approx 40 issues, together with a selection of books on royal fashion including Queen Elizabeth's Wardrobe Unlock'd by Janet Arnold, 1988; Queen of Fashion: What Marie Antoinette Wore to the Revolution, by Caroline Weber, 2007; and others (qty)
A figurine in a white jersey, blue trousers, and black beret. Royal Doulton backstamp. Artist: Caroline Dadd Issued: 2003 Dimensions: 3.5" L x 3.5" W x 4.5" H Edition Number: 986 of 1000 Manufacturer: Royal Doulton Country of Origin: England
from the Toronto based queer feminist band, playing experimental post punk (1981- 2002). Members were G.B. Jones, Caroline Azar and Beverly Breckenridge with varying others, mostly experimental film makers and artists. They launched a fanzine, and included film and print mediums, theatre, photography, spray painting and art work in their performances. Includes all three 7 inch /45 RPM singles released by the band, in original sleeves. Records and printed sleeves in fine condition. (1) All Women are Bitches, K Records 1992. Cover stills from Yo-Yo Gang by G.B. Jones. Inlay printed purple and green. Background yells by Human Ashtrays (Jena von Brücker G.B. Jones, Beverly B). (2) I Love You, But, Dark Beloved Cloud Records 1995. Side B features Trailer Queen. Cover with original drawings and texts by Christine and Janel (Hell) added in black marker and blue pen. With inserted photocopied promotional sheet for Trailer Queen, featuring lyrics by Janel Hell. (3) God is My Co-Pilot, Outpunk Records 1994. Side B features Don't. Girls: Don't just take back the night, take back the world! (total 3)
Max Scheler, 1928-2003 Abschied von John F. Kennedy, 1963 Vintage print Jacky Kennedy mit Caroline und John in Arlington, Va. Verso Archivstempel zweifach mit Urhebervermerk Reprod. in: Ost- und West-Fotoreportagen, Museum für Kunst und Gewerbe, Hamburg 1965, S. 17. 2. Weltausstellung der Photographie, Hamburg 1968, Nr. 419 38,4:25,9 cm
(Beuys) A collection books on the life and work of Joseph Beuys: - Joseph Beuys. Drawings/ Watercolours/ Gouaches/ Collages/ Oil paints. Ghent, 1977. - Joseph Beuys. Zeichnungen - Skulpturen - Objekte. Edition Achenbach, 1988. - Caroline Tisdall - Joseph Beuys. Thames and Hudson, 1979. - Block Beuys. Eva, Wenzel Jessyka Beuys. Schirmer/ Mosel, 1990. - Joseph Beuys. Bleistiften aus den Jahren 1946 - 1964. Binding by Alex Vermeulen. We join: various smaller publications and invitations to exhibitions. Description FR Un lot de livres de référence sur la vie et l'œuvre de Joseph Beuys. On joint: petites publications et invitations. Beschrijving NL (Beuys) Een lot naslagwerken over leven en werk van Joseph Beuys: - Joseph Beuys. Tekeningen/ Aquarellen/ Gouaches/ Collages/ Olieverven. Gent, 1977. - Joseph Beuys. Zeichnungen - Skulpturen - Objekte. Edition Achenbach, 1988. - Caroline Tisdall - Joseph Beuys. Thames and Hudson, 1979. - Block Beuys. Eva, Wenzel Jessyka Beuys. Schirmer/ Mosel, 1990. - Joseph Beuys. Bleistiften aus den Jahren 1946 - 1964. Band door Alex Vermeulen. Bijgevoegd: verschillende kleinere publicaties en uitnodigingen voor expo's.
Ajka Hungary Hungarian crystal cut to clear bar barware art glass double old fashioned glasses. Circa 20th century. Pattern "Caroline" introduced in 2004. The emerald green, cobalt blue, cranberry red and amethyst colored bodies feature cut fan and diamond quilted pattern alternating around against that respective coloration mentioned. 12 cut panel design to the base. Underside with a 16 point starburst. No apparent markings. Dimensions: 4 X 3.5 X 3.5 in. Condition: Good overall condition having normal surface wear. Estate fresh to the market. Shipping: MiddleManBrokers Inc. offers in-house ground contiguous USA domestic shipping, for $55 plus insurance. We will refer third party shippers for international buyers. Purchaser pick up available upon request.
Caroline Wogan Durieux (American/Louisiana, 1896-1989) , "It Is Dark Inside", 1972, electron print, signed, titled, dated and numbered "5/10" lower margin, sheet 16 1/2 in. x 13 1/2 in., unframed.
Contemporary School Parallel Lines III Signed, titled and dated 'Parallel Line III December 1989/PA Govett/for Caroline' (on the backboard) Felt-tip pen 27 x 28.5cm (10 5/8 x 11 1/4in).
Style Two, metal hat, water bottle, and satchel handle. Khaki uniform and cap. Issued 2004 in a limited edition of 250. Artist: Caroline Dadd Issued: 2004 Dimensions: 5.5"H Edition Number: 6 Edition Size: 2500 Manufacturer: Royal Doulton Country of Origin: England
Royal Doulton Bunnykins, Sir Galahad Bunnykins DB299 (cream, red, white, purple, dark yellow, grey and brown coloration). Part of the Arthurian Legends Collection. Royal Doulton backstamp. Artist: Caroline Dadd Issued: 2004 Dimensions: 4.5"H Manufacturer: Royal Doulton Country of Origin: England
Royal Doulton Bunnykins, Pirate Bunnykins DB321 (Maroon and gold jacket, black cap and boots). Paint is chipped on his back. Royal Doulton backstamp. Artist: Caroline Dadd Issued: 2004 Dimensions: 4.75"H Manufacturer: Royal Doulton Country of Origin: England
Royal Doulton Bunnykins, Kathryn Howard Bunnykins DB310 (blue, black, yellow, red, white and gold coloration). Part of the Tudor Collection. Royal Doulton backstamp. Artist: Caroline Dadd Issued: 2003 - 2005 Dimensions: 4.25"H Manufacturer: Royal Doulton Country of Origin: England
Royal Doulton Bunnykins, Little Miss Muffet Bunnykins DB240 Part of the Nursery Rhyme Collection. Royal Doulton backstamp. Artist: Caroline Dadd Issued: 2002 - 2004 Dimensions: 3.5"H Manufacturer: Royal Doulton Country of Origin: England
7 Books of NSW History, All in very good condition. Including 1) Rouse Hill House and The Rouses by Caroline Rouse Thornton 1988; 2) The Forgotten Valley - History of the Macdonald Valley and St. Albans NSW by M. Hutton Neve 1982, Paperback; 3) Old Ironbark - Some unpublished Correspondence (1817-1824) from and to William Lawson Explorer and Pioneer of Veteran Hall 1967, Hardback; 4) Description of The Colony of New South Wales, and Its Dependent Settlements in van Diemen's Land by W.C. Wentworth , Facsimile Ed 1978, Original cloth in dustwrapper; 5) An Account of the State of Agriculture and Grazing in New South Wales by James Atkinson 1975, Original cloth in dustwrapper; 6) With Its hat About Its Ears - Recollections of The bush School by Hank Nelson 1989, Paperback; 7) Some Early Records of The MacArthur's of Camden by Sibella Macarthur Onslow 1973, Original cloth in dustwrapper, Excellent copy
George Sidney Shepherd (1802-1861) - 'Little Casterton Church, Rutland', pencil and watercolour, inscribed on old mount, 9 x 11 cm Prov - Caroline Stroude London, c/w receipt of purchase dated 1986
1) The Mutiny of the Bounty, by John Barrow. Blackie (1961). Hardcover without dust jacket. Foxing. 20cm x 14.5cm. 2) The Bounty, the true story of the mutiny on the Bounty, by Caroline Alexander. Harpers Collins (2003). Paperback. 23.5cm x 15cm.. 3) A Maritime History of Australia, by John Bach. Nelson (1976). Hardcover with dust jacket in good condition. 24cm x 16cm. 4) The Sea Journals of Annie and Amy Henning, by Joan Thomas. Halstead Press (1984). Hardcover with dust jacket in good condition. 23cm x 17cm.
William Franklin Draper (American, 1912-2003). "Caroline Catiati" (Mimi Portrait), oil on canvas board, 1951. Signed and dated on the lower right. A wonderful William Draper portrait of Caroline Catiati, the artist's mother-in-law, dressed in a black and white striped blouse, a black blazer, and a double strand of pearls. Caroline sits and gazes toward the left, her lively visage comprised of bright blue eyes, a peachy complexion, and rouged lips - all framed by a silver coif adorned with a black ribbon. The background is a symphony in gold - perhaps to indicate that the sitter is in her golden years - delineated in Draper's signature loose brushwork. A beautiful portrait, signed and dated by the artist on the lower right. Size: 23.875" L x 20" W (60.6 cm x 50.8 cm) Draper became known as the "Dean of American portraitists" and Boston MFA Director Emeritus Peter Rathbone compared Draper's skill to that of master John Singer Sargent. Rathbone, whose portrait Draper also painted stated, "Nature endowed William F. Draper with enough talents to require him to choose among them before embarking on a professional career. Yet to those who know him, it is hard to imagine that any natural bent could rival his personal endowment as a painter of portraits Draper's painting belongs to the tradition of Sargent. Like Sargent's, his style is fluid with virtuoso brushwork as the identifying characteristic. Like Sargent, the preparation of the painting by Draper is all in the artist's eye. Unlike Sargent's detachment, Draper's understanding and love of people and his appreciations of physical subtleties are happily projected into his work. These traits are the source of the warmth and vitality of his portraiture. They are also the reasons why his portraits are fine likenesses. And it is not too much to say that something of his own vibrant personality is reflected in everything he paints." ("Portraits Period" by Portrait Brokers of America, 1990, p. 46) William Draper's career spanned seven decades and his subjects included a portrait of John F. Kennedy that hangs in the National Portrait Gallery in Washington D.C. based upon an oil sketch for which the president sat in 1962. Draper was actually the only artist who painted JFK from life. Draper showed at Knoedler, the Graham Gallery, Portraits, Inc., the Far Gallery, The Findlay Galleries (New York, NY) and the Robert C. Vose Galleries (Boston, MA). His work has been included in shows at the National Portrait Gallery and the Corcoran Gallery of Art (Washington, D.C.), The National Academy of Design (New York, NY), The Boston Museum of Fine Arts, (Boston, MA) the Fogg Art Museum, (one of the Harvard Art Museums, Cambridge, MA), the National Gallery, (London), Salon de la Marine (Paris) and in museums in Australia. He also taught at the Art Students League of New York, and received a lifetime achievement award from the Portrait Society of America in 1999. More on the artist's background: William Franklin Draper was born in Hopedale, Massachusetts on December 24, 1912. A child prodigy, he studied classical piano at Harvard University. He later changed his focus to fine art and studied with Charles Webster Hawthorne and Henry Hensche in Provincetown, Rhode Island. Draper also attended the National Academy of Design in New York and the Cape Cod School of Art in Massachusetts. Then he traveled to Spain and studied with Harry Zimmerman, moved on to France and attended the Academie de la Grande Chaumiere. In 1937, he moved to Boston to study sculpture with George Demetrius and also studied with Jon Corbino in beautiful Rockport, Massachusetts. In 1942, Draper joined the Navy and served as a combat artist when stationed on the Aleutian Islands and in the South Pacific. He observed and painted battle scenes on Bougainville, Guam, Saipan, and other locations, as well as genre scenes of soldiers who were not engaged in combat but rather at work and at play. National Geographic magazine reproduced 25 of his war images in four issues in 1944. In 1945, the Corcoran Gallery of Art in Washington D.C. organized a group exhibition of works by five official war artists, including Draper. That same year the Metropolitan Museum of Art included Draper in an exhibition entitled, ''The War Against Japan.'' Draper was also featured in a PBS television show about combat artists entitled, "They Drew Fire" in May of 2000. After the war, Draper opened a studio on Park Avenue in New York City and continued to not only paint, but also play classical and jazz piano. Provenance: The William F. Draper Collection, New York City, USA, acquired via descent from the late William Franklin Draper (1912-2003), an accomplished American artist whose career spanned seven decades. Known as the "Dean of American Portraiture," William Draper was the only artist to paint President John F. Kennedy from life, and his oeuvre includes marvelous landscapes from his world travels, military paintings as he was one of only seventeen Combat Artists in WWII, and portraits of illustrious individuals. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm. Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping. #153509
Bird-shaped headdress/crown, probably Yoruba (West Africa/Nigeria), 19th/20th century, beaded embroidery. Wickerwork with textile and padding, on the outside geometrically ornamentally embroidered with colorful beads. Signs of use or age. Enclosed is a book titled: ''Beadwork, A World Guide (Caroline Crabtree & Pam Stallebrass/London 2002). H. of the bird crown 30 cm
Mathieu MATÉGOT (1910-2001) Cache pot Tôle de métal 18 x 21 cm. Circa 1955 Planter Perforated and enameled metal 7.08 x 8.26 in. Référence : - Philippe Jousse & Caroline Mondineau, Mathieu Matégot, Jousse Entreprise, 2003, p. 118, p. 119, p. 122, p. 60.
1) Antiques in Australia from private collections by John P Rogan Brisbane Jacaranda 1975 Very good in dustwrapper 2) First Fleet to Federation Australian Antiques by Caroline Simpson et alia Sydney National Trust 1987 Original cloth in dustwrapper. Very good. 3) Sydney in 1848 by Joseph Fowles Sydney National Trust 1973 Paperback
CHANEL par Karl LAGERFELD (1983-2019) Collection Croisière 2001 Ensemble robe et manteau Soie et tweed Taille 40 Provenance : Caroline de Monaco, vente caritative Jean-Claude ANAF, Lyon, 2014 Très bon état (infimes trous au niveau du col)
An Indigenous Embroidery Fibre Art Piece 2002 This piece is described on the back as Fibre Art. It is a hand Embroidered Indigenous Scene by Indigenous Artist Caroline Sharkey. This piece was done in 2002. Matted and Framed. It measures 57cm wide by 61cm high (in frame)
Georges JOUVE (1910-1964) Cendrier Céramique Signé et monogrammé 20 x 15 cm. 1951 Ash Glazed stoneware Signed and incised artist’s cipher to underside 7.87 x 5.9 in. Références : - Philippe Jousse & Caroline Mondineau, Mathieu Matégot, Jousse Entreprise, 2003, p. 89. - Georges Jouve, Jousse entreprise, 2005, p. 168.
Caroline Wogan Durieux (American/Louisiana, 1896-1989) , "Fall Garden", 1970, cliché-verre, pencil-signed, titled, dated and inscribed "artist proof" lower margin, printed label with artist and title and artist information label on backing paper, 15 in. x 10 1/2 in., framed
JAUME PLENSA Barcelona 1955 Domestic Propensities II (Parental Love). 2002 Etching, Lithography and Collage on Japanese paper Signed in pencil Numbered 12/50 Measurements 62.5 x 48 cm Edita Polígrafa, Barcelona 2002 BIBLIOGRAPHY Laura Medina and Caroline Joubert, "Jaume Plensa: books, prints et multiples sur papier 1978-2012", Museé du dessin et de l'estampe originale, Gravelines & Galerie Lelong, Paris 2012, nº 217. Page 161
Caroline Erney (Pennsylvania), "Curiosity", ca. 1986, drypoint etching, 12.25 x 13.25 inches. Signed and numbered by the artist. Sold to benefit the Brattleboro Museum & Art Center.
ANDY WARHOL 1928 - 1987 PRINCESS CAROLINE OF MONACO unique screenprint in colors on Lenox Museum Board sheet: 40¾ by 40⅝ in. 103.5 by 103.2 in. framed: 44¾ by 44⅝ in. 113.7 by 113.3 cm. Executed in 1983. This work is stamped by the Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts, Inc., and numbered TJH UP44.17 on the reverse.
Royal Doulton Bunnykins, Day Trip Bunnykins DB260 (green, blue, red and yellow coloration). Designed by Caroline Dadd, issued 2002 in limited edition of 2,500. Size 3.5"H Artist: C. Dadd Issued: 2002; Ltd. 2,500 Dimensions: 3.5"H Edition Number: 1535 Edition Size: 2500 Manufacturer: Royal Doulton Country of Origin: England
MATHIEU MATEGOT (1910-2001) Suite de 2 tables dites Domino Tôle, laiton 35 x 51 x 50 cm. Ateliers Matégot, 1953. Références: - Patrick Favardin, Les décorateurs des années 50, Norma, 2002, p. 41. - Philippe Jousse & Caroline Mondineau, Mathieu Matégot, Jousse Entreprise, 2003, p. 221.
Davis, Peter and Robert Rankine Wemyss Ware, a decorative Scottish Pottery. Edinburgh: Scottish Academic Press, 1986. Oblong 4to, dust-jacket; de Guitaut, Caroline Fabergé in the Royal Collection. London, 2003. Folio, original cloth, dust-jacket; Sotheby, Parke, Bernet & Co. Mentmore Catalogue... [London], 1977. 5 volumes, 8vo; Sotheby's Masterpieces from the Time Museum. New York, 1999. Folio, dust-jacket; Butters, Laurence, editor Fairbairn's Crests. Edinburgh: Thomas C. Jack, [n.d.] 2 volumes, 8vo, 19th century black half morocco; Catley, Bryan Art Deco and other Figures. Woodbridge, 1978. 4to, original cloth, dust-jacket; Goodison, Nicholas English Barometers, 1680-1860. London: Cassell & Company Ltd., 1969. 8vo, original red cloth, dust-jacket; and a large collection of others (quantity)
Royal Doulton Bunnykins, Sir Lancelot Bunnykins DB301 (yellow, blue, red, light green, grey, orange, brown and dark green coloration). Designed by Caroline Dadd, issued 2004 - present. Size 5.75"H Artist: C. Dadd Issued: 2004 Dimensions: 5.75"H Manufacturer: Royal Doulton Country of Origin: England
Royal Doulton Bunnykins, Sir Gawain Bunnykins DB300 (yellow, maroon, red, green and brown coloration). Designed by Caroline Dadd, issued 2004 - present. Size 3.5"H Artist: C. Dadd Issued: 2004 Dimensions: 3.5"H Manufacturer: Royal Doulton Country of Origin: England
Royal Doulton Bunnykins, Sir Galahad Bunnykins DB299 (cream, red, white, purple, dark yellow, grey and brown coloration). Designed by Caroline Dadd, issued 2004 - present. Size 4.5"H Artist: C. Dadd Issued: 2004 Dimensions: 4.5"H Manufacturer: Royal Doulton Country of Origin: England
Royal Doulton Bunnykins, Queen Guinevere Bunnykins DB302 (royal blue, red, yellow, cream and grey). Designed by Caroline Dadd, issued 2004 to present. Size 4.25"H Artist: C. Dadd Issued: 2004 Dimensions: 4.25"H Manufacturer: Royal Doulton Country of Origin: England
Royal Doulton Bunnykins, Mandarin Bunnykins DB252 (yellow robe with blue trim, grey dragon). Designed by Caroline Dadd, issued in 2001 in a limited edition of 2,500. Size 4.25"H Artist: C. Dadd Issued: 2001; Ltd. 2,500 Dimensions: 4.25"H Manufacturer: Royal Doulton Country of Origin: England
Royal Doulton Bunnykins, King Arthur Bunnykins DB304 (royal blue, cream, red, grey, and orange coloration). Designed by Caroline Dadd, issued 2004 to present. Size 4.75"H Artist: C. Dadd Issued: 2004 Dimensions: 4.75"H Manufacturer: Royal Doulton Country of Origin: England
Royal Doulton Bunnykins, Kathryn Howard Bunnykins DB310 (blue, black, yellow, red, white and gold coloration). Designed by Caroline Dadd, issued 2003 - 2005. Size 4.25"H Artist: C. Dadd Issued: 2003 - 2005 Dimensions: 4.25"H Manufacturer: Royal Doulton Country of Origin: England
Royal Doulton Bunnykins, Jane Seymour Bunnykins DB308 (red, light and dark green and gold). Designed by Caroline Dadd, issued 2003 - 2005. Size 4.25"H Artist: C. Dadd Issued: 2003 - 2005 Dimensions: 4.25"H Manufacturer: Royal Doulton Country of Origin: England
Royal Doulton Bunnykins, Henry VIII Bunnykins DB305 (green, yellow, orange, red and brown). Designed by Caroline Dadd, issued 2003 - 2005. Size 4"H Artist: C. Dadd Issued: 2003 - 2005 Dimensions: 4"H Manufacturer: Royal Doulton Country of Origin: England
Royal Doulton Bunnykins, Catherine Parr Bunnykins DB311 (Green, orange, white and black coloration). Designed by Caroline Dadd, issued 2003 - 2005. size 4.25"H Artist: C. Dadd Issued: 2003 - 2005 Dimensions: 4.25"H Manufacturer: Royal Doulton Country of Origin: England