Giovanni Paolo Castelli Paintings & Artwork for Sale | Giovanni Paolo Castelli Art Value Price Guide

Oct. 06, 2026
GIOVANNI PAOLO CASTELLI (cerchia di)
Est: €500 - €800
(Roma, 1659 - 1730 circa) Natura morta Olio su tela, cm 48,2X59,5 Provenienza: Londra, Sotheby's, 7 dicembre 1994, lotto 176 (come seguace di Michelangelo Pace) Londra, Christie's, 5 dicembre 1997, lotto 312 (come cerchia di Giovanni Paolo Castelli) Collezione privata La presente natura morta attesta la tradizione del genere nella Roma barocca a cavallo tra il Seicento e il Settecento. Il dipinto riflette una duplice vicenda collezionistica, come evidenziato dai passaggi sul mercato antiquario londinese che lo hanno accostato inizialmente ai modi di Michelangelo Pace, detto il Campidoglio, e successivamente alla cerchia di Giovanni Paolo Castelli, celebre con lo pseudonimo di Spadino. Questa oscillazione attributiva conferma l'appartenenza della tela a una linea stilistica coerente, caratterizzata da una resa volumetrica intensamente materica. Dal punto di vista compositivo, l'opera si sviluppa attorno alla presenza centrale della zucca, di cui il pittore indaga le asperità della buccia e le spaccature della polpa. Accanto si dispongono elementi vegetali minori, tra cui si distinguono mele e fichi, disposti secondo un ordine apparentemente casuale. L'impaginazione ravvicinata e priva di coordinate spaziali definite risponde a un modello illustrativo consolidato nella cerchia dello Spadino, volto a esaltare la concretezza tangibile dei singoli frutti. La stesura pittorica è dominata da una tavolozza calda e da un contrasto chiaroscurale di ascendenza caravaggesca, dove la luce emerge dai toni d'ombra del fondo al fine di modellare i volumi. La tracciabilità internazionale del dipinto documenta la fortuna di una tipologia oggettuale che ha saputo fondere il rigore della riproduzione dal vero con il gusto scenografico tipico delle collezioni patrizie romane dell'epoca. Bibliografia di riferimento: L. Salerno, La Natura morta italiana, 1560-1805, Roma 1984, pp. 265-269 L. Trezzani, Giovanni Paolo Castelli, in F. Porzio, F. Zeri, a cura di, La Natura Morta in Italia, Milano 1989, II, pp. 812-820 G. Bocchi, U. Bocchi, Pittori di Natura Morta a Roma. Artisti italiani 1630-1750, Viadana 2005, pp. 591-624 Tela foderata. La superficie pittorica si presenta in patina con sporcizia superficiale, vernice ossidata non più uniforme, con svelature e rientranze, restauri. Forniamo foto HD del fronte, del verso e a luce di Wood per documentare lo stato di conservazione. Lined canvas. The pictorial surface is in patina with superficial dirt, oxidised paint that is no longer uniform, with indentations and restorations. We provide HD photos of the front, the reverse and under UV to document the conservation status.
Wannenes Art Auctions
Sep. 24, 2026
Giovanni Paolo Castelli, lo Spadino (Roma 1659 - 1730) attribuito
Est: €2,000 - €3,000
Giovanni Paolo Castelli, lo Spadino (Roma 1659 - 1730) attribuito Vaso fiorito con funghi Olio su tela 68,5 x 102 cm Opera conservata in una cornice del XVIII secolo Nel corso del XX secolo gli studi hanno distinto tre pittori della famiglia Castelli, tutti specializzati nella natura morta: il più anziano fu Bartolomeo, detto il Vecchio, poi il fratello Giovanni Paolo, detto lo Spadino, e il figlio di quest'ultimo, Bartolomeo il Giovane, anch'esso soprannominato Spadino. Le esecuzioni scure del più anziano Castelli furono superate dalla più briosa e colorata pittura di Giovanni Paolo Castelli. La sua formazione, infatti, oltre ai primi rudimenti in famiglia, si aggiornò con Abraham Brueghel, prima che l'artista nordico lasciasse Roma nel 1675, poi frequentò David de Coninck e Christian Berentz. Bartolomeo il Giovane, lo Spadino, continuò sulla scia del padre realizzando nature morte intrise di colore e raffinatezza in piena adesione allo stile imperante del rocaille, convogliando la natura morta in un esercizio di eleganza decorativa, ben lontana dai giochi chiaroscurali e dai significati simbolici che segnarono questo tema nel secolo precedente. Giovanni Paolo Castelli, also called Lo Spadino (Rome 1659 - 1730) Still Life with Flowers and Mushrooms Oil on canvas 68,5 x 102 cm The painting is housed in an 18th-century frame
Lucas Aste
Apr. 28, 2026
Giovanni Paolo Castelli, called Spadino
Est: €20,000 - €30,000
(Rome 1659 – circa 1730) Grapes, pumpkins, peaches and other fruit in a landscape, with a parrot perched on a stone urn; and Grapes, peaches and other fruit in a wicker basket and porcelain bowl, with a parrot in a landscape, oil on canvas, each 94 x 132 cm, framed, a pair (2) Provenance: sale, Sotheby's/Edmund Peel & Asociados, Madrid, 21 May 1991, lot 3 (as Giovanni Paolo Castelli, called Spadino); Private collection, Spain Literature: G. Bocchi/U. Bocchi, Pittori di natura morta a Roma, Artisti italiani 1630–1750, Viadana 2005, pp. 620–621, figs. GPS.30 and GPS.31 (as Giovanni Paolo Castelli)
Dorotheum
Apr. 15, 2026
Still life with grapes, apples, peaches and plums in a wooded landscape; Still life with a melon, apples, grapes, peaches, quinces and plums by a tree
Est: £12,000 - £18,000
Property from a Private Collection Giovanni Paolo Castelli, called Spadino Rome 1659–circa 1730 Still life with grapes, apples, peaches and plums in a wooded landscape; Still life with a melon, apples, grapes, peaches, quinces and plums by a tree a pair, both oil on canvas each unframed: 98.1 x 75.6 cm.; 38⅝ x 29¾ in. each framed: 137.7 x 116.7 cm.; 54¼ x 46 in. (2)
Sotheby's
Mar. 25, 2026
Still life with watermelons, apples, grapes and other fruit, a glass bowl filled with apple, grapes and a pomegranate, in a landscape with a stone urn by a stream
Est: €26,000 - €35,000
Giovanni Paolo Castelli, called Spadino Rome 1659–circa 1730 Still life with watermelons, apples, grapes and other fruit, a glass bowl filled with apple, grapes and a pomegranate, in a landscape with a stone urn by a stream oil on canvas unframed: 133 x 96.8 cm.; 52⅜ x 38⅛ in. framed: 155 x 118 cm.; 61 x 46½ in. This work is accompanied by an Export License. We suggest contacting it.cx@sothebys.com for additional details on procedures and timing.
Sotheby's
Mar. 25, 2026
Giovanni Paolo Castelli (1659-1730)-attributed
Est: €600 - €1,200
Giovanni Paolo Castelli (1659-1730)-attributed, Pair of fruits still life. Oil on canvas. Framed. 20 x 27,5 cm
Deutsch Auktionen
Mar. 23, 2026
GIOVANNI PAOLO CASTELLI, llamado «LO SPADINO» (Roma 1659 –
Est: €9,000 -
GIOVANNI PAOLO CASTELLI, llamado «LO SPADINO» (Roma 1659 – 1730 c.). Primera mitad del siglo XVIII "Bodegón con sandía, manzana, higos, pera y ciruelas". Óleo sobre lienzo Medidas:49 x 34 cm.
Magna Art Auctions
Dec. 04, 2025
Giovanni Paolo Castelli detto Spadino
Est: -
Giovanni Paolo Castelli detto Spadino (ROMA 1659 - 1730). Natura morta di frutta entro un paesaggio, con cornice. Olio su tela. cm73x97 (restauri pittorici moderni) La vivacità cromatica, la composizione rigogliosa e la vibrante pennellata spugnosa a tocchi di colore permettono di riferire l’opera qui esposta alla mano di Giovanni Paolo Castelli. Questi fu uno specialista nella produzione di nature morte che si pone sulla scia del pittore romano Michelangelo Pace (1625-1670) e Abraham Brueghel (1631-1697).
Eurantico Casa d'Aste
Nov. 12, 2025
Castelli, Giovanni Paolo, gen. Lo Spadino (attr.)
Est: €1,500 - €2,000
Castelli, Giovanni Paolo, gen. Lo Spadino (attr.) Rom 1659 - 1730 47 x 64 cm Still life with pomegranates, peaches, grapes and oranges. Oil/canvas, relined. Bavarian Private Collection. We are grateful to Dr. Fred G. Meijer for suggesting the attribution to Castelli. Castelli, Giovanni Paolo, gen. Lo Spadino (attr.) Rom 1659 - 1730 47 x 64 cm Stillleben mit Granatäpfeln, Pfirsichen, Trauben und Orangen. Öl/Lwd., doubl. Bayerische Privatsammlung. Wir danken Dr. Fred G. Meijer, der die Zuschreibung an Castelli vorgeschlagen hat.
Nagel Auction
Oct. 02, 2025
Giovanni Paolo Castelli detto Spadino (Roma, 1659-1730) e restauratore moderno
Est: -
Giovanni Paolo Castelli detto Spadino (Roma, 1659-1730) e restauratore moderno. Natura morta di frutta entro un paesaggio, con cornice. La vivacità cromatica, la composizione rigogliosa e la vibrante pennellata spugnosa a tocchi di colore permettono di riferire l’opera qui esposta alla mano di Giovanni Paolo Castelli. Questi fu uno specialista nella produzione di nature morte che si pone sulla scia del pittore romano Michelangelo Pace (1625-1670) e Abraham Brueghel (1631-1697). Olio su tela. cm73x97
Eurantico Casa d'Aste
Oct. 01, 2025
GIOVANNI PAOLO CASETTO detto LO SPADINO (attr. a)
Est: €1,000 - €2,000
(Roma, 1659 - Roma, 1730) Natura morta con pere, mele, uva e melograno Olio su tela, cm 20,8X28 Provenienza: Roma, collezione Giosi Il dipinto raffigura una ricca selezione di frutti disposti su un piano: l'analisi della composizione, del disegno e della stesura pittorica suggeriscono un'attribuzione a Giovanni Paolo Castelli detto lo Spadino, interprete della produzione naturamortistica a Roma tra il XVII e il XVIII secolo. La similitudine con le tele di Abraham Brueghel consente di datare l'opera al periodo giovanile dell'artista, quando l'autore fiammingo è ancora un punto di riferimento importante per la formulazione barocca del genere. Altrettanto evidenti sono le caratteristiche desunte dalle invenzioni di Bartolomeo Castelli il Vecchio (Roma? ; 1686), con cui il pittore ha compiuto la propria formazione. Tipica delle opere databili a questo periodo è la scelta dei frutti maturi, che mostrano tutta la loro morbidezza e vivacità cromatica, secondo un gusto assai prossimo a quello di Franz Werner von Tamm. Bibliografia di riferimento: G. e U. Bocchi, Pittori di Natura Morta a Roma. Artisti italiani 1630-1750, Viadana 2005, pp. 591-624, con bibliografia precedente
Wannenes Art Auctions
Jun. 26, 2025
Giovanni Paolo Castelli 1659 Roma-1730 Roma, attribuito a Natura morta con frutti e funghi
Est: €8,000 - €12,000
olio su tela
Cambi Casa d'Aste
Jun. 26, 2025
Giovanni Paolo Castelli 1659 Roma-1730 Roma Natura morta con zucca, uva, melograni, fichi e coppa in vetro
Est: €7,000 - €9,000
olio su tela
Cambi Casa d'Aste
Jun. 20, 2025
DIPINTO
Est: €50,000 - €60,000
Giovanni Paolo Castelli detto Spadino (Roma 1659 - 1730 ca.) Natura morta con fiori in giardino olio su tela cm. 102 x 74 Scheda critica del dott. Gianluca Bocchi. Scheda critica della proff.ssa Mina Gregori. Scheda critica del prof. Giancarlo Sestieri. Scheda critica di Carlo Teardo.
Casa d'aste Martini
Jun. 11, 2025
ATTRIBUÉ À GIOVANNI PAOLO CASTELLI DIT IL SPADINO (1659-vers 1730)
Est: €5,000 - €7,000
ATTRIBUÉ À GIOVANNI PAOLO CASTELLI DIT IL SPADINO (1659-vers 1730) PASTÈQUE, FIGUES ET RAISINS DANS UN PAYSAGE Toile Restaurations anciennes Att. G. P. Castelli said Il Spadino, still life, canvas, with restorations 60 x 75,50 CM - 23,6 x 29,7 IN.
Tajan
Apr. 15, 2025
GIOVANNI PAOLO CASTELLI detto SPADINO
Est: €8,000 - €12,000
(Roma, 1659 - 1730) Natura morta Olio su tela, cm 74,5X100 Provenienza: Londra, Galleria M. Koester (1967) Collezione privata Esposizioni: Londra, Galleria M. Koester, Duke Street 38, 9 ottobre ; 20 dicembre 1967 Bibliografia: Apollo settembre 1967 Archivio Zeri, n. 89164 Databile alla fine del XVII secolo o ai primissimi anni del secolo successivo, l'opera per chiare motivazioni di stile e qualità si profila quale importante aggiunta al catalogo di Giovanni Paolo Castelli detto Spadino (Roma 1659-1730). L'esuberanza decorativa barocca, la puntuale descrizione dei frutti e l'ambientazione sono indizi inequivocabili altresì mutuati degli esempi del Campidoglio e del fiammingo Abraham Brueghel, segnando l'evoluzione della natura morta capitolina del secondo seicento. Sulla sua formazione non si deve tralasciare l'apporto del tedesco Christian Berentz (documentato in Italia dal 1689), in modo particolare per l'attenzione alla regia luministica che delinea con lucentezza le forme e impreziosisce le tonalità cromatiche. Ciononostante, il segno netto e la luminosità indicano un'analogia con la tela già di Costantino Nigro datata 1703 (Bocchi 2005, fig. GPS10) e in modo particolare con quella di collezione privata resa nota dal Bocchi, per la simile felicità cromatica e 'gioiosa eccedenza', esiti che rappresentano l'apice dei risultati naturalistici della natura morta barocca (Bocchi 2005, fig. GPS 11). Bibliografia di riferimento: L. Salerno, La Natura morta italiana, 1560-1805, Roma 1984, pp. 265-269 L. Laureati, L. Trezzani, La natura morta postcaravaggesca a Roma, in La Natura morta in Italia, Roma 1989, II, pp. 728-753 L. Trezzani, Giovanni Paolo Castelli, in La Natura morta in Italia, Roma 1989, II, pp. 836-842 G. Bocchi, U. Bocchi, Naturalia. Nature morte in collezioni pubbliche e private, Viadana 1992, ad vocem G. Bocchi, U. Bocchi, Pittori di natura morta a Roma. Artisti italiani 1630-1750, Viadana 2005, pp. 591-624
Wannenes Art Auctions
Mar. 27, 2025
ATTRIBUÉ A GIOVANNI PAOLO CASTELLI DIT IL SPADINO (1659 - vers 1730)
Est: €4,000 - €6,000
ATTRIBUÉ A GIOVANNI PAOLO CASTELLI DIT IL SPADINO (1659 - vers 1730) PASTEQUE, FIGUES ET PECHES AVEC UN VASE DE FRUITS DANS UN PAYSAGE Toile Att. G. P. Castelli said Il Spadino, still life, canvas 75 x 60 CM - 29,5 x 23,6 IN
Tajan
Mar. 27, 2025
GIOVANNI PAOLO CASTELLI DIT IL SPADINO (Rome, 1659 - vers 1730)
Est: €1,500 - €2,000
GIOVANNI PAOLO CASTELLI DIT IL SPADINO (Rome, 1659 - vers 1730) NATURE MORTE AU RAISIN, PECHES ET MELON Cuivre rond Still life with grapes, peaches and melon, round copper Diam. : 22 CM - 8,7 IN
Tajan
Mar. 27, 2025
Giovanni Paolo Castelli, 1659 – 1730
Est: €18,000 - €25,000
FRÜCHTESTILLLEBEN IM PARK Öl auf Leinwand. Doubliert. 99 x 135 cm. In mit Rankenwerk verziertem Rahmen. In einer angedeuteten Parklandschaft mit Springbrunnen, Zypressen und einem auf einer Brüstung sitzendem Pfau ein weit ausgebreitetes Früchtestillleben mit geöffneter Melone, Granatäpfeln, Trauben, Pfirsichen und Amalfizitronen. (1421603) (13) Giovanni Paolo Castelli, 1659 – 1730 FRUIT STILL LIFE IN A PARK Oil on canvas. Relined. 99 x 135 cm.
Hampel Fine Art Auctions
Dec. 05, 2024
Giovanni Paolo Castelli, 1659 – 1730
Est: €20,000 - €30,000
FRÜCHTESTILLLEBEN IM PARK Öl auf Leinwand. Doubliert. 99 x 135 cm. In mit Rankenwerk verziertem Rahmen. In einer angedeuteten Parklandschaft mit Springbrunnen, Zypressen und einem auf einer Brüstung sitzendem Pfau ein weit ausgebreitetes Früchtestillleben mit geöffneter Melone, Granatäpfeln, Trauben, Pfirsichen und Amalfizitronen. (1421603) (13) Giovanni Paolo Castelli, 1659 – 1730 FRUIT STILL LIFE IN A PARK Oil on canvas. Relined. 99 x 135 cm.
Hampel Fine Art Auctions
Dec. 03, 2024
GIOVANNI PAOLO CASTELLI, LO SPADINO (ROMA 1659 - 1730)
Est: €1,000 - €1,500
Giovanni Paolo Castelli, lo Spadino (Roma 1659 - 1730) Natura morta appoggiata al terreno Olio su tela 49 x 66,5 cm Nel corso del XX secolo gli studi hanno distinto tre pittori della famiglia Castelli, tutti specializzati nella natura morta: il più anziano fu Bartolomeo, detto il Vecchio, poi il fratello Giovanni Paolo, detto lo Spadino e il figlio di quest'ultimo, Bartolomeo il Giovane, anch'esso soprannominato Spadino. Le esecuzioni scure del più anziano Castelli furono superate dalla più briosa e colorata pittura di Giovanni Paolo Castelli. La sua formazione, infatti, oltre ai primi rudimenti in famiglia si aggiornò con Abraham Brueghel, prima che l'artista nordico lasciasse Roma nel 1675, poi frequentando David de Coninck e Christian Berentz. Bartolomeo il Giovane, lo Spadino, continuò sulla scia del padre realizzando nature morte intrise di colore ed raffinatezza in piena adesione allo stile imperante del rocaille, convogliando la natura morta in un esercizio di eleganza decorativa, ben lontana dai giochi chiaroscurali e dai significati simbolici che segnarono questo tema nel secolo precedente. Giovanni Paolo Castelli also called lo Spadino (Rome 1659 - 1730) Still Life Leaning on the Ground Oil on canvas 49 x 66,5 cm
Lucas Aste
Sep. 24, 2024
Giovanni Paolo Castelli Lo spadino (ambito di) (Roma, 1659 - Roma, 1730) Coppia di dipinti raffiguranti putti tra trionfi di fiori e frutti olio su tela 1) cm 60x73; con cornice cm 87x77; 2) cm 61x73,5; con cornice cm 90x78
Est: €3,500 - €5,500
Giovanni Paolo Castelli Lo spadino (ambito di) (Roma, 1659 - Roma, 1730) Coppia di dipinti raffiguranti putti tra trionfi di fiori e frutti olio su tela 1) cm 60x73; con cornice cm 87x77; 2) cm 61x73,5; con cornice cm 90x78
Gliubich Casa d'Aste
Jul. 25, 2024
"SPADINO"; GIOVANNI PAOLO CASTELLI (Rome, 1659 - 1730). "Still life with birds and fruit". Oil on canvas. Bibliography: Europ. Art, II. n.6. June 1991, pg. 57, image pg. 59.
Est: €20,000 - €24,000
"SPADINO"; GIOVANNI PAOLO CASTELLI (Rome, 1659 - 1730). "Still life with birds and fruit". Oil on canvas. Bibliography: Europ. Art, II. n.6. June 1991, pg. 57, image pg. 59. Size: 92 x 130 cm; 125 x 164 cm (frame). The combination of juicy fruits and exotic birds was repeatedly explored by Spadino, a painter in whose still lifes the most sensualist and exuberant side of the Baroque. The ripeness of the fruits has reached the highest degree of succulence (some are even beginning to open, announcing the ephemeral nature of their splendour). The flowers are also at the peak of their fragrance, ready to wither. In the background, Roman aqueducts form the perfect backdrop for the scenographic composition of nature. This carefully chosen, distinctly baroque scenography is enhanced by the careful study of light, based on a rhythmic interplay of alternating plant shadows and gleams that draw the eye to figs and grapes. The Flemish heritage can be seen in the accomplished pearly qualities of the fruit skins and the fleshy hearts of the split melons. Known as "Spadino", Giovanni Paolo Castelli was an Italian painter of the Baroque period, mainly active in Rome and specialising in still-life painting, mainly flowers and fruit. He came from a family of artists whose patron was Jan Herinans, a Flemish painter linked to the Pamphili family and specialising in floral compositions. Castelli therefore grew up in direct contact with the artistic circles of Rome at the time and began his training with his older brother, Bartolomeo Castelli (1641-1686), by then a well-known still-life painter. From 1674 he worked as an independent master and after Bartolomeo's death in 1686 he took over the family workshop. Giovanni Paolo Castelli's language also reveals the influence of the Flemish artist Abraham Brueghel, who was active in Italy. In fact, it seems that between 1671 and 1674 Castelli furthered his training in Brueghel's workshop. Castelli painted mainly rich cups and vases with flowers and fruit, with a personal style marked by a brilliant palette that emphasises the contours of the objects, rendered with meticulous detail and attention to quality. His language reveals the Flemish forms that he may have learned from his godfather Herinans, and later also from Brueghel, during the latter's stay in Rome before his final departure for Naples. His language was continued by his son, Bartolomeo Spadino (1696-1738). The origin of the nickname inherited by his son, "Spadino", is uncertain; it literally means "the man with the sword", and was already held by his father, just as he would pass it on to his son. Scholars raise the question of why he inherited the nickname and not his older brother, suggesting that the answer is the shape of his signature, which is very angular, like the blade of a knife. Other historians suggest that it may be due to the fact that the artist used a long, narrow palette, the shape of which is reminiscent of a sword. However, it is documented that Giovanni Paolo was imprisoned between 1680 and 1683 for murder, which may indicate that he earned his nickname by killing his enemy in a duel. Now considered one of the most important still-life painters of the Roman school of the late 17th and early 18th century, Giovanni Paolo Castelli is currently represented in the Pinacoteca Civica Fortunato Duranti in Montefortino, the Museum of Fine Arts in Boston, the Fesch in Ajaccio and the Pinacoteca in Rieti, among other collections.
Setdart Auction House
Jul. 25, 2024
"SPADINO"; GIOVANNI PAOLO CASTELLI (Rome, 1659 - 1730). "Still life with birds and fruit". Oil on canvas. Bibliography: Europ. Art, II. n.6. June 1991, pg. 57, image pg. 59.
Est: €20,000 - €24,000
"SPADINO"; GIOVANNI PAOLO CASTELLI (Rome, 1659 - 1730). "Still life with birds and fruit". Oil on canvas. Bibliography: Europ. Art, II. n.6. June 1991, pg. 57, image pg. 59. Size: 92 x 130 cm; 125 x 164 cm (frame). The combination of juicy fruits and exotic birds was repeatedly explored by Spadino, a painter in whose still lifes the most sensualist and exuberant side of the Baroque. The ripeness of the fruits has reached the highest degree of succulence (some are even beginning to open, announcing the ephemeral nature of their splendour). The flowers are also at the peak of their fragrance, ready to wither. The carefully chosen, distinctly baroque scenography is enhanced by the careful study of light, based on a rhythmic play of alternating plant shadows and glows that draw the eye to the porcelain bowl, the figs and the grapes, resolved with accomplished glazes. Known as "Spadino", Giovanni Paolo Castelli was an Italian painter of the Baroque period, mainly active in Rome and specialising in painting still lifes, principally flowers and fruit. He came from a family of artists whose patron was Jan Herinans, a Flemish painter linked to the Pamphili family and specialising in floral compositions. Castelli therefore grew up in direct contact with the artistic circles of Rome at the time and began his training with his older brother, Bartolomeo Castelli (1641-1686), by then a well-known still-life painter. From 1674 he worked as an independent master and after Bartolomeo's death in 1686 he took over the family workshop. Giovanni Paolo Castelli's language also reveals the influence of the Flemish artist Abraham Brueghel, who was active in Italy. In fact, it seems that between 1671 and 1674 Castelli furthered his training in Brueghel's workshop. Castelli painted mainly rich cups and vases with flowers and fruit, with a personal style marked by a brilliant palette that emphasises the contours of the objects, rendered with meticulous detail and attention to quality. His language reveals the Flemish forms that he may have learned from his godfather Herinans, and later also from Brueghel, during the latter's stay in Rome before his final departure for Naples. His language was continued by his son, Bartolomeo Spadino (1696-1738). The origin of the nickname inherited by his son, "Spadino", is uncertain; it literally means "the man with the sword", and was already held by his father, just as he would pass it on to his son. Scholars raise the question of why he inherited the nickname and not his older brother, suggesting that the answer is the shape of his signature, which is very angular, like the blade of a knife. Other historians suggest that it may be due to the fact that the artist used a long, narrow palette, the shape of which is reminiscent of a sword. However, it is documented that Giovanni Paolo was imprisoned between 1680 and 1683 for murder, which may indicate that he earned his nickname by killing his enemy in a duel. Now considered one of the most important still-life painters of the Roman school of the late 17th and early 18th century, Giovanni Paolo Castelli is currently represented in the Pinacoteca Civica Fortunato Duranti in Montefortino, the Museum of Fine Arts in Boston, the Fesch in Ajaccio and the Pinacoteca in Rieti, among other collections.
Setdart Auction House
May. 23, 2024
GIOVANNI PAOLO CASTELLI, CALLED SPADINO (ROME 1659-1730) Peaches, plums, grapes and other fr
Est: $20,000 - $30,000
GIOVANNI PAOLO CASTELLI, CALLED SPADINO (ROME 1659-1730) Peaches, plums, grapes and other fruit in a glass bowl on a rocky ledge, with a watermelon and other fruit before it oil on canvas 37 ½ x 27 ½ in. (95.3 x 69.8 cm.)
Christie's
Apr. 18, 2024
Giovanni Paolo Castelli Lo Spadino (attribuito a) Still life with melon, pomegranates, apples and grapes
Est: €6,000 - €8,000
Oil on canvas Canvas cm. 48x64. Framed Questo squisito trionfo di frutta en plein air si presenta come un esempio ideale del felice interscambio che a cavallo tra XVII e XVIII secolo si verifica tra natura morta romana e napoletana. Tale rilevante congiuntura, che segna un apice del genere nella sua declinazione più liberamente barocca, ebbe tra i suoi attori principali Giovanni Paolo Castelli detto lo Spadino, Franz Werner Tamm e Pietro Navarra sul fronte romano e Giuseppe Ruoppolo e Tommaso Realfonso su quello partenopeo, con il caposcuola Abraham Brueghel, a lungo attivo in entrambi i centri, a fare da cerniera fra le due scuole. La nostra tela si deve collocare all'interno di questo frangente: il nostro pittore volge chiaramente lo sguardo verso Michelangelo da Campidoglio e Abraham Brueghel, mostrando un felice bilanciamento tra esuberanza decorativa e controllato equilibrio strutturale. Di alto rango, come si conviene per un naturamortista virtuoso, la resa dei vari frutti sotto il profilo dell'accuratezza mimetica delle superfici e l'attenzione ai riflessi della luce sulle bucce di variegata consistenza. In questo complesso scenario sembra di poter rilevare le più strette affinità sotto il profilo stilistico con alcune opere dello Spadino, come Uva, mele, zucca e melagrane della Pinacoteca Civica di Montefortino, e con vari raggruppamenti di frutta in dipinti di grande formato come la Natura morta con pappagallo, già Madrid, Edmund Peel, o quella di analogo soggetto esitata da Finarte Milano il 4 aprile 1989, l. 225 (vedi Bocchi, GPS.14, 30 e 32, pp. 605, 620, 622). BIBLIOGRAFIA DI CONFRONTO: G. e U. Bocchi, Pittori di natura morta a Roma. Artisti italiani 1630-1750, Viadana 2005, pp. 591-624.
Bertolami Fine Art s.r.l.
Apr. 17, 2024
Giovanni Paolo Castelli (Rome 1659-Rome 1730) Still life with watermelon Oil on canvas 49x65 cm - with frame 64x80 cm
Est: €2,500 - €5,000
Giovanni Paolo Castelli (Rome 1659-Rome 1730) Still life with watermelon Oil on canvas 49x65 cm - with frame 64x80 cm
Casa d'aste ARCADIA
Feb. 24, 2024
Castelli, Giovanni Paolo gen. Spadino (1659 - 1730) School or workshop,
Est: -
Castelli, Giovanni Paolo gen. Spadino (1659 - 1730) School or workshop, "Still Life with Parrot", Oil on canvas, relined, 137.5 x 99.5 cm. Provenance: Koller Zurich (acquired there as an autograph work by Spadino), since then privately owned in southern Germany Castelli, Giovanni Paolo gen. Spadino (1659 - 1730) Schule oder Werkstatt, "Stillleben mit Papagei", Öl auf Leinwand doubliert, 137.5 x 99.5 cm. Provenienz: Koller Zürich (dort als eigenhändiges Werk Spadinos erworben), seither Privatbesitz Süddeutschland
Auktionshaus Plückbaum
Nov. 29, 2023
GIOVANNI PAOLO CASTELLI detto SPADINO
Est: €5,000 - €8,000
(Roma, 1659 - 1730) Natura morta in un paesaggio con anguria, agrumi, fichi, melograni, zucche, ciliegie e altri frutti Olio su tela, cm 93X133,5 Databile ai primi anni del Settecento, l'opera è stata riconosciuta al pittore da Alberto Cottino, che la giudica per qualità un'importante aggiunta al catalogo di Giovanni Paolo Castelli detto Spadino (Roma, 1659-1730). L'esuberanza decorativa barocca, la puntuale descrizione dei frutti e l'ambientazione sono indizi inequivocabili altresì mutuati degli esempi del Campidoglio e del fiammingo Abraham Brueghel, segnando l'evoluzione della natura morta capitolina del secondo Seicento. Sulla sua formazione non si deve tralasciare l'apporto del tedesco Christian Berentz (documentato in Italia dal 1689), in modo particolare per l'attenzione alla regia luministica che delinea con lucentezza le forme e impreziosisce le tonalità cromatiche. Ciononostante, il segno netto e la luminosità indicano un'analogia con la tela già di Costantino Nigro datata 1703 (Bocchi 2005, fig. GPS10) e in modo particolare con quella di collezione privata resa nota dal Bocchi, per la simile felicità cromatica e 'gioiosa eccedenza', esiti che rappresentano l'apice dei risultati naturalistici della natura morta barocca (Bocchi 2005, fig. GPS 11). Ringraziamo Alberto Cottino per l'attribuzione. Bibliografia di riferimento: L. Salerno, La Natura morta italiana, 1560-1805, Roma 1984, pp. 265-269 L. Laureati, L. Trezzani, La natura morta postcaravaggesca a Roma, in La Natura morta in Italia, Roma 1989, II, pp. 728-753 L. Trezzani, Giovanni Paolo Castelli, in La Natura morta in Italia, Roma 1989, II, pp. 836-842 G. Bocchi, U. Bocchi, Naturalia. Nature morte in collezioni pubbliche e private, Viadana 1992, ad vocem G. Bocchi, U. Bocchi, Pittori di natura morta a Roma. Artisti italiani 1630-1750, Viadana 2005, pp. 591-624
Wannenes Art Auctions
Nov. 20, 2023
Giovanni Paolo Castelli, called Spadino (1659–1730). Still life with fruits, flowers and rabbit.
Est: €5,000 - €7,000
The rectangular composition combines a fruit still life with a flower still life, between the two there is an apple as a strong color accent and the composition is framed by rabbits on the sides. The fruit still life consists of apples and blue and green grapes. More fruit lies in the dark on the left. The brown rabbit crouches in the shadow on the left front. The color of the fur matches the tones of the fruit. The floral still life consists of red, white and pink roses as well as blue morning glory in a glass cup. The white rabbit's fur color matches the bright flowers and the light reflections of the glass. The still lifes are placed at the edge of a pond and the apple in the middle is reflected in the blue water. The painting is characterized by sophisticated colors and composition. The extreme landscape format indicates its use as a supraporte. A brown and white rabbit also appear in a fruit still life by Giovanni Paolo Castelli in the Benedictine Abbey of St. Peter and Paul in Rajhrad in Moravia, with the brown rabbit being almost identical (Zdeněk Kazlepka, In the Garden of Armida, Italian Baroque Still Life in Bohemia and Moravia, 2007, cat. no. 44, illustration p. 72.). Oil on canvas, 48 × 108cm
Fine Antiques Prague s.r.o.
Oct. 03, 2023
"SPADINO"; GIOVANNI PAOLO CASTELLI (Rome, 1659 - 1730). "Still life with birds and fruit". Oil on canvas. Bibliography: Europ. Art, II. n.6. June 1991, pg. 57, image pg. 59.
Est: €30,000 - €35,000
"SPADINO"; GIOVANNI PAOLO CASTELLI (Rome, 1659 - 1730). "Still life with birds and fruit". Oil on canvas. Bibliography: Europ. Art, II. n.6. June 1991, pg. 57, image pg. 59. Size: 92 x 130 cm; 125 x 164 cm (frame). The combination of juicy fruits and exotic birds was repeatedly explored by Spadino, a painter in whose still lifes the most sensualist and exuberant side of the Baroque. The ripeness of the fruits has reached the highest degree of succulence (some are even beginning to open, announcing the ephemeral nature of their splendour). The flowers are also at the peak of their fragrance, ready to wither. The carefully chosen, distinctly baroque scenography is enhanced by the careful study of light, based on a rhythmic play of alternating plant shadows and glows that draw the eye to the porcelain bowl, the figs and the grapes, resolved with accomplished glazes. Known as "Spadino", Giovanni Paolo Castelli was an Italian painter of the Baroque period, mainly active in Rome and specialising in painting still lifes, principally flowers and fruit. He came from a family of artists whose patron was Jan Herinans, a Flemish painter linked to the Pamphili family and specialising in floral compositions. Castelli therefore grew up in direct contact with the artistic circles of Rome at the time and began his training with his older brother, Bartolomeo Castelli (1641-1686), by then a well-known still-life painter. From 1674 he worked as an independent master and after Bartolomeo's death in 1686 he took over the family workshop. Giovanni Paolo Castelli's language also reveals the influence of the Flemish artist Abraham Brueghel, who was active in Italy. In fact, it seems that between 1671 and 1674 Castelli furthered his training in Brueghel's workshop. Castelli painted mainly rich cups and vases with flowers and fruit, with a personal style marked by a brilliant palette that emphasises the contours of the objects, rendered with meticulous detail and attention to quality. His language reveals the Flemish forms that he may have learned from his godfather Herinans, and later also from Brueghel, during the latter's stay in Rome before his final departure for Naples. His language was continued by his son, Bartolomeo Spadino (1696-1738). The origin of the nickname inherited by his son, "Spadino", is uncertain; it literally means "the man with the sword", and was already held by his father, just as he would pass it on to his son. Scholars raise the question of why he inherited the nickname and not his older brother, suggesting that the answer is the shape of his signature, which is very angular, like the blade of a knife. Other historians suggest that it may be due to the fact that the artist used a long, narrow palette, the shape of which is reminiscent of a sword. However, it is documented that Giovanni Paolo was imprisoned between 1680 and 1683 for murder, which may indicate that he earned his nickname by killing his enemy in a duel. Now considered one of the most important still-life painters of the Roman school of the late 17th and early 18th century, Giovanni Paolo Castelli is currently represented in the Pinacoteca Civica Fortunato Duranti in Montefortino, the Museum of Fine Arts in Boston, the Fesch in Ajaccio and the Pinacoteca in Rieti, among other collections.
Setdart Auction House
Oct. 03, 2023
"SPADINO"; GIOVANNI PAOLO CASTELLI (Rome, 1659 - 1730). "Still life with birds and fruit". Oil on canvas. Bibliography: Europ. Art, II. n.6. June 1991, pg. 57, image pg. 59.
Est: €30,000 - €35,000
"SPADINO"; GIOVANNI PAOLO CASTELLI (Rome, 1659 - 1730). "Still life with birds and fruit". Oil on canvas. Bibliography: Europ. Art, II. n.6. June 1991, pg. 57, image pg. 59. Size: 92 x 130 cm; 125 x 164 cm (frame). The combination of juicy fruits and exotic birds was repeatedly explored by Spadino, a painter in whose still lifes the most sensualist and exuberant side of the Baroque. The ripeness of the fruits has reached the highest degree of succulence (some are even beginning to open, announcing the ephemeral nature of their splendour). The flowers are also at the peak of their fragrance, ready to wither. In the background, Roman aqueducts form the perfect backdrop for the scenographic composition of nature. This carefully chosen, distinctly baroque scenography is enhanced by the careful study of light, based on a rhythmic interplay of alternating plant shadows and gleams that draw the eye to figs and grapes. The Flemish heritage can be seen in the accomplished pearly qualities of the fruit skins and the fleshy hearts of the split melons. Known as "Spadino", Giovanni Paolo Castelli was an Italian painter of the Baroque period, mainly active in Rome and specialising in still-life painting, mainly flowers and fruit. He came from a family of artists whose patron was Jan Herinans, a Flemish painter linked to the Pamphili family and specialising in floral compositions. Castelli therefore grew up in direct contact with the artistic circles of Rome at the time and began his training with his older brother, Bartolomeo Castelli (1641-1686), by then a well-known still-life painter. From 1674 he worked as an independent master and after Bartolomeo's death in 1686 he took over the family workshop. Giovanni Paolo Castelli's language also reveals the influence of the Flemish artist Abraham Brueghel, who was active in Italy. In fact, it seems that between 1671 and 1674 Castelli furthered his training in Brueghel's workshop. Castelli painted mainly rich cups and vases with flowers and fruit, with a personal style marked by a brilliant palette that emphasises the contours of the objects, rendered with meticulous detail and attention to quality. His language reveals the Flemish forms that he may have learned from his godfather Herinans, and later also from Brueghel, during the latter's stay in Rome before his final departure for Naples. His language was continued by his son, Bartolomeo Spadino (1696-1738). The origin of the nickname inherited by his son, "Spadino", is uncertain; it literally means "the man with the sword", and was already held by his father, just as he would pass it on to his son. Scholars raise the question of why he inherited the nickname and not his older brother, suggesting that the answer is the shape of his signature, which is very angular, like the blade of a knife. Other historians suggest that it may be due to the fact that the artist used a long, narrow palette, the shape of which is reminiscent of a sword. However, it is documented that Giovanni Paolo was imprisoned between 1680 and 1683 for murder, which may indicate that he earned his nickname by killing his enemy in a duel. Now considered one of the most important still-life painters of the Roman school of the late 17th and early 18th century, Giovanni Paolo Castelli is currently represented in the Pinacoteca Civica Fortunato Duranti in Montefortino, the Museum of Fine Arts in Boston, the Fesch in Ajaccio and the Pinacoteca in Rieti, among other collections.
Setdart Auction House
Sep. 19, 2023
OIL PAINTING BY GIOVANNI PAOLO CASTELLI
Est: €3,000 - €3,500
GIOVANNI PAOLO CASTELLI (Roma 1659 - 1730) NATURA MORTA DI UVA, MELOGRANO, ZUCCA, MELE E LIMONI CON CESTA DI VIMINI Olio su tela, cm. 61,5 x 72,5 PROVENIENZA Famiglia romana CONDIZIONI DEL DIPINTO Rintelo recente. Alcuni punti di restauro fra la frutta. Restauri ossidati in alto CORNICE Cornice a sezione piatta con bordi a ghirlanda e nastrino arrotolato, del XVII secolo (difetti)
Casa d'Aste Babuino
May. 20, 2023
Giovanni Paolo Castelli, called Lo Spadino, Still Life with Watermelon, Citrus Fruits, Figs, Pomegranates, Pumpkins, Cherries and other Fruits and Flowers, on a Ledge before a Panoramic Landscape
Est: €8,000 - €12,000
Certificate Prof. Alberto Cottino, Turin, 25.2.2023. This beautiful and hitherto unpublished canvas depicts a rich display of fruit and hunting trophies arranged before a mountainous and wooded landscape. Both the composition and some stylistic elements, such as the reflections on the fruit, still show the influence of David de Coninck and, foremost, Abraham Brueghel. However, the bright colours, broad brushstrokes and the evocative atmosphere are already distant from Flemish naturalism and typical of the Roman Baroque still life. The painting is a characteristic example of Giovanni Paolo Castelli's mature work, and can be most securely ascribed to the first decades of the eighteenth century, as suggested by affinities to the works of Pietro Navarra. The composition strongly recalls some of the most accomplished compositions of the painter, such as the ones now kept in the Pinacoteca di Montefortino. Giovanni Paolo Castelli belonged to a family of still life painters who were leading in Rome in the second half of the seventeenth century: he himself achieved considerable fame, and many of his works were quoted in inventories of the most important Roman families. He began working for the Chigi family in 1689; and Cardinal Benedetto Pamphili owned eleven paintings by him in 1725, whilst several others were owned by the Spada and Rospigliosi. Many were also kept in Naples and Florence (for example with the Corsini), a sign of a fame that had expanded well beyond the bounds of the eternal city.
Kunsthaus Lempertz KG
May. 18, 2023
GIOVANNI PAOLO CASTELLI detto SPADINO
Est: €5,000 - €8,000
(Roma, 1659 ; 1730) Natura morta Olio su tela, cm 74,5X100 Provenienza: Londra, Galleria M. Koester (1967) Collezione privata Esposizioni: Londra, Galleria M. Koester, Duke Street 38, 9 ottobre ; 20 dicembre 1967 Bibliografia: Apollo settembre 1967 Archivio Zeri, n. 89164 Databile alla fine del XVII secolo o ai primissimi anni del secolo successivo, l'opera per chiare motivazioni di stile e qualità si profila quale importante aggiunta al catalogo di Giovanni Paolo Castelli detto Spadino (Roma 1659-1730). L'esuberanza decorativa barocca, la puntuale descrizione dei frutti e l'ambientazione sono indizi inequivocabili altresì mutuati degli esempi del Campidoglio e del fiammingo Abraham Brueghel, segnando l'evoluzione della natura morta capitolina del secondo seicento. Sulla sua formazione non si deve tralasciare l'apporto del tedesco Christian Berentz (documentato in Italia dal 1689) in modo particolare per l'attenzione alla regia luministica che delinea con lucentezza le forme e impreziosisce le tonalità cromatiche. Ciononostante, il segno netto e la luminosità indicano un'analogia con la tela già di Costantino Nigro datata 1703 (Bocchi 2005, fig. GPS10) e in modo particolare con quella di collezione privata resa nota dal Bocchi, per la simile felicità cromatica e 'gioiosa eccedenza', esiti che rappresentano l'apice dei risultati naturalistici della natura morta barocca (Bocchi 2005, fig. GPS 11). Bibliografia di riferimento: L. Salerno, La Natura morta italiana, 1560-1805, Roma 1984, pp. 265-269 L. Laureati, L. Trezzani, La natura morta postcaravaggesca a Roma, in La Natura morta in Italia, Roma 1989, II, pp. 728-753 L. Trezzani, Giovanni Paolo Castelli, in La Natura morta in Italia, Roma 1989, II, pp. 836-842 G. Bocchi, U. Bocchi, Naturalia. Nature morte in collezioni pubbliche e private, Viadana 1992, ad vocem G. Bocchi, U. Bocchi, Pittori di natura morta a Roma. Artisti italiani 1630-1750, Viadana 2005, pp. 591-624
Wannenes Art Auctions
Dec. 14, 2022
Castelli Giovanni Paolo detto Lo Spadino, Natura morta con uva, mele e ciliegie
Est: €4,500 - €6,500
olio su tela, W. 65 - H. 49 Cm
Cambi Casa d'Aste
Dec. 14, 2022
Castelli Giovanni Paolo detto Lo Spadino, Nature morte di frutta
Est: €4,000 - €6,000
coppia di dipinti, olio su tela, diam cm 22
Cambi Casa d'Aste
Jul. 13, 2022
Giovanni Paolo Castelli (attr.)
Est: €2,500 - €3,500
Still life with grapes, figs and a peaches bowl oil on canvas, 48by60cm.
Bolli & Romiti s.r.l
Apr. 05, 2022
Castelli Giovanni Paolo, Natura morta con una, mele e ciliegie
Est: €5,000 - €7,000
olio su tela, W. 65 - H. 49 Cm
Cambi Casa d'Aste
Apr. 05, 2022
Castelli Giovanni Paolo nei modi di, Nature morte di frutta
Est: €5,000 - €7,000
coppia di dipinti, Diametro cm 22, olio su tela, diam cm 22
Cambi Casa d'Aste
Mar. 04, 2022
Suiveur de Giovanni- Paolo SPADINO (1659-1730) Nature morte de fleurs et de fruits
Est: €2,000 - €3,000
Suiveur de Giovanni- Paolo SPADINO (1659-1730) Nature morte de fleurs et de fruits Huile sur toile 68,5 x 103,5 cm
HVMC - Hôtel des Ventes de Monte-Carlo
Feb. 22, 2022
Giovanni Paolo CASTELLI, dit lo Spadino Rome, 1659 - 1730 Pêches et raisins sur un entablement Huile sur toile
Est: €3,000 - €4,000
Giovanni Paolo CASTELLI, dit lo Spadino Rome, 1659 - 1730 Pêches et raisins sur un entablement Huile sur toile h: 32,50 w: 43,50 cm Estimation 3 000 - 4 000 €
Artcurial
Sep. 29, 2021
Still life
Est: €18,000 - €25,000
The life and production of this artist are closely linked to his native city, Rome, from which he never left. Sources report that his first apprenticeship was with his older brother Bartolomeo, who was also a painter. However, a close look at his works clearly reveals a direct knowledge of the Flemish culture of still life, Castelli’s favourite genre. It is certainly no coincidence that his neighbour was - from 1671 to 1674 - Abraham Breughel: it is to him that we owe the evidence of the artist’s dual style, both Roman and Flemish. A very personal trait is that Castelli moved away from the Flemish meticulousness of the lines and spread the colour in rapid brushstrokes. The exuberance of the composition contrasts with the decadence of some of the fruit; the redundancy of the elements is contrasted with a lack of attention to detail. He wants to illustrate richness but with simplicity.
Telearte
May. 27, 2021
GIOVANNI PAOLO SPADINO (Roma 1659 - 1730), attr. "Natura morta con frutta". Olio su tela. Cm 44x54. (restauri)
Est: €600 - €1,200
GIOVANNI PAOLO SPADINO (Roma 1659 - 1730), attr. "Natura morta con frutta". Olio su tela. Cm 44x54. (restauri)
Art International Auction House
Dec. 17, 2020
Giovanni Paolo castelli (attr.)
Est: €2,000 - €3,000
Still life with fruit, a tray and an overturned carafe oil on canvas, 87by72,5cm.
Bolli & Romiti s.r.l
Jul. 14, 2020
Giovanni Paolo Castelli (1659-1730)-attributed
Est: €700 - €1,400
Giovanni Paolo Castelli (1659-1730)-attributed, pair of fruit stll lifes, oil on canvas, framed.
Deutsch Auktionen
Jun. 25, 2020
GIOVANNI PAOLO CASTELLI detto SPADINO (attr. a)
Est: €2,000 - €4,000
(Roma, 1659 - 1730) Natura morta con anguria Olio su tela, cm 49,5X64,5 Il dipinto raffigura una ricca selezione di frutti disposti su un piano: l'analisi della composizione, del disegno e della stesura pittorica suggeriscono una attribuzione a Giovanni Paolo Castelli detto lo Spadino, interprete della produzione naturamortistica a Roma tra il XVII e il XVIII secolo. La similitudine con le tele di Abraham Brueghel consente di datare l'opera al periodo giovanile dell'artista, quando l'autore fiammingo Ã¨ ancora un punto di riferimento importante per la formulazione barocca del genere. Altrettanto evidenti sono le caratteristiche desunte dalle invenzioni di Bartolomeo Castelli il Vecchio (Roma, ? ; 1686), con cui il pittore ha compiuto la propria formazione. Tipica delle opere databili a questo periodo Ã¨ la scelta dei frutti maturi, che mostrano tutta la loro morbidezza e vivacitÃ cromatica, secondo un gusto assai prossimo a quello di Franz Werner von Tamm. L'opera Ã¨ corredata di una fotocopia di una perizia di Egidio Martini come Giovanni Paolo Castelli. Bibliografia di riferimento: G. Bocchi, U. Bocchi, Pittori di Natura Morta a Roma. Artisti italiani 1630-1750, Viadana 2005, pp. 591-624, con bibliografia precedente
Wannenes Art Auctions
Jun. 09, 2020
Giovanni Paolo Castelli, called Lo Spadino
Est: €8,000 - €12,000
Please note the exact Buyer’s Premium charges which can be found in the Conditions of Sale in the Terms below. (Rome 1659–1730) Peaches, apples, plums and cherries by a pumpkin, on a stone ledge, oil on canvas, 49 x 61 cm, framed We are grateful to Andrea G. De Marchi for confirming the attribution of the present painting on the basis of a digital photograph.
Dorotheum