Pierre Charles Canot Sold at Auction Prices

J. BAS (*1707) after CANOT (*1710), Le Gateau des Roys,

Jacques-Philippe le Bas (1707 Paris - 1783 ibid.) after Pierre Charles Canot (1710 Paris - 1777 London): Le Gateau des Roys The king's cat Family scene in an 18th century bourgeois living room, , Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Canot pinx. / J.Ph. LeBas Sculp.". At the lower part inscribed in the printing plate: "E GATEAU DES ROYS Comment présentez vous, ma fille, ce gâteau? Voyez votre maman, et de votre berceau Écoutez nos leçons, aimez la politesse, De la seule vertu faites votre noblesse. Votre chaussain et mon plus cher employ. Je vous aime et je suis votre ami le plus tendre Ainsi par la douceur savoir se faire entendre; De ses enfants, c'est être et le père et le roy.". Date: Description: The artwork, entitled "Le Gateau des Roys", depicts a family scene in which a couple and their children are sitting around a table. The mother is holding a bowl while the father shows his daughter something. The detailed depiction of the interior suggests a bourgeois living room, filled with furniture and household objects from an era of the upper middle classes. Keywords: family; artwork; living room; interior; table; children; mother; father; daughter; everyday life; bourgeois; historical; bowl; household goods; furniture; politesse; virtue; French; dining scenes; 18th; century, 18th century, Classicism, Genre, France, Size: Paper: 37,9 cm x 25,8 cm (14,9 x 10,2 in)

After Thomas Howdell, Color Engraving of NYC, c. 1768

A South West View of the City of New York in North America Copper Plate Engraving on Paper After Thomas Howdell c. 1768, Engraved by Pierre Canot after Thomas Howdell, Published by John Bowles of London With English and French Captions 13.5 x 20.25 inches (sight) 21 x 27 inches (frame)  Overall good condition with minor foxing. Areas of loss underneath matting along perimeter.

[Ships]. Canot, Pierre Charles (±1710-1777). "A Brisk Gale."

[Ships]. Canot, Pierre Charles (±1710-1777). "A Brisk Gale." Handcol. engraving after W. VAN DE VELDE, 41x51 cm., engr. captions below, London, J. Boydell, 1765, framed. Idem. "A Moderate Gale". Handcol. engr. after L. BAKHUIZEN, 41x51 cm., engr. captions below, London, J. Boydell, 1765, unif. framed with the above. - Both sl. yellowed.

Etching View of the City of Boston

'A View of the City of Boston the Capital of New England'. Paper engraving. Attributed to Pierre Charles Canot (1710-1777), engraver. Frame H 8-1/2" W 13". Sight H 6-1/8" W 10-1/2". Provenance: Hollis Brodrick. Condition: Excellent antique condition with minor surface wear on the frame. Engraving itself shows two visible creases due to being folded over time but no damage has been incurred. One visible circular stain is noted near the bottom left corner. Link to hi-res images: https://www.dropbox.com/scl/fo/g5xnsktlm6lf9en9dz8px/AGJqoREGpbz1Yar_6jJTMlc?rlkey=98p8813cer3ztii2uk1v0awlk&st=3tl9nvgt&dl=0  

Canot, Pierre Charles: Livre de différentes vues de fermes d'Angleterre

Livre de Diferente Vüe de Ferme d'Angleterre. 6 kolorierte Radierungen nach Jean-Baptiste Pillement. Je ca. 20,2 x 31,1 cm. 1758-59. Maria Gordon-Smith, “English Engravings of Picturesque Views after Jean Pillement (1728-1808)”, in: Artibus et Historiae, Vol. 25, Nr. 49 (2004), S. 65-86, hier S. 72f. Gegen Ende der 1750er Jahre erhielt Pierre Canot von dem Londoner Balletttänzer und Kunstsammler Charles Leviez den Auftrag, Reproduktionsstiche nach Gemälden und Zeichnungen aus seiner Sammlung anzufertigen. Leviez war Mitte des Jahrzehnts auf den ebenfalls in England lebenden, französischen Künstler Jean-Baptiste Pillement aufmerksam geworden. In den folgenden Jahren wurde Leviez zu Pillements größtem Förderer und sorgte unter anderem dafür, dass die Arbeiten des jungen Künstlers von einigen der angesehensten Londoner Stechern graphisch vervielfältigt wurden. Um 1758-59 entstand so nach Zeichnungen von Jean-Baptiste Pillement auch Canots sechsteilige Folge Livre de Diferente Vüe de Ferme d'Angleterre, die hier vollständig vorliegt. Die Serie wurde erstmals 1761 herausgegeben und erschien später in einer zweiten Auflage bei James Peak. Die sechs Blätter der seltenen Folge zeigen idyllische Phantasielandschaften mit von Bachläufen umgebenen pittoresken Gehöften und thematisch passenden Staffagefiguren. Das genre pittoresque, das durch die Werke von Boucher, Watteau und Vernet vor allem in Frankreich zu Beliebtheit gelangt war, fand auf diese Weise auch in England Verbreitung. Ausgezeichnete, kräftige und gegensatzreiche Drucke mit Rand, dieser teils leicht ungleich geschnitten. Etwas angestaubt und fleckig, Blatt 5 und 6 links am Plattenrand mit einer Ausbesserung mit Deckweiß, kleine Bleistiftannotationen im weißen Rand, leichte Alters- und Gebrauchsspuren, sonst gute Exemplare. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

[Ships]. Canot, Pierre Charles (±1710-1777). "A Brisk Gale."

[Ships]. Canot, Pierre Charles (±1710-1777). "A Brisk Gale." Handcol. engraving after W. VAN DE VELDE, 41x51 cm., engr. captions below, London, J. Boydell, 1765, framed. Idem. "A Moderate Gale". Handcol. engr. after L. BAKHUIZEN, 41x51 cm., engr. captions below, London, J. Boydell, 1765, unif. framed with the above. - Both sl. yellowed. = SEE ILLUSTRATION PLATE CXXX.

A group of three engravings

A group of three engravings Robert Gaillard (1722-1785) 'Le Moutin Favori' engraving plate 50 x 38cm Pierre Charles Canot (French, 1710–1777) After Jean Pillement (French, 1728–1808) 'Le Soleil Levant' hand coloured engraving image 34 x 43cm After Jaques Firmin Beauvarlet 'La Lecture Espagnole' engraving image 51 x 40cm (3) Condition Report: 'Le Moutin Favori'- overall: 79 x 66.5cm. Time staining. 'Le Soleil Levant'- overall: 60 x 54cm. Staining and discolouration, please refer to illustration. 'La Lecture Espagnole'- overall: 74 x 59cm. Time staining with some foxing starting to emerge. Chips and losses to the frames. Not viewed out of glazed frames.

Canot, Pierre Charles: Livre de différentes vues de fermes d'Angleterre

Livre de Diferente Vüe de Ferme d'Angleterre. 6 Radierungen nach Jean-Baptiste Pillement. Je ca. 20,2 x 31 cm. 1758-59. Maria Gordon-Smith, “English Engravings of Picturesque Views after Jean Pillement (1728-1808)”, in: Artibus et Historiae, Vol. 25, Nr. 49 (2004), S. 65-86, hier S. 72f. -- -- Gegen Ende der 1750er Jahre erhielt Pierre Canot von dem Londoner Balletttänzer und Kunstsammler Charles Leviez den Auftrag, Reproduktionsstiche nach Gemälden und Zeichnungen aus seiner Sammlung anzufertigen. Leviez war Mitte des Jahrzehnts auf den ebenfalls in England lebenden, französischen Künstler Jean-Baptiste Pillement aufmerksam geworden. In den folgenden Jahren wurde Leviez zu Pillements größtem Förderer und sorgte unter anderem dafür, dass die Arbeiten des jungen Künstlers von einigen der angesehensten Londoner Stechern graphisch vervielfältigt wurden. Um 1758-59 entstand so nach Zeichnungen von Jean-Baptiste Pillement auch Canots sechsteilige Folge Livre de Diferente Vüe de Ferme d'Angleterre, die hier vollständig und noch mit der originalen Bindung vorliegt. Die Serie wurde erstmals 1761 herausgegeben und erschien später in einer zweiten Auflage bei James Peak. Die sechs Blätter der seltenen Folge zeigen idyllische Phantasielandschaften mit von Bachläufen umgebenen von pittoresken Gehöften und thematisch passenden Staffagefiguren. Das genre pittoresque, das durch die Werke von Boucher, Watteau und Vernet vor allem in Frankreich zu Beliebtheit gelangt war, fand auf diese Weise auch in England Verbreitung. Ausgezeichnete, kräftige und gegensatzreiche Drucke, wohl auf den vollen Bögen. Etwas angestaubt, leichte Gebrauchsspuren, sonst gute Exemplare. -- -- - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. -- - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

[Ships]. Canot, Pierre Charles (±1710-1777). "Boats from the fleet commanded by Admiral Boscawen burnt the Prudent & took the Biensaisant in Louisbour

[Ships]. Canot, Pierre Charles (±1710-1777). "Boats from the fleet commanded by Admiral Boscawen burnt the Prudent & took the Biensaisant in Louisbourgh Harbour." Nicely handcol. etching and engraving after Richard PATON, 37x57,5 cm., engr. captions below, London, J. Boydell, 1771. - Small closed tear in blank margin. = Showing the Louisbourg harbour in the background with in front a warship in flames surrounded by numerous 6- and 8-oared boats manned by British officers and seamen.

PIERRE CANOT - SOUTHWEST VIEW, CITY OF NEW YORK

Pierre Canot, "A Southwest View of the City of New York, in North America", hand colored print

Canot, Pierre Charles: Livre de différentes vues de fermes d'Angleterre

Livre de Diferente Vüe de Ferme d'Angleterre. 6 Radierungen nach Jean-Baptiste Pillement. Je ca. 20,2 x 31 cm. 1758-59. Maria Gordon-Smith, “English Engravings of Picturesque Views after Jean Pillement (1728-1808)”, in: Artibus et Historiae, Vol. 25, Nr. 49 (2004), S. 65-86, hier S. 72f. -- -- Gegen Ende der 1750er Jahre erhielt Pierre Canot von dem Londoner Balletttänzer und Kunstsammler Charles Leviez den Auftrag, Reproduktionsstiche nach Gemälden und Zeichnungen aus seiner Sammlung anzufertigen. Leviez war Mitte des Jahrzehnts auf den ebenfalls in England lebenden, französischen Künstler Jean-Baptiste Pillement aufmerksam geworden. In den folgenden Jahren wurde Leviez zu Pillements größtem Förderer und sorgte unter anderem dafür, dass die Arbeiten des jungen Künstlers von einigen der angesehensten Londoner Stechern graphisch vervielfältigt wurden. Um 1758-59 entstand so nach Zeichnungen von Jean-Baptiste Pillement auch Canots sechsteilige Folge Livre de Diferente Vüe de Ferme d'Angleterre, die hier vollständig und noch mit der originalen Bindung vorliegt. Die Serie wurde erstmals 1761 herausgegeben und erschien später in einer zweiten Auflage bei James Peak. Die sechs Blätter der seltenen Folge zeigen idyllische Phantasielandschaften mit von Bachläufen umgebenen von pittoresken Gehöften und thematisch passenden Staffagefiguren. Das genre pittoresque, das durch die Werke von Boucher, Watteau und Vernet vor allem in Frankreich zu Beliebtheit gelangt war, fand auf diese Weise auch in England Verbreitung. Ausgezeichnete, kräftige und gegensatzreiche Drucke, wohl auf den vollen Bögen. Etwas angestaubt, leichte Gebrauchsspuren, sonst gute Exemplare. -- -- - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. -- - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

[Ships]. Canot, P.C. (±1710-1777). "A Brisk Gale."

[Ships]. Canot, P.C. (±1710-1777). "A Brisk Gale." Handcol. engraving after W. VAN DE VELDE, 37,5x50,5 cm., engr. captions below, London, J. Boydell, 1765, framed.

Canot, P.C. (1710-1777). "Pyramus and Thisbe".

Canot, P.C. (1710-1777). "Pyramus and Thisbe". Etching and engraving after L. BRAMER, 44,7x55 cm., publ. by J. Boydell, 1768. - Some (dust)soiling in margins. Daullé, J. (1703-1763). "la Grecque sortante du bain". Etching and engraving after VERNET, 31,3x39,6 cm., publ. by the artist (trifle foxed). - AND 7 other prints after paintings, all 18th cent., i.a. "La bonté maternelle" by MAURICE BLOT after E. Aubry, "Recréations d'hiver" by J. HEUDELOT after J.M. Molenaar, "La Peleuse de pommes" by J. DAULLÉ after G. Metsu and "Entrée de la carverne ou purgatoire de St. Patrice en Irlande" by C. HEDEL after L. Doomer.

Canot, P.C. (1710-1777). "A gale". "A calm".

Canot, P.C. (1710-1777). "A gale". "A calm". Two etchings after W. VAN DE VELDE, each 22,5x26 cm., numb. "1" and "2" in the plate, London, J. Boydell, 1773, unif. framed.

Pierre Canot, Print, SW View of New York City

Print of the engraving (1710-1777) After Cap. Thomas Howdell of the Royal Artillery, engraved by Pierre Canot, depicting "A South-West View of the City of New York in North America." Laid down on board Overall: 22"h x 28-1/2"w Sight: 13-3/4"h x 20-1/4"w

Pierre Canot, Engraving, SW View of New York City

(1710-1777) After Cap. Thomas Howdell of the Royal Artillary, engraved by Pierre Canot, depicting "A South-West View of the City of New York in North America." Laid down on board. Overall: 22"h x 28-1/2"w Sight: 13-3/4"h x 20-1/4"w

Allen, Thomas (act. 1756-1772) after Hans Holbein t.Y., ship portrait "The Great Harry" 1756, engraved by Pierre Charles Canot (c. 1710-1777), in Berlin frame (defects), 49,5x65cm (m.R. 72,5x86cm), yellowed, crease

Allen, Thomas (act. 1756-1772) after Hans Holbein t.Y., ship portrait "The Great Harry" 1756, engraved by Pierre Charles Canot (c. 1710-1777), in Berlin frame (defects), 49,5x65cm (m.R. 72,5x86cm), yellowed, crease

Thomas Patten An East View of Montreal Engraving

Thomas Patten (active 1760 - 1762, British), hand coloured aquatint engraving entitled An East View of Montreal in Canada, engraved by Pierre Charles Canot (1710 - 1777, French), published London 1768. Fine early view of Montreal, drawn by Thomas Patten during the Seven Years War, shortly after the capture of the town by the British, considered the first realistic general view of Montreal. Marked - An East View of Montreal, in Canada Vue Orientale de Montréal, en Canada / / drawn on the spot by Thomas Patten ; engraved by P. Canot, includes a legend identifying the General Hospital, The Recollects, St. Sulpicius, The Nunnery, The Jesuit's Church, and The Fort. Engraving measures 14 x 21 inches W within matting, Frame measures 24 x 28 inches.

Pierre Charles Canot (1710-1777), after James Seymour (1702-1752), 18th century, English School, Han

Pierre Charles Canot (1710-1777), after James Seymour (1702-1752), 18th century, English School, Hand coloured etchings, A pair, Going out in the Morning, and In Full Chase, Figures on horseback and hounds chasing a fox across the English countryside. Titled etc. under. Approx. 14 1/4" x 18 1/2" (2)

CANOT; BRAMER, 'Pyramus and Thisbe' - Mourning for the dead, 1768, Etching

CANOT; BRAMER, 'Pyramus and Thisbe' - Mourning for the dead, 1768, Etching Technique: Etching on paper Size: 49,4 x 65,4 cm, Depiction: 38,5 x 51,7 cm; Plate: 45 x 55,2 cm Condition: The sheet has discolored according to its age and is spotted at the sheet margin. With creases on the left edge of the sheet and a small liquid stain on the upper right edge of the sheet. The print appears fresh, the black color rich. Description: Expressive dramatic scene with strong emphasis on chiaroscuro effects. Four men in furs, turbans and long robes with tassels can be seen. They mourn the death of Pyramus and Thisbe. Thisbe still holds the sword in her hand. One man holds a burning torch. In the dark background, the crumbling, overgrown city walls can be seen. In the distance on the left, a search party with torches. Signed on the left and right below the picture, inscribed in the middle below: "To the Right Honourable Henry Earl of Pembroke and Montgomery". Keywords:

[MARITIME PRINT] – CANOT, P.-C. (Pierre-Charles) (1710-1777). (View of Dutch sailing vessels near Den Helder).

[MARITIME PRINT] – CANOT, P.-C. (Pierre-Charles) (1710-1777). (View of Dutch sailing vessels near Den Helder). Engraving after L. Backhuysen. Publ. by John Boydell (London, ca. 1766). Ca. 43 x 53,5 cm. Behind passepartout. , ¶ Very rare “proof before letters” of an attractive large-sized maritime print (originally titled “A Moderate Gale [..]”) engraved by the French print-maker Pierre-Charles Canot (1710-1777) after a painting by the Dutch artist Ludolf Bakhuizen (1630-1708). – Vague vertical fold in the middle, occ. sl. foxed/ browned, but else in very good condition.

Howdell view of New York

After HOWDELL, Thomas (18th Century) engraved by CANOT, Pierre Charles (1710-1777). A South West View of the City of New York in North America. Engraving. London: John Bowles, 1768. 13 5/8" x 20 1/8" visible, 22" x 29" framed. Drawn on the spot by Capt. Thomas Howdell, of the Royal Artillery. Engraved by P. Canot. The scene depicted is taken from the southern slope of Mount Pitt, which is near the intersection of today’s Henry and Momntgomery Streets on the lower east side of Manhattan.

P.C. Canot View of the City of Boston

A View of the City of Boston the Capital of New England, in North America. Drawn by Governor Thomas Pownal (1722-1805); Painted by Mr. Pugh, & Engraved by P. C. Canot (1710-1777). Copper plate engraving. London: J Bowles, R. Sayer, T. Jefferys, et all, [No date but c.1761]. 14 1/2 x 20 3/4 inches sheet. Pownall's drawing of Boston, here ably engraved by Peter Charles Canot (1710-1777), was one of six prints in the Scenographia Americana series that were based on Pownall's sketches. This particular image was worked up into a painting by Pugh and it was from this that the engraving was made by Canot. The complete Scenographia Americana (with a total of 28 plates) is a legendary rarity: no copies are listed as having sold at auction in the past thirty years. Individual prints are therefore all that the collector can hope for, and the present image is one of the most important. Governor Thomas Pownall, one of the few sympathetic colonial governors in North America, was also an artist, author and mapmaker. He first came to America as secretary of the governor of New York, Sir Danvers Osborn, in 1753, who committed suicide a few days after arriving. Pownall stayed on in America and became deeply involved in colonial politics during these critical years (the French and Indian War). He contributed to and supported Pitt's strategy in the war against the French and was appointed governor of Massachusetts, replacing Shirley, in August of 1757. He was at first very popular, energetically raising troops and prosecuting the war with the French, but political rivalry and objections to his own rather free lifestyle and manners led to his retirement from the position at his own request, returning to England in 1760. He remained a staunch supporter of the American causes as they arose in the 1760s. Interestingly, he was very much in favor of emancipation of the slaves in America. Pownall was a long time friend of Benjamin Franklin.

Pierre Charles Canot, NYC color engraving

Pierre Charles Canot (French, 1710-1777), "A South West View of the City of New York, in North America", drawn on the spot by Capt. Thomas Howell of the Royal Artillery.", c. 1768, 11.75"h x 20.25"w (sight), 20.25"h x 28.75"w (frame size), matted and framed under glass

PIERRE CHARLES CANOT (French, c.1710-1777)

PIERRE CHARLES CANOT (French, c.1710-1777), ''To the Captains, Other Officers, & Seamen, who ... Burnt the Prudent & Took the Bienfasant in Louisbourgh Harbour...'', engraving, after the original painting by Richard Paton, published 1771. Toning, foxing, minor tears to margins. Sheet 17-3/4''h, 25''w. (Fine Art)

Pierre-Charles CANOT (1710-1777) after Richard PATON (1717-1791), Two 18th Century maritime monochrome engravings, 'To Captain Tyrrell Commander of His Majesty's Ship Buckingham 66 Guns 472 Men … Representation of his Attacking and defeating the

Pierre-Charles CANOT (1710-1777) after Richard PATON (1717-1791), Two 18th Century maritime monochrome engravings, 'To Captain Tyrrell Commander of His Majesty's Ship Buckingham 66 Guns 472 Men … Representation of his Attacking and defeating the Florifant the L'Egrette and L'Atalante..., Together with 'To the Honorable the Court of Directors of the United Company of Merchants of England Trading to the East Indies... their ships Suffolk, Houghton & Godolphin...', 16.25" x 24.25" (41.3cm x 61.6cm)

Pierre Canot A View from Westminster Bridge 1760 engraved from the origina

Pierre Canot A View from Westminster Bridge 1760 engraved from the original painting by Samuel Scott in the Tate Gallery London measures 38.5cms x 60cms

Par Pierre-Charles Canot et William Woollett D'après Jean Pillement "Les Délices du Printemps, les Agréments de l'été", "les Douceur.

Par Pierre-Charles Canot et William Woollett D'après Jean Pillement "Les Délices du Printemps, les Agréments de l'été", "les Douceurs de l'Automne et Les Plaisirs de l'Hiver" Suite de quatre gravures en noir Dimensions : 44 x 52 cm (17 1/4 x 20 1/2 in.) Provenance : Acquis chez Philippe Oudoux Antiquités en 2006 'THE SEASONS', ETCHINGS, A SET OF FOUR, AFTER J. PILLEMENT

Canot, Pierre Charles L'Amoureaux Buveaur. Kupferstich. Plattenmaße ca. 24,5 x 16 cm. Montiert auf Karton.

L'Amoureaux Buveaur. Kupferstich. Plattenmaße ca. 24,5 x 16 cm. Montiert auf Karton. Bizemont-Prunelé, Graveurs, III, 4 S. 416. - Nach David Terniers von Canot gestochen. Canot siedelte 1740 nach England über u. wurde 1770 von der Royal Academy zum Associate-Engraver ernannt. - Im weißen Plattenrand mit dem Druckvermerk Paris und dem Distributionsort London. Klarer und leuchtender Druck mit kräftigem gratigen Kontrast. Im vollen weißen Plattenrand mit minimalen Braunflecken.

A South west View of City of New York in North America

Pierre Charles Canot (c.1710?77). London: John Bowles, 1768. 16 x 21 4/8 inches

A South east View of City of New York in North America

Pierre Charles Canot (c.1710?77). London: John Bowles, 1768. 16 x 21 4/8 inches

Pierre Charles Canot ARA (1710-1777) - View of the Imperial Russian Fleet, Commanded by Count Alexis Orloff,

attacking the Turkish Fleet in Cheseme Bay in the Night between the 6th and 7th July, 1770, after Richard Paton Engraving with hand-colouring, [C.74(a)] 1793, B.B. Evans 500 x 660mm. (19 5/8 x 26 in) The success of the Russian fleet in this engagement was in large part due to the role played by several British officers then in its service. Catherine the Great, to whom this plate is dedicated, often employed foreign officers for their expertise, as had Peter the Great before her, which occasionally caused conflict in policy, depending on the current diplomatic alliance or military opposition.

Pierre Charles Canot ARA (1710-1777) - Two Anglo-French Naval battles off Haiti and Guadeloupe,

Both after Richard Paton, the first depicting the H.M. ships Augusta, Edinburgh and Dreadnought victoriously engaging the unexpectedly strong French fleet off Cape François in 1757, the second showing H.M.S. Buckingham chasing off the three French vessels Florissant, L'Egrette and L'Atalante, in 1758 Engravings, the second with hand-colouring, [C.59(b) and 62(a), respectively] 1759 and 1760, respectively, both by the artist Each c.400 x 590mm. (15 3/4 x 23 1/4 in) (2)

Canot, Pierre Charles L'Amoureaux Buveaur.

Canot, Pierre Charles L'Amoureaux Buveaur. Kupferstich. Plattenmaße ca. 24,5 x 16 cm. Bizemont-Prunelé, Graveurs, III, 4 S. 416. - Nach David Terniers von Canot gestochen. Canot siedelte 1740 nach England über und wurde 1770 von der Royal Academy zum Associate-Engraver ernannt. Im weißen Plattenrand mit dem Druckvermek Paris und dem Distributionsort London. Klarer und leuchtender Druck mit kräftigen gratigen Kontrast. Im vollen weißen Plattenrand mit minimalen Braunflecken. Montiert auf Karton. *

Pierre Charles Canot, French 1710-1777-

Pierre Charles Canot, French 1710-1777- "Perspective View of the Order of Sailing and Conducting", "Perspective View of Engaging and Taking of the Spanish Frigates", "Perspective View of His Majesty's Ship Dragon", from "The Fall of Havana to the British" after Dominique Serres, publ. P. Orsbridge; engravings, three, in matching black brushed metal frames, ea. 46x65.5cm, (3)

Pierre Charles Canot, French 1710-1777- 'Sun

Pierre Charles Canot, French 1710-1777- 'Sun Rising' After Claude Le Lorrain, published by John Boydell 1771; etching on paper, oval, 35.5x43cm: James Mason, British 1710-c.1780- 'Sun Setting' After Claude Le Lorrain, published by John Boydell 1771; etching on paper, oval, 35.5x43cm, (both in matching gilt & gesso late 18th/early 19th century oval frames) (2) Provenance: Property of the Markham family, William Markham married Daisy Grant, daughter of Sir Francis Grant RA, and thence by descent

Pierre Charles Canot

Pierre Charles Canot (France, 1710-1777) VIEW OF THE CAPTURE OF HAVANNAH IN 1762 (after Dominic Serres the Elder, British, 1719-1793) Plate XII, published by Philip Orsbridge, 1765 hand-colored engraving, framed, titled in lower margin sight size: H17 1/2" W24 1/2" Provenance: Property of a Southern Gentleman, Saint Simons Island, Georgia. Other Notes: Titled lower margin: To Sr. George Pocock Knight of the Bath and Admiral of the Blue Squadron of His Majesty's Fleet on the Expedition against the Havannah in 1762, this Perspective View of the Harbour, with the Land to the West, the Moro Castle to the Eastward, and the Fleet Entring the Harbour to take Possession on Augst. 16, Lead by the Honble. Augs. Kepple in His Majesty's Ship Valiant, c. 1762.

PIERRE CHARLES CANOT (1710-1777) after Thomas Sandby (1721-1798) 'The New Building on Shrubs Hill', hand colored engraving, inscribed: Publish'd March the 2nd 1772 by John Boydell engraver in Cheapside London. ''Fort Belvedere was built around 1750,

PIERRE CHARLES CANOT (1710-1777) after Thomas Sandby (1721-1798) 'The New Building on Shrubs Hill', hand colored engraving, inscribed: Publish'd March the 2nd 1772 by John Boydell engraver in Cheapside London. ''Fort Belvedere was built around 1750, for Prince William Augustus, Duke of Cumberland, a son of King George II, and famous for his role in the Battle of Culloden. Afterwards the property was used by a variety of royals, or their servants. In 1911, the old building was converted into a residence, and was used by Prince Arthur, Duke of Connaught. Fort Belvedere, on Shrubs Hill, at Sunningdale in Windsor Great Park, Surrey, is best known as the home of Edward VIII as Prince of Wales.'' Contained in parcel gilt frame under glass. Condition: no visible defects. Dimensions: 13 3/4'' X 22 7/8'', frame 18'' X 27 3/8''. Provenance: Collection of Graham Shearing.

PIERRE CHARLES CANOT (1710-1777) after Thomas Sandby (1721-1798) 'The New Building on Shrubs Hill', hand colored engraving, inscribed: Publish'd March the 2nd 1772 by John Boydell engraver in Cheapside London. ''Fort Belvedere was built around 1750,

PIERRE CHARLES CANOT (1710-1777) after Thomas Sandby (1721-1798) 'The New Building on Shrubs Hill', hand colored engraving, inscribed: Publish'd March the 2nd 1772 by John Boydell engraver in Cheapside London. ''Fort Belvedere was built around 1750, for Prince William Augustus, Duke of Cumberland, a son of King George II, and famous for his role in the Battle of Culloden. Afterwards the property was used by a variety of royals, or their servants. In 1911, the old building was converted into a residence, and was used by Prince Arthur, Duke of Connaught. Fort Belvedere, on Shrubs Hill, at Sunningdale in Windsor Great Park, Surrey, is best known as the home of Edward VIII as Prince of Wales.'' Contained in parcel gilt frame under glass. Condition: no visible defects. Dimensions: 13 3/4'' X 22 7/8'', frame 18'' X 27 3/8''. Provenance: Collection of Graham Shearing.

La Nuit, and Le Soleil levant

La Nuit, and Le Soleil levant After Jean Baptiste Pillement (1728-1808) by Pierre Charles Canot (1710-1777) Two engravings, with extensive later hand-colouring, originally published London, 1759, both in gilt frames Image: 345 x 435 mm. (each) (2)

After Dominic Serres (French, active England,

After Dominic Serres (French, active England, 1719-1790), Engraved by Pierre Charles Canot (American, 1710-1777), "To the right Honorable, the Lords Commissioners for Executing the Office of Lord High Admiral of Great Britain et cetera, et cetera, of his Majesty's Ships on the Secret Expedition, Against the Havannah, Down the Old Straits of Bahama in Seven Divisions, the Second of June 1762", copper engraving on paper affixed to cardboard, signed in plate, sight 17 7/8 in. x 25 1/4 in., in a pine frame.

Canot, Pierre Charles (1710 Paris - Kentish Town

Canot, Pierre Charles (1710 Paris - Kentish Town 1777). Les plaisirs de l`Hiver. Kolor. Kupferstich nach J.Pillement, London 1759. 38 x 49,7 cm. Auf Kart. aufgezogen u. unter Passep. mont. AKL 16, 172. - Von P.C. Canot sind etwa 200 Reproduktionsstiche bekannt, darunter viele Seen- und Küstenlandschaften. Einige seiner Werke nach bekannten Künstlern erschienen im Verlag John Boydells. - Prächtiges Blatt. - Schwach gebräunt u. fleckig, Einr.

After Dominic Serres (French, active England,

After Dominic Serres (French, active England, 1719-1790), Engraved by Pierre Charles Canot (American, 1710-1777), "To the right Honorable, the Lords Commissioners for Executing the Office of Lord High Admiral of Great Britain et cetera, et cetera, of his Majesty's Ships on the Secret Expedition, Against the Havannah, Down the Old Straits of Bahama in Seven Divisions, the Second of June 1762", copper engraving on paper affixed to cardboard, signed in plate, sight 17 7/8 in. x 25 1/4 in., in a plain stained pine frame.

Canot, P.C. (1710-1777). "L'Hiver, Vue

Canot, P.C. (1710-1777). "L'Hiver, Vue D'Hollande". Engr. after H.J. DUBBELS, 41,8x31,7 cm., with engr. caption below image and with engr. "Publish'd according to Act of Parliament Septem.r 30th 1755. - Sold by P.C. Canot at the Golden Head in Great Chapel Street near Soho Square" below image. - Small foxed spot in sky area; tiny tear in top margin. Otherwise fine. = Attractive skating print. SEE ILLUSTRATION PLATE LXIII.

Canot (Pierre Ch., 1710-1777). To Sr George Pocock

Canot (Pierre Ch., 1710-1777). To Sr George Pocock Knight of the Bath and Admiral of the Blue Squadron of His Majesty's Fleet on the Expedition against the Havannah in 1762, this Perspective View of the Harbour, with the Land to the West, the Moro Castle to the Eastward, and the Fleet Entring the Harbour to take Possession on Augst. 16, Lead by the Honble. Augs. Kepple in His Majesty's Ship Valiant, c. 1762, engraved view, by P. C. Canot after Daniel Serres, the final plate from a set of twelve views by Serres, some scattered spotting and minor marks, plate size approx. 455 x 655 mm (18 x 25.75 ins), with margins, framed and glazed (glass cracked) From the collection of Admiral Codrington, thence by descent.[ Subject to VAT ]

Pierre Charles Canot, 18th c. engraving

Framed engraving, The First View of the Out-skirts of Francfort, designed by Pierre Charles Canot (French 1710-1777) (notation of "Canot inv." lower left), published in London 1767, 12.75"H x 14"L x.5"W

Pierre Charles Canot