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Julia Margaret Cameron Sold at Auction Prices

Photographer, b. 1815 - d. 1879

Julia Margaret Cameron (née Pattle; 11 June 1815 – 26 January 1879) was a British photographer who is considered one of the most important portraitists of the 19th century. She is known for her soft-focus close-ups of famous Victorian men and for illustrative images depicting characters from mythology, Christianity, and literature. She also produced sensitive portraits of women and children.

After establishing herself first among Calcutta's Anglo-Indian upper-class and then among London's cultural elite, Cameron formed her own salon frequented by distinguished Victorians at the seaside village of Freshwater, Isle of Wight.

After showing a keen interest in photography for many years, Cameron took up the practice at the relatively late age of 48, after her daughter gave her a camera as a present. She quickly produced a large body of work capturing the genius, beauty, and innocence of the men, women, and children who visited her studio at Freshwater, and created unique allegorical images inspired by tableaux vivants, theatre, 15th-century Italian painters, and the work of her creative contemporaries. Her photography career was short but productive; she made around 900 photographs over a 12-year period.

Cameron's work was contentious in her own time. Critics lambasted her softly focused and unrefined images, and considered her illustrative photographs amateurish and hammy. However, her portraits of respected men (such as Henry Taylor, Charles Darwin, and Sir John Herschel) have been consistently praised, both in her own life and in reviews of her work since. Her images have been described as "extraordinarily powerful" and "wholly original", and she has been credited with producing the first close-ups in the history of the medium.

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  • Julia Margaret Cameron, British 1815-1879, Sir Alfred Lord Tennyson, photogravure
    Aug. 29, 2026

    Julia Margaret Cameron, British 1815-1879, Sir Alfred Lord Tennyson, photogravure

    Est: $250 - $350

    Julia Margaret Cameron British, 1815-1879 Sir Alfred Lord Tennyson photogravure matted, unframed.

    Link Auction Galleries
  • Julia Margaret Cameron (1815-1879) The Nestling Angel, 1872
    May. 21, 2026

    Julia Margaret Cameron (1815-1879) The Nestling Angel, 1872

    Est: £800 - £1,200

    Carbon print, likely printed by the Autotype Company, London, 1875, flush-mounted to modern card, image size 34.5 x 28cm, with two trimmed labels, signed, dated, and inscribed by the photographer in ink mounted lower margin recto. Framed, frame size 71 x 46cm. The inscriptions mounted below the print read: "Autotype taken from Mrs. Cameron's registered photograph from the life copyright Julia Margaret Cameron / The Nestling Angel" and "A Xmas gift for sweet little [...] in the form of a Ceylon robin! With a kiss of welcome to our beloved Kalutara / Dec. 1876". The sitter, posing as an angel, is possibly Mabel Hood, who also sat for Cameron with her mother and another child in 1872. The Victoria and Albert Museum holds a carbon print of Lady Hood, Mabel, and an unidentified child [ref.RPS.821-2017], as well as an albumen print of the present image [ref.RPS.1142-2017], also titled 'Cupid'. Julia Margaret Cameron and her husband left their home on the Isle of Wight in 1875 to move to Ceylon, where they settled at Kalutara. Prior to leaving England, Cameron employed the Autotype Company, London, to produce carbon prints of her negatives, of which the present lot is likely one. Cameron hosted guests at their Kalutara home until her death in 1879, most notably British painter Marianne North (1830–1890), who painted scenes of the landscape around the Cameron home. The inscription alongside this print suggests the picture was a welcome gift for a guest staying with the family during the Christmas holiday, 1876. Literature: Cox & Ford, Julia Margaret Cameron: The Complete Photographs. London: Thames and Hudson, 2003. Cat. no. 902, p.390. Qty: (1)

    Chiswick Auctions
  • Julia Margaret Cameron (1815-1879)
    Apr. 16, 2026

    Julia Margaret Cameron (1815-1879)

    Est: £100 - £150

    Julia Margaret Cameron (1815-1879) 'The Guardian Angel', dated circa 1868, but probably a later print, in a modern arched mount and gilt frame, part erased label to the reverse of the 'Photographic Heritage Library', 20 x 10cm (image)

    Cheffins
  • JULIA MARGARET CAMERON (1815–1879)
    Nov. 21, 2025

    JULIA MARGARET CAMERON (1815–1879)

    Est: €80,000 - €100,000

    JULIA MARGARET CAMERON (1815–1879) | Julia Jackson, 1867 Image Size: 25 x 20 cm English Albumen print, mounted on original card board 33.3 x 24.8 cm, in very good condition. Signed "Julia Margaret Cameron", titled "Julia." and annotated "From life" by the photographer in ink on the lower cardboard, also blind stamped "Registered photograph. London. Sold by Messrs COLNAGHI. 14 Pall Mall East". LITERATURE Sylvia Wolf, Debra N. Mancoff et al. (eds.), Julia Margaret Cameron's Women, Yale University Press 1998, cover ill. Although Julia Margaret Cameron only began taking photographs at the age of forty-eight, she is one of the most important pioneers of artistic photography. Even during her lifetime, she was celebrated for her pictures of allegorical or literary figures, which she staged in her studio on the Isle of Wight, mostly with models from her circle of family and friends. Her effective use of blurring and strong contrasts of light, which gave her portraits an unmistakable expression, was also soon appreciated. Her niece Julia Jackson (1846–1895), who perfectly embodied the Pre-Raphaelite ideal of beauty of the time, was photographed by Cameron several times. This portrait was taken in April 1867, shortly before Jackson's marriage to Herbert Duckworth, and exists in two versions, distinguishable by a thin, sharply drawn strand of curls at the temple, which this print also shows. Here, Jackson is presented as vulnerable and delicate – in contrast, profile pictures taken after the wedding emphasise the noble severity of her features, which she later passed on to her daughter Virginia Woolf, who came from her second marriage. From around 1865 onwards, Cameron had her works distributed by the traditional and renowned art gallery "Colnaghi" in central London, and a corresponding blind stamp can be found on the original cardboard. The print with authentic signature, original retouching and a patina that shows the unmistakable signs of Cameron's characteristic practice is an exceptionally rare collector's item. * Fully Taxed * subject to resale right Deutsch Albuminabzug, montiert auf originalem Untersatzkarton 33,3 x 24,8 cm, in sehr gutem Zustand. Am unteren Karton von der Fotografin mit Tinte signiert, betitelt "Julia." und beschriftet "From life" sowie Blindstempel "Registered photograph. London. Sold by Messrs COLNAGHI. 14 Pall Mall East". LITERATUR Sylvia Wolf, Debra N. Mancoff et al. (Hg.), Julia Margaret Cameron's Women, Yale University Press 1998, Covermotiv. Obwohl Julia Margaret Cameron erst im Alter von achtundvierzig Jahren zu fotografieren begann, zählt sie zu den bedeutendsten Pionierinnen künstlerischer Fotografie. Bereits zu Lebzeiten wurde sie für ihre Bilder allegorischer oder literarischer Figuren gefeiert, die sie in ihrem Studio auf der Isle of Wight, meist mit Modellen aus ihrem Familien- und Bekanntenkreis, inszenierte. Außerdem schätzte man schon bald ihren effektvollen Einsatz von Unschärfe und starken Licht-Kontrasten, der ihren Porträts einen unverwechselbaren Ausdruck verlieh. Ihre Nichte Julia Jackson (1846–1895), die dem Präraffaelitischen Schönheitsideal der Zeit perfekt entsprach, fotografierte Cameron mehrfach. Das vorliegende Porträt entstand im April 1867, kurz vor Jacksons Hochzeit mit Herbert Duckworth, und existiert in zwei Varianten, unterscheidbar an einer dünnen, scharf gezeichneten Lockensträhne an der Schläfe, die auch dieser Abzug aufweist. Hier wird Jackson verletzlich und zart gezeigt – dagegen betonen nach der Hochzeit entstandene Profilbilder die edle Strenge ihrer Züge, die sie in ihrer zweiten Ehe auch Tochter Virginia Woolf vererben sollte. Ab etwa 1865 ließ Cameron ihre Werke durch die traditionsreiche Galerie "Colnaghi" im Zentrum von London vertreiben, ein entsprechender Blindstempel befindet sich auf dem Untersatzkarton. Der Abzug mit authentischer Signatur, originaler Retusche und einer Patina mit unverkennbaren Zeichen der für Cameron so typischen Praxis, ist ein außerordentlich seltenes Sammlerstück. * Vollbesteuert * folgerechtspflichtig

    OstLicht Auctions
  • JULIA MARGARET CAMERON (1815–1879)
    Nov. 21, 2025

    JULIA MARGARET CAMERON (1815–1879)

    Est: €1,400 - €1,600

    JULIA MARGARET CAMERON (1815–1879) | Thomas Carlyle, London 1867 Image Size: 19.8 x 15.5 cm English Photogravure, printed in 1913 for "Camera Work 41" on Japanese paper 28 x 20 cm, mounted on original page 29.5 x 20.9 cm, in excellent condition. LITERATURE Alfred Stieglitz, Camera Work, The Complete Illustrations 1903–1917, Cologne 1997, p. 684. Cameron long wished to photograph the brilliant historian and philosopher Thomas Carlyle (1795–1881) and ultimately took her camera to London to do so. The resulting photograph she considered as a successful record of Carlyle's inner greatness as well as his features. Carlyle, on the other hand, wrote of it to Cameron: "Terrifically ugly and woe-begone, but has something of likeness: my candid opinion". * Fully Taxed * subject to resale right Deutsch Photogravüre, geprintet 1913 für "Camera Work 41" auf Japanpapier 28 x 20 cm, montiert auf der Originalseite der Zeitschrift 29,5 x 20,9 cm, in ausgezeichnetem Zustand. LITERATUR Alfred Stieglitz, Camera Work, The Complete Illustrations 1903–1917, Köln 1997, S. 684. Cameron hatte schon länger den Wunsch, den brillanten Historiker und Philosophen Thomas Carlyle (1795–1881) zu porträtieren und kam dafür schließlich mit ihrer Kamera nach London. Im Ergebnis sah sie eine gelungene Wiedergabe der inneren Größe wie der äußeren Erscheinung Carlyles. Dieser kommentierte Camerons Aufnahme folgendermaßen: "Das Porträt zeigt mich schrecklich hässlich und von Gram gezeichnet, ist mir aber in der Direktheit (der Wiedergabe) auch sehr ähnlich". * Vollbesteuert * folgerechtspflichtig

    OstLicht Auctions
  • Julia Margaret Cameron. A suite of four portraits from Camera Work Number 41. 1913.
    Oct. 16, 2025

    Julia Margaret Cameron. A suite of four portraits from Camera Work Number 41. 1913.

    Est: $2,000 - $3,000

    Julia Margaret Cameron 1815-1879 A suite of four portraits from Camera Work Number 41. 1913. Photogravures Carlyle * Herschel * Joachim * Ellen Terry, at the age of sixteen

    Swann Auction Galleries
  • JULIA MARGARET CAMERON (1815–1879). Untitled (Likely May Prinsep), c. 1870.
    Oct. 09, 2025

    JULIA MARGARET CAMERON (1815–1879). Untitled (Likely May Prinsep), c. 1870.

    Est: $8,000 - $12,000

    JULIA MARGARET CAMERON (1815–1879). Untitled (Likely May Prinsep), c. 1870. Colnaghi blind stamp (mount, recto)image/sheet: 13 ¼ x 10 3/8 in. (33.6 x 26.3 cm.)mount: 15 x 11 ¼ in. (38.1 x 28.5 cm.).

    Christie's
  • Julia Margaret Cameron Complete Photographs
    Sep. 11, 2025

    Julia Margaret Cameron Complete Photographs

    Est: $300 - $500

    Heading: Author: Cameron, Julia Margaret Title: Julia Margaret Cameron: The Complete Photographs Place Published: Los Angeles Publisher:J. Paul Getty Museum Date Published: [2003] Description: Illustrated from photographs throughout. Text by Julian Cox and Colin Ford, et al. (Folio) cloth. pictorial jacket. First Edition. A biographical examination of the important British photographer.

    PBA Galleries Auctions & Appraisers
  • JULIA MARGARET CAMERON (BRITISH, 1815-1879).
    Jun. 29, 2025

    JULIA MARGARET CAMERON (BRITISH, 1815-1879).

    Est: $2,000 - $3,000

    'Romeo & Juliet' (Henry John Stedman Cotton (1845-1917) and Mary Ryan (1848-1914)). Albumen print laid to paper with several layers. Signed, titled, and inscribed lower margins. Colnaghi blind stamp lower middle. Literature: Joanne Lutisch, 'Julia Margaret Cameron 55' Phaidon Press Ltd., NY. 2001. page 69; Julia Cox and Colin Ford. 'Julia Margaret Cameron; The Complete Photographs'. Getty Publications, CA. 2003. #1106, page 453. Property from a Manhattan, NYC collection. Dimensions: Image: 11.50" h x 9" w. Sheet: 15" h x 11' Frame: 27" h x 23" w.

    Clarke Auction Gallery
  • Cameron, Julia Margaret: Three King's Daughters Fair
    Jun. 04, 2025

    Cameron, Julia Margaret: Three King's Daughters Fair

    Est: €4,000 - €6,000

    Three King's Daughters Fair (Mary Peacock, Emily Peacock, Annie Chinery Cameron). 1873. Albumen print. 33,2 x 27,8 cm (44,2 x 37,7 cm). Mounted to modern board. - - Julia Margaret Cameron’s Three Kings’ Daughters Fair embodies her pioneering vision of elevating photography into the realm of fine art. Drawing inspiration from the Pre-Raphaelite Brotherhood, Victorian poetry, and her close relationships with leading literary and artistic figures of her time, Cameron cultivated an aesthetic that was both intimate and transcendent. The title of this work originates from a ballad translated by Dante Gabriel Rossetti, whose romantic medievalism profoundly shaped Cameron’s approach. The photograph’s dreamlike quality - soft focus, luminous faces, and floral symbolism - evokes an allegorical reverie oscillating between portraiture and poetic myth. The sitters - Mary and Emily Peacock, along with Cameron’s daughter-in-law, Annie Chinery Cameron - were part of her creative circle, often posing as literary and mythological figures in her staged compositions. Their presence in this image extends beyond mere likeness, rather symbolizing vessels of narrative and sentiment, in keeping with Cameron’s belief that photography should aspire to the expressive depth of painting and poetry. At a time when photographic sharpness was equated with technical prowess, Cameron defied convention by embracing soft focus as a means of artistic interpretation. Her ethereal, often melancholic compositions prefigured the Pictorialism movement, challenging rigid definitions of the medium, and establishing her legacy as one of the 19th century’s most innovative photographers. – Some light surface irregularities and fading along edges of print, otherwise a strong print in near excellent condition. - - Lit.: Mike Weaver. Julia Margaret Cameron 1815-1879. Farnham 1984, ill. p. 72. - Amanda Hopkinson. Julia Margaret Cameron. London 1986, ill. p. 135. - Julian Cox and Colin Ford. Julia Margaret Cameron: The Complete Photographs. Los Angeles 2003, ill. p. 237. - - Sollten Sie detailliertere Zustandsberichte wünschen, kontaktieren Sie uns bitte. / Should you need more detailed condition reports, please contact us.

    Bassenge Auctions
  • Cameron, Julia Margaret (1815-1879) Victorian Photographs of Famous Men and Fair Women.
    May. 15, 2025

    Cameron, Julia Margaret (1815-1879) Victorian Photographs of Famous Men and Fair Women.

    Est: $500 - $700

    Cameron, Julia Margaret (1815-1879) Victorian Photographs of Famous Men and Fair Women. London: Leonard and Virginia Woolf at the Hogarth Press, 1926. First edition, limited issue, quarto; copy 12 of 450 printed for sale in Great Britain; illustrated with frontispiece and 24 reproductions of Cameron's portraits, protected by original tissue guards; bound in parchment-backed boards, gilt-lettered spine (soiling and area of toning to boards, cracking and losses at spine reinforced with tape, corners exposed, endpapers toned); 12 1/2 x 10 in.

    Swann Auction Galleries
  • Julia Margaret Cameron (1815-1879), THE KISS OF PEACE, 1869
    Mar. 27, 2025

    Julia Margaret Cameron (1815-1879), THE KISS OF PEACE, 1869

    Est: $4,000 - $6,000

    Julia Margaret Cameron (1815-1879), British THE KISS OF PEACE, 1869 albumen print on paper, mounted to board signed, titled, dated, and inscribed "From Life Registered Photograph Copyright Julia Margaret Cameron" in ink to mount; with Colnaghi blind stamp 9.1 x 7.1 in — 23 x 18 cm Estimate: $4,000—6,000 CAD

    Waddington's
  • Julia Margaret Cameron (1815-1879) Study of a Magdalen [Mary Ryan], Freshwater, 1874
    Feb. 19, 2025

    Julia Margaret Cameron (1815-1879) Study of a Magdalen [Mary Ryan], Freshwater, 1874

    Est: €500 - €700

    Julia Margaret Cameron (1815-1879) Study of a Magdalen [Mary Ryan], Freshwater, 1874 Print on albumen paper, mounted on cardboard Signed, titled, dated and annotated "From Life" in ink with le timbre sec "Sold by Messrs Colnaghi" on the mount on the bottom 35,5×27,3cm Julia Margaret Cameron (1815-1879) Study of a Magdalen [Mary Ryan], Freshwater, 1874 Épreuve sur papier albuminé, contrecollée sur carton Signée, titrée, datée et annotée "From Life" à l'encre avec le timbre sec "Sold by Messrs Colnaghi" sur le montage en bas 35,5×27,3cm

    Piasa
  • JULIA MARGARET CAMERON (1815-1879) Sir Henry Taylor. 1865.
    Feb. 13, 2025

    JULIA MARGARET CAMERON (1815-1879) Sir Henry Taylor. 1865.

    Est: $6,000 - $9,000

    JULIA MARGARET CAMERON (1815-1879) Sir Henry Taylor. 1865. Albumen print, the image measuring 9⅞x8⅛ inches (25.1x20.6 cm.), the mount 21½x17 inches (54.6x43.2 cm.), with Cameron's signature, notation "From Life," and title in ink, and a Colnaghi blind stamp, on mount recto. Provenance The Collection of Neil Robert Berzak Reproduced Cox & Ford, Julia Margaret Cameron: The Complete Photographs (The J. Paul Getty Museum), p. 350, pl. 781

    Swann Auction Galleries
  • JULIA MARGARET CAMERON (1815-1879) Henry Taylor, a portrait. 1865.
    Dec. 17, 2024

    JULIA MARGARET CAMERON (1815-1879) Henry Taylor, a portrait. 1865.

    Est: $4,000 - $6,000

    JULIA MARGARET CAMERON (1815-1879) Henry Taylor, a portrait. 1865. Albumen print, the image measuring 11x9 inches (27.9x22.9 cm.), the two-toned mount 15x11¼ inches (38.1x28.6 cm.), with Cameron's signature, the title, and notation "From Life" in ink, and the Colnaghi blind stamp, on mount recto. Provenance Swann Galleries, sale 1981, lot 24, October 21, 2003; to the Collection of Neil Robert Berzak Reproduced Cox & Ford, Julia Margaret Cameron: The Complete Photographs (The J. Paul Getty Museum), p. 352, pl. 783 Throughout his working life at the Colonial Office (for which he was knighted in 1869), Henry Taylor (1800-1886) was a prolific author. His best-known works were four verse plays, including Philip von Artevelde, a drama based on the Elizabethan model, and The Statesman, his ironic view on the art of success.

    Swann Auction Galleries
  • JULIA MARGARET CAMERON (1815-1879) Alfred, Lord Tennyson. 1869.
    Dec. 17, 2024

    JULIA MARGARET CAMERON (1815-1879) Alfred, Lord Tennyson. 1869.

    Est: $10,000 - $15,000

    JULIA MARGARET CAMERON (1815-1879) Alfred, Lord Tennyson. 1869. Albumen print, the image measuring 12¼x9½ inches (31.1x24.1 cm.), the mount 18½x13¾ inches (47x34.9 cm.), with Cameron's signature, notation "From Life," and negative date in ink, and the Colnaghi blind stamp, on mount recto. Provenance The Collection of Neil Robert Berzak Reproduced Cox & Ford, Julia Margaret Cameron: The Complete Photographs (The J. Paul Getty Museum), p. 359, pl. 810 Some of Tennyson's early poems were in print even before he was an undergraduate at Trinity College, Cambridge, when he won the Chancellor's Prize for Poetry. After he published a two-volume collection of his poetry in 1842, Tennyson became the most popular poet of the age. He was made Queen Victoria's poet laureate in 1850.

    Swann Auction Galleries
  • Julia Margaret Cameron (1815-1879)
    Nov. 19, 2024

    Julia Margaret Cameron (1815-1879)

    Est: £4,000 - £6,000

    Julia Margaret Cameron (1815-1879) REBECCA, 1866. Albumen print from a wet collodion negative, pasted down to period mount, image size 34.5 x 28cm, mount size 58.5 x 46cm, signed and annotated "Freshwater" / "From Life Registered Photograph Copyright" by the photographer in ink lower margin, annotated 'Haidee' in pencil lower margin, with Colnaghi blinstamp recto. Additionally annotated by the Reverend Archer Clive "Mrs Feilden Dulas" in pencil upper margin. Col. Robert Feilden lived at Dulas Court, between 1858 and 1868, only a few miles from the Clives in Herefordshire. Literature: Cox, Ford, Lukitsh and Wright. Julia Margaret Cameron: The Complete Photographs. London: Thames & Hudson, in association with The J. Paul Getty Museum, Los Angeles and The National Museum of Photography, Film & Television, Bradford, 2003, cat. no.548, p.281

    Chiswick Auctions
  • JULIA MARGARET CAMERON (1815-1879) Balaustion (Annie Chinery Cameron). 1871.
    Oct. 31, 2024

    JULIA MARGARET CAMERON (1815-1879) Balaustion (Annie Chinery Cameron). 1871.

    Est: $8,000 - $12,000

    JULIA MARGARET CAMERON (1815-1879) Balaustion (Annie Chinery Cameron). 1871. Albumen print, the image measuring 12⅝x10⅝ inches (32.1x27 cm.), the modern mount 17x15 inches (43.2x38.1 cm.). Reproduced Cox & Ford, Julia Margaret Cameron: The Complete Photographs (The J. Paul Getty Museum), p. 194, pl. 202 and pl. 203

    Swann Auction Galleries
  • Julia Margaret Cameron, Sir John Herschel, 1867
    Sep. 18, 2024

    Julia Margaret Cameron, Sir John Herschel, 1867

    Est: $400 - $600

    Julia Margaret Cameron (1815 - 1879) Sir John Herschel, 1867 photogravure from Camera Work No. 41, 1913 graphite inscribed on mount: cw #41 Julia Margret Cameron "Herschel" graphite inscribed on mount verso: CW#41 Julia Margaret Cameron- / "Herschel"

    Santa Fe Art Auction
  • Julia Margaret Cameron (1815-1879)
    Aug. 07, 2024

    Julia Margaret Cameron (1815-1879)

    Est: £500 - £700

    Julia Margaret Cameron (1815-1879) Julia Margaret Cameron (1815-1879) FLORENCE, AFTER THE MANNER OF THE OLD MASTERS [FLORENCE FISHER], 1872. Albumen print from a collodion negative, pasted down to period card, image/sheet size 345 x 265mm, card size 420 x 345mm, with an additional piece of mount board inscribed in ink 'Horatia Buxton'. PROVENANCE: Herbert W. Fisher (1826-1903), thence by descent. Fisher was married to Julia Margaret Cameron's niece, Mary Louisa Jackson (1841-1915), daughter of John Jackson (1804-1887) and Maria T. A. Pattle (1818-1892), Cameron's sister. Florence Fisher, the sitter in the present image, was the first daughter of Herbert and Mary Louisa's eleven children.

    Chiswick Auctions
  • Julia Margaret Cameron (1815-1879)
    Aug. 07, 2024

    Julia Margaret Cameron (1815-1879)

    Est: £100 - £200

    Julia Margaret Cameron (1815-1879) Julia Margaret Cameron (1815-1879) MRS HERBERT DUCKWORTH [JULIA JACKSON], 1867. Albumen print from a collodion negative, pasted down to period card, image/sheet size 345 x 265mm, card size 385 x 290mm, signed, dated, and inscribed '...April 1867 Julia Margaret Cameron. For her beloved Mother', by the photographer in ink lower margin recto. [inscription and signature obscured by residual adhesive to mount] PROVENANCE: Herbert W. Fisher (1826-1903), thence by descent. Fisher was married to Julia Margaret Cameron's niece, Mary Louisa Jackson (1841-1915), daughter of John Jackson (1804-1887) and Maria T. A. Pattle (1818-1892), Cameron's sister. Julia Jackson, the present subject, was the younger sister of Mary Louisa, and became one of Cameron's best known sitters.

    Chiswick Auctions
  • Julia Margaret Cameron, Sir John Herschel with Cap
    Jul. 10, 2024

    Julia Margaret Cameron, Sir John Herschel with Cap

    Est: $2,500 - $3,500

    Julia Margaret Cameron Sir John Herschel with Cap 1867 albumen print image: 12.625 h x 9.75 w in (32 x 25 cm) mount: 14.5 h x 11.75 w in (37 x 30 cm) Provenance: Robert Schoelkopf, New York | Private Collection Literature: Julia Margaret Cameron: The Complete Photographs, Cox and Ford, pg. 674 The Cameron Collection: An Album of Photographs by Julia Margaret Cameron Presented to Sir John Herschel, Ford, jacket cover, pl. 1 Julia Margaret Cameron, Gernsheim, pg. 153 This work will ship from Lambertville, New Jersey.

    Los Angeles Modern Auctions
  • Fotografen - Cameron - Portrait von Florence Fisher.
    Jun. 19, 2024

    Fotografen - Cameron - Portrait von Florence Fisher.

    Est: €1,000 - €1,500

    Vintage Albumin-Abzug. Sign. und mit hs. Copyright versehen. Auf Trägerkarton aufgewalzt. Ca. 35 X 27 cm; Träger 52 x 37 cm. (146) - Die bedeutende britische Fotografin Julia Margaret Cameron (1815-1879) ist bekannt für ihre Portraits, die in Stil und Zartheit von den Präraffaeliten beeinflusst sind. Die junge Florence Fisher wurde 1872 von Cameron mehrfach portraitiert. - Mit dem handschriftlichen Copyright-Vermerk "From life Registered Photograph Copy right" und angeschnittenem Copyright-Blindstempel auf dem Trägerkarton.

    Zisska & Lacher
  • Julia Margaret Cameron (1815-1879)
    Jun. 06, 2024

    Julia Margaret Cameron (1815-1879)

    Est: £200 - £300

    Julia Margaret Cameron (1815-1879) Julia Margaret Cameron (1815-1879) THOMAS CARLYLE, 1867. Photogravure on Japanese tissue, published as Plate 1 in Camera Work no.41, 1913, image size 212 x 160mm, sheet size 277 x 200mm, with original backing page (loose). Alfred Stieglitz included five works by British photographer Julia Margaret Cameron in the 41st issue of his pioneering Photo-Secessionist journal Camera Work. Cameron, who died in 1879, was regarded by the Photo-Secessionists as "one of photography's few 'classics'." (Camera Work, no.41, 1913, p.41). The issue included five of Cameron's images, including two of historian and essayist Thomas Carlyle, one of Sir John Herschel, one of violinist Joseph Joachim, and her portrait of actress Ellen Terry at the age of sixteen. A note on the printmaking of Cameron's images was included in the editorial text, reading, "The gravure plates of the five Camerons were made by the Autotype Fine Arts Company, London, directly from the original collodion negatives which average about ten by twelve inches in size. The makers of the gravures are the owners of the original negatives." (p.42) With a hint of modesty, the editorial text also makes note of the origin of Stieglitz's own plates, which followed Cameron's, reading "The Stieglitz Plates call for no special comment." Literature: Cox, Ford, Lukitsh, Wright. Julia Margaret Cameron: The Complete Photographs. London: Thames & Hudson in association with the J. Paul Getty Museum, Los Angeles and the National Museum of Photography, Film & Televison, Bradford, 2003, no.629. Roberts, P. Alfred Stieglitz: Camera Work: The Complete Illustrations 1903 - 1917. Cologne: Taschen, 1997, p.683.

    Chiswick Auctions
  • Fotografen - Cameron - Portrait von Florence Fisher.
    Jun. 06, 2024

    Fotografen - Cameron - Portrait von Florence Fisher.

    Est: €1,000 - €1,500

    Vintage Albumin-Abzug. Sign. und mit hs. Copyright versehen. Auf Trägerkarton aufgewalzt. Ca. 35 X 27 cm; Träger 52 x 37 cm. (146) - Die bedeutende britische Fotografin Julia Margaret Cameron (1815-1879) ist bekannt für ihre Portraits, die in Stil und Zartheit von den Präraffaeliten beeinflusst sind. Die junge Florence Fisher wurde 1872 von Cameron mehrfach portraitiert. - Mit dem handschriftlichen Copyright-Vermerk "From life Registered Photograph Copy right" und angeschnittenem Copyright-Blindstempel auf dem Trägerkarton.

    Zisska & Lacher
  • Julia Margaret Cameron (British, 1815-1879)
    May. 23, 2024

    Julia Margaret Cameron (British, 1815-1879)

    Est: £200 - £300

    Julia Margaret Cameron (British, 1815-1879) Alfred, Lord Tennyson (1809-1892), circa 1867, albumen print, framed, oval, 10 x 7½in. (25.4 x 19cm.).

    Martel Maides
  • JULIA MARGARET CAMERON (1815-1879) A Study of the Cenci.
    May. 16, 2024

    JULIA MARGARET CAMERON (1815-1879) A Study of the Cenci.

    Est: $3,000 - $4,500

    JULIA MARGARET CAMERON (1815-1879) A Study of the Cenci. Albumen print, the image measuring 14¼x11⅝ inches (36.2x29.5 cm.), flush mounted to the original board. 1870 Provenance: Neikrug Gallery, New York; to Frances and Donald Werner, New York, 1975

    Swann Auction Galleries
  • After Julia Margaret Cameron (1815-1879). The Infant Bridal, circa 1870
    Mar. 13, 2024

    After Julia Margaret Cameron (1815-1879). The Infant Bridal, circa 1870

    Est: £300 - £500

    After Julia Margaret Cameron (1815-1879). The Infant Bridal, circa 1870 * After Julia Margaret Cameron (1815-1879). The Infant Bridal, circa 1870, unsigned drawing after Cameron's photograph [1864], black and white chalk and pencil on blue wove paper, single streak of old glue residue near centre of image, 252 x 212 mm (10 x 8 1/2 ins), tipped along left margin onto an old album leaf and backing card QTY: (1) NOTE: Cameron’s photographs of The Infant Bridal were inspired by a poem by the contemporary Irish poet Aubrey de Vere, a cousin of Henry Taylor’s wife, and a friend of Tennyson and Watts. Written in 1864 it is a romantic idyll in three parts that describes the betrothal of two infants that secures peace between two warring kingdoms. Cameron made at least three illustrations of The Infant Bridal in 1864 (Cox & Ford cat. nos. 862-864). The children posing were sitters Elizabeth ‘Topsy’ Keown (born 1859) and, on the right, William Frederick ‘Freddy’ Gould (born 1861), who were the subjects of Cameron’s more famous Paul and Virginia from 1865. This drawing is a copy of the third version as listed by Cox & Ford (no. 864) with Keown clasping Gould’s hand above the drapes. The only discernible difference is that Gould’s eyes appear more open and more keenly directed at the viewer than in the photograph. Cox & Ford locate three copies of this version of the photograph: Thackeray Album 964 : 0312 : 0032; Lindsay Album, no. 77; and V&A 216-1969 (arched top). Interestingly, the V&A print is now known to be one of approximately 70 Cameron photographs in their collection that belonged to Cameron’s mentor and friend, the artist George Frederic Watts (1817-1904). Cameron often sent examples of her work to Watts who was keen for her to send ‘defective unmounted impressions, [as] I shall be able to judge just as well & shall be just as much charmed with success & shall not feel that I am taking money from you’. There is no signature or known provenance to prove it but perhaps this very accomplished, contemporary drawing was made by Watts or another artistic friend in Cameron’s circle.

    Dominic Winter Auctions
  • JULIA MARGARET CAMERON. Alfred, Lord Tennyson and his Friends.
    Feb. 15, 2024

    JULIA MARGARET CAMERON. Alfred, Lord Tennyson and his Friends.

    Est: $1,800 - $2,200

    JULIA MARGARET CAMERON. Alfred, Lord Tennyson and his Friends. With text by Anne Thackeray Ritchie and H.H. Hay Cameron. Illustrated with the complete set of 25 photogravures after Julia Margaret and H.H.H. Cameron's portraits of eminent members of the English literary and artistic world. Folio, gilt-lettered cloth, worn; with the original tissue overlays. ONE OF 400 COPIES. London: T. Fisher Unwin, 1893

    Swann Auction Galleries
  • JULIA MARGARET CAMERON (1815-1879) Elaine, the Lily Maid of Astolat.
    Feb. 15, 2024

    JULIA MARGARET CAMERON (1815-1879) Elaine, the Lily Maid of Astolat.

    Est: $4,000 - $6,000

    JULIA MARGARET CAMERON (1815-1879) Elaine, the Lily Maid of Astolat. Albumen print, the image measuring 4¼x3½ inches (10.8x8.9 cm.), the later mount 16x13 inches (40.6x33 cm.), with Cameron's numeric notation in the negative and her title "Elaine" on a separate mounted card, on mount recto. 1874

    Swann Auction Galleries
  • Julia Margaret Cameron (1815–1879), Young woman with flowers in her hair, 1870,
    Dec. 07, 2023

    Julia Margaret Cameron (1815–1879), Young woman with flowers in her hair, 1870,

    Est: £800 - £1,200

    Julia Margaret Cameron (1815–1879), Young woman with flowers in her hair, 1870, signed, inscribed and dated to the mount, albumen print, unframed 58.5 x 46cm overall

    Cheffins
  • Julia Margaret Cameron (1815-1879) Queen Henrietta Maria announcing to her children the coming fate of their father King Charles I (Isabel Bateman, Laura and Rachel Gurney,) 1874
    Oct. 19, 2023

    Julia Margaret Cameron (1815-1879) Queen Henrietta Maria announcing to her children the coming fate of their father King Charles I (Isabel Bateman, Laura and Rachel Gurney,) 1874

    Est: $10,000 - $15,000

    Julia Margaret Cameron (1815-1879) Queen Henrietta Maria announcing to her children the coming fate of their father King Charles I (Isabel Bateman, Laura and Rachel Gurney,) 1874 Albumen print, mounted on period board and printed 1871, signed, titled, dated, inscribed 'From Life Registered Photograph copyright' in ink and 'Colnaghi' embossed stamp on the mount; collection annotation in an unknown hand in ink on the mount verso. image: 14 1/2 x 9 1/4in. (36.2 x 23.5cm.) mount: 23 x 17 3/4in. (58.4 x 45.1cm.) Provenance: Sotheby's London, The Collection of Paul F. Walther, May 10, 2001, lot 118 Exhibited: Full of Grace, Palm Beach Photographic Centre, West Palm Beach, Florida, January 25-March 14, 2012 From the first moment, I handled my lens with a tender ardour. JULIA MARGARET CAMERON

    Hindman
  • JULIA MARGARET CAMERON (1815-1879) Maria Spartali.
    Oct. 05, 2023

    JULIA MARGARET CAMERON (1815-1879) Maria Spartali.

    Est: $6,000 - $9,000

    JULIA MARGARET CAMERON (1815-1879) Maria Spartali. Albumen print, the image measuring 13 1/2x10 3/8 inches (34.3x26.4 cm.), the mount 17 1/2x13 7/8 inches (44.5x35.2 cm.), with Cameron's signature and notation "From Life" in ink on mount recto. 1868 Provenance: The Alan Klotz Gallery (formerly Photocollect, Inc.), New York, 1981; to the Present Owner Literature: Cox & Ford, Julia Margaret Cameron: The Complete Photographs (The J. Paul Getty Museum), p. 263, pl. 480

    Swann Auction Galleries
  • JULIA MARGARET CAMERON (1815-1879), From a Portrait of Julia By George Frederic Watts, 1860s
    Sep. 12, 2023

    JULIA MARGARET CAMERON (1815-1879), From a Portrait of Julia By George Frederic Watts, 1860s

    Est: $1,000 - $1,500

    JULIA MARGARET CAMERON (1815-1879) From a Portrait of Julia By George Frederic Watts, 1860s albumen print inscribed on margin: Julia Margaret Cameron / from Portrait taken by G. F Watts r.a. 1850 29 x 22cm PROVENANCE The Estate of Joyce Evans

    Gibson's
  • JULIA MARGARET CAMERON (1815-1879), Henry Taylor, 1865 (Later print)
    Sep. 12, 2023

    JULIA MARGARET CAMERON (1815-1879), Henry Taylor, 1865 (Later print)

    Est: $1,500 - $2,500

    JULIA MARGARET CAMERON (1815-1879) Henry Taylor, 1865 (Later print) albumen print inscribed on margin: JULIA MARGARET CAMERON. FROM LIFE Registered Photograph Copyright 26.5 x 20cm PROVENANCE The Estate of Joyce Evans

    Gibson's
  • JULIA MARGARET CAMERON (1815-1879), A Story Of Heavens, 1866
    Sep. 12, 2023

    JULIA MARGARET CAMERON (1815-1879), A Story Of Heavens, 1866

    Est: $1,800 - $2,500

    JULIA MARGARET CAMERON (1815-1879) A Story Of Heavens, 1866 albumen print inscribed on mount: JULIA MARGARET CAMERON A STORY OF THE HEAVENS FROM LIFE 14 x 18.5 cm (oval) PROVENANCE The Estate of Joyce Evans

    Gibson's
  • Julia Margaret Cameron (English, 1815-1879) Albumen Photographic Portrait
    Jun. 25, 2023

    Julia Margaret Cameron (English, 1815-1879) Albumen Photographic Portrait

    Est: $2,000 - $3,000

    Julia Margaret Cameron (English, 1815-1879) Albumen Photographic Portrait Undated, unsigned, marked in pencil verso, mostly illegible however ending in 'Tennyson', marked in pen at bottom left 'Aryward', depicting a portrait of a woman and child, in a wood frame matted under glass Property from: a Private Collector, Barrington Hills, Illinois Category: Fine Art > Photographs Estimated Sale Time: 1:39 pm CST Shipping Status: Leonard Auction, Inc. will provide direct shipping for this lot. Please visit our website for a shipping estimate. Download High Resolution Photographs: Photograph #1 Photograph #2 Photograph #3 Photograph #4 Photograph #5 Photograph #6 Photograph #7 Photograph #8 Photograph #9 Photograph #10 Photograph #11 Last modified: May 30, 2023, 2:39 pm

    Leonard Auction
  • JULIA MARGARET CAMERON, JULIA JACKSON, 1867,
    May. 03, 2023

    JULIA MARGARET CAMERON, JULIA JACKSON, 1867,

    Est: $30,000 - $50,000

    JULIA MARGARET CAMERON (British, 1815 - 1879) JULIA JACKSON, 1867 Albumen silver print from glass negative 25.0 x 18.5 cm (image) signed lower right below image: Julia Margaret Cameron dated and inscribed below image lower left: From Life April 1867. bears Colnaghi blindstamp below image PROVENANCE The Estate of Joyce Evans, Melbourne EXHIBITED Distant Relations, Art Institute of Chicago, Chicago, 8 May – 18 July 1993 (another example) Julia Margaret Cameron’s Women, Art Institute of Chicago, Chicago, 19 September 1998 – 10 January 10 1999; The Museum of Modern Art, New York, 27 January – 4 May 1999; San Francisco Museum of Modern Art, San Francisco, 27 August – 30 November 1999 (another example) Alfred Stieglitz and the 19th Century, Art Institute of Chicago, Chicago, 31 October 2015 – 27 March 27, 2016 (another example) Julia Margaret Cameron: A Bicentenary Exhibition, Victoria & Albert Museum, London, 28 November 2015 – 21 February 2016; Multimedia Art Museum, Moscow, 18 November 2014 – 1 February 2015; Museum of Fine Arts, Ghent, 14 March – 14 June 2015; Art Gallery of New South Wales, Sydney, 14 August – 25 October 2015; Fundacion Mapfre, Madrid, 8 March – 8 May 2016 Mitsubishi Ichigokan Museum, Tokyo, 29 June – 25 September 2016 (another example) LITERATURE Wolf, S.,  Julia Margaret Cameron's Women, Yale University Press, New Haven & London, 1998, pl. 59, p. 73 (illus. front cover, another example) Cox, J. & Ford, C.,  Julia Margaret Cameron: The Complete Photographs, Thames & Hudson, London, 2003, cat. 307 (another example) Weiss, M., Julia Margaret Cameron, MACK in association with V&A Publishing, London, 2015 (illus. front cover) RELATED WORK Other examples of this photograph are held in the collections of the Metropolitan Museum of Modern Art, New York; Art Institute Chicago, Chicago; Victoria & Albert Museum, London; Getty Centre, Los Angeles; Los Angeles County Museum of Art, Los Angeles and Cleveland Museum of Art, Cleveland ESSAY Julia Margaret Cameron received her first camera as a gift at the age 48. Her children had all left home and the camera was offered as an amusement with which she might pass the time. Thrilled by the artistic potential of the medium however, she took to photography with energy and enthusiasm, converting a chicken coop into her studio and a coal bin into her darkroom, and in her hands, it became something much more significant. As she recalled, ‘from the first moment I handled my lens with a tender ardour, and it has become to me as a living thing, with voice and memory and creative vigour.’1 Renowned for the creation of imaginative tableaux and penetrating portraits, Cameron was a pioneering figure in the history of photography, all the more unusual in Victorian Britain because of her gender.   While Cameron photographed many famous faces, including Charles Darwin, Alfred Lord Tennyson and Charles Dickens – all of whom lived nearby on the Isle of Wight – family members also featured in her work. Her niece, Julia Jackson, known as a great beauty, was the subject of more than twenty photographic portraits. This image, arguably Cameron’s most iconic portrait of Jackson, was taken shortly before her first marriage and signed by the artist, it is inscribed ‘From Life April 1867’. Its composition is simple and direct, focussing on Jackson’s face framed by long flowing hair, and the lighting, which casts half of her face in shadow, emphasises her distinctive and elegant features. Jackson may be familiar to many because of the striking resemblance between her and her daughter, the writer Virginia Woolf.2 A poetic study of youthful grace and beauty, this photograph also reveals something of the subject’s character as she confidently returns the camera’s gaze. Prints of this portrait are held in numerous public collections including the Victoria and Albert Museum, London, and the Metropolitan Museum of Art, New York.   The contemporary photographic fraternity was critical of Cameron’s work, claiming her technique was poor and ridiculing her preference for softly focused images. It is precisely this aspect of her approach however, which gives her portraits a sense of timelessness, imbuing them with a visual poetry and symbolic meaning that transcends the documentary and descriptive.    1. Cameron, J. M., Annals of My Glass House, 1874, manuscript, p. 3, V&A · 'Annals Of My Glass House' By Julia Margaret Cameron (vam.ac.uk), accessed 3 April 2023. 2. Following the death of her first husband, Jackson remarried in 1878 and Virginia was born four years later. Virginia Woolf wrote the first book on Cameron’s photography which was published in 1926.   KIRSTY GRANT

    Deutscher and Hackett
  • (JULIA MARGARET CAMERON) Portrait of the photographer Julia Margaret Cameron with her two sons Henry Herschell and Charles Hay.
    Apr. 27, 2023

    (JULIA MARGARET CAMERON) Portrait of the photographer Julia Margaret Cameron with her two sons Henry Herschell and Charles Hay.

    Est: $6,000 - $9,000

    (JULIA MARGARET CAMERON) Portrait of the photographer Julia Margaret Cameron with her two sons Henry Herschell and Charles Hay. Albumen print, the image measuring 4x3 inches (10.2x7.6 cm.). Circa 1858 Provenance: David Chow Reproduced: Julian Cox and Colin Ford, Julia Margaret Cameron: The Complete Photographs (The J. Paul Getty Museum), p. 6, fig. 3. Another photo of Cameron sitting alone beneath what may be the same tree is reproduced on p. 18 (fig. 17). The family photograph appears to be a unique print.

    Swann Auction Galleries
  • JULIA MARGARET CAMERON (1815-1879) Enid [Emily Peacock].
    Apr. 27, 2023

    JULIA MARGARET CAMERON (1815-1879) Enid [Emily Peacock].

    Est: $4,000 - $6,000

    JULIA MARGARET CAMERON (1815-1879) Enid [Emily Peacock]. Albumen print, the image measuring 13 5/8x10 7/8 inches (34.6x27.6 cm.), the mount 17x13 inches (43.2x33 cm.), with Cameron's signature, title, date, and notation "From Life Registered Photograph Copyright Julia Margaret Cameron FreshWater" in ink on mount recto. 1874 Provenance: The Estate of Evelyne Z. Daitz, New York Cox & Ford, Julia Margaret Cameron: The Complete Photographs(The J. Paul Getty Museum), p. 472, pl. 1158

    Swann Auction Galleries
  • JULIA MARGARET CAMERON (1815-1879) From Life [Mary Ryan].
    Apr. 27, 2023

    JULIA MARGARET CAMERON (1815-1879) From Life [Mary Ryan].

    Est: $7,000 - $10,000

    JULIA MARGARET CAMERON (1815-1879) From Life [Mary Ryan]. Albumen print, the image measuring 10 3/4x9 1/4 inches (27.3x23.5 cm.), the mount 15x11 1/4 inches (38.1x28.6 cm.), with Cameron's signature and notation "From Life" in ink on mount recto. 1872 Mary Ryan (1848-1914), daughter of James and Anne Ryan, left Limerick, Ireland, during the potato famine. Seeing Mary begging in Putney, Cameron employed her as a maid in London and Freshwater. While acting as saleswoman at Cameron's first London exhibition (at Colnaghi), Mary was admired by Henry Cotton (q.v.), who wooed and married her. Cox & Ford, Julia Margaret Cameron: The Complete Photographs (The J. Paul Getty Museum), p. 518, Appendix E "Sitters"

    Swann Auction Galleries
  • Julia Margaret Cameron (1815-1879); Selected Images; (4)
    Apr. 06, 2023

    Julia Margaret Cameron (1815-1879); Selected Images; (4)

    Est: $6,000 - $8,000

    Julia Margaret Cameron (1815-1879) Selected Images, 1913 A group of 4 photogravures, printed 1913 in Camera Work XLI, including portraits of Thomas Carlyle (1867), J.F.W. Herschel (1867), and Joseph Joachim (1868); accompanied by a bound volume of Camera Work XLI Each approximately 8 x 6 in. (20.3 x 15.2 cm.) (4)

    Bonhams
  • Cameron, Julia Margaret | J. F. W. Herschel
    Dec. 09, 2022

    Cameron, Julia Margaret | J. F. W. Herschel

    Est: $30,000 - $50,000

    Julia Margaret Cameron 1815 - 1879 J. F. W. Herschel albumen print, on a gilt-ruled mount, signed, dated and annotated 'From Life Registered Photograph taken at his own residence Collingwood' by the photographer, possibly autographed by the sitter in ink, and with the Colnaghi blindstamp on the mount, 1867 (Cox 674) image: 13 by 10⅛ in. (33 by 25.7 cm.) Bid on Sotheby's

    Sotheby's
  • Cameron (Julia Margaret).- Tennyson (Alfred, first Baron Tennyson) Poems, signed presentation copy from Tennyson to Julia Margaret Cameron, later ink inscription recording the gifting of this volume …
    Dec. 01, 2022

    Cameron (Julia Margaret).- Tennyson (Alfred, first Baron Tennyson) Poems, signed presentation copy from Tennyson to Julia Margaret Cameron, later ink inscription recording the gifting of this volume …

    Est: £1,000 - £1,500

    Cameron (Julia Margaret, photographer, 1815-79).- Tennyson (Alfred, first Baron Tennyson, poet, 1809-92) Poems, signed presentation copy from Tennyson to Julia Margaret Cameron with his ink inscription on title, later ink inscription recording the gifting of this volume to her son Charles Hay Cameron (in his hand), frontispiece portrait of Tennyson by H. Robinson and illustrations, fly-leaf torn and creased with small loss to tail, B4 outer edge torn and creased, 2K1-2P1 small stain in outer margin, bound in full contemporary blind-stamped red morocco, gilt, small scuff mark on upper cover, gilt spine, slightly dulled, g.e., label on front pastedown of Willis and Sotheran, by Hayday & Mansell, 8vo, 1857. ⁂ Charles ('Charlie') Hay Cameron (1849-91), son of Julia Margaret Cameron

    Forum Auctions - UK
  • Cameron (Julia Margaret, 1815-1879, attributed to). The Reverend Herbert Jones, 1868
    Nov. 24, 2022

    Cameron (Julia Margaret, 1815-1879, attributed to). The Reverend Herbert Jones, 1868

    Est: £300 - £500

    Cameron (Julia Margaret, 1815-1879, attributed to). The Reverend Herbert Jones, 1868 * Cameron (Julia Margaret, 1815-1879, attributed to). The Reverend Herbert Jones, 1868, albumen print, head and shoulders, cut into an oval and possibly from a larger photograph, 127 x 86 mm, on a contemporary paper album leaf with inscription identifying the sitter and date at foot and the words 'by Mrs Cameron' added in the same hand, together with another photograph of Reverend Herbert Jones, 1867, albumen print, half-length and seated, 170 x 148 mm, contemporary paper mount with ink inscription in the same hand as the first photograph, plus 3 cartes de visite of Jones, one with his wife and son, one with his infant son on his lap and one standing alone QTY: (5) NOTE: Rev. Herbert Walsingham Jones (1829-1889) was the rector of Sculthorpe in Norfolk and the brother of Sir Willoughby Jones MP. He married Catherine Rachel Gurney (1829-1895) at North Runcton in 1850. Catherine's brother Charles (1833-1899) married Alice Marie Prinsep (1844-1919) in 1861. Julia Margaret Cameron photographed Rachel and Laura Gurney, the daughters of Charles and Alice, and also Daniel Gurney (1791-1880), the father of Charles and Catherine. This photograph of Jones in not recorded in Cox & Ford, Julia Margaret Cameron: The Complete Photographs (2003). The photographer of the second portrait, though clearly from the same original album, has not been suggested by the original annotator, and is unknown.

    Dominic Winter Auctions
  • Cameron (Julia Margaret, 1815-1879). Thomas Carlyle, 1867, printed 1875, carbon print
    Nov. 24, 2022

    Cameron (Julia Margaret, 1815-1879). Thomas Carlyle, 1867, printed 1875, carbon print

    Est: £500 - £800

    Cameron (Julia Margaret, 1815-1879). Thomas Carlyle, 1867, printed 1875, carbon print * Cameron (Julia Margaret, 1815-1879). Thomas Carlyle, 1867, printed 1875, carbon print, 308 x 252 mm, contemporary card mount with adhesion marks to lower edge and corner loss lower left, neither affecting image QTY: (1) NOTE: Cox & Ford, Julia Margaret Cameron: The Complete Photographs, (2003), no. 629.

    Dominic Winter Auctions
  • Cameron (Julia Margaret, 1815-1879). Alice Liddell as St Agnes, October 1872, albumen print
    Nov. 24, 2022

    Cameron (Julia Margaret, 1815-1879). Alice Liddell as St Agnes, October 1872, albumen print

    Est: £3,000 - £5,000

    Cameron (Julia Margaret, 1815-1879). Alice Liddell as St Agnes, October 1872, albumen print * Cameron (Julia Margaret, 1815-1879). Alice Liddell as St Agnes, October 1872, albumen print, 340 x 239 mm, original mount, titled and inscribed by the photographer at foot within gold rule border, 'From life Registered Photograph Copyright. Julia Margaret Cameron, Freshwater, Oct. 1872' and 'St. Agnes No. 2', mount size 442 x 353 mm QTY: (1) NOTE: Cox & Ford, Julia Margaret Cameron: The Complete Photographs, (2003), no. 351. Similar to Cox & Ford no. 352 this one shows Alice Liddell facing straighter to camera with a fuller face and only one hand holding her staff.

    Dominic Winter Auctions
  • JULIA MARGARET CAMERON (1815-1879) Florence [Fisher] after the manner of the Old Masters.
    Oct. 20, 2022

    JULIA MARGARET CAMERON (1815-1879) Florence [Fisher] after the manner of the Old Masters.

    Est: $8,000 - $12,000

    JULIA MARGARET CAMERON (1815-1879) Florence [Fisher] after the manner of the Old Masters. Albumen print, the image measuring 14 1/8x10 inches (35.6x25.4 cm.), the mount 22 1/2x18 inches (55.9x45.7 cm.), with Cameron's signature, title, and notation "From Life Registered Photograph Copyright" in ink, and the painter G.F. Watts' signature with the notation "I wish I could paint such a picture as this." also in ink, on mount recto. 1872 Provenance: Witkin Gallery, New York, 1980; to the Present Owner Cox & Ford, Julia Margaret Cameron: The Complete Photographs (The J. Paul Getty Museum), p. 402, pl. 950

    Swann Auction Galleries
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