Jean-Marc Bustamante Paintings & Artwork for Sale | Jean-Marc Bustamante Art Value Price Guide

Mar. 12, 2026
JEAN-MARC BUSTAMANTE (B. 1951). Aérogramme (lacté) (Aeorogramme (milky)). s
Est: £10,000 - £15,000
JEAN-MARC BUSTAMANTE (B. 1951). Aérogramme (lacté) (Aeorogramme (milky)). screenprint on Plexiglas and iron47 ¼ x 74 7/8in. (120.1 x 190.2).
Christie's
Mar. 12, 2026
JEAN-MARC BUSTAMANTE (B. 1951). Lumière 14B,92 (Light 14B,92). serigraphy a
Est: £8,000 - £12,000
JEAN-MARC BUSTAMANTE (B. 1951). Lumière 14B,92 (Light 14B,92). serigraphy and Plexiglas72 ¾ x 55 ½in. (184.7 x 141cm.).
Christie's
Dec. 10, 2025
JEAN-MARC BUSTAMANTE (b. 1952) - 'S.I.M.03.08', 2008
Est: €3,000 - €4,000
C-print. Framed. Dim.: 40x60cm.
Marques dos Santos
Dec. 10, 2025
Jean-Marc BUSTAMANTE
Est: €10,000 - €15,000
Jean-Marc BUSTAMANTE Au musée - 2006 Encre sur plexiglas Edition "2/3" + 1AP 195 x 147 x 4 cm Ink on plexiglass 76.77 x 57.87 x 1.57 in. Provenance : Xavier Hufkens, Bruxelles Acquis directement auprès de cette dernière par l'actuel propriétaire Expositions : Bruxelles, Galerie Xavier Hufkens, Jean-Marc Bustamante. 12 peintures, 18 janvier au 24 février 2007, un exemplaire similaire exposé Hornu, MAC's Grand-Hornu, Jean-Marc Bustamante. Le Grand Tour, 9 novembre 2008 au 15 février 2009, un exemplaire similaire exposé Bibliographie : Jean-Marc Bustamante. 12 peintures, Editions, Galerie Xavier Hufkens, Bruxelles, 2007, un exemplaire similaire reproduit Un certificat numérique de l'artiste sera remis à l'acquéreur FR Les nouveaux Panoramas de cette série sont basés sur des dessins que l'artiste a réalisés durant l'été 2006. Après les peintures monumentales réalisées par l'artiste pour l'exposition Beautifuldays au Kunsthaus de Bregenz en janvier 2006, Jean-Marc Bustamante a poursuivi sa recherche d'une nouvelle peinture qui prenne en compte les croisements du dessin à la sculpture, tout en intégrant la photographie : matrice de l'œuvre de l'artiste. Au fil du temps, ces encres sur plexiglas ont acquis un haut niveau de complexité. La relation entre l'encre, la transparence et le plexiglas qui révèle le mur et le transforme en arrière-plan de l'œuvre, permet à l'artiste de rendre l'ombre et la lumière interdépendantes l'une de l'autre, tout en préservant la forte intensité des couleurs. Comme les feuilles de plexiglas sont suspendues à deux pouces du mur par des supports métalliques, elles permettent au spectateur de voir à la fois l'ensemble des lignes tramées sur la surface et les ombres que ces lignes projettent sur le mur à l'arrière. La brillance de l'œuvre elle-même reflète l'espace environnant et le spectateur. Les dessins abstraits - des projections mentales - sont d'abord réalisés par l'artiste sur du papier millimétré. Après avoir été retravaillés sur ordinateur, ils sont transférés, ou plutôt refroidis et fossilisés dans le plexiglas par sérigraphie. Leur agrandissement au cours du processus les rend plus efficaces en termes de puissance visuelle. Cette réduction ou simplification apparente fait émerger l'essence du geste et l'imagination de l'artiste. La prévalence donnée aux grands aplats colorés redonne à la peinture sa vivacité, sa fraîcheur et lui offre un nouvel avenir. EN Over time, these inks on plexiglas have gained a high level of complexity. The relationship of the ink, the transparency, and the plexiglas which reveals the wall and transforms it into the background of the work, allows the artist to make the shadow and the light interdependent to each other, while preserving the high intensity of the colours. As the sheets of plexiglas are suspended two inches from the wall via metal brackets, they allow the viewer to see both the array of lines screened onto the surface and the shadows those lines cast on the wall behind. The brilliance of the work itself reflects the surrounding space and the viewer. The abstract drawings - mental projections - are first rendered on millimetre paper by the artist. After being reworked on the computer, they are transferred, or rather cooled down and fossilized into the plexiglas via silkscreen. Their enlargement along the process makes them more effective in terms of visual power. This reduction or apparent simplification brings the essence of the gesture and the imagination of the artist to the surface. The prevalence given to large, coloured, flat surfaces restores their vivacity, their freshness and gives painting a new future. The new Panoramas are based on drawings the artist has made during the Summer of 2006. After the monumental paintings the artist created for the exhibition Beautifuldays at the Kunsthaus in Bregenz in January 2006, Jean-Marc Bustamante continued his research for a new painting that takes into account the crossovers from drawing to sculpture, while incorporating photography: the matrix of the artist’s oeuvre. Jean-Marc BUSTAMANTE
Artcurial
Nov. 19, 2025
Jean-Marc Bustamante - Mario Bellatin - Konstantin Grcic House for Insomniacs.
Est: €2,000 - €3,000
Jean-Marc Bustamante - Mario Bellatin - Konstantin Grcic House for Insomniacs. Toluca Éditions, Paris, 2003. Folio (58,5 × 43 × 10,8 cm). First edition, limited to 30 numbered copies. Foam and plastic sheet case designed by Konstantin Grcic, composed of five (5) chromogenic prints by Jean-Marc Bustamante, signed and numbered to 30 copies in ink on the reverse (26.5 × 40 cm with margins). Text in French and Spanish by Mario Bellatin. Colophon signed by Jean-Marc Bustamante, Mario Bellatin, and Konstantin Grcic. Dedications on the title page. Jean-Marc Bustamante - Mario Bellatin - Konstantin Grcic Maison pour insomniaques. Toluca Éditions, Paris, 2003. In-folio (58,5 × 43 × 10,8 cm). Édition originale, limitée à 30 exemplaires numérotés. Boîtier en mousse et feuilles de plastique conçu par Konstantin Grcic, composé de cinq (5) épreuves chromogéniques de Jean-Marc Bustamante signées et numérotées à 30 exemplaires à l'encre aux versos (26,5 × 40 cm avec marges). Texte en français et espagnol de Mario Bellatin. Colophon signé par Jean-Marc Bustamante, Mario Bellatin et Konstantin Grcic. Dédicaces en page de titre.
Piasa
Nov. 19, 2025
Jean-Marc Bustamante (1952) Photographs 1978-1982.
Est: €2,000 - €3,000
Jean-Marc Bustamante (1952) Photographs 1978-1982. Toluca Éditions, Paris, 2008. Folio (62.6 × 53.2 × 5 cm). Original edition, limited to 25 numbered copies. American walnut box designed by Jean-Marc Bustamante, containing ten dye-transfer prints by Jean-Marc Bustamante, signedand numbered in pencil on the reverse side (45.5 × 57 cm with margins). Colophon signed by Jean-Marc Bustamante. Jean-Marc Bustamante (1952) Photographies 1978-1982. Toluca Éditions, Paris, 2008. In-folio (62,6 × 53,2 × 5 cm). Édition originale, limitée à 25 exemplaires numérotés. Boîtier en noyer américain conçu par JeanMarc Bustamante, composé de dix épreuves dye-transfer de Jean-Marc Bustamante, signées et numérotées à 25 exemplaires au crayon aux versos (45,5 × 57 cm avec marges). Colophon signé par Jean-Marc Bustamante.
Piasa
Sep. 17, 2025
Jean-Marc Bustamante, Panorama Lion, 2005
Est: £4,000 - £6,000
Jean-Marc Bustamante, French b.1952- Panorama Lion, 2005; ink on plexiglass, size: 345.5 x 194.5 cm, (ARR) Note: Bustamante has always worked on a large scale, from his first series of landscape photographs in 1978, which he called 'photographic paintings'. In the early 1990s, he silkscreened photographs on Perspex and were hung a few inches away from the wall. The resulting image is luminous from the wall behind. The present lot is a natural evolution from those pioneering works. In this series of works, the shadows cast from the ink onto the wall create a three-dimensionality to work. He has exhibited widely, including a solo exhibition at the Tate Gallery, London in 1998. In 2003, he represented France at the 50th International Art Exhibition Venice Biennale. His works are the collections of the Metropolitan Museum of Art, New York; Barcelona Museum of Contemporary Art, Centre Pompidou, Paris and the Tate Modern.
Roseberys
Jun. 25, 2025
Jean-Marc Bustamante (né en 1952) Sans titre
Est: €100 - €200
Jean-Marc Bustamante (né en 1952) Sans titre Sérigraphie non encadrée imprimée sur Rhodoïd, signée des initiales de l'artiste à l'encre en bas à droite, numérotée 97/99 en bas à gauche image : 34,5 x 30 cm - 13 9/16 x 11 13/16 in. feuille : 50 x 40 cm - 19 11/16 x 15 3/4 in. Unframed silkscreen printed on Rhodoïd, signed with the artist's initials in ink lower right, numbered 97/99 lower left.
Aguttes
Jun. 06, 2025
Jean-Marc BUSTAMANTE
Est: €10,000 - €15,000
Jean-Marc BUSTAMANTE Un Monde à la Fois - 2006 Encre sur plexiglass Edition "2/3" + 1AP 195 x 147 x 4 cm Ink on plexiglas 76.77 x 57.87 x 1.57 in. Provenance : Galerie Xavier Hufkens, Bruxelles Acquis directement auprès de cette dernière par l'actuel propriétaire Expositions : Bruxelles, Galerie Xavier Hufkens, Jean-Marc Bustamante. 12 peintures, 18 janvier au 24 février 2007, un exemplaire similaire exposé Bibliographie : Jean-Marc Bustamante. 12 peintures, Editions, Galerie Xavier Hufkens, Bruxelles, 2007, un exemplaire similaire reproduit p.9 FR Les nouveaux Panoramas de cette série sont basés sur des dessins que l'artiste a réalisés durant l'été 2006. Après les peintures monumentales réalisées par l'artiste pour l'exposition Beautifuldays au Kunsthaus de Bregenz en janvier 2006, Jean-Marc Bustamante a poursuivi sa recherche d'une nouvelle peinture qui prenne en compte les croisements du dessin à la sculpture, tout en intégrant la photographie : matrice de l'œuvre de l'artiste. Au fil du temps, ces encres sur plexiglas ont acquis un haut niveau de complexité. La relation entre l'encre, la transparence et le plexiglas qui révèle le mur et le transforme en arrière-plan de l'œuvre, permet à l'artiste de rendre l'ombre et la lumière interdépendantes l'une de l'autre, tout en préservant la forte intensité des couleurs. Comme les feuilles de plexiglas sont suspendues à deux pouces du mur par des supports métalliques, elles permettent au spectateur de voir à la fois l'ensemble des lignes tramées sur la surface et les ombres que ces lignes projettent sur le mur à l'arrière. La brillance de l'œuvre elle-même reflète l'espace environnant et le spectateur. Les dessins abstraits - des projections mentales - sont d'abord réalisés par l'artiste sur du papier millimétré. Après avoir été retravaillés sur ordinateur, ils sont transférés, ou plutôt refroidis et fossilisés dans le plexiglas par sérigraphie. Leur agrandissement au cours du processus les rend plus efficaces en termes de puissance visuelle. Cette réduction ou simplification apparente fait émerger l'essence du geste et l'imagination de l'artiste. La prévalence donnée aux grands aplats colorés redonne à la peinture sa vivacité, sa fraîcheur et lui offre un nouvel avenir. EN Over time, these inks on plexiglas have gained a high level of complexity. The relationship of the ink, the transparency, and the plexiglas which reveals the wall and transforms it into the background of the work, allows the artist to make the shadow and the light interdependent to each other, while preserving the high intensity of the colours. As the sheets of plexiglas are suspended two inches from the wall via metal brackets, they allow the viewer to see both the array of lines screened onto the surface and the shadows those lines cast on the wall behind. The brilliance of the work itself reflects the surrounding space and the viewer. The abstract drawings - mental projections - are first rendered on millimetre paper by the artist. After being reworked on the computer, they are transferred, or rather cooled down and fossilized into the plexiglas via silkscreen. Their enlargement along the process makes them more effective in terms of visual power. This reduction or apparent simplification brings the essence of the gesture and the imagination of the artist to the surface. The prevalence given to large, coloured, flat surfaces restores their vivacity, their freshness and gives painting a new future. The new Panoramas are based on drawings the artist has made during the Summer of 2006. After the monumental paintings the artist created for the exhibition Beautifuldays at the Kunsthaus in Bregenz in January 2006, Jean-Marc Bustamante continued his research for a new painting that takes into account the crossovers from drawing to sculpture, while incorporating photography: the matrix of the artist’s oeuvre. Jean-Marc BUSTAMANTE
Artcurial
Jun. 03, 2025
Jean-Marc Bustamante, Panorama Lion, 2005
Est: £6,000 - £8,000
Jean-Marc Bustamante, French b.1952 - Panorama Lion, 2005; ink on plexiglass, 345.5 x 194.5 cm (ARR) Note: Bustamante has always worked on a large scale, from his first series of landscape photographs in 1978, which he called 'photographic paintings'. In the early 1990s, he silkscreened photographs on perspex and were hung a few inches away from the wall. The resulting image is luminous from the wall behind. The present lot is a natural evolution from those pioneering works. In this series of works, the shadows cast from the ink onto the wall create a three-dimensionality to work. He has exhibited widely, including a solo exhibition at the Tate Gallery, London in 1998. In 2003, he represented France at the 50th International Art Exhibition Venice Biennale. His works are the collections of the Metropolitan Museum of Art, New York; Barcelona Museum of Contemporary Art, Centre Pompidou, Paris and the Tate Modern.
Roseberys
May. 17, 2025
Jean-Marc Bustamante (1952 Toulouse – lebt in Genf)
Est: €200 - €300
Lock. 2005. Serigrafie auf Glas. Auf beiliegendem Kärtchen monogrammiert und nummeriert: JMB, 34/99. Maße: 13 x 27 cm
AaG Auktionshaus am Grunewald
Apr. 10, 2025
Jean-Marc Bustamante (né en 1952) Sans titre Sérigraphie non encadrée imprimée sur Rhodoïd,
Est: €200 - €300
Jean-Marc Bustamante (né en 1952) Sans titre Sérigraphie non encadrée imprimée sur Rhodoïd, signée des initiales de l'artiste à l'encre en bas à droite, numérotée 97/99 en bas à gauche image : 34,5 x 30 cm - 13 9/16 x 11 13/16 in. feuille : 50 x 40 cm - 19 11/16 x 15 3/4 in. Unframed silkscreen printed on Rhodoïd, signed with the artist's initials in ink lower right, numbered 97/99 lower left.
Aguttes
Mar. 10, 2025
Jean-Marc Bustamante (French 1952). Lumière, 2003.
Est: €600 - €800
Jean-Marc Bustamante (French 1952) Lumière, 2003 screenprint on acrylic glass published by Edition Schellmann, Munich/New York 600 x 600 mm.
Adams Amsterdam Auctions
Mar. 10, 2025
Bernard Bazile (French 1952) & Jean-Marc Bustamante (French 1952). Untitled.
Est: €1,200 - €1,600
Bernard Bazile (French 1952) & Jean-Marc Bustamante (French 1952) Untitled plexiglass, steel and laquered wood 124 x 74.5 x 34 cm.
Adams Amsterdam Auctions
Dec. 18, 2024
JEAN MARC BUSTAMANTE (Toulouse, 1952). "Antares", 2013. Mixed media on methacrylate. Exemplary P/A.
Est: €31,000 - €32,000
JEAN MARC BUSTAMANTE (Toulouse, 1952). "Antares", 2013. Mixed media on methacrylate. Exemplary P/A. Measurements: 194 x 149 cm. This work by Jean-Marc Bustamante, created in 2013, presents an abstract composition combining graphic elements on methacrylate, one of the techniques that has characterized his work in recent years. The work is distinguished by the superimposition of organic and geometric shapes in contrasting tones, such as browns, lilacs and dark greens, on a background with gray vertical lines that suggest a dense and dynamic texture. The figures appear to be floating, creating a sense of depth and movement that transforms the two-dimensional space into an immersive visual experience. The use of Plexiglas as a support gives the work a translucent character, allowing light to interact with the surface and add another dimension to the work. This reflects Bustamante's inclination to explore the boundaries between painting, sculpture and physical space. The work is in the tradition of abstraction, but brings a contemporary approach that connects the pictorial with the objectual, challenging conventional definitions of artistic media. Jean-Marc Bustamante is a leading French artist. A professor at the Academy of Fine Arts in Munich and at the École nationale supérieure des beaux-arts in Paris, he directed the latter institution between September 2015 and 2018. Initially, Bustamante studied economics before venturing into the field of photography. He began his training alongside Denis Brihat, renowned for his still lifes, and then worked as an assistant to William Klein, a prominent photographer, in the mid-1970s. In 1978, he began creating large-format color photographs that he called "Tableaux". Since the 1980s, his work has been characterized by a constant dialogue between sculpture, painting and photography. In later years, the artist began to use Plexiglas as the main support for his work, exploring deeply the use of color. During the 2003 Venice Biennale, where he represented France, he transformed the French pavilion into a space that merged the real and the imaginary. In 2016, he was elected a member of the Academy of Fine Arts, occupying the chair in the Painting section.
Setdart Auction House
Dec. 05, 2024
JEAN-MARC BUSTAMANTE (°1952)
Est: €100 - €200
'Ottoneum Garden Project', 1992. Offset. From one of the 'Documenta' editions. Description FR 'Ottoneum Garden Project', 1992. Offset. Extrait de l'une des éditions de la 'Documenta. Beschrijving NL 'Ottoneum Garden Project', 1992. Offset. Uit een van de 'Documenta' uitgaven.
Bernaerts Auctioneers
Nov. 13, 2024
JEAN-MARC BUSTAMANTE (Touluse, 1952). "Barcelona 6", 1997. Photography, ed. 3/6
Est: €2,000 - €2,400
JEAN-MARC BUSTAMANTE (Touluse, 1952). "Barcelona 6", 1997. Photography, ed. 3/6 Measurements: 40 x 60 cm; 67 x 85 cm (frame). Of Ecuadorian father and English mother, this French artist (Toulouse, 1952) occupies one of the most outstanding places in contemporary European art. After studying economics in his hometown between 1969 and 1972, he studied photography with Denis Brihat between 1973 and 1975. In 1977 he made his first Site, a photograph that will be part of the series that will find its definitive title in Tableaux and that will be presented for the first time as a group at the Kunsthalle Bern in 1994. Almost simultaneously, in 1978, he began to work as assistant to the photographer and filmmaker William Klein, an activity he maintained until 1981, when he decided to devote himself entirely to his artistic activity. Between 1983 and 1987, he entered a phase of collaborative work with Bernard Bazile and, under the name BAZILEBUSTAMANTE, attracted the attention of the art world with his projects on visual codes and sign systems, exhibited in several galleries and at the Musée Saint-Pierre in Lyon in 1986. Since 1987 he has continued alone with his particular photographic work, among which sculptures, installations and silkscreen prints on methacrylates begin to emerge in an apparently asystematic project that, under its heterogeneity, configures one of the most solid, coherent and unitary artistic programs of the present time. With it he has represented France at the Venice Biennial (2003) and has participated in the Paris Biennial (1980), the São Paulo Biennial (1994) and Documentas VIII, IX and X in Kassel (1987, 1992 and 1997). His work has been the subject of monographic presentations in some of the major international museums, including the Kunsthalle Bern (1989 and 1994), Musée d'art moderne de la Ville de Paris (1990), Stedelijk van Abbemuseum, Eindhoven (1992), Galerie National du Jeu de Paume, Paris (1996), Tate Gallery, London (1998), Yokohama Museum of Art (2002), Kunsthaus Bregenz and Musée d'art moderne et contemporain, Saint-Etienne (2006), Musée d'art moderne et contemporain, Strasbourg (with Ed Ruscha) (2007), Palais des Beaux-Arts, Brussels (2008) and Villa Medici, Rome (2011). The decade of the 10s saw the beginning of retrospectives on his work, initiated in Moscow at The Ekaterina Cultural Foundation (2010), followed by the one organized by the Henry Moore Institute, Leeds (2011) and Sala Alcalá 31, Madrid (2012). In 2008, Jean-Marc Bustamante was distinguished with the Medal of Chevalier of the French Legion of Honor, and between 2012 and 2015 he has been Director of the International Art Festival of Toulouse. After years of teaching as a professor of sculpture, first at the Rijksakademie in Amsterdam (1990-1995) and at the École Superieur Nationale de Beaux-Arts in Paris (since 1996) and then as a professor of painting at the Kunstakademie in Munich (since 2010), he has just been appointed Director of the École Nationale Supérieure des Beaux-Arts in Paris.
Setdart Auction House
Nov. 01, 2024
Jean-Marc Bustamante. "Behind the Succulent Plant"
Est: $600 - $800
(French, b. 1925) Screenprint, ed. 4/150, signed and dated "Bustamante, '99" lr, sight size: 12 1/2 x 10 1/2 in., framed size: 22 x 19 in.
Alex Cooper
Oct. 17, 2024
Jean-Marc Bustamante (né en 1952). Un Monde à la Fois. encre sur Plexiglass
Est: €15,000 - €20,000
Jean-Marc Bustamante (né en 1952). Un Monde à la Fois. encre sur Plexiglass 195.5 x 147.3 x 4 cm. Réalisée en 2006, cette œuvre est le numéro un d’une édition de trois exemplaires et une épreuve d’artiste..
Christie's
Oct. 03, 2024
JEAN-MARC BUSTAMANTE (B. 1951). Lumieres 20.01. screenprint on Plexiglas 14
Est: €5,000 - €7,000
JEAN-MARC BUSTAMANTE (B. 1951). Lumieres 20.01. screenprint on Plexiglas 141 x 190cm..
Christie's
Oct. 03, 2024
JEAN-MARC BUSTAMANTE (B. 1951). Au musée. ink on Plexiglas 195 x 147cm..
Est: €5,000 - €7,000
JEAN-MARC BUSTAMANTE (B. 1951). Au musée. ink on Plexiglas 195 x 147cm..
Christie's
Oct. 02, 2024
Lumière
Est: $5,000 - $7,000
Property from an Important Private Collection Sold to Benefit a Charitable Foundation Jean-Marc Bustamante b. 1952 Lumière silkscreen inks on Plexiglas with metal brackets 45 ½ by 75 in. 115.6 by 190.5 cm. Executed in 1993.
Sotheby's
Jul. 10, 2024
JEAN-MARC BUSTAMANTE (Touluse, 1952). "Barcelona 6", 1997. Photography, ed. 3/6
Est: €2,000 - €2,400
JEAN-MARC BUSTAMANTE (Touluse, 1952). "Barcelona 6", 1997. Photography, ed. 3/6 Measurements: 40 x 60 cm; 67 x 85 cm (frame). Of Ecuadorian father and English mother, this French artist (Toulouse, 1952) occupies one of the most outstanding places in contemporary European art. After studying economics in his hometown between 1969 and 1972, he studied photography with Denis Brihat between 1973 and 1975. In 1977 he made his first Site, a photograph that will be part of the series that will find its definitive title in Tableaux and that will be presented for the first time as a group at the Kunsthalle Bern in 1994. Almost simultaneously, in 1978, he began to work as assistant to the photographer and filmmaker William Klein, an activity he maintained until 1981, when he decided to devote himself entirely to his artistic activity. Between 1983 and 1987, he entered a phase of collaborative work with Bernard Bazile and, under the name BAZILEBUSTAMANTE, attracted the attention of the art world with his projects on visual codes and sign systems, exhibited in several galleries and at the Musée Saint-Pierre in Lyon in 1986. Since 1987 he has continued alone with his particular photographic work, among which sculptures, installations and silkscreen prints on methacrylates begin to emerge in an apparently asystematic project that, under its heterogeneity, configures one of the most solid, coherent and unitary artistic programs of the present time. With it he has represented France at the Venice Biennial (2003) and has participated in the Paris Biennial (1980), the São Paulo Biennial (1994) and Documentas VIII, IX and X in Kassel (1987, 1992 and 1997). His work has been the subject of monographic presentations in some of the major international museums, including the Kunsthalle Bern (1989 and 1994), Musée d'art moderne de la Ville de Paris (1990), Stedelijk van Abbemuseum, Eindhoven (1992), Galerie National du Jeu de Paume, Paris (1996), Tate Gallery, London (1998), Yokohama Museum of Art (2002), Kunsthaus Bregenz and Musée d'art moderne et contemporain, Saint-Etienne (2006), Musée d'art moderne et contemporain, Strasbourg (with Ed Ruscha) (2007), Palais des Beaux-Arts, Brussels (2008) and Villa Medici, Rome (2011). The decade of the 10s saw the beginning of retrospectives on his work, initiated in Moscow at The Ekaterina Cultural Foundation (2010), followed by the one organized by the Henry Moore Institute, Leeds (2011) and Sala Alcalá 31, Madrid (2012). In 2008, Jean-Marc Bustamante was distinguished with the Medal of Chevalier of the French Legion of Honor, and between 2012 and 2015 he has been Director of the International Art Festival of Toulouse. After years of teaching as a professor of sculpture, first at the Rijksakademie in Amsterdam (1990-1995) and at the École Superieur Nationale de Beaux-Arts in Paris (since 1996) and then as a professor of painting at the Kunstakademie in Munich (since 2010), he has just been appointed Director of the École Nationale Supérieure des Beaux-Arts in Paris.
Setdart Auction House
Mar. 05, 2024
Jean-Marc Bustamante, French b.1952- - Abstract in colours;
Est: £10,000 - £15,000
Jean-Marc Bustamante, French b.1952- Abstract in colours; acrylic on plexiglass, dimensions: 194 x 147 cm, (unframed) (ARR) Exhibited: Cultural Foundation Ekaterina, Moscow, Russia, 2010, this was considered to be his first Retrospective exhibition Provenance: Galerie Xavier Hufkens, Brussels / Private UK collection Note: The artist is a noted conceptual and installation artist and has incorporated ornamental design and architectural space in his works. His works are in the Tate Collection, also the Metropolitan Museum of art, New York.
Roseberys
Dec. 05, 2023
JEAN-MARC BUSTAMANTE (NE EN 1952) Trophée, 2006 Sérigraphie sur plexiglas et cadre en métal lacqué Signée et numérotée 13/25 sur une étiquette au dos Editée par Kunsthaus Bregenz60 x 50 x 4 cmGalvanized...
Est: €3,000 - €5,000
JEAN-MARC BUSTAMANTE (NE EN 1952) Trophée, 2006 Sérigraphie sur plexiglas et cadre en métal lacqué Signée et numérotée 13/25 sur une étiquette au dos Editée par Kunsthaus Bregenz 60 x 50 x 4 cm Galvanized sheet iron and perspex (silkscreen printed on the reverse), signed and numbered 13/25 on a label on the back
Bonhams
Oct. 21, 2023
Bustamante Jean-Marc - Something is missing (S.I.M.13.97) (1997)
Est: €2,000 - €3,000
Diptych - C-print on white perspex sheet - Label on the reverse Xavier Hufkens Gal., Brussels, mentioning ex. nr. "3/3" (each) - Framed separately
De Vuyst
Oct. 21, 2023
Bustamante Jean-Marc - Tableau T.16.80 (1980)
Est: €6,000 - €10,000
Cibachrome print on aluminium - Unique - Label on the reverse Gal. Xavier Hufkens, Brussels - In artist's frame
De Vuyst
Jun. 15, 2023
JEAN-MARC BUSTAMANTE (°1952)
Est: €200 - €300
Untitled. Marker. With dedication to Jan Hoet. Frame. Description FR Sans titre. Feutre. Avec dédicace. Cadre. Beschrijving NL Zonder titel. Stift. Met opdracht aan Jan Hoet. Kader.
Bernaerts Auctioneers
Jun. 08, 2023
Jean-Marc Bustamante (né en 1952) Beau-fixe encre sur Plexiglass et acier p
Est: €6,000 - €8,000
Jean-Marc Bustamante (né en 1952) Beau-fixe encre sur Plexiglass et acier peint et découpé 170 x 106.5 x 5 cm.
Christie's
May. 17, 2023
Jean-Marc Bustamante (French, b. 1951) T.7.01
Est: $10,000 - $15,000
Jean-Marc Bustamante (French, b. 1951) T.7.01 2001, edition 5/6. Color coupler print. (94 1/2 x 63 in. (240 x 160cm)) Provenance The Artist (with artist's label verso). Matthew Marks Gallery, New York, New York. Private Collection, Pennsylvania (acquired directly from the above in 2003). To request a condition report, or for any additional information, please email Adrianne Wolkenberg at awolkenberg@freemansauction.com.
Freeman's | Hindman
May. 04, 2023
Jean-Marc Bustamante (né en 1952) State of grace encre sur Plexiglass 195 x
Est: €10,000 - €15,000
Jean-Marc Bustamante (né en 1952) State of grace encre sur Plexiglass 195 x 148 cm.
Christie's
Feb. 15, 2023
Jean-Marc Bustamante (b. 1952) Maisons pour insomniaques - Rêves n° 1, 2, 3, 4, 5, 2003
Est: €2,000 - €3,000
Jean-Marc Bustamante (b. 1952) Maisons pour insomniaques - Rêves n° 1, 2, 3, 4, 5, 2003 Set of five chromogenic prints in a foam case designed by Konstantin Grcic Edition 6/30 Toluca Editions VOL. 1 58,5 x 43 x 10,8 cm Provenance : René-Julien Praz & Bruno Delavallade Collection, Paris Jean-Marc Bustamante (né en 1952) Maisons pour insomniaques - Rêves n° 1, 2, 3, 4, 5, 2003 Ensemble de cinq tirages chromogéniques dans un boîtier en mousse designé par Konstantin Grcic Edition 6/30 Toluca Éditions VOL. 1 58,5 x 43 x 10,8 cm Provenance : Collection René-Julien Praz & Bruno Delavallade, Paris
Piasa
Dec. 07, 2022
Jean-Marc BUSTAMANTE (Né en 1952) Stationnaire - 1991 Photographie cibachrome, résine et sable (2 parties)
Est: €3,000 - €5,000
Jean-Marc BUSTAMANTE (Né en 1952) Stationnaire - 1991 Photographie cibachrome, résine et sable (2 parties) Edition de 12 ex. 64,7 x 54,3 x 6 cm 66,3 x 56,5 x 52,3 cm Provenance : Galerie Sollertis, Toulouse Collection Michel Poitevin, France Bibliographie : C. Macel, M. Perelman, J. Lageira, "Jean-Marc Bustamante", Editions Dis Voir, Paris, 1995, reproduit sous le n°3a Commentaire : L'authenticité de cette oeuvre a été confirmée par l'artiste. Cibachrome photograph, resin and sand (2 parts); edition of 12 Estimation 3 000 - 5 000 €
Artcurial
Dec. 07, 2022
Jean-Marc BUSTAMANTE (Né en 1952) LP X (Lugano - Vue sur le lac de Lucerne depuis la Villa Favorita) - 2000 Tirage chromogénique
Est: €6,000 - €8,000
Jean-Marc BUSTAMANTE (Né en 1952) LP X (Lugano - Vue sur le lac de Lucerne depuis la Villa Favorita) - 2000 Tirage chromogénique Edition de 6 ex. + 1 E.A. h: 128,50 w: 226 cm Provenance : Galerie Sollertis, Toulouse Collection Michel Poitevin, France Bibliographie : "Jean-Marc Bustamante, L.P", catalogue de l'exposition au Neues Kunstmuseum, Lucerne, 2001, reproduit p. 11 (un autre tirage) J.-M. Bustamante, S. Berrebi, Z. Felix, "Jean-Marc Bustamante, Long. Playing", Editions Deichtorhallen, Hambourg, 2001, reproduite pp. 18 et 46-47 (un autre tirage) "De leur Temps - Collections privées françaises", Editions Musée des Beaux-Arts, Tourcoing, 2004, reproduite p. 73 (un autre tirage) Commentaire : Cette oeuvre fait partie de la série des "lacs". L'authenticité de cette oeuvre a été confirmée par l'artiste. C-print; edition of 6 + 1 A.P. Estimation 6 000 - 8 000 €
Artcurial
Jun. 01, 2022
Jean-Marc Bustamante: Untitled
Est: €12,000 - €18,000
BUSTAMANTE, JEAN-MARC 1951 Toulouse Title: Untitled. Date: 1992. Technique: lacquer on steel plate. Measurement: 178 x 145cm. Provenance: - Private collection North Rhine-Westphalia Exhibitions: - Van Abbemuseum, Eindhoven 1992 - Kunstmuseum Wolfsburg, 1994 - Galerie Nationale du Jeu de Paume, Paris 1996 Literature: - Exhib. Cat. Jean-Marc Bustamente, Van Abbemuseum, Einhoven 1992, p. 55, ill. Explanations to the Catalogue
Van Ham Kunstauktionen
Apr. 27, 2022
JEAN-MARC BUSTAMANTE, FRENCH 1951-, SOMETHING IS MISSING 14, 1998, C-print, 15 3/8 x 23 1/8 in. (39.05 x 58.74 cm.), Frame: 26 1/4 x 33 3/4 in. (66.68 x 85.73 cm.)
Est: $3,000 - $5,000
JEAN-MARC BUSTAMANTE FRENCH, 1951- SOMETHING IS MISSING 14, 1998 C-print Verso label: Mathew Marks Gallery, New York New York (2)
Potomack Company
Dec. 21, 2021
Jean-Marc Bustamante (born 1952) Lock - 2005
Est: €150 - €200
Jean-Marc Bustamante (born 1952) Lock - 2005 Screenprint on glass Signed and numbered "55/99" in pencil on the publisher's label, under the base 13 X 27 cm - framed Jean-Marc Bustamante (né en 1952) Lock - 2005 Sérigraphie sur verre Signée et numérotée "55/99" au crayon sur l'étiquette d'éditeur, sous la base 13 × 27 cm - encadrée
Piasa
Dec. 07, 2021
Jean-Marc BUSTAMANTE (Né en 1952) - LP X (Lugano - Vue sur le lac de Lucerne depuis la Villa Favorita), 2000
Est: €6,000 - €8,000
Jean-Marc BUSTAMANTE (Né en 1952) LP X (Lugano - Vue sur le lac de Lucerne depuis la Villa Favorita), 2000 Tirage chromogénique Tirage 2/6 Tirage à 6 Exemplaires + 1AP 180 × 227 cm – 89.37 × 70.86 in. C-Print Edition 2/6 Edition of 6 + 1AP Le cartel de l’artiste est apposé au dos du montage Un certificat de l’artiste sera remis à l’acquéreur Provenance : - Galerie Bob van Orsouw, Zurich - Collection particulière, Paris Expositions : - Jean-Marc Bustamante, L.P, Neues Kunstmuseum, Lucerne, Exposition en 2001 - Jean-Marc Bustamante, L.P, Huis Marseille, Amsterdam, Exposition en 2001 Bibliographie : - Jean-Marc Bustamante, L.P, Catalogue de l’exposition au Neues Kunstmuseum, Lucerne, 2001. Oeuvre reproduite en page 11 de l’ouvrage - Jean-Marc Bustamante, Long. Playing, Deichtorhallen, Hambourg, 2001. Œuvre reproduite en pages 46 et 47 de l’ouvrage (vue d’ensemble en page 18) - De leur Temps - Collections privées françaises, Musée des Beaux-Arts, Tourcoing, 2004. Œuvre reproduite en page 73 de l’ouvrage
Cornette de Saint-Cyr
Dec. 06, 2021
Jean-Marc Bustamante (né en 1952) Sans titre encres sérigraphiées sur Plex
Est: €5,000 - €7,000
Jean-Marc Bustamante (né en 1952) Sans titre encres sérigraphiées sur Plexiglas 146.5 x 195.5 cm.
Christie's
Nov. 26, 2021
Jean-Marc BUSTAMANTE (Né en 1952) - MONTE CARLO
Est: €70 - €100
Jean-Marc BUSTAMANTE (Né en 1952) MONTE CARLO Carte postale Signée et dédicacée 15 x 12 cm - encadrée A vendre sans prix de réserve
Cornette de Saint-Cyr
Oct. 13, 2021
Jean-Marc Bustamante (né en 1952) Panorama Wireless encres sérigraphiées su
Est: €4,000 - €6,000
Jean-Marc Bustamante (né en 1952) Panorama Wireless encres sérigraphiées sur plexiglass 150 x 200 cm.
Christie's
Jun. 23, 2021
Jean-Marc Bustamante: Tableaux No. 16
Est: €2,000 - €3,000
BUSTAMANTE, JEAN-MARC 1951 Toulouse Title: Tableaux No. 16. Date: 1979. Technique: C-print. Depiction Size: 103 x 130cm. Frame: Framed (112 x 138cm). Not examined out of the frame. Provenance: - Galerie Bob van Orsouw, Zurich (adhesive label).
Van Ham Kunstauktionen
May. 26, 2021
Jean-Marc Bustamante (né en 1952) Tableau n°39, 1980-1990 signés et datés 'Bustamante 1980
Est: €5,000 - €7,000
Jean-Marc Bustamante (né en 1952) Tableau n°39, 1980-1990 signés et datés 'Bustamante 1980-1990. Dyptique' au feutre (dos du cadre) chaque image/feuille : 104 x 131 cm. (2)
Christie's
May. 03, 2021
Jean-Marc Bustamante (b. 1952)
Est: €2,000 - €3,000
"S.I.M.05.08", 2008
Veritas Art Auctioneers
Apr. 22, 2021
JEAN-MARC BUSTAMANTE (°1952)
Est: €200 - €300
'Lock', 2005. Multiple on glass. Numbered 55/99? Plexiglass. Description FR 'Lock', 2005. Multiple sur verre. Numérotée. Sous plexi, soccle. Beschrijving NL 'Lock', 2005. Serigraphie op glas. Genummerd 55/99. In plexi kader op voet.
Bernaerts Auctioneers
Apr. 20, 2021
Jean-Marc BUSTAMANTE (Né en 1951) Stationnaire II - 1991 Impression cibachrome dans une boîte en béton avec son couvercle
Est: €1,500 - €2,000
Jean-Marc BUSTAMANTE (Né en 1951) Stationnaire II - 1991 Impression cibachrome dans une boîte en béton avec son couvercle Cibachrome: 61.5 x 51.5 cm. Béton: 10 x 66 x 56 cm. Cibachrome print in a concrete box with its lid Cibachrome: 24.21 x 20.27 in. concrete lid: 3.93 x 25.98 x 22.04 in.. h: 56,10 w: 66,30 d: 5,70 cm Estimation 1 500 - 2 000 €
Artcurial
Dec. 10, 2020
Jean-Marc Bustamante: "Lumière"
Est: €800 - €1,000
BUSTAMANTE, JEAN-MARC 1951 Toulouse Title: "Lumière". Date: 2003. Techinque: Colour silkscreen on Acrylic glass. Depiction Size: 60 x 60cm. Notation: Signed, dated, titled and numbered (separate edition label). Publisher: Edition Schellmann, Munich/New York (publisher). Number: 24/50. The work was published for the Biennale in Venice 2003. Estimated Estimated shipping costs for this lot: Germany: 42,02 Euro plus 7,98 Euro VAT EU: 79,83 Euro plus 15,17 Euro VAT Worldwide: 134,45 Euro plus 25,55 Euro VAT additional shipping insurance
Van Ham Kunstauktionen
Dec. 09, 2020
Jean-Marc Bustamante - 2 Bll.: Ohne Titel (Miami) - Ohne Titel (Barcelona)
Est: €5,000 - €6,000
C-Print auf Fotokarton. (1996 und 1997). Ca. 40 x 60 cm (Blattgröße ca. 50 x 61 cm). Wohl eines von nur 6 Exemplaren. Besteuerung: differenzbesteuert (VAT: Margin Scheme)
Karl & Faber