 34,5 cm
Lucas Aste
Jun. 28, 2023
LEONARD BRAMER (attr. a)
Est: €1,500 - €2,000
(Delft, 1596 ; 1674) Cena in Emmaus Olio su tela, cm 118X146,5 L'opera è corredata da una scheda critica di Ferdinando Arisi che l'attribuisce a Leonard Bramer.
Wannenes Art Auctions