Robert Brandard Paintings & Artwork for Sale | Robert Brandard Art Value Price Guide

Aug. 31, 2024
R. BRANDARD (*1805) after TURNER (*1775), Scene on the banks of the Seine, Steel engraving
Est: €75 - €125
Robert Brandard (1805 Birmingham - 1862 London) after Joseph Mallord William Turner (1775 London - 1851 ibid.): Idyllic river landscape on the banks of the Seine with urban buildings and coaches, 19th century, Steel engraving Technique: Steel engraving on Paper Inscription: At the lower part signed: "Drawn by J.M.W. Turner R.A. / Engraved by R. Brandard". At the lower part inscribed in the printing plate: "View on the Seine. Between Mantes & Vernon. London. Published by J.Mc.Cormick, 147. Strand.". Date: 19th century Description: The artwork shows an idyllic scene along a river, probably on the banks of the Seine. Two groups of people can be seen in the foreground, apparently engrossed in a conversation. The trees form a closed avenue that divides the scene from left to right. A small settlement can be seen on the right, while the background is characterised by hills. The work conveys a calm, rural atmosphere. Keywords: River; Seine; avenue; trees; people; village; carriage; hill; landscape; nature; idyll; entertainment; town; water; path; rural; scenery; building; bank; culture, 19th century, Romanticism, Cities, France, Size: Paper: 17,2 cm x 24,8 cm (6,8 x 9,8 in), Depiction: 9,5 cm x 13,3 cm (3,7 x 5,2 in)
Fichter Kunsthandel
Aug. 31, 2024
R. BRANDARD (*1805) after LEITCH (*1804), Shrine of Santa Rosalia, Steel engraving
Est: €75 - €125
Robert Brandard (1805 Birmingham - 1862 London) after William Leighton Leitch (1804 Glasgow - 1883 London): Shrine of Santa Rosalia on Monte Pellegrino in a natural rock grotto, 19th century, Steel engraving Technique: Steel engraving on Paper Inscription: At the lower part signed in the printing plate: "W.L.Leitch. / R. Brandard.". At the lower part inscribed in the printing plate: "SHRINE OF SANTA ROSALIA, ON MONTE PELLEGRINO.". Date: 19th century Description: The artwork shows the shrine of Santa Rosalia, embedded in a natural rock grotto on Monte Pellegrino. Three praying women and several seated figures are recognisable in the foreground, while an altar and a statue stand out in the background. The shrine and its surroundings indicate a spiritual and cultural significance that is closely linked to the veneration of Santa Rosalia. Keywords: Shrine; Santa Rosalia; Monte Pellegrino; grotto; altar; statue; women; prayer; religion; spirituality; rock grotto; historical site; work of art; symbolism; pilgrimage site; culture; devotion; artistic representation; veneration; sacredness, 19th century, Romanticism, Cities, Italy, Size: Paper: 20,0 cm x 27,2 cm (7,9 x 10,7 in), Depiction: 12,9 cm x 19,2 cm (5,1 x 7,6 in)
Fichter Kunsthandel
Aug. 31, 2024
R. BRANDARD (*1805) after CRESWICK (*1811), Little Falls am Mohawk, New York, Steel engraving
Est: €75 - €125
Robert Brandard (1805 Birmingham - 1862 London) after Thomas Creswick (1811 - 1869 ibid.): Landscape with waterfall and village on the Mohawk River, 1839, 19th century, Steel engraving Technique: Steel engraving on Paper Inscription: At the lower part inscribed in the printing plate: "LITTLE FALLS. On the Mohawk.". Date: 19th century Description: This artistic work shows an idyllic landscape with a river running through a valley-like terrain, flanked by high cliffs and buildings. Two people in traditional dress can be seen in the foreground, apparently communicating with each other. The river forms a waterfall in the background, emphasising the natural beauty of the scenery. The peaceful scenery and the detailed depiction of the architecture and nature testify to a harmonious connection between man and his surroundings. Keywords: landscape; river; waterfall; idyll; building; nature; man; cliffs; traditional; architecture; communication; harmony; village; bank; scenery; rural; romantic; tranquillity; picturesque; perspective, 19th century, Romanticism, Cities, United States of America, Size: Paper: 20,6 cm x 27,5 cm (8,1 x 10,8 in), Depiction: 12,3 cm x 18,2 cm (4,8 x 7,2 in)
Fichter Kunsthandel
Aug. 31, 2024
R. BRANDARD (*1805) after CRESWICK (*1811), Little Falls am Mohawk River, New York, Steel engraving
Est: €75 - €125
Robert Brandard (1805 Birmingham - 1862 London) after Thomas Creswick (1811 - 1869 ibid.): Little Falls on the Mohawk River, New York Idyllic landscape scene with river, bridge and mountains, 19th century, Steel engraving Technique: Steel engraving on Paper Inscription: At the lower part inscribed in the printing plate: "LITTLE FALLS (on the Mohawk)". Date: 19th century Description: The artwork shows an idyllic landscape scene with a bridge on which two people are standing, looking out over a picturesque river valley. The river flows past buildings with characteristic architectural features and stretches into the distance. A large tree dominates the foreground on the right, where two other figures appear to be observing the scenery. In the background, steep, wooded mountains can be seen framing the horizon. Keywords: Landscape; River; Bridge; Building; Tree; Figures; Valley; Mountains; Architecture; Idyll; Nature; River course; Historical; Romantic; Panorama; Scene; River landscape; Art; Winter; Fog, 19th century, Romanticism, Cities, United States of America, New York, Size: Paper: 20,7 cm x 26,4 cm (8,1 x 10,4 in), Depiction: 12,0 cm x 18,3 cm (4,7 x 7,2 in)
Fichter Kunsthandel
Aug. 31, 2024
R. BRANDARD (*1805) after BATTY (*1789), Apollinarisberg near Remagen on the Rhine, Steel engraving
Est: €75 - €125
Robert Brandard (1805 Birmingham - 1862 London) after Robert Batty (1789 London - 1848 ibid.): Idyllic landscape on the Apollinarisberg near Remagen on the Rhine with flock of sheep and manor house, 19th century, Steel engraving Technique: Steel engraving on Paper Date: 19th century Description: The artwork shows an idyllic landscape scene with a river, bridges and a town in the background, framed by lush vegetation. A path in the foreground leads past a manor house where a woman is tending a flock of sheep. The composition conveys a calm, harmonious atmosphere. Historical references are recognisable in the architecture of the manor house and the agricultural activity. Iconographically, the work can be categorised in the tradition of pastoral landscapes. Keywords: Remagen; Rhine Romanticism; Apollinaris Church; landscape; river; bridges; town; vegetation; manor house; flock of sheep; woman; path; pastoral scene; historical architecture; tranquillity; harmony; idyllic; traditional; iconographic; work of art; nature; agriculture; landscape painting, 19th century, Romanticism, Cities, Germany, Size: Paper: 23,0 cm x 30,4 cm (9,1 x 12 in), Plate: 22,2 cm x 29,3 cm (8,7 x 11,5 in), Depiction: 12,5 cm x 20,7 cm (4,9 x 8,1 in)
Fichter Kunsthandel
Aug. 31, 2024
R. BRANDARD (*1805) after BARTLETT (*1809), Horseshoe Falls, Niagara Falls, 1837, Steel engraving
Est: €75 - €125
Robert Brandard (1805 Birmingham - 1862 London) after William Henry Bartlett (1809 London - 1854 Malta): Historical depiction of the Horseshoe Falls in Niagara with iconic tower, 1837, Steel engraving Technique: Steel engraving on Paper Inscription: At the lower part inscribed in the printing plate: "THE HORSE SHOE FALL, NIAGARA.- WITH THE TOWER.". Date: 1837 Description: The artwork shows an impressive depiction of the Horseshoe Falls on the Niagara River, dominated by a central tower over which the majestic water cascades. In the foreground, a group of people observe the scene, suggesting a narrative structure. The composition demonstrates a deep respect for the overwhelming power of nature and points to the Romantic aesthetic of the 19th century in terms of art history. The background suggests a progressive correlation between nature and human intervention. Keywords: Horseshoe Falls; Niagara; tower; waterfall; landscape; romanticism; force of nature; people; observer; 19th; century; pictorial representation; nature; respect; composition; aesthetics; foreground; water; art; iconographic elements; narration, 19th century, Romanticism, Landscape, United States of America, Size: Paper: 20,7 cm x 27,4 cm (8,1 x 10,8 in), Depiction: 12,3 cm x 17,7 cm (4,8 x 7 in)
Fichter Kunsthandel
Aug. 31, 2024
R. BRANDARD (*1805) after BARTLETT (*1809), Entrance to Dunkerry Cave, Steel engraving
Est: €75 - €125
Robert Brandard (1805 Birmingham - 1862 London) after William Henry Bartlett (1809 London - 1854 Malta): Dramatic depiction of the entrance to Dunkerry Cave in County Antrim, 19th century, Steel engraving Technique: Steel engraving on Paper Inscription: At the lower part inscribed in the printing plate: "Dunkerry Cave (County Antrim)". Date: 19th century Description: The picture shows the dramatic scenery of a cave surrounded by rocks and a stormy sea. Steep, irregular cliffs can be seen in the background, framing the entrance to the cave. A hint of light shines through the opening, while birds enliven the gloomy atmosphere. The depiction evokes associations with romantic landscape painting, which celebrates the sublime and the force of nature. Keywords: cave; rocks; sea; cliffs; birds; romance; landscape; force of nature; entrance; scenery; light; darkness; storm; drama; sublimity; nature; background; work of art; cave entrance, 19th century, Romanticism, Maps, Ireland, Size: Paper: 21,7 cm x 28,1 cm (8,5 x 11,1 in), Depiction: 12,6 cm x 17,9 cm (5 x 7 in)
Fichter Kunsthandel
Aug. 31, 2024
R. BRANDARD (*1805) after BARTLETT (*1809), View of Utica, New York, Steel engraving
Est: €75 - €125
Robert Brandard (1805 Birmingham - 1862 London) after William Henry Bartlett (1809 London - 1854 Malta): Picturesque town view of Utica in the 19th century, 19th century, Steel engraving Technique: Hand colored Steel engraving on Paper Date: 19th century Description: The artwork shows a picturesque city view of Utica, which is characterised by its lush flora, lively streets and historic architecture. In the foreground, people can be seen carrying out everyday activities, complemented by the agricultural transport of oxen. The buildings towering in the background and the striking church draw the viewer's gaze into the distance, emphasising the depth and vibrancy of the town. Keywords: Utica; city view; historical architecture; church; people; oxen; everyday scene; street scene; 19th century; flora; landscape; city life; culture; early modern times; transport; urbanity; busy streets; historical buildings; idyll; perspective, 19th century, Romanticism, Cities, United States of America, New York, Size: Paper: 20,8 cm x 27,2 cm (8,2 x 10,7 in), Depiction: 12,5 cm x 18,6 cm (4,9 x 7,3 in)
Fichter Kunsthandel
Aug. 31, 2024
R. BRANDARD (*1805) after BARTLETT (*1809), Street view Utica, New York, Steel engraving
Est: €75 - €125
Robert Brandard (1805 Birmingham - 1862 London) after William Henry Bartlett (1809 London - 1854 Malta): Historic street view of Utica, New York with architecture and church tower, 19th century, Steel engraving Technique: Steel engraving on Paper Date: 19th century Description: The artwork shows a picturesque street view. In the foreground, a cow pulls a cart, while people, some chatting in an emphatically friendly manner, enliven the street. The architecture to the left and right of the picture illustrates the architectural transition to a church tower and other buildings in the distance. The picture radiates harmony between people and their surroundings and invites reflection on the connection between everyday life and urban space. Keywords: Street view; architecture; carriage; cow; church tower; people; everyday life; urban life; city; trees; walking; building; harmony; communication; landscape; plans; painting; artwork; atmosphere; reflection;, 19th century, Romanticism, Cities, United States of America, New York, Size: Paper: 20,5 cm x 27,0 cm (8,1 x 10,6 in), Depiction: 12,6 cm x 18,7 cm (5 x 7,4 in)
Fichter Kunsthandel
Aug. 31, 2024
R. BRANDARD (*1805) after BARTLETT (*1809), Mc Durmot, Clonmacnoise, Steel engraving
Est: €75 - €125
Robert Brandard (1805 Birmingham - 1862 London) after William Henry Bartlett (1809 London - 1854 Malta): Mc Durmot, portal and tower of the Clonmacnoise monastery ruins, 19th century, Steel engraving Technique: Steel engraving on Paper Inscription: At the lower part inscribed in the printing plate: "Entrance doorway of Temple McDurmot, Clonmacnoise". Date: 19th century Description: The artwork shows the impressive entrance gate of a medieval temple with elaborate stone carvings. Two figures in civic dress stand next to the gate. In the background, cross-shaped gravestones and the ruins of a former monastery as well as a round tower can be seen, alluding to the historical and religious significance of the site. The scene is based on a narrative structure that tells of transience and the memory of the past. Keywords: Middle Ages; temple; entrance gate; stone carving; figures; crosses; gravestones; monastery ruins; round tower; history; religion; burial site; architecture; stonemasonry; historical site; landscape; memory; transience; monuments; culture;, 19th century, Romanticism, Architecture, Ireland, Size: Paper: 22,0 cm x 28,4 cm (8,7 x 11,2 in), Depiction: 12,1 cm x 18,3 cm (4,8 x 7,2 in)
Fichter Kunsthandel
Aug. 31, 2024
R. BRANDARD (*1805) after BARTLETT (*1809), Scene on Cloonacartin Hill., Steel engraving
Est: €75 - €125
Robert Brandard (1805 Birmingham - 1862 London) after William Henry Bartlett (1809 London - 1854 Malta): Scene on Cloonacartin Hill with shepherds and sheep in the Highlands of Connemara, 19th century, Steel engraving Technique: Steel engraving on Paper Inscription: At the lower part inscribed in the printing plate: "Scene from Cloonacartin Hill". Date: 19th century Description: The artwork illustrates a mountainous landscape in a sublime depiction. In the foreground, two shepherds linger with their flock of sheep, while imposing mountain ranges rise up in the background. The scene conveys a sense of tranquillity and timeless beauty and could allude to the natural majesty of the Highlands. This allegory of unspoilt nature is reminiscent of 19th century romantic landscape paintings and is in the tradition of such depictions. Keywords: Landscape; Mountains; Highlands; Shepherds; Flock of sheep; Romanticism; Nature; Painting; Art; Tranquillity; Mountain ranges; 1850s; Idyll; Tradition; Classicism; Sublimity;, 19th century, Romanticism, Landscape, Ireland, Size: Paper: 22,1 cm x 28,2 cm (8,7 x 11,1 in), Depiction: 12,1 cm x 18,1 cm (4,8 x 7,1 in)
Fichter Kunsthandel
Aug. 31, 2024
R. BRANDARD (*1805) after BARTLETT (*1809), Coastal landscape near Dublin, Steel engraving
Est: €75 - €125
Robert Brandard (1805 Birmingham - 1862 London) after William Henry Bartlett (1809 London - 1854 Malta): Historical depiction of the Killiney Hill coast near Dublin, 19th century, Steel engraving Technique: Steel engraving on Paper Inscription: At the lower part inscribed in the printing plate: "Killiney Hill (near Dublin)". Date: 19th century Description: The artwork shows a picturesque coastal landscape with a gathering of people on a path along rocky cliffs. A striking, pointed tower rises in the background, flanked by other buildings that could indicate a cultural or religious significance. Various people, including a woman in a coat, suggest an everyday scene. The stony hills and the sea in the background lend the picture an expansive and sublime character. Keywords: Coastal landscape; cliffs; tower; culture; religion; everyday scene; people; path; sea; buildings; sky; boats; hills; nature; scenery; panorama; rocks; hike; historical depiction, 19th century, Romanticism, Landscape, Ireland, Dublin (Leinster), Size: Paper: 22,3 cm x 28,3 cm (8,8 x 11,1 in), Depiction: 12,0 cm x 18,5 cm (4,7 x 7,3 in)
Fichter Kunsthandel
Aug. 31, 2024
R. BRANDARD (*1805) after BARTLETT (*1809), Cliffs of Fairhead, Steel engraving
Est: €75 - €125
Robert Brandard (1805 Birmingham - 1862 London) after William Henry Bartlett (1809 London - 1854 Malta): View of the majestic cliffs of Fairhead in County Antrim, 19th century, Steel engraving Technique: Steel engraving on Paper Inscription: At the lower part inscribed in the printing plate: "Fairhead (County Antrim)". Date: 19th century Description: The artwork shows a fascinating coastal scene with dramatic cliffs stretching majestically towards the sea. Two people stand on the rocky outcrops in the foreground and contemplate the opening landscape, which is washed by sea waves. The fine details of the cliff formations and the expansive view leading into the distance are remarkable. This image captures the sublime beauty and natural drama of the Fairhead coastline. Keywords: Fairhead; coast; cliffs; sea; landscape; nature; drama; rock formations; two-figure scene; birds; distance; grandeur; western landscape; significance of nature; work of art; land-sea crossing; coastal study; maritime views; depiction of nature; historical landscape, 19th century, Romanticism, Landscape, Ireland, Size: Paper: 21,9 cm x 28,6 cm (8,6 x 11,3 in), Depiction: 12,2 cm x 18,2 cm (4,8 x 7,2 in)
Fichter Kunsthandel
Aug. 31, 2024
R. BRANDARD (*1805) after BARTLETT (*1809), Landscape near Killarney, Steel engraving
Est: €75 - €125
Robert Brandard (1805 Birmingham - 1862 London) after William Henry Bartlett (1809 London - 1854 Malta): View of Killarney as seen from the Kenmar Road, 19th century, Steel engraving Technique: Steel engraving on Paper Inscription: At the lower part inscribed in the printing plate: "Approach to Killarney from the Kenmar Road". Date: 19th century Description: The artwork shows an impressive landscape scene that stretches across a wide valley and is framed by imposing mountain ranges. In the foreground are three people and two dogs on a rocky path, possibly travellers. Equally impressive is the distant view over a lake dominated by a majestic hill. This depiction suggests a narrative structure of travelling and exploration. Keywords: Landscape; Mountains; Valley; Lake; Nature; Path; Journey; Exploration; People; Dogs; Rocks; Distance; View; Harmony; Majestic; Depiction of nature; Panorama; Western art; Romanticism; Perspective, 19th century, Romanticism, Landscape, Ireland, Size: Paper: 22,3 cm x 28,4 cm (8,8 x 11,2 in), Depiction: 11,7 cm x 18,0 cm (4,6 x 7,1 in)
Fichter Kunsthandel
Aug. 31, 2024
R. BRANDARD (*1805) after BARTLETT (*1809), View of Newhaven Pier, Steel engraving
Est: €75 - €125
Robert Brandard (1805 Birmingham - 1862 London) after William Henry Bartlett (1809 London - 1854 Malta): Romantic depiction of Newhaven Pier on the Firth of Forth, 19th century, Steel engraving Technique: Steel engraving on Paper Inscription: At the lower part inscribed in the printing plate: "NEWHAVEN PIER. (Frith of Forth.)". Date: 19th century Description: The artwork presents Newhaven Pier, along the Firth of Forth, with a dominating romantic staging of the landscape. The foreground shows people lingering in a natural setting, while the background offers a detailed depiction of the pier, numerous sailing ships and a wide expanse of water. The composition of trees, water and people creates a harmonious image that honours both the beauty of nature and maritime culture. Keywords: Newhaven Pier; Firth of Forth; landscape; romance; sailing ships; maritime culture; nature; people; trees; panorama; coastline; historical; detail; sunset; perspective; harmony; water; shipping; architecture, 19th century, Romanticism, Cities, Scotland, Edinburgh (Edinburgh), Size: Paper: 20,7 cm x 27,4 cm (8,1 x 10,8 in), Depiction: 12,1 cm x 18,1 cm (4,8 x 7,1 in)
Fichter Kunsthandel
Aug. 31, 2024
R. BRANDARD (*1805) after BARTLETT (*1809), View from Ruggle's House, Steel engraving
Est: €75 - €125
Robert Brandard (1805 Birmingham - 1862 London) after William Henry Bartlett (1809 London - 1854 Malta): Panoramic view from Ruggle's House over the Hudson River in Newburgh, 19th century, Steel engraving Technique: Steel engraving on Paper Inscription: At the lower part inscribed in the printing plate: "VIEW FROM RUGGLE'S HOUSE, NEWBURGH (Hudson River)". Date: 19th century Description: This outstanding work of art offers an impressive panoramic view of Ruggle's House across the Hudson River in Newburgh. In the foreground is a detailed veranda with curved railings and climbing plants that merges into the landscape. The view sweeps over harmoniously arranged sailing ships on the calm water, flanked by picturesque mountains and architectural structures. The picture tells a story of harmony between nature and human architecture, embedded in an idyllic landscape. Keywords: Hudson River; Newburgh; Ruggle's House; panoramic view; veranda; sailing ships; picturesque mountains; climbing plants; building; nature; landscape; work of art; history; architecture; idyll; harmony; water; mountain landscape; view; rich in detail, 19th century, Romanticism, Cities, United States of America, Columbia Falls (Maine), Size: Paper: 20,5 cm x 27,4 cm (8,1 x 10,8 in), Depiction: 12,8 cm x 18,8 cm (5 x 7,4 in)
Fichter Kunsthandel
Aug. 31, 2024
R. BRANDARD (*1805) after BARTLETT (*1809), View of Mount Jefferson, Steel engraving
Est: €75 - €125
Robert Brandard (1805 Birmingham - 1862 London) after William Henry Bartlett (1809 London - 1854 Malta): Group of hikers at the viewpoint of Mount Jefferson, 19th century, Steel engraving Technique: Steel engraving on Paper Inscription: At the lower part inscribed in the printing plate: "MOUNT JEFFERSON. (From Mount Washington)". Date: 19th century Description: The picture shows a mountain landscape with a group of five people looking out over the expansive scenery from a vantage point. Three of the people are sitting, while two are standing, one of them with a walking stick. The majestic mountain ranges and dynamic clouds in the sky emphasise the majesty of nature and suggest the experience and exploration of the wilderness. The text refers to the name of the place: Mount Jefferson. Keywords: mountain landscape; viewpoint; hiker; Mount Jefferson; nature; sublimity; wilderness; mountain ranges; sky; clouds; exploration; group of people; view; rocks; panorama; nature experience; adventure; landscape painting; American landscape; topography, 19th century, Romanticism, Landscape, United States of America, Size: Paper: 20,9 cm x 26,3 cm (8,2 x 10,4 in), Depiction: 12,6 cm x 19,1 cm (5 x 7,5 in)
Fichter Kunsthandel
Aug. 31, 2024
R. BRANDARD (*1805) after BARTLETT (*1809), Dunkerry Cave, Steel engraving
Est: €75 - €125
Robert Brandard (1805 Birmingham - 1862 London) after William Henry Bartlett (1809 London - 1854 Malta): Dunkerry Cave in County Antrim, 19th century, Steel engraving Technique: Steel engraving on Paper Inscription: At the lower part inscribed in the printing plate: "Dunkerry Cave. (County Antrim)". Date: 19th century Description: The artwork depicts the impressive and gloomy backdrop of a rocky cave with light streaming in through the opening. The rushing sea and rugged rock faces can be seen in the foreground, while the depth of the cave is artfully emphasised by filigree engravings. The depiction of birds swooping through the air lends the picture a lively dynamism that emphasises the drama of the scenery. The composition creates an impressive depth effect through the skilful play of light and shadow. Keywords: Cave; Rock; Sea; Daylight; Darkness; Engraving; Coast; Water; Nature; Scenery; Dynamics; Light; Shadow; Landscape; Drama; Depth; Birds; Art history; Contrast; Texture, 19th century, Romanticism, Nature, Ireland, Size: Paper: 22,0 cm x 28,5 cm (8,7 x 11,2 in), Depiction: 12,6 cm x 18,0 cm (5 x 7,1 in)
Fichter Kunsthandel
Aug. 31, 2024
R. BRANDARD (*1805) after BARTLETT (*1809), Guz Couli, Maiden's Tower, Steel engraving
Est: €75 - €125
Robert Brandard (1805 Birmingham - 1862 London) after William Henry Bartlett (1809 London - 1854 Malta): Maiden's Tower by the river - historic fortress, 19th century, Steel engraving Technique: Steel engraving on Paper Inscription: At the lower part inscribed in the printing plate: "THE GUZ COULI, OR MAIDEN'S TOWER. LE GUZ-COULI, OU TOUR DE LA DEMOISELLE. DER GUZ-COULI, ODER MÄDCHEN THURM.". Date: 19th century Description: The artwork shows the "Maiden's Tower" in the middle of a river or sea. With its massive stone structure and striking towers, it tells of past history and architectural mastery. Boats and people can be seen on the water, creating a lively scene. The distant landscape and the calm atmosphere of the water lend the picture an impressive depth. The sky is covered in clouds, creating a dramatic composition. Keywords: Maiden's Tower; Guz Couli; architecture; historical fortress; towers; river; boats; history; stone building; water scene; landscape; clouds; coast; architecture; historical depiction; watercraft; drama; depth; maritime scene;, 19th century, Romanticism, Cities, Turkey, Size: Paper: 18,8 cm x 27,2 cm (7,4 x 10,7 in), Depiction: 12,2 cm x 18,4 cm (4,8 x 7,2 in)
Fichter Kunsthandel
Aug. 31, 2024
R. BRANDARD (*1805) after BARTLETT (*1809), City view of Utica, Steel engraving
Est: €75 - €125
Robert Brandard (1805 Birmingham - 1862 London) after William Henry Bartlett (1809 London - 1854 Malta): Historic town view of Utica with church and lively street scene, 19th century, Steel engraving Technique: Steel engraving on Paper Inscription: At the lower part inscribed in the printing plate: "BRANDARD (*1805) nach BARTLETT (*1809), Stadtansicht von Utica, Kunstwerk Druckgraphik BRANDARD (*1805) nach BARTLETT (*1809), Stadtansicht von Utica, Kunstwerk 74 Stadtansicht von Utica Historische Stadtansicht von Utica mit Kirche und belebter Straßenszene 71 William Henry Bartlett (1809 - 1854) Robert Brandard (1805 - 1862) Utica". Date: 19th century Description: The artwork shows a city view of Utica in which central elements such as a church with a high tower and a busy crossroads are emphasised. Men in typical clothing of the period depicted and a cart pulled by cattle bear witness to everyday scenes of the time. The architecture suggests an urban environment that reveals the cultural and social structure of the town at the time. Keywords: city; Utica; church; tower; crossroads; everyday scenes; cattle wagon; men; historical; architecture; city view; culture; society; urban environment; epoch; tree; street scene; city life; people; landscape, 19th century, Romanticism, Cities, United States of America, Size: Paper: 20,4 cm x 27,0 cm (8 x 10,6 in), Depiction: 12,4 cm x 18,6 cm (4,9 x 7,3 in)
Fichter Kunsthandel
Aug. 31, 2024
R. BRANDARD (*1805) after AUSTIN (*1796), Liverpool harbour view, 1832, Steel engraving
Est: €75 - €125
Robert Brandard (1805 Birmingham - 1862 London) after Samuel Austin (1796 - 1834 ibid.): View of Liverpool from the River Mersey, 1832, Steel engraving Technique: Steel engraving on Paper Inscription: At the lower part signed in the printing plate: "Drawn by Samuel Austin / Engraved by Robert Brandard.". At the lower part inscribed in the printing plate: "Liverpool, from the Mersey.". Date: 1832 Description: The artwork shows a lively harbour scene on the River Mersey, with numerous sailing boats and a steamship in the foreground. In the background is the striking skyline of Liverpool, characterised by tall towers and architectural monuments. The image captures the dynamism and commerce of the 19th century and conveys a sense of the city's maritime importance. The boats and ships bear witness to economic activity and cultural exchange. Keywords: Liverpool; Mersey; harbour; steamship; sailboats; 19th; century; skyline; maritime significance; economic activity; cultural exchange; harbour scene; architecture; trade; towers; ships; water; historic cityscape; Samuel Austin; Robert Brandard;, 19th century, Romanticism, Cities, United Kingdom, Liverpool (Merseyside), Size: Paper: 21,6 cm x 27,6 cm (8,5 x 10,9 in), Plate: 14,3 cm x 22,4 cm (5,6 x 8,8 in), Depiction: 9,9 cm x 15,7 cm (3,9 x 6,2 in)
Fichter Kunsthandel
Apr. 30, 2024
Robert Brandard (British 1805-1862), Collection of 13 Etchings, Unframed: 12 x 17 1/2 in. (30.5 x 44.5 cm.)
Est: $100 - $200
Robert Brandard (British 1805-1862), Collection of 13 Etchings,
Weschler's
Sep. 02, 2023
R. BRANDARD (*1805) after BROCKEDON (*1787), Paestum Temple, Steel engraving
Est: €90 - €150
Robert Brandard (1805 Birmingham - 1862 London) after William Brockedon (1787 Totnes - 1854 London): The Ancient Temples of Paestum The Temples of Paestum, 19th century, Steel engraving Technique: Steel engraving on Paper Inscription: Lower middle signed in the printing plate: "Drawn by W. Brockedon, from a sketch by Captn. Sir George Back, R.N. | Engraved by R. Brandard. ". Date: 19th century Keywords: Paestum, Antiquity, Ruins, Salerno, Capaccio, Temple, 19th century, Romanticism, Architecture, Italy,
Fichter Kunsthandel
Apr. 04, 2023
Robert Brandard (1805-1862)
Est: £100 - £150
Robert Brandard (1805-1862) Robert Brandard (1805-1862) 'Windmill Hill, Gravesend' watercolour 10.7 x 16cm Condition Report: overall: 33 x 37cm Laid down. A label verso suggests it is signed and inscribed on reverse. Unexamined out of frame.
Sworders
Feb. 18, 2023
R. BRANDARD (*1805) after BROCKEDON (*1787), Paestum Temple, Steel engraving
Est: €90 - €150
Robert Brandard (1805 Birmingham - 1862 London) after William Brockedon (1787 Totnes - 1854 London): The Ancient Temples of Paestum The Temples of Paestum, 19th century, Steel engraving Technique: Steel engraving on Paper Inscription: Lower middle signed in the printing plate: "Drawn by W. Brockedon, from a sketch by Captn. Sir George Back, R.N. | Engraved by R. Brandard. ". Date: 19th century Keywords: Paestum, Antiquity, Ruins, Salerno, Capaccio, Temple, 19th century, Romanticism, Architecture, Italy,
Fichter Kunsthandel
Nov. 30, 2022
19C. Antique Eglomise Framed Engraving 5pc LOT
Est: $100 - $1,000
An estate collection with five (5) Victorian 19th Century antique English engravings. Various artists, printers, and subjects. Includes: one (1) titled, "The Bay of Baiae," after Joseph Mallord William Turner (1775-1851), originally published 1859 to 1861, engraved by Robert Brandard (1805-1862), having printed antique label with title to verso; one (1) titled, "The Nelson Column: Trafalgar Square," after George Hawkins (fl. 1800-1825), engraved by James Baylis Allen (1803-1876), having printed antique label with title to verso; one (1) titled, "The Beacon Tower," after Claude Lorrain (1600-1682), published circa 1860, engraved by George C. Virtue (1794-1868), having printed antique label with title and notation to verso; one (1) depicting Innsbruck (Austria), Maria Theresien Strasse, and St. Anne's Column, produced in the style of the 19th Century Austrian School; and one (1) titled, "Biebrich," from "Halenza's Rhein-Album," by Friedrich von Foltz (1811-1879). Each held in a gold gilt frame under eglomise decorated glass. All having antique gallery label with name DAVID BURWICK and control numbers to bottom verso. Presented in decorative octagonal gilt frames. Sight size measures approximately 5.5" x 5.5". Dimensions: 9.5 X 9.5 X .75 in. Condition: Good overall condition, having normal age related surface wear. Frames having normal to moderate wear at corners and edges. Estate fresh to the market. Shipping: Hill Auction Gallery offers in-house ground contiguous USA domestic shipping, excluding New Mexico, for $85 plus insurance. Gallery will refer third party shippers for international buyers. Purchaser pick up available upon request. Got something to sell? Contact us at HillAuctionGallery.com
Hill Auction Gallery
Nov. 30, 2018
Brandard, R. (1805-1862). Scraps of Nature. N.pl., Art-Union of London, 1864, title-p. and 34 etched
Est: €80 - €100
Brandard, R. (1805-1862). Scraps of Nature. N.pl., Art-Union of London, 1864, title-p. and 34 etched views on chine-collé, all with "Proof" and title engr. below image, orig. gilt cl., a.e.g., obl. large 4to. - Title-p. foxed, contents otherwise fine. Corners and spine-ends (sl. worn). = Attractive series of views.
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
Nov. 08, 2018
* Goodwin (Edward, 18th/19th century). Looking into North Wales from Beeston Hill, near Liverpool 1838,
Est: £150 - £200
watercolour on paper, titled, signed and dated verso, 15.5 x 22cm (6.25 x 8.75ins), framed and glazed, together with Attributed to Robert Brandard (1805-1862). Houses in wooded landscape, 1857, artist's monogram and date lower left, 19 x 17cm (7.5 x 6.75ins), framed and glazed, plus another watercolour on paper, signed O' Neill lower right, showing cattle and a windmill, 17 x 24cm (6.75 x 9.5ins), framed and glazed - Quantity (3)
Dominic Winter Auctions
Oct. 10, 2014
After Robert Brandard (1805-1865) Folio of 10
Est: £90 - £120
After Robert Brandard (1805-1865) Folio of 10 etchings 'Etchings from Nature' In a folio Each overall 11 x 15"
Claydon Auctioneers
Apr. 12, 2014
Circle of Robert Brandard, British 1805-1862-
Est: £200 - £300
Circle of Robert Brandard, British 1805-1862- Figure with livestock on a woodland path and a wooded landscape with a stream; oils on panel, a pair, both bear labels and stamped for Charles Roberson Compy 51 Long Acre London, in matching gilt composition swept and pierced frame, 18x25.5cm., ea., (2)
Roseberys
Feb. 21, 2014
R. Brandard, After W. Daniell, R.A.: Indian Palaces
Est: $200 - $400
R. Brandard, After W. Daniell, R.A.: Indian Palaces Six engravings. All 13 x 14 1/4 in. (frame).
STAIR
Mar. 28, 2012
Follower of Robert Brandard (British, 1805-1862) Figure washing in a pond
Est: -
Figure washing in a pond bears signature 'R. Brandard' (lower left), oil on board 30.5 x 40.5cm (12 x 15 15/16in).
Bonhams
Feb. 23, 2012
Robert Brandard (1805-1862); a collection of 34
Est: £80 - £100
Robert Brandard (1805-1862); a collection of 34 engravings, from "Scraps of Nature", published in 1864.
Adam Partridge Auctioneers & Valuers
Dec. 08, 2011
Robert Brandard (1805-1862); a collection of 34
Est: £100 - £150
Robert Brandard (1805-1862); a collection of 34 engravings, from "Scraps of Nature", published in 1864.
Adam Partridge Auctioneers & Valuers
Oct. 27, 2011
Robert Brandard (1805-1862); a collection of 34
Est: £120 - £150
Robert Brandard (1805-1862); a collection of 34 engravings, from "Scraps of Nature", published in 1864.
Adam Partridge Auctioneers & Valuers
Oct. 19, 2011
Robert Brandard (British, 1805-1862) A Dutch pink and other boats off the coast
Est: -
A Dutch pink and other boats off the coast indistinctly signed and dated 1835 (lower left) watercolour 20.5 x 30.5cm (8 1/16 x 12in).
Bonhams
Oct. 05, 2011
Robert Brandard (British, 1805-1862) A Dutch pink and other boats off the coast
Est: £300 - £400
A Dutch pink and other boats off the coast indistinctly signed and dated 1835 (lower left) watercolour 20.5 x 30.5cm (8 1/16 x 12in).
Bonhams
Sep. 07, 2011
Robert Brandard (British, 1805-1862) A Dutch pink and other boats off the coast
Est: £600 - £800
A Dutch pink and other boats off the coast indistinctly signed and dated 1835 (lower left) watercolour 20.5 x 30.5cm (8 1/16 x 12in).
Bonhams
Feb. 10, 2011
Robert Brandard (1805-1862); four etchings "Barn
Est: £40 - £60
Robert Brandard (1805-1862); four etchings "Barn Door", "The Shrimper", "The Mower" and "Gypsy's Tents".
Adam Partridge Auctioneers & Valuers
Jul. 07, 2010
Robert Brandard (Birmingham 1805-1862 London)
Est: £2,000 - £3,000
Robert Brandard (Birmingham 1805-1862 London) View of Broadstairs, Kent signed and dated 'R [entwined] Brandard 1834' (lower centre) pencil and watercolour with gum arabic and with scratching out on paper, watermark 'J WHATMAN/TURKEY MILL' 8¼ x 12 in. (21.3 x 30.5 cm.)
Christie's
Mar. 26, 2009
Robert Brandard (1805-1882) Landscape with man going shooting 6 x 10.5in.
Est: £80 - £120
Robert Brandard (1805-1882) watercolour Landscape with man going shooting 6 x 10.5in.
Gorringes
Feb. 05, 2009
Robert Brandard (1805-1882) Landscape with man going shooting 6 x 10.5in.
Est: £150 - £200
Robert Brandard (1805-1882) watercolour Landscape with man going shooting 6 x 10.5in.
Gorringes
Dec. 07, 2008
A Pair of Engravings, including W. Floyd (British,
Est: $300 - $500
A Pair of Engravings, including W. Floyd (British, 19th c.) after Robert Brandard (British, 1805-1862), "Dover Castle, Kent", sight 6 1/4 in. x 9 in.; and Alexander L. Dick (American, 1805-1865) after Edwin Landseer, R.A. (British, 1802-1873), "Interior of a Highlander's Cottage", from The New Mirror, sheet size 6 3/4 in. x 7 1/2 in.
Neal Auction Company
Jul. 10, 2008
Brandard, Robert. Brandard's Etchings. With 19
Est: $300 - $500
Brandard, Robert. Brandard's Etchings. With 19 etched plates on mounted India paper, laid loose inside period half green morocco & cloth binding, spine lettered in gilt. Image sizes vary, approx. 4x6" or reverse, on heavy paper mounts 11x17¼". [London]: c.1840's-50's Proofs before letters of etchings in the Art-Union of London, including fine etchings of landscapes, maritime scenes, pastoral venues, country cottages, etc. Robert Brandard (1805-1862), a landscape engraver and watercolorist, came to London from his native Birmingham in 1824, studying under Edward Goodall. He had some success as an artist, exhibiting oils at the Royal Academy on several occasions, but concentrated on engraving for others, working at various times for Turner, Callcott, Stanfield and others. The plates are in fine condition, the binding with a little wear but very good.
PBA Galleries Auctions & Appraisers
Jun. 11, 2008
Robert Brandard BI SS NW VE 1805-1862- "Farmyard
Est: £200 - £300
Robert Brandard BI SS NW VE 1805-1862- "Farmyard Scene"; watercolour, signed, 20x30cm. Provenance: Reid gallery, Guildford, 1971
Roseberys
Aug. 25, 2007
Robert Brandard (1805-1862) Fishing on the River
Est: £40 - £60
Robert Brandard (1805-1862) Fishing on the River Lavant pencil drawing, dated and inscribed, old title label verso 15cm x 24cm
McTear's
Dec. 08, 2005
ROBERT BRANDARD 1805-1862
Est: £1,000 - £1,500
FISHERFOLK ON THE SHORE AT YARMOUTH, ISLE OF WIGHT measurements note 22.5 by 32 cm., 8 3/4 by 12 1/2 in. watercolour over pencil heightened with touches of bodycolour
Sotheby's