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Antonio (1757) Canova Sold at Auction Prices

Sculptor, Painter, b. 1757 - d. 1822

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            • Antonio Canova, Büßende Maria Magdalena
              Feb. 24, 2024

              Antonio Canova, Büßende Maria Magdalena

              Est: -

              Antonio Canova, Büßende Maria Magdalena Ende 19. Jh., seitlich signiert, recto Schriftzug: "A.M. Mariano Maspons y Labros 1881–1881 L. Lorme et G. Raynaud E.L. Leon", Bronze gegossen und fein ziseliert, braun patiniert, kniende Maria Magdalena mit gesenktem Kopf und im Büßergewand, die Arme nach oben geöffnet auf ihren Knien abgelegt, auf naturalistisch gestalteter Plinthe, partiell etwas berieben, H 37 cm. Künstlerinfo: italienischer Bildhauer (1757 Possagno bis 1822 Venedig), bedeutendster Vertreter des italienischen Klassizismus. Quelle: Internet. Antonio Canova, Penitent Mary Magdalene End of the 19th century, signed on the side, recto inscription: "A.M. Mariano Maspons y Labros 1881-1881 L. Lorme et G. Raynaud E.L. Leon", cast bronze and finely chiselled, brown patina, kneeling Mary Magdalene with her head bowed and wearing a penitent's robe, her arms open on her knees, on a naturalistic plinth, somewhat rubbed in places, h 37 cm. End of the 19th century, signed on the side, recto inscription: "A.M. Mariano Maspons y Labros 1881-1881 L. Lorme et G. Raynaud E.L. Leon", cast bronze and finely chiselled, brown patina, kneeling Mary Magdalene with her head bowed and wearing a penitent's robe, her arms open on her knees, on a naturalistic plinth, somewhat rubbed in places, h 37 cm. Artist information: Italian sculptor (1757 Possagno to 1822 Venice), most important representative of Italian classicism. Source: Internet.

              Auktionshaus Mehlis GmbH
            • Antonio CANOVA (1757-1822) (D'après) Thésée et le …
              Feb. 21, 2024

              Antonio CANOVA (1757-1822) (D'après) Thésée et le …

              Est: €1,000 - €1,500

              Antonio CANOVA (1757-1822) (D'après) Thésée et le centaure Important groupe en albâtre, sur socle ovale à contour cannelé. H : 64 L : 50 P : 22 cm (manque l'épée, petites égrenures)

              Osenat
            • A carved marble figure of a sleeping lion after Antonio Canova (Italian, 1757-1822)
              Feb. 13, 2024

              A carved marble figure of a sleeping lion after Antonio Canova (Italian, 1757-1822)

              Est: £700 - £1,000

              A carved marble figure of a sleeping lion after Antonio Canova (Italian, 1757-1822) the recumbent lion resting on its front paws on moulded rounded rectangular integral base, the marble weathered, 20.5cm high, 43cm wide For further information on this lot please visit the Bonhams website

              Bonhams
            • A pair of late 19th century gilt bronze models of sleeping lions after Antonio Canova (Italian, 1757-1822) (2)
              Feb. 13, 2024

              A pair of late 19th century gilt bronze models of sleeping lions after Antonio Canova (Italian, 1757-1822) (2)

              Est: £600 - £800

              A pair of late 19th century gilt bronze models of sleeping lions after Antonio Canova (Italian, 1757-1822) the recumbent lions resting on their front paws, raised on integral rectangular plinths, mounted on rouge marble rectangular shallow plinths, 15cm high, 30.5cm wide overall (2) For further information on this lot please visit the Bonhams website

              Bonhams
            • A late 19th century carved serpentine marble model of a sleeping lion After Antonio Canova (Italian, 1757-1822)
              Feb. 13, 2024

              A late 19th century carved serpentine marble model of a sleeping lion After Antonio Canova (Italian, 1757-1822)

              Est: £300 - £500

              A late 19th century carved serpentine marble model of a sleeping lion After Antonio Canova (Italian, 1757-1822) the recumbent lion resting on its front paws, raised on integral rectangular plinth, 13.4cm high, 23.2cm wide approximately For further information on this lot please visit the Bonhams website

              Bonhams
            • Pareja de leones en mármol blanco tallado. Italia, Fns. S. XIX - Ppio. S. XX
              Feb. 07, 2024

              Pareja de leones en mármol blanco tallado. Italia, Fns. S. XIX - Ppio. S. XX

              Est: -

              Siguiendo modelos de los leones realizados por Antonio Canova (Possagno, 1757 - Venecia, 1822) para la para la tumba del Papa Clemente XIII en la Basílica de San Pedro.

              Isbilya Subastas
            • ANTIQUE LATE 19TH C PHOTOGRAPHS BY CARLO NAYA
              Jan. 27, 2024

              ANTIQUE LATE 19TH C PHOTOGRAPHS BY CARLO NAYA

              Est: $100 - $150

              A pair of antique late 19th century black and white photographs. First. A portrait of an Arab man and child with a buffalo against the palm trees. Hand-signed in the bottom middle, Egyptian Buffalo. Second. A large picture of the tomb of Antonio Canova, 1757 to 1822, an Italian sculptor. By Carlo Naya, 1816 to 1882, a prominent Italian photographer based in Venice. Titled N127 Venezia, Monumento di Canova nella Chiesa dei Frari, Monument to the Great Sculptor Canova in the Frari Church. Dated 1876. Description in French, English, and German on the backside. Collectible Antique Photographs, Historical Relics.

              Antique Arena Inc
            • ANTONIO CANOVA (1757-1822), AFT
              Jan. 26, 2024

              ANTONIO CANOVA (1757-1822), AFT

              Est: -

              Antonio Canova (1757-1822), after, large bust of Napoleon, black-green patinated bronze on a high marble base, inscribed on plaque, verso foundry inscription ''F. Godard a Paris'' and stamp ''Musees de Nationaux France'', further indistinct inscription, overall h. 39 cm

              Historia Auctionata
            • Unknown (19th), Composers and artists, Copper engraving
              Dec. 30, 2023

              Unknown (19th), Composers and artists, Copper engraving

              Est: €75 - €125

              Unknown (19th century): Portraits of composers and artists, 19th century, Copper engraving Technique: Copper engraving on Paper Date: 19th century Description: Three-quarter portraits of male composers and artists. Among them Antonio CANOVA (1757 Possagno-1822 Venice), an Italian sculptor and one of the main representatives of Italian classicism. Giovanni PAISIELLO (1740 Tarent-1816 Naples), an Italian composer or André-Ernest-Modeste GRÈTRY (1741 Liège-1813 Montmorency), a composer who created around 70 operas in the France of Louis XV, Louis XVI and the First Republic, but who also distinguished himself as a writer. Keywords: 19th century, Romanticism, Portraits, Italy,

              Fichter Kunsthandel
            • ANTONIO CANOVA (1757-1822), D'APRES.
              Dec. 10, 2023

              ANTONIO CANOVA (1757-1822), D'APRES.

              Est: €200 - €300

              ANTONIO CANOVA (1757-1822), D'APRES. Vénus Victrix ou Pauline Borghèse. Sujet en biscuit sur un socle noir. A.B.E (Manque un doigt à la main droite et pied gauche recollé) H. : 32 cm – L. : 35 cm – P. :15 cm

              Osenat
            • Antonio Canova
              Dec. 03, 2023

              Antonio Canova

              Est: €900 - €1,800

              (1757 Possagno - 1822 Venedig) nach Büste Napoleon I. als Kaiser der Franzosen Weißer Marmor. Posthume, zeitgenössische Skulptur (Ende 20./Anfang 21. Jh.) nach der bekannten Büste Napoleons mit Lorbeerkranz, die Canova 1804 ausführte. Auf dem Sockel bez.; H. 60,5 cm. After Antonio Canova (1757 - 1822). White marble. Posthumous, contemporary bust (late 20th/early 21st C.) after the original marble bust executed by Canova in 1804.

              Kunstauktionshaus Schloss Ahlden
            • ANTONIO CANOVA 1757-1822 George Washington - George Washington
              Nov. 23, 2023

              ANTONIO CANOVA 1757-1822 George Washington - George Washington

              Est: €150 - €250

              George Washington Acquaforte incisa da Luigi Rados. 58,00 x 41,00 cm - ANTONIO CANOVA 1757-1822 George Washington Etching engraved by Luigi Rados. 22.83 x 16.14 in.

              Aste Bolaffi
            • Antonio Canova (1757-1822)-follower
              Nov. 21, 2023

              Antonio Canova (1757-1822)-follower

              Est: €650 - €1,300

              Antonio Canova (1757-1822)-follower, two resting lions, bronze cast with fine hand finishes and original patina, a pair, each 45 x 22 cm

              Deutsch Auktionen
            • FIGURE REPRÉSENTANT LE PUGILISTE CREUGAS D'APRÈS ANTONIO CANOVA (1757-1822)
              Nov. 16, 2023

              FIGURE REPRÉSENTANT LE PUGILISTE CREUGAS D'APRÈS ANTONIO CANOVA (1757-1822)

              Est: €1,500 - €2,500

              FIGURE REPRÉSENTANT LE PUGILISTE CREUGAS D'APRÈS ANTONIO CANOVA (1757-1822), ITALIE, FIN DU XIXE SIÈCLE H.: 64,5 cm. (25 ½ in.); H. totale : 68 cm. (26 ¾ in.)

              Christie's
            • ANTONIO CANOVA (1757-1822), AFTER,
              Nov. 10, 2023

              ANTONIO CANOVA (1757-1822), AFTER,

              Est: -

              Antonio Canova (1757-1822), after, large bust of Napoleon, black-green patinated bronze on high marble base, inscribed on plaque, on verso foundry inscription ''F. Godard a Paris'' and stamp ''Musees de Nationaux France'', further indistinct inscription, overall h. 39 cm.

              Historia Auctionata
            • CANOVA Antonio (1757 - 1822) "Psyché et l'Amour" en albâtre sculpté. D'aprè
              Oct. 11, 2023

              CANOVA Antonio (1757 - 1822) "Psyché et l'Amour" en albâtre sculpté. D'aprè

              Est: €300 - €400

              CANOVA Antonio (1757 - 1822) "Psyché et l'Amour" en albâtre sculpté. D'après Antonio Canova. Epoque: XIXème. Reposant sur une base en albâtre et en bois. (* et **). Dim.(hors bases):+/-27cm.

              Vanderkindere
            • Antonio Canova, 1757 Possagno – 1822 Venedig, nach
              Sep. 28, 2023

              Antonio Canova, 1757 Possagno – 1822 Venedig, nach

              Est: €800 - €1,200

              BEOBACHTENDER LÖWE Länge: 21 cm. Bronzeguss, braun patiniert. Auf einer rechteckigen mitgegossenen Plinthe liegt ein nach rechts blickender Löwe mit geöffneten Augen, der seine Tatzen über die Kante der Plinthe gelegt hat. Die Skulptur ist eine Repitition aus Canovas bekannter Skulpturengruppe. (1370144) (3) (13)

              Hampel Fine Art Auctions
            • Cupid and Psyche Antonio Canova (1757 Possagno - 1822 Venice), after
              Sep. 20, 2023

              Cupid and Psyche Antonio Canova (1757 Possagno - 1822 Venice), after

              Est: €7,000 - €8,000

              Cupid and Psyche Antonio Canova (1757 Possagno - 1822 Venice), after Marble (?). Inscribed "A. G. Naldini" on the base. Nach der berühmten Gruppe A. Canovas von 1793 im Louvre, Paris.

              Neumeister
            • Sculptures CANOVA Antonio (1757 - 1822). D'après. "Psyché et l'Amour"
              Sep. 12, 2023

              Sculptures CANOVA Antonio (1757 - 1822). D'après. "Psyché et l'Amour"

              Est: €1,600 - €2,000

              Sculptures CANOVA Antonio (1757 - 1822). D'après. "Psyché et l'Amour" en albâtre sculpté. D'après Antonio Canova. Reposant sur une importante colonne à base octogonale en serpentine sculptée. Epoque: XIXème. (Manques, * et **). Dim.(sculpture):+/-80x50x33cm. H.(colonne):+/-109,5cm.

              Vanderkindere
            • ANTONIO CANOVA 1757 Passagno - 1822 Venedig (Nachfolger des
              Sep. 09, 2023

              ANTONIO CANOVA 1757 Passagno - 1822 Venedig (Nachfolger des

              Est: €180 - €360

              ANTONIO CANOVA1757 Passagno - 1822 Venice (successor of the 19th/20th century)PAOLINA BONAPARTE (RECLINING VENUS)Bronze, dark patinated, on rectangular plinth and marble base (h. 4,5 cm). Overall h. 35, w. 54, d. 19,5 cm, weight ca. 20,31 kg. On the side sig. 'A. Canova', marked 'Bronze Garanti Paris J.B. desposée' and 'A7414'. Min. rubbed and loss of patina. ANTONIO CANOVA 1757 Passagno - 1822 Venedig (Nachfolger des 19./ 20. Jh.) PAOLINA BONAPARTE (LIEGENDE VENUS) Bronze, dunkel patiniert, auf rechteckiger Plinthe und Marmorsockel (H. 4,5 cm). Ges.-H. 35, B. 54, T. 19,5 cm, Gew. ca. 20,31 kg. Seitlich sig. 'A. Canova', gemarkt 'Bronze Garanti Paris J.B. desposée' und 'A7414'. Min. ber. und Verlust der Patina.

              Hargesheimer Kunstauktionen Düsseldorf
            • After Antonio Canova (1757 - 1822) Italian, Pauline Bonaparte as Venus Victorious, later casting, bronze on a marble and slate plinth, 26cm high, 35 cm long
              Aug. 31, 2023

              After Antonio Canova (1757 - 1822) Italian, Pauline Bonaparte as Venus Victorious, later casting, bronze on a marble and slate plinth, 26cm high, 35 cm long

              Est: £300 - £500

              After Antonio Canova (1757 - 1822) Italian, Pauline Bonaparte as Venus Victorious, later casting, bronze on a marble and slate plinth, 26cm high, 35 cm long

              Dawsons Auctioneers
            • Workshop of Antonio Canova (Italian, 1757-1822): A rare carved white marble 'ideal' bust of 'The Head of a Dancer' Early 19th century, circa 1820-30 (2)
              Jul. 12, 2023

              Workshop of Antonio Canova (Italian, 1757-1822): A rare carved white marble 'ideal' bust of 'The Head of a Dancer' Early 19th century, circa 1820-30 (2)

              Est: £30,000 - £50,000

              Workshop of Antonio Canova (Italian, 1757-1822): A rare carved white marble 'ideal' bust of 'The Head of a Dancer' Early 19th century, circa 1820-30 The sitter's head turned in profile to sinister, her elaborate coiffure with a high chignon, the hairline arranged with stylised curls and crowned with a floral wreath, her left shoulder with folded drapery gathered by a circular brooch, raised above a vacant rectangular tablet on swept turned circular socle base, together with a 19th century faux porphyry scagliola clad plain column pedestal with moulded white painted circular foot, the bust 53cm high overall, the column 122cm high (2)

              Bonhams
            • Italian, 19th century/ 20th century
              Jul. 12, 2023

              Italian, 19th century/ 20th century

              Est: £3,000 - £5,000

              After Antonio Canova (1757 - 1822) Italian, 19th century/ 20th century Bust of Hebe white marble, on a veined grey marble socle 65cm., 25½in.

              Sotheby's
            • ANTONIO CANOVA (POSSAGNO 1757-1822 VENICE), 1816-17 Bust of Helen 19 3/4 in
              Jul. 06, 2023

              ANTONIO CANOVA (POSSAGNO 1757-1822 VENICE), 1816-17 Bust of Helen 19 3/4 in

              Est: £2,500,000 - £4,000,000

              ANTONIO CANOVA (POSSAGNO 1757-1822 VENICE), 1816-17 Bust of Helen 19 3/4 in. (50.2 cm.) high; 24 1/2 in. (62.2 cm.) high, overall

              Christie's
            • AFTER ANTONIO CANOVA (1757-1822), ITALIAN, 19TH CENTURY Dancing Girl with H
              Jul. 06, 2023

              AFTER ANTONIO CANOVA (1757-1822), ITALIAN, 19TH CENTURY Dancing Girl with H

              Est: £250,000 - £400,000

              AFTER ANTONIO CANOVA (1757-1822), ITALIAN, 19TH CENTURY Dancing Girl with Her Hands on Her Hips and Dancing Girl with Her Finger on Her... 55 1/2 in. (140 cm.) high, each; 90 1/2 in. (230 cm.) high, overall (2)

              Christie's
            • Italian, circa 1820
              Jul. 04, 2023

              Italian, circa 1820

              Est: £30,000 - £50,000

              After Antonio Canova (Possagno 1757 - 1822 Venice) Italian, circa 1820 Bust of Beatrice white marble 48cm., 18 7/8 in.

              Sotheby's
            • BUSTE DE PAULINE BONAPARTE (1780-1825) ATELIER D'ANTONIO CANOVA (1757-1822)
              Jun. 15, 2023

              BUSTE DE PAULINE BONAPARTE (1780-1825) ATELIER D'ANTONIO CANOVA (1757-1822)

              Est: €10,000 - €15,000

              BUSTE DE PAULINE BONAPARTE (1780-1825) ATELIER D'ANTONIO CANOVA (1757-1822), ITALIE, VERS 1810-1820 H. 46 cm. (18 in.) ; H. totale 59 cm. (23 1/4 in.)

              Christie's
            • After Antonio Canova (1757 - 1822) | European, 19th/ 20th century
              May. 24, 2023

              After Antonio Canova (1757 - 1822) | European, 19th/ 20th century

              Est: £1,500 - £2,000

              Property from an Irish Private Collection After Antonio Canova (1757 - 1822) European, 19th/ 20th century Venus Italica painted sandstone, on a modern base figure: 168cm., 66in. base: 60 by 61 by 61cm., 23 1/2 by 24 by 24in.

              Sotheby's
            • A WHITE PAINTED PLASTER BUST OF HELEN OF TROY, MID 20TH CENTURY
              May. 23, 2023

              A WHITE PAINTED PLASTER BUST OF HELEN OF TROY, MID 20TH CENTURY

              Est: £400 - £600

              A WHITE PAINTED PLASTER BUST OF HELEN OF TROYMID 20TH CENTURY, AFTER ANTONIO CANOVA (1757-1822)64cm highThe original white marble bust by Canova is held in the V&A Museum. In 1812 Lord Byron saw it and penned the verse:'In this beloved marble view Above the works and thoughts of Man, What nature could, but would not, do And beauty and Canova can!'

              Dreweatts 1759 Fine Sales
            • D'après Antonio Canova (1757-1822)
              May. 01, 2023

              D'après Antonio Canova (1757-1822)

              Est: CHF400 - CHF600

              D'après Antonio Canova (1757-1822) Venus italique, d'après le marbre conservé au Palais Pitti de Florence, bronze à patine brune, socle en marbre vert, H 60 cm

              Geneve Encheres
            • A late 19th/early 20th century carved alabaster figure of Paolina Borghese as Venus Victrix (Venus Victorious) after Antonio Canova (Italian, 1757-1822)
              Apr. 18, 2023

              A late 19th/early 20th century carved alabaster figure of Paolina Borghese as Venus Victrix (Venus Victorious) after Antonio Canova (Italian, 1757-1822)

              Est: £4,000 - £6,000

              A late 19th/early 20th century carved alabaster figure of Paolina Borghese as Venus Victrix (Venus Victorious) after Antonio Canova (Italian, 1757-1822) the semi-nude figure clad in drapery and reclining on a cushioned classical chaise, the front with fringed drapery, 46cm high, 56cm wide, 18cm deep approximately

              Bonhams
            • Medals of characters, cities, Savoy and various
              Apr. 16, 2023

              Medals of characters, cities, Savoy and various

              Est: -

              Antonio Canova (1757-1822) Medaglia Al Secolo Decimo Nono Opus: Putinati AE (g 31,61 - Ø 34 mm) colpo al bordo Rara

              Nomisma S.p.a
            • ANTONIO CANOVA (1757-1822), ATELIER DE
              Apr. 02, 2023

              ANTONIO CANOVA (1757-1822), ATELIER DE

              Est: €25,000 - €30,000

              ANTONIO CANOVA (1757-1822), ATELIER DE « Tête idéale, Juliette Récamier en Béatrice » Vers 1820 Buste en marbre blanc H. 48 cm, et piédouche H. 9,8 cm Provenance : Collection particulière Œuvres en rapport : Buste coiffé du simple voile : -Antonio Canova, Portrait de Juliette Récamier, 1813, plâtre, H. 47 cm, Possagno, Gypsothèque, inv. N. 234 ; -Antonio Canova, Buste de Béatrice, 1819-22, marbre, H. 45,7 cm, Boston, Museum of Fine Arts, inv. 2002.318 ; -Probablement atelier d’Antonio Canova, Juliette Récamier, marbre, H. 57, 5cm, Bournemouth, Russell-Cotes Art Gallery & Museum, inv. S.C9 BORGM. Buste couronné d’olivier : -Antonio Canova et atelier, Tête idéale, Juliette Récamier en Béatrice, 1819-22, marbre, H. 60 cm, Lyon, musée des Beaux-Arts, inv. A 2921. Littérature en rapport : -Gérard Hubert, La sculpture dans l’Italie Napoléonienne, Paris, Editions E. de Boccard, 1964, n°16, p. 474; -Giuseppe Pavanello, Mario Praz, L’opera complete del Canova, Milan, Rizzoli, 1976, pp. 122-123 ; -Franca Falletti, Silvestra Biotoletti, Annarita Caputo, Lorenzo Bartolini, scultore del bello naturale, Giunti, Firenze Musei, 2011, pp. 192-193 ; -Ss dir. Claire Barbillon, Catherine Chevillot, Sculptures du XVIIème ou XXème siècle : Musée des Beaux-Arts de Lyon, Paris, Somogy, 2017, pp. 146-148. Historique : En 1813, Juliette Récamier rend visite à Antonio Canova dans son atelier romain. Le sculpteur touché par la beauté de la jeune femme décide de faire son portrait. Profitant de l’absence de Juliette qui, fuyant la chaleur romaine, s’est installée à Naples durant trois mois, le sculpteur modèle en terre cuite dans le plus grand secret et de mémoire l’image de sa nouvelle égérie. C’est à son retour dans la Ville Éternelle que la « Belle des Belles » découvre son effigie, décontenancée, elle a du mal à dissimuler sa déception. Canova transforme alors ce portrait en buste de Béatrice, la muse du poète Dante Aligheri dans la Divine Comédie, inscrivant ainsi cette œuvre dans la série des Têtes idéales qui l’occupe durant le premier tiers du XIXème siècle. Il existe une épreuve en plâtre de Béatrice datant de 1813 conservé à la Gypsothèque de Possagno (inv. N234). À partir de ce modèle, Canova réalise deux versions en marbre : l’une entre 1817 et 1818, la tête ceinte d’un simple voile, qu’il offre à son biographe Leopoldo Cicognara (1767-1834) et une autre sculptée en 1822 pour répondre à la commande du collectionneur Alexander Baring (1774-1848), la tête couronnée d’une branche d’olivier. Comme pour la plupart des Têtes idéales, la littérature sur l’artiste n’est pas exhaustive quant au nombre d’exemplaires réalisés par Canova lui-même ou par son atelier. On peut citer les versions du musée des Beaux-Arts de Lyon (inv. 1 2921), du musée de Boston (inv. 2002.318), une version offerte en 1819 au viennois Stephan Szechej ou encore la belle copie de Lorenzo Bartolini (1777-1850), conservée dans une collection particulière à Florence.

              Osenat
            • Antonio Canova, 1757 – 1822, nach
              Mar. 30, 2023

              Antonio Canova, 1757 – 1822, nach

              Est: €4,000 - €6,000

              HERAKLES BEDANKT SICH FÜR DEN LICHASDIENST Höhe: 67 cm. Italien. In Bronze gegossen und patiniert, auf rechteckigem rot-weiß geädertem Marmorsockel montiert. Herakles packt Lichas am Fuß, um ihn in das euböische Meer zu werfen - doch was war passiert? Lichas wurde von Herakles‘ Gemahlin Deianeira beauftragt, ihm ein Gewand zu bringen. Dieses war mit dem Blut des Nessus bestrichen, in der Hoffnung, dass der Liebeszauber die Liebe des Herakles wieder entflammen könne. Das Blut war jedoch mit dem Blut der Hydra verunreinigt, sodass Herakles‘ Fleisch verbrannte und er begann, sein Umfeld zu zerstören. Entsprechend meint man heute mit einem Lichasdienst eine Tat, die gut gemeint war, aber schlechte Konsequenzen hat. Nach der Kolossalskulptur, die Onorato Gaetani 1795 bei Antonio Canova in Auftrag gegeben hatte und sich heute im Museum für Moderne Kunst in Rom befindet. (1351761) (13)

              Hampel Fine Art Auctions
            • Antonio Canova, 1757 Possagno – 1822 Venedig, nach
              Mar. 30, 2023

              Antonio Canova, 1757 Possagno – 1822 Venedig, nach

              Est: €4,000 - €6,000

              PAAR MÄNADEN Höhe: ca. 112 cm. Italien, 19. Jahrhundert. Terrakotta, cremefarben gefasst. Über einer runden hohen Basis jeweils eine stehende, sich tänzelnd bewegende weibliche Figur in klassischer Kline, teils mit Blütenschließen und Blütenhaarzier. Rest., besch. (1351683) (13)

              Hampel Fine Art Auctions
            • Antonio Canova, 1757 Possagno – 1822 Venedig, nach
              Mar. 30, 2023

              Antonio Canova, 1757 Possagno – 1822 Venedig, nach

              Est: €4,000 - €6,000

              BÜSTE DER TERPSICHORE Höhe: 42,5 cm. Italien, 19. Jahrhundert. Auf profiliertem Rundsockel stehend. Darstellung des Kopfes der Terpsichore nach dem Modell von Antonio Canova von 1808, welches die Muse als Ganzfigur darstellt. In diesem Fall in Carrara-Marmor gearbeitete Büstenfigur mit nach links gerichtetem Kopf und fein ausgearbeiteter Haartracht. (13511511) (1) (13)

              Hampel Fine Art Auctions
            • CANOVA Antonio (1757 - 1822). D'après. Sculptures
              Feb. 14, 2023

              CANOVA Antonio (1757 - 1822). D'après. Sculptures

              Est: €8,000 - €12,000

              Sculptures CANOVA Antonio (1757 - 1822). D'après. "Danseuse" en marbre blanc de Carrare sculpté. D'après Antonio Canova. Reposant sur une colonne en marbre veiné. Epoque: XIXème. (** à un doigt). H.(danseuse):+/-105cm. H.(colonne):+/-85,5cm.

              Vanderkindere
            • Antonio CANOVA (1757-1822)
              Feb. 11, 2023

              Antonio CANOVA (1757-1822)

              Est: €200 - €300

              Antonio CANOVA (1757-1822) Statue in biscuit Enfant écrivant, signed. Beeld in biscuit Enfant écrivant, getekend.

              Maison Jules Veilinghuis
            • A PAIR OF CARVED ALABASTER RECUMBENT LIONS AFTER THE MODELS BY ANTONIO CANOVA (ITALIAN, 1757-1822) MADE FOR THE TOMB OF POPE CLEMENT XIII (2)
              Feb. 02, 2023

              A PAIR OF CARVED ALABASTER RECUMBENT LIONS AFTER THE MODELS BY ANTONIO CANOVA (ITALIAN, 1757-1822) MADE FOR THE TOMB OF POPE CLEMENT XIII (2)

              Est: £300 - £500

              A PAIR OF CARVED ALABASTER RECUMBENT LIONS AFTER THE MODELS BY ANTONIO CANOVA (ITALIAN, 1757-1822) MADE FOR THE TOMB OF POPE CLEMENT XIII On plinth bases, 10cm wide, 34cm deep, 18cm high (3 1/2in wide, 13in deep, 7in high) (2)

              Bonhams
            • Antonio Canova (Italian, 1757-1822), Pair of Sculptures of a Boy and Girl
              Jan. 28, 2023

              Antonio Canova (Italian, 1757-1822), Pair of Sculptures of a Boy and Girl

              Est: $2,500 - $3,500

              Antonio Canova (Italian, 1757-1822) Pair of Sculptures of a Boy and Girl late 19th century carved alabaster signed on the girls book "Antonio Canova" and on the boys page "Cano" 27 x 9 1/2 x 11 inches Each figure seated on a stone ledge, the girl reading a book and the boy writing.

              Fontaine's Auction Gallery
            • French Antique Figural Clock after Antonio Canova
              Jan. 25, 2023

              French Antique Figural Clock after Antonio Canova

              Est: $300 - $600

              A bronzed white metal mantel or centerpiece clock. A figural work after the original Neoclassical work, "Psyche Revived by Cupid's Kiss," by Antonio Canova (1757-1822), commissioned 1787. Depicts the Roman god Cupid ("Amor") awakening the lifeless Psyche (Anima). Clock face stamped FRANCE. Presented on a cream marble demilune base with name plate affixed to front AMOUR ET PSYCHE D'APRES CANOVA MUSEE DU LOUVRE ("Cupid and Psyche after Canova, Louvre Museum.") Dimensions: 21 X 20 X 9 in. Condition: Good overall antique condition having average to mild surface wear and patina. Key included. Sold untested. Estate fresh to the market. Shipping: Hill Auction Gallery does not offer in-house shipping for this item. Gallery will refer third party shippers for all domestic and international buyers. Purchaser pick up available upon request. Got something to sell? Contact us at HillAuctionGallery.com

              Hill Auction Gallery
            • ANTONIO CANOVA (1757-1822), D’APRES Paire de lions couchés en scagliola reposant sur un socle rect
              Jan. 22, 2023

              ANTONIO CANOVA (1757-1822), D’APRES Paire de lions couchés en scagliola reposant sur un socle rect

              Est: €1,000 - €1,500

              ANTONIO CANOVA (1757-1822), D’APRES Paire de lions couchés en scagliola reposant sur un socle rectangulaire en marbre rouge. Fin du XIXe siècle Haut. 18 cm ; Larg. 31,2 cm ; Prof. 11,5 cm. Réductions d’après les originaux créés par Antonio Canova pour le tombeau du Pape Clément XIII en la Basique Saint Pierre de Rome.

              Osenat
            • Antonio CANOVA (1757-1822), d'après
              Dec. 11, 2022

              Antonio CANOVA (1757-1822), d'après

              Est: -

              Jeune homme Marbre sculpté H. 62 cm Petites égrenures

              OXIO
            • Pair of Serpentine Stone "Canova" Lions
              Dec. 04, 2022

              Pair of Serpentine Stone "Canova" Lions

              Est: $1,000 - $1,500

              Pair of Serpentine Stone "Canova" Lions first half 19th century, the sleeping mottled green lions based on the originals by Antonio Canova (Italian, 1757-1822), sculpted for the tomb of Pope Clement XIII. h. 5", d. 3-1/2", l. 10" Provenance: Collection of Mr. Bruce McCashin.

              New Orleans Auction Galleries
            • Sculptures CANOVA Antonio (1757 - 1822). D'après. Grande "Vénus pudique" en marbre blanc sculp
              Nov. 15, 2022

              Sculptures CANOVA Antonio (1757 - 1822). D'après. Grande "Vénus pudique" en marbre blanc sculp

              Est: €2,000 - €3,000

              Sculptures CANOVA Antonio (1757 - 1822). D'après. Grande "Vénus pudique" en marbre blanc sculpté. D'après Antonio Canova. Epoque : XIXème. (* et ** à la base). H.:+/-102.5cm.

              Vanderkindere
            • Canova (Antonio, Italian sculptor, 1757-1822) Pass to study at Musei Pontifici, signed by Canova, 1822.
              Nov. 10, 2022

              Canova (Antonio, Italian sculptor, 1757-1822) Pass to study at Musei Pontifici, signed by Canova, 1822.

              Est: £300 - £400

              Canova (Antonio, Italian sculptor, 1757-1822) Pass to study at Musei Pontifici, "The Director of the Capitoline Museum permits the Mr John Davis to do studies in the stated museum",1 ff. printed text with manuscript insertions on laid paper, official stamp, signed by Canova, 22 January, 1822. ⁂ Autograph signature of the famed sculpture Antonio Canova in his capacity as "L'Ispettore Generale delle Antichita Musei etc", signed with the artist's usual flamboyant flourish. In 1802 Pope Pius VII bestowed on Antonio Canova, by then the most celebrated artist in Europe, the title of "Inspector-General of Antiquities and Fine Art to the Papal State" (a position which had once been held by Raphael). In 1819, the year this document was signed, Canova laid the foundation stone to the Tempio Canoviano, the church which he himself had designed for Possagno (the town of his birth). The document here is one of the official permits which Canova was obliged to issue to Grand Tourists, allowing them entry to study in the Vatican Museums.

              Forum Auctions - UK
            • Antonio Canova (1757-1822), af
              Nov. 03, 2022

              Antonio Canova (1757-1822), af

              Est: -

              Antonio Canova (1757-1822), after, the wrestlers, bronze group with brown patina on marble plinth, after the copy of the antique original made by Canova in 1775, signed/inscribed Canova on verso, minimally rubbed h.-h. 12 cm

              Historia Auctionata
            • ITALIAN SCHOOL DANCING MUSE ALABASTER SCULPTURE
              Oct. 29, 2022

              ITALIAN SCHOOL DANCING MUSE ALABASTER SCULPTURE

              Est: $500 - $700

              Manner of Antonio Canova (Italy 1757-1822), "Dancing Muse" carved alabaster sculpture depicting a Greco-Roman standing female with a wreath on her wrist, apparently unsigned. Approx. h. 27.625", w. 9", d. 8.5".

              Ahlers & Ogletree Inc.
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