Peter (1684) Casteels Sold at Auction Prices

PETER FRANS CASTEELS (Flemish, 1675-1749). PEACOCK WITH BIRDS IN LANDSCAPE WITH MANOR and ROOSTERS WITH WHITE CHICKEN AND RED ROOSTER,

PETER FRANS CASTEELS (Flemish, 1675-1749). PEACOCK WITH BIRDS IN LANDSCAPE WITH MANOR and ROOSTERS WITH WHITE CHICKEN AND RED ROOSTER, Oil on canvas. Companion pieces. - 12 in. x 24 in. Ebonized wood frames

ATTRIBUE A PETER CASTEELS III (1684-1749)

ATTRIBUE A PETER CASTEELS III (1684-1749) PAON ET PIGEONS DANS UN PAYSAGE AVEC UN TEMPLE EN RUINE Toile Porte une signature et une date en bas à droite : JWeenix f / 1726 Accidents Attr. to P. Casteels III, Peacock and Pigeons in a landscape with a ruined Temple, canvas, bears a signature and a date lower right: «JWeenix f / 1726», accidents 103 x 141,5 cm - 40,6 x 55,7 in.

Peter Casteels III (1684–1749) – attributed to, Still Life

Peter Casteels III was the son of Peter Casteels II and Isabella Bosschaert and a student of Jan Batist Bosschaert, who may have been his uncle. From 1717 he worked in England in Richmond, near London. The bouquet is arranged in a decorated vase, the base of which is made up of putti, or erotes, that appear to be carrying the vase. They are standing over a lying lion. The flowers and blossoms are asymmetrical and randomly distributed. The dominant flower colors are red, white, blue and a pale purple. The white and light rose flowers form a diagonal, surrounded by individual red opium poppies. Two blue larkspurs (delphinium) on the left form a color accent that becomes darker towards the outside, towards the edge of the picture. At the bottom left are two rose petals on the stone plinth. Blue flowers of the auricula (Primula auricula) fall around them, as if the putti had shaken the vase too hard.

PIETER CASTEELS (Anvers 1684-Richmond 1749) Bouquet de fleurs dans un vase de bronze à têtes de lion Toile, coupée Dans un cad...

PIETER CASTEELS (Anvers 1684-Richmond 1749) Bouquet de fleurs dans un vase de bronze à têtes de lion Toile, coupée Dans un cadre en bois sculpté et doré d’époque Louis XIV Usures et restaurations anciennes Anciennement attribué à Jean Baptiste Blin de Fontenay. Bouquet of flowers in a bronze vase with lion heads, canvas, cut, in a Louis XIV carved and gilded wood frame, wears and old restorations, formerly attr. to Jean Baptiste Blin de Fontenay 65 x 83,50 cm - 25,6 x 32,9 in.

Casteels, Pieter

Casteels, Pieter 1684 Antwerpen - 1749 Richmond Parklandschaft mit buntem Federvieh, Pfau und Turteltauben. Öl/Lwd./doubl., 120 x 148 cm.

Peter Casteels III (1684–1749) – attributed to, Still Life

Peter Casteels III was the son of Peter Casteels II and Isabella Bosschaert and a student of Jan Batist Bosschaert, who may have been his uncle. From 1717 he worked in England in Richmond, near London. The bouquet is arranged in a decorated vase, the base of which is made up of putti, or erotes, that appear to be carrying the vase. They are standing over a lying lion. The flowers and blossoms are asymmetrical and randomly distributed. The dominant flower colors are red, white, blue and a pale purple. The white and light rose flowers form a diagonal, surrounded by individual red opium poppies. Two blue larkspurs (delphinium) on the left form a color accent that becomes darker towards the outside, towards the edge of the picture. At the bottom left are two rose petals on the stone plinth. Blue flowers of the auricula (Primula auricula) fall around them, as if the putti had shaken the vase too hard.

18th C. Still Life Painting - Manner of Casteels III

Manner of Pieter Casteels III (Flemish, 1684-1749). Still life - oil on canvas, 18th c. An impressively large 18th century still life in the manner of Pieter Casteels III, with a brass plate engraved "Peter Casteels 1684-1749" further embellishing the opulent frame. The composition includes an elaborate floral arrangement with tulips, roses, peonies, hyacinth, and lilies of brilliant hues arranged in an elegant Rococo period vase that is lavishly adorned with flourishes on a console table. Perched before the floral arrangement is an exotic bird, and joining the avian is a document that cascades over the table's edge to amplify the trompe l'oeil effect, as well as additional floral blossoms with a pair of butterflies fluttering to either side. Size of painting: 39" L x 31.5" W (99.1 cm x 80 cm) Size of frame: 46.875" L x 39.75" W (119.1 cm x 101 cm) Complementing this marvelous theme is a stunning color palette - scarlet red, cornflower blue, buttercup yellow, violet, fuchsia, pink, vermilion … all against a cool teal ground. Finally, silhouettes of foliage contribute a touch of mystery to the painting. Pieter Casteels III was born in Antwerp on October 3, 1684. After training with his father, he traveled to London in 1708 with his brother-in-law Peter Tillemans to work for a picture dealer. Casteels engaged with the London artistic community, subscribing to Kneller's Great Queen Street Academy in London in 1711 and also becoming a member of the Rose and Crown Club. With the exception of a brief return to Antwerp in 1716, Casteels set down roots in England where he would become a prominent painter of flowers and exotic birds, primarily for chimney pieces and overdoors, in addition to creating relatively small history paintings for architectural settings. This piece has been searched against the Art Loss Register database and has been cleared. The Art Loss Register maintains the world’s largest database of stolen art, collectibles, and antiques. Provenance: private Los Angeles, California, USA collection, 1980s-2000s All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm. Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping. #164639

Peter Casteels III (1684–1749) – attributed to, Still Life

Peter Casteels III was the son of Peter Casteels II and Isabella Bosschaert and a student of Jan Batist Bosschaert, who may have been his uncle. From 1717 he worked in England in Richmond near London. The bouquet is arranged in a decorated vase, the base of which is made up of putti or erotes that appear to be carrying the vase. They are standing over a lying lion. The flowers and blossoms are asymmetrical and randomly distributed. The dominant flower colors are red, white, blue and a pale purple. The white and light rose flowers form a diagonal, surrounded by individual red opium poppies. Two blue larkspurs (delphinium) on the left form a color accent that becomes darker towards the outside, towards the edge of the picture. At the bottom left are two rose petals on the stone plinth. Blue flowers of the auricula (Primula auricula) fall around them, as if the putti had shaken the vase too hard.

Peter Casteels III (1684–1749) – attributed to, Still Life

Peter Casteels III was the son of Peter Casteels II and Isabella Bosschaert and a student of Jan Batist Bosschaert, who may have been his uncle. From 1717 he worked in England in Richmond near London. The bouquet is arranged in a decorated vase, the base of which is made up of putti or erotes that appear to be carrying the vase. They are standing over a lying lion. The flowers and blossoms are asymmetrical and randomly distributed. The dominant flower colors are red, white, blue and a pale purple. The white and light rose flowers form a diagonal, surrounded by individual red opium poppies. Two blue larkspurs (delphinium) on the left form a color accent that becomes darker towards the outside, towards the edge of the picture. At the bottom left are two rose petals on the stone plinth. Blue flowers of the auricula (Primula auricula) fall around them, as if the putti had shaken the vase too hard.

Circle of Peter Casteels (Flemish, 1684-1749) Domestic Fowl Oil on canvas 30 x 2

Circle of Peter Casteels (Flemish, 1684-1749) Domestic Fowl Oil on canvas 30 x 25 inches (76.2 x 63.5 cm) HID01801242017

Pieter Casteels I (born 1683) Maria with Baby Jesus and John the Baptist in a Wooded Landscape

Pieter Casteels became master in Antwerp in 1629. 1640/41 and 1644/45 are pupils for him attested. His work has not been sufficiently researched. He was a member of the Casteels dynasty of painters, which produced many artists. Due to its signature PC INV, the painting is important for the establishment of his Œuvre. Maria is sitting on the lap with the child at a dark edge of the forest. She looks out of the picture at the viewer. Little John the Baptist approaches her. In the foreground, two putti play with the Lamb of God, the attribute of the Baptist. At the front right is a basket of fruits and grapes that can refer to the Eucharist. The gnarled crippled willow is painted virtuously, it expressively stands out against the evening sky. The influence of Peter Paul Rubens can be seen in the atmospheric landscape. In Flemish painting, a new picture theme was established at the beginning of the 17th century, showing Maria with the child, John the Baptist as a child and playing putti together in a forest landscape. It was apparently derived from the subject of rest on the flight to Egypt and made it possible to combine the relevance of religious themes with the Flemish preference for landscape painting in an idyllic and contemplative way.

Peter Casteels III (Antwerp 1684-1749 Richmond-upon-Thames)

Peter Casteels III (Antwerp 1684-1749 Richmond-upon-Thames) A blue and gold macaw on a perch, with flower garlands oil on canvas 56 x 59 1/8 in. (142.3 x 150.1 cm.)

Pieter Casteels III (Antwerp 1684-1749 Richmond) Poppies, roses, lilies and other flowers in an urn on a carved ledge

Pieter Casteels III (Antwerp 1684-1749 Richmond) Poppies, roses, lilies and other flowers in an urn on a carved ledge oil on canvas 124.5 x 94.2cm (49 x 37 1/16in). For further information on this lot please visit the Bonhams website

PETER CASTEELS (bottega di)

(Anversa, 1684 - Richmond, 1749) Natura morta con vaso con fiori Olio su tela, cm 71X46 L'opera si avvicina al catalogo di Peter Casteel per la peculiare tipologia illustrativa e il carattere del tessuto pittorico in analogia con Osias Beert, Philippe de Marlier e Jean Picart, maestri nel genere della Natura morta e in modo particolare nel descrivere eleganti vasi fioriti ove le differenti tipologie botaniche sono dipinte con somma abilità e diligenza scientifica. La tela in esame sembra appartenere al cosiddetto 'secondo periodo', quando l'artista, tralasciando i modi di Van Huysum, assume una personale cifra stilistica e la sua produzione è soprannominata 'Corbeilles des fleurs', precedendo la fase di avvicinamento a Gaspard Pieter Verbruggen. Bibliografia di riferimento: M. L. Hairs, Les Peintres flamand des fleurs au XVIIe siecle, Bruxelles 1985, p. 417

EUROPEAN SCHOOL, C19th. "BOUQUET OF FLOWERS".

Oil on copper. After models by Peter F. Casteels. (1684-1749). 28 x 21 cm; 50 x 42.5 cm. (frame).

Peter CASTEELS III Anvers, 1684 - Richmond, 1749 Canards sur un étang dans un parc Huile sur toile

Peter CASTEELS III Anvers, 1684 - Richmond, 1749 Canards sur un étang dans un parc Huile sur toile Signée et datée 'P Casteels / 1726' en bas à gauche Ducks at a pool, in a park, oil on canvas, signed and dated, by P. Casteels III h: 82 w: 113,50 cm Commentaire : Nous pouvons distinguer dans cette composition les espèces suivantes : des harles piettes, un canard pilet, des canards colverts, des mouettes rieuses, un pinson des arbres et un jaseur boréal. Nous remercions Monsieur Charles Langhendries pour son aide à la rédaction de cette notice. Estimation 12 000 - 15 000 €

Circle of Peter Casteels III (1684 - 1749)

Circle of Peter Casteels III (1684 - 1749) Oil on canvas painting of turkeys, chickens in a landscape. Sight Size: 16.5 x 20.5 in. Overall Size: 24.25 x 28.25 in.

CIRCLE OF PETER CASTEELS III (1684 - 1749)

Circle of Peter Casteels III (1684 - 1749) Oil on canvas painting of turkeys, chickens in a landscape. Sight Size: 16.5 x 20.5 in. Overall Size: 24.25 x 28.25 in.

Circle of Peter Casteels III (1684 - 1749)

Circle of Peter Casteels III (1684 - 1749) Oil on canvas painting of turkeys, chickens in a landscape. Sight Size: 16.5 x 20.5 in. Overall Size: 24.25 x 28.25 in.

CASTEELS, PIETER III.

CASTEELS, PIETER III. (Antwerp 1684 - 1749 Richmond) Fowl by the water against a background of elegant parkland. 1741. Oil on canvas. Signed and dated lower left: Casteels f. 1741. 83.5 x 123.2 cm Provenance: - Sotheby's, London, 29.11.2001, Lot 189. - Private collection, Vienna. - Dorotheum auction, Vienna, 17.04.2013, Lot 746. - European private collection. Registered at RKD, The Hague as by the hand of Pieter Casteels III. --------------- CASTEELS, PIETER III. (Antwerpen 1684 - 1749 Richmond) Geflügel am Wasser vor dem Hintergrund einer eleganten Parkanlage. 1741. Öl auf Leinwand. Unten links signiert und datiert: Casteels f. 1741. 83,5 x 123,2 cm. Provenienz: - Auktion Sotheby's, London, 29.11.2001, Los 189. - Privatsammlung, Wien. - Auktion Dorotheum, Wien, 17.04.2013, Los 746. - Europäische Privatsammlung. Das Gemälde ist im RKD, Den Haag, als eigenhändiges Werk von Pieter Casteels III. registriert.

Peter Casteels III (1684-1749)

Peter Casteels III (1684-1749) Scène de port animé, huile sur toile, 28x39 cm

Peter Casteels Antwerp 1684 - Richmond, London 1749 Haunting still life

Peter Casteels Antwerp 1684 - Richmond, London 1749 Haunting still life Oil on canvas Signed and dated in 1709. We thank the collaboration of Cabinet Turquin, which was essential in cataloguing this work. 127x101,5 cm Peter Casteels Amberes 1684 - Richmond, Londres 1749 Bodegón de caza Óleo sobre lienzo Firmado y fechado en 1709. Agradecemos la colaboración del Cabinet Turquin, imprescindible en la catalogación de esta obra 127x101,5 cm Zugeschrieben zu Peter Casteels Antwerpen 1684 - Richmond, London 1749. Jagd-Stillleben. Öl auf Leinwand. Mit Unterschrift und Datierung im Jahr 1709. 127x101,5 cm

Attributed to Peter Casteels Antwerp 1684 - Richmond, London 1749 Hunting still life Oil on canvas Signed and dated in 1709 127x101,5

Attributed to Peter Casteels Antwerp 1684 - Richmond, London 1749 Hunting still life Oil on canvas Signed and dated in 1709 127x101,5 cm Atribuido a Peter Casteels Amberes 1684 - Richmond, Londres 1749 Bodegón de caza Óleo sobre lienzo Con firma y fecha de 1709 127x101,5 cm

Peter CASTEELS III (1684-1749) Volatiles dans un paysage Toile 89,5×102 cm (Restaurations) CT

Peter CASTEELS III (1684-1749) Volatiles dans un paysage Toile 89,5×102 cm (Restaurations) CT

Pieter Casteels,1684 - 1749, Maler der flämischen Schule

BLUMENSTILLEBEN Öl auf Leinwand. 26 x 20,5 cm. Links unten signiert. Verso auf dem Rahmen ein alter Aufkleber eines Ausstellungs- oder Versteigerungskatalogs. Großer Blumenstrauß mit Tulpen, Rosen, Königswinden, Mohn sowie reifen Erdbeeren in einer pokalartigen Vase auf einem Steinblock abgestellt. Überwiegend rote Blüten vor bräunlichem Hintergrund. (962286)

OIL ON CANVAS - Floral Still Life with Cut Watermelon, attributed to Peter Casteels (Flemish, 1684-1749), in carved, water gilt frame.

OIL ON CANVAS - Floral Still Life with Cut Watermelon, attributed to Peter Casteels (Flemish, 1684-1749), in carved, water gilt frame. Christies sticker on back. OS: 22" x 25 3/4". SS: 16 3/4" x 20 1/2". Cleaned, relined, retouched.

Flowers in Basket

Casteels Pieter Antwerpen 1684 - Richmond 1749 Flowers in Basket Oil/canvas, 82 x 110,5 cm, lo. middle very weak fragment of the signature, some rest., relined. - Flemish-English still life a. animal painter from a family of artists. In 1708 C. moved to England where he developed into the most important painter of flower a. animal pieces besides J. Bogdany. As early as 1711 he became director of the Kneller academy. He was admitted as member of the Antwerp St. Luke's guild in 1713 but soon returned to England where not only but also his designs for textile prints became very popular. - Mus.: Wuppertal (Van-der-Heydt-Mus.), New Haven, Maastricht, Lübeck u.a. - Lit.: Saur, Thieme-Becker, Bénézit.

Pieter Casteels III (Antwerp 1684-1749 Richmond) Roses, poppies, convolvulus and other flowers in a sculpted urn on a stone ledge, with grapes, peaches, a pumpkin, a squirrel eating hazelnuts and a goldfinch oil on canvas 35 7/8 x 50 in. (91.2 x 127 cm.)

Peter Casteels III (Flemish, 1684-1749) Design for the frontispiece of a folio titled "Various Landscapes, Birds, Beasts,

Peter Casteels III (Flemish, 1684-1749) Design for the frontispiece of a folio titled "Various Landscapes, Birds, Beasts, Flowers &c by P. Casteels" graphite and white chalk on blue paper, bordered in ink, signed 10 1/4 x 8in. (26 x 20.25cm.)

Circle of Peter Casteels III (Antwerp 1684-Richmond 1749)

Circle of Peter Casteels III (Antwerp 1684-Richmond 1749) Parrot tulips, narcissi, snowdrops, hyacinths and other flowers in a sculpted vase on a ledge oil on canvas 25 1/8 x 29 7/8 in. (63.8 x 75.9 cm.)

PETER CASTEELS (Flemish, 1684-1749) February, July, and

PETER CASTEELS (Flemish, 1684-1749) February, July, and September from Twelve Months of Flowers, 1730 Hand-colored engravings 16 x 12 inches (40.6 x 30.5 cm) (largest) Inscribed lower left: Painted by Ptr Casteels

Follower of CASTEELS, PETER (Antwerp 1684 - 1749

Follower of CASTEELS, PETER (Antwerp 1684 - 1749 Richmond) Still life of flowers with parrot. Oil on canvas. 100 x 79 cm. Provenance: - Collection of Herner Wengraf, London. - Fischer auctions, Lucerne 1979. Literature: Lewis, Frank: A Dictionary of Dutch & Flemish Flower, Fruit, and Still Life Painters 15th to 19th Century, Leigh-on-Sea 1973, fig. 5 as Peter Casteels. CASTEELS, PETER (NACHFOLGER) (Antwerpen 1684 - 1749 Richmond) Blumenstilleben mit Papagei. Öl auf Leinwand. 100 x 79 cm. Provenienz: - Sammlung Herner Wengraf, London. - Auktion Fischer, Luzern 1979. Literatur: Lewis, Frank: A Dictionary of Dutch & Flemish Flower, Fruit, and Still Life Painters 15th to 19th Century, Leigh-on-Sea 1973, fig. 5 als Peter Casteels.

Peter Casteels (after)

Peter Casteels (after) (Belgian, 1684-1749) BASKET OF SPRING FLOWERS oil on canvas, framed, unsigned H25" W30" Provenance: Ex-collection of Marjorie Seely Blossom Jones Wilson. Descended to present owner, Atlanta, Georgia collection. Other Notes: New York and London socialite Marjorie Seely Blossom was first married to financier E. Clarence Jones. They wanted to build a lavish home in Palm Beach for the season, which was to be designed by Marion Sims Wyeth. The oceanfront estate know today as Vita Serena on 105 Clarendon Avenue was completed after the death of Mr. Jones. Mrs. Jones later married Captain Robert Amcotts Wilson, and they considered the Palm Beach estate their second home. It was eventually sold to Jean Flagler Matthews, who rented the house to King Saud during the early 1960s. Today this magnificient property is for sale at the asking price of 27.9 million dollars.

After Peter Casteels (Flemish, 1684-1749) Lot of Ten Still Life Prints of Fruit, in five frames, photomechanical reproductions, ten ...

After Peter Casteels (Flemish, 1684-1749) Lot of Ten Still Life Prints of Fruit, in five frames, photomechanical reproductions, ten months of the year 1732 are represented, minus August and September.

PETER CASTEELS Flandern 1684-1749, tillskriven

PETER CASTEELS Flandern 1684-1749, tillskriven Stilleben med blommor och frukter Spår av signatur och datering. Olja på duk, 60 x 97 cm Attributed to. Trace of signature. Oil on canvas. EXPERTIS: Cabinet Turquin, Stéphane Pinta, Paris

CASTEELS, PIETER (1684 - 1749 Richmond)

CASTEELS, PIETER (1684 - 1749 Richmond) Parklandschaft mit erlegtem Federwild und Früchten. Öl auf Leinwand. 100 x 125 cm.

Pieter Casteels III (Antwerp 1684-1749 Richmond) A concert of birds

A concert of birds signed and dated 'P Casteels fecit/1727' (lower right) oil on canvas 50.5 x 114cm (19 7/8 x 44 7/8in).

Pieter Casteels (Antwerp 1684-1749 Richmond)

Pieter Casteels (Antwerp 1684-1749 Richmond) Cockerels, chicks and pigeons in a farmyard, ducks and ducklings near a pond beyond, a house behind signed 'PCastel Fe' ('PC' linked, lower left) oil on canvas 30½ x 53 3/8 in. (77.5 x 135.5 cm.)

Pieter Casteels (Antwerpen 1684 - 1749 Richmond)

Pieter Casteels (Antwerpen 1684 - 1749 Richmond) Umkreis Pagageien, Hühner und Enten an einem Teich, Öl auf Holz, 41,5 x 52 cm, gerahmt, (Wo)

Circle of Peter Casteels III (Antwerp 1684-1749 Richmond)

Circle of Peter Casteels III (Antwerp 1684-1749 Richmond) A spaniel threatening geese in a farmyard oil on canvas 102.2 x 127.9 cm.

Circle of Peter Casteels III (Antwerp 1684-1749 Richmond)

Circle of Peter Casteels III (Antwerp 1684-1749 Richmond) A spaniel threatening geese in a farmyard oil on canvas 102.2 x 127.9 cm.

A concert of birds

Pieter Casteels III Antwerp 1684-1749 Richmond A concert of birds signed and dated 'P Cafsteels. F-/1729' (on the tree stump, lower center) oil on canvas 23¾ x 43 in. 60.3 x 109.2 cm.

The Months in Flowers: 11 plates

After Pieter Casteels III (1684-1749), by Henry Fletcher The Months in Flowers: 11 plates Engravings, extensively hand-coloured in watercolour and bodycolour, 1730-31, each with the engraved title and key to the flowers, published by R. Furber, London, each with narrow margins, framed 16 x 11½ in. (40.6 x 29.2 cm.) each (11)

PETER FRANCISCUS CASTEELS (ANTWERP, 1684-1749)

PETER FRANCISCUS CASTEELS (ANTWERP, 1684-1749) Oil on canvas. Still life with vase of flowers and woodpecker. Inscribed text below. Plaque on the frame. 41 x 33." Cradkelure, mold, old relining.

Still life of flowers in a stone niche

Circle of Pieter Casteels III (FLEMISH, 1684-1749) Still life of flowers in a stone niche oil on canvas 27¼ x 23¼ in. (69.2 x 59.1 cm.)

A spaniel disturbing chickens by a fence in a landscape

Peter Casteels (Antwerp 1684-Richmond 1749) A spaniel disturbing chickens by a fence in a landscape signed and dated 'P. Casteels Fe/1732' (on the stone, lower left) oil on canvas 29½ x 47 in. (75 x 119.5 cm.)

Pieter Casteels III (Antwerp 1684-1749 Richmond)

Christ and the Centurion in a ruined temple signed 'P Casteels P- 1739' (lower left) oil on canvas 43 3/4 x 36 in. (111.2 x 91.4 cm.)

Attribué à Peter Casteels (Antwerp 1684-1749 Richmond)

Un aigle attrapant un héron avec des hérons et d'autres oiseaux sauvages dans un paysage; et Une oie volant au-dessus d'une basse-cour avec un chien, des poulets, des dindes et un cacatoès gouache sur vélin 305 x 220 mm. (une paire) (2)