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Vincenzo Brenna Sold at Auction Prices

b. 1745 - d. 1820

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  • VINCENZO BRENNA (ITALIAN, 1745-1820) A PAIR ENGRAVINGS: "TAB XLIII VICTORIA" and "TAB XXX NERIES ET TRITON" Engraving: 21 x 14 in. (...
    Mar. 23, 2022

    VINCENZO BRENNA (ITALIAN, 1745-1820) A PAIR ENGRAVINGS: "TAB XLIII VICTORIA" and "TAB XXX NERIES ET TRITON" Engraving: 21 x 14 in. (...

    Est: $200 - $300

    VINCENZO BRENNA (ITALIAN, 1745-1820) A PAIR ENGRAVINGS: "TAB XLIII VICTORIA" and "TAB XXX NERIES ET TRITON" Engraving: 21 x 14 in. (sight), 36 x 29 in. (framed) Framed (2)

    Potomack Company
  • VINCENZO BRENNA, FRANCISZEK SMUGLEWICZ "Presso Ludovico Mirri Mercante de Quadri incontro al Palazzo Bernini a Roma"
    Nov. 22, 2020

    VINCENZO BRENNA, FRANCISZEK SMUGLEWICZ "Presso Ludovico Mirri Mercante de Quadri incontro al Palazzo Bernini a Roma"

    Est: €1,000 - €1,500

    incisione, 57x88 cm opera con cornice certificato di autenticità Picenum

    Picenum
  • Grotesque ceiling of Terme di Tito
    May. 27, 2019

    Grotesque ceiling of Terme di Tito

    Est: €800 - €1,200

    - BRENNA, Vincenzo (Italian 1747 - 1820) & Franciszek SMUGLEWICZ (Polish, Lithuanian 1745 - 1807). Ceiling of the Domus Aurea in Rome, 1776. Contemp. hand-coloured copper engraving, inscribed in the plate 'Franc. Smagliewicz, e Brenna disegnorono' (lower left), 'Presso Ludovico Mirri Mercante de’Quadri incontro al Palazzo Bernini a Roma' (lower centre), 'Carloni incise' (lower right) and '№ 26' (upper right), printed by Marco Carloni and published by Ludovico Mirri, Rome, after a drawing by Franciszek Smugliewicz and Vincenzo Brenna, plate number 26 from the book of 61 plates 'Vestigia delle Terme di Tito e loro interne pitture'; framed under passe-partout behind glass. Some unobtrusive foxing (mainly to the margins), small (c. 1 cm.) closed tear in the upper margin, folded three times as issued, overall in very good condition.

    Adams Amsterdam Auctions
  • [SMUGLIEWICZ, Franciszek (1745-1807) - BRENNA, Vincenzo (1745- 1820)]. Vest
    Nov. 20, 2018

    [SMUGLIEWICZ, Franciszek (1745-1807) - BRENNA, Vincenzo (1745- 1820)]. Vest

    Est: €4,000 - €5,000

    [SMUGLIEWICZ, Franciszek (1745-1807) - BRENNA, Vincenzo (1745- 1820)]. Vestigia delle terme di Tito e loro interne pitture. Rome : Lodovico Mirro, 1776-1778. Edition originale de cette magnifque suite de gravures des thermes de Titus. En 1774, l'éditeur Ludovico Mirro avait obtenu l'autorisation de procéder à des fouilles sur l'Esquilin, pour dégager le site des thermes construits en 81 par l'empereur romain Titus. Après avoir fnancé les fouilles, il avait également commissionné une équipe d'artistes pour dessiner les vestiges, dans l'objectif d'une publication. Parmi eux se trouvait le peintre polonais Franciszek Smugliewicz, qui avait remporté le premier prix de l'Académie de San Luca. Leurs dessins ont été admirablement gravés par Marco Carloni, et publiés à partir de 1776. Millard, 130 ; Cicognara, 3796("grandissimo volume"). Grand in-folio oblong (591 x 685 mm). 1 dédicace à double page, 1 pages de titre et 59 planches à double-page, toutes gravées par Marco Carloni d'après Smugliewicz et Brenna, dont 8 dépliantes (quelques rousseurs et pliures, notamment sur les premières planches). Reliure de l'époque en demi-veau à coins, tranches rouges (reliure frottée, charnière supérieure abîmée).

    Christie's
  • Design for a ceiling with grotesque decoration and a central panel of Minerva
    Jun. 17, 2015

    Design for a ceiling with grotesque decoration and a central panel of Minerva

    Est: £3,000 - £4,000

    Attributed to Vincenzo Brenna (Florence 1745-1820 Saint Petersburg) Design for a ceiling with grotesque decoration and a central panel of Minerva graphite, pen and brown ink, bodycolour and watercolour, watermark Strasburg lily with letters C & I Hon[ig] 20 1/8 x 20 1/8 in. (51 x 51 cm.)

    Christie's
  • Design for a ceiling with grotesque decoration and a central panel of Venus and Psyche (?)
    Jun. 17, 2015

    Design for a ceiling with grotesque decoration and a central panel of Venus and Psyche (?)

    Est: £2,000 - £4,000

    Attributed to Vincenzo Brenna (Florence 1745-1820 Saint Petersburg) Design for a ceiling with grotesque decoration and a central panel of Venus and Psyche (?) graphite, pen and brown ink, bodycolour and watercolour 22 ¼ x 24 in. (56.5 x 60.8 cm.)

    Christie's
  • Vincenzo Brenna (Italian, 1745-1820) Fine Furniture, Silver, Decorative Arts & Clocks
    Mar. 04, 2015

    Vincenzo Brenna (Italian, 1745-1820) Fine Furniture, Silver, Decorative Arts & Clocks

    Est: $2,000 - $3,000

    The reconstruction of the Forum of Trajan Signed and dated Brenna février 1810 (lower left) and inscribed with title to lower edge; ink, wash and gouache on paper laid down on board, matted and framed. sight 30 x 22 1/2in (76 x 57cm)

    Bonhams
  • Brenna, Vincenzo: Vestigia delle terme di Tito e loro interne pitture
    Nov. 27, 2014

    Brenna, Vincenzo: Vestigia delle terme di Tito e loro interne pitture

    Est: €8,000 - €9,000

    und Franciszek Smugliewcz (1745 Warschau - 1807 Vilnius). „Vestigia delle terme di Tito e loro interne pitture." 15 Radierungen, zeitgenössisch koloriert. Je ca. 52 x 56 cm. 1776. Le Blanc 1-61. Wz. Fleur-de-lis im Kreis mit zweizeiligen Schriftzug. Die vorliegenden numerierten Blätter (Nr. 5, 6, 7, 10, 12, 18, 26, 37, 40, 42, 44, 45, 55, 56) stammen aus dem 1776 in Rom veröffentlichten Band "Vestigia delle terme di Tito e loro interne pitture". Die insgesamt 61 Drucke dieser Publikation, herausgegeben von Ludovici Mirri, bieten eine visuelle Tour durch die Thermalräume der Domus Aurea. Das Buch reproduziert methodisch und mit außerordentlicher Präzision das aufwendig dekorative Programm der eleganten Fresken der kaiserlichen Wohnung Neros. Illustriert wurden die Druckgrafiken mit exzellenter Detailtreue und großer Sorgfältigkeit von Vincenzo Brenna und Franciszek Smugliewcz, die beide einen ausgezeichneten Ruf als Freskenmaler genossen. Gestochen wurden die Zeichnungen durch die Hand von Marco Carlone.- Ganz ausgezeichnete Drucke mit breitem bzw. vollem Schöpfrand. Geglättete unauffällige Mittelfalte, teils etwas bestoßen im äußeren Rand, einzelne Faltspuren, vereinzelt größere Wasserflecken im weißen Rand, teils Einrisse im weißen Rand, Nr. 26 und 44 mit angesetzten Partien im Rand und professionellen farbigen Retuschen, Nr. 10 mit größeren fachmännisch restauriertem Einriß, weitere Erhaltungsmängel überwiegend im äußeren Rand, sonst sämtlich schöne, in den Farben herrlich frisch und leuchtend erhaltene Exemplare.

    Bassenge Auctions
  • Circle of Vincenzo Brenna (Florence 1745-1820 Dresden)
    Dec. 06, 2012

    Circle of Vincenzo Brenna (Florence 1745-1820 Dresden)

    Est: £4,000 - £6,000

    Circle of Vincenzo Brenna (Florence 1745-1820 Dresden) A pair of panels of grottesco ornament, after Raphael's frescoes in the Vatican Loggia bodycolour, one over etched outline, one with pen and black ink, heightened with touches of gold 17½ x 10¼ in. (44.4 x 26 cm.) a pair

    Christie's
  • Attributed to Vincenzo Brenna (Florence 1747 - 1820 Saint Petersburg)
    Nov. 16, 2011

    Attributed to Vincenzo Brenna (Florence 1747 - 1820 Saint Petersburg)

    Est: £800 - £1,200

    Attributed to Vincenzo Brenna (Florence 1747 - 1820 Saint Petersburg) Design for a decorative panel with a winged Victory in the centre and grotesques around bodycolour, probably over a printed base 13½ x 9 in. (34 x 23 cm.) late 18th Century

    Christie's
  • Vincenzo BRENNA (Florence 1745 - Saint Petersbourg
    Jun. 26, 2008

    Vincenzo BRENNA (Florence 1745 - Saint Petersbourg

    Est: -

    Vincenzo BRENNA (Florence 1745 - Saint Petersbourg 1820) Façade principale du Palais de Michel à Saint-Petersbourg Aquarelle, plume et encre noire et lavis gris sur traits de crayon noir 36 x 61 cm Epidermures et petites piqûres Annoté en bas au centre à la plume et encre brune : Façade principale du côté de l'entrée Signé en bas à droite : Vincent Brenna, Architecte de L.M.J Provenance : Vente anonyme, Paris, Hôtel Drouot, Maître Ader-Picard-Tajan, le 11 juin 1990, n° 11 - Chez Moatti en 1991 Exposition : Paris, Galerie Michel Meyer, 1991 20000 / 25000

    Millon & Associes
  • [SMUGLIEWICZ, Franciszek (1745-1807) and Vincenzo BRENNA (1745-1820)]. Vestigia delle terme di Tito e loro interni pitture. [Rome: Ludovico Mirri, c. 1776].
    Jun. 13, 2002

    [SMUGLIEWICZ, Franciszek (1745-1807) and Vincenzo BRENNA (1745-1820)]. Vestigia delle terme di Tito e loro interni pitture. [Rome: Ludovico Mirri, c. 1776].

    Est: $11,920 - $17,880

    2o (686 x 885mm). Engraved double-page preface, engraved double-page title and 59 numbered double-page plates by Marco Carloni after Smugliewicz and Brenna, mounted on guards, 7 plates with folding extensions. (First plate lightly spotted, several plates detached from mounts, 3 folding plates strengthened along fold line on verso.) Uncut in 19th-century half vellum and mottled boards (lower joints slightly splitting, lower corners bumped). A FINE COPY WITH DECKLE EDGES. The Polish-born painter, Franciszek Smugliewicz, worked in Rome between 1763 and 1785, winning first prize at the academy of San Luca. One of his most important commissions was to portray the recently re-excavated site under the Esquiline hill, known as the baths of Titus. Although Raphael had copied the emblematical paintings and stucco work for the logge of the Vatican, the rooms themselves had subsequently been covered over again. As the preface addressed to the 'amatori delle belle arti e della antichit…' makes clear, posterity was indebted to Ludovico Mirri who financed new excavations in 1774, commissioned the designs of Smugliewicz and Brenna, and published this magnificent set of plates by Marco Carloni (1742-1796). Berlin Kat. 3950; Cicognara 3796 ('grandissimo volume').

    Christie's
  • Vincenzo Brenna (1745-1820)
    Jan. 24, 2001

    Vincenzo Brenna (1745-1820)

    Est: $5,000 - $8,000

    The Triumph of Titus and Vespasian, after Giulio Romano with inscription 'Le Brenna PŠre' on the board and 'Einzug Titus und Vespasian Julius Romano' on an attached label bodycolour heightened with gold on vellum laid down on board 194 x 283 mm.; and three drawing by various hands including A standing peasant looking down to the left, from the circle of Charles Parrocel; Diana and Acteon in the manner of Pellegrini, and a drawing after Watteau (4) NOTES (1) A copy after Giulio Romano's Triumph of Titus and Vespasian now in the Louvre, F. Hartt, Giulio Romano, New Haven, 1958, II, pl. 377.

    Christie's
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