Jorge Castillo Sold at Auction Prices

Painter, Illustrator, Sculptor, b. 1933 -

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  • CASTILLO, JORGE
    Oct. 14, 2026

    CASTILLO, JORGE

    Est: -

    (Pontevedra 1933). "Untitled". Mixed media on paper, signed, Dedicated and dated 1982. Measurements: 75 x 100 cm.

    Bonanova Subastas
  • JORGE CASTILLO Pontevedra (1933) "Untitled"
    Sep. 29, 2026

    JORGE CASTILLO Pontevedra (1933) "Untitled"

    Est: €100 - €150

    Mixed media on paper. Signed and dated (illegibly) in the lower left corner. Measurements: 24 x 16.5 cm

    Ansorena
  • CASTILLO, Jorge, born in 1933
    Sep. 24, 2026

    CASTILLO, Jorge, born in 1933

    Est: €100 - €150

    CASTILLO Jorge, né en 1933 Scènes érotiques, 1962 Trois dessins à la mine de plomb sur papier Signés et datés en haut à droite chaque 32,5 x 45 cm chaque (Taches et petits accidents) PROVENANCE Collection privée française. Les dessins appartenaient à un ami de l’artiste, critique gastronomique, puis sont venus par héritage. Expert : Cabinet MAKET CASTILLO, Jorge, born in 1933 Erotic Scenes, 1962 Three graphite drawings on paper Signed and dated in the upper right corner of each 32.5 x 45 cm each (Stains and minor imperfections) PROVENANCE French private collection. The drawings belonged to a friend of the artist, a food critic, and were later inherited. Expert: MAKET Gallery CASTILLO Jorge, nacido en 1933 Escenas eróticas, 1962 Tres dibujos a lápiz sobre papel Firmados y fechados en la esquina superior derecha de cada uno 32,5 x 45 cm cada uno (Manchas y pequeños desperfectos) PROCEDENCIA Colección privada francesa. Los dibujos pertenecían a un amigo del artista, crítico gastronómico, y posteriormente pasaron a formar parte de la herencia. Perito: Gabinete MAKET

    NEO Enchères
  • Castillo, Jorge (geb. 1933 in Pontevedra)
    Sep. 24, 2026

    Castillo, Jorge (geb. 1933 in Pontevedra)

    Est: €800 - €960

    „Interior a las 10,30“ Sign. u. dat. (19)75 (unten re. schwach erkennbar). Bleistift und Gouache auf Arches France-Bütten. 57,5×50 cm. Rücks. betit. u. dat. mit Ortsangabe: „1975 Agua Amarga“. R. (61478)

    Leo Spik
  • Castillo, Jorge (geb. 1933 in Pontevedra)
    Sep. 24, 2026

    Castillo, Jorge (geb. 1933 in Pontevedra)

    Est: €750 - €900

    Sitzendes Mädchen Sign. u. dat. (19)72. Tinte, Feder und Aquarell auf Papier. 36,5×23 cm. R. (61478)

    Leo Spik
  • JORGE CASTILLO (Pontevedra, 1933). Untitled, 1979. Mixed media on paper. Signed and dated in the upper left corner.
    Sep. 23, 2026

    JORGE CASTILLO (Pontevedra, 1933). Untitled, 1979. Mixed media on paper. Signed and dated in the upper left corner.

    Est: €600 - €700

    JORGE CASTILLO (Pontevedra, 1933). Untitled, 1979. Mixed media on paper. Signed and dated in the upper left corner. Measurements: 56 x 75 cm; 78 x 97 cm (frame). The work depicts a distinctly dreamlike scene, constructed from fragmentary figures that seem to emerge from a suspended, almost theatrical space. On the left, a figure wearing an orange coat raises a hand at the appearance of a large brass instrument, similar to a tuba, held by a figure with their back to us. The instrument, of disproportionate dimensions and rendered with gray washes and very loose contour lines, takes on an almost organic presence, as if music, body, and object were merging into a single vision. Jorge Castillo is one of the most distinctive Spanish artists of the second half of the 20th century. Trained in both Spain and the Americas, he developed a broad international career in painting, drawing, printmaking, and sculpture. His work is characterized by imaginative and expressionist figuration. His work is represented in institutions such as the Museo Nacional Centro de Arte Reina Sofía, the Museum of Modern Art in New York, the Guggenheim Museum, and the Kunstmuseum in Basel, among other collections.

    Setdart Auction House
  • JORGE CASTILLO (Pontevedra, 1933). Untitled. Acrylic on canvas. Signed in the lower right corner.
    Sep. 23, 2026

    JORGE CASTILLO (Pontevedra, 1933). Untitled. Acrylic on canvas. Signed in the lower right corner.

    Est: €800 - €1,000

    JORGE CASTILLO (Pontevedra, 1933). Untitled. Acrylic on canvas. Signed in the lower right corner. Measurements: 60 x 60 cm. The bodies appear intertwined and represented in a fragmented way, inhabiting a dreamlike space, suggesting that desire is not an isolated act, but a force that overflows limits and categories. In this visual language, the erotic becomes an enigma: rather than being shown, it is suggested, inviting the viewer to complete the scene from his own gaze, between the intimate and the disturbing. Jorge Castillo is an essential figure of contemporary Spanish art, linked since the sixties to the New Figuration. His work, strongly symbolic and literary, oscillates between figuration and abstraction. He is represented in important public collections such as the Museo Nacional Centro de Arte Reina Sofía, the IVAM, the Museo de Bellas Artes de Bilbao and various international institutions.

    Setdart Auction House
  • JORGE CASTILLO CASALDERREY (Pontevedra, 1933). Untitled. Bronze. Edition 1/6. Signed, located in New York, and numbered.
    Sep. 23, 2026

    JORGE CASTILLO CASALDERREY (Pontevedra, 1933). Untitled. Bronze. Edition 1/6. Signed, located in New York, and numbered.

    Est: €2,000 - €2,500

    JORGE CASTILLO CASALDERREY (Pontevedra, 1933). Untitled. Bronze. Edition 1/6. Signed, dated in New York, and numbered. Measurements: 25 x 35 x 20 cm. This bronze sculpture by Jorge Castillo is part of his characteristic expressionist style, in which the human figure appears distorted, fragmented, and imbued with intense psychological tension. The composition, in which two bodies are arranged in an almost organic manner on an irregular base, suggests an ambiguous scene straddling the narrative and the symbolic: there is no explicit action, but rather a physical relationship that evokes conflict, dependence, or transformation. Formally, the work stands out for its rough, gestural modeling, where the surface retains the traces of the sculptural process, reinforcing the idea of matter in constant flux. This treatment is particularly significant in bronze, a material historically valued for its durability, capacity for detail, and the evolution of its patina over time. Jorge Castillo showed an exceptional talent for drawing: at just ten years old, he was already copying Peter Paul Rubens, whose work, according to the artist himself, later helped him understand the language of Cubism as practiced by Georges Braque and Pablo Picasso. Although his family moved to Buenos Aires shortly after his birth, Castillo returned to Europe in 1955 and settled in Madrid, where he met the art critic José María Moreno Galván, who helped him integrate into the art scene.In the late 1950s, he began exhibiting and selling his drawings, which were even appreciated by Antonio Saura, and he soon turned his focus to printmaking, a technique that would become one of his primary means of expression. His international reputation took off with his participation in the São Paulo Biennial in 1960, followed by major exhibitions and appearances at key events such as the Venice Biennale. Since then, his work has been shown in museums and galleries around the world, cementing a distinguished career marked by numerous awards. Today, Castillo lives and works in New York’s SoHo, and his work is part of prominent international collections, reflecting a solid and deeply coherent career. Attached is a certificate issued by the author.

    Setdart Auction House
  • JORGE CASTILLO (Pontevedra, 1933). “The Joyful Life of the Wise Owl,” 1993. Acrylic on canvas. Signed in the upper right corner. Titled and dated on the back.
    Sep. 23, 2026

    JORGE CASTILLO (Pontevedra, 1933). “The Joyful Life of the Wise Owl,” 1993. Acrylic on canvas. Signed in the upper right corner. Titled and dated on the back.

    Est: €7,000 - €8,000

    JORGE CASTILLO (Pontevedra, 1933). “The Joyful Life of the Wise Owl,” 1993. Acrylic on canvas. Signed in the upper right corner. Titled and dated on the back. Measurements: 130 x 195 cm. Since the late 1950s, Jorge Castillo has developed one of the most distinctive artistic languages in contemporary European art. Initially associated with New Figuration, his work evolved into a symbolic universe where Surrealism, Expressionism, and fantasy art converge, alongside constant references to science, literature, mythology, and art history. Animals, skeletons, insects, machines, imaginary architectures, and fragmented bodies form part of an iconographic repertoire that the artist continually reorganizes to construct complex metaphors about existence, knowledge, and artistic creation. The 1990s, the period to which “The Joyful Life of the Wise Owl” belongs, represent one of the most mature phases of his career. During these years, his compositions achieved an extraordinary balance between imaginative freedom and constructive rigor, consolidating a fully recognizable artistic language that established him as one of the leading figures of contemporary Spanish art on the international stage. Jorge Castillo is one of the most internationally renowned contemporary Spanish artists. After spending his childhood in Argentina, he embarked on a brilliant career that soon led him to settle in Paris, where he came into contact with the major European artistic movements. He later lived in cities such as New York, Berlin, Amsterdam, and Geneva, developing a body of work that encompasses painting, drawing, printmaking, sculpture, and set design. His deeply personal artistic language combines elements of New Figuration, Surrealism, and fantasy art with an extraordinary capacity for symbolic invention. He has been the subject of major exhibitions in Europe, the Americas, and Asia, and his work is included in such prominent collections as those of the Museo Nacional Centro de Arte Reina Sofía, the Centre Pompidou in Paris, the Stedelijk Museum in Amsterdam, and the Museum of Modern Art in New York, establishing him as a key figure in Spanish art of the second half of the 20th century.

    Setdart Auction House
  • JORGE CASTILLO (Pontevedra, 1933). “Interior with Paintings.” New York, 1983. Watercolor and pencil on paper. Signed, titled, dated, and located.
    Sep. 07, 2026

    JORGE CASTILLO (Pontevedra, 1933). “Interior with Paintings.” New York, 1983. Watercolor and pencil on paper. Signed, titled, dated, and located.

    Est: €800 - €1,000

    JORGE CASTILLO (Pontevedra, 1933). “Interior with Paintings.” New York, 1983. Watercolor and pencil on paper. Signed, titled, dated, and located. Measurements: 56 x 78 cm. Jorge Castillo creates an intimate and silent scene in which two female figures are integrated into a domestic space dominated by the presence of images hanging on the wall. The watercolor, applied with great delicacy, allows the artist to work with transparencies, glazes, and barely hinted-at areas, creating an atmosphere suspended between the real and the imaginary. The composition is part of Castillo’s characteristic universe, in which the human figure, dreams, memory, and theatricality intertwine naturally. The bodies appear fragmented, superimposed, or partially blurred, as if they belonged more to an inner vision than to an everyday scene. Jorge Castillo is one of the leading figures in postwar Spanish figurative art, with an international career spanning Spain, Argentina, Paris, Berlin, and New York. He participated in the São Paulo Biennial and the Venice Biennale, and received the International Drawing Prize in 1964. His work is represented in collections such as the Reina Sofía Museum, the Museum of Fine Arts in A Coruña, and the Museum of Modern Art in New York.

    Setdart Auction House
  • Jorge Castillo (b.1933) Untitled, from Hommage à Picasso
    Aug. 12, 2026

    Jorge Castillo (b.1933) Untitled, from Hommage à Picasso

    Est: £100 - £150

    Jorge Castillo (b.1933)Untitled, from Hommage à PicassoEtching with drypoint and aquatint printed in colours, 1973, signed and dated in pencil, numbered from the edition of 90, printed by Wilheim Schneider, published by Propyläen-Verlag, Berlin, on wove paper, with full margins, sheet 585 x 770mm (23 x 30 1/4in) (unframed)

    Forum Auctions - UK
  • JORGE CASTILLO Pontevedra (1933) "Dissident Man"
    Jul. 22, 2026

    JORGE CASTILLO Pontevedra (1933) "Dissident Man"

    Est: €1,200 - €1,800

    Oil on canvas. Signed in the lower left corner. Titled on the back of the canvas. Dimensions: 64 x 81 cm

    Ansorena
  • George Castillo. Barcelona
    Jul. 21, 2026

    George Castillo. Barcelona

    Est: -

    Barcelona Series. Case with eleven large-format serigraphs dedicated to the city of Barcelona. Printed on Hannemüller paper, signed and dated (07) in the lower right corner. Nine are numbered (19/50) and two (19/30) in the lower left corner. Each one is dedicated to emblematic locations in the city (Old Port, Ronda Litoral, França Station, Via Laietana, and Borne Market). Introduction by the artist. In a wooden object-case. Published by Nueve Montcada Art, Barcelona. Printed by Pepe Herrera Taller Gráfico.

    Duran Arte y Subastas
  • JORGE CASTILLO CASALDERREY (Pontevedra, 1933). “Ruth, the Musical Bird,” 1987. Acrylic on canvas. Signed in the lower left corner. Signed and dated on the reverse.
    Jul. 14, 2026

    JORGE CASTILLO CASALDERREY (Pontevedra, 1933). “Ruth, the Musical Bird,” 1987. Acrylic on canvas. Signed in the lower left corner. Signed and dated on the reverse.

    Est: €800 - €1,000

    JORGE CASTILLO CASALDERREY (Pontevedra, 1933). “Ruth, the Musical Bird,” 1987. Acrylic on canvas. Signed in the lower left corner. Signed and dated on the reverse. Measurements: 65.5 x 54.5 cm Jorge Castillo Casalderrey transforms the traditional still-life genre into a scene with psychological and poetic resonances. On a barely defined table are arranged fruits, branches, and a hybrid figure that oscillates between bird and human presence, while in the background a female silhouette emerges from behind. Far from a descriptive representation, the composition is constructed as a mental space where the objects seem to act as symbols of an intimate and indecipherable narrative. The suspended atmosphere, the earthy and greenish tones, and the fragmentation of the planes turn the scene into a sort of visual enigma that invites contemplation rather than a definitive interpretation. The work belongs to a mature period in the career of Jorge Castillo Casalderrey, a Galician artist of international renown whose career unfolded across Argentina, Spain, Europe, and New York. Initially trained in Buenos Aires and later connected to some of the major circuits of international contemporary art, Castillo constructed a universe of his own where figuration, abstraction, drawing, and a constant exploration of the unconscious converge. His work is characterized by the presence of enigmatic figures, fragmented compositions, and a personal iconography rooted in surrealism, though it evolved into an increasingly free and autonomous language.

    Setdart Auction House
  • JORGE CASTILLO. Untitled. (d)
    Jul. 02, 2026

    JORGE CASTILLO. Untitled. (d)

    Est: €400 - €500

    Oil on canvas Signed 53x44 cm.

    Balclis
  • JORGE CASTILLO. Untitled. (d)
    Jul. 02, 2026

    JORGE CASTILLO. Untitled. (d)

    Est: €400 - €450

    Mixed media on paper Signed, dated 1983 and located in New York 62x73 cm.

    Balclis
  • JORGE CASTILLO - Untitled
    Jun. 30, 2026

    JORGE CASTILLO - Untitled

    Est: -

    JORGE CASTILLO Pontevedra 1933 Untitled Oil on panel Signed Measurements 46 x 55 cm

    Subastas Segre
  • Jorge Castillo. Bambino pipistrella
    Jun. 23, 2026

    Jorge Castillo. Bambino pipistrella

    Est: -

    Etching on paper. Signed and dated (78) in the lower right corner. Numbered (65/75) in the lower left corner.

    Duran Arte y Subastas
  • Castillo, Jorge (geb. 1933 Pontevedra)
    Jun. 20, 2026

    Castillo, Jorge (geb. 1933 Pontevedra)

    Est: €400 - €480

    Junge Frau am Tisch. Öl/Lwd., auf Platte aufgezogen (kl. Löchlein). Um 1974. 66,5x 56,3 cm (ovaler Bildausschnitt). PP., in Berliner Leiste (best.), 19. Jh. Prov.: Erworben bei Grisebach, Auktion 64 am 06.06.1998.

    Dannenberg
  • JORGE CASTILLO CASALDERREY (Pontevedra, 1933). "Vase", 2019-2023. Acrylic on canvas. Attached certificate of authenticity issued by the artist. Signed in the lower left and upper right area....
    Jun. 17, 2026

    JORGE CASTILLO CASALDERREY (Pontevedra, 1933). "Vase", 2019-2023. Acrylic on canvas. Attached certificate of authenticity issued by the artist. Signed in the lower left and upper right area....

    Est: €2,000 - €2,500

    JORGE CASTILLO CASALDERREY (Pontevedra, 1933). "Vase", 2019-2023. Acrylic on canvas. Attached certificate of authenticity issued by the artist. Signed in the lower left and upper right area. Signed, dated and titled on the back. Measurements: 148 x 95 cm. Since he was a child, Jorge Castillo has been passionate about drawing, and when he was only ten years old, he made his first copy of Rubens with colored pencils. According to Castillo, Rubens' painting taught him to understand the cubism of Braque and Picasso. He has lived in Argentina, Spain, France, Italy, Germany and the United States, and since 2008 he has lived in Ibiza. He grew up in Buenos Aires, where he spent long hours at the port, besides dedicating his time to painting and writing. During these years he began to show his paintings, even exhibiting at the Salón de Mayo. He also published poems and short stories in magazines. However, at the age of twenty-two he decided to leave his city and go to Paris. However, for economic reasons he settled in Spain, specifically in Madrid, where he spent six years, between 1957 and 1963, the first three of them living as a vagabond. However, his contact with Viola and Jorge Cela, who were impressed by his drawings, would change the course of his life. During these years he would gradually opt for the technique of engraving, which from then on would be one of his main means of expression. He then began to emerge as an artist, to sell his first works and to establish some important contacts, protected by Luis González Robles, who in 1960 took him to the São Paulo Biennial. There, his works surprised and received praiseworthy reviews, and during these years he also exhibited in Madrid and Barcelona, as well as in San Francisco, Lisbon, Pittsburgh and Tokyo. And it was in 1964, the year of his participation in the Venice Biennial, when the doors of Paris finally opened for him, thanks to the contract he signed with the art dealer André Schoeller. He settled in the French capital for almost four years, until 1967, and there he regularly visited the Louvre Museum and continued to hold increasingly successful exhibitions. In 1967 Castillo left Paris and moved to Geneva, since Schoeller had sold his contract to the Swiss Jan Krugier, then one of the most important gallery owners in Europe. However, he did not like the city, so he went to Boissano, in Italy. In this country he became immersed in classical Italian art, especially from the Trecento and Quattrocento, and in 1969 he was invited by the German government to work in Berlin, where he lived until 1975. In 1970 he exhibited at the Nationalgalerie in the German capital, the first major museum exhibition dedicated to a specific period of his career, and later in numerous Berlin galleries. When he left Berlin Castillo moved to Barcelona, by then a recognized painter in Europe and America. There he exhibited regularly at the Joan Prats gallery, and met Salvador Dalí. During these years he began to visit New York and finally settled there in 1981, remaining in the city until 1992. There he was hired by the prestigious Marlborough Gallery, and his successes continued. Throughout his career, Castillo was awarded prizes such as the International Drawing (1964) and Painting (1975) in Darmstadt, the City of Pontevedra (1994), etc.

    Setdart Auction House
  • JORGE CASTILLO Pontevedra (1933) "Midiodia", 2008-2009
    Jun. 16, 2026

    JORGE CASTILLO Pontevedra (1933) "Midiodia", 2008-2009

    Est: €1,400 - €2,100

    Acrylic on canvas Signed in the upper left corner. Titled and dated on the back of the stretcher. Dimensions: 130 x 162 cm

    Ansorena
  • JORGE CASTILLO Pontevedra (1933) "Still Life", 1984
    Jun. 16, 2026

    JORGE CASTILLO Pontevedra (1933) "Still Life", 1984

    Est: €350 - €525

    Acrylic on canvas panel Signed, dated, titled and located on the reverse. Stamped by the Joan Prats Gallery, Barcelona. Dimensions: 10 x 15 cm

    Ansorena
  • JORGE CASTILLO Pontevedra (1933) "Untitled", 1988
    Jun. 16, 2026

    JORGE CASTILLO Pontevedra (1933) "Untitled", 1988

    Est: €100 - €150

    Engraving Signed, dated and justified at the bottom 64/100 Measurements: Image: 24.5 x 29 cm; paper: 49 x 59 cm

    Ansorena
  • Jorge Castillo (Pontevedra 1933)
    May. 26, 2026

    Jorge Castillo (Pontevedra 1933)

    Est: €80 - €300

    From: Hommage à Goya, 1973; Color etching on Japanese paper, 19.5 x 20 cm (plate), 61 x 46.5 cm (sheet) Signed

    Bozner Kunstauktionen
  • JORGE CASTILLO (Pontevedra, 1933). "Diorama", 1977. Etching, H.C. copy. Signed, dated and justified by hand. The wood has some damage.
    May. 20, 2026

    JORGE CASTILLO (Pontevedra, 1933). "Diorama", 1977. Etching, H.C. copy. Signed, dated and justified by hand. The wood has some damage.

    Est: €500 - €600

    JORGE CASTILLO (Pontevedra, 1933). "Diorama", 1977. Etching, H.C. copy. Signed, dated and justified by hand. The wood has some damage. Measurements: 33 x 58 x 5 cm (open); 34 x 49 cm (closed). Jorge Castillo's dioramas are very singular pieces within his production, halfway between painting, sculpture and assemblage. They are not conventional paintings, but boxes or structures that create a scene with depth, like small theaters. From a family that emigrated to Buenos Aires, Castillo returned to Europe in 1957. After passing through Vigo, he settles in Madrid, where he soon comes into contact with the art critic José María Moreno Galván, who admires his work and introduces him to Madrid's artistic circles. In 1958 he begins to sell his drawings at the Biosca gallery, and the painter Antonio Saura himself buys several of them. The following year he exhibits his works on paper and watercolors at the Altamira gallery in Madrid. Little by little he will gradually opt for the technique of engraving, which will finally be his main means of expression, although he will alternate it with painting. In 1960 he is selected for the Biennial of São Paulo in Brazil. From then on he exhibited his work internationally, in galleries and museums in New York, San Francisco, Tokyo, Paris, Lisbon, Turin, Hanover, Dusseldorf and Geneva. He participated in the Venice Biennale in 1964 and 1976, and in 1970 he held a solo exhibition at the Nationalgalerie in Berlin, the first major museum exhibition dedicated to a specific period of his career. He won awards such as the International Drawing (1964) and Painting (1975) in Darmstadt, the City of Pontevedra (1994), and the Cultura Viva de las Artes Plásticas (2006). He currently lives and works in Ibiza. Jorge Castillo's work can be seen at the Museum of Fine Arts in Lausanne, the Juan March Foundation, the National Galleries of Edinburgh and Berlin, the Museums of Modern Art in San Francisco and Vitoria, the Kunsthalle in Bremen, the Albertina in Vienna, the National Library of Spain and the Guggenheim in New York, among others.

    Setdart Auction House
  • JORGE CASTILLO (Pontevedra, 1933). "Diorama", 1977. Etching, H.C. copy. Signed, dated and justified by hand. The wood has some damage.
    May. 20, 2026

    JORGE CASTILLO (Pontevedra, 1933). "Diorama", 1977. Etching, H.C. copy. Signed, dated and justified by hand. The wood has some damage.

    Est: €600 - €800

    JORGE CASTILLO (Pontevedra, 1933). "Diorama", 1977. Etching, H.C. copy. Signed, dated and justified by hand. The wood has some damage. Measurements: 56 x 87 cm (open); 56 x 70.5 cm (closed). Jorge Castillo's dioramas are very singular pieces within his production, halfway between painting, sculpture and assemblage. They are not conventional paintings, but boxes or structures that create a scene with depth, like small theaters. From a family that emigrated to Buenos Aires, Castillo returned to Europe in 1957. After passing through Vigo, he settles in Madrid, where he soon comes into contact with the art critic José María Moreno Galván, who admires his work and introduces him to Madrid's artistic circles. In 1958 he begins to sell his drawings at the Biosca gallery, and the painter Antonio Saura himself buys several of them. The following year he exhibits his works on paper and watercolors at the Altamira gallery in Madrid. Little by little he will gradually opt for the technique of engraving, which will finally be his main means of expression, although he will alternate it with painting. In 1960 he is selected for the Biennial of São Paulo in Brazil. From then on he exhibited his work internationally, in galleries and museums in New York, San Francisco, Tokyo, Paris, Lisbon, Turin, Hanover, Dusseldorf and Geneva. He participated in the Venice Biennale in 1964 and 1976, and in 1970 he held a solo exhibition at the Nationalgalerie in Berlin, the first major museum exhibition dedicated to a specific period of his career. He won awards such as the International Drawing (1964) and Painting (1975) in Darmstadt, the City of Pontevedra (1994), and the Cultura Viva de las Artes Plásticas (2006). He currently lives and works in Ibiza. Jorge Castillo's work can be seen at the Museum of Fine Arts in Lausanne, the Juan March Foundation, the National Galleries of Edinburgh and Berlin, the Museums of Modern Art in San Francisco and Vitoria, the Kunsthalle in Bremen, the Albertina in Vienna, the National Library of Spain and the Guggenheim in New York, among others.

    Setdart Auction House
  • JORGE CASTILLO (Pontevedra, 1933). "Diorama", 1977. Lithograph. Signed, dated and justified by hand. The wood has some damage.
    May. 20, 2026

    JORGE CASTILLO (Pontevedra, 1933). "Diorama", 1977. Lithograph. Signed, dated and justified by hand. The wood has some damage.

    Est: €800 - €1,000

    JORGE CASTILLO (Pontevedra, 1933). "Diorama", 1977. Lithograph. Signed, dated and justified by hand. The wood has some damage. Measurements: 62,5 x 132 cm (open); 66 x 66 cm (closed). Jorge Castillo's dioramas are very singular pieces within his production, halfway between painting, sculpture and assemblage. They are not conventional paintings, but boxes or structures that create a scene with depth, like small theaters. From a family that emigrated to Buenos Aires, Castillo returned to Europe in 1957. After passing through Vigo, he settles in Madrid, where he soon comes into contact with the art critic José María Moreno Galván, who admires his work and introduces him to Madrid's artistic circles. In 1958 he begins to sell his drawings at the Biosca gallery, and the painter Antonio Saura himself buys several of them. The following year he exhibits his works on paper and watercolors at the Altamira gallery in Madrid. Little by little he will gradually opt for the technique of engraving, which will finally be his main means of expression, although he will alternate it with painting. In 1960 he is selected for the Biennial of São Paulo in Brazil. From then on he exhibited his work internationally, in galleries and museums in New York, San Francisco, Tokyo, Paris, Lisbon, Turin, Hanover, Dusseldorf and Geneva. He participated in the Venice Biennale in 1964 and 1976, and in 1970 he held a solo exhibition at the Nationalgalerie in Berlin, the first major museum exhibition dedicated to a specific period of his career. He won awards such as the International Drawing (1964) and Painting (1975) in Darmstadt, the City of Pontevedra (1994), and the Cultura Viva de las Artes Plásticas (2006). He currently lives and works in Ibiza. Jorge Castillo's work can be seen at the Museum of Fine Arts in Lausanne, the Juan March Foundation, the National Galleries of Edinburgh and Berlin, the Museums of Modern Art in San Francisco and Vitoria, the Kunsthalle in Bremen, the Albertina in Vienna, the National Library of Spain and the Guggenheim in New York, among others.

    Setdart Auction House
  • JORGE CASTILLO CASALDERREY, (Pontevedra, 1933). Untitled. Wrought iron. Exemplary P.A. Attached certificate issued by the author. Signed in the lower right corner.
    May. 20, 2026

    JORGE CASTILLO CASALDERREY, (Pontevedra, 1933). Untitled. Wrought iron. Exemplary P.A. Attached certificate issued by the author. Signed in the lower right corner.

    Est: €700 - €800

    JORGE CASTILLO CASALDERREY, (Pontevedra, 1933). Untitled. Wrought iron. Exemplary P.A. Attached certificate issued by the author. Signed in the lower right corner. Measurements: 25 x 22 x 10 cm. Iron sculpture by Jorge Castillo in which the author explores the volume through the silhouette of a figure, achieving a suggestive plastic three-dimensionality that oscillates between drawing in space and sculptural presence. Jorge Castillo showed an exceptional vocation for drawing: at the age of ten he was already copying Peter Paul Rubens, whose work, according to the artist himself, later helped him to understand the cubist language of Georges Braque and Pablo Picasso. Although his family moved to Buenos Aires shortly after his birth, Castillo returned to Europe in 1955 and settled in Madrid, where he came into contact with the critic José María Moreno Galván, who encouraged his integration into the artistic environment, and at the end of the fifties he began to exhibit and sell his drawings, appreciated even by Antonio Saura, and soon turned his work towards engraving, a technique that would become one of his main means of expression. His international projection took off with his participation in the São Paulo Biennial in 1960, followed by important exhibitions and appearances at key events such as the Venice Biennial. Since then, his work has traveled to museums and galleries around the world, consolidating a career recognized with numerous awards. Today, Castillo lives and works in New York's Soho, and his production is part of prominent international collections, reflecting a solid and profound career. Enclosed is a certificate issued by the author.

    Setdart Auction House
  • JORGE CASTILLO CASALDERREY, (Pontevedra, 1933). Untitled. Polychrome iron. Exemplary P.A. Attached certificate issued by the author. Signed in the lower right corner.
    May. 20, 2026

    JORGE CASTILLO CASALDERREY, (Pontevedra, 1933). Untitled. Polychrome iron. Exemplary P.A. Attached certificate issued by the author. Signed in the lower right corner.

    Est: €800 - €1,000

    JORGE CASTILLO CASALDERREY, (Pontevedra, 1933). Untitled. Polychrome iron. Exemplary P.A. Attached certificate issued by the author. Signed in the lower right corner. Measurements: 25 x 22 x 10 cm. From very early on, Jorge Castillo showed an exceptional vocation for drawing: at the age of ten he was already copying Peter Paul Rubens, whose work, according to the artist himself, later helped him to understand the cubist language of Georges Braque and Pablo Picasso. Although his family moved to Buenos Aires shortly after his birth, Castillo returned to Europe in 1955 and settled in Madrid, where he came into contact with the critic José María Moreno Galván, who encouraged his integration into the artistic environment, and at the end of the fifties he began to exhibit and sell his drawings, appreciated even by Antonio Saura, and soon turned his work towards engraving, a technique that would become one of his main means of expression. His international projection took off with his participation in the São Paulo Biennial in 1960, followed by important exhibitions and appearances at key events such as the Venice Biennial. Since then, his work has traveled to museums and galleries around the world, consolidating a career recognized with numerous awards. Today, Castillo lives and works in New York's Soho, and his production is part of prominent international collections, reflecting a solid and deeply coherent career. Certificate of authenticity attached.

    Setdart Auction House
  • JORGE CASTILLO CASALDERREY, (Pontevedra, 1933). Untitled. Bronze. Exemplary 1/6. Certificate of authenticity attached. Signed, located in New York and justified.
    May. 20, 2026

    JORGE CASTILLO CASALDERREY, (Pontevedra, 1933). Untitled. Bronze. Exemplary 1/6. Certificate of authenticity attached. Signed, located in New York and justified.

    Est: €2,000 - €2,500

    JORGE CASTILLO CASALDERREY, (Pontevedra, 1933). Untitled. Bronze. Exemplary 1/6. Certificate of authenticity attached. Signed, located in New York and justified. Measurements: 25 x 35 x 20 cm. The bronze sculpture by Jorge Castillo that can be seen is inscribed within his characteristic expressionist language, where the human figure appears deformed, fragmented and charged with an intense psychological tension. The composition, in which two bodies are articulated almost organically on an irregular base, suggests an ambiguous scene between the narrative and the symbolic: there is no explicit action, but a bodily relationship that refers to conflict, dependence or transformation. Formally, the work stands out for its rough and gestural modeling, where the surface retains traces of the sculptural process, reinforcing the idea of matter in constant mutation. This treatment is especially significant in bronze, a material historically valued for its resistance, capacity for detail and evolution of patina over time. Jorge Castillo showed an exceptional vocation for drawing: at the age of ten he was already copying Peter Paul Rubens, whose work, according to the artist himself, later helped him to understand the cubist language of Georges Braque and Pablo Picasso. Although his family moved to Buenos Aires shortly after his birth, Castillo returned to Europe in 1955 and settled in Madrid, where he came into contact with the critic José María Moreno Galván, who encouraged his integration into the artistic environment, and at the end of the fifties he began to exhibit and sell his drawings, appreciated even by Antonio Saura, and soon turned his work towards engraving, a technique that would become one of his main means of expression. His international projection took off with his participation in the São Paulo Biennial in 1960, followed by important exhibitions and appearances at key events such as the Venice Biennial. Since then, his work has traveled to museums and galleries around the world, consolidating a career recognized with numerous awards. Today, Castillo lives and works in New York's Soho, and his production is part of prominent international collections, reflecting a solid and deeply coherent career. Enclosed is a certificate issued by the author.

    Setdart Auction House
  • JORGE CASTILLO (Pontevedra, 1933). Untitled, 1992. Mixed media on paper. Signed and dated.
    May. 20, 2026

    JORGE CASTILLO (Pontevedra, 1933). Untitled, 1992. Mixed media on paper. Signed and dated.

    Est: €400 - €500

    JORGE CASTILLO (Pontevedra, 1933). Untitled, 1992. Mixed media on paper. Signed and dated. Measurements: 30 x 40 cm; 44 x 53 cm (frame). From a family that emigrated to Buenos Aires, Castillo returned to Europe in 1957. After passing through Vigo, he settles in Madrid, where he soon comes into contact with the art critic José María Moreno Galván, who admires his work and introduces him to Madrid's artistic circles. In 1958 he begins to sell his drawings at the Biosca gallery, and the painter Antonio Saura himself buys several of them. The following year he exhibits his works on paper and watercolors at the Altamira gallery in Madrid. Little by little he will gradually opt for the technique of engraving, which will finally be his main means of expression, although he will alternate it with painting. In 1960 he is selected for the Biennial of São Paulo in Brazil. From then on he exhibited his work internationally, in galleries and museums in New York, San Francisco, Tokyo, Paris, Lisbon, Turin, Hanover, Dusseldorf and Geneva. He participated in the Venice Biennale in 1964 and 1976, and in 1970 he held a solo exhibition at the Nationalgalerie in Berlin, the first major museum exhibition dedicated to a specific period of his career. He won awards such as the International Drawing (1964) and Painting (1975) in Darmstadt, the City of Pontevedra (1994), and the Cultura Viva de las Artes Plásticas (2006). He currently lives and works in Ibiza. Jorge Castillo's work can be seen at the Museum of Fine Arts in Lausanne, the Juan March Foundation, the National Galleries of Edinburgh and Berlin, the Museums of Modern Art in San Francisco and Vitoria, the Kunsthalle in Bremen, the Albertina in Vienna, the National Library of Spain and the Guggenheim in New York, among others.

    Setdart Auction House
  • JORGE CASTILLO (Pontevedra, 1933). Untitled, 1992. Mixed media on paper. Signed and dated.
    May. 20, 2026

    JORGE CASTILLO (Pontevedra, 1933). Untitled, 1992. Mixed media on paper. Signed and dated.

    Est: €400 - €500

    JORGE CASTILLO (Pontevedra, 1933). Untitled, 1992. Mixed media on paper. Signed and dated. Measurements: 30 x 40 cm; 44 x 53 cm (frame). From a family that emigrated to Buenos Aires, Castillo returned to Europe in 1957. After passing through Vigo, he settles in Madrid, where he soon comes into contact with the art critic José María Moreno Galván, who admires his work and introduces him to Madrid's artistic circles. In 1958 he begins to sell his drawings at the Biosca gallery, and the painter Antonio Saura himself buys several of them. The following year he exhibits his works on paper and watercolors at the Altamira gallery in Madrid. Little by little he will gradually opt for the technique of engraving, which will finally be his main means of expression, although he will alternate it with painting. In 1960 he is selected for the Biennial of São Paulo in Brazil. From then on he exhibited his work internationally, in galleries and museums in New York, San Francisco, Tokyo, Paris, Lisbon, Turin, Hanover, Dusseldorf and Geneva. He participated in the Venice Biennale in 1964 and 1976, and in 1970 he held a solo exhibition at the Nationalgalerie in Berlin, the first major museum exhibition dedicated to a specific period of his career. He won awards such as the International Drawing (1964) and Painting (1975) in Darmstadt, the City of Pontevedra (1994), and the Cultura Viva de las Artes Plásticas (2006). He currently lives and works in Ibiza. Jorge Castillo's work can be seen at the Museum of Fine Arts in Lausanne, the Juan March Foundation, the National Galleries of Edinburgh and Berlin, the Museums of Modern Art in San Francisco and Vitoria, the Kunsthalle in Bremen, the Albertina in Vienna, the National Library of Spain and the Guggenheim in New York, among others.

    Setdart Auction House
  • JORGE CASTILLO (Pontevedra, 1933). Untitled. Acrylic on canvas. Signed in the lower right corner.
    May. 20, 2026

    JORGE CASTILLO (Pontevedra, 1933). Untitled. Acrylic on canvas. Signed in the lower right corner.

    Est: €800 - €1,000

    JORGE CASTILLO (Pontevedra, 1933). Untitled. Acrylic on canvas. Signed in the lower right corner. Measurements: 60 x 60 cm. The bodies appear intertwined and represented in a fragmented way, inhabiting a dreamlike space, suggesting that desire is not an isolated act, but a force that overflows limits and categories. In this visual language, the erotic becomes an enigma: rather than being shown, it is suggested, inviting the viewer to complete the scene from his own gaze, between the intimate and the disturbing. Jorge Castillo is an essential figure of contemporary Spanish art, linked since the sixties to the New Figuration. His work, strongly symbolic and literary, oscillates between figuration and abstraction. He is represented in important public collections such as the Museo Nacional Centro de Arte Reina Sofía, the IVAM, the Museo de Bellas Artes de Bilbao and various international institutions.

    Setdart Auction House
  • JORGE CASTILLO (Pontevedra, 1933). Untitled. Acrylic on canvas. Signed in the lower right corner.
    May. 20, 2026

    JORGE CASTILLO (Pontevedra, 1933). Untitled. Acrylic on canvas. Signed in the lower right corner.

    Est: €1,000 - €1,200

    JORGE CASTILLO (Pontevedra, 1933). Untitled. Acrylic on canvas. Signed in the lower right corner. Measurements: 92 x 73 cm. In the mature work of Jorge Castillo, eroticism unfolds as a constant tension between desire and restlessness. His figures, often fragmented or in metamorphosis, do not celebrate the body in an idealized way, but present it as an ambiguous territory, where the sensual coexists with the disturbing. The incisive line and the restrained color construct scenes in which eroticism ceases to be complacent and becomes a reflection: an exploration of the human impulse crossed by irony and, at times, by a subtle symbolic violence. Jorge Castillo is an essential figure of contemporary Spanish art, linked since the sixties to the New Figuration. His work, strongly symbolic and literary, oscillates between figuration and abstraction. He is represented in important public collections such as the Museo Nacional Centro de Arte Reina Sofía, the IVAM, the Museo de Bellas Artes de Bilbao and various international institutions.

    Setdart Auction House
  • JORGE CASTILLO. Untitled.
    May. 14, 2026

    JORGE CASTILLO. Untitled.

    Est: €600 - €700

    Oil on canvas Signed 53x44 cm.

    Balclis
  • Jorge Castillo (1933 Pontevedra – lebt in Barcelona)
    May. 09, 2026

    Jorge Castillo (1933 Pontevedra – lebt in Barcelona)

    Est: €200 - €300

    Ohne Titel. 1971. Farbserigrafie auf Bütten. Am unteren Bildrand signiert, datiert und nummeriert: Castillo, 71, 91/150. Blattmaß: 57 x 76,2 cm. Zustand: Am unteren rechten Blattrand Knickspur.

    AaG Auktionshaus am Grunewald
  • Jorge Castillo (1933 Pontevedra – lebt in Barcelona)
    May. 09, 2026

    Jorge Castillo (1933 Pontevedra – lebt in Barcelona)

    Est: €200 - €300

    Ohne Titel. 1969. Farbaquatintaradierung auf Bütten. Am unteren Bildrand signiert, datiert und nummeriert: Castillo, 69, 23/50. Blattmaß: 79,7 x 63 cm.

    AaG Auktionshaus am Grunewald
  • CASTILLO, Jorge (*16.06.1933 Pontevedra),
    Apr. 16, 2026

    CASTILLO, Jorge (*16.06.1933 Pontevedra),

    Est: -

    CASTILLO, Jorge (*16.06.1933 Pontevedra), Farbradierung, Stillleben, Festtagstafel, unten links num. 67/ 70, rechts sign. u dat. (19)76, Blattmaß ca. 53,5 x 75 cm

    zeitGenossen Antiquitäten - Kunst - Design
  • JORGE CASTILLO CASALDERREY (Pontevedra, 1933). Untitled. Cortén steel sculpture. Exemplary P.A. Presents double signature and justification.
    Apr. 16, 2026

    JORGE CASTILLO CASALDERREY (Pontevedra, 1933). Untitled. Cortén steel sculpture. Exemplary P.A. Presents double signature and justification.

    Est: €1,000 - €1,200

    JORGE CASTILLO CASALDERREY (Pontevedra, 1933). Untitled. Cortén steel sculpture. Exemplary P.A. Presents double signature and justification. Measurements: 32 x 26,5 x 15 cm. Jorge Castillo's sculpture, as can be seen in this piece, is characterized by imaginative figures and forms of great expressive force, close to the universe of surrealism. In his three-dimensional works he transfers to space the same symbolic and creative language present in his painting, giving life to characters and worlds arising from his imagination. Jorge Castillo showed interest in drawing since he was a child; at the age of ten he made his first copy of a work by Peter Paul Rubens. Born in Spain but raised in Buenos Aires, he returned to Europe in 1955 and settled in Madrid, where the critic José María Moreno Galván encouraged his career. Since the late fifties he began to exhibit and sell his drawings, later developing an important career in engraving and painting. His work reached international projection, participating in events such as the São Paulo Art Biennial and the Venice Biennale. Throughout his career he has exhibited in numerous cities around the world and has received several awards. He currently lives and works in SoHo, New York City.

    Setdart Auction House
  • JORGE CASTILLO CASALDERREY (Pontevedra, 1933). "Pigeon on a pitcher", 1984, New York. Oil on canvas. Signed, dated and located in the upper right corner. Titled, signed, dated and located on the Stretcher frame
    Apr. 16, 2026

    JORGE CASTILLO CASALDERREY (Pontevedra, 1933). "Pigeon on a pitcher", 1984, New York. Oil on canvas. Signed, dated and located in the upper right corner. Titled, signed, dated and located on the Stretcher frame

    Est: €7,000 - €9,000

    JORGE CASTILLO CASALDERREY (Pontevedra, 1933). "Pigeon on a pitcher", 1984, New York. Oil on canvas. Signed, dated and located in the upper right corner. Titled, signed, dated and located on the Stretcher frame. Work published in "Castillo", Carter Ratcliff, p. 292, ref. 358. Measurements: 152.5 x 178 cm; 154.5 x 180 cm (frame). In the 80's Jorge Castillo lived in New York, a stage of maturity to which this painting belongs. By then his recognition was well established. In the work we show here appears a completely decontextualized and ambiguous still life, where fruits and objects are dispersed and connected in a cryptic way. A dove rests on a pitcher, giving the work its title. Since he was a child, Jorge Castillo has been passionate about drawing, and when he was only ten years old, he made his first copy of Rubens with colored pencils. According to Castillo, Rubens' painting taught him to understand the cubism of Braque and Picasso. He has lived in Argentina, Spain, France, Italy, Germany and the United States, and since 2008 he has lived in Ibiza. He grew up in Buenos Aires, where he spent long hours at the port, besides dedicating his time to painting and writing. During these years he began to show his paintings, even exhibiting at the Salón de Mayo. He also published poems and short stories in magazines. However, at the age of twenty-two he decided to leave his city and go to Paris. However, for economic reasons he settled in Spain, specifically in Madrid, where he spent six years, between 1957 and 1963, the first three of them living as a vagabond. It was in 1964, the year of his participation in the Venice Biennale, when the doors of Paris finally opened for him, thanks to the contract he signed with the art dealer André Schoeller. He settled in the French capital for almost four years, until 1967, and there he regularly visited the Louvre Museum and continued to hold increasingly successful exhibitions. In 1967 Castillo left Paris and moved to Geneva, since Schoeller had sold his contract to the Swiss Jan Krugier, then one of the most important gallery owners in Europe. However, he did not like the city, so he went to Boissano, in Italy. In this country he became immersed in classical Italian art, especially from the Trecento and Quattrocento, and in 1969 he was invited by the German government to work in Berlin, where he lived until 1975. In 1970 he exhibited at the Nationalgalerie in the German capital, the first major museum exhibition dedicated to a specific period of his career, and later in numerous Berlin galleries. When he left Berlin Castillo moved to Barcelona, by then a recognized painter in Europe and America. There he exhibited regularly at the Joan Prats gallery, and met Salvador Dalí. During these years he began to visit New York and finally settled there in 1981, remaining in the city until 1992. There he was hired by the prestigious Marlborough Gallery, and his successes continued. Throughout his career, Castillo was awarded prizes such as the International Drawing (1964) and Painting (1975) in Darmstadt, the City of Pontevedra (1994), etc.

    Setdart Auction House
  • JORGE CASTILLO (Pontevedra, 1933). "The little Taggio in bitter water", 1975. Watercolor on paper. Signed, dated and titled.
    Apr. 16, 2026

    JORGE CASTILLO (Pontevedra, 1933). "The little Taggio in bitter water", 1975. Watercolor on paper. Signed, dated and titled.

    Est: €1,200 - €1,400

    JORGE CASTILLO (Pontevedra, 1933). "The little Taggio in bitter water", 1975. Watercolor on paper. Signed, dated and titled. Measurements: 66 x 50 cm. Work belonging to one of the most conceptually dense stages of Jorge Castillo, made in 1975, when the artist delves into a painting of introspective and symbolic character. In "El pequeño Taggio", the scene is constructed as a mental rather than narrative space, creating an atmosphere of disturbing ambiguity. Jorge Castillo is an essential figure of contemporary Spanish art, linked since the sixties to the New Figuration. His work, strongly symbolic and literary, oscillates between figuration and abstraction. He is represented in important public collections such as the Museo Nacional Centro de Arte Reina Sofía, the IVAM, the Museo de Bellas Artes de Bilbao and various international institutions.

    Setdart Auction House
  • JORGE CASTILLO CASALDERREY (Pontevedra, 1933). Untitled. New York, 1982. Mixed media on paper. Signed and dated in the lower corner.
    Apr. 16, 2026

    JORGE CASTILLO CASALDERREY (Pontevedra, 1933). Untitled. New York, 1982. Mixed media on paper. Signed and dated in the lower corner.

    Est: €1,000 - €1,200

    JORGE CASTILLO CASALDERREY (Pontevedra, 1933). Untitled. New York, 1982. Mixed media on paper. Signed and dated in the lower corner. Measurements: 46 x 60 cm; 57 x 73 cm (frame). Since he was a child, Jorge Castillo has been passionate about drawing, and when he was only ten years old, he made his first copy of Rubens with colored pencils. According to Castillo, Rubens' painting taught him to understand the cubism of Braque and Picasso. His family emigrated to Buenos Aires the year the painter was born, but he returned to Europe in 1955. He tries to go to Paris, but due to lack of economic resources he settles in Spain. After passing through Vigo, he settles in Madrid in 1955, where he soon comes into contact with the art critic José María Moreno Galván, who admires his work and introduces him to Madrid's artistic circles. In 1958 he begins to sell his drawings at the Biosca gallery, and the painter Antonio Saura himself buys several of them. The following year he exhibits his works on paper and watercolors at the Altamira gallery in Madrid. Little by little he will gradually opt for the technique of engraving, which will finally be his main means of expression, although he will alternate it with painting. In 1960 he is selected for the Biennial of São Paulo in Brazil. From then on he exhibited his work internationally, in galleries and museums in New York, San Francisco, Tokyo, Paris, Lisbon, Turin, Hanover, Dusseldorf and Geneva. He participated in the Venice Biennale in 1964 and 1976, and in 1970 he held a solo exhibition at the Nationalgalerie in Berlin, the first major museum exhibition dedicated to a specific period of his career. He won awards such as the International Drawing (1964) and Painting (1975) in Darmstadt, the City of Pontevedra (1994), and the Cultura Viva de las Artes Plásticas (2006). He currently lives and works in Soho, New York. Jorge Castillo's work can be seen at the Museum of Fine Arts in Lausanne, the Juan March Foundation, the National Galleries of Edinburgh and Berlin, the San Francisco and Vitoria Museums of Modern Art, the Kunsthalle in Bremen, the Albertina in Vienna, the National Library of Spain and the Guggenheim in New York, among others.

    Setdart Auction House
  • Jorge Castillo 1961 painting La Senora del Perro, exhibited in 1961 Carnegie International
    Apr. 11, 2026

    Jorge Castillo 1961 painting La Senora del Perro, exhibited in 1961 Carnegie International

    Est: $1,500 - $3,000

    Castillo, Jorge (aka Jorge Jose Castillo Casalderrey) (Spanish/Argentine, 1933 -2020), La Senora del Perro, 1961, oil on canvas, 40 x 40 inches, signed and dated upper left. Provenance: Matias Turrion, Madrid; exhibited and purchased from the 1961 Carnegie International (cat. # 59), Carnegie Museum of Art, Pittsburgh.

    Concept Art Gallery
  • Jorge Castillo. Untitled
    Mar. 24, 2026

    Jorge Castillo. Untitled

    Est: -

    Etching on paper. Numbered (2/70) in the lower left corner. Signed and dated (76) in the lower right corner.

    Duran Arte y Subastas
  • JORGE CASTILLO - Winter Garden
    Mar. 24, 2026

    JORGE CASTILLO - Winter Garden

    Est: -

    JORGE CASTILLO Pontevedra 1933 Winter Garden. 1972-1973 Oil on canvas Signed and dated 1972 Back on stretcher frame signed and dated February 1973 Dimensions 150 x 150 cm

    Subastas Segre
  • JORGE CASTILLO (Pontevedra,1933), Castillo, Grabado
    Mar. 24, 2026

    JORGE CASTILLO (Pontevedra,1933), Castillo, Grabado

    Est: €350 -

    JORGE CASTILLO (Pontevedra,1933) "Castillo"2013. Grabado Firmado y fechado en el ángulo inferior izquierdo. Ed. 6/7 Medidas:110 x 93 cm

    Magna Art Auctions
  • JORGE CASTILLO (Pontevedra, 1933). "The unworldly", 2013. Acrylic on canvas. Signed. Titled and dated on the stretcher frame.
    Mar. 19, 2026

    JORGE CASTILLO (Pontevedra, 1933). "The unworldly", 2013. Acrylic on canvas. Signed. Titled and dated on the stretcher frame.

    Est: €1,000 - €1,400

    JORGE CASTILLO (Pontevedra, 1933). "The unworldly", 2013. Acrylic on canvas. Signed. Titled and dated on the stretcher frame. Measurements: 65 x 50,5 cm. Late work by Jorge Castillo in which his symbolic and narrative imaginary reappears, here resolved through schematic and floating figures on a monochrome background of great chromatic intensity. The dominant red acts as a psychological field, while the silhouettes, outlined with green contours and primary colors, evoke an inner world between the playful and the disturbing. Jorge Castillo is an essential figure of contemporary Spanish art, linked since the sixties to the New Figuration. His work, strongly symbolic and literary, oscillates between figuration and abstraction. He is represented in important public collections such as the Museo Nacional Centro de Arte Reina Sofía, the IVAM, the Museo de Bellas Artes de Bilbao and various international institutions.

    Setdart Auction House
  • JORGE CASTILLO (Pontevedra, 1933). "Reclining prostitute" 1993. Acrylic on canvas. Signed. Titled and dated on the stretcher frame.
    Mar. 19, 2026

    JORGE CASTILLO (Pontevedra, 1933). "Reclining prostitute" 1993. Acrylic on canvas. Signed. Titled and dated on the stretcher frame.

    Est: €1,300 - €1,600

    JORGE CASTILLO (Pontevedra, 1933). "Reclining prostitute" 1993. Acrylic on canvas. Signed. Titled and dated on the stretcher frame. Measurements: 81 x 100 cm. Representative work of the symbolic figuration of Jorge Castillo, in which the female body is treated in a monumental and frontal way, with simplified contours and an intense and unnatural palette dominated by acid greens, ochres and pinks. The scene, deliberately ambiguous, combines intimacy and distancing, reinforced by the presence of secondary elements that introduce a metaphorical and psychological reading. The flat composition and controlled chromaticism underline the introspective and narrative character of his mature production. Jorge Castillo is an essential figure of contemporary Spanish art, linked since the sixties to the New Figuration. His work, strongly symbolic and literary, oscillates between figuration and abstraction. He is represented in important public collections such as the Museo Nacional Centro de Arte Reina Sofía, the IVAM, the Museo de Bellas Artes de Bilbao and various international institutions.

    Setdart Auction House
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