LOUIS-ROBERT CARRIER-BELLEUSE (1848-1913). "Love's chariot drawn by bacchantes". Terracotta. Signed. Presents restoration in one of the hands. Measurements: 42 x 75 x 21 cm. Set in terracotta whose composition develops a theme of mythological character in which the triumph of love is expressed through a scene where a group of bacchantes, represented in full movement, drags the chariot with vitality. The terracotta modeling is characterized by an expressive execution that allows to appreciate the fluidity of the sculptural gesture. The scene, of Greco-Roman inspiration, combines Dionysian and allegorical elements within a decorative language of academic roots, but reinterpreted with the sensitivity of fin-de-siècle taste. Louis-Robert Carrier-Belleuse was a representative figure of the French art of transition between the academicism of the 19th century and the new decorative sensibilities of the end of the century. A painter of genre scenes and urban landscapes, as well as a sculptor of notable production, he belonged to a prominent family of artists: he was the son of the celebrated sculptor Albert-Ernest Carrier-Belleuse and brother of the painter Pierre Carrier-Belleuse. His training began in his father's studio and continued at the École des Beaux-Arts in Paris, under the instruction of Alexandre Cabanel and Gustave Boulanger, which explains the academic solidity of his style and the compositional elegance of his works. He made his debut at the Paris Salon in 1870 and, although he began as a painter, he ended up devoting himself mainly to sculpture, in which he exhibited regularly between 1889 and 1912. His career was recognized with an honorary mention in 1887, a silver medal at the Universal Exposition of 1889 and his appointment as a Knight of the Legion of Honor. In addition, he served as artistic director of the Choisy-le-Roi earthenware factory, where he designed ornamental models that were widely distributed. His work is characterized by the combination of academic rigor and decorative sensibility, integrating the observation of the everyday with a refined taste for the allegorical and the classical, a trait that is clearly manifested in the piece described here. Restoration of one of the hands
Louis-Robert CARRIER-BELLEUSE (1848-1913) Important vase amphore balustre sur piédouche, le col évasé en faïence à fond lie de vin à décor en haut-relief d'une jeune femme dénudée entre deux putti, l'anse latérale évoquant une branche noueuse d'où partent des tiges fleuries en relief. Signé en creux sur le bas du vase "Louis Carrier-Belleuse" H. 54 cm AJ Un éclat sur le pied. Cette œuvre a très probablement été réalisée dans la manufacture de Choisy-le-Roi. Louis-Robert Carrier-Belleuse est le fils du sculpteur Albert-Ernest Carrier-Belleuse (1824-1887) dont il fut l'élève. À l'école des beaux-arts il suit les leçons de Gustave Boulanger et d'Alexandre Cabanel. En 1877, il acquit auprès de Théodore Deck ses premières expériences de céramique. Au salon de 1881, il obtint le prix du meilleur peintre, puis celui du meilleur sculpteur au salon de 1889. Il dessina des modèles pour la faïencerie de Choisy-le-Roi dont il fut le directeur artistique.
Weibliche Büste in Renaissance-Kleidung von Louis-Robert Carrier-Belleuse . Choisy-le-Roi. Stempelmarke. Ende 19. Jh. Verso bezeichnet "Louis Carrier-Belleuse". Entwurf: Louis-Robert CARRIER-BELLEUSE (1848-1913). Majolika, farbig staffiert. H 41 cm. Frauenbüste mit blauer Haube und prunkvollem historistischen Gewand, auf hohem Rundsockel . Choisy-le-Roi gehört seit etwa 1804 zu den bedeutenden Zentren der französischen Keramik-Herstellung. Im Jahr 1836 übernahmen Louis Boulenger (1773-1850) und Hippolyte Hautin die Leitung der dortigen Fayence-Manufaktur. Ihre Kinder Adolphe Boulenger (1805-1873) und Alexandrine Hautin (1814-1900) heirateten und bekamen 4 Kinder, darunter Hippolyte Boulenger (1836-1892), der 1863 Eigentümer des Unternehmens wird und es unter dem Namen H. Boulenger & Cie (Hautin Boulenger & Cie) weiterführt. In dieser Zeit beschäftigte die Manufaktur etwa dreihundert Mitarbeiter und erweiterte die Produktion um zahlreiche Majolika-Designs. Hauptkonkurrent war die elsass-lothringische Keramik-Fabrik in Sarreguemines, welches nach Ende des Deutsch-Französischen Krieges von Deutschland annektiert wurde. Da einige Arbeiter aus Sarreguemines die deutsche Zugehörigkeit ablehnten, wechselten sie nach Choisy-le-Roi und brachten ihre technischen und künstlerischen Fähigkeiten in die Produktion mit ein. In der Folgezeit produzierte Boulenger die feinsten Majoliken Frankreichs und verschaffte sich ein großes Renommee auf internationalen Ausstellungen. Hippolyte Boulenger eröffnete 1889 in der Rue Paradis 18 in Paris ein Ladengeschäft, in dem die neuen Entwürfe der Manufaktur ausgestellt wurden. Zu den beeindruckendsten Stücken gehören monumentale Majolika-Vasen mit Hennen, Hähnen und anderen Vögeln, die von Paul Comolera und Louis-Robert Carrier-Belleuse modelliert wurden. Louis-Robert Carrier-Belleuse (1848 Paris - 1913 Paris) war ein französischer Maler, Bildhauer und Keramiker. Zum künstlerischen Leiter der Faiencerie von Choisy-le-Roi wurde er 1889 unter Hippolyte Boulenger. Im selben Jahr erhielt er eine Silbermedaille auf der Weltausstellung in Paris und wurde mit dem Orden der Ehrenlegion gewürdigt. Die längste Zusammenarbeit fand nach dem Tod von Hippolyte Boulenger mit dessen Sohn Paul Boulenger statt. Eine ungewöhnliche Entwicklung in der Karriere von Carrier-Belleuse war die Etablierung seines Rufs als Bildhauer in Mittelamerika. Dies scheint mit einem Auftrag für das Grabmal des liberalen Reformers und Modernisierers von Guatemala, Präsident Justo Rufino Barrios, der im April 1885 starb, begonnen zu haben. 1891 entwarf Carrier-Belleuse das Nationaldenkmal von Costa Rica, ein 1895 enthülltes Bronzedenkmal im Parque Nacional von San José, das an die Nationalkampagne 1856/57 und die Freiheitshelden Costa Ricas erinnert. Literatur : Majolica International Society, Denton, Texas: Choisy-le-Roi. Galerie Origines, Arles: Choisy-le-Roi, H. Boulenger. Rehs Galleries, Inc., New York, NY: Biography - Louis-Robert Carrier-Belleuse (1848 - 1913). Provenienz : Museumsnachlass Peter Kaus. Aufrufzeit 26. | Feb. 2026 | voraussichtlich 15:15 Uhr (CET) Female bust in Renaissance dress by Louis-Robert Carrier-Belleuse . Choisy-le-Roi. Stamp mark. Late 19th century. Verso inscribed "Louis Carrier-Belleuse". Design: Louis-Robert CARRIER-BELLEUSE (1848-1913). Majolica, painted in color. H 41 cm. Bust of a woman with blue hood and splendid historicist robe, on a high round base . Choisy-le-Roi has been one of the most important centers of French ceramic production since around 1804. In 1836, Louis Boulenger (1773-1850) and Hippolyte Hautin took over the management of the local faience manufactory. Their children Adolphe Boulenger (1805-1873) and Alexandrine Hautin (1814-1900) married and had four children, including Hippolyte Boulenger (1836-1892), who became the owner of the company in 1863 and continued to run it under the name H. Boulenger & Cie (Hautin Boulenger & Cie). During this time, the manufactory employed around three hundred people and expanded its production to include numerous majolica designs. Its main competitor was the Alsace-Lorraine ceramics factory in Sarreguemines, which was annexed by Germany after the end of the Franco-Prussian War. As some workers from Sarreguemines rejected the German affiliation, they moved to Choisy-le-Roi and contributed their technical and artistic skills to the production. Boulenger went on to produce the finest majolica in France and gained a great reputation at international exhibitions. In 1889, Hippolyte Boulenger opened a store at 18 Rue Paradis in Paris, where the manufactory's new designs were exhibited. Among the most impressive pieces are monumental majolica vases with hens, cockerels and other birds, modeled by Paul Comolera and Louis-Robert Carrier-Belleuse. Louis-Robert Carrier-Belleuse (1848 Paris - 1913 Paris) was a French painter, sculptor and ceramist. He became the artistic director of the Choisy-le-Roi Faiencerie in 1889 under Hippolyte Boulenger. In the same year, he received a silver medal at the Universal Exhibition in Paris and was awarded the Order of the Legion of Honor. The longest collaboration took place after the death of Hippolyte Boulenger with his son Paul Boulenger. An unusual development in Carrier-Belleuse's career was the establishment of his reputation as a sculptor in Central America. This seems to have begun with a commission for the tomb of the liberal reformer and modernizer of Guatemala, President Justo Rufino Barrios, who died in April 1885. in 1891, Carrier-Belleuse designed the National Monument of Costa Rica, a bronze monument unveiled in 1895 in the Parque Nacional of San José, which commemorates the national campaign of 1856/57 and the heroes of Costa Rica's freedom. Literature : Majolica International Society, Denton, Texas: Choisy-le-Roi. Galerie Origines, Arles: Choisy-le-Roi, H. Boulenger. Rehs Galleries, Inc, New York, NY: Biography - Louis-Robert Carrier-Belleuse (1848 - 1913). Provenance : Museum estate of Peter Kaus. Aufrufzeit 26. | Feb. 2026 | probably 15:15 (CET) *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Louis Robert Carrier-Belleuse (France, 1848 - 1913) "Delivering Groceries" Oil on Canvas. Signed and dated 1882 lower right. Size: 35.5 x 27.5 in. Unframed.
Louise Robert Carrier-Belleuse (French 1848-1883) Allegory of French Liberty figural group depicting a heroic female standard-bearer striding forward with arm raised, sheltering beneath her sweeping cloak a second woman holding a broken sword. The dramatic composition symbolizes patriotic sacrifice, protection, and resilience, characteristic of late 19th-century French allegorical sculpture after the Franco Prussian War. Patinated bronze, set on a naturalistic rocky base bearing a foundry stamp, numbered 91 Signed L. Carrier-Belleuse height 18 inches
LOUIS-ROBERT CARRIER-BELLEUSE (Paris, 1848-1913). "Meditation". Alabaster and patinated bronze. Signed. Measurements: 54 x 55 x 25 cm. The sculpture presents a young woman leaning on a bench in attitude of reading. The figure, of classicist inspiration with own shades of the art deco taste, appears barefoot and dressed with a light tunic that partially reveals the chest. The composition is articulated around a diagonal line that leads the gaze from the face leaning towards the open book, held in the right hand, to the left arm resting naturally on the back of the seat. To the right of the figure, a vase in patinated bronze completes the ensemble, giving it a marked contrast. Albert-Ernest Carrier-Belleuse (1824-1887) was one of the most prolific and renowned sculptors of the 19th century, achieving great success during the Second Empire thanks to the personal support of Napoleon III. He began his artistic training in 1837 in the workshop of the chiseler Bauchery, and soon after entered the workshop of the goldsmith Jacques Henri Fauconnier. Thanks to the mediation of François Arago, he met the famous sculptor David d'Angers, who facilitated his admission to the École des Beaux-Arts in 1840. He soon attracted the attention of important Parisian foundry houses such as Barbedienne and Denière, for whom he designed decorative objects such as candlesticks, clocks and fireplace ornaments. In 1848 he received his first public commission: a statue of the actress Mademoiselle Rachel singing La Marseillaise. Between 1851 and 1855 he lived in England, in the town of Stoke-on-Trent, where he directed the school of modeling and drawing at the prestigious Mintons porcelain factory. Upon his return to Paris, he established his workshop in the rue de la Tour d'Auvergne and from 1857 he participated regularly in the Salon, achieving great notoriety with works in marble such as The Bacchante (1863), Angelica (1866) or Hébé asleep (1869). His sculptural group Le Messie, exhibited in 1867, won him the Medal of Honor for sculpture and was acquired by the State for the church of Saint-Vincent-de-Paul. Carrier-Belleuse also distinguished himself for his terracotta busts, of strong eighteenth-century inspiration, producing portraits of prominent figures of his time such as Napoleon III, Renan, Thiers, Delacroix, Daumier and Marguerite Bellanger, as well as historical and cultural figures such as Mary Stuart, Shakespeare and Mozart. He directed an important workshop in which many renowned sculptors were trained, including Alexandre Falguière, Jules Dalou, and above all Auguste Rodin, who joined him as his assistant in 1864. In 1873 he participated in the decoration of the Palais Garnier (Paris Opera), where he made the monumental torches of the great hall and the caryatids of the fireplace in the foyer. Finally, in 1875 he was appointed artistic director of the Manufacture de Sèvres, from where he promoted an aesthetic renewal through an innovative production line of ceramics and vases.
(1848 Paris - 1913 ebenda) "Charmeuse de panthères". Originaltitel Vergoldete und braun patinierte Bronze in Kombination mit dunkelgrün und schwarz geflecktem, hell geädertem Marmor, 1892. Lebzeitenguss. Große Figurengruppe mit weiblichem Akt, der auf einem Säulenstumpf sitzt und spielerisch zwei Panther zu ihren Füßen beschwört - unbändige Kraft, Wildheit und Anmut symbolisierend. Carrier-Belleuse stellte "La Charmeuse de Panthères" erstmals 1892 Im Salon aus, der große Erfolg zeigt sich in verschiedenen, ausgeführten Editionen. Carrier-Belleuse, der als Maler, Bildhauer und Keramiker wirkte, war Sohn und Schüler des berühmten Bildhauers Albert-Ernest Carrier-Belleuse, mit dem er in der Manufaktur Sèvres zusammenarbeitete. Zudem studierte er an der École des Beaux-Arts in Paris bei Gustave Boulanger und Alexandre Cabanel. 1889 wurde Carrier-Belleuse künstlerischer Leiter der Faïencerie von Choisy-le-Roi, im selben Jahr erhielt er auf dem Salon eine Auszeichnung für eine Skulptur. H. 71 cm. Gilt and brown patinated bronze group combined with a marble column, 1892. Signed. Lifetime cast.
"Jeune femme à l'oiseau" en faïence. Signé au dos L.A. Carrier Belleuse et portant la marque de la Manufacture de Choisy le Roi. Travail français. Epoque: XIXème. Reposant sur un socle en bois. H.(hors socle):+/- 28 cm.
Louis-Robert CARRIER-BELLEUSE (Anizy-le-Château, 1848 - Sèvres, 1913) La Châtelaine Terre cuite Signée 'CARRIER BELLEUSE' Hauteur : 90 cm Repose sur une base en bois Hauteur totale : 94 cm The Chatelaine, terracotta, signed, by L.-R. Carrier-Belleuse H. : 35.43 in. Louis-Robert CARRIER-BELLEUSE (Anizy-le-Château, 1848 - Sèvres, 1913)
KERAMIKBÜSTE EINER DIANA Höhe inkl. Sockel: ca. 80 cm. Verso signiert "A. Louis Carrier-Belleuse", rechts unten verso mit Manufakturstempel. Auf ebonisiertem, profiliertem Holzsockel die in Keramik gearbeitete, cremefarben glasierte und mit fliederfarbener Glanzglasur staffierte Büste einer Diana, die durch die auf ihrem Haupt liegende Mondsichel als solche erkennbar ist. (1431931) (13)
AFTER LOUIS-ROBERT CARRIER-BELLEUSE (1848-1913) FOR THE CHOISY-LE-ROI FACTORY, A FAIENCE BUST OF DIANA CIRCA 1900 Set on a fabric covered wooden base, incised signature A LOUIS CARRIER BELLEUSE to reverse 61cm high excluding socle, 76.5cm high overall
Louis-Robert CARRIER-BELLEUSE (Paris, 1848 - 1913) Vase cygne Faïence de Choisy Signé 'LOUIS.CARRIER.BELLEUSE.' au dos Porte la marque de la manufacture de Choisy-le-Roi en-dessous (Petite restauration sur la patte arrière-droite de la grenouille) H : 60.0 cm Louis-Robert Carrier-Belleuse constitue l’exemple parfait de l’artiste complet du Paris de la Belle Epoque. A la fois peintre et sculpteur, il reçoit les honneurs du Salon pour un tableau en 1881, et pour une sculpture en 1889. Formé chez Gustave Boulanger et Alexandre Cabanel c’est surtout auprès de son père, le célèbre sculpteur Albert-Ernest, que les talents de notre artiste se développent. Père et fils travaillent notamment ensemble à la Manufacture de Sèvres – Albert-Ernest Carrier-Belleuse en était alors le directeur – avant que Louis-Robert se forme à la céramique directement auprès de Théodore Deck. Notre Vase cygne témoigne de la vertueuse collaboration de notre artiste avec la faiencerie de Choisy-le-Roi dont il fut le directeur artistique à partir de 1889. Dans son tableau Le sculpteur animalier exposé au salon de 1894 (fig. 1, vente anonyme ; Paris, Christie’s, 21 juin 2011, n°119), l’artiste se représente au travail sur notre groupe, preuve de l’importance que notre artiste donnait à ce modèle. Louis-Robert CARRIER-BELLEUSE (Paris, 1848 - 1913) H : 60.0 cm Louis-Robert Carrier-Belleuse constitue l’exemple parfait de l’artiste complet du Paris de la Belle Epoque. A la fois peintre et sculpteur, il reçoit les honneurs du Salon pour un tableau en 1881, et pour une sculpture en 1889. Formé chez Gustave Boulanger et Alexandre Cabanel c’est surtout auprès de son père, le célèbre sculpteur Albert-Ernest, que les talents de notre artiste se développent. Père et fils travaillent notamment ensemble à la Manufacture de Sèvres – Albert-Ernest Carrier-Belleuse en était alors le directeur – avant que Louis-Robert se forme à la céramique directement auprès de Théodore Deck. Notre Vase cygne témoigne de la vertueuse collaboration de notre artiste avec la faiencerie de Choisy-le-Roi dont il fut le directeur artistique à partir de 1889. Dans son tableau Le sculpteur animalier exposé au salon de 1894 (fig. 1, vente anonyme ; Paris, Christie’s, 21 juin 2011, n°119), l’artiste se représente au travail sur notre groupe, preuve de l’importance que notre artiste donnait à ce modèle.
This cherub figurine was modelled by Louis Carrier-Belleuse (1848-1913) for the Choisy le Roi factory. The cherub is seated cross-legged on a dome, and holds a swag of flowers while another spray of flowers rests on the dome beneath her. The dome sits on a square plinth where Carrier-Belleuse has signed his name. The bottom half of the signature is obscured by the pooled coloured glaze. In one corner of the underside is the number 4/40, which may mean number 4 from an edition of 40. Circa 1890. Louis-Robert Carrier-Belleuse came from a family of very talented artists, and made a name for himself as a painter, sculptor and designer. He was appointed the artistic director at Choisy in 1889 and was awarded the Legion d'Honore in 1900.
Louis Robert Carrier-Belleuse (French, 1848-1913) Sculpture of a Woman patinated bronze sculpture signed "Carrier Belleuse" and inscribed "La Fourmi N'est Pas Preteuse, C'est La Son Moindre Défaut" 33 x 14 x 12 1/2 inches
18th Century Louis Robert Carrier-Belleuse (French 1848-1913) oil on board of nude women at the beach. Signed LBC Belleuse lower center. Excellent condition. Art measures 10" x 8", ornately carved frame measures 15" x 13".
Louis-Robert Carrier-Belleuse, French (1848-1913) Monumental Antique Glazed Pottery 2-Handle Jardinière. "The Struggle for Life". Made by H.B. Boulenger, Choisy-Le-Roi. Circa 1880. Condition: Restored. Dimensions: Dia.-16" x H-14.5". Provenance: From a New York City Collector. Purchased in 1980's from Jacques Michell. Please note the absence of a Condition Report does not imply that there are no condition issues with this lot. Please contact us for a detailed Condition Report. It is the Buyer's responsibility to inspect each lot and deem their own opinions on Condition, Description, Provenance, and Validity before purchasing. Please make an appointment to preview or ask for Condition Reports. Condition Reports are rendered as an opinion by the staff of the Auction House and not as statements of fact. REMEMBER ALL SALES ARE FINAL AND ALL ITEMS ARE SOLD AS-IS, WHERE IS.
Prunkvolle, seltene Dielendekoration eines Pfaus mit prächtigem Federrad. Louis-Robert Carrier-Belleuse, Choisy-le-Roi. Stempelmarke mit Zusatz "France". Ende 19. Jh. Am Sockel bezeichnet "Louis Carrier Belleuse". Modell-Nr. 1704 12 99 PIM. Entwurf: Louis-Robert CARRIER-BELLEUSE (1848-1913 Paris). Majolika, farbig staffiert. H 80 cm. 21,4 kg. Monumentale Plastik eines männlichen Pfauen mit aufgefächerten Schwanzfedern, auf Natursockel mit Schale. Federrad teils restauriert, 3 Federn bestoßen. Choisy-le-Roi gehört seit etwa 1804 zu den bedeutenden Zentren der französischen Keramik-Herstellung. Im Jahr 1836 übernahmen Louis Boulenger (1773-1850) und Hippolyte Hautin die Leitung der dortigen Fayence-Manufaktur. Ihre Kinder Adolphe Boulenger (1805-1873) und Alexandrine Hautin (1814-1900) heirateten und bekamen 4 Kinder, darunter Hippolyte Boulenger (1836-1892), der 1863 Eigentümer des Unternehmens wird und es unter dem Namen H. Boulenger & Cie (Hautin Boulenger & Cie) weiterführt. In dieser Zeit beschäftigte die Manufaktur etwa dreihundert Mitarbeiter und erweiterte die Produktion um zahlreiche Majolika-Designs. Hauptkonkurrent war die elsass-lothringische Keramik-Fabrik in Sarreguemines, welches nach Ende des Deutsch-Französischen Krieges von Deutschland annektiert wurde. Da einige Arbeiter aus Sarreguemines die deutsche Zugehörigkeit ablehnten, wechselten sie nach Choisy-le-Roi und brachten ihre technischen und künstlerischen Fähigkeiten in die Produktion mit ein. In der Folgezeit produzierte Boulenger die feinsten Majoliken Frankreichs und verschaffte sich ein großes Renommee auf internationalen Ausstellungen. Hippolyte Boulenger eröffnete 1889 in der Rue Paradis 18 in Paris ein Ladengeschäft, in dem die neuen Entwürfe der Manufaktur ausgestellt wurden. Zu den beeindruckendsten Stücken gehören monumentale Majolika-Vasen mit Hennen, Hähnen und anderen Vögeln, die von Paul Comolera und Louis-Robert Carrier-Belleuse modelliert wurden. Louis-Robert Carrier-Belleuse (1848 Paris - 1913 Paris) war ein französischer Maler, Bildhauer und Keramiker. Zum künstlerischen Leiter der Faiencerie von Choisy-le-Roi wurde er 1889 unter Hippolyte Boulenger. Im selben Jahr erhielt er eine Silbermedaille auf der Weltausstellung in Paris und wurde mit dem Orden der Ehrenlegion gewürdigt. Die längste Zusammenarbeit fand nach dem Tod von Hippolyte Boulenger mit dessen Sohn Paul Boulenger statt. Eine ungewöhnliche Entwicklung in der Karriere von Carrier-Belleuse war die Etablierung seines Rufs als Bildhauer in Mittelamerika. Dies scheint mit einem Auftrag für das Grabmal des liberalen Reformers und Modernisierers von Guatemala, Präsident Justo Rufino Barrios, der im April 1885 starb, begonnen zu haben. 1891 entwarf Carrier-Belleuse das Nationaldenkmal von Costa Rica, ein 1895 enthülltes Bronzedenkmal im Parque Nacional von San José, das an die Nationalkampagne 1856/57 und die Freiheitshelden Costa Ricas erinnert. Literatur : Majolica International Society, Denton, Texas: Choisy-le-Roi. Galerie Origines, Arles: Choisy-le-Roi, H. Boulenger. Rehs Galleries, Inc., New York, NY: Biography - Louis-Robert Carrier-Belleuse (1848 - 1913). Versand nicht verfügbar. Aufrufzeit 26. | Okt 2023 | voraussichtlich 15:02 Uhr (CET) Pompous, rare floorboard decoration of a peacock with prächtige feather wheel. Louis-Robert Carrier-Belleuse, Choisy-le-Roi. Stamp mark with addition "France". Late 19th c. Inscribed "Louis Carrier Belleuse" on the base. Model no. 1704 12 99 PIM. Designed by Louis-Robert CARRIER-BELLEUSE (1848-1913 Paris) . Majolica, colorfully painted. H 80 cm. 21.4 kg. Monumental sculpture of a male peacock with unfurled tail feathers, on natural base with shell. Spring wheel partly restored, 3 springs punctured. . Choisy-le-Roi belongs ürt since about 1804 to the important centers of French ceramic manufacturing. In 1836, Louis Boulenger (1773-1850) and Hippolyte Hautin took over the management of the local faience factory. Their children Adolphe Boulenger (1805-1873) and Alexandrine Hautin (1814-1900) married and had 4 children, including Hippolyte Boulenger (1836-1892), who became the owner of the company in 1863 and continued it under the name H. Boulenger & Cie (Hautin Boulenger & Cie). During this period, the manufactory employed about three hundred people and expanded its production with numerous majolica designs. The main competitor was the Alsace-Lorraine ceramics factory in Sarreguemines, which was annexed by Germany after the end of the Franco-Prussian War. Since some workers from Sarreguemines refused the German affiliation, they moved to Choisy-le-Roi and brought their technical and artistic skills to the production. Subsequently, Boulenger produced the finest majolica in France and gained a great reputation at international exhibitions. Hippolyte Boulenger opened a store in 1889 at 18 rue Paradis in Paris, where the new designs of the manufacture were exhibited. Among the most impressive pieces are monumental majolica vases with hens, chickens and other birds modeled by Paul Comolera and Louis-Robert Carrier-Belleuse. Louis-Robert Carrier-Belleuse (1848 Paris - 1913 Paris) was a French painter, sculptor and ceramist. He became the artistic director of the Faiencerie of Choisy-le-Roi in 1889 under Hippolyte Boulenger. In the same year he received a silver medal at the Universal Exhibition in Paris and was decorated with the Order of the Legion of Honor. The longest collaboration took place after the death of Hippolyte Boulenger with his son Paul Boulenger. An unusual development in Carrier-Belleuse's career was the establishment of his reputation as a sculptor in Central America. This seems to have begun with a commission for the tomb of the liberal reformer and modernizer of Guatemala, President Justo Rufino Barrios, who died in April 1885. In 1891 Carrier-Belleuse designed the National Monument of Costa Rica, a bronze monument unveiled in 1895 in the Parque Nacional of San José commemorating the 1856/57 national campaign and Costa Rica's freedom heroes. . Literature : Majolica International Society, Denton, Texas: Choisy-le-Roi. Origines Gallery, Arles: Choisy-le-Roi, H. Boulenger. Rehs Galleries, Inc, New York, NY: Biography - Louis-Robert Carrier-Belleuse (1848 - 1913). . Shipping not available. Call time 26 | Oct 2023 | expected 15:02 (CET) *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Louis-Robert CARRIER-BELLEUSE Paris, 1848 - 1913 La jeune fileuse Terre cuite Signée 'LOUIS CARRIER BELLEUSE' sur la terrasse Hauteur : 79 cm (31.10 in.) (Accidents à la base) Estimation 800 - 1 200 €
Circa 1895. Important large vase by and signed Louis Carrier-Belleuse. Its title given is "The Struggle For Life". Made of earthenware and decorated with cherubs in pate-sur-pate with a polychrome enameled glaze. Manufactured by Choisy Le Roi. Numbere d 28/10, POCS 1509. Size: 15.5" tall x 17" diameter. Condition: very good.
Oriental gilt bronze sculptural group "La Charmeuse de Pantheres" or "The Panther Charmer" by Louis - Robert Carrier-Belleuse (French, 1848 - 1913). The figure represents a young nude woman sitting on a marble half-column and playing with the stem of a rose with two panthers. Signed on the edge of the drapery. 19th century period.
Louis-Robert CARRIER-BELLEUSE Paris, 1848 - 1913 Le char de l'Amour conduit par des bacchantes Terre cuite Signée 'L. CARRIER BELLEUSE' sur la terrasse (Restaurations) The chariot of Cupid drawed by bacchantes, terracotta, signed, by L. R. Carrier-Belleuse h: 51 w: 75 d: 30 cm Estimation 15 000 - 20 000 €
Louis-Robert CARRIER-BELLEUSE Paris, 1848 - 1913 La charmeuse de panthères Bronze doré, bronze à patine brune et marbre Signé 'CARRIER BELLEUSE' sur le voile en bronze à droite Porte le numéro '7815' sur la base Hauteur : 72 cm The panthers' charmer, bronze, gold and brown patina, marble, signed, by L. R. Carrier-Belleuse H. : 28,3 in. Estimation 10 000 - 15 000 €
Louis-Robert CARRIER-BELLEUSE Paris, 1848 - 1913 Buste de Diane Faïence de Choisy-le-Roi Signée 'LOUIS. CARRIER BELLEUSE' et porte la marque de la manufacture de Choisy à l'arrière Hauteur : 70 cm Repose sur un piédouche en marbre sarrancolin Hauteur totale : 84,5 cm Bust of Diana, earthenware, signed, by L. R. Carrier-Belleuse H. : 27,6 in. Estimation 2 000 - 3 000 €
Louis-Robert CARRIER-BELLEUSE Paris, 1848 - 1913 La jeune fileuse Terre cuite Signée 'LOUIS CARRIER BELLEUSE' sur la terrasse Hauteur : 79 cm (Accidents à la base) Young spinner, terracotta, signed, by L. R. Carrier-Belleuse H. : 31,1 in. Estimation 1 500 - 2 000 €
Louis-Robert Carrier-Belleuse (French, 1848-1913) "Jeune Femme a sa Lecture" carved marble first quarter 20th century, incised signature along back edge. h. 20-1/2", w. 23", d. 8"
Louis-Robert Carrier-Belleuse (French 1848-1913) Louis-Robert Carrier-Belleuse (French 1848-1913) A young girl pushing a doll in a wheelbarrow through a garden signed 'LOUIS CARRIER-BELLEUSE' l.l., oil on canvas 52 x 72cm Condition Report: 66 x 85cm
Louis-Robert Carrier-Belleuse (1848-1913), circa 1885 Choisy-le-Roi Manufactory "Sauve qui peut" vase glazed ceramic Balluster-shape vase signed LOUIS.CARRIER BELLEUSE., entitled SAUVE/qui peut, with the Choisy-le-Roy manufacture's mark, numbered 1828/9/97 decorated with fleeing naked children around the base, and gargoyle-molded handles H. 51,5 cm, 20¼ in. ____________________________________________ Louis-Robert Carrier-Belleuse (1848-1913), vers 1885 Manufacture de Choisy-le-Roi Vase "Sauve qui peut" vase ballustre en faïence émaillée, signé LOUIS.CARRIER BELLEUSE., intitulé SAUVE/qui peut., marqué de la manufacture de Choisy-le-Roy, numéroté 1828/9/97 la base ornée d'enfants, les poignées en forme de gargouilles H. 51,5 cm, 20¼ in. Bid on Sotheby's
An Earthenware Vase Depicting The Struggle for LifeAttributed to Louis-Robert Carrier-Belleuse (French, 1848-1913) Choisy-le-Roi, France, Circa 1900 with impressed HB & Cie/ Choisy/ France mark to the underside, further numbered 1509/ G012. Height 15 x width 16 inches. Property from the Collection of Ramon and Ramona Kelley, Denver, Colorado
Carrier-Belleuse, Louis Robert (1848 Paris - 1913 ebenda, Sohn und Schüler von Albert-Ernest Carrier-Belleuse, Bruder des Pierre Carrier-Belleuse, Kunstdirektor der Keramikmanufaktur von Choisy-le-Roi), "Stillleben mit Pfirsichen und Glaskaraffe", Öl auf Leinwand, signiert unten links Louis Carrier-Belleuse, 46 x 61 cm, verso französischer Malbedarfsstempel, alt restauriert
LOUIS-ROBERT CARRIER-BELLEUSE (1848-1913) Mélodie Épreuve en bronze chryséléphantine Signée sur la terrasse Cartouche sur la base «MÉLODIE Par Louis CARRIER-BELLEUSE (Récompensé au Salon) » Hauteur : 77,5 cm Patinated bronze chryselephantine Signed Plaque with title and artist Height: 30 3/4 in. Provenance Collection particulière
RefOld4321 LOUIS ROBERT CARRIER-BELLEUSE 1848 Paris - 1913 Ibid. At the newspaper stand Oil on canvas (relined). 47 x 33.5 cm (F. 60 x 47 cm). Signed and dated lower right 'Louis - Carrier - Belleus(e) 1882'. Rest. Frame. Provenance: private collection Ruhr region.
CARRIER-BELLEUSE Louis (1848-1913) Nature morte à la pièce de boeuf Huile sur toile signée en bas, à droite 51,5 x 55,5 cm Expositions : - Musée Eugène Boudin, Images de la vie silencieuse, Honfleur, 1996 - Château musée, A la table des peintres, Auvers sur Oise, 2008
Having a Louis Carrier-Belleuse (France 1848-1913) bronze figure of a minuteman type figure, signed "L. Carrier Belleuse" and Goldscheider foundry seal, 10.5" height
LOUIS-ROBERT CARRIER-BELLEUSE (1848-1913) La charmeuse de panthère Epreuve en bronze à patine brune et dorée Sur un socle en onyx vert Signée Hauteur totale : 100 cm (Restaurations et manques)
Louis Robert Carrier-Belleuse (French, 1848-1913) A rendezvous at the well signed 'Louis-Carrier-Belleuse' (lower right) oil on canvas 13 7/8 x 10 5/8in (35.3 x 27cm) For further information on this lot please visit the Bonhams website
Robert Louis Carrier-Belleuse, France (1848-1913) Marble bust of Omphale, wife of Hercules, wearing a bronze skin of the Nemean Lion. Mounted on a variegated green marble socle with bronze base. Signed under mantle on left side. Measures 10.5"H x 5.5"W; base 3" x 3". Condition report: overall good condition, some tiny flea bites to edges of marble, see photos. Examine all photos closely. Contact AAG for more detailed information if needed. AAG is not responsible for any errors or omissions to any lots. All sales are final and sold as is. This lot cannot be shipped in house. Please contact our third party shippers for quotes.
Louis Robert Carrier-Belleuse French, 1848-1913 Elegant Figures in a Flower Garden Signed LOUIS CARRIER-BELLEUSE (ll) Oil on canvas 21 1/4 x 29 inches (54 x 73.7 cm) Provenance: Maria E. Rios de Damianovich, Buenos Aires Thence by descent (and sold, Christie's, New York, Feb. 19, 1992, lot 47 Don Purdy, Connecticut Private collection, acquired from the above by the present owner C
CARRIER-BELLEUSE, LOUIS ROBERT (1848 - 1913). "Coq chantant". Escultura realizada en cerámica francesa. Representa un gallo caminando encima de una cesta. Firmado LOUIS CARRIER-BELLEUSE. Pequeñas roturas en las plumas de la cola. 23 cm de altura Coq chantant. Louis Robert Carrier-Belleuse
