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Edward Burtynsky Sold at Auction Prices

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          • Edward Burtynsky (b. 1955), NICKEL TAILINGS #33, SUDBURY, ONTARIO
            Oct. 10, 2024

            Edward Burtynsky (b. 1955), NICKEL TAILINGS #33, SUDBURY, ONTARIO

            Est: $10,000 - $15,000

            Edward Burtynsky (b. 1955), Canadian NICKEL TAILINGS #33, SUDBURY, ONTARIO signed, titled, dated, and numbered 3/10 to margin Estimate: $10,000—15,000 CAD

            Waddington's
          • Edward Burtynsky (Canadian, b. 1955) Feng Jie #6, Yangtze River China 2002 (from Three Gorges Dam Project)
            Sep. 26, 2024

            Edward Burtynsky (Canadian, b. 1955) Feng Jie #6, Yangtze River China 2002 (from Three Gorges Dam Project)

            Est: $2,000 - $3,000

            Edward Burtynsky (Canadian, b. 1955) Feng Jie #6, Yangtze River China 2002 (from Three Gorges Dam Project) chromogenic print on Kodak Supra Endura Paper printed 2003; signed in ink and notated 9/10 on label, frame verso 26 3/4 x 34 inches. Property from the Collection of Ellen and Jerry Wolf, Mission Hills, Kansas

            Freeman’s | Hindman
          • Edward Burtynsky (1955- ), Bonneville #1, Bonneville Salt Flats, Utah, USA, 2008
            Sep. 14, 2024

            Edward Burtynsky (1955- ), Bonneville #1, Bonneville Salt Flats, Utah, USA, 2008

            Est: $8,000 - $12,000

            Title: Edward Burtynsky (1955- ), Bonneville #1, Bonneville Salt Flats, Utah, USA, 2008 Dimensions: 47 5/8 x 59 1/2 Framed Dimensions: 50 x 62 x 1 5/8 Signature: verso: signed

            Jackson Hole Art Auction
          • EDWARD BURTYNSKY (b.1955) - Carrara Marble Quarries #21
            Jul. 17, 2024

            EDWARD BURTYNSKY (b.1955) - Carrara Marble Quarries #21

            Est: €4,500 - €6,000

            Photograph, Carrara, Italy 1993, numbered chromogenic digital print, 3/10, signed and dated 2006 on the back. Dim.:68x86cm.

            Marques dos Santos
          • Edward Burtynsky (b. 1955). Shipbreaking #29, Chittagong, Bangladesh. chrom
            Jul. 17, 2024

            Edward Burtynsky (b. 1955). Shipbreaking #29, Chittagong, Bangladesh. chrom

            Est: $7,000 - $10,000

            Edward Burtynsky (b. 1955). Shipbreaking #29, Chittagong, Bangladesh. chromogenic print 39 ½ x 40 ¾ in. (100.3 x 103.5 cm.).

            Christie's
          • Edward Burtynsky, Carrara Marble Quarries #11, Carrara, Italy
            Jul. 10, 2024

            Edward Burtynsky, Carrara Marble Quarries #11, Carrara, Italy

            Est: $9,000 - $12,000

            Edward Burtynsky Carrara Marble Quarries #11, Carrara, Italy 1993 C-print mounted to board image: 39 h x 49 w in (99 x 124 cm) mount: 48.125 h x 58 w in (122 x 147 cm) Signed to artist's label to verso 'Edward Burtynsky'. This work is number 3 from the edition of 5. Provenance: The Artist | Nicholas Metivier Gallery, Toronto | Acquired from the previous in 2010 by the present owner This work will ship from Chicago, Illinois.

            Los Angeles Modern Auctions
          • EDWARD BURTYNSKY THREE GORGES DAM PROJECT. 2002. ORIGINAL SIGNED CHROMOGENIC COLOUR PRINT. 5/10. MIR
            Jun. 12, 2024

            EDWARD BURTYNSKY THREE GORGES DAM PROJECT. 2002. ORIGINAL SIGNED CHROMOGENIC COLOUR PRINT. 5/10. MIR

            Est: $2,500 - $3,600

            EDWARD BURTYNSKY Three gorges dam project. 2002. Original signed Chromogenic colour print. 5/10. Mira Godard gallery receipt. Gallery label. Photograph. Dimensions: Frame Height: 27.5 inches, Frame Width: 44.5 inches. - Image Size: Image Height: 27 inches, Image Width: 34 inches. --- - - We offer curbside delivery to NYC, Manhattan, Close Brooklyn, Hoboken about a week after the auction at reasonable rates. Next Trip June 18. See details at our website. https://www.uniquesandantiques.com/nyc/

            Uniques & Antiques
          • Edward Burtynsky OC, RCA (1955-), Urban Renewal #1,
            May. 23, 2024

            Edward Burtynsky OC, RCA (1955-), Urban Renewal #1,

            Est: £3,000 - £5,000

            Edward Burtynsky OC, RCA (1955-), Urban Renewal #1, Factory Construction, Outside Shenzen, Guangdong Province, China, 2004, chromogenic colour print from 4 x 5 colour negative, numbered 10/10, signed on label verso 86.5cm x 68.5cm

            Cheffins
          • Edward Burtynsky, RCA (b. 1955), SHIPYARD #13, QILI PORT, ZHEJIANG PROVINCE, CHINA, 2005
            May. 16, 2024

            Edward Burtynsky, RCA (b. 1955), SHIPYARD #13, QILI PORT, ZHEJIANG PROVINCE, CHINA, 2005

            Est: $15,000 - $25,000

            Edward Burtynsky, RCA (b. 1955), Canadian SHIPYARD #13, QILI PORT, ZHEJIANG PROVINCE, CHINA, 2005 digital chromogenic colourprint signed, titled, dated and numbered 8/9 to label verso image 49 x 39 in — 124.5 x 99.1 cm Provenance: Nicholas Metivier Gallery, Toronto, ON Corporate Collection, Ontario Note: How to explain the great beauty and seductiveness of Edward Burtynsky’s images of destruction? For centuries, humans have been trying to make sense of ruined places, these uneasy landscapes which tend to inspire the sort of deep feelings of impermanence and insignificance that most of us try to keep tucked away in the margins of our waking lives. How do we reconcile the great beauty of this photograph with the environmental price paid? Burtynsky has said that early in his career, he “started thinking about ruins and the kinds of emotions they provoke. Throughout art history the ruin has been a subject of contemplation, of something melancholy and monumental. I think a lot of what I photograph are the ruins of our society, the ruins in the landscape, the things that are left behind.” (1) In the Renaissance, artists and viewers were drawn to Greco-Roman ruins, seeking to form a connection with the monuments of a once-great culture. Instead, Burtynsky presents us with a more angst-filled vista: rather than romantic views of civilizations ravaged by time, Burtynsky asks us to look at the civilization doing the ravaging. Put another way, the scenes Burtynsky depicts are not the great achievements of our age, but rather that which facilitates our greatness. They are views of the overlooked, the willfully forgotten—instead of movie stars, Burtynsky takes us backstage to see the janitors, the popcorn-sweepers, and the minimum-wage cleaners. Eighteenth century historian Edward Gibbon wrote: “if we are more affected by the ruin of a palace than by the conflagration of a cottage, our humanity must have formed a very erroneous estimate of the miseries of human life.” Through Burtynsky’s lens, places that were not supposed to be spaces of reflection or great humanity are allowed to serve as such. Burtynsky notes that his work “function[s] as reflecting pools of our times,”(2) allowing the viewer to arbitrate where these pictures sit on a scale between grandeur and entropy. (1) Michael Torosian, “The Essential Element: An Interview with Edward Burtynsky” in Manufactured Landscapes, ed. Lori Pauli (Ottawa: National Gallery of Canada, 2003), 48 (2) Edward Burtynsky, “Statement,” accessed September 2023, https://www.edwardburtynsky.com/about/statement Estimate: $15,000—25,000

            Waddington's
          • Edward Burtynsky, RCA (b. 1955), CHINA QUARRIES #2, XIAMEN, FUJIAN PROVINCE, 2004
            May. 16, 2024

            Edward Burtynsky, RCA (b. 1955), CHINA QUARRIES #2, XIAMEN, FUJIAN PROVINCE, 2004

            Est: $10,000 - $15,000

            Edward Burtynsky, RCA (b. 1955), Canadian CHINA QUARRIES #2, XIAMEN, FUJIAN PROVINCE, 2004 digital chromogenic colour print signed, titled, dated, and numbered 2/5 to label verso image 40 x 50 in — 101.6 x 127 cm Provenance: Nicholas Metivier Gallery, Toronto, ON Corporate Collection, Ontario Note: How to explain the great beauty and seductiveness of Edward Burtynsky’s images of destruction? For centuries, humans have been trying to make sense of ruined places, these uneasy landscapes which tend to inspire the sort of deep feelings of impermanence and insignificance that most of us try to keep tucked away in the margins of our waking lives. How do we reconcile the great beauty of this photograph with the environmental price paid? Burtynsky has said that early in his career, he “started thinking about ruins and the kinds of emotions they provoke. Throughout art history the ruin has been a subject of contemplation, of something melancholy and monumental. I think a lot of what I photograph are the ruins of our society, the ruins in the landscape, the things that are left behind.” (1) In the Renaissance, artists and viewers were drawn to Greco-Roman ruins, seeking to form a connection with the monuments of a once-great culture. Instead, Burtynsky presents us with a more angst-filled vista: rather than romantic views of civilizations ravaged by time, Burtynsky asks us to look at the civilization doing the ravaging. Put another way, the scenes Burtynsky depicts are not the great achievements of our age, but rather that which facilitates our greatness. They are views of the overlooked, the willfully forgotten—instead of movie stars, Burtynsky takes us backstage to see the janitors, the popcorn-sweepers, and the minimum-wage cleaners. Eighteenth century historian Edward Gibbon wrote: “if we are more affected by the ruin of a palace than by the conflagration of a cottage, our humanity must have formed a very erroneous estimate of the miseries of human life.” Through Burtynsky’s lens, places that were not supposed to be spaces of reflection or great humanity are allowed to serve as such. Burtynsky notes that his work “function[s] as reflecting pools of our times,”(2) allowing the viewer to arbitrate where these pictures sit on a scale between grandeur and entropy. (1) Michael Torosian, “The Essential Element: An Interview with Edward Burtynsky” in Manufactured Landscapes, ed. Lori Pauli (Ottawa: National Gallery of Canada, 2003), 48 (2) Edward Burtynsky, “Statement,” accessed September 2023, https://www.edwardburtynsky.com/about/statement Estimate: $10,000—15,000

            Waddington's
          • Edward Burtynsky, RCA (b. 1955), THREE GORGES DAM PROJECT, DAM #2, YANGTZE RIVER, CHINA, 2002
            May. 16, 2024

            Edward Burtynsky, RCA (b. 1955), THREE GORGES DAM PROJECT, DAM #2, YANGTZE RIVER, CHINA, 2002

            Est: $12,000 - $16,000

            Edward Burtynsky, RCA (b. 1955), Canadian THREE GORGES DAM PROJECT, DAM #2, YANGTZE RIVER, CHINA, 2002 giclée photo-based print, composite from five 6x7 cm colour negatives signed, titled, dated, and numbered 3/12 to label verso 23 x 86 in — 58.4 x 218.4 cm Provenance: Mira Godard Gallery, Toronto, ON; Private Collection, Toronto, ON Note: How to explain the great beauty and seductiveness of Edward Burtynsky’s images of destruction? For centuries, humans have been trying to make sense of ruined places, these uneasy landscapes which tend to inspire the sort of deep feelings of impermanence and insignificance that most of us try to keep tucked away in the margins of our waking lives. How do we reconcile the great beauty of this photograph with the environmental price paid? Burtynsky has said that early in his career, he “started thinking about ruins and the kinds of emotions they provoke. Throughout art history the ruin has been a subject of contemplation, of something melancholy and monumental. I think a lot of what I photograph are the ruins of our society, the ruins in the landscape, the things that are left behind.” (1) In the Renaissance, artists and viewers were drawn to Greco-Roman ruins, seeking to form a connection with the monuments of a once-great culture. Instead, Burtynsky presents us with a more angst-filled vista: rather than romantic views of civilizations ravaged by time, Burtynsky asks us to look at the civilization doing the ravaging. Put another way, the scenes Burtynsky depicts are not the great achievements of our age, but rather that which facilitates our greatness. They are views of the overlooked, the willfully forgotten—instead of movie stars, Burtynsky takes us backstage to see the janitors, the popcorn-sweepers, and the minimum-wage cleaners. Eighteenth century historian Edward Gibbon wrote: “if we are more affected by the ruin of a palace than by the conflagration of a cottage, our humanity must have formed a very erroneous estimate of the miseries of human life.” Through Burtynsky’s lens, places that were not supposed to be spaces of reflection or great humanity are allowed to serve as such. Burtynsky notes that his work “function[s] as reflecting pools of our times,”(2) allowing the viewer to arbitrate where these pictures sit on a scale between grandeur and entropy. (1) Michael Torosian, “The Essential Element: An Interview with Edward Burtynsky” in Manufactured Landscapes, ed. Lori Pauli (Ottawa: National Gallery of Canada, 2003), 48 (2) Edward Burtynsky, “Statement,” accessed September 2023, https://www.edwardburtynsky.com/about/statement Estimate: $12,000—16,000

            Waddington's
          • Edward Burtynsky, RCA (b. 1955), MORENCI MINE #2, CLIFTON, ARIZONA, USA, 2012 (FROM THE CONTACT PHOTOGRAPHY COLLECTION)
            May. 16, 2024

            Edward Burtynsky, RCA (b. 1955), MORENCI MINE #2, CLIFTON, ARIZONA, USA, 2012 (FROM THE CONTACT PHOTOGRAPHY COLLECTION)

            Est: $10,000 - $15,000

            Edward Burtynsky, RCA (b. 1955), Canadian MORENCI MINE #2, CLIFTON, ARIZONA, USA, 2012 (FROM THE CONTACT PHOTOGRAPHY COLLECTION) inkjet pigment print signed, titled, dated, and editioned AP3 for artist's proof to label verso; special edition released in support of the Red Cross Ukraine Humanitarian Crisis Appeal 30 x 40 in — 76.2 x 101.6 cm Provenance: CONTACT Photography Festival, Toronto, ON Note: Since the creation of the CONTACT Photography Festival in 1997, this community-based event helps to support and unite artists from Canada and around the world. The proceeds from the sale of the works consigned to Waddington’s by the CONTACT Photography Festival help to expand viewership for the best examples of photography on the market today, and further the creative possibilities of the medium in the past, present, and future. Burtynsky writes about the subject of this photograph, “open-pit mines are wounds we’ve inflicted, and the wonderment they excite easily becomes tinged with pangs of remorse or dread.” Burtynsky calls this storm of feeling ‘‘a reversal of the sublime. In the beginning, ‘the sublime’ meant us in fear of nature,’’ he explains. “We would look up at a thundercloud or mountain, or across a heavy sea, and be ‘“awe-struck” or powerless. But fast forward to the Industrial Revolution, and 150 years after that, and now we are the awesome and fearsome force that’s reshaping the planet.’’(1) (1) https://www.nytimes.com/interactive/2015/10/25/magazine/25mag-copper.html Estimate: $10,000—15,000

            Waddington's
          • EDWARD BURTYNSKY (b.1955) - Carrara Marble Quarries #21
            Mar. 26, 2024

            EDWARD BURTYNSKY (b.1955) - Carrara Marble Quarries #21

            Est: €6,000 - €8,000

            Photograph, Carrara, Italy 1993, numbered chromogenic digital print, 3/10, signed and dated 2006 on the back. Dim.:68x86cm.

            Marques dos Santos
          • EDWARD BURTYNSKY (B. 1955) Manufacturing #17, Deda Chicken Processing Plant
            Feb. 22, 2024

            EDWARD BURTYNSKY (B. 1955) Manufacturing #17, Deda Chicken Processing Plant

            Est: $10,000 - $15,000

            EDWARD BURTYNSKY (B. 1955) Manufacturing #17, Deda Chicken Processing Plant, Dehui City, Jilin... signed in ink and credited, titled, dated and numbered '6⁄10' on affixed artist's label and credited, titled, dated on gallery and affixed Sir Elton John Photography collection label (frame backing board) image: 24 ¾ x 37 in. (62.8 x 93.9 cm.) overall framed: 34 ¼ x 46 in. (87 x 116.8 cm.)

            Christie's
          • EDWARD BURTYNSKY (B. 1955) AMARC #5, Davis Monthan AFB, Tucson, Arizona, 20
            Feb. 22, 2024

            EDWARD BURTYNSKY (B. 1955) AMARC #5, Davis Monthan AFB, Tucson, Arizona, 20

            Est: $20,000 - $30,000

            EDWARD BURTYNSKY (B. 1955) AMARC #5, Davis Monthan AFB, Tucson, Arizona, 2006 signed in ink, titled, dated and numbered '4⁄10' in typeset on affixed artist's label (mount, verso) image/sheet: 27 x 34 in. (68.5 x 86.3 cm.) mount: 34 x 41 in. (86.3 x 104.1 cm.)

            Christie's
          • EDWARD BURTYNSKY (B. 1955) Container Ports #8, Racine Port, Montreal Quebec
            Feb. 22, 2024

            EDWARD BURTYNSKY (B. 1955) Container Ports #8, Racine Port, Montreal Quebec

            Est: $20,000 - $30,000

            EDWARD BURTYNSKY (B. 1955) Container Ports #8, Racine Port, Montreal Quebec, 2001 signed in ink, printed title, date and number '3⁄5' on affixed artist label, credited, titled, dated on affixed Sir Elton John Photography collection and gallery label (mount verso) overall framed: 49 ¼ x 59 ¼ (125 x 150.4 cm.)

            Christie's
          • EDWARD BURTYNSKY (Canada, 1955-), "Rock of Ages #4, Adams-Pirie Quarry, Barre, Vermont", 1991., Fugi Crystal print, 20" x 24". Framed 33” x 28.5”.
            Oct. 18, 2023

            EDWARD BURTYNSKY (Canada, 1955-), "Rock of Ages #4, Adams-Pirie Quarry, Barre, Vermont", 1991., Fugi Crystal print, 20" x 24". Framed 33” x 28.5”.

            Est: $5,000 - $8,000

            EDWARD BURTYNSKY Canada, 1955- "Rock of Ages #4, Adams-Pirie Quarry, Barre, Vermont", 1991. Signed, titled and numbered 4/15.

            Eldred's
          • Edward Burtynsky (born 1955); Shipbreaking #10, Chittagong, Bangladesh;
            Oct. 06, 2023

            Edward Burtynsky (born 1955); Shipbreaking #10, Chittagong, Bangladesh;

            Est: $4,000 - $6,000

            Edward Burtynsky (born 1955) Shipbreaking #10, Chittagong, Bangladesh, 2000 Chromogenic print, printed 2001; mounted, signed in ink and with typed title, date, and number '9/15' on a label on the reverse, framed, a Gerhardt H. Felgemaker label on the reverse. 17 3/4 x 21 7/8 in. (45.1 x 55.6 cm.) mount 27 x 31 in. (68.6 x 78.7 cm.)

            Bonhams
          • Edward Burtynsky (born 1955); 'Iberia Quarries #8, Cochicho Co., Pardais, Portugal';
            Oct. 06, 2023

            Edward Burtynsky (born 1955); 'Iberia Quarries #8, Cochicho Co., Pardais, Portugal';

            Est: $2,000 - $3,000

            Edward Burtynsky (born 1955) 'Iberia Quarries #8, Cochicho Co., Pardais, Portugal', 2006 Chromogenic print; signed, titled, and editioned 'A.P.' in pencil on the reverse; this print is from 'George Eastman House Sixtieth Anniversary Portfolio,' released in an edition of 25 plus an unknown number of Artist's Proofs. 14 x 17 1/2 in. (35.6 x 44.5 cm.) sheet 17 x 22 in. (43.2 x 55.9 cm.)

            Bonhams
          • EDWARD BURTYNSKY (B. 1955) Rock of Ages #4, Abandoned Section Adam-Pirie Qu
            Oct. 04, 2023

            EDWARD BURTYNSKY (B. 1955) Rock of Ages #4, Abandoned Section Adam-Pirie Qu

            Est: $5,000 - $7,000

            EDWARD BURTYNSKY (B. 1955) Rock of Ages #4, Abandoned Section Adam-Pirie Quarry, Barre, Vermont,... signed in ink and credited, titled, dated and numbered '15/15' on affixed artist's label (mount, verso) image/sheet: 22 1/8 x 17 5/8 in. (56.1 x 44.7 cm.) mount: 31 x 27 in. (78.7 x 68.5 cm.)

            Christie's
          • Edward Burtynsky (b.1955) Canadian, 'Nickel Tailings #32 Sudbury, Ontario', 1996, Colour negative on Kodak professional paper, artist signed to real label, 99 cm x 150 cm, framed and glazed.
            Sep. 28, 2023

            Edward Burtynsky (b.1955) Canadian, 'Nickel Tailings #32 Sudbury, Ontario', 1996, Colour negative on Kodak professional paper, artist signed to real label, 99 cm x 150 cm, framed and glazed.

            Est: £5,000 - £7,000

            Edward Burtynsky (b.1955) Canadian, 'Nickel Tailings #32 Sudbury, Ontario', 1996, Colour negative on Kodak professional paper, artist signed to real label, 99 cm x 150 cm, framed and glazed. No apparent damage or restoration.

            Dawsons Auctioneers
          • Edward Burtynsky (b.1955) Canadian, 'Nickel Tailings #32 Sudbury, Ontario', 1996, Colour negative on Kodak professional paper, artist signed to real label, 99 cm x 150 cm, framed and glazed.
            Aug. 31, 2023

            Edward Burtynsky (b.1955) Canadian, 'Nickel Tailings #32 Sudbury, Ontario', 1996, Colour negative on Kodak professional paper, artist signed to real label, 99 cm x 150 cm, framed and glazed.

            Est: £8,000 - £12,000

            Edward Burtynsky (b.1955) Canadian, 'Nickel Tailings #32 Sudbury, Ontario', 1996, Colour negative on Kodak professional paper, artist signed to real label, 99 cm x 150 cm, framed and glazed.

            Dawsons Auctioneers
          • Edward Burtynsky, Three Gorges Dam Project, Feng Jie #7, Yangtze River, China
            Aug. 02, 2023

            Edward Burtynsky, Three Gorges Dam Project, Feng Jie #7, Yangtze River, China

            Est: $5,000 - $7,000

            Edward Burtynsky Three Gorges Dam Project, Feng Jie #7, Yangtze River, China 2002 / printed 2003 C-print image: 40 h x 50 w in (102 x 127 cm) mount: 48 h x 58 w in (122 x 147 cm) Signed to studio label on verso 'Edward Burtynsky'. This work is number 1 from the edition of 5. Provenance: Los Angeles Modern Auctions, Modern Art & Design, 22 October 2017, Lot 200 | Private Collection This work will ship from Los Angeles, California.

            Los Angeles Modern Auctions
          • EDWARD BURTYNSKY (B. 1955) Shipyard #13, Qili Port, Zhejiang Province, Chi
            Jul. 18, 2023

            EDWARD BURTYNSKY (B. 1955) Shipyard #13, Qili Port, Zhejiang Province, Chi

            Est: $7,000 - $10,000

            EDWARD BURTYNSKY (B. 1955) Shipyard #13, Qili Port, Zhejiang Province, China digital chromogenic print 22 x 18 in. (55.9 x 45.7 cm.)

            Christie's
          • EDWARD BURTYNSKY (NÉ EN 1955) Dryland Farming #13, Monegros County, Aragon,
            Jun. 06, 2023

            EDWARD BURTYNSKY (NÉ EN 1955) Dryland Farming #13, Monegros County, Aragon,

            Est: €8,000 - €12,000

            EDWARD BURTYNSKY (NÉ EN 1955) Dryland Farming #13, Monegros County, Aragon, Spain, 2010 signé à l'encre sur une étiquette du photographe portant le titre, la date et le numéro d'édition '1/9' (montage, verso) image/feuille/montage : 99 x 132 cm. (39 x 52 in.)

            Christie's
          • EDWARD BURTYNSKY (NÉ EN 1955) Colorado River Delta #2, Near San Felipe, Baj
            Jun. 06, 2023

            EDWARD BURTYNSKY (NÉ EN 1955) Colorado River Delta #2, Near San Felipe, Baj

            Est: €18,000 - €25,000

            EDWARD BURTYNSKY (NÉ EN 1955) Colorado River Delta #2, Near San Felipe, Baja, Mexico, 2011 signé à l'encre sur une étiquette du photographe portant le titre, la date et le numéro d'édition '2/3' (montage, verso) image/feuille/montage : 153 x 203,5 cm. (60 x 80 in.)

            Christie's
          • Edward Burtynsky (born 1955) Shipbreaking #33, Chittagong, Bangladesh, 2001
            May. 02, 2023

            Edward Burtynsky (born 1955) Shipbreaking #33, Chittagong, Bangladesh, 2001

            Est: $7,000 - $9,000

            Edward Burtynsky (born 1955) Shipbreaking #33, Chittagong, Bangladesh, 2001 Archival pigment print, printed 2002, signed in ink and numbered '4/10' on a label affixed on the frame backing. image: 27 x 34in. (68.6 x 86.3cm.) sheet: 34 x 41in. (86.3 x 104.1cm.) Literature: Pauli et al., Manufactured Landscapes: The Photographs of Edward Burtynsky, National Gallery of Canada, 2003; Mayer et al., China: The Photographs of Edward Burtynsky, Steidl, 2005

            Hindman
          • Edward Burtynsky (born 1955) Shipbreaking #36, Chittagong, Bangladesh, 2001
            May. 02, 2023

            Edward Burtynsky (born 1955) Shipbreaking #36, Chittagong, Bangladesh, 2001

            Est: $7,000 - $9,000

            Edward Burtynsky (born 1955) Shipbreaking #36, Chittagong, Bangladesh, 2001 Archival pigment print, printed 2002, signed in ink and numbered '2/10' on a label affixed on the frame backing. image: 27 x 34in. (68.6 x 86.3cm.) sheet: 34 x 41in. (86.3 x 104.1cm.) Literature: Pauli et al., Manufactured Landscapes: The Photographs of Edward Burtynsky, National Gallery of Canada, 2003; Mayer et al., China: The Photographs of Edward Burtynsky, Steidl, 2005

            Hindman
          • Edward Burtynsky (born 1955) Rock of Ages #23, Abandoned Section, Adam-Pirie Quarry, Barre, Vermont, 1991
            May. 02, 2023

            Edward Burtynsky (born 1955) Rock of Ages #23, Abandoned Section, Adam-Pirie Quarry, Barre, Vermont, 1991

            Est: $6,000 - $8,000

            Edward Burtynsky (born 1955) Rock of Ages #23, Abandoned Section, Adam-Pirie Quarry, Barre, Vermont, 1991 Archival pigment print, printed 2000, signed in ink and numbered '10/10' on a label affixed on the frame backing. image: 27 x 34in. (68.6 x 86.3cm.) sheet: 34 x 41in. (86.3 x 104.1cm.) Literature: Pauli et al., Manufactured Landscapes: The Photographs of Edward Burtynsky, National Gallery of Canada, 2003; Mayer et al., China: The Photographs of Edward Burtynsky, Steidl, 2005

            Hindman
          • Edward Burtynsky (born 1955) Dryland Farming #28, Castile-La-Mancha, Spain, 2010
            May. 02, 2023

            Edward Burtynsky (born 1955) Dryland Farming #28, Castile-La-Mancha, Spain, 2010

            Est: $8,000 - $12,000

            Edward Burtynsky (born 1955) Dryland Farming #28, Castile-La-Mancha, Spain, 2010 Archival pigment print, printed 2011, signed in ink and numbered '4/9' on a label affixed on the frame backing. image/sheet: 39 x 52in. (99.1 x 132.1cm.) Provenance: With Patti Gilford Fine Arts, Chicago

            Hindman
          • Edward Burtynsky (born 1955) Rock of Ages #26, Abandoned Section, E.L. Smith Quarry, Barre, Vermont, 1991
            May. 02, 2023

            Edward Burtynsky (born 1955) Rock of Ages #26, Abandoned Section, E.L. Smith Quarry, Barre, Vermont, 1991

            Est: $6,000 - $8,000

            Edward Burtynsky (born 1955) Rock of Ages #26, Abandoned Section, E.L. Smith Quarry, Barre, Vermont, 1991 Archival pigment print, printed 1999, signed in ink and numbered 'AP2' on a label affixed on the frame backing. image: 27 x 34in. (68.6 x 86.3cm.) sheet: 34 x 41in. (86.3 x 104.1cm.) Literature: Pauli et al., Manufactured Landscapes: The Photographs of Edward Burtynsky, National Gallery of Canada, 2003; Mayer et al., China: The Photographs of Edward Burtynsky, Steidl, 2005

            Hindman
          • EDWARD BURTYNSKY (B. 1955) Nickel Tailing #34, Sudbury, Ontario, 1996 signe
            Apr. 13, 2023

            EDWARD BURTYNSKY (B. 1955) Nickel Tailing #34, Sudbury, Ontario, 1996 signe

            Est: $15,000 - $25,000

            EDWARD BURTYNSKY (B. 1955) Nickel Tailing #34, Sudbury, Ontario, 1996 signed, titled, dated and numbered '5/10' in ink (verso); signed, credited, titled, dated and numbered on affixed artist's label (frame backing board) overall framed: 52 x 71 x 1 1/8 in. (132 x 180.3 x 2.8 cm.)

            Christie's
          • Edward Burtynsky (born 1955); Dryland Farming #28, Monegros County, Aragon, Spain;
            Apr. 06, 2023

            Edward Burtynsky (born 1955); Dryland Farming #28, Monegros County, Aragon, Spain;

            Est: $6,000 - $9,000

            Edward Burtynsky (born 1955) Dryland Farming #28, Monegros County, Aragon, Spain, 2010 Chromogenic print; artist's studio label, signed in ink and with printed title and number 2/9, on the verso, a Galerie Stefan Röpke, Cologne, label on the frame verso. 39 x 52 in. (99 x 132 cm.)

            Bonhams
          • Burtynsky (Edward) Quarries, first edition, Gottingen, 2007 & others on industrial landscapes (7).
            Mar. 09, 2023

            Burtynsky (Edward) Quarries, first edition, Gottingen, 2007 & others on industrial landscapes (7).

            Est: £300 - £500

            Burtynsky (Edward) Quarries, first edition, 2007; Oil, first edition, 2009; China, first edition, 2005 § Baltz (Lewis) The New Industrial Parks Near Erwin, California; The Prototype Works; The Tract Houses, together 3 vol., text in English & German, 2005 § Maisel (David) Oblivion. Portland, OR, Nazraeli Press, 2006, photographic illustrations, some colour, all but the last original cloth or boards with dust-jackets, the fourth together in slip-case, oblong folio & 4to, all but the last Gottingen (7).

            Forum Auctions - UK
          • Edward Burtynsky   (born 1955) Rock of Ages #59, Abandoned Section, Adam-Pirie Quarry, Barre VT, 1991  
            Dec. 06, 2022

            Edward Burtynsky   (born 1955) Rock of Ages #59, Abandoned Section, Adam-Pirie Quarry, Barre VT, 1991  

            Est: $6,000 - $8,000

            Edward Burtynsky   (born 1955) Rock of Ages #59, Abandoned Section, Adam-Pirie Quarry, Barre VT, 1991   Archival pigment print, printed 2000, signed in ink and number '1/10' on the label on the frame backing. image: 27 x 34in. (68.6 x 86.3cm.) sheet: 34 x 41in. (86.3 x 104.1cm.) Literature: Rock of Ages: Edward Burtynsky, Safety-Kleen, Gallery One, 2002, np; Edward Burtynsky: Quarries, Steidl, 2007

            Hindman
          • Edward Burtynsky (born 1955) Shipbreaking #27, with Cutter, Chittagong, Bangladesh, 2001
            Dec. 06, 2022

            Edward Burtynsky (born 1955) Shipbreaking #27, with Cutter, Chittagong, Bangladesh, 2001

            Est: $7,000 - $9,000

            Edward Burtynsky (born 1955) Shipbreaking #27, with Cutter, Chittagong, Bangladesh, 2001 Archival pigment print, printed 2002, signed in ink and numbered '6/10' on a label affixed on the frame backing.   image: 27 x 34in. (68.6 x 86.3cm.) sheet: 34 x 41in. (86.3 x 104.1cm.) Literature: Pauli et al., Manufactured Landscapes: The Photographs of Edward Burtynsky, National Gallery of Canada, 2003, p. 146; Mayer et al., China: The Photographs of Edward Burtynsky, Steidl, 2005, p. 17

            Hindman
          • EDWARD BURTYNSKY (NÉ EN 1955) Mines #22, Kennecott Copper Mine, Bingham Val
            Nov. 08, 2022

            EDWARD BURTYNSKY (NÉ EN 1955) Mines #22, Kennecott Copper Mine, Bingham Val

            Est: €12,000 - €18,000

            EDWARD BURTYNSKY (NÉ EN 1955) Mines #22, Kennecott Copper Mine, Bingham Valley, Utah, 1983 tirage chromogénique, tiré en 2012 signé à l'encre sur une étiquette du photographe portant le titre, la date et le numéro d'édition '6/6' (dos du cadre) image/feuille : 121 x 52 cm. (48 x 60 in.) Ce tirage est le numéro six d'une édition épuisée de six exemplaires. CHROMOGENIC PRINT, PRINTED 2012; SIGNED IN INK ON PHOTOGRAPHER'S LABEL WITH TITLE, DATE AND EDITION NUMBER '6/6' (FRAME BACKING BOARD)

            Christie's
          • Edward Burtynsky (1955) Shipbreaking #45, Chittagong, Bangladesh, 2001
            Nov. 06, 2022

            Edward Burtynsky (1955) Shipbreaking #45, Chittagong, Bangladesh, 2001

            Est: $6,000 - $8,000

            Edward Burtynsky (1955) Shipbreaking #45, Chittagong, Bangladesh, 2001 C-print From the numbered edition of 5 Signed, titled, numbered, dated on verso Image: 40 x 50 inches Framed: 48 x 58 inches

            Santa Monica Auctions
          • Edward Burtynsky (born 1955); Dryland Farming #28, Monegros County, Aragon, Spain;
            Oct. 11, 2022

            Edward Burtynsky (born 1955); Dryland Farming #28, Monegros County, Aragon, Spain;

            Est: $8,000 - $10,000

            Edward Burtynsky (born 1955) Dryland Farming #28, Monegros County, Aragon, Spain, 2010 Chromogenic print; signed, titled, dated, numbered '2/9' and artist's monogram on a label affixed to the verso. 39 x 52in (99 x 132cm) For further information on this lot please visit the Bonhams website

            Bonhams
          • EDWARD BURTYNSKY (B. 1955) Stepwell #3, Chand Baori, Abhaneri, Rajasthan,
            Oct. 06, 2022

            EDWARD BURTYNSKY (B. 1955) Stepwell #3, Chand Baori, Abhaneri, Rajasthan,

            Est: $25,000 - $35,000

            EDWARD BURTYNSKY (B. 1955) Stepwell #3, Chand Baori, Abhaneri, Rajasthan, India, 2010 signed in ink, credited, titled, dated and numbered on artist's label (frame backing board) overall framed: 64 x 84 x 2 in. (162.5 x 213.3 x 5 cm.)

            Christie's
          • Edward Burtynsky, Shipbreaking #45, Chittagong, Bangladesh
            Jun. 23, 2022

            Edward Burtynsky, Shipbreaking #45, Chittagong, Bangladesh

            Est: $6,000 - $8,000

            Edward Burtynsky Shipbreaking #45, Chittagong, Bangladesh 2001 / 2010 chromogenic print 39 h × 49 w in (99 × 124 cm) Signed to information label frame verso 'Edward Burtynsky'. This work is number 3 from the edition of 5. This work will ship from LAMA in Los Angeles, California.

            Los Angeles Modern Auctions
          • Edward Burtynsky Oil, Signed Book
            Jun. 23, 2022

            Edward Burtynsky Oil, Signed Book

            Est: $80 - $100

            Photographs by Edward Burtynsky. Essays by Michael Mitchell etc. First Edition. Published by Bernard Fischer, Gerhard Steidl, 2012. Printed in Germany. Signed on the title page in marker. 14 1/2" x 11 1/2".

            Willow Auction House
          • EDWARD BURTYNSKY (B. 1955) Xiaolangdi Dam #3, Yellow River, Henan Province,
            Jun. 07, 2022

            EDWARD BURTYNSKY (B. 1955) Xiaolangdi Dam #3, Yellow River, Henan Province,

            Est: $15,000 - $25,000

            EDWARD BURTYNSKY (B. 1955) Xiaolangdi Dam #3, Yellow River, Henan Province, China, 2011 signed in ink, credited, titled, dated and numbered ‘4/6’ with photographer’s stamp on artist label (flush mount, verso); credited, titled, dated and numbered on affixed gallery label (frame backing board) overall framed: 50 x 66 x 1 1/2 in. (127 x 167.6 x 3.8 cm)

            Christie's
          • EDWARD BURTYNSKY (B. 1955) Carrara Marble Quarries #22, Carrara, Italy chro
            Mar. 09, 2022

            EDWARD BURTYNSKY (B. 1955) Carrara Marble Quarries #22, Carrara, Italy chro

            Est: £6,000 - £8,000

            EDWARD BURTYNSKY (B. 1955) Carrara Marble Quarries #22, Carrara, Italy chromogenic print, in artist's frame overall: 39 x 49in. (99.1 x 124.5cm.)

            Christie's
          • 7 (Shanghai) Edward Burtynsky (b.1955) Bao Steel 7 (Shanghai) titled, insc
            Nov. 25, 2021

            7 (Shanghai) Edward Burtynsky (b.1955) Bao Steel 7 (Shanghai) titled, insc

            Est: €5,000 - €7,000

            7 (Shanghai) Edward Burtynsky (b.1955) Bao Steel 7 (Shanghai) titled, inscribed and numbered 'BAO STEEL 7 6/10 27x34 RÖPKE' (on a label affixed to the reverse) chromogenic print laid on cardboard, in artist's…

            Christie's
          • EDWARD BURTYNSKY (NÉ EN 1955) Colorado River Delta #2, Near San Felipe, Baj
            Nov. 09, 2021

            EDWARD BURTYNSKY (NÉ EN 1955) Colorado River Delta #2, Near San Felipe, Baj

            Est: €20,000 - €30,000

            EDWARD BURTYNSKY (NÉ EN 1955) Colorado River Delta #2, Near San Felipe, Baja, Mexico, 2011 signé à l'encre sur certificat d'authenticité portant le titre, la date et le numéro d'édition '2/3' (dos du cadre) image/feuille/montage : 153 x 203.5 cm. (60 x 80 in.)

            Christie's
          • EDWARD BURTYNSKY (1955- ) Rock of Ages #12, Abandoned Section, Adam-Pirie Quarry, Barre, Vermont.
            Oct. 21, 2021

            EDWARD BURTYNSKY (1955- ) Rock of Ages #12, Abandoned Section, Adam-Pirie Quarry, Barre, Vermont.

            Est: $4,000 - $6,000

            EDWARD BURTYNSKY (1955- ) Rock of Ages #12, Abandoned Section, Adam-Pirie Quarry, Barre, Vermont. Chromogenic print, the image measuring 17 3/4x22 inches (45.1x55.9 cm.), the mount 24x28 inches (61x71.1 cm.), with a label with Burtynsky's signature, in ink, and his typed credit, title, date, edition notation 5/15, medium, and print size, on verso; also with a Flower East gallery label, on verso. 1991

            Swann Auction Galleries
          • EDWARD BURTYNSKY (B. 1955) 2, Chittagong, Bangladesh, 2000 EDWARD BURTY
            Oct. 06, 2021

            EDWARD BURTYNSKY (B. 1955) 2, Chittagong, Bangladesh, 2000 EDWARD BURTY

            Est: $15,000 - $25,000

            EDWARD BURTYNSKY (B. 1955) 2, Chittagong, Bangladesh, 2000 EDWARD BURTYNSKY (B. 1955) Shipbreaking 2, Chittagong, Bangladesh, 2000 chromogenic print, printed 2001 signed, titled, dated and numbered (verso); credited, titled, dated and numbered on affixed…

            Christie's
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