Antonio Carnicero Paintings & Artwork for Sale | Antonio Carnicero Art Value Price Guide

Feb. 26, 2025
Butcher. Pair of equestrian engravings
Est: -
"Short rub", engraved by Fernº Selma, and "Short trot", engraved by J. Moreno. Later printing.
Duran Arte y Subastas
Feb. 25, 2025
ANTONIO CARNICERO Salamanca (1748) / Madrid (1814) "Royal riding school of Charles IV"
Est: €180 - €240
Three engravings. Signed in plate. Three of the thirteen engravings in the series. Based on designs by Antonio Carnicero engraved by Fernando Selma y Moreno. Later edition in the 20th century. Dimensions: Frame: 42.5 x 28.5 cm each; print: 32 x 22 cm each
Ansorena
Oct. 23, 2024
Butcher. Standing
Est: -
Copper engraving on paper attached to cardboard. Later printing.
Duran Arte y Subastas
Sep. 12, 2024
ANTONIO CARNICERO (Salamanca, 1748 - Madrid, 1814). "Female portrait" and "Male portrait". Charcoal pencil and charcoal on paper. The female portrait has red numbering corresponding to the Artistic Recovery Service.
Est: €15,000 - €16,000
ANTONIO CARNICERO (Salamanca, 1748 - Madrid, 1814). "Female portrait" and "Male portrait". Charcoal pencil and charcoal on paper. The female portrait has red numbering corresponding to the Artistic Recovery Service. Measurements: 42,5 x 33 cm; 59 x 51,5 cm (frame). Antonio Carnicero achieved great fame as a portrait painter, even immortalizing monarchs such as Fernando VII. On this occasion he offers us a male portrait and a female portrait that share common features: their serene gazes, fixed on the viewer, with no other symbols of their rank than the dignity of their faces and the richness of their clothes, which follow the prevailing Spanish fashion in Europe at the time. Painter and engraver, son of the baroque sculptor Alejandro Carnicero, he was also an excellent miniaturist. He entered the San Fernando Academy in Madrid at the age of ten, and accompanied his brother Isidro to Rome. He remained in the Italian capital for six years, perfecting his art and participating in various artistic competitions, being awarded prizes in several of them. On his return to Spain he completed his training at the Madrid Academy. During these years he began his collaboration with José del Castillo, with whom he worked from 1775 onwards on cartoons for tapestries for the Royal Factory, destined to decorate the rooms of the Princess of Asturias in the palace of El Pardo. As a draftsman he illustrated the editions of "Don Quixote" published by the Royal Spanish Academy in 1780 and 1782. In 1790 he made preparatory drawings for engravings, among them his outstanding series entitled "Tauromaquia". In 1796 and after previous failed attempts, he was appointed Pintor de Cámara de Carlos IV. Between that date and 1799, he made the illustrations for the book "El Real Picadero", commissioned by Manuel Godoy, which he was unable to finish. He also collaborated with the "Colección de trajes", a series on the popular types in Spain, making between 1778 and 1784 seven illustrations with typical characters of the Balearic Islands. His scenes of dances and walks, or the flights of Montgolfier balloons, are ascribed to the Rococo style. However, in his portraits a greater classicism can be appreciated, as can be seen in his "Portrait of Carlos IV with armor" and in the "Portrait of Manuel Godoy". Among the variety of styles and genres treated by the artist is a work of exceptional character, "The Allegory of Vigilance", with a moral theme, painted with dramatic hallmarks of light and shadow that anticipate the romantic aesthetics of the sublime. In the 1780s Carnicero worked on a series of oil paintings with views of roads and ports, originally commissioned by Carlos III to Mariano Ramón Sánchez, which reflects the sophisticated cultural and enlightened interest of the time in the historical, archaeological and geographical heritage of the country. During these years the painter was sent to Aranjuez as drawing teacher of Prince Ferdinand. In connection with this he served a month in prison in 1806, after the incidents of the so-called "Prince's trial". However, after his imprisonment he agreed to remain in his position as Painter to the King. The usurpation of Joseph I Bonaparte meant his fall from grace, but after the restoration of the government of Ferdinand VII he was restored to his post. Butcher is represented in the Prado Museum, the Municipal Museum of Madrid, the Academy of San Fernando, the Lázaro Galdiano of Madrid and the Museum of Fine Arts of Bilbao, among others.
Setdart Auction House
Jun. 18, 2024
San Felipe Neri
Est: -
Firmado y fechado en el ángulo inferior izquierdo. Presenta cartela en el reverso que reza: "A DEVOCION DEL P.(e) D.(n) MARTIN PARDO DE LA CASTA DE LA CONGREGAC.(on) DE MALAGA ¿? RUEGA ¿? / TODOS: ALAV.(s) SEAN LOS SS. CORAZ.(s) DE J.(s) Y M.(a) Y GANAN POR CADA VEZ 1060 DIAS DE INDULG.".
Isbilya Subastas
May. 29, 2024
ANTONIO CARNICERO MANCIO (Salamanca, 1748 - Madrid, 1814). "Portrait of the Marquise Doña Rosa de Onofrio y Cordova". Oil on canvas. Relined. Presents old restoration. It possesses frame of epoch, towards the end of the XIX century.
Est: €12,000 - €14,000
ANTONIO CARNICERO MANCIO (Salamanca, 1748 - Madrid, 1814). "Portrait of the Marquise Doña Rosa de Onofrio y Cordova". Oil on canvas. Relined. Presents old restoration. It possesses frame of epoch, towards the end of the XIX century. Measurements: 124.50 x 89 cm; 131 x 97 cm (frame). Painter and engraver, son of the baroque sculptor Alejandro Carnicero, he was also an excellent miniaturist. He entered the San Fernando Academy in Madrid at the age of ten, and accompanied his brother Isidro to Rome. He remained in the Italian capital for six years, perfecting his art and participating in various artistic competitions, being awarded prizes in several of them. On his return to Spain he completed his training at the Madrid Academy. During these years he began his collaboration with José del Castillo, with whom he worked from 1775 onwards on cartoons for tapestries for the Royal Factory, destined to decorate the rooms of the Princess of Asturias in the palace of El Pardo. As a draftsman he illustrated the editions of "Don Quixote" published by the Royal Spanish Academy in 1780 and 1782. In 1790 he made preparatory drawings for engravings, among them his outstanding series entitled "Tauromaquia". In 1796 and after previous failed attempts, he was appointed Pintor de Cámara de Carlos IV. Between this date and 1799, he made the illustrations for the book "El Real Picadero", commissioned by Manuel Godoy, which he was unable to finish. He also collaborated with the "Colección de trajes", a series on the popular types in Spain, making between 1778 and 1784 seven illustrations with typical characters of the Balearic Islands. His scenes of dances and walks, or the flights of Montgolfier balloons, are ascribed to the Rococo style. However, in his portraits a greater classicism can be appreciated, as can be seen in his "Portrait of Carlos IV with armor" and in the "Portrait of Manuel Godoy". Among the variety of styles and genres treated by the artist is a work of exceptional character, "The Allegory of Vigilance", with a moral theme, painted with dramatic hallmarks of light and shadow that anticipate the romantic aesthetics of the sublime. In the 1780s Carnicero worked on a series of oil paintings with views of roads and ports, originally commissioned by Carlos III to Mariano Ramón Sánchez, which reflects the sophisticated cultural and enlightened interest of the time in the historical, archaeological and geographical heritage of the country. During these years the painter was sent to Aranjuez as drawing teacher of Prince Ferdinand. In connection with this he served a month in prison in 1806, after the incidents of the so-called "Prince's trial". However, after his imprisonment he agreed to remain in his position as Painter to the King. The usurpation of Joseph I Bonaparte meant his fall from grace, but after the restoration of the government of Ferdinand VII he was restored to his post. Butcher is represented in the Prado Museum, the Municipal Museum of Madrid, the Academy of San Fernando, the Lázaro Galdiano of Madrid and the Museum of Fine Arts of Bilbao, among others. Relined. Presents old restoration. It has a period frame, towards the end of the 19th century.
Setdart Auction House
Mar. 14, 2024
After ANTONIO CARNICERO (Salamanca 1748 - 1814) "Horse riding practice"
Est: €300 - €400
After ANTONIO CARNICERO (Salamanca 1748 - 1814) "Horse riding practice" Set of six engravings from "National Chalcography" 48 x 35 cm 300 - 400 €
Bayeu Subastas
Mar. 04, 2024
ANTONIO CARNICERO Salamanca (1748) / Madrid (1814) "Portrait of a gentleman" and "Portrait of a lady"
Est: €30,000 - €40,000
Pair of pastels on paper adhered to canvases. Signed the portrait of the Lady at the bottom. On the back in the frames labels from the Board of Seizure and Protection of Artistic Heritage with numbers 2590 and 2564 Torres provenance Provenance: -Duquesa de las Torres, Madrid -Private collection Measurements: 58 x 46 cm each
Ansorena
Mar. 04, 2024
ANTONIO CARNICERO Salamanca (1748) / Madrid (1814) "Collection of the main lucks of a bullfight"
Est: €375 - €500
12 framed colored prints. Some have stains and deterioration. Measurements: 21 x 30 cm.
Ansorena
Mar. 04, 2024
ANTONIO CARNICERO Salamanca (1748) / Madrid (1814) "Equestrian portraits"
Est: €300 - €400
5 hand-illuminated etching and burin engravings Signed on plate according to drawings by Antonio Carnicero made by Manuel Salvador Carmona, TomAs LOpez Enguidanos, Esteve, Almetller and Moreno. Measurements: Footprint: 48.5 x 34 cm each; paper: between 73.5 x 51.5 cm and 57.7 x 39.5 cm
Ansorena
Dec. 18, 2023
ANTONIO CARNICERO Salamanca (1748) / Madrid (1814) "Immaculate Conception"
Est: €22,500 - €30,000
Oil on canvas. Signed in the lower right corner. Measurements: 128.5 x 97.5 cm.
Ansorena
Dec. 18, 2023
It could be ANTONIO CARNICERO (Salamanca, 1748 - Madrid, 1814). "Female portrait" and "Male portrait". Charcoal pencil and charcoal on paper. The female portrait has red numbering corresponding to the Artistic Recovery Service.
Est: €15,000 - €16,000
It could be ANTONIO CARNICERO (Salamanca, 1748 - Madrid, 1814). "Female portrait" and "Male portrait". Charcoal pencil and charcoal on paper. The female portrait has red numbering corresponding to the Artistic Recovery Service. Measurements: 42,5 x 33 cm; 59 x 51,5 cm (frame). Antonio Carnicero achieved great fame as a portrait painter, even immortalizing monarchs such as Fernando VII. On this occasion he offers us a male portrait and a female portrait that share common features: their serene gazes, fixed on the viewer, with no other symbols of their rank than the dignity of their faces and the richness of their clothes, which follow the prevailing Spanish fashion in Europe at the time. Painter and engraver, son of the baroque sculptor Alejandro Carnicero, he was also an excellent miniaturist. He entered the San Fernando Academy in Madrid at the age of ten, and accompanied his brother Isidro to Rome. He remained in the Italian capital for six years, perfecting his art and participating in various artistic competitions, being awarded prizes in several of them. On his return to Spain he completed his training at the Madrid Academy. During these years he began his collaboration with José del Castillo, with whom he worked from 1775 onwards on cartoons for tapestries for the Royal Factory, destined to decorate the rooms of the Princess of Asturias in the palace of El Pardo. As a draftsman he illustrated the editions of "Don Quixote" published by the Royal Spanish Academy in 1780 and 1782. In 1790 he made preparatory drawings for engravings, among them his outstanding series entitled "Tauromaquia". In 1796 and after previous failed attempts, he was appointed Pintor de Cámara de Carlos IV. Between this date and 1799, he made the illustrations for the book "El Real Picadero", commissioned by Manuel Godoy, which he was unable to finish. He also collaborated with the "Colección de trajes", a series on the popular types in Spain, making between 1778 and 1784 seven illustrations with typical characters of the Balearic Islands. His scenes of dances and walks, or the flights of Montgolfier balloons, are ascribed to the Rococo style. However, in his portraits a greater classicism can be appreciated, as can be seen in his "Portrait of Carlos IV with armor" and in the "Portrait of Manuel Godoy". Among the variety of styles and genres treated by the artist is a work of exceptional character, "The Allegory of Vigilance", with a moral theme, painted with dramatic hallmarks of light and shadow that anticipate the romantic aesthetics of the sublime. In the 1780s Carnicero worked on a series of oil paintings with views of roads and ports, originally commissioned by Carlos III to Mariano Ramón Sánchez, which reflects the sophisticated cultural and enlightened interest of the time in the historical, archaeological and geographical heritage of the country. During these years the painter was sent to Aranjuez as drawing teacher of Prince Ferdinand. In connection with this he served a month in prison in 1806, after the incidents of the so-called "Prince's trial". However, after his imprisonment he agreed to remain in his position as Painter to the King. The usurpation of Joseph I Bonaparte meant his fall from grace, but after the restoration of the government of Ferdinand VII he was restored to his post. Butcher is represented in the Prado Museum, the Municipal Museum of Madrid, the Academy of San Fernando, the Lázaro Galdiano of Madrid and the Museum of Fine Arts of Bilbao, among others.
Setdart Auction House
Oct. 12, 2023
Antonio Carnicero (1748-1814)
Est: £80 - £120
Antonio Carnicero (1748-1814) The Bull Ring, Madrid proof engraving 35 x 50.5cm
Cheffins
Oct. 03, 2023
ANTONIO CARNICERO Salamanca (1748) / Madrid (1814) "Portrait of a gentleman" and "Portrait of a lady"
Est: €45,000 - €60,000
Pair of pastels on paper attached to canvases Signed the portrait of the Lady at the bottom. On the back in the frames labels of the Board of Confiscation and Protection of Artistic Heritage with the numbers 2590 and 2564 Torres provenance Provenance: -Duquesa de las Torres, Madrid -Private collection Measurements: 58 x 46 cm each
Ansorena
Jul. 19, 2023
CARNICERO MANCIO, ANTONIO (1748 - 1814)
Est: -
Copper engraving, later stamping.
Duran Arte y Subastas
Jul. 06, 2023
Lady Portrait, Spanish Neoclassical shool of the late 18th century, in the manner of Antonio Carnicero (Salamanca, 1748-Madrid, 1814)
Est: €12,000 - €15,000
Measures 100 x 71 cm, without frame. (Salamanca, 1748-Madrid, 1814). Provenance: private collection, Madrid. Spanish painter and engraver, son of the Baroque sculptor Alejandro Carnicero, he was also a miniaturist of great interest, although the best known part of his work consists of genre scenes and series of engraved illustrations. He entered the San Fernando Academy at the age of ten and accompanied his brother Isidro to Rome. He stayed in the Eternal City for six years and won several artistic competitions. Upon his return, he completed his training at the Madrid Academy and from 1775, as a collaborator of José del Castillo, he prepared cartoons for tapestries of the Royal Factory, destined to decorate the rooms of the Princess of Asturias in the palace of El Pardo. As a draftsman he made illustrations for the editions of Don Quixote published by the Royal Spanish Academy in 1780 and 1782. In 1790 he made preparatory drawings for engravings, such as the important set of Tauromaquia. Already as a painter of camera he made between 1796 and 1799, by order of Manuel Godoy, the book of the Real picadero or La equitación, which he could not conclude. He collaborated in the Collection of suits, series on the popular types of Spain, realizing, between 1778 and 1784, seven drawings with personages of the Balearic Islands. Bibliography: Martínez Ibáñez, María Antonia, «La pintura de Antonio Carnicero Mancio en el Prado», Boletín del Museo del Prado, vol. XI, n.º 29, Madrid, 1990, pp. 37-41.
Templum Fine Art Auctions
Jul. 06, 2023
Important Portrait of a Girl, Spanish Neoclassicist school, circle of Antonio Carnicero (Salamanca, January 10, 1748-Madrid, August 21, 1814), Madrid school from the end of the 18th century
Est: €4,000 - €5,000
Oil on canvas, measures: 116 x 75 (canvas only), framed measures: 126 x 85 cm. Origin: important private family collection, Barcelona.
Templum Fine Art Auctions
Apr. 20, 2023
Attributed to ANTONIO CARNICERO MANCIO (Salamanca, 1748 – Madrid, 1814). "Charles IV", h. 1800. Oil on canvas. Relined. It presents restorations.
Est: €5,000 - €6,000
Attributed to ANTONIO CARNICERO MANCIO (Salamanca, 1748 - Madrid, 1814). "Carlos IV", ca. 1800. Oil on canvas. Re-drawn. It presents restorations. Measurements: 101 x 79, 5 cm. Dressed in a maroon silk suit, embroidered in gold, the monarch holds with his hand the command staff of captain general, while he rests the other one on his waist. The cross and the sash of the Order of Charles III, as well as that of San Gennaro of Naples, hang glittering above the robe. The golden fleece can also be seen. Aesthetically, the works are close to the paintings of Antonio Carnicero, who achieved great fame as a portrait painter and immortalised the monarchs on numerous occasions. It is also worth mentioning that in many of his works Carnicero worked in small formats, demonstrating great mastery. Aesthetically the work is close to the precepts of the painter and engraver, son of the Baroque sculptor Alejandro Carnicero, he was also an excellent miniaturist. He entered the San Fernando Academy in Madrid at the age of ten and accompanied his brother Isidro to Rome. He remained in the Italian capital for six years, perfecting his art and taking part in various artistic competitions, winning prizes in several of them. On his return to Spain he completed his training at the Madrid Academy. Around this time he began to collaborate with José del Castillo, with whom he worked from 1775 onwards on tapestry cartoons for the Royal Factory, intended to decorate the rooms of the Princess of Asturias in the palace of El Pardo. As a draughtsman he illustrated the editions of Don Quixote published by the Royal Spanish Academy in 1780 and 1782. In 1790 he made preparatory drawings for engravings, among them his outstanding series entitled "Tauromaquia". In 1796, after previous unsuccessful attempts, he was appointed Pintor de Cámara (Chamber Painter) to Charles IV. Between that date and 1799 he did the illustrations for the book "El Real Picadero", commissioned by Manuel Godoy, which he was nevertheless unable to complete. He also collaborated with the "Colección de trajes" (Costume Collection), a series on popular types in Spain, producing between 1778 and 1784 seven illustrations of typical characters from the Balearic Islands. His scenes of dancing and strolling, or the flights of Montgolfier balloons, are in the Rococo style. However, his portraits are more classicist, as can be seen in his "Portrait of Charles IV in Armour" and "Portrait of Manuel Godoy". Among the variety of styles and genres treated by the artist is an exceptional work, "The Allegory of Vigilance", with a moral theme, painted with dramatic contrasts of light and shade that anticipate the Romantic aesthetic of the sublime. In the 1780s Carnicero worked on a series of oil paintings with views of roads and ports, originally commissioned by Charles III from Mariano Ramón Sánchez, which reflects the sophisticated cultural and enlightened interest of the time in the historical, archaeological and geographical heritage of the country. During these years the painter was sent to Aranjuez as drawing teacher to Prince Ferdinand. In connection with this he served a month in prison in 1806, following the incidents of the so-called "Prince's trial". However, after his imprisonment he agreed to remain in his post as Painter to the King. The usurpation of Joseph I Bonaparte led to his fall from grace, but after the restoration of Ferdinand VII's government he was restored to his post. Butcher is represented in the Prado Museum, the Madrid Municipal Museum, the San Fernando Academy, the Lázaro Galdiano Museum in Madrid and the Bilbao Fine Arts Museum, among others.
Setdart Auction House
Mar. 22, 2023
Butcher. Field Gallop
Est: -
Copper engraving, later stamping.
Duran Arte y Subastas
Dec. 14, 2022
ANTONIO CARNICERO Salamanca (1748) / Madrid (1814) "Portrait of a lady"
Est: €12,000 - €16,000
Pencil with clarion highlights on paper. In the lower right corner numbering in red corresponding to the Artistic Recovery Service. Origin: Graells Collection, Barcelona; Particular collection. Measurements: 42.5 x 33 cm.
Ansorena
Dec. 14, 2022
ANTONIO CARNICERO Salamanca (1748) / Madrid (1814) "Portrait of a gentleman"
Est: €12,000 - €16,000
Pencil on paper. Origin: -Graells Collection, Barcelona; -Particular collection. Measurements: 44.5 x 33.5 cm.
Ansorena
Dec. 12, 2022
Attributed to ANTONIO CARNICERO MANCIO (Salamanca, 1748 – Madrid, 1814). “Portrait of Carlos IV and María Luis de Parma”, c.1805. Pair of oils on canvas. Relined. They preserve Carlos IV style frames, c 1800, adapted.
Est: €25,000 - €28,000
Attributed to ANTONIO CARNICERO MANCIO (Salamanca, 1748 - Madrid, 1814). "Portrait of Charles IV and Maria Luis de Parma", c.1805. Pair of oil paintings on canvas. Re-framed. They conserve frames of style Carlos IV, c 1800, adapted. Measurements: 40 x 27 cm (x2); 49 x 36 cm (frames, x2). Pair of paintings representing the monarchs Charles IV and his wife Maria Luisa of Parma. In both cases the artist has respected the aesthetic guidelines typical of court portraits, with both protagonists situated in the centre of the scene, with an upright and regal posture leaning, in the case of the king, on his baton of command, and in the case of the queen, on her crown of sovereignty. The two portraits are set in an interior space that is notable for its pomp and magnificence. Aesthetically, the works are close to the painting of Antonio Carnicero, who achieved great fame as a portrait painter and immortalised the monarchs on numerous occasions. It is also worth mentioning that in many of his works Carnicero worked in small formats, demonstrating great mastery. A painter and engraver, son of the Baroque sculptor Alejandro Carnicero, he was also an excellent miniaturist. He entered the San Fernando Academy in Madrid at the age of ten and accompanied his brother Isidro to Rome. He remained in the Italian capital for six years, perfecting his art and taking part in various artistic competitions, winning prizes in several of them. On his return to Spain he completed his training at the Madrid Academy. Around this time he began to collaborate with José del Castillo, with whom he worked from 1775 onwards on tapestry cartoons for the Royal Factory, intended to decorate the rooms of the Princess of Asturias in the palace of El Pardo. As a draughtsman he illustrated the editions of Don Quixote published by the Royal Spanish Academy in 1780 and 1782. In 1790 he made preparatory drawings for engravings, among them his outstanding series entitled "Tauromaquia". In 1796, after previous unsuccessful attempts, he was appointed Pintor de Cámara (Chamber Painter) to Charles IV. Between that date and 1799 he did the illustrations for the book "El Real Picadero", commissioned by Manuel Godoy, which he was nevertheless unable to complete. He also collaborated with the "Colección de trajes" (Costume Collection), a series on popular types in Spain, producing between 1778 and 1784 seven illustrations with typical characters from the Balearic Islands. His scenes of dancing and strolling, or the flights of Montgolfier balloons, are in the Rococo style. However, his portraits are more classicist, as can be seen in his "Portrait of Charles IV in Armour" and "Portrait of Manuel Godoy". Among the variety of styles and genres treated by the artist is an exceptional work, "The Allegory of Vigilance", with a moral theme, painted with dramatic contrasts of light and shade that anticipate the Romantic aesthetic of the sublime. In the 1780s Carnicero worked on a series of oil paintings with views of roads and ports, originally commissioned by Charles III from Mariano Ramón Sánchez, which reflects the sophisticated cultural and enlightened interest of the time in the historical, archaeological and geographical heritage of the country. During these years the painter was sent to Aranjuez as drawing teacher to Prince Ferdinand. In connection with this he served a month in prison in 1806, following the incidents of the so-called "Prince's trial". However, after his imprisonment he agreed to remain in his post as Painter to the King. The usurpation of Joseph I Bonaparte led to his fall from grace, but after the restoration of Ferdinand VII's government he was restored to his post. Carnicero is represented in the Prado Museum, the Madrid Municipal Museum, the San Fernando Academy, the Lázaro Galdiano Museum in Madrid and the Bilbao Fine Arts Museum, among others.
Setdart Auction House
Oct. 19, 2022
ANTONIO CARNICERO (1748 - 1814) "Vista de la Plaza y Corrida de Toros en Madrid" in 1791
Est: €100 - €150
ANTONIO CARNICERO (Salamanca, 1748 - Madrid, 1814) "Vista de la Plaza y Corrida de Toros en Madrid" in 1791 Coloured engraving 38 x 52 cm 100 - 150 €
Bayeu Subastas
Sep. 28, 2022
Carnicero. Three etchings
Est: -
"Short trot" (2 different engravings titled the same); "Move Step"; Etching and burin engravings by J. de P. Marti, Francisco Muntaner and Fernando Selma. Watercolors. Tan paper. Framed in a frame.
Duran Arte y Subastas
Sep. 22, 2022
Niño Jesús con la Cruz
Est: -
.
Isbilya Subastas
May. 25, 2022
Antonio Carnicero (Salamanca, 1748 - Madrid, 1814) - "Royal Riding Arena"
Est: €600 - €700
Antonio Carnicero (Salamanca, 1748 - Madrid, 1814) "Royal Riding Arena" Four engravings, printed by the Spanish National Calcography 35 x 20 cm 600 - 700 €
Greco Subastas
Apr. 27, 2022
Attributed to ANTONIO CARNICERO MANCIO (Salamanca, 1748 – Madrid, 1814). “Portrait of Carlos IV and María Luis de Parma”, c.1805. Pair of oils on canvas. Relined. They preserve Carlos IV style frames, c 1800, adapted.
Est: €38,000 - €40,000
Attributed to ANTONIO CARNICERO MANCIO (Salamanca, 1748 - Madrid, 1814). "Portrait of Charles IV and Maria Luis de Parma", c.1805. Pair of oil paintings on canvas. Re-framed. They conserve frames of style Carlos IV, c 1800, adapted. Measurements: 40 x 27 cm (x2); 49 x 36 cm (frames, x2). Pair of paintings representing the monarchs Charles IV and his wife Maria Luisa of Parma. In both cases the artist has respected the aesthetic guidelines typical of court portraits, with both protagonists situated in the centre of the scene, with an upright and regal posture leaning, in the case of the king, on his baton of command, and in the case of the queen, on her crown of sovereignty. The two portraits are set in an interior space that is notable for its pomp and magnificence. Aesthetically, the works are close to the painting of Antonio Carnicero, who achieved great fame as a portrait painter and immortalised the monarchs on numerous occasions. It is also worth mentioning that in many of his works Carnicero worked in small formats, demonstrating great mastery. A painter and engraver, son of the Baroque sculptor Alejandro Carnicero, he was also an excellent miniaturist. He entered the San Fernando Academy in Madrid at the age of ten and accompanied his brother Isidro to Rome. He remained in the Italian capital for six years, perfecting his art and taking part in various artistic competitions, winning prizes in several of them. On his return to Spain he completed his training at the Madrid Academy. Around this time he began to collaborate with José del Castillo, with whom he worked from 1775 onwards on tapestry cartoons for the Royal Factory, intended to decorate the rooms of the Princess of Asturias in the palace of El Pardo. As a draughtsman he illustrated the editions of Don Quixote published by the Royal Spanish Academy in 1780 and 1782. In 1790 he made preparatory drawings for engravings, among them his outstanding series entitled "Tauromaquia". In 1796, after previous unsuccessful attempts, he was appointed Pintor de Cámara (Chamber Painter) to Charles IV. Between that date and 1799 he did the illustrations for the book "El Real Picadero", commissioned by Manuel Godoy, which he was nevertheless unable to complete. He also collaborated with the "Colección de trajes" (Costume Collection), a series on popular types in Spain, producing between 1778 and 1784 seven illustrations with typical characters from the Balearic Islands. His scenes of dancing and strolling, or the flights of Montgolfier balloons, are in the Rococo style. However, his portraits are more classicist, as can be seen in his "Portrait of Charles IV in Armour" and "Portrait of Manuel Godoy". Among the variety of styles and genres treated by the artist is an exceptional work, "The Allegory of Vigilance", with a moral theme, painted with dramatic contrasts of light and shade that anticipate the Romantic aesthetic of the sublime. In the 1780s Carnicero worked on a series of oil paintings with views of roads and ports, originally commissioned by Charles III from Mariano Ramón Sánchez, which reflects the sophisticated cultural and enlightened interest of the time in the historical, archaeological and geographical heritage of the country. During these years the painter was sent to Aranjuez as drawing teacher to Prince Ferdinand. In connection with this he served a month in prison in 1806, following the incidents of the so-called "Prince's trial". However, after his imprisonment he agreed to remain in his post as Painter to the King. The usurpation of Joseph I Bonaparte led to his fall from grace, but after the restoration of Ferdinand VII's government he was restored to his post. Carnicero is represented in the Prado Museum, the Madrid Municipal Museum, the San Fernando Academy, the Lázaro Galdiano Museum in Madrid and the Bilbao Fine Arts Museum, among others.
Setdart Auction House
Apr. 05, 2022
ANTONIO CARNICERO. Salamanca (1748) / Madrid (1814). "Don Quixote". 20,6 x 14,3 cm each.
Est: €750 - €1,000
Six copperplate engravings, in first state, for the edition of Don Quixote by the Royal Spanish Academy. Ibarra. Madrid. 1780. Inscribed: "Antonio Carnizero la inventò y dibuxò". (6); "Iuan Barcelon engraved it in Madrid Aº. 1777" (2); "Joachin Ballester engraved it in Madrid 1780." (4) . 20,6 x 14,3 cm each.
Ansorena
Feb. 23, 2022
Carnicero. Suertes de una corrida de Toros II
Est: -
Second print of the series "Collection of the main fates of a bullfight". Margins fine, slightly mottled.
Duran Arte y Subastas
Feb. 23, 2022
Carnicero. Suertes de una corrida de Toros IV
Est: -
Fourth print of the series "Collection of the main fates of a bullfight". Good margins. Light stain.
Duran Arte y Subastas
Feb. 23, 2022
Carnicero. Three etchings
Est: -
"Galope sustained", "Short trot", Movement step". Etching and burin engravings by B. Ametller, J. Ballester and Manuel Esquivel de Sotomayor. Back stamping. Toasted paper. Framed in a frame.
Duran Arte y Subastas
Feb. 23, 2022
Carnicero. Three etchings
Est: -
"Short trot" (2 different engravings titled the same); "Move Step"; Etching and burin engravings by J. de P. Marti, Francisco Muntaner and Fernando Selma. Watercolors. Tan paper. Framed in a frame.
Duran Arte y Subastas
Feb. 23, 2022
Carnicero. Three etchings
Est: -
"Galope de Campo" (2 different engravings with the same titles); "Jog"; etchings and engravings by Tomás López Enguidanos. Watercolors; back stamping. Tan paper; some marginal deterioration.
Duran Arte y Subastas
Dec. 28, 2021
Carnicero. Suertes de una corrida de Toros IV
Est: -
Cuarta estampa de la serie "Colección de las principales suertes de una corrida de toros". Bien de márgenes. Leve mancha.
Duran Arte y Subastas
Dec. 28, 2021
Carnicero. Suertes de una corrida de Toros III
Est: -
Tercera estampa de la serie "Colección de las principales suertes de una corrida de toros". Bien de márgenes.
Duran Arte y Subastas
Dec. 28, 2021
Carnicero. Suertes de una corrida de Toros II
Est: -
Segunda estampa de la serie "Colección de las principales suertes de una corrida de toros". Bien de márgenes, leve moteado.
Duran Arte y Subastas
Dec. 28, 2021
Carnicero. Suertes de una corrida de Toros I
Est: -
Primera estampa de la serie "Colección de las principales suertes de una corrida de toros". Bien de márgenes.
Duran Arte y Subastas
Dec. 28, 2021
Antonio Carnicero. Studies
Est: -
Aguada sobre sobre papel verjurado.
Duran Arte y Subastas
Sep. 21, 2021
ANTONIO CARNICERO - Collection of the main fortunes of a bullfight
Est: €800 - €1,600
ANTONIO CARNICERO Salamanca 1748 - Madrid 1814 LUIS FERNÁNDEZ NOSERET Active in Madrid around 1790 Collection of the main fortunes of a bullfight. 1795 Hand-illuminated copper engravings (seven) Numbered Size 174 x 240 mm plate
Subastas Segre
Jul. 10, 2021
Antonio CARNICERO. - Lot de 8 gravures de cavalier. [XIXe siècle]. Ens. 8 pièces.
Est: €400 - €500
Antonio CARNICERO. Lot de 8 gravures de cavalier. [XIXe siècle]. Ens. 8 pièces. Ensemble de 8 gravures richement rehaussées en couleurs, 35 x 21. Le lot comprend : Real Picadero - Paso de mobimiento - Galope de Campo (2 différentes) - Trote sostenido - Parado - Trote Corto (2 différentes). Bon état général.
Lhomme
May. 26, 2021
Carnicero. Three equestrian etchings
Est: -
Grabados por M. Carmona, J. Moreno y B. Arneller. Acuarelados. Estampación posterior.
Duran Arte y Subastas
Apr. 15, 2021
Antonio Carnicero
Est: €10,000 - €15,000
Antonio Carnicero 1748 Salamanca - 1814 Madrid (attributed to) Portrait of a boy with a canary (Francisco de Paula Antonio de Borbón, Duque de Cádiz ?). Oil on canvas. 115 x 77.5 cm. Relined. Restored. Minor damage to frame. Provenance: according to the information given by the previous owner, acquired from Spanish nobility Literature: exhibition catalogue Exposición de retratos de niño en España. Catálogo general ilustrado. Madrid, Sociedad Española de Amigos del Arte, May - June 1925, plate XXXIII (as \"Carnicero [?]\").
Neumeister
Mar. 25, 2021
Carnicero. Three equestrian etchings
Est: -
Grabaos por M. Carmona, J. Moreno y B. Arneller. Acuarelados. Estampación posterior.
Duran Arte y Subastas
Feb. 16, 2021
ANTONIO CARNICERO - Lot of four horse riding engravings
Est: €350 - €700
ANTONIO CARNICERO Salamanca, 1748-Madrid, 1814 Lot of four Horse Riding engravings Etching on paper (four) Signed and titled Sizes 48.5 x 35 cm. each.
Subastas Segre
Jan. 27, 2021
ANTONIO CARNICERO 1748 / 1814
Est: €450 - €600
"Equestrian Scenes", 1800 Six equestrian Engravings framed in groups of three. Signed and dated on plate according to designs by Antonio Carnicero made by Manuel Salavador Carmona, Francisco Muntaner, Fernando Selma, Almetller and Moreno Engravings on paper Engravings
Ansorena
Jan. 26, 2021
ANTONIO CARNICERO (1748 / 1814). """Ferdinand VII as Prince of Asturias"", c. 1791 "
Est: €54,000 - €72,000
Cutting portrait of exceptional quality representing Ferdinand VII at about seven years of age. The figure of the child is framed by iconographic elements of his status as heir to the throne, such as the armchair and the ermine lined cloak, wearing Charles III's fleece and band. In 1789 he was proclaimed Prince of Asturias, and according to his age and the style of painting, characteristic of those made by this painter around 1790, it could be dated around 1791. The technique of execution of the face and the costume are those typical of Carnicero in portrait painting, with the figure standing out against the background of warm tones. A certificate from Enrique Valdivieso is attached, attributing the painting to Carnicero. ANTIQUE AND STYLE PAINTING
Ansorena
Sep. 17, 2019
ANTONIO CARNICERO - El Real Picadero de Carlos IV
Est: -
ANTONIO CARNICERO Salamanca, 1748 - Madrid, 1814 El Real Picadero de Carlos IV Hand painted copper engraving Titled Measurements 34.2 x 22.5 cm
Subastas Segre
Jun. 27, 2019
Antonio Carnicero (1748 - 1814)
Est: €30,000 - €35,000
Antonio Carnicero (1748 - 1814) "Portrait of Ferdinand VII as Prince of Asturias" Oil on canvas. Circa 1791. 126 x 91 cm. Carnicero was named Chamber Painter of Charles IV in 1796. He was Ferdinand VII´s painting tutor, and painted his portrait on various occasions, also painting his brothers, Carlos María Isidro and Francisco de Paula. In his report, Enrique Valdivieso highlights that "With regard to this child portrait of Ferdinand VII, it can be noted that Carnicero had the creative spirit of Goya with him at that time, and for this reason there are many stylistic references to the great painter. In this painting, he made an enormous effort to imitate Goya´s style, both in the boy´s physical expression and the description of the suit he is wearing as well as in the way of arranging the furniture and curtains in the background, inspiring a gentle and intimate image.” The painting comes with Enrique Valdivieso González´s report dated February 2017.
La Suite Subastas