Girolamo da Carpi Sold at Auction Prices

Painter, b. 1501 - d. 1556

See Artist Details

0 Lots

Sort By:

Dec. 08, 2020
Girolamo da Carpi (Carpi 1501-1566 Ferrara) Studies of grotesques and moti
Est: £7,000 - £10,000
Girolamo da Carpi (Carpi 1501-1566 Ferrara) Studies of grotesques and motifs from the Vatican Logge pen and brown ink 16 x 10 ¾ in. (40.8 x 27.3 cm)
Christie's
Jun. 05, 2020
Carpi, Girolamo da: Dido salbt einen Opferstier
Est: €2,000 - €2,400
Dido salbt einen Opferstier. Feder in Braun über schwarzer Kreide, braun laviert. 17,8 x 12,3 cm. Bezeichnet in brauner Feder unten links "didone", sowie in schwarzer Kreide "n0 2, di primi (?). - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Galerie Bassenge
Mar. 29, 2017
CARPI, GIROLAMO DA
Est: €20,000 - €30,000
CARPI, GIROLAMO DA 1501 Ferrara - 1556 or 1557 Ferrara (?), attributed The Holy Family with St. Mary Magdalen This work is accompanied by a statement by Lionello Puppi, who attributes the painting to Girolamo da Carpi. By referring to da Carpi's 'Allegory of Justice and Patience' (Dresden, Gemäldegalerie Alte Meister) he presumes the creation date of the present painting to be around 1550. . GERMAN CARPI, GIROLAMO DA 1501 Ferrara - 1556 o. 1557 ebenda (?), zugeschrieben Die Heilige Familie mit der Hl. Maria Magdalena Öl auf Holz. 93,5 x 94 cm. Einschubleisten. Rest. Rahmen besch. Girolamo da Carpi, nach Vasari ein eher unsteter Charakter, der musikalischem Zeitvertreib und amourösen Abenteuern nicht abgeneigt gewesen sein soll, betätigte sich als ausgesprochen vielseitiger Künstler. In der jüngeren Forschung wurden daher sowohl sein graphisches Werk, sein Schaffen als Porträtmaler wie auch seine Architekturentwürfe und Planungen für Gartenanlagen behandelt. Girolamo da Carpi war Schüler seines Vaters Tommaso aber auch des Benvenuto Tisi, gen. Il Garòfalo. In der Folge setzte er sich in Rom mit dem Schaffen Raffaels auseinander, danach arbeitete er abwechselnd in Bologna und Ferrara. Von prägendem Einfluss auf Girolamos Schaffen sollten schließlich die Werke Parmigianinos aber auch Correggios werden. Seit 1536 war der Künstler in fester Anstellung für das Haus d'Este in Ferrara tätig. Lionello Puppi schreibt in seiner Stellungnahme das vorliegende Gemälde Girolamo da Carpi zu und nimmt - mit dem Hinweis auf dessen "Allegorie der Gerechtigkeit und Geduld" (Dresden, Gemäldegalerie Alte Meister) - eine Entstehung um 1550 an. Stellungnahme Prof. Lionello Puppi, Conegliano, o. D.
Neumeister
Jan. 29, 2015
Girolamo da Carpi (Ferrara 1501-1566) Studies of grotesques (recto); Studie
Est: $12,000 - $18,000
Girolamo da Carpi (Ferrara 1501-1566) Studies of grotesques (recto); Studies of two winged horses... pen and brown ink 15¼ x 10 5/8 in. (38.6 x 27 cm.)
Christie's
Jun. 17, 2014
GIROLAMO DA CARPI, (ITALIAN 1501-1556), SHEET OF STUDIES: DRUNKEN SILENUS, WOMAN WITH VASE, URN
Est: $2,000 - $3,000
GIROLAMO DA CARPI (italian 1501-1556)/span SHEET OF STUDIES: DRUNKEN SILENUS, WOMAN WITH VASE, URN Pen and brown ink with framing lines on paper laid down to card 7 5/8 x 9 9/16 in. (19.3 x 24.2cm) provenance: /spanPrivate Collection, Princeton, New Jersey.
Freeman's
Jul. 07, 2011
GIROLAMO DA CARPI
Est: £4,000 - £6,000
FERRARA CIRCA 1501 - 1556 (?) A SEATED FEMALE FIGURE AFTER THE ANTIQUE Pen and brown ink 235 by 193 mm
Sotheby's
Apr. 13, 2011
Girolamo Sellari, called Girolamo da Carpi
Est: €25,000 - €30,000
Girolamo Sellari, called Girolamo da Carpi (Ferrara, c. 1501 -c. 1556)
Dorotheum
Jan. 27, 2011
GIROLAMO DA CARPI
Est: $60,000 - $80,000
GIROLAMO DA CARPI FERRARA CIRCA 1501 - 1556 (?) THE HOLY FAMILY oil on panel, rounded top, extended to form a rectangle 27 1/2 by 20 7/8 in.; 69.9 by 53 cm.
Sotheby's
Mar. 24, 2010
CARPI, GIROLAMO DA (NACHFOLGER) (1501 Ferrara 1556) Heiliger Hieronymus. Öl auf Leinwand. 44 x 35 cm.
Est: CHF2,000 - CHF3,000
CARPI, GIROLAMO DA (FOLLOWER OF) (1501 Ferrara 1556) Saint Jerome. Oil on canvas. 44 x 35 cm. CARPI, GIROLAMO DA (NACHFOLGER) (1501 Ferrara 1556) Heiliger Hieronymus. Öl auf Leinwand. 44 x 35 cm.
Koller Auctions
Sep. 18, 2009
CARPI, GIROLAMO DA (1501 Ferrara 1556) Female
Est: CHF3,500 - CHF5,000
CARPI, GIROLAMO DA (1501 Ferrara 1556) Female figure in antique clothing, turned to the side. Brown pen. Verso old attribution: Julio Romano. 12.5 x 9.5 cm. Framed. Provenance: - collection of Jonathan Richardson Senior, Lugt 2184 - Sotheby's New York CARPI, GIROLAMO DA (1501 Ferrara 1556) Zur Seite gewandte Frauenfigur in antikem Gewand. Feder in Braun. Verso alte Zuschreibung : Julio Romano. 12,5 x 9,5 cm. Gerahmt. Provenienz: - Sammlung Jonathan Richardson Senior, Lugt 2184 - Sotheby's New York
Koller Auctions
Jul. 09, 2009
Girolamo da Carpi (Carpi 1501-1556 Ferrara)
Est: £3,000 - £5,000
Girolamo da Carpi (Carpi 1501-1556 Ferrara) A seated female figure, after the Antique pen and brown ink, the corners cut 9¼ x 7 5/8 in. (23.5 x 19.3 cm.), unframed
Christie's
Jan. 25, 2006
* GIROLAMO DA CARPI FERRARA CIRCA 1501 - 1556 (?)
Est: $4,000 - $6,000
THE JUDGEMENT OF SOLOMON measurements note 172 by 168mm; 6 3/4 by 6 5/8 in pen and brown ink and wash PROVENANCE George John, 2nd Earl Spencer (L.1530); R.P. Roupell; Langton Douglas (according to inscription on backing sheet); bears unidentified collector's mark TP (similar to L.2451a)
Sotheby's
Jan. 24, 2006
Girolamo Sellari, called Girolamo di Carpi (Carpi 1501-1556 Ferrara)
Est: $10,000 - $15,000
Priests leading a bull, a ram and a boar to an altar, after the Antique with inscriptions 'No-244', 'b', '10 franco' and 'Bo+' (twice) on the former mount black chalk, pen and brown ink on light brown paper 7 7/8 x 13 1/2 in. (199 x 342 mm.)
Christie's
Jul. 06, 2005
f - GIROLAMO DA CARPI FERRARA CIRCA 1501 - 1556 (?) STANDING DRAPED FEMALE FIGURE, HOLDING A STAFF
Est: £2,000 - £3,000
f - GIROLAMO DA CARPI FERRARA CIRCA 1501 - 1556 (?) STANDING DRAPED FEMALE FIGURE, HOLDING A STAFF IN HER LEFT HAND bears Richardson's attribution on the recto of the mount: Polidoro., and his shelf numbering on the verso: S. 39/A.25/Jr.30/G. pen and brown ink, the upper corners cut PROVENANCE Jonathan Richardson, Senior (L.2184), and on his mount; sale, New York, Sotheby's, 12 January 1990, lot 163; bears unidentified collector's mark (not in Lugt)
Sotheby's
Jan. 26, 2005
* GIROLAMO DA CARPI FERRARA CIRCA 1501 - 1556 (?)
Est: $2,500 - $3,500
pen and brown ink, the corners cut
Sotheby's
Jul. 09, 2002
Girolamo Sellari, called Girolamo da Carpi (Ferrara circa 1501-1556)
Est: $18,720 - $24,960
Priests leading a bull, a ram and a boar to an altar, after the Antique inscribed 'TFP PEV' and with inscriptions on the mount 'No-244', 'b', '10 franco' and 'Bo+' (twice) black chalk, pen and brown ink on light brown paper 7 7/8 x 131/2 in. (199 x 342 mm.) PROVENANCE Baron Dominique-Vivant Denon (L. 779); Paris, 1-19 May 1826, probably lot 280 (as Franco, 31.5 frs. to Remoisenet). Pierre Defer, by descent to Henri Dumesnil (L. 739). A. Normand (L. 153c). LITERATURE A. Duval, Monuments des Arts du Dessin..., Paris, 1829, II, pl. 103 (as Polidoro da Caravaggio). P. Bober and R. Rubinstein, Renaissance Artists & Antique Sculpture, London, 1986, p. 223, under no. 190. EXHIBITION Paris, Galerie Aubry, Dessins du XVIe et XVIIe dans les collections priv‚es fran‡aises, 1971, no. 26. Paris, Mus‚e du Louvre, Dominique-Vivant Denon, l'oeil de Napol‚on, 1999, no. 548. NOTES Philip Pouncey attributed this drawing to Girolamo da Carpi and compared it to drawings by Carpi and his pupils in an album in the British Museum, J. Gere and P. Pouncey, Italian Drawings in the Department of Prints and Drawings in the British Museum. Artists working in Rome, London, 1983, pp. 96-7. The drawing is probably copied from a Julio-Claudian relief panel, now in the Louvre, which was in the Grimani Collection in Venice at the end of the 16th Century. The scene depicted is the sacrifice of the suovetaurilia, performed in front of the Palace of Augustus. The relief was confiscated by the French under Denon in 1797, and was transferred to the Louvre. In 1815 Denon suceeded in substituting a relief from the Borghese collection for the Grimani panel, which under the terms of the Peace he was required to return to the Biblioteca San Marco in Venice. Denon considered the relief to be one of the best in the Louvre, an opinion which probably explains his purchase of the present drawing.
Christie's